The arts: general topics Books
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£19.54
Yale University Press William Nicholson
Book SynopsisWilliam Nicholson (1872-1949) is among the most admired and elusive painters in the history of British art. This catalogue represents Nicholson's oil paintings and the comprehensive chronology of his life.Trade Review"[S]umptuous."—William Feaver, Art News -- William Feaver * Art News *Shortlisted for the 2013 Historians of British Art Book Prize in the Multi-Author category, given by the Historians of British Art. -- 2013 Historians of British Art Short List in the Multi-Author category * Historians of British Art *Winner of the 2012 Spear's Book Award as an outstandingly produced book, award is sponsored by Harbottle & Lewis. -- Spear's Book Award * Harbottle & Lewis *
£85.50
Yale University Press Ford Madox Brown
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£112.50
The University of Chicago Press Cezanne and the End of Impressionism A Study of
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£38.00
Cambridge University Press Drawing Acts
Book SynopsisDrawing Acts is about drawing, both as art and act. Taking the study of drawings beyond the traditional agenda of connoisseurship, David Rosand explores the significance of the making of drawings, the meaning in the line of the draftsman, and the recreative dimension of critical response. The book focuses on drawings by artists such as Leonardo da Vinci, Raphael, Michelangelo, Rembrandt, Piranesi, Tiepolo and Picasso, as well as on the history and theory of the medium itself. It seeks to establish new foundations for the criticism and appreciation of drawing, which is often considered the most revealing record of artistic creativity, offering the most direct expression of the artistic self.Trade Review'… this is a brilliant and penetrating book: learned, urbane, well-written … and above all informed by a deep, visual sensibility which makes his detailed analysis of individual works of art exceptionally full and compelling.' Apollo MagazineTable of Contents1. Criticism, connoisseurship, and the phenomenology of drawing; 2. Disegno: the invention of an art; 3. The handwriting of the self: Leonardo da Vinci; 4. Raphael and the calligraphy of classicism; 5. Disegni a stampa: the printed line; 6. Michelangelo: the urgent gesture; 7. Rembrandt's reach; 8. Capriccio: the antic line.
£31.90
Harvard University Press The Image of the Black in Western Art Volume III
Book SynopsisOffers commentary and an illustrated history of the representations of people of African descent ranging from the ancient images of Pharaohs created by unknown hands to the works of the great European masters such as Bosch, Rembrandt, Rubens, and Hogarth to stunning creations by contemporary black artists.Trade ReviewA fascinating story of the changing image of Africa's people in Western art. The images are simply extraordinary and the scholarship inspiring. Anyone who cares about Western art or about Africa and her diaspora ought to know these magnificent volumes. -- Kwame Anthony AppiahIn addition to being an indispensable guide to the evolving meanings of racial difference, these dazzling volumes filled with extraordinary images and rich arguments contribute to an alternative history of the Western world. An invaluable gift for both specialists and general readers. -- Paul Gilroy, author of The Black Atlantic: Modernity and Double ConsciousnessOne of the most thorough collections depicting the African-American in works of art...The books build on the research and photo project started by art patron Dominique de Menil in the 1960s, which grew out of a frustration with segregation. The collection was then transferred and continued to grow at the W.E.B. Du Bois Institute at Harvard University. De Menil's original volumes have been updated by David Bindman and Henry Louis Gates Jr. and now include more detailed descriptions and provide a larger context of the artwork that spans more than 5,000 years, including the Roman Empire to present-day pieces, filling in tremendous gaps in de Menil's collection, according to some art historians. The images, printed in full-color on high-quality pages, are available for the masses to see and understand how African-Americans not only fit into the various societies of the Western world, but how those relationships evolved throughout the ages. * Kirkus Reviews *The volumes so far are a treasury of paintings and sculptures of people down the ages, taking in many strands of ritual, classicism, artlessness and humanity. -- William Feaver * Spectator *Harvard is known to be reluctant to publish art books but if this is anything to go by, it should do so more often. -- Jaynie Anderson * Australian Literary Review *This volume is breathtaking in its scope and scholarship. -- K. Mason * Choice *Monumental and groundbreaking volumes...[with] beautifully reproduced and thought-provoking images…A vast array of different "Images of the Black" appear in these volumes, from statues of black saints such as St. Maurice or St. Benedict the Moor, to portraits of notable African ambassadors and kings, poets and musicians, or drawings of literary characters such as Shakespeare's Othello, Aphra Behn's Oroonoko, or Yarico from George Colman's Inkle and Yarico...Africans have been painted and sculpted by some of the most eminent artists in the Western tradition, including Titian, Tiepolo, Rubens, Rembrandt,Van Dyck, Reynolds, Hogarth, Watteau and Gainsborough. More importantly, they have not been caricatured, but sensitively portrayed by these masters, their humanity captured on canvas for all to see...In placing such a vast variety of different images together, both positive and negative, these volumes show that the "Image of the Black" was not at all homogenous but rather reflected the wide range of the Western response to the "other."...Seen through the prism of "Western Art," these "Images of the Black" often tell us more about the Europeans and their agendas than the Africans they portray. Nonetheless, the cumulative effect of the images is to demonstrate a continuous black presence in the Western imagination and experience…This series will pose new questions to scholars of art, history and literature and provoke us all to reconsider the role of "the Black" in Western civilization. -- Miranda Kaufmann * Times Literary Supplement *
£67.16
The University of Chicago Press Cezanne Provence The Painter in His Culture
Book SynopsisIn 1886 Paul Cezanne left Paris permanently to settle in his native Aix-en-Provence. This work argues that, far from an escapist venture, Cezanne's departure was a deliberate abandonment intimately connected with late nineteenth century French
£999.99
The University of Chicago Press Design Discourse
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£28.00
The University of Chicago Press Monet Narcissus and SelfReflection The Modernist
Book SynopsisThis text provides an understanding of the life and work of Claude Monet and the myth of the modern artist. Levine analyzes the extensive critical reception of Monet and the artist's own writings in the context of the story of Narcissus, popular in late 19th-century France.
£47.50
The University of Chicago Press SelfPortrait in Words Collected Writings and
Book SynopsisThis work reveals German artist Max Beckmann's experience of life from the first years of his career in Berlin and Paris through his final years in the United States. The collection of Beckmann's writings serves as a companion to his art and a testament to the complexities of his life.
£30.00
HarperCollins Horror Movie
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£19.65
WW Norton & Co American Diva
Book SynopsisAn impassioned homage to the divas who shake up our world and transform it with their bold, dazzling artistry
£20.90
Idler Books The Idler
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£11.37
Edinburgh University Press American Culture in the 1950s
Book SynopsisThis book provides a stimulating account of the dominant cultural forms of 1950s America: fiction and poetry; theatre and performance; film and television; music and radio; and the visual arts. Through detailed commentary and focused case studies of influential texts and events - from Invisible Man to West Side Story, from Disneyland to the Seattle World''s Fair, from Rear Window to The Americans - the book examines the way in which modernism and the cold war offer two frames of reference for understanding the trajectory of postwar culture. The two core aims of this volume are to chart the changing complexion of American culture in the years following World War II and to provide readers with a critical investigation of ''the 1950s''. The book provides an intellectual context for approaching 1950s American culture and considers the historical impact of the decade on recent social and cultural developments.Trade ReviewThe 1950s has been transformed in the scholarly literature from a "tranquillized" decade to an almost "tumultuous" one, and therefore is badly in need of a restorative balance. This is the achievement of Martin Halliwell's superb account of a postwar period that, for all of its familiarity, remains tantalizingly elusive. By showing the persistence of the varieties of cultural modernism, he advances the retrospective understanding of a decade that was not merely the lengthened shadow of the Cold War. His book is thoughtful, expansive and engaging. -- Stephen J. Whitfield, Professor of American Studies, Brandeis University, Massachusetts The author has a good command of the variety of cultural forms in the period and has planned the shape and contents of the book thoughtfully. -- Professor Lucy Maddox, Georgetown University, Washington, D.C. The 1950s has been transformed in the scholarly literature from a "tranquillized" decade to an almost "tumultuous" one, and therefore is badly in need of a restorative balance. This is the achievement of Martin Halliwell's superb account of a postwar period that, for all of its familiarity, remains tantalizingly elusive. By showing the persistence of the varieties of cultural modernism, he advances the retrospective understanding of a decade that was not merely the lengthened shadow of the Cold War. His book is thoughtful, expansive and engaging. The author has a good command of the variety of cultural forms in the period and has planned the shape and contents of the book thoughtfully.Table of ContentsAmerican Culture in the 1950s; Martin Halliwell; Contents;; Illustrations; Case Studies; Acknowledgements; Chronology of 1950s American Culture; Introduction: The Intellectual Context; 1. Fiction and Poetry; 2. Drama and Performance; 3. Music and Radio; 4. Film and Television; 5. The Visual Arts beyond Modernism; Conclusion: Rethinking the 1950s; Notes; Bibliography; Index.
£26.59
Taylor & Francis Ltd Art Space and the City Public Art and Urban Futures
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£52.24
Taylor & Francis Interaction for Designers
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£43.69
Taylor & Francis Museum and Gallery Studies
Book SynopsisMuseum and Gallery Studies: The Basics is an accessible guide for the student approaching Museum and Gallery Studies for the first time. Taking a global view, it covers the key ideas, approaches and contentious issues in the field. Balancing theory and practice, the book address important questions such as: What are museums and galleries? Who decides which kinds of objects are worthy of collection? How are museums and galleries funded? What ethical concerns do practitioners need to consider? How is the field of Museum and Gallery Studies developing? This user-friendly text is an essential read for anyone wishing to work within museums and galleries, or seeking to understand academic debates in the field.Table of ContentsIntroduction; 1. First principles; 2. Collecting and collections; 3.Display, interpretation, learning; 4. Economics: The Business of Culture; 5. Politics and Society: Power and authority; 6. Identity and Representation; 7. Continuing Controversies and Conflicts; 8. Current Debates and Future Prospects
£24.51
Yale University Press John Baldessari Catalogue Raisonne Volume 2
Book SynopsisThe second in a projected four-volume series of the complete catalogue of works by John Baldessari
£144.00
Taylor & Francis Japanese Modernisation and Mingei Theory
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£43.99
Penguin Putnam Inc This Is Not A Book
Book SynopsisA uniquely skewed look at the purpose and function of a book'.'
£14.00
Taylor & Francis Ltd International Dictionary of Music Therapy
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£42.74
University of California Press Every Step a Lotus Shoes for Bound Feet
Book SynopsisCollects information about footbinding in China, using color and black-and-white photography to chronicle the history of the practice.Table of ContentsForeword Acknowledgments Introduction 1 Origins 2 The Ties That Bind 3 Bodies of Work 4 The Speaking Shoe 5 A New World Notes Bibliography Photography Credits Index
£27.90
University of California Press Vision Anew
Book SynopsisThe ubiquity of digital images has profoundly changed the responsibilities and capabilities of anyone and everyone who uses them. Presenting essays on photography and the moving image alongside engaging interviews with artists and filmmakers, the author offers an inspired assessment of the medium's ongoing importance in the digital era.Trade Review"Through its variety of voices, Vision Anew doesn't promote a new language to define "lens art," but dissects the languages that the medium itself has created." -- Taylor Dafoe The Brooklyn RailTable of ContentsAcknowledgments Foreword - Adam Bell Introduction - Charles Traub Part 1. From the Lens 1. Photography Is (1961) - Arthur Siegel 2. Keep It Simple Stupid, Just Make a Good Picture: The Basics of Photography (2012) - Gerry Badger 3. Excerpt from A New History of Photography: The World Outside and the Pictures in Our Heads (2008) - Ken Schles 4. Photographs about Photographs (2010) - Adam Bell 5. On Books and Photography (2012) - Ofer Wolberger, Jason Fulford, and Adam Bell 6. Stillness, Depth, and Movement Reconnected (2012) - Robert Bowen 7. A Little History of Photography Criticism; or, Why Do Photography Critics Hate Photography? (2010) - Susie Linfield 8. If You See Something, Say Something: Why We Need to Talk about and Teach Visual Literacy, Now (2014) - Marvin Heiferman Part 2. Vision and Motion 9. Excerpt from Vision in Motion (1947) - Laszlo Moholy-Nagy 10. Stillness (2008) - David Campany 11. The Annihilation of Time and Space (2004) - Rebecca Solnit 12. On Editing and Structure (2002) - Wolf Koenig 13. Flickering Screens (2008) - Ai Weiwei 14. A Lecture (1968) - Hollis Frampton 15. Flatness/Depth. Still/Moving. Photography/Cinema. (2012) - Grahame Weinbren 16. HD Vision (2012) - Bob Giraldi, Ethan David Kent, Christopher Walters, Charles Traub, and Adam Bell 17. Moving Away from the Index: Cinema and the Impression of Reality (2007) - Tom Gunning 18. Seeing around the Edge of the Frame (2001) - Walter Murch 19. Sensorial Cinema: Conjectures/Conversations (2014) - Scott MacDonald 20. Reconquering Space and the Screen (2005) - Pipilotti Rist and Doug Aitken 21. Looking and Being Looked At (2014) - Shelly Silver and Claire Barliant 22. It's about Time (2013) - Christian Marclay and Amy Taubin Part 3. Old Medium/New Forms 23. Photography and the Future (2010) - Tom Huhn 24. Machine-Seeing (2012) - Trevor Paglen and Aaron Schuman 25. There Is Only Software (2011) - Lev Manovich 26. Google Street View: The World Is Our Studio (2011) - Lisa Kereszi 27. Exploring Options (2011) - Alec Soth and Charles Traub 28. On (2014) - Charlie White 29. Sharing Makes the Picture (2012) - Barry Salzman 30. Posits and Questions (2014) - Fred Ritchin and Brian Palmer 31. Capture/Curate Touch/Play: Reality Is the New Fiction (2014) - Claudine Boeglin and Paul Pangaro 32. A Post-photographic Manifesto (2011) - Joan Fontcuberta (trans. Graham Thomson) 33. Feedback Manifesto (2010) - David Joselit 34. Ant!foto and the Antifoto Manifesto (2013) - Katja Stuke and Oliver Sieber 35. Creative Interlocutors: A Manifesto (1997) - Charles Traub Notes List of Contributors Credits
£50.40
University of California Press Entropy and Art
Book SynopsisAn essay that attempts to reconcile the disturbing contradiction between the striving for order in nature and in man and the principle of entropy implicit in the second law of thermodynamics - between the tendency toward greater organization and the general trend of the material universe toward death and disorder.Trade Review"Arnheim was the best kind of romantic. His wisdom, his patient explanations and lyrical enthusiasm are those of a teacher." * New York Times *"The psychology of art is never as easy as a-b-c, but this book avoids the general obtuseness of such treatises. It will give your mind a good honing." * Art Direction *"Suitably unpretentious and fragmentarily brilliant in the interplay of elements from the author's vast reading and experience of experimental psychology." * Leonardo *
£18.90
Yale University Press The Holland Park Circle
Book SynopsisA major study of the Holland Park Circle, this is both a narrative of the lives, works and influence of the artists, architects and their patrons and a perceptive analysis of the subtle relationships between high Victorian taste and mercantile values. This was the period of art as great fashion.
£45.12
Yale University Press For Kith and Kin Folk Art at the Art Insitute of
Book SynopsisThe Art Institute of Chicago is home to one of the world's finest - and largest - collections of American folk art. Including reproductions and detailed entries for each of the sixty-one objects it features, this book highlights an array of masterworks such as "primitive" New England portraits, a face jug from South Carolina, and ship figureheads.
£999.99
Taylor & Francis Ltd Hybrid Animation Integrating 2D and 3D Assets
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£34.19
Taylor & Francis Ltd Digital Wildlife Photography
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£32.99
Columbia University Press Video Revolutions
Book SynopsisTrade ReviewVideo Revolutions is a stimulating and satisfying intellectual tour and argument, chiefly for Newman's ability to encompass often disparate case studies within a single historical lens. -- William Boddy, Baruch College, CUNY Michael Newman has carved out a fascinating intellectual space between television and cinema as they are traditionally understood, to illuminate both as well as to explore the new ground that the concept of 'video' established in the media imaginary. This is a concise and impressive work that should be on the reading list of all scholars of media and contemporary culture. -- Michele Hilmes, University of Wisconsin-Madison Newman does for video what Lynn Spigel did for television: he 'makes room' for it in an accessible and compelling critique that shows how video has become an integral part of our lives. Video Revolutions is a book that is long overdue. -- Michael Curtin, co-author, The American Television Industry Newman's stylish and informative new book Video Revolutions: On the History of a Medium hits pause on key moments in the biography of video, freezing them for closer examination, while always keeping an eye on the bigger picture. Prospect A brief, brilliant inquiry into the history of a complex, contested medium... Essential, engrossing reading for anyone-from high-school YouTube producers to senior media-studies scholars-interested in our ever-evolving fascination with the moving image. PopMatters Densely theoretical yet poetic... lively, accessible... this would make an excellent course text-on either an introductory or advanced level (a rare accomplishment). All in all, a remarkable book. Essential. Choice An enjoyable, masterful tour of the history of a medium... [Video Revolutions] contributes to a much-needed repositioning of video as a cultural form in relation to film, television, and digital media. -- Yvonne Spielmann Technology and CultureTable of ContentsPreface Acknowledgments 1. Three Phases 2. Video as Television 3. Video as Alternative 4. Video as the Moving Image 5. Medium and Cultural Status Notes Select Bibliography Index
£12.25
Columbia University Press The Tarikhi amidi
Book SynopsisThe Tarikh-i Ḥamidi is an epic and tragic history that chronicles a mass rebellion by the Muslims of Xinjiang against the China-based Qing empire from its beginnings in 1864 to the Qing reconquest of 1877 and its aftermath.Trade ReviewSayrami provides a gripping tale of political upheaval and military campaigns in mid-nineteenth-century East Turkestan: a firsthand account of shifting alliances and betrayal, bloody rebellions and massacres in a region where different empires collide. This brilliantly readable translation and insightful commentary is essential reading for those wishing to understand the region better. -- Rachel Harris, SOASWith flawless mastery of the Chaghatai language, Schluessel has offered a brilliant English translation of the Tarikh-i Ḥamidi. This translation, and his excellent introduction, will be of great interest for Central Asia scholars as a political and intellectual history of the Uyghur homeland and a local history of the Qing empire’s Central Asian Muslim periphery. -- Ablet Kamalov, Turan University, and president of Central Eurasian Studies SocietyThe Tarikh-i Ḥamidi is an irreplaceable history that has been completely inaccessible to general readers. Thanks to Schluessel’s excellent translation, this important and fascinating text is available in plain English. Scholars and students can now gain insight into the experiences of the Uyghur people through the voice of one of their greatest writers. -- Hodong Kim, Seoul National UniversityIt is impossible to exaggerate the importance of Eric Schluessel's translation of the Tarikh-i Ḥamidi. In its ongoing efforts to erase Uyghur culture, the Chinese party-state has pulled this text from the shelves. To buy it, read it, and share it is a defiant act of cultural preservation. -- James Millward, author of The Silk Road: A Very Short IntroductionTable of ContentsAcknowledgmentsIntroductionTerminologyPrefaceProlegomenonThe First EpicThe Second EpicDescription of MoghulistanNotesBibliographyIndex of PeopleIndex of Places
£28.50
Harvard University Press Thinking Through Soil Wastewater Agriculture in
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£30.56
University of California Press Teotihuacan
Book SynopsisFounded in the first century BCE near a set of natural springs in an otherwise dry northeastern corner of the Valley of Mexico, the ancient metropolis of Teotihuacan was on a symbolic level a city of elements. With a multiethnic population of perhaps one hundred thousand, at its peak in 400 CE, it was the cultural, political, economic, and religious center of ancient Mesoamerica. A devastating fire in the city center led to a rapid decline after the middle of the sixth century, but Teotihuacan was never completely abandoned or forgotten; the Aztecs revered the city and its monuments, giving many of them the names we still use today. Teotihuacan: City of Water, City of Fire examines new discoveries from the three main pyramids at the site-the Sun Pyramid, the Moon Pyramid, and, at the center of the Ciudadela complex, the Feathered Serpent Pyramid-which have fundamentally changed our understanding of the city's history. With illustrations of the major objects from Mexico City's Museo Nacional de Antropologia and from the museums and storage facilities of the Zona de Monumentos Arqueologicos de Teotihuacan, along with selected works from US and European collections, the catalogue examines these cultural artifacts to understand the roles that offerings of objects and programs of monumental sculpture and murals throughout the city played in the lives of Teotihuacan's citizens. Published in association with the Fine Arts Museums of San Francisco. Exhibition dates: de Young, San Francisco, September 30, 2017-February 11, 2018 Los Angeles County Museum of Art (LACMA), March-June 2018Trade Review"Those new to the wonders of this city as well as seasoned scholars of Teotihuacan will benefit from the text’s wide-ranging perspectives, lavish color illustrations, and the copious number of objects thoughtfully explained in the catalogue entries. Educators can easily use this as a manual for incorporating Teotihuacan into their classes." * caa.reviews *Table of ContentsDirectors’ Foreword Max Hollein and Michael Govan Foreword María Cristina García Cepeda Foreword Diego Prieto Hernández INTRODUCTION TO TEOTIHUACAN THE SUN PYRAMID THE MOON PYRAMID THE APARTMENT COMPOUNDS THE CIUDADELA AND THE FEATHERED SERPENT PYRAMID TEOTIHUACAN RELIGION TEOTIHUACAN ART MAP OF TEOTIHUACAN CATALOGUE OF THE EXHIBITION WITH MAPS Bibliography Index Acknowledgments List of Contributors Map Sources and Image Credits
£53.55
Stanford University Press From Energy to Information
Book SynopsisThis book offers an innovative examination of the interactions of science and technology, art, and literature in the nineteenth and twentieth centuries. Scholars in the history of art, literature, architecture, computer science, and media studies focus on five historical themes in the transition from energy to information: thermodynamics, electromagnetism, inscription, information theory, and virtuality. Different disciplines are grouped around specific moments in the history of science and technology in order to sample the modes of representation invented or adapted by each field in response to newly developed scientific concepts and models. By placing literary fictions and the plastic arts in relation to the transition from the era of energy to the information age, this collection of essays discovers unexpected resonances among concepts and materials not previously brought into juxtaposition. In particular, it demonstrates the crucial centrality of the theme of energy in moTrade Review"The essays in this remarkable collection are productively disruptive of disciplinary and historical boundaries, richly detailed, and elegantly argued. Written by some of the leading figures in the history of art, literary studies, and science studies (as well as a handful of emerging stars), these essays are virtuoso performances that will capture a wide audience in a number of disciplines and interdisciplinary fields."—David Horn, Ohio State University"Beyond the intrinsic merit of the essays in From Energy to Information, the collection also demonstrates the payoff of such work for our understanding of major issues in modernism and postmodernism."—Modernism/ModernityTable of ContentsILLUSTRATIONS CONTRIBUTORS ACKNOWLEDGMENTS Introduction BRUCE CLARKE AND LINDA DALRYMPLE HENDERSON From Thermodynamics to Virtuality BRUCE CLARKE Part One. The Cultures of Thermodynamics Introduction 1. Time Discovered and Time Gendered in Victorian Science and Culture M. NORTON WISE 2. Dark Star Crashes: Classical Thermodynamics and the Allegory of Cosmic Catastrophe BRUCE CLARKE 3. Energetic Abstraction: Ostwald, Bogdanov, and Russian Post-Revolutionary Art CHARLOTTE DOUGLAS Part Two. Ether and Electromagnetism: Capturing the Invisible Introduction 4. Lines of Force, Swirls of Ether BRUCE J. HUNT 5. The Real and the Ethereal: Modernist Energies in Eliot and Pound IAN F. A. BELL 6. Vibratory Modernism: Boccioni, Kupka, and the Ether of Space LINDA DALRYMPLE HENDERSON Part Three. Traces and Inscriptions: Diagramming Forces Introduction 7. Representation on the Line: Graphic Recording Instruments and Scientific Modernism ROBERT M. BRAIN 8. Concerning the Line: Music, Noise, and Phonography DOUGLAS KAHN 9. Bodies in Force Fields: Design Between the Wars CHRISTOPH ASENDORF Part Four. Representing Information Introduction 10. On the Imagination's Horizon Line: Uchronic Histories, Protocybernetic Contact, and Charles Babbage's Calculating Engines DAVID TOMAS 11. Escape and Constraint: Three Fictions Dream of Moving from Energy to Information N. KATHERINE HAYLES Part Five. Voxels and Sensels: Bodies in Virtual Space Introduction 13. Authorship and Surgery: The Shifting Ontology of the Virtual Surgeon TIMOTHY LENOIR AND SHA XIN WEI 14. Eversion: Brushing against Avatars, Aliens, and Angels MARCOS NOVAK Part Six. Representation from Pre- to Post-Modernity Introduction 5. Puppet and Test Pattern: Mechanicity and Materiality in Modern Pictorial Representation RICHARD SHIFF 16. Dinosaurs and Modernity W. J. T. MITCHELL NOTES INDEX
£31.50
Princeton University Press Old Masters and Young Geniuses
Book SynopsisOffers an understanding of artistic creativity by examining the careers not only of great painters but also of important sculptors, poets, novelists, and movie directors. This book provides insights into the mysterious processes of human creativity.Trade Review"Galenson's idea that creativity can be divided into these types--conceptual and experimental--has a number of important implications."--Malcolm Gladwell, New Yorker "David Galenson has developed something approaching a unified theory of art ... [that] does a surprisingly good job of explaining the relative value of the world's great paintings... While Mr. Galenson has been studying the art world over the last five years, all sorts of other fields have been engaged in their own debate about judgment versus rules... When the traditionalists in these fields describe their skepticism of statistics, they sometimes make the argument that their craft is as much art as it is science. That's a nice line, but the next time you hear it, think back to Mr. Galenson's work. Even art, it turns out, has a good bit of science to it."--David Leonhardt, The New York Times "After a decade of number crunching, Galenson, at the not-so-tender age of 55, has fashioned something audacious and controversial: a unified field theory of creativity. Not bad for a middle-aged guy. What have you done lately?"--Daniel Pink, Wired "An intriguing book."--The Age (Sunday Edition)Table of ContentsList of Illustrations and Tables ix Preface xi INTRODUCTION 1 CHAPTER 1: Theory 4 Experimental and Conceptual Innovators 4 Archetypes 5 Planning, Working, and Stopping 11 Innovation and Age: Old Masters and Young Geniuses 14 Artists, Scholars, and Art Scholars 15 CHAPTER 2: Measurement 21 Quantifying Artistic Success 21 Prices 21 Textbook Illustrations 25 Examples: Ten Important Modern Painters 27 Retrospective Exhibitions 33 Examples: Ten Important American Painters 35 Museum Collections 40 Museum Exhibition 42 Measuring Careers 44 CHAPTER 3: Extensions 47 The Spectrum of Approaches 47 Can Artists Change? 56 Anomalies 61 CHAPTER 4: Implications 67 Masters and Masterpieces 67 The Impressionists'Challenge to the Salon 71 Masterpieces without Masters 73 Contrasting Careers 80 Conflicts 82 The Globalization of Modern Art 86 CHAPTER 5: Before Modern Art 94 CHAPTER 6: Beyond Painting 111 Sculptors 111 Poets 122 Novelists 134 Movie Directors 149 CHAPTER 7: Perspectives 162 Portraits of the Artist as an Experimental or Conceptual Innovator 162 Portraits of the Artist as a Young or Old Innovator 166 Psychologists on the Life Cycles of Creativity 171 Understanding and Increasing Creativity 177 Seekers and Finders 185 Notes 187 Bibliography 207 Index 223
£27.00
Harvard University, Asia Center Poetry and Painting in Song China The Subtle Art
Book SynopsisDuring the Song dynasty (960–1278), some of China’s elite found an elegant and subtle means of dissent: landscape painting. By examining literary archetypes, painting titles, contemporary inscriptions, and the historical context, Murck shows that certain paintings expressed strong political opinions—some transparent, others deliberately concealed.Trade ReviewIn late eleventh-century China, a group of disaffected government officials, their careers in disarray and their lives sometimes at risk, found ways to express political dissent and personal grievances through the use of literary allusions. Expressing dissatisfaction could be dangerous, so these allusions had to be oblique...Circulating among like-minded people, these coded expressions of protest and discontent were relatively secure from outsiders' scrutiny. They are even more difficult to access today—or have been, I should say. This impressively researched, deeply ruminated book opens the door to their meaning. -- Susan E. Nelson * College Art Association Reviews *Focusing on one of the best-known themes in Chinese (and later, Japanese) ink-painting, from one of the pivotal moments in the formation of the painting-poetry relationship, this book delves into a classic example of polities turning to the arts for expression. And because the politicians of this dangerous time coded their painted-poetry with such subtle indirectness, Dr. Murck's inquiry unfolds like a good mystery undertaken by a master sleuth. Every reader, whether Asian scholar or arm-chair detective, will come away with a far deeper appreciation of the painting-poetry-politics triad in Chinese history. -- Jerome Silbergeld, University of Washington and Princeton UniversityFreda Murck's richly detailed book teaches us how to crack the code by which important Song scholar-artists expressed their anguished laments and political protests through seemingly innocuous landscape paintings. Explaining how secret messages were encoded in poetic allusions and translated into visual imagery, she uncovers a new and important dimension of Song literati painting. Through a series of ease studies, she shows how painting gained new expressive possibilities by adopting the functions, metaphors, and conventions of poetry. -- Julia Murray, University of Wisconsin-MadisonMore than any other study, this brilliantly researched hook carries the reader into the intellectual environment of scholars, painters, and poets who created new forms of visual and verbal expression during the Song dynasty. -- Robert E. Harrist, Jr., Columbia University
£26.96
Princeton University Press Music and the Ineffable
Book SynopsisDeals with classical issues in the philosophy of music, including metaphysics and ontology. This book argues that music is not a hieroglyph, nor a language or sign system. It argues that music is 'ineffable', because it cannot be pinned down, and has a capacity to engender limitless resonance in several domains.Trade Review"Among significant influences in 20th-century philosophical thought on music, perhaps none is as sweeping as that of Vladimir Jankelevitch. Yet until now his works have not been widely available in English... Still provocative after 40 years, this book offers fascinating, fresh, and Occasionally befuddling perspectives on the vital phenomenon that is music."--Choice
£42.50
Princeton University Press Still Lives Death Desire and the Portrait of the
Book SynopsisMichelangelo was one of the biggest international art stars of his time, but being Michelangelo was no easy thing: he was stalked by fans, lauded and lambasted by critics, and depicted in unauthorized portraits. Still Lives traces the process by which artists such as Michelangelo, Durer, and Titian became early modern celebrities. Artists had beenTrade ReviewShortlisted for the 2016 Art Book Prize, Authors' Club "In this fascinating publication, Loh (Univ. College London) employs a variety of strategies and material (20th-century French deconstruction; 21st-century vernacular and digital terms; cross-period parallels among artists and works; primary sources; the close study of paintings, drawings, prints, books, letters, medals, and sculpture) to make early modern artist self-portraits and their portraits painted by other artists accessible to contemporary readers... Loh's immersive readings of these works of art are original, detailed, nuanced, and often quite passionate, frequently emphasizing the vulnerability of artists and the difficulty of their work."--Choice "[A] powerful and sometimes troubling book."--Giles Waterfield, Burlington Magazine "[An] impressive book... In the world of social media saturated with Facebook and selfies, we may think that in 'managing our profile' we are shaping our portrait. After reading Maria Loh's engaging new study, one will never look at a portrait in the same way, much less believe that we exercise control over the potency and malleability of our image."--William E. Wallace, Renaissance QuarterlyTable of ContentsUSER'S GUIDE ix Getting Started ix Basics xv Advanced Features xvi Troubleshooting xix FAQs xx Credits xxi I. THE TREACHERY OF IMAGES 1 Me, Myself, and I 1 Losing Face (Damnatio Memoriae) 19 Face Value 30 Bad Hair Days 41 II. THE ARTIST'S BODY OF WORK 56 Body of Work 56 The Long Good-bye 60 Noli Me Tangere / Ostentatio Vulnerum 73 Not in a Good Place 87 All That Remains (Vestigium) 100 III. EXQUISITE CORPSE 113 The Pleasure of Disegno 113 Daydreamers in Plato's Cave 125 The Action Hero's Journey 135 The Exquisite Corpse 155 IV. A BODY TOO MUCH 171 Historical Fiction 171 Distant Voices, Still Lives 174 A Temple for All Gods 183 A Ghost Is Born 198 Science Fiction 207 POST/FACE 226 Notes 235 Bibliography 273 Image Credits 293 Index 295
£43.20
Princeton University Press Skies of Parchment Seas of Ink
Book SynopsisThe love of books in the Jewish tradition extends back over many centuries, and the ways of interpreting those books are as myriad as the traditions themselves. Skies of Parchment, Seas of Ink offers the first full survey of Jewish illuminated manuscripts, ranging from their origins in the Middle Ages to the present day. Featuring some of the mostTrade ReviewWinner of the 2015 National Jewish Book Award in Visual Arts, Jewish Book Council Finalist for the 2015 National Jewish Book Award in Scholarship (Nahum M. Sarna Memorial Award), Jewish Book Council Honorable Mention for the 2016 PROSE Award in Art History & Criticism, Association of American Publishers "The gorgeously illustrated volume Skies of Parchment, Seas of Ink: Jewish Illuminated Manuscripts, edited by Marc Epstein, should challenge almost all assumptions about Jewish identity, difference, or art. Its twelve instructive chapters and 287 full-color images survey a stunning array of illustrated books made for Jews from the twelfth to the twenty-first centuries."--Sara Lipton, New York Review of Books "It is gratifying to welcome a book that celebrates Jewish manuscript illumination with such erudition and passion."--Ilana Tahan, Times Literary Supplement "This magnificent book gathers 278 color illustrations of the most celebrated ancient and modern illuminated Jewish manuscripts and a comprehensive scholarly history of illuminated manuscripts."--Zelda Shluker, Hadassah "An accessible and richly informative introduction to these works, suggesting that although no actual medieval Jewish library exists, we may yet imagine one."--Christopher Lyon, Bookforum "A book that successfully paints both a broad and detailed landscape. The text is clearly written, and the approximately three hundred illustrations are well chosen, beautifully reproduced, and smartly laid out on the printed page... Epstein's theories are intriguing and are certain to pique the interest of his readers. Perhaps more importantly for most potential readers, Skies of Parchmentreflects the essence and beauty of its subject matter."--Jewish Book Council "A gifted communicator with an infectious enthusiasm for his material, Epstein is a master of visual analysis."--Julie A. Harris, Medieval Encounters "[A] sumptuous, magnificent book."--Ephraim Nissan, PhilologyTable of ContentsAcknowledgments vii 1Introduction: For the Love of Books 1 Marc Michael Epstein 2People of the Book/Books of the People: Illuminating the Canon 19 Hartley Lachter with Marc Michael Epstein 3Parchments and Palimpsests: Scribe, Illuminator, Patron, Audience 29 Marc Michael Epstein Focus: The Illuminated Page: Materials, Methods, and Techniques Barbara Wolff 40 4Mapping the Territory: 'Arb'ah Kanfot Ha'arez-The Four Corners of the Medieval Jewish World 47 Erez Yisrael/The Land of Israel: Homeland and Center Marc Michael Epstein 47 Italia/Italy: The First Western Diaspora Marc Michael Epstein 55 Ashkenaz: Franco-Germany, England, Central and East Europe Eva Frojmovic with Marc Michael Epstein 63 Sepharad and 'Arav: Spain and the Middle East Raymond P. Scheindlin with Marc Michael Epstein 72 The Problem of "National Style" Eva Frojmovic with Marc Michael Epstein 77 5No Graven Image: Permitted Depictions, Forbidden Depictions, and Creative Solutions 89 Eva Frojmovic and Marc Michael Epstein Focus: Exploring the Mystery of the Birds' Head Haggadah Marc Michael Epstein 97 6Iconography: Telling the Story 105 Marc Michael Epstein Geographical Distinctions 105 Approaches to the Biblical Narrative 122 7Dialogue and Disputation: Cultural Negotiation 145 Marc Michael Epstein Under Edom 145 Under Ishmael 153 8This World: Centered on the Home-Women, Marriage, and the Family 159 Shalom Sabar Focus: "Glimpses of Jewish Life": Reality or Illusion? Marc Michael Epstein 175 Focus: "Incidental Details": Margins and Meaning Marc Michael Epstein 182 Focus: "Sacred and Profane": Naked Ladies in the Haggadah? Agnes Veto 188 9Other Worlds: Fantastic Horizons and Unseen Universes 193 Hartley Lachter with Marc Michael Epstein 10Zion and Jerusalem: "The Sum of All Beauty, the Joy of All the Earth" 205 Shalom Sabar 11In the Royal Court: Jewish Illumination in an Age of Printing 215 Marc Michael Epstein Focus: A Yiddish Minhagim Manuscript 225 Diane Wolfthal 12Illuminating the Present: Contemporary Jewish Illumination 229 Susan Vick with Marc Michael Epstein 13Continuing the Journey: Annotated Bibliography and Manuscript Descriptions 255 Jenna Siman Jacobs with Marc Michael Epstein Manuscripts and Facsimiles 255 Surveys 261 Collection Surveys and Exhibition Catalogues 263 Studies 265 Contributor Biographies 267 Index 269 Photo Credits 276
£59.50
Princeton University Press Picture Titles
Book SynopsisA picture's title is often our first guide to understanding the image. Yet paintings didn't always have titles, and many canvases acquired their names from curators, dealers, and printmakers--not the artists. Taking an original, historical look at how Western paintings were named, Picture Titles shows how the practice developed in response to the cTrade ReviewOne of The New Yorker's "The Books We Loved in 2015" (selected by Ben Lerner) "I was fascinated by Ruth Bernard Yeazell's book Picture Titles: How and Why Western Paintings Acquired Their Names. As a writer who is often jealous of visual artists, I found her exploration of how titles inflect our experiences of viewing perversely reassuring--I mean as evidence of the power a text can hold over an image."--Ben Lerner, New Yorker "A fascinating account of how paintings get their titles."--Peter De Bolla, Times Literary Supplement "This fascinating study shows how the naming of paintings was inextricably tied to the rise of the art market in the 17th and 18th centuries."--Apollo Magazine "Yeazell's work is undoubtedly one of serious scholarship, stuffed to the margins with historical and critical analysis... Where Yeazell's analysis succeeds most is in its insistence that we consider something that seems so ordinary--a wall label, photo caption, or Google Images description--with consideration of those words' creator and with an awareness of how those words profoundly affect our perception."--Grace Labatt, Santa Fe New Mexican "That titles are somehow intrinsic to all artworks is an idea that is mistaken but frequently espoused. Welcome clarification of this fact comes with Ruth Bernard Yeazell's new book, Picture Titles: How and Why Western Paintings Acquired Their Names. This is an important study."--Thomas Marks, Apollo Magazine "The advent of titles in Western art is the subject of this engaging book. Yeazell explores the economic and cultural changes that prompted the practice, blending historical perspective with more modern case studies... Well organized and including detailed references and a thorough index, this is a valuable resource for those interested in art history, library and museum studies, and fine arts."--ChoiceTable of ContentsList of Illustrations ix Prologue (This is not a title) 1 I Naming and Circulating: Middlemen 1 Before Titles 19 2 Dealers and Notaries 25 3 Early Cataloguers 31 4 Academies 39 5 Printmakers 52 6 Curators, Critics, Friends-and More Dealers 66 II Reading and Interpreting: Viewers 7 Reading by the Title 81 8 The Power of a Name 97 9 Many Can Read Print 110 10 Reading against the Title 124 III Authoring as well as Painting: Artists 11 The Force of David's Oath 143 12 Turner's Poetic Fallacies 166 13 Courbet's Studio as Manifesto 183 14 Whistler's Symphonies and Other Instructive Arrangements 204 15 Magritte and The Use of Words 225 16 Johns's No and the Painted Word 243 Acknowledgments 265 Notes 267 Index 315
£28.80
Boydell & Brewer Ltd The Art of the AngloSaxon Goldsmith Fine
Book SynopsisGoldsmiths' products examined, combining discussion of object with analysis of inscription and design, and literary and archaeological evidence for smiths and their work.Throughout the Anglo-Saxon period, goldsmiths produced work of a high standard in both design and craftsmanship, both for personal adornment, and to embellish bookbindings, reliquaries, vessels and weapons. Some works are well known, particularly the magnificent gold and garnet regalia from Sutton Hoo, but this represents only a fraction even of the surviving work, and much more has been lost. This book is the first to look at the goldsmiths' products through the eyes of both a specialist in the period and a practical craftsman, combining close examination of the surface and structure of the objects with analysis of inscriptions and evidence for design, and with literary and visualsources of evidence for smiths and their work. Archaeological and documentary evidence for workshops, tools and working processes is also assessed, and up-to-date technical information on materials and techniques is juxtaposed with new practical research to throw light on manufacturing and decorative processes, and, more widely, to give a fresh idea of the position of the goldsmith in his society. Dr ELIZABETH COATSWORTH is Senior Lecturer inthe Department of History of Art and Design, Manchester Metropolitan University; Dr MICHAEL PINDER is Senior Lecturer in the Department of Architecture, Landscape and 3DD, at the same university.Trade ReviewIn its sharp observation, lucid presentation, and masterful synthesis of information, [this book] represents a significant and most welcome contribution to early medieval archaeology, art history, and history of science. * TECHNOLOGY & CULTURE *Ambitious and wide-ranging.[...] Should be consulted as a first step by anyone with a serious interest in Anglo-Saxon metalwork. * COLLEGE ART ASSOCIATION online. *Table of ContentsList of illustrations; Acknowledgements; Abbreviations; Glossary; 1 Introduction: the backgroaund to the study of the Anglo-Saxon goldsmith; Part I: The Goldsmith in Archaeology and his Art; 2 Archaeological evidence for goldsmiths and their tools; 3 Manufacturing techniques; 4 Decorative techniques 1: Changes of surface or form; 5 Decorative techniques 2: Non-metallic additions; 6 Construction and design; Part II: The Goldsmith in his Society; 7 Imagined goldsmiths: the representation of smiths in Anglo-Saxon literature and illustration; 8 Real goldsmiths: the historical evidence; 9 The Anglo-Saxon goldsmith in his society; Appendix A: The Anglo-Saxon vocabulary of metalworking; Appendix B: Select catalogue; Bibliography; Index
£85.50
Harvard University Press The Image of the Black in Western Art Volume V
Book SynopsisThe Impact of Africa looks at changes in Western perspectives on African art and representations of Africans, and their paradoxical interpretation as both primitive and modern. Topics include photography, African influences on Picasso and Josephine Baker, and the contribution of artists from the Caribbean and Latin American diasporas.Trade ReviewWith the publication of the fifth volume, concentrating on the 20th century, [this series] has become a necessary cultural resource documenting the visual construction of blackness over the past 5,000 years. This latest and perhaps last volume—subdivided into two parts, The Impact of Africa and The Rise of Black Artists—redirects the underlying colonialist, Eurocentric framing of the previous four volumes. The co-editors, David Bindman and Henry Louis Gates Jr., bring focus to black artists globally as makers of their own art and imagery, rather than solely the subjects of others’ fantasies and fascination… Laudatory in its scope, notable for the high quality of its essays and, in terms of reproduction quality, impressively illustrated, The Image of the Black in Western Art: Volume V should have wide popular and scholarly appeal. -- Claudia Rankine * New York Times *This is the first part of the fifth volume in a series that has profound and moral depth—the cumulative effect of all the books in the series is to see the ways in which ethics, aesthetics, and looking are entwined, and the ways in which they are made even more complicated by culture and by class. -- Hilton Als * New Yorker online *I also would recommend The Image of the Black in Western Art, which is both expensive and priceless. It's fascinating to see how black people were viewed before we decided that African ancestry made you, by God or science, property. -- Ta-Nehisi Coates * The Atlantic online *A major accomplishment of art history, the fifth volume of this seminal series moves into the 20th century. Founded by art patron Dominique Schlumberger de Menil in the 1960s, the collection and subsequent series of books are intended as a ‘subtle bulwark and living testimony against antiblack racism’ through the exploration of representations of black people in Western art. This latest volume, edited by the influential scholars Bindman and Gates, looks broadly at the 20th‐century shifts in representation of Africa and people of African heritage in Western visual art (most often by white artists), including the significant influence African art exerted on modernism. The essays by esteemed academics range in topic from photography in the 19th century to Josephine Baker in Paris and the Negritude French literary movement. Without exception, the texts twine together research, image, and insight in a gracefully readable exploration of a complex topic. The series on a whole is truly indispensable and this particular volume offers an incredibly dynamic tour through Western history, racial difference, and visual art, all informing one another in ways often invisible as we study those subjects. * Publishers Weekly (starred review) *The writing is clear and accessible in this well-illustrated, scholarly volume that’s also suitable for a broader audience. Much of the material covered here, particularly on photography and on non-European representations, will be new to most readers. -- Jack Perry * Library Journal (starred review) *A fascinating story of the changing image of Africa's people in Western art. The images are simply extraordinary and the scholarship inspiring. Anyone who cares about Western art or about Africa and her diaspora ought to know these magnificent volumes. -- Kwame Anthony AppiahIn addition to being an indispensable guide to the evolving meanings of racial difference, these dazzling volumes filled with extraordinary images and rich arguments contribute to an alternative history of the Western world. An invaluable gift for both specialists and general readers. -- Paul Gilroy, author of The Black Atlantic: Modernity and Double Consciousness
£67.16
Harvard University Press The Image of the Black in Western Art Volume V
Book SynopsisThe last volume in The Image of the Black in Western Art marks a shift by focusing on representation of blacks by black artists in the West. It takes on migration in the U.S and globalization, Négritude and cultural hybridity, black artists’ relationship with European traditions and experimentation, as well as photography, jazz and activism.Trade ReviewWith the publication of the fifth volume, concentrating on the 20th century, [this series] has become a necessary cultural resource documenting the visual construction of blackness over the past 5,000 years. This latest and perhaps last volume—subdivided into two parts, The Impact of Africa and The Rise of Black Artists—redirects the underlying colonialist, Eurocentric framing of the previous four volumes. The co-editors, David Bindman and Henry Louis Gates Jr., bring focus to black artists globally as makers of their own art and imagery, rather than solely the subjects of others’ fantasies and fascination… Laudatory in its scope, notable for the high quality of its essays and, in terms of reproduction quality, impressively illustrated, The Image of the Black in Western Art: Volume V should have wide popular and scholarly appeal. -- Claudia Rankine * New York Times *The 10th volume in a 50-year effort to document images of Africans in Western art, Rise focuses on images of blacks by black artists. Though profusely illustrated, it is much more than a picture book, with essays on painting, photography, jazz, performance art and critical analysis of such cultural flash points as the advertising persona Aunt Jemima. -- Mary Abbe * Minneapolis Star-Tribune *A fascinating story of the changing image of Africa’s people in Western art. The images are simply extraordinary and the scholarship inspiring. Anyone who cares about Western art or about Africa and her diaspora ought to know these magnificent volumes. -- Kwame Anthony AppiahIn addition to being an indispensable guide to the evolving meanings of racial difference, these dazzling volumes filled with extraordinary images and rich arguments contribute to an alternative history of the Western world. An invaluable gift for both specialists and general readers. -- Paul Gilroy, author of The Black Atlantic: Modernity and Double Consciousness
£67.16
Korero Press Death And the Eternal Forever
Book SynopsisA highly anticipated new collection of paintings by one of today's most influential, prolific and recognisable artists. Explores the belief that all art is a futile attempt to cheat death, and that death gives art meaning.
£17.99
University of Minnesota Press Object-Oriented Feminism
Book SynopsisThe essays in Object-Oriented Feminism explore OOF: a feminist intervention into recent philosophical discourses—like speculative realism, object-oriented ontology (OOO), and new materialism—that take objects, things, stuff, and matter as primary. Object-oriented feminism approaches all objects from the inside-out position of being an object too, with all of its accompanying political and ethical potentials. This volume places OOF thought in a long history of ongoing feminist work in multiple disciplines. In particular, object-oriented feminism foregrounds three significant aspects of feminist thinking in the philosophy of things: politics, engaging with histories of treating certain humans (women, people of color, and the poor) as objects; erotics, employing humor to foment unseemly entanglements between things; and ethics, refusing to make grand philosophical truth claims, instead staking a modest ethical position that arrives at being “in the right” by being “wrong.”Seeking not to define object-oriented feminism but rather to enact it, the volume is interdisciplinary in approach, with contributors from a variety of fields, including sociology, anthropology, English, art, and philosophy. Topics are frequently provocative, engaging a wide range of theorists from Heidegger and Levinas to Irigaray and Haraway, and an intriguing diverse array of objects, including the female body as fetish object in Lolita subculture; birds made queer by endocrine disruptors; and truth claims arising in material relations in indigenous fiction and film. Intentionally, each essay can be seen as an “object” in relation to others in this collection. Contributors: Irina Aristarkhova, University of Michigan; Karen Gregory, University of Edinburgh; Marina Gržinić, Slovenian Academy of Science and Arts; Frenchy Lunning, Minneapolis College of Art and Design; Timothy Morton, Rice University; Anne Pollock, Georgia Tech; Elizabeth A. Povinelli, Columbia University; R. Joshua Scannell, CUNY Graduate Center; Adam Zaretsky, VASTAL.Trade Review"Taking on object-oriented ontologies and speculative realism, the authors of these essays are not shy in reestablishing feminist theory as a primary resource for thinking about objects, things and environments. The editor, Katherine Behar, offers a brilliant introduction to object-oriented feminism and the encounter it stages with current philosophical trends."—Patricia Ticineto Clough, author of Autoaffection and coeditor of Beyond Biopolitics"Object-Oriented Feminism will be of particular interest for readers in feminist theory, philosophy and poststructuralism as they intersect with curatorial and art practices, and thus also being interesting for artists, curators and cultural workers navigating their ways in the worlds of theory and philosophy."—Identities: Journal for Gender, Politics and CultureTable of ContentsContents An Introduction to OOF Katherine Behar 1. A Feminist Object Irina Aristarkhova 2. All Objects Are Deviant: Feminism and Ecological Intimacy Timothy Morton 3. Allure and Abjection: The Possible Potential of Severed Qualities Frenchy Lunning 4. The World is Flat and Other Super Weird Ideas Elizabeth A. Povinelli 5. Facing Necrophilia, or “Botox Ethics” Katherine Behar 6. OOPS: Object Oriented Psychopathia Sexualis Adam Zaretsky 7. Queering Endocrine Disruption Anne Pollock 8. Political Feminist Positioning in Neoliberal Global Capitalism Marina Gržinić 9. In the Cards: From Hearing “Things” to Human Capital Karen Gregory 10. Both a Cyborg and a Goddess: Deep Managerial Time and Informatic Governance R. Joshua Scannell Acknowledgments Notes Contributors Index
£20.69
National Gallery of Art,Washington French Paintings of the 19th Century Part 1
Book SynopsisEncompasses the neoclassicism of Jacques-Louis David as well as the naturalism of the Barbizon painters. This title also illustrates Jean-Baptiste-Camille Corot's verdant landscapes, Honore Daumier's political satires, and Jean-Francois Millet's realism.
£69.70
Valiz Feminist Art Activisms and Artivisms
Book Synopsis
£26.12
Columbia University Press Bombay Hustle Making Movies in a Colonial City
Book SynopsisDebashree Mukherjee offers a panoramic history of early Bombay cinema and its consolidation in the 1930s. Bombay Hustle provides vital insight into practices of modernity and political, social, and technological change in late colonial India.Trade ReviewIn viewing cinema “as an ecology of practices and practitioners” Debashree Mukherjee’s Bombay Hustle – Making Movies in a Colonial City provides a significant and timely contribution to our understanding of how these apparently disparate forces mesh together to form what she describes as a cine-ecology, distinct from the more imprecise ‘film industry’. -- Eleanor Halsall * The Wire *Bombay Hustle goes beyond film criticism and film history to contribute to urban history as well. It is a well-researched, well-written work of history weaving together elements of gender, class, caste, and aesthetics to situation the 1930s as a period that deserves more attention from film enthusiasts and scholars alike. * Asian Review of Books *Bombay Hustle offers a key intervention in histories of infrastructure and film production. This intervention extends beyond the particularity of South Asia and applies to any major cine-ecology. -- Katie Bird * Journal of Cinema and Media Studies *The book’s transdisciplinary approach to the film industry and the film workers allows it to forge new connections and meanings in the study of media practices in colonial Bombay. * Film Matters *[This] book will garner the attention of and engage scholars from many subfi elds: history of cinema, popular culture, biomedia studies, and urban history. This book presents new modes of watching cinema and seeing the city through its material and human histories. -- Sanjukta Poddar * Economic & Political Weekly *With Lennonesque poetic charm, Mukherjee’s intimate tryst with this enthralling world of multiple entwined imaginations opens new windows, and persuades its readers: ‘Imagine, there’s more to see’. -- Supurna Dasgupta * South Asia Research *This is a stunningly ambitious account of the speculative economy, production practices, and urban milieu of the Bombay film industry during cinema’s transition to sound. Mukherjee brings an embodied knowledge of the city and a material historian's keen sense of objects, institutions, and energies as she breathes life into a web of stories about the film studios, entrepreneurs, stars, aspirants, film crews, and extras of early Bombay cinema. A deeply innovative and poetic account of the tangle of film practitioners, technologies, and techniques in India’s late colonial period, this book is a revelation of new archives, histories, and modes of thought. It is a sensational addition to the fields of South Asian studies, film history, labor history, new materialism, affect studies, and actor-network theory. -- Priya Jaikumar, author of Where Histories Reside: India as Filmed SpaceMeticulously and inventively researched, Bombay Hustle offers a methodological model for media historians with its staggering and creative array of sources. Offering an experiential feel for the precarious, open-ended, and speculative terrain of Bombay film production, it also simultaneously takes the reader on a spatial tour of the city itself. -- Neepa Majumdar, author of Wanted Cultured Ladies Only!: Female Stardom and Cinema in India, 1930s-1950sBombay Hustle is a brilliant excavation of the entangled ecologies of Bombay and its cinema during the 1920s-1940s. It uncovers the improvised traffic between the technological apparatus, speculative finance, the urban environment, storytelling, sound technology, cine labor, actors, bodies, symbolic values, politics, and ideologies, showing how these intertwined practices made the city and its talkie cinema the signs of colonial modernity. The interpretation is as dynamic and creative as the hustle of Bombay and its cinema. -- Gyan Prakash, author of Mumbai Fables: A History of an Enchanted City and co-screenwriter of Bombay VelvetThis is an incredibly astute and original contribution to media studies and media theory. It brings together social theories of the modern and the urban, media production and labor, sexuality and gender, and science and technology to understand the formation of a Bombay subjectivity as indivisible from the development of the film industry. -- Vicki Mayer, author of Below the Line: Producers and Production Studies in the New Television EconomyA brilliant achievement! Bombay Hustle bristles with energy, coupling impressive research with imaginative, skillful writing. For anyone interested in what "talking pictures" meant in colonial India, this book is required reading. It's also a game changer, a rare gift to the field. By conceiving film history as a "cine-ecology"—an entangled web of urban space, studio structures, weather, bodies, silhouettes, desires, gossip, policies, and finances among other objects and forces—Mukherjee hustles her way around tired historical models. At its core this study is a capacious invitation, a call for a new generation of film and media scholars to foreground the transfer of energy between human and non-human, between on-screen and off-screen, and between archival absence and embodied experience. I haven't been this inspired in a very long time. -- Jennifer M. Bean, Editor-in-Chief, Feminist Media Histories: An International JournalThis book should be a must-read for scholars of South Asian cinema and cultural studies. * Pacific Affairs *Table of ContentsAcknowledgmentsIntroduction: Mapping a Cine-EcologyPart I. Elasticity: Infrastructural Maneuvers1. Speculative Futures | Teji-Mandi2. Scientific Desires | Jadu Ghar3. Voice | AwaazPart II. Energy: Intimate Struggles4. Vitality | Josh5. Exhaustion | Thakaan6. Short Circuit | StruggleEpilogueNotesBibliographyIndex
£23.75
University of Minnesota Press Broken MirrorsBroken Minds
Book SynopsisTable of ContentsIntroduction. Heart of Darkness: Twenty-first Century Nightmares, An Introduction to the Dark Dreams of Dario Argento, The Bird with the Crystal Plumage, The Cat O’Nine Tails and Four Flies on Grey Velvet, Le cinque giornate and Deep Red, Suspiria and Inferno, Tenebrae and Creepers, Opera and Two Evil Eyes, Epilogue, Afterword: Trauma and the Changing Face of Horror, An Interview with Dario Argento (circa 1985), Acknowledgments, The Films of Dario Argento, Select Bibliography
£17.09
