The arts: general topics Books

Book SynopsisAlthough subject to novelist's ambivalent, even satirical, representations, missionary aesthetes nevertheless constituted an influential social network, imbuing fin-de-siecle artistic communities with political purpose and political lobbies with aesthetic sensibility.Trade Review'...this book signals the rich possibilities for future studies in the field as it contributes to a continuing reassessment of the Aesthetic Movement.' - Morna O'Neill, Visual CultureTable of ContentsList of Figures Acknowledgements What is Missionary Aestheticism? An Introduction The Social Strands of Aestheticism Octavia Hill and the Aesthetics of Victorian Tenement Reform 'In ample halls adorned with mysterious things aesthetic': Toynbee Hall as Aesthetic Haven The Museum Opening Debate and the Combative Discourses of Sabbatarianism and Missionary Aestheticism 'Art is the Handmaid of Religion': Slum Ritualism as Missionary Aestheticism George Gissing's Hopes and Fears for a Popular Aestheticism Conclusion: Missionary Aestheticism as Emancipatory Aesthetics? Notes Works Cited: Primary Sources Secondary Sources Index

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Book SynopsisIssue 90 of Tom Hodgkinson's Idler magazine features an exclusive interview with Rachel Weisz, plus a lesiurely chat with Griff Rhys Jones. Learn how to take a sabbatical and read up on the Gothic Revival. Plus Stewart Lee, Athur Smith, Rachel Kelly and Jason Williamson

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Book SynopsisOffers insight into the links between the development of print culture and the many dynamic strains of nationalism in dialogue during the Partition of the Indian subcontinent in 1947. How did inexpensive posters influence nationalism in the decades leading up to and succeeding the Partition of the Indian subcontinent in 1947? If mechanically reproduced images that occupy public spaces reflect the aesthetics of the “masses,” what can a critical interpretation of subcontinental popular visual culture in the mid-twentieth century reveal about the formation of communal identities? In this essay, Yousuf Saeed studies the selective deification of leaders fighting for Indian independence. He highlights the biased representation within the domain of “patriotic” posters of the time and the evolving portrayal of religious minority communities in India’s popular print culture over subsequent decades. Also charts the turn popular print culture took in post-Partition Pakistan, Saeed focuses on the country’s thriving industry of Sufi-saint posters. Partitioning Bazaar Art is a timely exploration of how nationalism can be defined through popular imagery.

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Book SynopsisIdler 95 features a highly amusing chat with Giles and Mary from Gogglebox. Rowan Williams dispenses wise words on the positive uses of anger. We visit a commune in the north, Arthur Smith offers his recipes for happiness, and Tim Richardson meanders around Colchester. Plus music tips from Stewart Lee and Georgia Mann.

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Book SynopsisStyle Legends, Rebels, and Visionaries is an inclusive and eclectic collection of twenty illustrated portraits of fashion iconoclasts in the fields of music, film, art, pop culture, and more.This deluxe note set comes in a custom-designed box with a pull-out tray and features twenty assorted notecards and envelopes. Featured legends celebrated for their personal sense of style include Audrey Hepburn, Timothée Chalamet, Rihanna, Iris Apfel, Billie Eilish, Zendaya, Harry Styles, and others. Each illustration is a bold, colorful portrait by artist Bijou Karman. This notecard set captures Karman's unique visual style that combines bright colors, mixed prints, and clashing patterns to illuminate the beauty and attitude of each icon.CURATED LIST OF ICONS: This eclectic and inclusive collection is a curated take on iconoclasts known for their distinctive style. Bijou Karman's colorful and visually stunning illustrations and distinct aesthetic bring a fresh perspective to viewing these celebrated individuals and their contributions to modern fashion. THE ULTIMATE GIFT FOR STYLE LOVERS: This beautifully packaged blank notecard set is an ideal gift and design object for anyone who loves fashion, music, film, and design. STATIONERY SET FOR STYLE ENTHUSIASTS: Ideal self-purchase or gift purchase for fashionistas.Perfect for: Design enthusiasts Fashionistas and fashion lovers Devoted fans of the featured personalities Pair with Bijou Karman's Style Legends, Rebels, and Visionaries book to create a stunning gift

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Book SynopsisEntangled Otherness explores the dynamics of cross-dressing and gender performance in contemporary francophone Caribbean cultures through a range of visual and textual media. Original in its comparative focus on the islands of Haiti, Martinique, Guadeloupe and their diasporic communities in France, this study reveals how opaque strategies of crossing, mimicry and masquerade have enabled resistance to the racialised, gendered and patriarchal classifications of bodies that characterized Enlightenment thought during the French transatlantic slave trade. It engages with archival texts of pre-revolutionary Haiti to offer a historical understanding of current constructions of Caribbean gender most influenced by French colonial legacies. The author argues that cross-dressing, as a form of ‘self-fabrication’, complicates inherently entangled colonial binaries of identity and resists France’s paternalistic gaze. The book’s multidisciplinary approach to gender analysis weaves a dialogue between cross-cultural voices garnered from textual and historical analysis, ethnographic interviews and theoretical insight to foreground the continued need to decolonize Eurocentric readings of gender identity in the francophone and creolophone islands, and the Caribbean region more generally. Works of art, film, photography, carnival, performance, and dress, including depictions of fluid identities in the binary-resistant Afro-Creole religion of Vodou, are examined using contemporary performance, gender and social theory from within the region. Entangled Otherness thus makes a unique and timely contribution to the growing body of knowledge and debate in the areas of gender, sexuality and the body in Caribbean Studies.Trade Review'[Entangled Otherness] conducts a courageous inquiry into “gender” in Guadeloupe, Haiti, and Martinique [...] With such seemingly divergent disciplinary agendas, the book’s extreme originality is to contextualize analyses of gendered identities, using oral history, discourse analysis, and ethnography to better shape the contours of decolonializing a misrepresentation of gender dynamics in the Caribbean islands that have been, at least explicitly, the most influenced by French colonial legacies.'Alessandra Benedicty-Kokken, CUNY'Charlotte Hammond’s groundbreaking interdisciplinary research has produced a monumental book on mimicry and masquerade.'Rachel Douglas, University of GlasgowReviews 'Hammond weaves (if I might permit myself such a metaphor) an elaborate web of connections that create a network, indeed a mapping, of the various intersectionalities under consideration. Rather than overworking a wordplay that might seem to lack a correspondingly rich conceptual content, this semantic wealth instead matches the intricacy of the book’s readings and theorizations.' Jarrod Hayes, Bulletin of Francophone Postcolonial StudiesTable of ContentsACKNOWLEDGEMENTSA NOTE ON TRANSLATIONSINTRODUCTIONCHAPTER ONE: Costuming Colonial Resistance in the New WorldCHAPTER TWO: Fanmi se dra: Cross-gender Fabrications of Identity in Des hommes et des dieuxCHAPTER THREE: Visual Détours: Refracting the Blan Female Gaze in Haitian VodouCHAPTER FOUR: Spectatorial TravestismeCHAPTER FIVE: Dressed to Kill: Opacity and Masquerade in Claire Denis’s J’ai pas sommeilCONCLUSION: Past Scripts, Future VisionsWORKS CITED

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Book SynopsisNewly qualified art therapists often feel daunted by the challenge of actually being face-to-face with a client and are unsure how to progress after the first image has been created. In this honest and encouraging book, Deborah Schroder explains how art can provide openings into therapeutic relationships and create a safe space for exploring issues and concerns.Drawing on her own development as an art therapist and her extensive experience of supervising new therapists and students, Schroder provides practical advice on encouraging nervous or reluctant clients, or those unfamiliar with art therapy, to benefit from artmaking. She argues for a two-way sharing of art between therapist and client, exploring not only how specific techniques can be put into practice, but also how they benefit the therapeutic relationship. Providing guidance on moving into deeper work, exploring and containing particular emotions, and bringing the therapeutic relationship to a close, this book is invaluable to new art therapists at all stages of their relationships with clients.Trade ReviewThis is a simply written, humorous and enlightening introduction to art therapy. The author gives the reader insight using real life cases, as well as her own sometimes painful reactions while working alongside the client. Overall the book demonstrates the importance of getting to know the client in a counselling relationship. This enables a person to trust and feel secure, something missing from many young people's everyday relationships. I will keep this book in my tool bag, to dip into when working with young people, as it offers a new way of working that is appropriate, inclusive and manageable in the normal counselling process. -- RelateTable of ContentsIntroduction. Part I - Getting to Know You. 1. Beginning a Relationship Using Art. 2. The Path to the Issue: Working Toward a Plan. 3. Getting to know the Reluctant Client. 4. Welcome to the Living Room. Part II - Deepening the Relationship. 5. Moving into Deeper Work. 6. Exploring and Containing Sadness. 7. Visualising and Expressing Anger. 8. Embracing All Images. 9. Thoughts on Trauma. 10. Moving Toward Healing. Part III - Moving Toward Goodbye. 11. Termination Issues. 12. Validating the Work that was Done. 13. Anticipating the Future. Epilogue. References. Index.

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Book SynopsisArguing that the profession of art therapy has its roots in the studio environment, Catherine Moon proposes that it is now time to reclaim these roots, and make art once again central to art therapy. She suggests that there has been a tendency for art therapy not merely to interact with and be enriched by other perspectives - psychological, social, anthropological and transpersonal - but to be subsumed by them. For this reason she makes a clear distinction between using art in one's practice of therapy, and working from an art-based model. This book presents a model of art therapy where the products and processes of art constitute the core of the model, rather than serving as the impetus for adaptations of other theories of counselling or therapy. It addresses how an arts-based approach can inform the therapist in all aspects of practice, from the conception of the work and the attempt to understand client needs to interacting with clients and communicating with others about the profession of art therapy.Integrated into the book are stories about the work of art therapists, art therapy students and those who seek help in art therapy, presenting the theory behind studio art therapy and bringing it to life. Moon believes that the arts have something unique to offer to the therapeutic process which distinguish the arts therapies from other therapeutic professions. This book is a comprehensive and engaging exploration of the possibilities inherent in the therapeutic use of the arts.Trade ReviewThe main concerns of this book are that art therapy has been subsumed in other healing practices and that it is time for art therapy to be reclaimed once more for what it should be, a practice based on the products and processes of art. The author argues that the original spirit of studio art therapy must have a place in the development of current art therapy practices. -- Arts Research DigestTable of Contents1. Introduction. 2. How we conceive of the work we do. 3. The process of cultivating an artist identity. 4. Creating the studio space. 5. Responding to clients through the poetry of their lives. 6. A relational aesthetic. 7. Influence of an artistic perspective on therapeutic work. 8. Role of the therapist as artist. 9. Communicating with others about the work we do. 10. Art therapy and social responsibility. Epilogue. References. Index.

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Book SynopsisIn 1939, Scottish artist and sculptor J.D. Fergusson was commissioned to write a fully illustrated book on modern Scottish painting. The Second World War made this difficult and the first edition of Modern Scottish Painting was published in 1943 without illustrations. This new edition – edited, introduced and annotated by Alexander Moffat and Alan Riach – finally brings Fergusson’s project to fruition, illustrating the argument with colour reproductions of Fergusson’s own work. Moffat and Riach frame Fergusson’s important art manifesto for the 21st-century reader, illuminating his views on modern art as he explores questions of technique, education, form and what it means for a painting to be truly modern. Fergusson relates these aspects of modern painting to Scottishness, showing what they mean for Scottish identity, nationalism, independence and the legacy that puritanical Calvinism has left on Scottish art – a particular concern for Fergusson given his recurring subject matter of the female nude.Trade ReviewThe manifesto of a major working artist, expressing his belief in, and commitment to, what modern Scottish art is for, could be, and should be, and also it is a critical appraisal of how modern Scottish painting, and painting in the modern world, has developed and reached the point at which it has arrived. FROM THE INTRODUCTION BY ALEXANDER MOFFAT AND ALAN RIACH

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Book SynopsisAre you ready for even more letter love?! Practice is the key to beautiful lettering, and this gold spiral-bound book lays flat and provides plenty of space for practice. Bestselling author, Instagram sensation, and lettering extraordinaire Chalkfulloflove presents Hand Lettering 201, diving deeper into the fine points of creating exquisite hand lettering: - New alphabets styles - Advanced color and design techniques - A series of six projects to hone your skills - Tips and tricks to take your lettering to the next level Pssst! Christmas is right around the corner, and this makes a perfect gift!

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Book Synopsis2020 Choice Outstanding Academic Title In The Queer Aesthetics of Childhood, Hannah Dyer offers a study of how children’s art and art about childhood can forecast new models of social life that redistribute care, belonging, and political value. Dyer suggests that childhood’s cultural expressions offer insight into the persisting residues of colonial history, nation building, homophobia, and related violence. Drawing from queer and feminist theory, psychoanalysis, settler-colonial studies, and cultural studies, this book helps to explain how some theories of childhood can hurt children. Dyer’s analysis moves between diverse sites and scales, including photographs and an art installation, children’s drawings after experiencing war in Gaza, a novel about gay love and childhood trauma, and debates in sex-education. In the cultural formations of art, she finds new theories of childhood that attend to the knowledge, trauma, fortitude and experience that children might possess. In addressing aggressions against children, ambivalences towards child protection, and the vital contributions children make to transnational politics, she seeks new and queer theories of childhood. Trade ReviewExciting, tender, persuasive, and smart. Dyers’ book is a clarion call to care for the bodies we call children. Let their creativity, strange in all its beauties, tell us how they’re harmed—hurt by norms that foster inequalities. I believe more than ever, thanks to Hannah Dyer, that “children” and “aesthetics” are the most profound pairing for safeguarding pleasure, for all living creatures, amid world trauma. — Kathryn Bond Stockton, author of The Queer Child, or Growing Sideways in the Twentieth Century The Queer Aesthetics of Childhood makes a necessary and nuanced intervention in contemporary theorizations of the child, balancing the sociopolitical with the material while interrogating the array of affects and artifacts always in dialogue with the child. Working from a vibrant interdisciplinary stance — including biopolitics, psychoanalysis, racial capitalism, queer theory, Dyer weaves a fresh framework to read the child and, as centrally, to query child development and its attendant affects. Engaging a generative lens of arts and aesthetics — films, contemporary artists and other cultural workers— that provoke audiences to recognize the layered arrangements of power that both surround and mark the child, Dyer’s lyrically crafted book is essential reading for the emergent field of critical child studies and for all of us who struggle to build freer and more joyous futures for all. — Erica R. Meiners, author of For the Children? Protecting Innocence in a Carceral State "The range of Dyer’s objects of study is as impressive as her command of contemporary critical theory, and her project promises to significantly enrich the field of child studies and beyond. Highly recommended."— ChoiceTable of ContentsIntroduction: Childhood’s Queer Intimacies and Affective Intensities 1 Queer Temporality in the Playroom: Ebony G. Patterson and Jonathon Hobin’s Aesthetics of Child Development 2 Art and the Refusal of Empathy in A Child’s View from Gaza 3 The Queer Remains of Childhood Trauma: Notes on A Little Life 4 Reparation for a Violent Boyhood in This is England Epilogue: The Contested Design of Children’s Sexuality Acknowledgements Notes Bibliography Index

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