Television Books

Book SynopsisExplores the relationship between television and death.

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Book SynopsisFocuses on binge-watching and its role in contemporary television studies.

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Book Synopsis? In a prolific career spanning six decades, actor Burt Reynolds was one of the world''s most famous stars of film and television. As much a folk hero as a Hollywood celebrity, he began as a stuntman and bit player in B Westerns and TV shows before landing a starring role on NBC''s Riverboat (1959-1961). His breakthrough role in Deliverance (1972) made him famous and the sleeper hit Smokey and the Bandit (1977) made his name a household word. This first critical overview of Reynolds'' work examines his complete filmography, featuring candid discussions with costars and collaborators, exclusive behind-the-scenes photos and a wealth of film stills.Trade ReviewWayne Byrne's book on the cinematic and television career of Burt Reynolds is both entertaining and highly informative: this is a brilliant, professional biography of a sometimes misunderstood and underrated talent. If you think you knew Reynolds and his oeuvre, think again. Burt Reynolds on Screen is a definitive work that deserves to be read."—Paul Farren, Film Ireland"Byrne's book is a singular and compelling step towards establishing Reynolds as a true American Icon. His work is a clarion call for a revisionist project that will give this great actor the respect he has earned. This is not just a meticulously researched appraisal of a life's work but a serious statement about Reynold's importance to modern American cinema."—Matthew Nolan, senior lecturer and subject expert in creative media, Dublin Business School"Prolific author Wayne Byrne has penned a colossal contribution to the legacy of seven-time No. 1 box office star Burt Reynolds. His veracious attention to circumstance and detail is evident throughout the book. If you somewhat knew Burt Reynolds before the book, you certainly will know him after the book. I worked for Burt Reynolds as PR Director of his theater, appeared in two of his films, visited a dozen film sets, supported one of his protégés, and currently attend his Institute for Theatre Training Writing seminars. And yet this book tells me even more that I realized in my years of experiences. Once read, you will feel as if you were on the movie sets, too." —Peggy Gossett-Seidman, former public relations director at the Burt Reynolds Dinner Theatre.

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Book Synopsis The ongoing popularity of Leslie Stevens'' 1960s television masterwork The Outer Limits, as well as later series creations Battlestar Galactica and Buck Rogers in the 25th Century, has kept his name familiar to television fans. Surprisingly, very little writing exists on his earlier Broadway contributions or his seminal film and television production company, Daystar Productions. Stevens'' personal life also remains relatively unknown. This biography focuses on the origins of Daystar Productions as well as Stevens'' first years in Hollywood when he was married to actress Kate Manx. After meeting Manx in 1957, Stevens took her with him to Los Angeles and refashioned her into a dramatic film actress who would soon star in his startling, New Wave-style debut film, Private Property. That film, which Stevens made for just $40,000, would go on to gross several million dollars and open the doors to Hollywood for Manx and co-star Warren Oates. While OTrade ReviewBeautiful, gorgeous stuff here. A wonderful disentanglement of Leslie Stevens' early years in Hollywood; outlining what is essentially a wistfully sad story about power grabs and over reaching ambitions. Page's writing is illuminating and exciting. Job well done."—David J. Schow, screenwriter, film historian, author of The Outer Limits Companion

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Book SynopsisAlready in the late nineteenth century, electricians, physicists, and telegraph technicians dreamed of inventing televisual communication apparatuses that would “see” by electricity as a means of extending human perception. In Seeing by Electricity Doron Galili traces the early history of television, from fantastical image transmission devices initially imagined in the 1870s such as the Telectroscope, the Phantoscope, and the Distant Seer to the emergence of broadcast television in the 1930s. Galili examines how televisual technologies were understood in relation to film at different cultural moments—whether as a perfection of cinema, a threat to the Hollywood industry, or an alternative medium for avant-garde experimentation. Highlighting points of overlap and divergence in the histories of television and cinema, Galili demonstrates that the intermedial relationship between the two media did not start with their economic and institutional rivalry of the late 1Trade Review“Digging into television's origins and discovering secret lineages and unexpected ancestors, Doron Galili unearths the true reasons that fiercely opposed—and indissolubly linked—television and cinema. A masterful contribution to media archeology.” -- Francesco Casetti, author of * The Lumière Galaxy: Seven Key Words for the Cinema to Come *“Assembling wonderful material and offering nuanced readings of both filmic and theoretical texts, Doron Galili makes important interventions in the ongoing debates over media specificity and television's historiography. He is part of a new generation of scholars who are helping to put television's complicated and often occluded genealogy into conversation with the latest media studies debates. A page-turner, Seeing by Electricity will resonate with a broad spectrum of readers.” -- William Uricchio, Professor of Comparative Media Studies, MIT"Seeing By Electricity ... historicizes a prolonged moment, or a mediascape, when boundaries between media were porous, whereas the otherwise antagonistic relationships between media can be seen as symbiotic. From this perspective, the book challenges a commonly accepted historical narrative, and suggests instead a more flexible and broader contextualization of radio, television, and film as mutually contributing networks." -- Rea Amit * Critical Inquiry *“Galili’s writing is flowing and engaging which makes the book an interesting read not only for scholars of television and media but for anyone who is interested in the field and the development of the technology. In the world where questions about media and media specificity arise again with the introduction of streaming services, looking at the way film, radio and early television interact gives an insight into intermediality. A valuable perspective for our post-cinema and post-television era.” -- Julia Stolyar * Early Popular Visual Culture *“Seeing by Electricity is a major contribution to the rapidly developing field of media archaeology. Galili pays appropriate obeisance to theorists including Siegfried Zielinski and Mary Ann Doane, but he grounds his arguments firmly in deeply researched historical accounts of optical devices and electrical instruments, conceptions of vision, imperial fantasies and utopian imaginaries…. Galili succeeds with aplomb.” -- John Wyver * Critical Studies in Television *“Seeing by Electricity offers its reader a nuanced and digestible consideration of the forces, entities, and contexts that shaped the conception, development, and perception of television in the United States and Europe from the late 1870s until the late 1930s.” -- Laura C. Brown * Media Industries *“Galili’s careful attention to the nineteenth and early twentieth century makes Seeing By Electricity a kind of escape to the past. As such it is an especially good pandemic read, allowing us to travel backwards whiles nevertheless speaking to our present landscape of video calls, online cocktail parties, remote learning, telecommuting, and binge-watching—all accelerated and amplified by social distancing and stay at home orders.” -- Alison Reiko Loader * Nineteenth Century Theatre and Film *"The book is well written and offers interesting glimpses of the early fascination with television..." -- J. M. King * Choice *“From time to time a book in one’s field of research comes along and you pick it up and cannot put it down. This is one such book.... What Galili has achieved is not just a technology-focused account ... but one which engages with cultural, economic, social, and political contexts also.” -- Jamie Medhurst * Historical Journal of Film, Radio and Television *“Seeing by Electricity is a genuinely unique effort that is easy to read yet thought-provoking.... Seeing by Electricity is of tremendous value to those interested in television history, film and art theory, media and communications or cultural history, or the history of technology.” -- Bryant Macfarlane * JHistory, H-Net Reviews *“Seeing by Electricity is a scholarly work of the highest order, combining rigorous historical research and expansive theoretical engagement with key debates across television studies, film studies, and digital media studies to rethink fundamental assumptions about media history and notions of mediality and media change.” -- Ariel Rogers * Technology and Culture *“Galili’s excavation of the history of the medium that became known as television offers a model for how to think through both the recent past and the mercurial present of moving image transmission.... Deeply researched and thoroughly informed by theory, Seeing by Electricity’s discussion of media fantasy and reality ... offers exciting new pathways for thinking about the emergence of a new medium.” -- Christina G. Petersen * Journal of Cinema and Media Studies *"In its methodological and historiographical ambition to revisit some of the definitions of modernity as a guiding concept in media studies, Galili’s publication represents a culmination point of three decades of academic research into the medium’s long history." -- Anne-Katrin Weber * Cultural Critique *Table of ContentsAcknowledgments ix Introduction 1 Part I. Archaeologies of Moving Image Transmission 1. Ancient Affiliates: The Nineteenth-Century Origins of Cinema and Television 17 2. Severed Eyeballs and Prolonged Optic Nerves: Television as Modern Prosthetic Vision 50 3. Happy Combinations of Electricity and Photography: Moving Image Transmission in the Early Cinema Era 74 Part II. Debating the Specificity of Television, On- and Off-Screen 4. Cinema's Radio Double: Hollywood Comes to Terms with Television 105 5. "We Must Prepare!": Dziga Vertov and the Avant-Garde Reception of Television 145 6. Thinking across Media: Classical Film Theory's Encounter with Television 167 Conclusion 184 Notes 189 Bibliography 221 Index 239

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Book SynopsisCarol Vernallis examines short form audiovisual mediafrom TikTok mashups to Beyoncé's Lemonadeto offer techniques for understanding digital media.Table of ContentsAcknowledgments xi A Note on the Cover xiii Introduction 1 I. Post-Classical Cinema at the Limit 1. Partying in The Great Gatsby: Baz Luhrmann’s Audovisual Sublime 27 2. Shattered Pleasures: Michael Bay’s Transformers: Age of Extinction 48 II. Music Video and the Art-Video Border 3. Beyoncé’s Overwhelming Opus; or, the Past and Future of Music Video 71 4. Avant-Gardists and the Lure of Pop Music 97 5. Beyoncé’s Lemonade: She Dreams in Both Worlds (Carol Vernallis, Lisa Perrot, and Holly Rogers) 122 6. Tracing the Carters through the Galleries: “APES**T/APESHIT” and the Louvre 138 7. Storytelling on the Ledge: Lady Gaga and Jonas Åkerlund’s “Paparazzi” 154 III. Music Video’s Late Late Style 8. How to Analyze Music Videos: Beyoncé and Melina Matsoukas’s “Pretty Hurts” 175 9. Dave Meyer’s Moments of Audiovisual Bliss 196 10. Janelle Monáe’s “You Make Me Feel” and Anderson.Paak with Kendrick Lamar’s “Tints”: Getting Up in My [Rearview] Mirror 211 IV. Audiovisual Aesthetics Online 11. Who Needs Music Documentaries When There’s TikTok and Carpool Karaoke? 231 12. TikTok and Costume-Drama Mashups on YouTube 247 V. New Modes of Analysis: Industry 13. The Art of Color Grading (Carol Vernallis, Jonathan Leal, Eric Weldt, and Aubrey Woodiwiss) 265 14. Music Video Directors, Production Houses, and the Media Swirl 290 VI. New Modes of Analysis: Neuroscience 15. Music Video’s Multisensory 307 16. Tracing the Asset: Humanistic and Quantitative Approaches to Cybercrime Film Trailers (Snowden and Bourne) 319 VII. New Modes of Analysis: Politics and Vernacular Culture 17. New Technologies, Social Justice, and the Future in Beyoncé’s Audiovisual Albums 335 18. Fox News, COVID-19, Brief Media Aesthetics, and Historical Resonances 356 Afterword 369 Notes 373 Bibliography 403 Index 429

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Book SynopsisA new edition that brings the ways we watch and think about television up to the presentWe all have opinions about the television shows we watch, but television criticism is about much more than simply evaluating the merits of a particular show and deeming it good or bad. Rather, criticism uses the close examination of a television program to explore that program's cultural significance, creative strategies, and its place in a broader social context.How to Watch Television, Second Edition brings together forty original essaysmore than half of which are new to this editionfrom today's leading scholars on television culture, who write about the programs they care (and think) the most about. Each essay focuses on a single television show, demonstrating one way to read the program and, through it, our media culture. From fashioning blackness in Empire to representation in Orange is the New Black and from the role of the reboot in Gilmore Girls Trade ReviewThere's quite simply no book out there that can match this in scope and quality. The contributors are a 'Who's Who' of contemporary television studies, and the prose is engaging and highly readable. If you're looking for models of how to think about television from a range of perspectives, you need look no further. -- Greg M. Smith, author of Beautiful TV: The Art and Argument of Ally McBealAsk anyone in Hollywood and they'll tell you the movies are dead. TV is where its at, and this book will show you why. Thompson and Mittell offer an essential guide to television today, featuring the most insightful critics writing about the most creative and engaging shows. Whether student, fan, or TV professional, it belongs on your bookshelf. -- Michael Curtin, co-author of The American Television IndustryThis book, unlike the manual that comes with your TV set, is utterly readable, highly engaging, and worth referring back to, long after you've switched on your favorite channel. . . . Regardless of which essay one chooses to tune in to, How to Watch Television is an accessible and impressive group of essays by a powerhouse cast of television scholars. -- Journal of American CultureThere's not a single dull page in this book. -- Jose Solis, PopmattersWhat happens when you give 40 smart television scholars ten pages each to write about a television show that interests them? You get a delightful book that is sure to become a favorite of television scholars and students alike. Thompson and Mittell have brought together authors who provide thoughtful criticism in an engaging style and cover just about every genre, historical period, and lens of analysis. Each essay's combination of brevity and detailed analysis makes the book likely to work well as both a course reader for undergraduates in television studies and a reference resource for those wanting to dive into research on individual shows. Though every essay adds something valuable to the collection, essays on Mad Men, Glee, M*A*S*H, I Love Lucy, Modern Family, NYPD Blue, The Twilight Zone, and The Walking Dead are worth the price of this fun, informative, and useful book, even for seasoned television scholars.Summing Up: Highly recommended. -- S. Pepper, ChoiceWith their urging in the introduction about how the essays serve as models for writing your own criticism, the editors seem to be addressing media studies students. But because of its well-commissioned and well-balanced tone and diversity/specificity of texts, it is just as instructive for a wide range of burgeoning or established TV scholars as well as inquisitive fans of the various programs. The collection manages to be potentially enjoyable and useful to scholars and TV fans alike. -- Kathleen Collins, Journalism & Mass Communication Quarterly[I]t is a damn good collection, featuring 40 different contributions from American scholars, plus Matt Hills from Aberystwyth and Roberta Pearson from Nottingham. Their contributions are organised under five main themes: Aesthetics and Style;TV Representations: Social Identity and Cultural Politics;TV Politics: Democracy, Nation, and the Public Interest;TV Industry: Industrial Practices and Structures; and TV Practices: Medium, Technology, and Everyday Life. As with television schedules, it is easy to flick and pick and read. Indeed, the editors in their Introduction actively encourage & readers to go straight to a particular program or approach that interests them. -- Geoff Lealand, CST OnlineThis second edition ensures that this title will remain a staple of television studies courses, and the accessible style welcomes students and general readers to explore these essays and see their favorite television shows in new ways. * CHOICE *

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Book SynopsisBlack women's work in television has been, since the beginning, a negotiation. Black Women and the Changing Television Landscape explores the steps black women, as actors, directors, and producers, have taken to improve representations of black people on the small screen. Beginning with The Beulah Show, Anderson articulates the interrelationship between US culture and the televisual, demonstrating the conditions under which black women particularly, and black people generally, exist in popular culture.Trade ReviewThis vital book offers an essential and engaging account of Black Women and the Changing Television Landscape. Focusing on a wide range of TV shows, industry experiences, and moments in history, Lisa M. Anderson carefully considers Black women’s ambivalent relationship with television, and their negotiation of Hollywood. * Francesca Sobande, Senior Lecturer in Digital Media Studies, Cardiff University, UK *In Black Women and the Changing Television Landscape, Lisa Anderson presents us a detailed account of the changing landscape of television and its impact of Black women from the beginning of the medium until current times. She focuses on both the effect of these representations, but also the agency of Black actresses and creators when developing characters and stories. The book outlines a trajectory highlighting the constraints of stereotypical representations in earlier television works and the more contemporary ones, which provides a more diverse representation of the Black experience. This newer, diverse representation has the potential to liberate Black folks from the trite yet pervasive and long-standing stereotypes by presenting alternative lenses with which to look at Black experiences in the U.S. The project is well-documented and equally well-written. A must read for anyone trying to understand why representation matters. * Carmen R. Lugo-Lugo, Professor of Comparative Ethnic Studies and American Studies and Culture, Washington State University, USA *Ambitious in scope and intimate in detail, Anderson’s book provides a needed perspective on seven decades of Black women who navigated and changed the landscape of American television. Black Women and the Changing Television Landscape is a roadmap for how Black women actors, directors, producers, writers, and showrunners actually changed the landscape so that others can lead the way forward. * C. A. Griffith, Associate Professor and Filmmaker, The Sidney Poitier New American Film School, Arizona State University, USA, and Co-Director of Mountains That Take Wing: Angela Davis & Yuri Kochiyama *Table of ContentsList of Figures Acknowledgements Dedication Introduction: An Ambivalent Relationship with Television 1. Fighting the Stereotypes, 1948-52: The Beulah Show and Its Actors 2. Julia, The "Black Lady" of 1960s Television 3. Not Such "Good Times": The Limits of Black Actors' Influence 4. Creating a "Different World" in Television: Black Women Showrunners in the 1990s 5. Twenty-First Century Black Womanhood Conclusion: Negotiating Hollywood Bibliography Index

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Book SynopsisThis timely collection examines representations of medicine and medical practices in international period drama television. A preoccupation with medical plots and settings can be found across a range of important historical series, including Outlander, Poldark, The Knick, Call the Midwife, La Peste and A Place to Call Home. Such shows offer a critique of medical history while demonstrating how contemporary viewers access and understand the past. Topics covered in this collection include the innovations and horrors of surgery; the intersection of gender, class, race and medicine on the American frontier; psychiatry and the trauma of war; and the connections between past and present pandemics. Featuring original chapters on period television from the UK, the US, Spain and Australia, Diagnosing history offers an accessible, global and multidisciplinary contribution to both televisual and medical history.Table of ContentsIntroduction – Katherine Byrne, Julie Anne Taddeo, and James Leggott Part I: Early modern professions and disease 1 Golden rats and sick empires: portraying medicine, poverty, and the bubonic plague in La Peste – José Ragas, Patricia Palma, and Guillermo González-Donoso2 Wellness, womanhood, and witchcraft in Outlander: televised historical portrayals of women’s shifting roles in medicine – Jennifer M. Fogel and Serenity Sutherland3 Avoiding ‘the faddlings of Dr Choake’: the professionalisation of medicine in Poldark – Barbara Sadler 4 ‘Infection was Mary’s reward’: Harlots and televising the realities of eighteenth-century English prostitution – Kristin Brig and Emily J. Clark Part II: Pioneers, heroes, and villains 5 Feminist doctors and medicine women: the lady physician in the American western – Jacqueline D. Antonovich 6 The Black doctor on the historical small screen: African American physicians in television period dramas – Kevin McQueeney7 When women were nurses: gender, nostalgia, and the making of historical heroines – Aeleah Soine8 Heroic childbirth and Call the Midwife – Katherine Byrne9 ‘Physician, heal thyself’: the good doctor of When the Boat Comes In – James Leggott Part III: Dissecting the body 10 ‘And when you touched my naked body … your fingertips running along my flesh … this was abuse, not science’: Victorian medicine in Showtime's Penny Dreadful – Julie Anne Taddeo11 The surgical gaze in the operating theatre: early twentieth-century surgery on screen – Marie Allitt12 Of gods, monsters, and men: science, faith, the law, and the contested body and mind in The Frankenstein Chronicles and The Alienist – Andrea Wright Part IV: 'Treating' the mind 13 Bad or mad?: Branwell Brontë, mental health, and alcoholism in Sally Wainwright’s To Walk Invisible – Sarah E. Fanning and Claire O’Callaghan14 ‘After I left England, they thought I was mad. But they taught me to use it – now it’s a gift’: representations of mental illness in the period dramas of Stephen Knight – Dan Ward15 Bitter living through science: melodramatic and moral readings of gay conversion therapy in A Place to Call Home – Gordon R. Alley-YoungAfterword – Jessica MeyerIndex

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Book SynopsisYou’re nicked is the first comprehensive study of television police series in the UK. It reveals how British television’s most popular genre has developed stylistically, politically and philosophically from 1955 to the present.Each chapter focuses on a particular decade, investigating how the most-watched series represent the inner workings of the police station, the civilian life of criminals and the private lives of police officers. This new approach unearths the complex ideology underpinning each series and discerns the key insights the genre can provide into the breakdown of the post-war settlement.Offering insightful readings of police series from Dixon of Dock Green to Happy Valley via The Sweeney, The Bill and Cracker, the book is a must-read for crime-drama enthusiasts worldwide. This new paperback edition features an extensive epilogue on Line of Duty and other Jed Mercurio creations.Trade Review‘His book is a fascinating read, and should be read by all aspiring crime writers and academics interested in the genre.’ Jackie Malton, retired DCI and the real-life inspiration for DCI Tennison in Prime Suspect‘The way in which Lamb links representations of crime to criminological theory could be a valuable resource to anyone teaching courses on media and crime, as a means of exploring with students how criminological theory is not only produced in the academy, but also through popular culture.’The Howard Journal of Crime and Justice‘One could not hope for a more comprehensive treatment of the subject.’British Journal of Criminology‘Its perspective is generally innovative, and it covers a lot of ground in writing a genre history that simply did not exist before.’New Review of Film and Television Studies‘Lamb’s account is insightful and engaging, providing an invaluable contribution to our understanding of this most significant of television genres and its connection to the wider landscape of British socio-political history.’Historical Journal of Film, Radio and Television‘The book manages to cover a huge amount of ground, in detail, and with reference to a repertoire of relevant series and iconography, to offer an insightful commentary on political and social change in the United Kingdom.’Journal of Popular Television'The scholarship in the book is impressive’Screen 'You’re Nicked could be used either as the core textbook for a module on UK police drama or as the source of further readings on any television histories course. Lamb’s monograph makes a valuable intervention, offering a fresh perspective on the analysis of small screen crime drama, while also filling asizeable gap in the history of the genre.'Critical Studies in Television: The International Journal of Television Studies'My favorite element of the book is the way in which Lamb shows how these police shows come to adopt traits of other genres at specific historical moments’. Journal of Popular film and Television -- .Table of ContentsIntroduction: defining a genre 1 The 1950s and 1960s: a genre comes into its own2 The 1970s: an action-fuelled filmic decade?3 The 1980s: emergent feminist thought and resurgent video cameras4 The 1990s: transitioning from film to digital5 The 2000s: looking to the past6 The 2010s: looking to pastures newConclusion: good evening, allEpilogue: Jed Mercurio thrillers, pandemic policing and populismIndex

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Book Synopsis

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Book SynopsisFor decades, amidst the bright lights, studio-audience laughs, and absurdly large apartment sets, the real-life story of American LGBTQ liberation unfolded in plain sight in front of millions of viewers, most of whom were laughing too hard to mind. From flamboyant relatives on Bewitched to closely-guarded secrets on All in the Family, from network-censor fights over Soap to behind-the-scenes activism on the set of The Golden Girls, from Ellen’s culture clash to Modern Family’s primetime power-couple, Hi Honey, I’m Homo! is the story not only of how subversive queer comedy transformed the American sitcom, from its inception through today, but how our favourite sitcoms transformed, and continue to transform, America. Accessible, entertaining, and informative, Hi Honey, I'm Homo! is filled with exclusive commentary and interviews from celebrities, behind-the-scenes creators, and more

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Book SynopsisTake an action-packed journey into the world of The Flash with this comprehensive account of the Super Hero’s trek from page to screen, featuring stunning images, behind-the-scenes stories, and interviews. Keep pace with The Fastest Man Alive with this compendium of facts and incredible images from the Super Hero’s first appearance in comics and TV to the upcoming landmark film debut! The Flash™: The Official Visual Companion satisfies your need for speed on every page, covering the entire history of The Flash and featuring making-of details and behind-the-scenes profiles of the characters, locations, and artifacts seen on screen. Interviews with key cast and crew members offer a one-of-a-kind look at the creation of the highly anticipated new film. It’s the perfect gift for every Barry Allen, Jay Garrick, and Wally West fan. DETAILED HISTORY: Follow the history of the iconic super hero from his first appearance in the 1940''s comics to 2023’s upcoming solo film, The Flash GO BEHIND THE SCENES: Features never-before-seen images, interviews, insights, and more from The Flash STUNNING ART AND IMAGES: Photos from the comic series, television show, and film and gorgeous illustrations capture the fast-paced world of The Flash for a closer look! FAVORITE MOMENTS SPOTLIGHTED: Revisit the comic series, television show, and movie’s most iconic scenes, from super-speed action to the return of Michael Keaton as Batman EXPLORE COSTUMES, SETS, AND EFFECTS: Recall comic book origins and discover how the 2023 film’s unique look came to life

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Book SynopsisHundreds of little-known trivia facts and dozens of entertaining quizzes inspired by your favorite bingeable TV shows, from the experts at Mental Floss.Impress your friends, family, and coworkers with fascinating facts about favorite TV shows and test your own TV trivia knowledge with dozens of challenging and entertaining quizzes. Did you know... Succession relies on “wealth consultants” to ensure authenticity on how the richest of the rich live? A fan of The Office, after recalling the episode where Steve Carell’s character arranges a (disastrous) CPR training session, successfully performed CPR on an unconscious stranger? Fraggle Rock was the first American TV series broadcast in Russia? Learn the stories behind these obscure TV tidbits and much more! With fun trivia, challenging quizzes, and log pages for your own lists, Mental Floss: The Curious Viewer Ultimate Quiz and Trivia Book will become as indispensable for your next binge-watch as your remote control. DOZENS OF FUN AND CHALLENGING QUIZZES: Test your TV knowledge with quizzes like 'Two Degrees Of' your favorite celebrities, and 'Match the Quote to the Simpsons Character' TRIVIA ABOUT MORE THAN 100 TV SHOWS: Get the inside scoop, fascinating facts, and mind-boggling trivia on the greatest shows from the past 20 years, from serious dramas such as Law and Order to seriously funny comedies like Ted Lasso MAKE IT YOUR OWN: Dozens of pages with fill-in lists, such as 'Shows I Want to Binge' and 'My Favorite TV Quotes' to 'Shows I Started but Never Finished' and 'My Favorite Shows of All Time'

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Book SynopsisThe first comprehensive history of rock and pop on British television, from the early days of Oh Boy and Ready Steady Go!, through the institution that was Top Of The Pops, global events like Live Aid right up to date with Jools Holland's Later.

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Book Synopsis'A beautiful and clever book about being human' Russell BrandCOMEDY. TRAGEDY. THERAPY. Simon Amstell did his first stand-up gig at the age of thirteen. His parents had just divorced and puberty was confusing. Trying to be funny solved everything. HELP is the hilarious and heartbreaking account of Simon’s ongoing compulsion to reveal his entire self on stage. To tell the truth so it can’t hurt him any more. Loneliness, anxiety, depression – this book has it all. And more. From a complicated childhood in Essex to an Ayahuasca-led epiphany in the Amazon rainforest, this story will make you laugh, cry and then feel happier than you’ve ever been.Trade ReviewA beautiful and clever book about being human. All the warmth of his comedy without the inconvenience of his face * Russell Brand *Hard to imagine anyone not loving this... go Simon Amstell! * Stephen Fry *Disarmingly, almost alarmingly, honest. I laughed out loud 57 times * Martin Freeman *No one makes loneliness and anxiety as funny as Simon Amstell. Every sentence in this book is simultaneously heartbreaking and hilarious * Hadley Freeman *Enrapturing. Touching, funny and sweet * Alain de Botton *

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Book SynopsisPaul Darrow's career has encompassed theatre, television and film. Famed for his portrayal of Kerr Avon, a ruthless and calculating computer expert, in Terry Nation's science fiction series Blake's 7, Darrow has also appeared in Coronation Street, Emergency Ward 10 and many other productions - including two guest appearances in Doctor Who. Populated by familiar names and productions, You're Him, Aren't You? is Paul's own story of his life and career. It tells of his association with Blake's 7 - how he was cast, his experiences of making the show, what has happened since and his memories of Terry Nation, the cast and the crew. It also tells of his childhood, his time playing Elvis Presley and his near miss with James Bond. An extended audio reading, with new chapters written by Paul since the publication of the original book. Paul Darrow returned to the role of Kerr Avon in Blake's 7 for two series of new full-cast audios with Big Finish Productions. CAST: Paul Darrow (reader).

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Book Synopsis"Being scared is the least of your worries." The Shining Men are everywhere. You spot them out of the corner of your eye. Abnormally tall, with long lank hair, blank faces and blazing eyes. If they catch you, they'll drag you away to who knows where. No one is safe. They're on every street corner. Waiting. Watching. Shining bright. Of course it's a hoax. It has to be, right? It started as a joke, a prank for Halloween. Then it went viral. Idiots dressing up as monsters. Giving folk a scare. Silly masks and fright wigs. No one gets hurt. Because bogeymen aren't real. Until people start going missing and lights burn in the darkness. Burning like eyes. But help is on its way, in the form of a strange man called the Doctor and his friend, Bill. The Doctor will keep us safe. The Doctor will stop the monsters. Unless the monsters stop the Doctor first... An original novel featuring the Twelfth Doctor and Bill as played by Peter Capaldi and Pearl Mackie.

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Book SynopsisThe first and only guide to the beloved and star-studded Star Trek: The Animated Series. The first and only guide to the beloved and star-studded Star Trek: The Animated Series, the in-canon (mostly) continuation of the iconic Star Trek: Original Series. Star Trek was left for dead in 1969, after the cancellation of The Original Series (TOS). However, even though new adventures of the Enterprise and its crew were not being produced, it remained in the zeitgeist due to syndication and fan-run conventions. As a result, Star Trek became more popular and led to Gene Roddenberry and Filmation Studios continuing the Enterprise's original five-year mission on Saturday morning television. Star Trek: The Animated Series (TAS) was a critical success, airing 22 episodes over two seasons and earning the franchise its first Emmy Award in 1975. The show featured the voices of almost the entire original cast, including William Shatner and Leonard Nimoy, along with TOS writers Dorothy Fontana ("Journey to Babel"), David Gerrold ("The Trouble with Tribbles"), acclaimed science-fiction author Larry Niven, and many more. This book is the first officially dedicated to TAS, and provides fans with behind-the-scenes production documents, never-before-seen art, and all-new interviews with the people who produced the Enterprise's new animated adventures. Star Trek: The Official Guide to The Animated Series reveals the efforts it took to translate TOS into animated form, includes a Databank encyclopedia of new and returning characters, ships, and planets, as well as trivia, bloopers, and TAS's connections to other Star Trek shows.

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Book SynopsisIn an apocalyptic vision of a world decimated by plague and embroiled in an elemental struggle between good and evil, the fate of mankind rests on the frail shoulders of the 108-year-old Mother Abagail and a handful of survivors. Their worst nightmares are embodied in a man with a lethal smile and unspeakable powers: Randall Flagg, the Dark Man. In 1979 Stephen King published The Stand, a massive apocalyptic tale that set the standard for all those stories that followed. The book was another King bestseller, leading to the release of The Complete and Uncut version in 1990, a 1994 ABC four-part mini-series and a 31-issue Marvel Comics adaptation in 2009. Now, in 2020, King's opus is being revisited yet again, with a 9-episode series for CBS All Access, bringing the story into the 21st Century. This new version will feature a brand-new coda written specifically for the new series by Stephen King himself.

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Ivor the Engine, Noggin the Nog, Pingwings, Pogles Wood, Clangers, and Bagpuss - the iconic animations produced by the Canterbury-based Smallfilms studio between 1958 and 1984 - constitute a significant thread of British cultural history. The lasting appeal of the imagined worlds created by Smallfilms is evident in the highly-successful BBC reboot of Clangers (2015-present), which has introduced a whole new audience to the pink moon mice. As well as the shows likely to be famiilar to readers, this history expands the Smallfilms story to include those less well-known animated shows that nonetheless played an important part in the studio’s history. Through extensive studio access, interviews with many key Smallfilms collaborators, press and audience analysis, Chris Pallant provides a comprehensive and definitive historical record of the studio’s work. Beyond Bagpuss is illustrated with 100 images from the Smallfilms archive, including those that have not previously been published.

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Book SynopsisThe eminent psychologist Carl Jung is best known for such indelible contributions to modern thought as the concept of the collective unconscious, but his wide-spread work can also be fruitfully employed to analyze popular culture. Frames of Mind offers an introduction to the world of Post-Jungian film and television studies, examining how Jung’s theories can heighten our understanding of everything from Chinatown and Star Trek to advertisements. In this illuminating psychoanalysis of our media environment, Luke Hockley probes questions such as why we have genuine emotional responses to film events we know to be fictional, why we are compulsively driven to watch television, and how advertisers use unconscious motifs to persuade viewers. Trade Review“A beautiful job! Hockley’s is a big screen approach, for he seeks to link Jungian and post-Jungian ideas about film with the sounds and images that flicker across everyone’s everyday experience. In this mixture of the formal and the informal, he performs an act of therapy for Jungian media criticism itself, rooting it (for its own good) in the popular and the ubiquitous. The process brings out aspects of Jung’s work on sexuality and the body that often get overlooked in academic circles.”—Andrew Samuels, Professor of Analytical Psychology, University of Essex Table of ContentsChapter 1: 'Cinema as Illusion and Reality' - Page 21 - Luke Hockley Chapter 2: 'Watching Films: The Affective Power of Cinema' - Page 35 - Luke Hockley Chapter 3: 'Chinatown: Investigating Affect' - Page 47 - Luke Hockley Chapter 4: 'A Jungian Approach to Television' - Page 63 - Luke Hockley Chapter 5: 'Narcissism and the Alchemy of Advertising' - Page 77 - Luke Hockley Chapter 6: 'Star Trek: Some Jungian Thoughts' - Page 91 - Luke Hockley Chapter 7: 'Technology as Modern Myth and Magic' - Page 109 - Luke Hockley Chapter 8: 'Identity and the Internet' - Page 123 - Luke Hockley

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Book SynopsisA lavish and definitive view of the oceanic world - accompanying the landmark 7-part BBC series narrated by Sir David Attenborough. With over 200 breath-taking photographs and stills from the BBC Natural History Unit's spectacular footage, this awe-inspiring study of life below the surface will amaze and enthral.'Jaw-dropping' - Variety'Substantial and awe-inspiring' - Publishers Weekly'Breath-taking' -- ***** Reader review'An incredible book and a must buy' -- ***** Reader review'Outstanding' -- ***** Reader review*************************************************************************Take a deep breath and dive into the mysteries of the ocean...Our understanding of ocean life has changed dramatically in the last decade, with new species, new behaviours, and new habitats being discovered at a rapid rate. Blue Planet II, which accompanies the epic BBC 7-part series, is a ground-breaking new look at the richness and variety of underwater life across our planet.From ambush hunters such as the carnivorous bobbit worm to cuttlefish mesmerising their prey with a pulsating light display, Blue Planet II reveals the never-before-seen secrets of the ocean.With over 200 breath-taking photographs and stills from the BBC Natural History Unit's spectacular footage, each chapter of Blue Planet II brings to life a different habitat of the oceanic world.As well as shining a light on ocean life, coral reef and arctic ice communities and shoreline existence, Blue Planet II examines unflinchingly what the future holds for our ocean dwellers. It's a book that will amaze, educate, captivate and astound.

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Book SynopsisHe's been depicted as a serious thinker, a master of deduction, a hopeless addict, a bare-knuckle fighter. His companion is abumbler, a sympathetic equal, someone helpless in the face of his friend's social inadequacies. Sherlock Holmes and John Watson remain the most-adapted fictional characters of all time. In 2010, when Benedict Cumberbatch and Martin Freeman stepped into the roles, they managed to meld many previous incarnations into two glorious performances. Over Sherlock's first three seasons, the BAFTA-winning series created by Mark Gatiss and Steven Moffat has brought new life to stories almost 130 years old and created a worldwide fandom unlike any other. Investigating Sherlock, written by bestselling author NikkiStafford, examines each episode through in-depth and fun analysis, exploring the character development and cataloguingevery subtle reference to the original stories. Containing revealing exclusive interviews from experts of the Sherlock Holmesphenomenom, and with biographies of Benedict Cumberbatch and Martin Freeman, as well as Arthur Conan Doyle.

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisThis “one-of-a-kind” (Jeff Pearlman, New York Times bestselling author) cultural history of the beloved nineties sitcom that launched Will Smith to superstardom—The Fresh Prince of Bel-Air—is perfect for fans of Seinfeldia and Best Wishes, Warmest Regards.More than thirty years have passed since The Fresh Prince of Bel-Air premiered on NBC but unlike other family sitcoms of its era, it has remained culturally relevant and beloved by new generations of fans. With fresh eyes on the show in the wake of 2022’s launch of Bel-Air, a Fresh Prince reboot on NBC’s Peacock, The Fresh Prince Project brings us never-before-told stories based on exclusive interviews with the show’s cast, creators, writers, and crew. Eye-opening and passionate, The Fresh Prince Project “brings home the essence of why The Fresh Prince still matters to Black America—and, really, why it should matter to all of us” (Mike Wise, New York Times bestselling author).

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Book SynopsisEstablished in 2004.M?ori Television has had a major impact on New Zealand broadcasting. But over the past year or so, the politics of M?ori Television have been brought to the foreground of public consciousness, with other media outlets trackingM?ori Television's search for a new CEO, allegations of editorial intervention and arguements over news reporting approaches to Te K?hanga Reo National Trust. Based on three years of interviews with key stakeholders-staff, the Board, other media, politicians, funders and viewers- this is a deep account ofM?ori Television in its first ten years. Jo smith argues that today;s arguements must be understood within a broader context shaped by non-M?ori interests. Offering five frameworks to address the challenges of a M?ori organisation working within a wider non-M?ori context, this is a solidly researched examination ofM?ori Television's unique contribution to the media cultures of Aotearoa New Zealand. The first sustained and focused discussion of M?ori Television practices, the role of television in language revitalization, innovations in Maori programming and how audiences are engaging with indigenous television. Maori Television is one of the boldest state broadcasting ventures in recent years and its success is worthy of study by indigenous communities and state broadcasters internationally .

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Book SynopsisThis book provides independent filmmakers and VFX artists with tools to work collaboratively and effectively on their low-budget films. Experts Shaina Holmes and Laurie Powers Going define common VFX needs and demystify the process of incorporating VFX into all stages of production. The book covers every step of the process, including when to consider using VFX, basics of 2D and 3D methodology, budgeting, virtual production, on-set supervision, and more. It provides tips and tricks to common VFX questions, such as color management and file types, along with practical solutions for the production team while on-set working with VFX scenes. The incorporation of testimonials from indie filmmakers and VFX/post production professionals brings a voice to both sides of the table and provides real-world scenarios for the techniques described. The book offers realistic lower-budget alternative solutions to achieving big-budget vision. This book is ideal for students on a micro bTrade Review“Visual Effects for Indie Filmmakers brings all the elements of the visual effects process into focus for indie filmmakers and students. If you want to be a professional and/or wrap your brain around ‘how’ the magic is created you’re in the right place.” —Matt Wallin, V.E.S., http://mattwallin.com/VCUarts“This is a bang-up terrific book. If you’re doing indie film, every so often you hit a single moment that’s worth years in experience or film school. Reading Holmes and Powers-Going on VFX is exactly that. It’s got all the how’s and why’s and lays out very on-the-ground knowledge that’s real-life usable. A practical manual for indie filmmakers that will make you smarter, more skillful and show you all the tricks.” —Ross Klavan, screenwriter, Tigerland et al“I wish this text existed before I ever attempted to make a film. So many young directors venture into filmmaking led solely by their creative drive while being completely in the dark on the technical aspects they will need to utilize to bring their visions to life. This book is their flashlight.” —Kevin Kölsch, director, Starry Eyes, Pet SemataryTable of ContentsPart I: The Fundamentals of the VFX Process 1. What Are Visual Effects? 2. The Craft 3. The Team Part II: Integrating VFX into the Filmmaking Process 4. Pre-Production 5. Security Concerns 6. Finding the Right VFX Team 7. Is VFX the Best Approach? 8. Planning for VFX Before Production 9. Production: Camera Matters 10. Production Practices for Cost-Effective VFX 11. Shooting Common VFX 12. Working with Specialized Production Teams 13. Fix-it-in-Post Consequences 14. VFX Needs While on Set 15. Post Production Part III: Emerging Technology 16. Virtual Production 17. Artificial Intelligence and Machine Learning

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Book SynopsisA nostalgic journey through sixty years of the cult-favorite television series Doctor Who and its cultural impact.From its first airing in the immediate wake of the assassination of John F. Kennedy, Doctor Who has been a fascinating portal through which viewers observe changing times and standards. For over sixty years it has told the story of not just the central protagonist, the Doctor, but also of humanity. To understand the Doctor is to understand ourselves through the eyes of a stranger.In Doctor Who: A Cultural History, Graham Gibson highlights the incredible impact of the long-running sci-fi series Doctor Who on television by guiding readers through the show's history and evolution to remain a fixture of popular culture for over six decades. Investigating a range of topics from religion and politics to gender and technology and even the very nature of good and evil, Gibson demonstrates how the show reflects our society, sometimes showing a powerful prescience, sometimes not. Beginning with the first Doctor through to the fifteenth, this book covers everything from fan-favorite Doctors played by David Tennant and Matt Smith to the introduction of the first female and Black Doctors, respectively, as well as iconic lore such as the Tardis's origins, the Doctor's essential companions, and key foes from the Daleks to the Master.A fun and informative look at one of science fiction's most enduring shows, Doctor Who: A Cultural History is perfectly balanced for avid fans who want to better understand the history and societal impact of their favorite show while reliving the Doctor's best moments throughout time and space.

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Book SynopsisInvestigates how prevailing constructions of white masculinity in the US South help feed and reinforce systems of racial inequity. Tracing the rise of the southern outsider' in literature and on television from 1960 to 2020, William P. Murray probes white Americans' enduring desire to assert their own blamelessness.

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Book SynopsisDrawing on interviews with industry workers from MTV programs such as The Real World and Teen Mom, Amanda Ann Klein examines the historical, cultural, and industrial factors leading to MTV's shift away from music videos to reality programming in the early 2000s and 2010s.Trade Review“Amanda Ann Klein's extended interviews with both participants and producers of MTV programming as well as her inspired and enjoyable writing make this book an important, compelling, and lively contribution to the study of media and culture.” -- Brenda R. Weber, author of * Latter-day Screens: Gender, Sexuality, and Mediated Mormonism *“Amanda Ann Klein's engaging book analyzes a specific phenomenon: MTV's twenty-first-century reality television programming. But her detailed and thoughtful account reveals so much about the history of a transformative television genre, the evolution of an iconic cable channel, and the construction of identity for an entire generation, making it essential reading to understand contemporary American media and culture.” -- Jason Mittell, author of * Television and American Culture *"My mother used to tell me that Jersey Shore would rot my brain; with Millennials Killed the Video Star, Amanda Ann Klein would seem to agree. In this release, the East Carolina University film professor helps make sense of the noise, walking readers through MTV’s evolution from music videos to scripted reality TV—maximizing stereotypes about race, gender, and class along the way, and shaping how an entire generation would come to understand identity." -- Emma Kenfield * IndyWeek *“[Millennials Killed the Video Star] is a fascinating analysis of media construction and presentation of identities, and how audiences respond to or reject those identities.... Klein’s writing is thoughtful and crisp.... Her writing blends an academic perspective and a fan perspective to produce a thoroughly entertaining analysis.” -- Fiona McQuarrie * PopMatters *"Recommended. Lower-division undergraduates through faculty; professionals." -- C. A. Nadon * Choice *“Through her insightful and engaging writing, Klein successfully weaves together industry studies, media and cultural analysis, interviews, and an entertaining retelling of her own personal encounter with Jersey Shore’s DJ Pauly D. The author successfully crafts a book that would appeal to multiple audiences across disciplines.” -- Abshi Iftin * Journal of Popular Culture *Table of ContentsAcknowledgments vii Introduction. What Killed the Video Star? 1 1. "It's Videos, Fool": A Targeted History of MTV (1981–2004) 24 2. "This Is the True Story . . .": The Real World and MTV's Turn to Identity (1992–) 57 3. "She's Gonna Always Be Known at the Girl Who Didn't Go to Paris": Can-Do and At-Risk White Girls on MTV (2004–2013) 89 4. "If You Don't Tan, You're Pale": The Regional and Ethnic Other on MTV (2009–2013) 124 5. "That Moment Is Here, Whether I Like It or Not": When MTV's Programming Fails (2013–2014) 153 Conclusion. Catfish and the Future of MTV's Reality Programming (2012–) 173 Appendix A. MTV Reality Series since 1981 189 Appendix B. Other Television Series Discussed in This Book 193 Notes 197 References 213 Index 233

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Book SynopsisLynn Spigel explores historical snapshots of people posing in front of their television sets in the 1950s through the early 1970s, showing how TV snapshots were a popular photographic practice through which people visualized their lives in an increasingly mediated culture.Trade Review“In this brilliant book Lynn Spigel examines TV snapshots as an activity, hobby art, expressive medium, and a thing people did with television, convincingly arguing for the importance of thinking about how photography and television work together. She reorients television studies away from programs and questions of spectatorship toward an exploration of the home as a ‘theater of everyday life,’ offering a diverse picture of how people use television, what the medium means, and where and how people live. I love this book and can’t wait to teach it.” -- Pamela Robertson Wojcik, author of * The Apartment Plot: Urban Living in American Film and Popular Culture, 1945 to 1975 *"Spigel uses midcentury photographs of people posing next to television sets to construct a fascinating study of Americana. . . . A vital addition to media studies and popular culture collections." -- Claire Sewell * Library Journal *"Spigel indicates that she worked on the book during the years when the center of gravity of television shifted from broadcast to digital streaming. Her archive of snapshots documents a phase of the medium's development shrinking into the rearview mirror. But they are also artifacts embodying something now much more familiar. The compact camera and the TV set correspond to two phases in the circulation of imagery: production and consumption respectively. In these snapshots, the image cycle is limited: flow, not a flood. The screen remains part of domestic space—and not yet, as it's becoming now, a home of sorts in its own right." -- Scott McLemee * Inside Higher Ed *"Spigel has yet again shown herself to be a signal historian of the family, helping us make sense of the ways we actually were, in the flickering light of the pressure to be otherwise." -- Hannah Zeavin * New York Review of Books *“Spigel dives deep into histories of race, sexuality, family and domesticity, architecture, and more, as they are called up by these snapshots. The result is a rich, wide-ranging historical account of cultural, social, and familial practices surrounding both television and photography that extrapolate what are often considered to be the dominant uses of these two media.” -- Bruno Guaraná * Film Quarterly *"Displaying a sophisticated mastery of media studies, photographic history, and contemporary art theory, Spigel shifts seamlessly through a wide span of intellectual underpinnings. . . . At times whimsical and frequently revealing gender and class relationships, this work is engaging and thoughtful. Highly recommended. Advanced undergraduates through faculty." -- D. McClure * Choice *Table of ContentsAcknowledgments ix Introduction: Companion Technologies 1 1. TV Portraits: Picturing Families and Household Things 25 2. TV Performers: A Theater of Everyday Life 72 3. TV Dress-Up: Fashion Poses and Everyday Glamour 121 4. TV Pinups: Sex and the Single TV 175 5. TV Memories: Snapshots in Digital Times 222 Conclusion: Hard Stop 255 Notes 263 Bibliography 289 Index 307

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Book SynopsisMainstreaming Gays discusses a key transitional period linking the eras of legacy and streaming, analyzing how queer production and interaction that had earlier occurred outside the mainstream was transformed by multiple converging trends: the emergence of digital media, the rising influence of fan cultures, and increasing interest in LGBTQ content within commercial media. The U.S. networks Bravo and Logo broke new ground in the early 2000s and 2010s with their channel programming, as well as bringing in a new cohort of LGBTQ digital content creators, providing unprecedented opportunities for independent queer producers, and hosting distinctive spaces for queer interaction online centered on pop culture and politics rather than dating. These developments constituted the ground from which recent developments for LGBTQ content and queer sociality online have emerged. Mainstreaming Gays is critical reading for those interested in media production, fandom, subcultures, and LGBTQ digital media. Trade Review"Mainstreaming Gays investigates the role that LGBTQ media professionals, television, and online content played at a pivotal moment in media convergence and the consolidation of multiplatform content delivery. Impeccably researched and accessibly written, Eve Ng’s book offers a nuanced analysis of the central role LGBTQ media and marketing played during a vital period in media history." — Katherine Sender, professor and director of Graduate Studies, Department of Communication, Cornell University "How did legacy TV morph into streaming and take queerness with it? Eve Ng brings intellectual force and clarity to a key change in queer media, redefining what 'mainstream' means and showing us how power, capital, and reinvention have long sparred—and danced—on the fields of queer culture." — Lisa Henderson, Dean, Faculty of Media and Information Studies, Western University "Chronicled in these pages are a host of culturally significant portals for LGBTQ news and entertainment which, Ng convincingly argues, contributed to the mainstreaming of historically marginalized communities. With her rigorous investigation into the people who created and benefited from these sites, Ng shows how the distance between the margins and the center, fans and producers, amateurs and professionals, is much narrower than scholars typically assume. This is an essential book for scholars of queer media.” — Aymar Jean Christian, author of Open TV: Innovation Beyond Hollywood and the Rise of Web TelevisionTable of ContentsIntroduction – Between Legacy and Streaming Chapter 1 – New Convergences in LGBTQ Media Production: Digital Pathways Into Commercial Media Chapter 2 – The New Queer Digital Spaces Chapter 3 – Gaystreaming, Dualcasting, and Changing Queer Alignments Chapter 4 – Beyond Queer Niche: Remaking the Mainstream Conclusion – Legacies and Futures for Mainstreaming Gays Appendix – List of Research Interviews and Events Acknowledgments Bibliography Index

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisThe Unofficial Ultimate Harry Potter Spellbook is a beautiful, elegantly designed reference that details all of the known spells cast in the Harry Potter films, books, video games and card games, as well as official Harry Potter spinoffs, such as Fantastic Beasts and Where to Find Them. Each spell is given its own entry including spell name, pronunciation details, a description of the spell effect, spell casting methods, wand movements, hand movements and vocalizations, plus primary sources in which the spell was used. Readers will also find trivia related to each spell, such as who it was used against, what the outcome was, or what a spell’s unusual history might be.

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