Theatre direction and production Books
Legare Street Press How To Succeed As A Playwright
a huge range and FREE tracked UK delivery on ALL orders.
£23.70
Legare Street Press Un marido sobre ascuas
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£21.80
Legare Street Press Casada Viuda Y Doncella
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£22.75
Legare Street Press Dramas De C.f. Schiller...
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£28.45
Legare Street Press The The Play Produced an Introduction to the Technique of Producing Plays. Foreword by Flora Robson
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£23.70
Legare Street Press Pollyanna The Glad Girl A Four Act Comedy
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£23.70
Legare Street Press Siegfried Et Le Limousin
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£25.60
Legare Street Press Dramatische Handwerkslehre
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£25.60
LEGARE STREET PR The Yellow Dwarf And The King Of The Gold Mines
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£21.80
Creative Media Partners, LLC The Title
£14.09
Creative Media Partners, LLC Dramatic Technique
£18.95
Creative Media Partners, LLC Dramatic Technique
£25.60
Creative Media Partners, LLC How to See a Play
£14.09
Creative Media Partners, LLC The TorchBearers
£14.96
Creative Media Partners, LLC The TorchBearers
£22.75
Creative Media Partners, LLC Acting and Play Production
£18.95
Taylor & Francis Ltd DreamWork A Training for Directors
Book SynopsisDreamWork: A Training for Directors provides a theoretical basis and a highly detailed, practical, step-by-step blueprint for developing a directorial concept for a play.Directing is a complex, multi-staged artistic process which, for the most part, is a collaborative work of art. The director works with designers, composers, choreographers and actors to create the performance that is eventually shown to an audience. In this process, there is one stage of the director's work which is uniquely personal and individual: the creation of a directorial concept. This book concentrates on this crucial stage of the director's work, offering a template for the creation of a directorial concept prior to embarking on the collaborative stage of the director's work. The book follows the process from the choice of the text, through a series of clearly documented and structured sets of strategies with attendant examples, up to the creation of the director's version of the original pla
£35.99
Taylor & Francis Ltd Dramaturgy and History
£23.99
Taylor & Francis Theatrical Violence Design
Book SynopsisTheatrical Violence Design offers the reader a complete education in the theory and practice of designing violence for the theater. From swordfights to exchanges of gunfire to domestic violence, the theater abounds in physical conflict. The artists who design that violence, sometimes called fight directors or choreographers, will find in this book an invaluable resource for becoming more expert at their craft. In the chapters of this book, they will encounter the core principles of creating violent effects, the body of knowledge with which they should be familiar, and the nuts and bolts of the process of design work from the first meeting with a director through closing night.This book is written for the student of stage combat to transition into violence design and will also be of interest to experienced violence designers and choreographers.
£35.99
Lulu.com 17 Short Plays from 2025
£19.98
Cambridge University Press Commedia dellArte in Context
Book SynopsisThe commedia dell''arte, the improvised Italian theatre that dominated the European stage from 1550 to 1750, is arguably the most famous theatre tradition to emerge from Europe in the early modern period. Its celebrated masks have come to symbolize theatre itself and have become part of the European cultural imagination. Over the past twenty years a revolution in commedia dell''arte scholarship has taken place, generated mainly by a number of distinguished Italian scholars. Their work, in which they have radically separated out the myth from the history of the phenomenon remains, however, largely untranslated into English (or any other language). The present volume gathers together these Italian and English-speaking scholars to synthesize for the first time this research for both specialist and non-specialist readers. The book is structured around key topics that span both the early modern period and the twentieth-century reinvention of the commedia dell''arte.Table of ContentsIntroduction: commedia dell'arte: history, myth, reception Daniele Vianello; Part I. Elements: 1. Knots and doubleness: the engine of the Commedia dell'Arte Ferdinando Taviani; 2. Popular traditions, carnival, dance Riccardo Drusi; 3. Notebooks, prologues and scenarios Stefan Hulfeld; 4. Between improvisation and book Piermario Vescovo; Part II. Commedia dell'Arte and Europe: 5. Journeys Siro Ferrone; 6. France Virginia Scott; 7. The Iberian Peninsula María del Valle Ojeda Calvo; 8. German-speaking countries M. A. Katritzky; 9. Eighteenth-century Russia Laurence Senelick; 10. England Robert Henke; 11. Northern Europe Bent Holm; Part III. Social and Cultural Conflicts: 12. Commedia dell'arte and the church Bernadette Majorana; 13. Commedia dell'arte and dominant culture Raimondo Guarino; Part IV. Opera, Music, Dance, Circus and Iconography: 14. Commedia dell'arte in opera and music 1550–1750 Anne MacNeil; 15. From Mozart to Henze Andrea Fabiano; 16. Commedia dell'Arte in dance Stefano Tomassini; 17. The circus and the artist as Saltimbanco Sandra Pietrini; 18. Iconography of the commedia dell'arte Renzo Guardenti; Part V. Commedia dell'Arte from the Avant-Grade to Contemporary Theatre: 19. Stanislavsky and Meyerhold Franco Ruffini; 20. Copeau and the work of the actor Marco Consolini; 21. Staging Gozzi: Meyerhold, Vakhtangov, Brecht, Besson Franco Vazzoler; 22. Staging Goldoni: Reinhardt, Strehler Erika Fischer-Lichte; 23. Eduardo De Filippo and the Mask of Pulcinella Teresa Megale; 24. Dario Fo, Commedia dell'arte and political theatre Paolo Puppa; 25. Commedia dell'arte and experimental theatre Mirella Schino; Conclusion: commedia dell'arte and cultural heritage Christopher B. Balme.
£105.00
Cambridge University Press Ibsens Houses
Book SynopsisMark B. Sandberg explores the architectural metaphors that Henrik Ibsen introduced into mainstream Western thought - embodied by the titles of his plays A Doll's House, Pillars of Society, and The Master Builder. His book will appeal to those interested in architectural theory, literary and theater history, and Scandinavian studies.Table of ContentsIntroduction; 1. Ibsen's uncanny; 2. Facades unmasked; 3. Home and house; 4. The tenacity of architecture; Conclusion.
£37.37
Cambridge University Press The Globalization of Theatre 18701930
Book SynopsisBetween 1895 and 1922 the Anglo-American actor and manager, Maurice E. Bandmann (18721922) created a theatrical circuit that extended from Gibraltar to Tokyo and included regular tours to the West Indies and South America. With headquarters in Calcutta and Cairo and companies listed on the Indian stock exchange, his operations represent a significant shift towards the globalization of theatre. This study focuses on seven key areas: family networks; the business of theatrical touring; the politics of locality; repertoire and publics; an ethnography of itinerant acting; legal disputes and the provision of theatrical infrastructure. It draws on global and transnational history, network theory and analysis as well as in-depth archival research to provide a new approach to studying theatre in the age of empire.Trade Review'The theatrical enterprises of Maurice E. Bandmann played, at the start of the twentieth century, a highly significant role in promoting Western plays, musical comedies and revues throughout Asia, but they have been hitherto overlooked by historians. Christopher B. Balme has, through ingenious and thorough research, reconstituted the manifold activities of this pioneering manager. More importantly, he has situated them as a hub from which to explore such matters as global networks, transnational commerce, intercultural relations, playhouse architecture, and the diffusion of taste. His enquiries open out into thought-provoking analyses that stretch far beyond theatre itself. The result is an engrossing and intellectually stimulating study which is bound to open up new directions in theatre scholarship, much as Bandmann blazed trails in India and the Far East.' Laurence Senelick, Fletcher Professor of Drama and Oratory, Tufts University'This ground-breaking study provides new insights into theatrical touring in an age of globalization, particularly across the Asian continent, and the networks that made it possible. Focussing on the circuit developed by Maurice E. Bandmann in the late-nineteenth and early-twentieth century, it charts the impact of economics and politics on touring theatre and its structures, while also investigating managerial practices, performer and spectator experience, and the types of repertoire presented. Balme's informative and carefully researched book is an important addition to our understanding of transnational theatre practices and networks in a period of significant change and increasing internationalisation.' Jim Davis, University of WarwickTable of ContentsIntroduction; 1. Family networks; 2. Mobile enterprises; 3. The micropolitics of locality; 4. Repertoires and publics; 5. Transported actors; 6. Contested contracts; 7. Infrastructure: from theatre to cinema; 8. Legacies.
£90.00
Cambridge University Press The Players Advice to Hamlet
Book SynopsisHamlet is a characteristic intellectual more inclined to lecture actors about their craft than listen to them, and is a precursor of Enlightenment figures like Diderot and Lessing. This book is a quest for the voice of early professional actors, drawing on English, French and other European sources to distinguish the methods of professionals from the theories of intellectual amateurs. David Wiles challenges the orthodoxy that all serious discussion of acting began with Stanislavski, and outlines the comprehensive but fluid classical system of acting which was for some three hundred years its predecessor. He reveals premodern acting as a branch of rhetoric, which took from antiquity a vocabulary for conversations about the relationship of mind and body, inside and outside, voice and movement. Wiles demonstrates that Roman rhetoric provided the bones of both a resilient theatrical system and a physical art that retains its relevance for the post-Stanislavskian performer.Table of ContentsIntroduction; 1. Hamlet's advice to the players; 2. Rhetorical performance in antiquity; 3. Acting, preaching and oratory in the sixteenth century; 4. Baroque acting; 5. Actors and intellectuals in the Enlightenment era; 6. Emotion; 7. Declamation; 8. Gesture; 9. Training.
£106.00
Cambridge University Press The Globalization of Theatre 18701930
Book SynopsisBetween 1895 and 1922 the Anglo-American actor and manager, Maurice E. Bandmann (18721922) created a theatrical circuit that extended from Gibraltar to Tokyo and included regular tours to the West Indies and South America. With headquarters in Calcutta and Cairo and companies listed on the Indian stock exchange, his operations represent a significant shift towards the globalization of theatre. This study focuses on seven key areas: family networks; the business of theatrical touring; the politics of locality; repertoire and publics; an ethnography of itinerant acting; legal disputes and the provision of theatrical infrastructure. It draws on global and transnational history, network theory and analysis as well as in-depth archival research to provide a new approach to studying theatre in the age of empire.Trade Review'The theatrical enterprises of Maurice E. Bandmann played, at the start of the twentieth century, a highly significant role in promoting Western plays, musical comedies and revues throughout Asia, but they have been hitherto overlooked by historians. Christopher B. Balme has, through ingenious and thorough research, reconstituted the manifold activities of this pioneering manager. More importantly, he has situated them as a hub from which to explore such matters as global networks, transnational commerce, intercultural relations, playhouse architecture, and the diffusion of taste. His enquiries open out into thought-provoking analyses that stretch far beyond theatre itself. The result is an engrossing and intellectually stimulating study which is bound to open up new directions in theatre scholarship, much as Bandmann blazed trails in India and the Far East.' Laurence Senelick, Fletcher Professor of Drama and Oratory, Tufts University'This ground-breaking study provides new insights into theatrical touring in an age of globalization, particularly across the Asian continent, and the networks that made it possible. Focussing on the circuit developed by Maurice E. Bandmann in the late-nineteenth and early-twentieth century, it charts the impact of economics and politics on touring theatre and its structures, while also investigating managerial practices, performer and spectator experience, and the types of repertoire presented. Balme's informative and carefully researched book is an important addition to our understanding of transnational theatre practices and networks in a period of significant change and increasing internationalisation.' Jim Davis, University of WarwickTable of ContentsIntroduction; 1. Family networks; 2. Mobile enterprises; 3. The micropolitics of locality; 4. Repertoires and publics; 5. Transported actors; 6. Contested contracts; 7. Infrastructure: from theatre to cinema; 8. Legacies.
£37.37
Palgrave MacMillan UK Live To Your Local Cinema The Remarkable Rise of Livecasting Palgrave Pivot
Book SynopsisThe digital broadcasting of performances to cinemas, or 'livecasting', burst onto the world scene in 2006. This book explores the reasons for its rise, examines the aesthetics of filming theatre and opera performances, and explores who the audiences are and what they want.Trade Review'A welcome addition to what the author correctly argues is a small body of existing work. This one has the distinct advantage of offering the reader both an excellent empirical perspective and a keen sense of the critical issues underpinning development.' - Stuart Hanson, De Montfort University, UK 'Barker's analysis deftly explores the difference between a staged presentation and the manner in which this is translated into a live video feed, as well as the cultural influences that such "livecasting" has on audiences. The book is short but insightful, part of the new Palgrave Pivot series of brief books that tackle key topics with brevity and style, published in hardcover at a reasonable price and also available as a digital download. Live to Your Local Cinema demonstrates how live video broadcasting has democratized culture for the masses, making hitherto elite, often unaffordable spectacles available to all.' - W. W. Dixon, University of Nebraska Lincoln, Choice (August 2013) 'Live to Your Local Cinema provides an excellent overview of the history of live broadcast and is also a valuable resource for cinema exhibitors wishing to develop their relationship and engagement with this quite different audience for the growing number and range of Alternative Content on offer. Since reading Live to Your Local Cinema we've put in place a number of changes that I know that those who chose, for whatever reason, to experience their 'high culture' on screen in the cinema will appreciate. It seems that the livecast is here to stay and as the first book to make Alternative Content its main focus, we look forward to Martin's questions in the final chapter being answered and the debate around 'liveness' continuing.' - Jaki McDougall, CEO, Glasgow Film: GFT and Glasgow Film FestivalTable of ContentsThe Success-Story With No Name The Aesthetics of Livecasting A Portrait of Livecasts' Audiences The Many Meanings of 'Liveness' Livecasts' Audiences Talk about 'Liveness' The Cultural Status of Livecasts The Next Research Tasks? Bibliography
£26.00
Palgrave MacMillan Us Theatrical Improvisation Consciousness and Cognition
Book Synopsis1. Viola Spolin: Games as a Means towards Flow, Empathy, and Finding One's Truer Self 2. Del Close: Improvisational Time and the Multiple Draft Modeled Mind 3. Keith Johnstone: Spontaneity, Storytelling, Status and Masks, Trance, Altered States 4. The Improvising Mind: On Stage and in the LabTrade Review"I found this work to be fascinating and, as an improviser, intuitive and affirming (which is, ultimately, one of the conclusions of the book). While there are many books on improv and many books on the 'mind/thinking/consciousness/how-humans-learn' there aren't many that link these two areas of scholarship. This book fills that gap." - Jeanne Leep, Professor of Theatre Arts, Edgewood College, USA and author of Theatrical Improvisation: Short Form, Long Form, and Sketch-Based ImprovTable of Contents1. Viola Spolin: Games as a Means towards Flow, Empathy, and Finding One's Truer Self 2. Del Close: Improvisational Time and the Multiple Draft Modeled Mind 3. Keith Johnstone: Spontaneity, Storytelling, Status and Masks, Trance, Altered States 4. The Improvising Mind: On Stage and in the Lab
£55.99
£24.38
Lulu.com Glitter Glass Grit
£23.75
Lulu Press a...
£19.00
Lulu Press Isle of Dogges II
£12.20
Lulu Press Stages
£10.96
Lulu Press Portia and the Therapist
Book Synopsis
£12.99
Lulu.com HUMPHREY AND THE CAT WHISPERER
£15.01
£14.26
Lulu.com West Malvern Ring
£10.23
Lulu.com Scenes
£9.80
Lulu Press Sweet Smell Of Sockcess Putting A Show On At The
Book Synopsis
£15.04
Bloomsbury Publishing (UK) Love Modern Plays
Trade ReviewIt’s an elegy to an invisible class ... This is character-driven theatre at its purest ... It’s a play about what unremitting poverty does to the soul, where poverty is not starvation, but life without dignity. * Spectator on "Beyond Caring" *Beyond Caring seethes. It brings your blood to boiling point. * Time Out *Totally compelling ... This understated 90 minutes is quietly devastating ... As time moves, slowly, the whole thing gradually becomes more and more heightened, emotionally and theatrically. The beauty of the piece ... is that it eschews sob stories in favour of genuine tragedy. Just as these people keep themselves pretty much to themselves until the final, desperate moments, so the play always slyly shows and never tells. There are no big speeches. There is much awkward silence. People reveal themselves in small gestures ... There are gusts of sadness; moments of pure desolation. But mostly there is work, with people struggling to survive: to the end of the shift, the end of the day, to the end of life itself. * Guardian on "Beyond Caring" *This desolate, quietly intense devised drama gets under your skin and into your bones ... it's a ringing condemnation of an economic practice that puts profit before people and turns the basic business of earning a living into a barely sustainable, soul-destroying hell. Unforgettable. * The Times on "Beyond Caring" *Alexander Zeldin's devised drama gives an unforgettable taste of life at the bottom of the employment pile ... it has a rare quality of gripping authenticity. * Daily Telegraph on "Beyond Caring" *Zeldin boldly sticks to unostentatious naturalism and draws the audience into this world ... this raw, unsentimental piece has immense cumulative power and quietly conveys just what it means to live with such a crippling lack of security. * Financial Times on "Beyond Caring" *Beyond Caring is beyond praise * International New York Times *
£16.59
Bloomsbury Publishing PLC Road
Book SynopsisWhy's the world so tough? It's like walking through meat in high heels.A road, a wild night; a drunken guide, Scullery, conducts a tour of the derelict Lancashire road on which he lives. In this seminal play that gives expression to the road''s poverty-stricken inhabitants, we are taken on a journey from the gutter to the stars and back.This is published to coincide with the revival of Jim Cartwright's 1986 game-changing play to the Royal Court, London in June 2017.Trade ReviewUncomfortable and magical, funny and bitter. It is a northern Under Milk Wood, high on pills and booze * Sunday Times *Road is indeed an original, affecting, rumbustious and truly remarkable piece of work * Financial Times *The writing [is] so immediate and entertaining too. As a first piece of work [it] is absolutely seminal. * Guardian *...Jim Cartwright's 1986 account of a community scarred by unemployment that couldn't be more relevant or rousing...**** -- The GuardianRoad is a hard, occasionally transcendent evening and also a gauntlet to modern playwrights...**** -- The Telegraph...Cartwright's vivid language, with its ugly-beautiful poetry, its rage and compassion, still grabs you by the heart and throat and squeezes, hard. **** -- The Times...its message comes at us with a vengeance. -- The Radio Times
£16.59
Bloomsbury Publishing PLC Movement Directors in Contemporary Theatre
Book Synopsis''When directors understand the value of a movement director they remove any sense of hierarchy within the room and place movement directors firmly by their side for they are and should be their co-pilot, navigating and creating the world of the play.' Joan IyiolaMovement directors work with the physical, living bodies at the heart of theatre productions, creating movement languages with actors and directors. Through a series of in-depth interviews with leading theatre practitioners, Ayse Tashkiran charts the growth of the movement director in contemporary theatre. The voices of Jane Gibson, Sue Lefton, Kate Flatt, Toby Sedgwick, Siân Williams, Struan Leslie, Ellen Kane, Peter Darling, Steven Hoggett, Ann Yee, Imogen Knight and Shelley Maxwell explore processes of creativity, collaboration and innovation for the moving body in performance.The conversations open up:Growth of movement direction through the 20th centuryNew insights into embodied theatre practiceDiverse movemTrade ReviewTashkiran has collected interviews with fellow movement directors for years. She is a great interviewer and a careful listener, instinctively taking a back seat and giving space and time to her interviewee, only intercepting to dig a little deeper or tease out more clarification … [the book] brims with different personalities, unfinished thoughts and stream-of-consciousness monologues – the struggles of people who habitually work with bodies to find the right word. The book allows us to sneak a peek directly into the rehearsal room and the very practical physical craft that happens there. * Springback Magazine *Opens up discussions on key aspects of the creative process, how to make a name for yourself and what it is truly like to work with bodies of all backgrounds … Tashkiran’s own passion and experiences set out the foundations for this highly informative and insightful book, which is highly recommended for all those who have a desire to choreograph, movement direct or simply have a curiosity for how a production gets moving. * One Magazine *Table of ContentsForewords Maria Aberg and Joan Iyiola Preface Acknowledgements 1. Introduction 2. Early practitioners and practices 3. Themes 4. Jane Gibson 5. Sue Lefton 6. Kate Flatt 7. Toby Sedgwick 8. Siân Williams 9. Struan Leslie 10. Ellen Kane 11. Peter Darling 12. Steven Hoggett 13. Ann Yee 14. Imogen Knight 15. Shelley Maxwell 16. Future voices with Diane Alison-Mitchell, Polly Bennett, Lucy Cullingford, Ioli Filippakopoulou, Natasha Harrison, Chi-San Howard, Vicki Igbokwe, Jennifer Jackson, Ingrid Mackinnon, Rebecca Meltzer, Coral Messam, Anna Morrissey, Sue Mythen, Sacha Plaige 17. Beyond the room: Contexts and structures
£29.44
Bloomsbury Publishing (UK) Knives in Hens Modern Plays
Book Synopsis'I have no name for the thing which is in my head. It is not envy. It is more than envy. It does not scare me. I must look close enough to look at what it is.'A ploughman and his wife live a simple existence in a pre-industrial time until they, along with the hated local miller, are drawn into a struggle of knowledge, power and attraction.David Harrower's haunting play established him as one of the UK's leading contemporary playwrights. This new edition is published to coincide with the new production of this tense modern classic at the Donmar Warehouse in August 2017, directed by Yaël Farber.Trade ReviewAn outstanding . . . play, David Harrower's Knives in Hens is set in a God-fearing, pre-industrial world and deals, passionately and intelligently with a woman's discovery of a language that corresponds with her feelings . . . A remarkable debut. * Guardian *David Harrower's remarkable debut as a professional dramatist creates a haunting, poetic and entirely individual world of its own. I have never seen a play quite like it. . . You leave the theatre in no doubt that you have watched one of the year's most heartening and accomplished debuts. Harrower already seems like a writer built to last. * Daily Telegraph *If one definition of a classic is that it constantly yields new meanings, then David Harrower's play deserves the title...**** -- The GuardianIt is an atmospheric, powerful piece. -- Sarah Crompton, What's On StageI was awed by its linguistic verve...So watertight is the writing, though, that its profundity and mystery remain intact. -- The Telegraph...the language is taut and visceral and the dramatic impetus slow but inexorable. -- Neil Norman, Express.com...stark, strange modern classic...Harrower's language is curt and harsh: the cast hack the story out with it, carving the air with terse, hard, poetic interactions. -- Time Out
£16.59
Bloomsbury Publishing (UK) Social Housing in Performance The English Council Estate on and off Stage Methuen Drama Engage
Book SynopsisKatie Beswick is a lecturer in Drama at the University of Exeter, UK. Her research focuses on the intersections between theatre and structural inequality, with an emphasis on race and class. She has worked as a performer, writer, facilitator of applied theatre and as a social housing officer.Trade ReviewKatie Beswick’s book addresses the crisis in UK council housing boldly, but also with great care and sensitivity. Social Housing in Performance critiques the ways in which council estates are presented to us in the establishment media, and puts forward instead a compelling new typology for understanding housing issues through performance practice. -- Jane Rendell, The Bartlett School of Architecture, University College LondonAfter decades in which social housing in England has been neglected, Beswick’s deeply considered analysis of estate performance is very welcome. She examines not only how individual performances have figured working class life but also how these performances are caught up with broader perceptions of social housing and with British theatre’s own highly fraught class politics. This is a timely and important book. -- Michael McKinnie, Queen Mary University of LondonTable of ContentsAcknowledgements Three places: a preface Introduction: The council estate, definitions and parameters Chapter one: Quotidian performance of the council estate Chapter two: Class and the council estate in mainstream theatre Chapter three: Located on the estate Chapter four: Resident artists Conclusion: Three thoughts Notes Bibliography Index
£32.99
Lulu.com The Hollywood Screenwriter
Book Synopsis
£22.14
Lulu.com The Hollywood Screenwriter
Book Synopsis
£44.71
Outskirts Press A Survival Guide for Stage Managers A Practical StepByStep Handbook to Stage Management
£16.39
Lulu Press Nothing but the Truth
Book Synopsis
£12.35
Bloomsbury Publishing (UK) Directing with the Michael Chekhov Technique A Workbook with Video for Directors Teachers and Actors Theatre Arts Workbooks
Book SynopsisMark Monday was a Certified Master Teacher of the Michael Chekhov Technique and served as President of the Great Lakes Michael Chekhov Consortium. Mark was a teacher, professional actor/director and a former Head of the MFA Acting Program at Kent State University. He taught, directed, and performed throughout the U.S., U.K., and Europe. Mark Monday frequently presented workshops and papers on the Chekhov technique at many conferences, universities, and professional theatres, including the Hilberry Repertory Company and Cleveland Playhouse.Trade ReviewProvides performers and directors with a practical set of exercises and also with a lexicon with which they can articulate their practice. This, in turn, supports a focused, structured and navigable pathway through a potentially difficult and precarious career ... if the Chekhov Technique appeals to you, [this] will quickly become dog-eared and tatty. * Youth Theatre Ireland *Table of ContentsIntroduction Chapter One-Analysis and Composition of the Play Chapter Two-Archetypes and Casting Chapter Three-Creating the Ensemble-Establishing Atmosphere Chapter Four-Revealing the Language of the Rehearsal Process Chapter Five-Beginning Work on Scenes-Composition Chapter Six-Work on Individual Speeches-Composition Chapter Seven-Psychological Gesture as Action Chapter Eight-Character Relationships Chapter Nine-Chekhov and Musical Theatre/Opera Chapter Ten-Tempo Chapter Eleven-Characterization Chapter Twelve-Middle to Final Rehearsals Chapter Thirteen-Further Exercises for Teachers and Directors Conclusion
£100.00
