Theatre direction and production Books
£24.38
Lulu.com Glitter Glass Grit
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Lulu Press a...
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Lulu Press Isle of Dogges II
£12.20
Lulu Press Stages
£10.96
Lulu.com HUMPHREY AND THE CAT WHISPERER
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£14.26
Lulu.com West Malvern Ring
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Lulu.com Scenes
£9.80
Bloomsbury Publishing (UK) Love Modern Plays
Trade ReviewIt’s an elegy to an invisible class ... This is character-driven theatre at its purest ... It’s a play about what unremitting poverty does to the soul, where poverty is not starvation, but life without dignity. * Spectator on "Beyond Caring" *Beyond Caring seethes. It brings your blood to boiling point. * Time Out *Totally compelling ... This understated 90 minutes is quietly devastating ... As time moves, slowly, the whole thing gradually becomes more and more heightened, emotionally and theatrically. The beauty of the piece ... is that it eschews sob stories in favour of genuine tragedy. Just as these people keep themselves pretty much to themselves until the final, desperate moments, so the play always slyly shows and never tells. There are no big speeches. There is much awkward silence. People reveal themselves in small gestures ... There are gusts of sadness; moments of pure desolation. But mostly there is work, with people struggling to survive: to the end of the shift, the end of the day, to the end of life itself. * Guardian on "Beyond Caring" *This desolate, quietly intense devised drama gets under your skin and into your bones ... it's a ringing condemnation of an economic practice that puts profit before people and turns the basic business of earning a living into a barely sustainable, soul-destroying hell. Unforgettable. * The Times on "Beyond Caring" *Alexander Zeldin's devised drama gives an unforgettable taste of life at the bottom of the employment pile ... it has a rare quality of gripping authenticity. * Daily Telegraph on "Beyond Caring" *Zeldin boldly sticks to unostentatious naturalism and draws the audience into this world ... this raw, unsentimental piece has immense cumulative power and quietly conveys just what it means to live with such a crippling lack of security. * Financial Times on "Beyond Caring" *Beyond Caring is beyond praise * International New York Times *
£16.59
Bloomsbury Publishing PLC Road
Book SynopsisWhy's the world so tough? It's like walking through meat in high heels.A road, a wild night; a drunken guide, Scullery, conducts a tour of the derelict Lancashire road on which he lives. In this seminal play that gives expression to the road''s poverty-stricken inhabitants, we are taken on a journey from the gutter to the stars and back.This is published to coincide with the revival of Jim Cartwright's 1986 game-changing play to the Royal Court, London in June 2017.Trade ReviewUncomfortable and magical, funny and bitter. It is a northern Under Milk Wood, high on pills and booze * Sunday Times *Road is indeed an original, affecting, rumbustious and truly remarkable piece of work * Financial Times *The writing [is] so immediate and entertaining too. As a first piece of work [it] is absolutely seminal. * Guardian *...Jim Cartwright's 1986 account of a community scarred by unemployment that couldn't be more relevant or rousing...**** -- The GuardianRoad is a hard, occasionally transcendent evening and also a gauntlet to modern playwrights...**** -- The Telegraph...Cartwright's vivid language, with its ugly-beautiful poetry, its rage and compassion, still grabs you by the heart and throat and squeezes, hard. **** -- The Times...its message comes at us with a vengeance. -- The Radio Times
£16.59
Bloomsbury Publishing (UK) Knives in Hens Modern Plays
Book Synopsis'I have no name for the thing which is in my head. It is not envy. It is more than envy. It does not scare me. I must look close enough to look at what it is.'A ploughman and his wife live a simple existence in a pre-industrial time until they, along with the hated local miller, are drawn into a struggle of knowledge, power and attraction.David Harrower's haunting play established him as one of the UK's leading contemporary playwrights. This new edition is published to coincide with the new production of this tense modern classic at the Donmar Warehouse in August 2017, directed by Yaël Farber.Trade ReviewAn outstanding . . . play, David Harrower's Knives in Hens is set in a God-fearing, pre-industrial world and deals, passionately and intelligently with a woman's discovery of a language that corresponds with her feelings . . . A remarkable debut. * Guardian *David Harrower's remarkable debut as a professional dramatist creates a haunting, poetic and entirely individual world of its own. I have never seen a play quite like it. . . You leave the theatre in no doubt that you have watched one of the year's most heartening and accomplished debuts. Harrower already seems like a writer built to last. * Daily Telegraph *If one definition of a classic is that it constantly yields new meanings, then David Harrower's play deserves the title...**** -- The GuardianIt is an atmospheric, powerful piece. -- Sarah Crompton, What's On StageI was awed by its linguistic verve...So watertight is the writing, though, that its profundity and mystery remain intact. -- The Telegraph...the language is taut and visceral and the dramatic impetus slow but inexorable. -- Neil Norman, Express.com...stark, strange modern classic...Harrower's language is curt and harsh: the cast hack the story out with it, carving the air with terse, hard, poetic interactions. -- Time Out
£16.59
Bloomsbury Publishing (UK) Social Housing in Performance The English Council Estate on and off Stage Methuen Drama Engage
Book SynopsisKatie Beswick is a lecturer in Drama at the University of Exeter, UK. Her research focuses on the intersections between theatre and structural inequality, with an emphasis on race and class. She has worked as a performer, writer, facilitator of applied theatre and as a social housing officer.Trade ReviewKatie Beswick’s book addresses the crisis in UK council housing boldly, but also with great care and sensitivity. Social Housing in Performance critiques the ways in which council estates are presented to us in the establishment media, and puts forward instead a compelling new typology for understanding housing issues through performance practice. -- Jane Rendell, The Bartlett School of Architecture, University College LondonAfter decades in which social housing in England has been neglected, Beswick’s deeply considered analysis of estate performance is very welcome. She examines not only how individual performances have figured working class life but also how these performances are caught up with broader perceptions of social housing and with British theatre’s own highly fraught class politics. This is a timely and important book. -- Michael McKinnie, Queen Mary University of LondonTable of ContentsAcknowledgements Three places: a preface Introduction: The council estate, definitions and parameters Chapter one: Quotidian performance of the council estate Chapter two: Class and the council estate in mainstream theatre Chapter three: Located on the estate Chapter four: Resident artists Conclusion: Three thoughts Notes Bibliography Index
£32.99
Bloomsbury Publishing (UK) Research and Development in British Theatre
Book SynopsisTom Cantrell is a Professor of Theatre and Head of the School of Arts and Creative Technologies at the University of York, UK. He has published widely on acting processes, including Acting in Documentary Theatre (Palgrave 2013), Acting in British Television (Palgrave 2017) and Exploring Television Acting (Bloomsbury 2018), co-written with Christopher Hogg.Katherine Graham is a Senior Lecturer in Theatre at the University of York, UK, where her research focuses on the agency of materials in performance. She has also worked extensively as a lighting designer for theatre and dance and has published work about light in Theatre and Performance Design Journal, Studies in Theatre and Performance, and Contemporary Theatre Review. She is co-editor, with Kelli Zezulka and Scott Palmer, of Contemporary Performance Lighting: Experience, Creativity, Meaning (Bloomsbury 2023).Mark Love-Smith is a Senior Lecture
£71.25
Bloomsbury Publishing (UK) A Beginners Guide to Directing Theatre
Book SynopsisRobert Marsden is an experienced theatre director and theatre academic, currently Head of the Media and Performance Department at Staffordshire University, UK. As a director, he has worked across subsidised and commercial sectors since 1999 and has taught directing, acting and theatre making in universities and drama schools since 2001. He has published articles in journals for Palgrave, as well as in trade papers from The Stage to Drama and Theatre magazine amongst others, and is the author of Inside the Rehearsal Room (2022).
£66.50
Methuen Drama Staging Systemic Violence
Book SynopsisAlex Watson is a principal lecturer at the Institute of Contemporary Theatre, Brighton, BIMM University, UK. His publications include articles for Theatre Notebook (2022) and Contemporary Theatre Review (2022), as well as chapters for Methuen Engage (2022), Contemporary Drama in English (2023), and The Routledge Companion to 20th-Century Theatre (forthcoming).
£999.99
Methuen Drama Notes from a WorkingClass Playwright
Book SynopsisLeo Butler is an award-winning playwright from Sheffield, UK. His plays have been produced by many of the UK's most important theatres, including the National Theatre, Royal Court, Almeida, Birmingham Rep, and Royal Shakespeare Company. He has taught and run workshops at major international theatres and cultural centres, including Teatro De La Palabra in Chile; Dot Theatre in Turkey; Studio Emad Eddin in Egypt; National Theatre in Nigeria; Reps Theatre in Zimbabwe; Market Theatre in South Africa; Teatro Britanico in Peru; and Merlin International Theater in Hungary. He has written many celebrated plays about young people, including Made of Stone (Royal Court), Redundant (Royal Court - winner of the George Divine Award), Boy (Almeida) and Decades (Brit School/Bridge Theatre Co.) He has written historical plays such as I'll Be The Devil (RSC) and contemporary dramas such as Lucky Dog (Royal Court), Faces in the Crowd (Royal Court), The Early Bird (Queen's Theatre, Belfast) and All You Need is LSD (Birmingham Rep). He has also adapted classics like Woyzeck (Birmingham Rep), pantomimes and comedies such as Cinderella (Theatre Royal Stratford East), and written musicals such as Alison! The Rock Opera (Royal Court/King's Head). For 10 years, Leo Butler was Writers Tutor at the Royal Court Theatre and helped nurture a new generation of playwriting talent.
£66.50
Methuen Drama The Contemporary History Play
Book SynopsisSomething exciting is happening with the contemporary history play. New writing by playwrights such as Jackie Sibblies Drury, Samuel Adamson, Hannah Khalil, Cordelia Lynn, and Lucy Kirkwood, makes powerful theatrical use of the past, but does not fit into critics' familiar categories of historical drama. In this book, Benjamin Poore provides readers with tools to name and critically analyse these changes.The Contemporary History Play contends that many history plays are becoming more complex and layered in their aesthetic approaches, as playwrights work through the experience of being surrounded by numerous and varied forms of historical representation in the twenty-first century.For theatre scholars, this book offers a means of interpreting how new writing relies on the past and notions of historicity to generate meaning and resonance in the present. For playwrights and students of playwriting, the book is a guide to the history play's recent past, and to the state of the art: what techniques and formulas have been popular, the tropes that are widely used, and how artists have found ways of renewing or overturning established conventions.
£28.99
Bloomsbury Publishing PLC Signature Pedagogies for the Playwriting Classroom
Book SynopsisDrawing on qualitative research exploring the techniques of playwriting instructors, this book outlines signature pedagogies within playwriting instruction for novice' writers and how they may be reimagined and reinvigorated. Through research gathered in interviews with 11 instructors, and surveying their methods, syllabi and handouts, Andrew Black interrogates key challenges within dramatic writing pedagogy: the myth that it, along with creativity, cannot be taught; the lack of clarity about the instructional value of playwriting education for diverse contemporary audiences; the tendency to allow the writing product to drive instruction rather than process; and the tension between traditional and experimental models of play construction and how this can confound instructional techniques. Identifying 3 indispensable and signature pedagogies that are consistently used in the classroom the writing exercise, the use of mentor texts and the workshopping of student material this boo
£80.75
Methuen Drama Dramaturgas Chilenas
Book SynopsisEditors:Anne García-Romero is Professor of Theatre at the University of Notre Dame, Indiana, USA. She's the author of The Fornés Frame: Contemporary Latina Playwrights and the Legacy of María Irene Fornés (2016). In 2018, she received a Luksic Foundation grant to teach in Chile. Her plays include Paloma, Juanita's Statue, Earthquake Chica, and Santa Concepcíon. Coca Duarte is an Associate Professor and Associate Dean of the Pontifical Catholic University of Chile School of Theatre, Santiago, Chile. She's the author of Writing the Scene, Tracing the Present: Dramatic Strategies of the Chilean Theater 2007-2017 (2023). Her plays include Juana de Arco, Mala Leche, Mal and Plaga.Inés Stranger is Professor of Theatre at the Pontifical Catholic University of Chile School of Theatre, Santiago, Chile. She's the author of Playwriting Notebook: Theory, Technique and Exercises (2011). Her plays include Cariño, Malo, Malinche and Tálamo. She received the Fondo del Libro award from Chile's Council on Art and Culture.Playwrights:Ximena Carrera is a Chilean actor, playwright, producer, screenwriter and teacher. In 1997, she founded the theatre company, The Trumpet, with actor and director Sebastián Vila. Her works include Por encargo del olvido, Naturaleza Muerta, Medusa, and Ningún pájaro canta por cantar. She's the 2010 winner for Best Play from the Chile Drama Critics Circle.Isidora Stevenson is a Chilean playwright, director and teacher. Her works include Campo, Hilda Peña, Réplica, Guerra, Bernarda, El nudo, Informe de una mujer que arde, Soledad Escobar, Niebla, Mi corazón es un ancla, Fin, and Amanda Labarca. She's the 2014 winner of the Chile National Theater Festival.Nona Fernández is a Chilean actor, playwright and novelist. Her plays include El Taller, winner of the 2012 Altazor y Nuez Martín prizes, Liceo de niñas, and Paren la Música, winner of the 2021 Best Play from the Chilean Drama Critics Circle. Her award-winning novels include Mapocho, Space Invaders and Chilean Electric.Leyla Selman is a Chilean actor, poet, and playwright. She is a member of the Colectivo Frío, a collective focusing on art, theatre and film. Her plays include El mejor truco de magia jamás visto, Ifigenia, OtraMuerta Anunciada, La Ciudad de la Fruta and Los Ojos de Lena. She's the 2024 winner for Best Play from the Chile Drama Critics Circle.Carla Zúñiga is a Chilean actor, playwright and teacher. In 2012, she founded the company, La Niña Horrible, with Javier Cassanga. Her works include Sentimientos, La trágica agonía de un pájaro azul, and El amarillo sol de tus cabellos largos. She's the 2020 winner for Best Play from the Chile Drama Critics Circle.Translators:Constanza Brieba is a Chilean director, actor, translator and arts administrator. She studied at the London Academy of Music and Dramatic Arts (LAMDA). She has served as a theatrical translator in Chile for the British Council, the North American Institute of Culture and the French Institute of Culture. Her theatrical translations have been produced in Chile, England and Switzerland. Andrea Thome is a Chilean/Costa Rican-American playwright and translator. Recent plays: Fandango for Butterflies (and Coyotes); Cymbeline (modern English translation'); A Dozen Dreams (installation); Pinkolandia (multiple U.S. productions; translated into Russian). Spanish-English translations include Guillermo Calderón's Neva (Public Theater, CTG) and Rodrigo García's You Should Have Stayed Home, Morons (Radar LA).Alexandra Ripp is a dramaturg, translator and arts administrator. She has worked at the International Festival of Arts and Ideas, Carolina Performing Arts, Five College Dance, and most recently with movement-based artist nora chipaumire. She served as co-editor of Imagined Theaters: Chile. She holds an MFA and DFA from the David Geffen School of Drama at Yale University.Yael Prizant is an adapter, translator, devisor, and dramaturg. She holds a Ph.D. in Theatre, an M.F.A. in Dramaturgy and has taught at UCLA, the University of Notre Dame, Indiana, and Johns Hopkins SAIS. Her book, Cuba Inside Out: Revolution and Contemporary Theatre, investigates effects of politics and globalization on the stage. She has translated works of Cuban playwrights and is the dramaturg for Máscaramentos at the Universidade Federal de Rio Grande do Sul in Brazil.
£71.25
Left of Brain Books Cymbeline King of Britain
£24.29
Outskirts Press A Survival Guide for Stage Managers A Practical StepByStep Handbook to Stage Management
£16.39
Bloomsbury Publishing (UK) Broadway Swings
Book SynopsisJ. Austin Eyer is an Assistant Professor of Theatre at The Pennsylvania State University. He also serves as the Head of Musical Theatre for Musiktheater Bavaria in Germany. He has performed on Broadway in Evita, How to Succeed in Business Without Really Trying, Billy Elliot, The Little Mermaid, Curtains and The Secret GardenLyndy Franklin Smith is an Instructor in the Department of Theatre and Dance at University of Kentucky, Artistic Director of The Lexington Theatre Company, and a professional Director/Choreographer. She performed on Broadway in A Chorus Line and The Little Mermaid; Tours of Fosse and White Christmas and NYC's Radio City Christmas Spectacular.Trade ReviewAustin Eyer and Franklin Smith are both experienced [swings] and take the reader through the background to the swing concept, rehearsing as a swing, dealing with whatever you have to do in the show and what happens at the end of it. There’s a lot of practical advice about learning songs and dancing routines, and combining it – if required – with the role of dance captain. A useful and accessible book about a subject which really needed spelling out clearly. Yes, it’s about Broadway but nearly all the advice and examples are applicable wherever musical theatre is being staged. * The Stage *As this text so wonderfully captures, swings are mathematicians, artists, soloists, team members, team leaders, peacekeepers, and miracle-workers. What a gift to have their stories told! Future swings, take this gift and run with it! * Andy Blankenbuehler, Choreographer *A revelation! . . . This user-friendly guide explains everything you need to know to be a successful swing or cover on any stage, anywhere. It takes all of the confusion and intimidation out of the job and explains every responsibility in detail. A guaranteed gem!’ * Lyn Cramer, University of Oklahoma *A must-read for anyone considering a career in the theater, Broadway Swings is an eye-opener that will teach any old theater fan new tricks. -- Dave Quinn * NBC In the Wings *Table of ContentsPreface by J. Austin Eyer and Lyndy Franklin Smith Foreword by Susan Stroman Acknowledgments Introduction Some Terms to Know 1 What is a Swing? 2 Selecting the Swing 3 Swings in Rehearsal 4 The Next Step: Tech Rehearsal and Previews 5 On with the Show 6 And the Show Goes On . . . and On . . . and On . . . 7 Closing Time 8 So You Think You Can Swing? 9 Swings as Dance Captains 10 Swings beyond Broadway 11 Swing Stories 12 Thoughts from the Creative Team 13 Swinging On Appendix A: Meet the Swings Appendix B: Sources/Further Reading
£80.00
Bloomsbury Publishing (UK) Directing with the Michael Chekhov Technique A Workbook with Video for Directors Teachers and Actors Theatre Arts Workbooks
Book SynopsisMark Monday was a Certified Master Teacher of the Michael Chekhov Technique and served as President of the Great Lakes Michael Chekhov Consortium. Mark was a teacher, professional actor/director and a former Head of the MFA Acting Program at Kent State University. He taught, directed, and performed throughout the U.S., U.K., and Europe. Mark Monday frequently presented workshops and papers on the Chekhov technique at many conferences, universities, and professional theatres, including the Hilberry Repertory Company and Cleveland Playhouse.Trade ReviewProvides performers and directors with a practical set of exercises and also with a lexicon with which they can articulate their practice. This, in turn, supports a focused, structured and navigable pathway through a potentially difficult and precarious career ... if the Chekhov Technique appeals to you, [this] will quickly become dog-eared and tatty. * Youth Theatre Ireland *Table of ContentsIntroduction Chapter One-Analysis and Composition of the Play Chapter Two-Archetypes and Casting Chapter Three-Creating the Ensemble-Establishing Atmosphere Chapter Four-Revealing the Language of the Rehearsal Process Chapter Five-Beginning Work on Scenes-Composition Chapter Six-Work on Individual Speeches-Composition Chapter Seven-Psychological Gesture as Action Chapter Eight-Character Relationships Chapter Nine-Chekhov and Musical Theatre/Opera Chapter Ten-Tempo Chapter Eleven-Characterization Chapter Twelve-Middle to Final Rehearsals Chapter Thirteen-Further Exercises for Teachers and Directors Conclusion
£100.00
Orion Publishing Co Get Me the Urgent Biscuits
Book Synopsis''A sparkling memoir ... A delight from start to finish'' NINA STIBBE ''Anyone who loves the theatre will love this book'' ZOË WANAMAKER In 1980s London, Sweetpea Slight is en route to drama school when she is snapped up to work as an assistant to the maverick theatre producer Thelma Holt. Full of wit, charm and backstage intrigue, her irresistible memoir of the resulting twenty years is at once the poignant story of a young woman coming of age, and an exhilarating journey down the rabbit hole into the enchanting world of theatre.Trade ReviewA sparkling memoir full of charm and wit, with moments of poignancy and lots of gossip. If you love theatre, you'll adore this book - it's a delight from start to finish -- Nina Stibbe, author of LOVE, NINAA sparkling memoir [that evokes] the rougher glamour of backstage life ... With its anecdotes, backstage intrigue and charming portrait of a young woman navigating theatre's enchanting parallel worlds, Get Me the Urgent Biscuits should find itself a wider audience to amuse -- Victoria Segal * SUNDAY TIMES *A superbly written and moving account of one woman's efforts to understand the world and her own place in it ... Part of its beauty comes from the air of sadness that hangs over it ... In the end, this is a story about learning who you are by pretending to be other people -- Mark Mason * DAILY MAIL *As this sparkling memoir reveals, it was a heady life of first nights, famous actors, mad deadlines and long, underpaid hours ... But as the years pass, she realises that the long hours, poor pay and her conflicted sexuality are making her unhappy and this adds a dash of melancholy to the deliciously entertaining froth ... Sweetpea's sobering honesty transforms this hugely enjoyable memoir into something more poignant and serious -- Eithne Farry * SUNDAY EXPRESS *Sweetpea's memoirs catch beautifully (and without malice) London theatreland's engaging resilience ... I loved this book for its selfless, slightly dazed sketch of the clattering chaos of theatre production -- Quentin Letts * DAILY MAIL Books of the Year *An utterly beautiful description of what it's like to move to London, and come to terms with your changing ambitions as well as yourself -- Mark Mason * THE SPECTATOR Books of the Year *A charming memoir about offstage theatrical shenanigans ... Get Me the Urgent Biscuits is an elegy for a London that is wholly lost ... [It] contains a number of enchanting thespian vignettes -- Roger Lewis * THE TIMES *Sweetpea, like Alice following the White Rabbit into the hole, takes us on an extraordinary adventure in theatrical wonderland. An insight into the theatre world which she shares with the reader with such ease and charm. The successes, the failures, but most of all the characters, and her homage to the wondrous Thelma Holt, who takes her on her fantastic journey. Anyone who loves the theatre will love this book. A must -- Zoë WanamakerThis glorious description of the maverick flame-haired theatre impresaria Thelma Holt by her hapless, charming assistant Sweetpea Slight made me put the book down and laugh loud and long, sweeping away tears so I could carry on reading -- Anna ChancellorDestined to become an instant classic. For the hardcore theatre buff, it has it all: a passion for performance, beautifully observed backstage howlers, celebrity gossip, devotion beyond the call of duty and, at its heart, a dazzling portrait of one of the great eccentrics of contemporary British theatre ... Get Me the Urgent Biscuits is an assured and ingenious conflation of autobiographical rite of passage, sharp character study and serious theatrical endeavour. It is also crying out to be adapted for the screen -- Nick Smurthwaite * THE STAGE *The old French saying 'no man is a hero to his valet' gets a sprightly modern twist in Sweetpea Slight's memoir of working for formidable theatrical grande dame Thelma Holt ... Charmingly ditzy and packed with backstage gossip, this is a poignant account of coming of age in the theatre -- Jane Shilling * DAILY MAIL Must Reads *Terrific memoir of working in the London theatre in the 1980s. Slight's job was lowly, but she has plenty of great anecdotes - not all of them particularly discreet * READER'S DIGEST *The dazzling debut of a born storyteller. The book crackles with wit while knocking you sideways with its poignancy -- Anne RobinsonThe uproarious memoir about the author's apprenticeship to maverick theatre impresario Thelma Holt. Slight was en route to drama school when Holt snapped her up, cancelled her RADA audition and changed her name to Sweetpea. Helen Mirren, Dustin Hoffman and Alan Rickman all have cameos. It's irresistible * SAGA Magazine *Slight is brilliant at conveying the intoxicating world of theatre ... [A] triumph of a book -- Emily Bearn * THE OLDIE *A treasure trove of who's who in theatre ... An utterly beguiling book, full of hilarious and tragic incidents. Absolutely wonderful, darling -- Claire Looby * IRISH TIMES *Anyone who's ever dreamed of working in theatre will love Sweetpea Slight's memoir ... It's simply hilarious, darling * GOOD HOUSEKEEPING *Gloriously gossipy ... You'll love it, my darlings -- Sarra Manning * RED online *The latent luvvie in me adored this piquant coming-of-age memoir -- Caroline Sanderson * THE BOOKSELLER *A funny and poignant memoir of London theatreland in the 1980s and 1990s ... full of witty anecdotes * TOWNSWOMAN *
£15.16
Createspace Independent Publishing Platform Poems for the Stage: A Story of Love
£10.71
Createspace Independent Publishing Platform Poems for the Stage: The Man at the Computer
£10.71
£16.49
Little, Brown & Company Take You Wherever You Go
Book SynopsisStarting from humble beginnings under his grandmother's care, Leon takes us to unexpected places in his ascent to the top from the house off the dirt road without electricity in rural Florida to being the first African American director to win a Tony Award. In TAKE YOU WHEREVER YOU GO, Kenny reflects on the lessons he learned every step of the way from the most important people in his life-from his grandmother's sagacious and encouraging motivations to the deep artistic influence of iconic American playwright August Wilson in his work. The pillars and wisdom he has learned through all the seminal people that have influenced him, paired with his tremendous storytelling, will show that you can find a classroom anywhere and it will inspire you to never change who you are, and as his grandmother instilled in him, "take you wherever you go".
£999.99
Watchmaker Publishing Acting: The First Six Lessons
£9.66
Universal Publishers Basics of Stage Combat: Unarmed
£19.95
Universal Publishers Basics of Stage Combat: Single Sword
£19.95
Echo Point Books & Media, LLC A Method of Lighting the Stage 4th Edition
£15.57
Allegro Editions Directors on Directing: A Source Book of the Modern Theatre
£22.48
Allegro Editions Directors on Directing: A Source Book of the Modern Theatre
£23.95
www.bnpublishing.com The Children's Hour (Acting Edition)
£14.24
Bloomsbury Publishing USA The Method: How the Twentieth Century Learned to
Book Synopsis
£999.99
BLACK EAGLE BOOKS Saharare Thila Gote Ghara O Anyanya Nataka
£14.08
BLACK EAGLE BOOKS An Uninhabited Forest
£14.08
BLACK EAGLE BOOKS The Message
£14.08
Black Eagle Books Nataka Anataka Anunataka
£16.98
BLACK EAGLE BOOKS Kanchi Vijaya Katha
£16.02
BLACK EAGLE BOOKS Kalapahada
£15.05
www.bnpublishing.com The Children's Hour (Acting Edition)
£9.12
Independently Published New Line Monday
£12.93
Amazon Digital Services LLC - Kdp Invisible Ink
£18.61
Voidspace Press Voidspace in Conversation Volume One
£15.20
Currency Press Yong
£15.30
