The arts: general topics Books
Princeton University Press The One Hundred Circle Farm
Book SynopsisTrade Review"The book is wonderfully printed on an eggshell tinted paper, providing a soft warmth to the many images and heightens the effects of the warmer toned images that Gowin has created, varying from a neutral grayscale to a very warm tint. . . . I find the photographs ethereal and surreal."---Douglas Stockdale, PhotoBook Journal
£40.50
Princeton University Press Suzanne Jackson What Is Love
Book Synopsis
£46.75
Getty Trust Publications On Canvas - Preserving the Structure of Paintings
Book SynopsisThroughout its long history in Western art, canvas has played an influential role in the creative process. From the Renaissance development of oil painting on canvas to the present day-through Impressionism, Abstract Expressionism, and other art historical movements-the use of canvas has enhanced the scale of painting, freedom of brushwork, and spontaneity in technique. This book recounts some of that rich history in relation to corresponding developments in conservation practice. Rather than concentrating on the familiar concerns of cleaning and varnish removal, this volume considers the preservation of a painting's structure. By focusing on recent studies on the fundamental nature of canvas and its mechanisms of deterioration, the book explains new approaches to the conservation of both contemporary and historical art-including reversible, passive, and preventive treatments, particularly with respect to lining. Written by Stephen Hackney, a conservation practitioner and leader in conservation research, On Canvas is the first book to take a comprehensive look at this important subject and is destined to become an invaluable resource for the field.
£42.75
Boydell and Brewer Mar237a F233lix A Mexican Film Star and her Legacy
Book SynopsisMaría Félix (1914-2002) left her mark on Mexican and European film as well as fashion, art and jewellery design. Cartier created one-of-a-kind pieces; Leonora Carrington and Diego Rivera painted portraits; Carlos Fuentes wrote a play; Agustín Lara, a bestselling song. But she was nobody's muse.Did Félix really bring baby crocodiles to the Cartier boutique to request lifelike copies in a necklace? The story may be apocryphal, but it perfectly encapsulates her powerful, independent and unconventional persona. This book first examines Félix's life and work, reviewing her films and acting style and considering what they say about gender norms and a woman's place on screen. It then turns to her role as curator and benefactor, exploring how art, literature and song sustained her image. It concludes by exploring the persistent interest in her life story and evaluating her significance for contemporary audiences.
£25.64
Zone Books Iconophages
Book Synopsis
£27.00
RIT Cary Graphic Arts Press Thinking Made Visible
Book SynopsisFrom logos of some of the most common American brands, to film posters and opening-credit sequences, to the architectural design of one of the most seemingly mundane retail spaces in American life, Saul Bass's work and that which he inspired is all around us. In Thinking Made Visible: Movement, Narrative, and the Work of Saul Bass, Jacob Dickerson focuses primarily on Bass's poster designs for films such as The Man with the Golden Arm and corporations like AT&T. Dickerson also examines Bass's original documentary films on innovation and solar power as well as his designs for Exxon and BP service stations. The emphasis is on Bass's consistent use of motifs such as images of hands and suns, arguing for a hopeful and humanitarian interpretation of his work. Dickerson also explores the role of space-both visual and physical-and how Bass created a sense of motion to tell stories even within a single still image.
£18.99
Rockbook Pop Yokai
Book Synopsis
£32.30
Springer International Publishing AG The Citron Compendium
Book Synopsis
£42.74
Design Studio Press Framed Perspective Vol. 1: Technical Perspective
Book SynopsisPerspective is a discipline often set aside when it comes to general art study, though it is essential to master in order to produce any piece of art that is and feels realistic. Framed Perspective 1 equips artists with the technical knowledge needed to produce successful visual storytelling-related drawings: from understanding the basics of the space around us and how we perceive it, all the way to more sophisticated endeavors, like creating entire locations that will become the believable set ups our characters and stories will happen within. As intimidating as perspective may seem, best-selling author and artist Marcos Mateu-Mestre delivers each lesson in an accessible and informative way that takes the mystery out of achieving successful scenes. The book includes extensive step-by-step practical explanations of how to build objects and environments of all sorts, taking that first sketch to a fully rendered artwork with many of his finished illustrations as examples. Sure to be the most popular book in your art library, it will train you to see the world in a way that allows you to enjoy every curve and slope you see in it and, more importantly, translate that vision into art with accuracy and a great sense and understanding of depth and proportion. Your perspective will never be the same!
£28.89
Pie International Co., Ltd. Mushroom Botanical Art
Book Synopsis
£21.25
Design Studio Press At the Mountains of Madness Vol. 2
Book Synopsis
£23.96
Pie International Co., Ltd. Katsuya Terada Real Size
Book Synopsis
£28.00
Yale University Press The Shape of Time Remarks on the History of
Book SynopsisDrawing upon insights in fields such as anthropology and linguistics, this book deals with the concept of historical sequence and continuous change across time.Trade ReviewThe Shape of Time is as relevant now as it was in 1962. This book, a sober, deeply introspective and quietly thrilling meditation on the flow of time and space and the place of objects within a larger continuum, adumbrates so many of the critical and theoretical concerns of the late twentieth and early twenty-first century. It is both appropriate and necessary that it re-appear in our consciousness at this time."—Edward J. Sullivan, New York University "Kubler's telling of the history of things remains a key text, his vision a compelling mixture of the habitual and the poetic in human behavior. For him, human creativity is a constantly repeated attempt to refine answers to a set of questions that change only slowly. But this universal habit is punctuated by the great works of art, ways of doing and seeing that he compares to stars, influencing, shaping and illuminating even after they have been destroyed."—Neil MacGregor, The British Museum
£16.99
Monacelli Press Beginning Drawing Atelier: An Instructional
Book SynopsisWritten by a well-known artist and best-selling art-instruction author with almost rock-star popularity in the contemporary world of representational art, Beginning Drawing Atelier, with its unique workbook/sketchbook approach, and high-quality paper, offers a comprehensive and contemporary twist on traditional Atelier art instruction practices. Atelier education is centered on the belief that working in a studio, not sitting in the lecture hall, is the best place to learn about art. Every artist needs to learn basic drawing skills. In this elegant and inspiring workbook, master contemporary artist and best selling author Juliette Aristides breaks down the drawing process into small, manageable lessons; presents them progressively; introduces time-tested principles and techniques in the Atelier tradition that are easily accessible; and shares the language and context necessary to understand the artistic process and create superior, well-crafted drawings. What makes this approach unique is the fact that it includes blank pages for copying and practicing within each lesson, facilitating traditional Atelier methods. Ateliers have produced the greatest artists of all time--and now that educational model is experiencing a renaissance. These studios, in a return to classical art training, are based on the nineteenth-century model of teaching artists by pairing them with a master artist over a period of years. Students begin by copying masterworks, then gradually progress to painting as their skills develop. Beginning Drawing Atelier is like having an atelier in a book - and the master is Juliette Aristides, a classically trained artist. On every page, Aristides uses the works of Old Masters and today's most respected realist artists to demonstrate and teach the principles of realist drawing and painting, taking students step by step through the learning curve yet allowing them to work at their own pace. Unique and inspiring, the approach in this new book offers serious art courses for serious art students.Trade Review"Delightfully elegant and rational, Beginning Drawing Atelier carries you through the rigors of learning how to draw, like a master, ever so gently. All five books by Juliette Aristides are treasures, but this is perhaps the most engaging and impactful in fostering visual literacy. It is a book to experience. By its last page, you will be left with a poetic sense of the world." - Milène J. Fernández, writer and contributor to theeepochtimes.com “I have met many thousands of artists over the last fifty years of painting and thirty-five years of making paint. Very rarely do I meet someone who is as good at writing as she is at her visual art. Juliette Aristides is one such person–both a terrific writer and great artist.” - Robert Gamblin, founder of Gamblin Artist Colors “There are few who know about classical painting like Juliette Aristides. The book is the next best thing to studying with her in person.” - B. Eric Rhoads, publisher of Fine Art Connoisseur and PleinAir magazines "Juliette Aristides, a leader in the revival of classical realism, outlines ways anyone can learn to draw - and why it's imperative for today's society.” - John Burger, writer and reporter. ALETEIA.COM
£16.16
Pie International Co., Ltd. Fashion illustration: Outfit of the Day
Book Synopsis
£21.25
Unicorn Publishing Group The Art of Michael Fell
Book SynopsisThe Art of Michael Fell explores the artist's life, work and influences, with perspectives from leading figures in the world of art criticism, painting and print making.
£24.00
Yale University Press What Art Is
Book SynopsisWhat is it to be a work of art? Part philosophical monograph and part memoiristic meditation, this book challenges the popular interpretation that art is an indefinable concept, instead bringing to light the properties that constitute universal meaning.Trade Review"Danto is an elegant and erudite writer, and his sentences go down smoothly."—Deborah Solomon, New York Times Book Review"Danto was and remains the high priest of pluralism, and arch-critic of the view that art has a distinctive essence."—A. C. Grayling, Financial Times". . . arguably the most inspired interpreter of the increasingly abstruse art world that emerged during the past half century. In What Art Is, Danto's freewheeling erudition and knack for unpacking complex subjects is on display."—Eric Been, Chicago Tribune (“Favorite Books of 2013”)"Danto’s writing is elegant and his insights acute."—Publishers Weekly"The conclusion [Danto] reaches . . . is elegant in its clearheaded take on an endlessly difficult question. . . . As a critical memoir . . . tracing the particulars of a gifted mind’s lasting focus, Danto’s latest is a useful addition to a long career."—Publishers Weekly"This accessible book is the culmination of the late Danto’s lifelong investigation into the concept of art. Through an inspired range of historical and contemporary examples, he explicates his institutional definition of artworks as ‘embodied meanings’ that can take on just about any shape or form. In this radical view, the properties that render something a work of art are invisible."—Constantine Sandis, THES"Elaborating important themes of Danto’s influential aesthetics, What Art Is develops them in fascinating new ways, offering luminous interpretations of past masters ranging from Michelangelo and Poussin to Duchamp and Warhol. Written in Danto’s engagingly personal voice, the book’s essays sparkle with wit, erudition, sensitivity, and a profound love of art whose power is captivatingly contagious."—Richard Shusterman, author of Thinking through the Body: Essays in Somaesthetics"This miraculously economical book summarizes many decades of reflection and provides an ideal entry into the philosophical system of the most important American-born writer who has discussed visual art."—David Carrier, author of Proust/Warhol: Analytical Philosophy of Art
£11.99
Taschen GmbH Sebastião Salgado. Genesis. Postcard Set
Book SynopsisFor Sebastião Salgado, Genesis is a “love letter to the planet.” TASCHEN’s postcard set allows you to send on that wonder with 25 individual images from the complete Genesis portfolio, now the world’s most-visited photography show of all time. The boxed set spans the breadth of Salgado’s project across five focal territories: Planet South, Sanctuaries, Africa, Northern Spaces, and Amazonia and Pantanal. In exquisite black and white textures, each image celebrates the pristine splendor of nature, animals, and indigenous peoples that have, so far, escaped the imprint of modern society, from a Nomadic Nenet girl in Siberia to sunlit Buffalo herds in Botswana’s Okavango Delta. “Genesis is a quest for the world as it was, as it was formed, as it evolved, as it existed for millennia before modern life accelerated and began distancing us from the very essence of our being” — Lélia Wanick Salgado
£999.99
Taylor & Francis Ltd Design and Strategy
Book SynopsisThis major practical handbook bridges the gap between strategy and design, presenting a step-by-step design process with a strategic approach and extensive methods for innovation, strategy development, design methodology and problem solving. It is an effective guide to planning and implementing design projects to ensure strategic anchoring of the process and outcome.Built around a six-part phase structure that represents the design process, covering initial preparations and project briefing, research and analysis, targets and strategy, concept development, prototyping and modelling, production and delivery, it is a must-have resource for professionals and students. Readers can easily dip in and out of sections, using the phase structure as a navigation tool. Unlike other books on the market, Design and Strategy addresses the design process from the perspective of both the company and the designer. For businesses, it highlights the value of design as a strategic tool for positioning, competition and innovation. For the designer, it teaches how to create solutions that are strategically anchored and deliver successful outcomes for businesses, resulting in appreciative clients. It includes over 250 illustrations and diagrams, tables, and text boxes showing how to move through each stage with clear visualisation and explanation. This book encourages all designers in product design and manufacturing, service design, communication design, branding, and advertising, to think beyond shape and colour to see design through the lens of strategy, process and problem solving, and all business managers, innovators and developers, to see the value in strategic design outcomes.Trade Review"I have worked at the intersection of design and strategy for over 25 years, have read a great deal of nonsense written about both, fortunately this book bucks the trend. A ready reckoner for anyone looking to develop cohesive, intelligent new design work rooted in plans, not hopes." Simon Manchipp, Founder & Executive Strategic Creative Director of SomeOne."A very accessible and comprehensive overview of a strategic design process – with practical tools and guides for working strategically with design – for both students and practitioners."Rachel Cooper OBE, Distinguished Professor of Design Management, Lancaster University, UK."Wanda’s book is encyclopedic and unrivaled. The most comprehensive deconstruction of the rigor it takes to build on a strategy to design a sustainable future, whether you are a designer, a marketer, or a manager." Alina Wheeler, Author Designing Brand Identity: an essential resource for the whole branding team.Table of ContentsIntroduction How does the book work? What is design? Phase 1 Initiation 1.1 Initial preparations 1.2 Project brief 1.3 Initial meeting 1.4 Initial workshop 1.5 Project description 1.6 Progress schedule 1.7 Price quotation 1.8 Contract 1.9 Team collaboration Phase 2 Insight 2.1 Understanding the company 2.2 Situational study 2.3 Problem statement 2.4 Method selection 2.5 Research process 2.6 Research 2.7 Analyses 2.8 Mapping 2.9 Testing and measuring Phase 3 Strategy 3.1 Strategy development 3.2 Overall strategy 3.3 Goals and sub-goals 3.4 Business strategy 3.5 Business model 3.6 Market strategy 3.7 Brand strategy 3.8 Communication strategy 3.9 Design strategy Phase 4 Design 4.1 Design brief 4.2 Strategy>Phase 5 Production 5.1 Implementation 5.2 Model 5.3 Material selection 5.4 Paper and cartonboard 5.5 Colour management 5.6 Production for digital media 5.7 Production for printed media 5.8 Quality assurance Phase 6 Management 6.1 Intangible assets 6.2 Legal protection 6.3 Design management 6.4 Effect measurement 6.5 Design manual 6.6 Design templates 6.7 Operating manual 6.8 Further development 6.9 Sustainability management
£39.99
Rocky Nook The Perfect Fit
Book SynopsisDesign, draw, and alter sewing patterns to achieve the perfect fit in your homesewn garments!
£22.50
Taylor & Francis Ltd You the Choreographer
Book SynopsisYOU, THE CHOREOGRAPHER, Creating and Crafting Dance offers a synthesis of histories, theories, philosophies, and creative practices across diverse genres of concert dance choreography. The book is designed for readers at every stage of creative development who seek to refine their artistic sensibility.Through a review of major milestones in the field, including contributions to choreography from the humanities, arts, and modern sciences, readers will gain new perspectives on the historical development of choreography. Concise analyses of traditional fundamentals and innovative practices of dance construction, artistic research methods, and approaches to artistic collaboration offer readers new tools to build creative habits and expand their choreographic proficiencies.For learners and educators, this is a textbook. For emerging professionals, it is a professional-development tool. For established professionals, it is a companion handbook that reinvigorates insTrade Review"…a lovely and useful resource for anyone interested in the timeless art of choreography." — Christopher Wheeldon, The Royal Ballet, UK"…a cumulative reference for understanding the craft of choreography." — Hans van Manen, Dutch National Ballet, The Netherlands"…a practical guide to a supremely impractical endeavor: dancemaking." — Septime Webre, Hong Kong Ballet, Hong Kong"…inspiration to finding your individuality as a choreographer." — Jennifer Archibald, Cincinnati Ballet, and Faculty, Yale School of Drama, USA"…a meticulous and thoughtful handbook for anyone interested in choreography." — Neil Ieremia, Black Grace, New Zealand "…advice on how to begin, which is the most important part of the work." — Annabelle Lopez Ochoa, Choreographer, The Netherlands "…an elegantly composed and comprehensive companion book with techniques of dance making." — Amelia Rudolph, BANDALOOP, USA"…a thoroughly researched manual to understanding choreographic skills." — Pontus Lidberg, Danish Dance Theatre, Denmark "…an opportunity for emerging choreographers to study the rules so they can stretch the rules." — Yuanyuan Wang, Beijing Dance Theater, China"…insight into the complexities of the creative process and a roadmap for direction." — Rafael Bonachela, Sydney Dance Company, Australia"…dance helps you to discover yourself and this book helps you discover how." — David Dawson, Dutch National Ballet, The Netherlands, and Semperoper Ballett, Germany"…a compass to explore choreography and direct dance." — Sidi Larbi Cherkaoui, Ballet of the Grand Théâtre de Genève, Switzerland, and Eastman, BelgiumTable of ContentsPart 1: Time Travel – Choreographing Through the Ages 1: Stone Age: The Dawn of Dance – Choreographing Ritual 2. Ancient Age: Gods and Muses in Motion – Choreographing Art 3. Medieval Age: Leaping into Group Identity – Choreographing Symbol 4. Renaissance and Baroque Age: Waltzing Kingdoms – Choreographing Culture 5. Industrial Age: Dancing the Self – Choreographing Expression 6. Information Age: Turning Against the Norm – Choreographing Experimentation 7. Integral Age: Conceiving Progressive Coherency – Choreographing Integration Part 2: Mind and Muscle – The Body, Intellect, and Creative Spirit 8. The Moving Body as a Work of Art – Corpus Cognitus 9. Inside the Brain of the Choreographer – Dissection of a Glorious Mind 10. Handling Perfect Imperfections – Intuitive Craftsmanship Part 3: Concept and Context – Innovation, Intentionality and Individuality 11. Inventive Creativity – In Art, Everything is Possible 12. Framing Content and Sorting Concepts – Logistics of the Unlimited 13. Choreographic Individuality and Artistic Identity – The Search for Who I Am Part 4: Form and Formlessness - Generating Movement Material 14. The Emergence of Movement – First Crawl and Walk, then Run 15. Dance Improvisation – Embracing Choreographic Adventures 16. Choreographic Phrase – Diving into the Movement Flow Part 5: Process and Progress – Developing Movement Material 17. Choreographic Devices and Operations – Growing A Dance Garden 18. Structure and Restructure, Construct and Deconstruct – Architecting A Dance 19. Physical Dramaturgy – Making A Monument Out Of Movement Part 6: Sonic Swing – Dance the Music, Music the Dance 20. Are Music And Dance Best Friends Forever? – Melody In Motion 21. Seeking, Choosing and Working with the Music – Attract and Retract 22. Dancing Silence, Noise, Soundscape and Spoken Word – Body of Sound Part 7: Picture Perfect - Venture Follows Vision 23. Nurturing Semantics – Naming a Newborn Dance and Raising a Brand 24. Think Costumes, Lights, and Scenic Design – Piecing A Production 25. A Career in Choreography – Dancing Decisions Moving Forward
£56.99
Princeton University Press Indigenous Tattoo Traditions
Book Synopsis
£29.75
Skylight Edition Metart.com
Book Synopsis
£39.96
WW Norton & Co R. Crumb The Complete Record Cover Collection
Book SynopsisA landmark work that pays splendid homage to a forgotten era of seminal American music.
£20.89
Pie International Co., Ltd. Japanese Art of Extraordinary Beings
Book Synopsis
£23.99
Yale University Press Hans Arp Sophie TaeuberArp
Book Synopsis
£45.00
WW Norton & Co An Introduction to Film Genres
Book SynopsisA brisk, accessible, and informative introduction to film genres.
£35.93
WW Norton & Co Stitches A Memoir
Book SynopsisThe #1 New York Times bestseller and National Book Award finalist that "breaks new ground for graphic novels" (Francois Mouly, art editor, The New Yorker).Trade Review"A profound and moving gift of graphic literature that has the look of a movie and reads like a poem." -- Jules Feiffer"Small…employs angled shots and silent montages worthy of Alfred Hitchcock." -- Washington Post"A breathtaking, horrific, and ultimately redemptive work." -- Miami Herald"David Small’s Stitches is a master class in how to use silence, both internal and external, to convey emotion and meaning." -- Jo Ann Beard - New York Times Book Review
£12.99
Monacelli Press Landscapes in Oil: A Contemporary Guide to
Book SynopsisLandscapes in Oil is the first-ever comprehensive guide to classical landscape painting reinterpreted for the twenty-first century. Drawing from the tradition established by American painters of the Hudson River School - artists like Thomas Cole, Frederic Church, and George Inness - author and painter Ken Salaz reveals great masters' philosophy and methods, updating their approaches for the contemporary landscape painter. Beginning painters are given the basic tools and step-by-step demonstrations, intermediate painters are challenged with unpublished techniques that allow them to break through to the next level, and advanced painters learn to apply their skills under unified theories. Landscapes in Oil devotes a chapter to each of the fundamental elements of landscape painting - drawing, value, color, composition, and light quality - and offers critical advice on selecting tools and materials, choosing colors, and structuring your palette for best results. Emphasizing the necessity of plein air drawing and painting, Salaz demonstrates how to translate small, quick studies made outdoors into full-scale studio paintings. He provides detailed step-by-step breakdowns of the creation of four of his own paintings, focusing not only on application but also on the ideas that underpin every decision a landscape painter must make. The scores of landscape masterworks, past and present, that illustrate this book have been carefully chosen for their aesthetic power and because each embodies a specific aspect of the landscape painter's craft. For Salaz, landscape painting is a noble pursuit, and the goal of the landscape artist is not to paint "pretty pictures" but to create compelling images that express human beings' profound connection to nature in all its diversity and grandeur. At a time when classical landscape is enjoying a renaissance in art schools, ateliers, and galleries across North America, this book is an essential resource for beginning and experienced painters alike.Trade Review"Ken Salaz has produced a remarkably thorough book on landscape painting. He covers the foundation that every landscape painter needs to master: drawing, color, composition, perspective, atmosphere, illumination, field sketching, and studio painting. His explanations are clear and the diagrams and illustrations are helpful. This book will be a great help to young artists and professionals alike." - Jacob Collins
£26.96
Profile Books Ltd The Art of Rivalry: Four Friendships, Betrayals,
Book SynopsisThis is a story about rivalry among artists. Not the kind of rivalry that grows out of hatred and dislike, but rather, rivalry that emerges from admiration, friendship, love. The kind of rivalry that existed between Degas and Manet, Picasso and Matisse, Pollock and de Kooning, and Freud and Bacon. These were some of the most famous and creative relationships in the history of art, driving each individual to heights of creativity and inspiration - and provoking them to despair, jealousy and betrayal. Matisse's success threatened Picasso so much that his friends would throw darts at a portrait of his rival's beloved daughter Marguerite, shouting 'there's one in the eye for Matisse!' And Willem de Kooning's twisted friendship with Jackson Pollock didn't stop him taking up with his friend's lover barely a year after Pollock's fatal car crash. In The Art of Rivalry, Pulitzer Prize-winning art critic Sebastian Smee explores how, as both artists struggled to come into their own, they each played vital roles in provoking the other's creative breakthroughs - ultimately determining the course of modern art itself.Trade ReviewIntriguing ... Smee writes beautifully ... tantalising -- Lynn Barber * Sunday Times *Elegant ... accomplished -- Michael Prodger * The Times *Lively and engaging -- Kathryn Hughes * Mail on Sunday *A fascinating examination ... This is art history as human friction - one in the eye for those who think art is a high-minded enterprise. * Tatler *The keynotes of Sebastian Smee's criticism have always included a fine feeling for the what of art - he knows how to evoke the way pictures really strike the eye - and an equal sense of the how of art: how art emerges from the background of social history. To these he now adds a remarkable capacity for getting down the who of art - the enigma of artist's personalities, and the way that, two at a time, they can often intersect to reshape each in the other¹s image. With these gifts all on the page together, The Art of Rivalry gives us a remarkable and engrossing book on pretty much the whole of art. * Adam Gopnik *A magnificent book on the relationships at the roots of artistic genius. Smee offers a gripping tale of the fine line between friendship and competition, tracing how the ties that torment us most are often the ones that inspire us most. * Adam Grant, Wharton professor and New York Times bestselling author of Originals and Give and Take *Modern art's major pairs of frenemies are a subject so fascinating, it's strange to have a book on it only now - and a stroke of luck, for us, that the author is Sebastian Smee. He brings the perfect combination of artistic taste and human understanding, and a prose style as clear as spring water, to the drama and occasional comedy of men who inspired and annoyed one another to otherwise inexplicable heights of greatness. * Peter Schjeldahl, art critic of the New Yorker *One of those rare books that manages to show,convincingly, the exalted stuff of genius emerging from the low chaos of life * Economist *
£11.69
Yale University Press A New History of Western Art
Book SynopsisA radical re-examination of 2,500 years of European art, deconstructing and demystifying its long history from ancient to presentTrade Review“There are many stories of western art that have been written, almost all of them focused on artists, nations, and traditions. But Jonckheere’s daring book is a learned and eminently readable story of the art itself, about the questions that works of art try and often fail to answer, and about what they do to us in the process. It’s a catalyst for teaching and thinking anew.”—Marisa Anne Bass, Yale University“No other history of art comes close to Jonckheere’s. It’s as engagingly written as Gombrich’s classic The Story of Art. It’s neither pedestrian nor a survey of an out-of-date canon. It’s the most ambitious and original general history of art we have ever had. Vigorous, up-to-date, unprejudiced and lively, it’s a history of art of our time and for our time.”—David Freedberg, Columbia University“This insightful book will remain relevant even in shifting times. It is coherent, thoughtful, even wise, and it has that voice missing from so many studies of art with a larger scope.”—Larry Silver, University of Pennsylvania
£49.50
Princeton University Press Conchophilia
Book SynopsisTrade Review"In Conchophilia seven scholars dissect why Renaissance-era collectors braved maritime hazards to beachcomb. Finding the pearliest treasures at shorelines called for avoiding crocodiles, spiny urchins and ‘burning sea slime’. . . . Painters depicted shells, with names as wonderful as ‘precious wentletrap’ and ‘speckled episcopal miter,’ arrayed on banquet tables or in the hands of exulting deities. Metalsmiths set nautiluses on gold pedestals sculpted with mermaid and sea foam motifs. Collectors had favorite shells cemented onto grotto walls, sometimes in the bristly shapes of pine cones and artichokes."---Eve M. Kahn, New York Times"This richly illustrated collection of essays conceptualises the shell and how it was used in material and visual culture, philosophy, and aesthetics as a ‘vessel’ to comprehend early modern society, primarily in a Dutch and German context. . . . [A] well-produced and beautiful book, even its softly glowing endpapers reminiscent of polished shells and nacre. Of interest to art historians, historians of science, and historians of visual and material culture, the essays are also clearly written and approachable, offering many pearls of wisdom. I highly recommend it."---Anna Marie Roos, Early Modern Low Countries"The exquisitely illustrated, thought-provoking book examines the complicated provenances, varied uses, and key role of shells in shaping this period’s visual and aesthetic culture."---Lauren Moya Ford, Hyperallergic"[Conchophilia does] an excellent job in surveying both art history and the history of science to discuss the uses of shells in art. . . . The lavish illustrations alone are worth the price of purchase. . . . Truly a feast for the eyes."---Alan R. Kabat, American Conchologist"Conchophilia is well-designed and beautifully illustrated, a book that deploys wonderful narratives about the love of shells in early modern Europe. . . . A captivating combination of the material and the social, of shells and people."---Marlise Rijks, Early Science and Medicine"A very handsome book replete with full-color photographs, Conchophilia is a joy to read, as appealing and stimulating as the curiosities it considers."---James Clifton, Historians of Netherlandish Art Reviews"All the studies in this beautiful book command respect: they are distinctly original and relevant and unfold with keen intelligence. With a novel, methodical approach, and by means of very subtle and magnificently illustrated analyses, they illuminate European collections of the first modern era."---Myriam Marrache-Gouraud, Renaissance and Reformation"A thought-provoking and beautifully produced book. . . . [A]s all authors convincingly show in their chapters, a case can be made for the particular poignant love of shells from the early sixteenth century onward. Both as literal and metaphorical vessels, it is argued, shells prompted reflection, contemplation, and discussion, as material manifestations of exoticness, (natural and divine) craftmanship, and aesthetics."---Marika Keblusek, Renaissance Quarterly"A fascinating book."---Christopher Stocks, Country Life
£29.75
Octopus Publishing Group Talk Art The Interviews
Book Synopsis'Insights from the zeitgeist are preserved with conviction and clarity, offering an inclusive way to access contemporary art in all its forms. If Talk Art is the fun podcast, then this book is the educational supplement to be prescribed alongside it.' - Aesthetica'Where the collection really takes off is the interviews with younger artists, which are sensitive,unpatronising, genuinely questioning and fundamentally challenging....Indeed, this collection's strength ultimately lies in the fact that it reveals nothing more than a battlefield in its quest to establish what contemporary art is all about.' - ArtReviewThe authors of the Sunday Times bestseller Talk Art: Everything you wanted to know about contemporary art but were afraid to ask, have brought together 24 of the most profound, moving, funny and informative interviews from the wildly popular Talk Art podcast.These curated excerpts explore the inspirations, art experiences and favourite artists of a fascinating range of creative people from Grayson Perry to Elton John, from Tracey Emin to Paul Smith, and from Wolfgang Tillmans to Sonia Boyce, accompanied by images of the artworks that they have created or that have influenced them.The interviews featured include:- Jerry Saltz- Laurie Anderson- Stephen Fry- Elton John- Tracey Emin- Paul Smith - Sonia Boyce- Chila Burman - Rachel Whiteread- Wolfgang Tillmans - Pierce Brosnan - Grayson Perry
£18.75
MIT Press Ltd What Black Is This You Say
Book SynopsisAn illustrated anthology of texts on artist Amanda Williams, edited in collaboration with Camille Bacon.
£30.75
Fordham University Press Imagistic Care Growing Old in a Precarious World
Book SynopsisTable of ContentsForeword Lisa Stevenson | vii Introduction: Imagistic Inquiries: Old Age, Intimate Others, and Care Lone Grøn and Cheryl Mattingly | 1 The Gift: An Imagistic Critical Phenomenology Cheryl Mattingly | 31 Virtuous Aging in Uncanny Moral Worlds: Being Old and Kyrgyz in the Absence of the Young Maria Louw | 59 “Yeah . . . Yeah”: Imagistic Signatures and Responsive Events in a Danish Dementia Ward Lone Grøn | 83 On the Silent Anarchy of Intimacy: Images of Alterity, Openness, and Sociality in Life with Dementia Rasmus Dyring | 109 Together Apart: Fence Work in Landscapes of Relationality, Old Age, and Care in the Ik Mountains Lotte Meinert | 137 Imagining Self and Other: Carers, TV, and Touch Harmandeep Kaur Gill | 163 Virtues and Vexations: Intimate Others Caring for Elders in Eastern Uganda Susan Reynolds Whyte | 187 The Staircase: The Ethics of “Transcendence and Height” in Welfare Care Helle Sofie Wentzer | 209 The Drawing Underneath Maria Speyer | 229 Afterword: These Images Burn Robert Desjarlais | 251 List of Contributors | 261 Index | 265
£23.74
Taylor & Francis Ltd Foundations of Stage Makeup
Book SynopsisFoundations of Stage Makeup,?Second Edition is a comprehensive exploration into the creative world of stage makeup.Step-by-step makeup applications paired with textual content create an enriching experience for future performers and makeup artists. Students will learn relevant history, color theory, makeup sanitation processes, and the use of light and shadow to engage in discussions about the aspects of professional makeup. Those foundations are then paired with a semester's worth of descriptive, engaging makeup applications. Old age makeup, blocking out eyebrows, gory burns, and creating fantastical creatures are just a few of the rewarding techniques found in?Foundations of Stage Makeup. This new edition features new chapters on basic prosthetic appliction and animal makeup, new information on historical makeup use, updates pertaining to industry-wide standards and practices, new images, and updated supporting material.This is the perfect book t
£34.19
Taylor & Francis The Stage Managers Toolkit
Book SynopsisThe Stage Managerâs Toolkit, Fourth Edition, provides a comprehensive account of the role of the stage manager for live theatre with a focus on both written and verbal communication best practices.The book outlines the duties of the stage manager and assistant stage manager throughout a production, discussing not only what to do but why. It also identifies communication objectives for each phase of production, paperwork to be created, and the necessary questions to be answered to ensure success. This fourth edition includes: a new chapter devoted to documenting movement which includes both intimacy choreography and stage combat; updated and expanded information on using technology and social media; expanded information on the digital prompt book and other digital and web-based tools; updated paperwork examples; more information on Equity practices for the student and early career stage managers. Written for the stage management student and early career stage manager, this book is a perfect addition to any university Stage Management course.A companion website hosts customizable paperwork templates, instructional videos, links to additional information, teacher tools for individual chapters, and a bonus section on teaching stage management. To access these resources, visit www.routledge.com/cw/kincman.
£34.19
Yale University Press Fragments of Totality
Book Synopsis
£45.00
Princeton University Press Fragmentary Forms
Book Synopsis
£42.50
Penguin Books Ltd The Penguin Dictionary of Art and Artists
Book SynopsisThis magnificant, bestselling reference book finally leaves its old look to join the modern Penguin subject dictionary series. Why exactly did Van Gogh cut off his ear? Was Warhol an original or just a copyist? The answers to all this and more are found in The Penguin Dictionary of Art and Artists, the essential guide to over 700 years of creative endeavour. Each entry features extensive cross-referencing and listings of galleries where the artist's work can be seen.
£14.24
The University of Chicago Press Landscape and Power Second Edition
Book SynopsisThis work, originally published in 1994, reshapes the direction of landscape studies by considering landscape not simply as an object to be seen or a text to be read, but as an instrument of cultural force, a central tool in the creation of national and social identity.
£26.60
The University of Chicago Press Collective Body
Book Synopsis
£41.80
The University of Chicago Press Picturing Landscape in an Age of Extraction
£34.20
University of Chicago Press Criticism Without Authority
£22.80
University of Chicago Press The Casual
a huge range and FREE tracked UK delivery on ALL orders.
£39.75
MIT Press Ltd Cheyney Thompson Passages
Book SynopsisOne of the first book-length publications on contemporary artist Cheyney Thompson, whose work is known for its radically forward-looking intellectualism and formal rigor.Cheyney Thompson’s (b. 1975) work responds to a long history of debates about how art depicts the world, and about how we come to know the world visually. In these meditations on the artist’s work, Christian Schaernack shows that for Thompson, reality is something that we can know only in terms of probabilities, not absolutes. Thompson often produces work that explores contingency at the formal level, sometimes in his artistic process itself (as Jackson Pollock once did), and sometimes through the use of external constraints such as computer algorithms, which he subverts as often as he follows.The meaning of observation has changed time and time again in the history of art, just as it has in the history of science. Delving into art history, intellectual history, and contemporary conti
£40.00
MIT Press Ltd Autotheories
Book SynopsisA transdisciplinary array of authors offering a new frame of reference for autotheory and its genre-bending synthesis of autobiography and critical theory.Autotheories tells the story of a field in formation. Building on traditions that have long fused life writing, philosophical encounter, embodied theorizing, and cultural critique, autotheory constructs new practices of critical theory. Transgressing generic boundaries and bridging stylistic registers, it crafts language that is intimate, analytic, playful, and insurgent. Editors Alex Brostoff and Vilashini Cooppan underscore autotheory?s multiple genealogies and genre-bending forms while situating it within the contemporary political field. In this collection, autotheory emerges as a strut (of style), a straddle (of disciplines), a proliferation (of selves), an axis (of identifications), an index (of attachments), and an archive (of loves).An assemblage and an experience, Autotheories surveys the field?s iterations and permutations. Without settling for classification or bowing to ossification, Autotheories invites you to its discursive play.Contributors include:Alex Brostoff, Jessica Bush, Judith Butler, Vilashini Cooppan, Carla Freccero, rl Goldberg, Jan Grue, Emma Lieber, Megan Moodie, Lili Owen Rowlands, John Patterson, Paul B. Preciado, Erica Richardson, Migueltzinta C. Solís, Jamieson Webster, Damon Ross Young, Stacey Young, Arianne Zwartjes
£29.70
MIT Press Play It Again Sam
Book SynopsisWhy we enjoy works of art, and how repetition plays a central part in the pleasure we receive.Leonard Bernstein, in his famous Norton Lectures (1976) extolled repetition, saying that it gave poetry its musical qualities and that music theorists? refusal to take it seriously did so at their peril.Play It Again, Sam takes Bernstein seriously.In this book, Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that rhyme in metrical verse is identical to the way songwriters like Duke Ellington and Billy Strayhorn (Satin Doll) and Richard Rodgers and Lorenz Hart (My Funny Valentine) constructed their iconic melodies. Furthermore, the form of these tunes can be found in such classical compositions as Mozart?s Rondo Alla Turca and his German Dances as well as in galant music in general.The author also looks at repetition in paintings like Caillebotte?s Rainy Day in Paris, Warhol?s Campbell Soup Cans, and Pollock?s drip paintings.Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia?Giglia?s Girls in the Windows is one of the highest grossing photographs in history?are all shown to be built on repetition in the form of visual rhyme.The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington andbeyond.Artists have exploitedrepetitionthroughout the ages. The reason why it is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim.
£26.10
