The Arts Books
Ediciones Akal El siglo del Renacimiento en España
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£27.96
Emocionarte La doble vida de los cuadros
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£20.32
Arco Libros - La Muralla, S.L. Francisco de Zurbarn
Book SynopsisFrancisco de Zurbarán tuvo un papel decisivo en la renovación del arte sevillano de la primera mitad del siglo XVII. Su interés por la expresión naturalista de las emociones humanas en la pintura religiosa constituye uno de los aspectos pioneros más interesantes de su arte. Pero curiosamente, en la iconografía de las santas y vírgenes, este pintor tan ?moderno? mantuvo en la producción considerable de su obrador, modelos de santas convencionales caracterizados por un rostro inexpresivo y la descripción pormenorizada del ropaje de gran riqueza. De dicho obrador salieron varias series de santas que se han venido considerando como lo más grato de su producción. Estas figuras femeninas elegantísimas, con escasos atributos místicos, son un modelo de gracia auténticamente sevillana. Otras veces, en cambio, las santas aparecen con unos rasgos muy personales, lo que ha hecho suponer que se trataba de retratos ?a lo divino?.
£20.61
Machado Grupo de Distribución Estilo y naturaleza la obra de arte en
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£17.40
Machado Grupo de Distribucin Arte e ideologa en el franquismo 19361951
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£15.42
Antonio Machado Ediciones Historia de la pintura y la escultura del siglo
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£18.45
Diputacin Foral de Gipuzkoa ESTHER FERRER DE LA ACCION AL OBJETO Y VICEVERSA
£15.61
Not Avail Gua del patrimonio arquitectónico de Gran Canaria
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£999.99
Fundacion Amigos del Museo del Prado El Museo del Prado y el arte contemporáneo
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£32.53
Circulo de Bellas Artes Mrio Cesariny. Navo de espejos
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£27.42
Circulo de Bellas Artes Hegel. La odisea del espítritu
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£21.27
£12.15
Adriana Hidalgo Editora Estética de laboratorio
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£22.12
Editorial Almuzara La Crdoba de Julio Romero de Torres
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£25.10
Abada Editores Mirar al que mira teora esttica y sujeto
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£18.87
Calamo La lujuria en la iconografía románica
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£999.99
Visor Cultura oral visual y escrita en la España de los
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£23.91
Taylor & Francis Doing Nation in a Digital Age
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£145.00
Taylor & Francis Ltd In the Culture Society Art Fashion and Popular Music
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£142.50
Taylor & Francis Imagination Philosophy and the Arts
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£128.25
Taylor & Francis Imagination Philosophy and the Arts
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£51.29
Taylor & Francis The Nibelungen Tradition
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£45.59
Taylor & Francis Ltd Ethics and the Arts An Anthology 993 Garland Reference Library of Social Science
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£51.29
Taylor & Francis Welcome to the Jungle
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£135.00
Taylor & Francis Ltd (Sales) Welcome to the Jungle
Book SynopsisWelcome to the Jungle brings a black British perspective to the critical reading of a wide range of cultural texts, events and experiences arising from volatile transformations in the politics of ethnicity, sexuality and race during the 1980s. The ten essays collected here examine new forms of cultural expression in black film, photography and visual art exerging with a new generation of black British artists, and interprets this prolific creativity within a sociological framework that reveals fresh perspectives on the bewildering complexity of identity and diversity in an era of postmodernity. Kobena Mercer documents a wealth of insights opened up by the overlapping of Asian, African and Caribbean cultures that constitute Black Britain as a unique domain of diaspora.Trade Review"A passionate and detailed history of the New Black British Cultural Studies by one of the major players in its making. In its attention to "the formal and strategic aesthetics of hybridity," and to the differences and alliances between Black US and Black British, this book is indeed "intranational and outernational." -- Gayatri Chakravorty SpivakTable of ContentsIntroduction; 1: Monster Metaphors; 2: Diaspora Culture and the Dialogic Imagination; 3: Recoding Narratives of Race and Nation; 4: Black Hair/Style Politics; 5: Black Masculinity and the Sexual Politics of Race; 6: Reading Racial Fetishism; 7: Dark & Lovely; 8: Black Art and the Burden of Representation; 9: Welcome to the Jungle; 10: “1968”
£36.99
Taylor & Francis Ltd The Seventeenth Century The Intellectual and Cultural Context of English Literature 16031700 Longman Literature In English Series
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£76.99
Taylor & Francis Ltd Art History in Africa An Introduction to Method
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£54.99
Taylor & Francis Ltd Symbols in Art and Religion
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£82.64
Taylor & Francis Ltd Arts Entertainment and Tourism
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£52.24
Taylor & Francis Inc Shrewsbury School Library
Book SynopsisFirst Published in 1990. Shrewsbury School dates back to the end o f the sixteenth century, and owes its existence to the provision contained in the Ordinances of 1578. This is a listing and descriptions of the books, bindings and comtents of the library.Table of ContentsList of Plates, Notes on the Earlier History, Shrewsbury School Librray, Introdcution, Catologue Raisonne, Glossary, Indexes.
£146.50
Taylor & Francis Ltd Portraits of the Artist
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£999.99
Taylor & Francis Sport and the Media
Book SynopsisNow in a fully revised and updated third edition, Sport and the Media: Managing the Nexus combines in-depth analysis of the rapidly developing sport media industry with a clear and straightforward guide to practical sport media management skills. The book explains how the media works, as well as the practical skills necessary to manage the communication process. It explores the commercial relationships that exist between media and sport organisations, as well as the shift towards in-house media production, and explains how to apply a range of tools and strategies to promote the message, brand and achievements of sport organisations. This updated edition includes three completely new chapters introducing the fundamentals of storytelling, the growing significance of social issues, and the diversity of job roles and careers in sport media. It also features expanded coverage of digital technologies and social media, as well as profiles of industry professionals. Thi
£43.99
Taylor & Francis A Confucian Approach to Media Ethics
Book SynopsisA Confucian Approach to Media Ethics offers a comprehensive theorization of an approach to media ethics based on the moral philosophy that originated from China and that profoundly influenced East Asian countries.This book engages with foundational concepts from Confucian ethics and explicates a new framework that can be used for guiding media practices, as well as media ethics research and teaching. It suggests that the Confucian ideals of He (harmony), Zhong (equilibrium), and the notion of Junzi can be applied to guide intercultural media practices, and sets out a fresh model for ethics education centered on Xiuji (self-cultivation) that is different from the training-based and decision-making-centered model prevalent in the Western classrooms. This is also a framework that emphasizes both individual moral growth and the moral character of the broader professional community.Filling a gap in the conversation between Eastern and Western approaches to media ethi
£47.49
Taylor & Francis The Public Relations Handbook
The Public Relations Handbook provides an engaging, in-depth exploration of the dynamic and ever-evolving public relations industry.Split into three parts exploring key conceptual themes in public relations, this book offers an overview of topics including: strategic PR; politics and the media; media relations in the social media age; strategic communication management; PR ethics; activism and PR; and the effects of globalisation and technology on the field. This book also includes a discussion of critical themes in PR research and exploratory case studies of PR strategies in a variety of institutions, including the Royal Society of Chemistry, Corps Security, and The Chartered Institute of Public Relations. Featuring wide-ranging contributions from key figures in the PR profession, this new edition presents fresh views on AI, social media curation, and âœthe decline of mediaâ, and is packed with student-friendly features including clear chapter aims, discussion questions, and further reading suggestions throughout.The Public Relations Handbook is an ideal resource for students of Public Relations, Corporate and Strategic Communications, and Marketing Communications.This book is supported by additional instructor resources, including brand-new classroom activities for every chapter available at www.routledge.com/9781032852683.
£39.99
Taylor & Francis Police Use of Force Through the Lens
Book SynopsisPolice Use of Force Through the Lens provides a comprehensive look at video-recorded use-of-force incidents and how video influences perceptions about the appropriateness of the force used. No other book on the market takes a historical, critical, and contemporary look at how video footage from dash cameras, body-worn cameras, surveillance cameras, or handheld cameras influence how people perceive the appropriateness of force used by law enforcement officers, correctional officers, and security officers.Supported with academic sources along with practical examples that connect academics to the real world, the book educates readers about the history of cameras in law enforcement, significant events that influenced the proliferation of cameras in law enforcement, how use-of-force incidents are evaluated, how camera factors influence perceptions, and how human factors can impact how officers perceive and recall what occurred during use-of-force incidents.A thorough
£39.99
Cambridge University Press Conceptual Revolutions in TwentiethCentury Art
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£85.50
Cambridge University Press Conceptual Revolutions in TwentiethCentury Art
Book SynopsisFrom Picasso's Cubism and Duchamp's readymades to Warhol's silkscreens and Smithson's earthworks, the art of the twentieth century broke completely with earlier artistic traditions. A basic change in the market for advanced art produced a heightened demand for innovation, and young conceptual innovators â from Picasso and Duchamp to Rauschenberg and Warhol to Cindy Sherman and Damien Hirst â responded not only by creating dozens of new forms of art, but also by behaving in ways that would have been incomprehensible to their predecessors. Conceptual Revolutions in Twentieth-Century Art presents the first systematic analysis of the reasons for this discontinuity. David W. Galenson, whose earlier research has changed our understanding of creativity, combines social scientific methods with qualitative analysis to produce a fundamentally new interpretation of modern art that will give readers a far deeper appreciation of the art of the past century, and of today, than is available elsewhereTrade Review“To Mr. Galenson markets are what make the 20th century completely different from other eras for art. . . . [B]reaking the rules became the most valued attribute. The greatest rewards went to conceptual innovators who frequently changed styles and invented genres.” – Patricia Cohen, The New York Times“David Galenson brings the insights of an economic historian to this fascinating study of innovation in modern art. He shows how changes in the structure of the market for new art altered the innovation process itself and how the nature of innovation developed in the lives of many 20th century artists. Anyone interested in the development of 20th century art and any economist interested in the general process of innovation will want to read this book.” – Martin Feldstein, Department of Economics, Harvard University"With this book, David Galenson burnishes his reputation as one of the most interesting economists at work today. Once you've read Conceptual Revolutions in Twentieth-Century Art, you'll never look at modern art – or the creative process – quite the same way." – Daniel H. Pink, author of A Whole New Mind“David Galenson has written the most inventive, surprising, and illuminating book on modern art to appear in my lifetime. I can think of no other book on modern art that remotely resembles Conceptual Revolutions in Twentieth-Century Art. Yet it is a surprising book because Galenson draws much of his evidence from what artists and art historians have been saying about modern art for more than a century. What Galenson has done is to take often over-familiar material and to reshape it by asking simple questions about artists’ behavior and then systematically setting out to explain them. Most importantly, I know of no artist, and certainly no art historian, who has seen so clearly the connection between the variety and pace of 20th-century artistic innovations and the increasing autonomy granted to artists by a richly competitive market. After introductory chapters on innovation and artistic importance, Conceptual Revolutions describes with unsurpassed clarity artistic behaviors new to recent art. Each chapter can be read independently of the others, but taken together readers will find clearly explained much of what often seems mysterious not only to the layperson but even to the art professional. Conceptual Revolutions offers new explanations for many familiar phenomena in modern art and challenges many received ideas held by scholars of 20th-century art, all presented in a prose style that is accessible to any intelligent reader. Conceptual Revolutions should change any open-minded reader’s basic perceptions about art today.” – Robert Jensen, Department of Art, University of Kentucky“A fascinating and highly readable explanation of why the art of the 20th century changed so dramatically from that which came earlier. David Galenson goes further in using innovative methods of analysis to change our concept of modern art than anyone I know. Entertaining and informative.” – Don Thompson, author of The $12 Million Stuffed Shark: The Curious Economics of Contemporary ArtTable of ContentsIntroduction; 1. The back story of twentieth-century art; 2. The greatest artists of the twentieth century; 3. The most important works of art of the twentieth century; 4. The greatest artistic breakthroughs of the twentieth century; 5. The greatest women artists of the twentieth century; 6. Creating new genres: conceptual artists at work and play in the twentieth century; 7. And now for something completely different: the versatility of conceptual innovators; 8. You cannot be serious: the conceptual innovator as trickster; 9. Painting by proxy: the conceptual artist as manufacturer; 10. Co-authoring advanced art; 11. Language in visual art; 12. Portraits of the artist: personal visual art in the twentieth century; 13. The rise and (partial) fall of abstract painting in the twentieth century; 14. The globalization of advanced art in the twentieth century; 15. Artists and the market: from Leonardo and Titian to Warhol and Hirst; 16. The state of advanced art: the late twentieth century and beyond.
£37.37
Cambridge University Press Performance and Authenticity in the Arts
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£31.90
Cambridge University Press Manifold Mirrors
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£76.94
Cambridge University Press Performance and Authenticity in the Arts
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£51.30
Cambridge University Press The Look of the Past
Book SynopsisAnalysing visual and material culture is central to the historian's craft and The Look of the Past provides a much-needed introduction to the use of artefacts as evidence. Accessibly written and generously illustrated, this textbook develops the skills students need in order to describe, analyse and contextualise images and objects.Trade Review'Few scholars can match Jordanova's ability to further historical practice through precise analysis, originality and thought-provoking questions, and this pioneering publication is a 'how-to' book in the best possible sense. Beautifully illustrated and offering carefully selected bibliographical advice, The Look of the Past significantly enriches the historians' toolbox and throws out rusty remains. A winner!' Ulinka Rublack, author of Dressing Up: Cultural Identity in Renaissance Europe'A master historian of visual culture brings the subject to life, shows its importance to understanding any period of history, and offers concise and compelling guidelines for making sense of how it works. The Look of the Past strikes just the right tone in offering an accessible, wondrously wide-ranging, and intellectually satisfying account of visual objects from handbags to Baroque paintings.' Lynn Hunt, University of California, Los Angeles'A staunchly argued, exceptionally lucid demonstration of the enlightenment, and also pleasure, to be derived from alert, informed, enquiring looking at the myriad artefacts surrounding us. Enlivened by wide-ranging case studies and a provocative choice of illustrations, it is a timely and invaluable resource for students of history and art history alike.' Elizabeth Cowling, University of EdinburghTable of ContentsA handbag?; Introduction; 1. Description and evidence; Essay – a 'sumptuous structure': the Wren Library at Trinity College, Cambridge; 2. Craft, skills and visual intelligence; Essay – 'the jewel of the church': Bernini's Ecstasy of St Teresa; 3. Periodisation; Essay – photographing 'the family of man'; 4. Audiences and display; Essay – deposits of friendship: Renoir's 1908 portrait of Ambroise Vollard; 5. Comparative analysis; List of reference works.
£34.19
Cambridge University Press The Look of the Past
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£71.24
Cambridge University Press The Impact of Everyday Language Change on the Practices of Visual Artists
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£17.00
Cambridge University Press Creative Sign Language
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£17.00
University of Chicago Press The Arts of the Hausa VT
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£66.12
Penguin Putnam Inc Claude MonetSunshine and Waterlillies Om
Book SynopsisSteven chronicles Claude Monet''s rise to fame and contributions to Impressionism in this colorful report, featuring Steven''s funny cartoons alongside reproductions of classic paintings like Waterlilies.
£6.99
National Gallery of Australia Looking at Art ABC Alphabet
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£9.45
University of Washington Press Looking at Art 123 How Many Can You See
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£9.45