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Book SynopsisThis collection of ground-breaking articles examines problems romance presents in the American Western. Looking a range of films, this book offers readers important and challenging insights into the complicated nature of love and the versatile frontier narrative that address key social, political, and ethical components of the Western genre.Trade Review"As the essays in this volume demonstrate, it is love that truly conquered the American frontier. The cinematic West draws its life from tales of passion and heartbreak, sacrifice and betrayal. Matheson is to be congratulated on crafting a volume that illustrates the complexities of cowboy love - a force that, much like the railroad, tamed the wilderness but left deep scars in its path. I highly recommend this collection as an excellent example of the 'film and history' method associated with the eponymous scholarly journal." - Peter C. Rollins, filmmaker and Emeritus Regents Professor, Oklahoma State University, USA "Sue Matheson's Love in Western Film and Television: Lonely Hearts and Happy Trails certainly ranks among the handful of most important studies of the Western genre. Well-written, superbly researched, insightful, and wonderfully entertaining, Matheson's impressive book explores a topic richly deserving (and woefully lacking) in the scholarly analysis of popular Westerns." - Gary Hoppenstand, editor, Journal of Popular CultureTable of ContentsVirgins, Widows, and Whores: The Bride Pool of John Wayne's Westerns; H.M.Lewis Just a Woman After All? Gender Dynamics in the Westerns of Barbara Stanwyck; A.P.Nelson Violence, Vixens and Virgins: Noir-like Women in the Stewart/Mann Westerns; D.B.Cutshaw From Whore to Madonna: Female Subjectivity in Once Upon a Time in the West; A.Gazzaniga Reverse Transvestism and the Classic Hero: The Ballad of Little Jo and the Archetypal Western (fe)male; V.Piturro 'Wild' Women: Interracial Romance on the Western Frontier; C.J.Miller Paladin Plays the Field: Have Gun Will Travel and the Erotic Domestic of the 1950s; E.L.Mock The melancholy couple in Winchester '73; P.Falconer Outlaws, Buddies, and Lovers: The Sexual Politics of Calamity Jane and Butch Cassidy and the Sundance Kid; F.Pheasant-Kelly Horse Power: Equine Alliances in the Western; S.Hockenhull A French Unsettlement of the Frontier: Love and the threatened American dream in Heaven's Gate; L.Cox Saddle Pals Eurostyle and the Absence of Love in the Karl-May Westerns; R.Spindler 'When you side with a man, you stay with him!': The Importance of Philia in Sam Peckinpah's The Wild Bunch; S.Matheson

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Book SynopsisWhat does it mean to live as a ghost? Exploring spectrality as a metaphor in the contemporary British and American cultural imagination, Peeren proposes that certain subjects – migrants, servants, mediums and missing persons – are perceived as living ghosts and examines how this figuration can signify both dispossession and empowerment or agency.Trade Review"This is an important and original work of criticism. The perspective it adopts is fresh and gripping; the application of the 'spectral metaphor' to non-literal situations, such as the 'invisibility' of migrant workers and domestic servants, expands the sense of 'spectrality' in fascinating new ways; the scholarship and theoretical acumen are superb throughout; the written style of the work is elegant, precise and accessible; and the political and ethical implications of the study are lucidly spelled out, without any attempt prematurely to resolve the most difficult issues." - Colin Davis, Royal Holloway University of London, UKTable of ContentsAcknowledgments Introduction: The Spectral Metaphor 1. Forms of Invisibility: Undocumented Migrant Workers as Living Ghosts in Stephen Frears's Dirty Pretty Things and Nick Broomfield's Ghosts 2. Spectral Servants and Haunting Hospitalities: Upstairs, Downstairs, Gosford Park and Babel 3. Spooky Mediums and the Redistribution of the Sensible: Sarah Waters's Affinity and Hilary Mantel's Beyond Black 4. Ghosts of the Missing: Multidirectional Haunting and Self-Spectralization in Ian McEwan's The Child in Time and Bret Easton Ellis's Lunar Park Afterword: How to Survive as a Living Ghost? Notes Bibliography Index

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Book SynopsisMelissa Joan Hart explained it all - from dating to bullies - in her role as Clarissa Darling on Clarissa Explains It All. In this title, she tells the frank and funny truth about her extraordinary past and her refreshingly normal present.

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Book SynopsisInspired by the Emmy Award-winning television series--and now feature film--Downton Abbey: Rules for Household Staff is a grand gift book for fans that reveals the proper etiquette and techniques required for those working in the manor or on the grounds of the Grantham estate. The household staff of Downton Abbey carries out their duties with effortless dignity, finesse and pride. Yet how do they know how exactly to lay the table, when to leave the room to give Lord and Lady Grantham their privacy, how to care for Lady Mary''s furs and which uniform to wear when? This recently recovered and fascinating staff handbook answers all of these questions and more. Covering all the main positions of the Downton householdfootman, lady''s maid, housekeeper, groundsman and moreand with a general introduction for new members of staff from Carson the Butler, this book tells you everything you need to know about working below stairs in the grand estate of Downton Abb

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Book SynopsisAs a TV Producer and host of the late night show Watch What Happens Live, Andy Cohen has a front row seat to an exciting world. In this detailed diary of one year in his life, Andy goes out on the town, drops names, hosts a ton of shows, becomes codependent with Real Housewives, makes trouble, and, while searching for love, finds it with a dog.

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Book SynopsisTHE NEW YORK TIMES BESTSELLERThe first inside story of one of TV''s most popular and beloved dramas, Grey''s Anatomy.More than fifteen years after its premiere, Grey's Anatomy remains one of the most beloved dramas on television and ABC''s most important property. It typically wins its time slot and has ranked in the Top 20 most-watched shows in primetime for most of its seventeen-season run. It currently averages more than eight million viewers each week.Beyond that, it's been a cultural touchstone. It introduced the unique voice and vision of Shonda Rhimes; it made Ellen Pompeo, Sandra Oh and T.R. Knight household names; and injected words and phrases into the cultural lexicon, such as McDreamy, seriously, and you're my person. And the behind-the-scenes drama has always been just as juicy as what was happening in front of the camera, from the controversial departure of Isaiah Washington to Katherine Heigl's fall fro

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Book SynopsisINSTANT #1 NEW YORK TIMES BESTSELLER#1 INTERNATIONAL BESTSELLER The BELOVED STAR OF FRIENDS takes us behind the scenes of the hit sitcom and his struggles with addiction in this CANDID, DARKLY FUNNY...POIGNANT memoir (The New York Times) A MOST ANTICIPATED BOOK by Time, Associated Press, Goodreads, USA Today, and more!Hi, my name is Matthew, although you may know me by another name. My friends call me Matty.So begins the riveting story of acclaimed actor Matthew Perry, taking us along on his journey from childhood ambition to fame to addiction and recovery in the aftermath of a life-threatening health scare. Before the frequent hospital visits and stints in rehab, there was five-year-old Matthew, who traveled from Montreal to Los Angeles, shuffling between his separated parents; fourteen-year-old Matthew, who was a nationally ranked tennis star in Canada; twenty-four-year-old Matthew, who nabbed a

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Book SynopsisHere, Darren Elliot-Smith examines how alternative sexualities have recently emerged from the shadows in horror films and television programmes, with directors and producers employing an overtly queer horror aesthetic that unequivocally references homosexuality. Elliot-Smith case studies consider many forms of the queer horror genre: independent exploitation films ( A Far Cry from Home ), slashers ( Hellbent ) and even the representation of contemporary gay zombies in LA Zombie . Elliott-Smith deviates from analyzing the monster as a symbol of heterosexual fear and focuses instead on queer anxieties within gay male subcultures. Furthermore, he examines key works to reveal gay men's concerns about their assimilation into Western culture, their continuing association with the feminine, and the perpetuation of gay shame.

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Book SynopsisThis beautiful collection of illustrated lyrics to the theme song of Golden Girls is the perfect gift for any fan.

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Book SynopsisLinda Stradling is an experienced and well-established production manager who works for major broadcasters, including Channel 4, BBC, Working Title, Mentorn, the Discovery Channel & National Geographic. Linda teaches production management skills on professional industry courses.Trade Review'packed with practical hints and tips to help advance any production career' Ariel BBC Staff magazine (July 2010)Table of ContentsAcknowledgements Introduction 1. The Role of the Production Manager in Documentary and Factual Projects 2. Working in Drama 3. An Introduction to Budgeting a Documentary 4. Scheduling 5. Cash Flow - What it is and How to do it 6. A Guide to Essential Documentation 7. Systems and Cost Control 8. Dealing with the Broadcaster 9. VAT and the Production Manager 10. Insurance 11. Negotiating Contracts, Hiring and Firing 12. 'Recess', Setting Up Shoots and Foreign Filming 13. Health & Safety 14. Interviewing and the Ethics of the Documentary 15. Archive and Copyright 16. Computer Generated Imagery (CGI) 17. Music: A Brief Guide 18. Post Production and Editorial Staff 19. Deliverables 20. The Other Side of Production Management Appendix: Help Agencies, Trade Unions, Industry Jargon and other useful references Index

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Book SynopsisDan O'Shannon is currently co-executive producer for the ABC show Modern Family, previously working on other Emmy nominated shows such as Frasier and Cheers. O'Shannon has also lectured in classes at UCLA, USC, and taught a course on writing at Cleveland State University, where he holds an honorary doctorate.Trade ReviewComedy is an art, but there is comedy to be gained in treating it as a science. What Are You Laughing At? Is a discussion of the genre of many mediums in comedy, trying to define a broad topic which an vary person to person. Attempting to gain a better understanding of the concept of comedy, writer for many hit comedy sitcoms in the past few decades Dan O’Shannon presents an intriguing delve into psychology and sociology behind it all. What Are You Laughing At? Is a fine take on the meaning and purpose of comedy, highly recommended. -- James A. Cox, Editor-In-Chief * The Midwest Book Review - Wisconson Book Watch *As hard as it would be to define "'the meaning of life', defining 'comedy' is harder. And somehow Dan O'Shannon does it in his insightful, comprehensive, and funny new book, What Are You Laughing At?: A Comprehensive Guide to the Comedic Event. I’ve been writing humor for 35 years and I learned stuff! If you’re planning on a career in comedy all you will need is this book and a rubber chicken. -- Ken Levine, Writer/producer MASH and The SimpsonsCreative individuals usually have difficulty explaining how they get their ideas. But O’Shannon’s presentation of how comedy works in excellent and detailed. O’Shannon is certainly an expert at creating comedy, having written and produced television successes like Cheers, Frasier, and Modern Family. He confesses here, however, that in his job he does not use the model he describes here and that he did have scholarly help, which he praises and is thankful for. The result is a sophisticated model of humor that stands up quite well against more scholarly works like Matthew Hurley, Daniel Dennett, and Reginald Adams Jr.’s Inside Jokes (CH, Jan’12, 49-2983) and John Morreall’s Comic Relief (CH, Sep’10, 48-0062). …This is a book for anyone curious about the nature of humor. Summing up: Highly recommended. All readers. -- P. L. Derks, emeritus, College of William and Mary * Choice *Table of ContentsINTRODUCTION OVERVIEWCommon Comedy TheoriesThe Comedic EventDocumenting the Comedic EventPART I: ELEMENTS OF CONTEXT: THE RECEPTION FACTORSCHAPTER 1: THE RECEIVER AND HIS WORLD1-1. A Comedy Frame of Mind1-2. Early Reception Factors1-3. Levels of Social InteractionCHAPTER 2: ELEMENTS OF COMMUNICATION2-1. Modes of Communication2-2. Device and Specific DeviceCHAPTER 3: VEHICLES3-1. Vehicles3-2. Vehicle-based Reception FactorsCHAPTER 4: LEVEL OF CONTROL AND IDENTIFYING THE SOURCE4-1. Level of Control4-2. Identifying The SourcePART II: THE INCONGRUOUS PICTURECHAPTER 5: FUNDAMENTAL COMPONENTS5-1. The Receiver's Brain: Hard-wired for Comedy?5-2. The Triangle5-3. The Core VariablesCHAPTER 6: INCONGRUITY6-1. Incongruity6-2. Estimating Levels of Incongruity6-3. Types of IncongruityCHAPTER 7: COGNITIVE PROCESS7-1. Cognitive Process: Overview7-2. Level One: Straightforward Information7-3. Level Two: Gap-filling7-4: Level Three: RecontextualizationCHAPTER 8: VARIATIONS8-1. Exploring the Four Corners of the Triangle8-2. What are Practical Jokes?CHAPTER 9: COMEDY AND ENTROPY9-1. Sustaining the Laugh9-2. EntropyPART III: ENHANCERS AND INHIBITORSCHAPTER 10: HOW COMEDIC INFORMATION TRIGGERS ENHANCERS AND INHIBITORS10-1. Overview10-2. On-going Social Needs: Superiority, Identification, and Inclusion10-3. Aspects of AwarenessCHAPTER 11: ELEMENTS OF THE JOKE'S COMMUNICATION, STRUCTURE, AND CONTENT11-1. Resuming the Chart: The Joke as a Whole11-2. Elements of Communication and Structure11-3. Elements of ContentSUMMING IT ALL UPThe Completed ChartFinal Thoughts and Acknowledgments

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Book SynopsisWendy N. Wyatt is an associate professor in the Department of Communication and Journalism at the University of St. Thomas. Her research interests include communication ethics, press criticism and media literacy. She is the author of Critical Conversations: A Theory of Press Criticism (Hampton, 2007). Kristie Bunton is professor and chair of the Department of Communication and Journalism at the University of St. Thomas. Her scholarship has been published in such journals as Public Integrity, Journal of Mass Media Ethics, Journalism and Mass Communication Quarterly, Journalism Educator and American Journalism.Trade ReviewWhen 'reality tv' covers most of the social domain, it seems strange that we do not have more debates about the ethics of how it does this. Even stranger, when we consider the frequent conflicts between production goals and the needs of those who appear in reality shows. This lively book brings together both critical and more sympathetic assessments in a series of accessibly written essays that open up this important topic to students and general readers alike. --Nick Couldry, Professor of Media and Communications, Goldsmiths, University of London, and author of Listening Beyond the Echoes: Media, Ethics and Agency in an Uncertain World (Paradigm Books, 2006)The temptation with a book on reality TV is just to slam the genre as an ethical wasteland. Indeed, the authors provide compelling reasons to disapprove of common ethical trespasses in reality TV, including deception, exploitation, and stereotyping. However, they also challenge us to take the good with the bad. Do some shows, at least, have the potential to uplift, educate and inspire? If so, are they the exception or the rule? Are there some shows we can support wholeheartedly, or must we settle for ethical lemons that can be turned into lemonade? This balanced collection is a must-read for anyone seeking an intelligent ethical examination of reality TV in the United States and abroad. -- Sandra L. Borden, Professor of Communication and Co-director of the Center for the Study of Ethics in Society at Western Michigan University, USAReviewed by -- S. Pepper, Northeastern Illinois University * CHOICE *Wyatt and Bunton have taken an important first step in filling a sizable hole in the literature of media ethics with this first systematic, international, and philosophical inspection of a key, if not dark, continent within the television landscape. * Media Ethics Magazine *Table of ContentsForeword: "Serious Questions about a Not-So-Serious Genre". Part I: "The Harms of Reality TV," Wendy Wyatt and Kristie Bunton". Chapter 1: "Deception: I think my favorite reality show is lying to me". Chapter 2: "Privacy breeches: Maybe I should look away". Chapter 3: "Stereotyping: Here come the ditsy pretty girl and the troubled gay guy". Chapter 4: "Exploitation: Use them, abuse them and drop them". Chapter 5: "Excessive commercialization: What can we sell you this week?". Part II: "The Benefits of Reality TV," Wendy Wyatt and Kristie Bunton. Chapter 6: "Community building: Welcome to the neighborhood". Chapter 7: "Inspiration & motivation: If that reality star can do it, so can I". Chapter 8: "Diversification & Democratization: Even regular people can be reality stars". Conclusion: "Is reality TV good for society?" Wendy Wyatt and Kristie Bunton.

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Book SynopsisClive James was the author of more than forty books. As well as essays, he published collections of literary and television criticism, travel writing, verse and novels, plus five volumes of autobiography, Unreliable Memoirs, Falling Towards England, May Week Was In June, North Face of Soho and The Blaze of Obscurity. As a television performer he appeared regularly for both the BBC and ITV, most notably as writer and presenter of the Postcard series of travel documentaries. He published several poetry collections, including the Sunday Times bestseller Sentenced to Life, and a translation of Dante's The Divine Comedy, which was also a Sunday Times bestseller. In 1992 he was made a Member of the Order of Australia and in 2003 he was awarded the Philip Hodgins memorial medal for literature. He held honorary doctorates from Sydney University and the University of East Anglia. In 2012 he was appointed CBE and in 2013, an OTrade ReviewHis contribution to the art and enjoyment of TV criticism over the past ten years has been immense. His work is deeply perceptive, often outrageously funny and always compulsively readable -- the judges of the British Press Awards, naming Clive James Critic of the Year for 1981One of the few columnists who make you laugh aloud . . . if there were angels he would be on their side: and that would certainly include Charlie’s Angels -- Melvyn Bragg * Sunday Times *C.J. didn't get where he is today just by being funny. He is humane, liberal and compassionate . . . What he writes is always pertinent and always witty . . We own him a deep debt of gratitude -- Gavin Ewart * Listener *Few critics have a more unerring ear for woolliness and doubletalk or a more scathing and entertaining way of dealing with it -- Lesley Garner * Good Housekeeping *He is one of the most remarkable figures in British cultural life at the moment: a poet and gifted literary critic who is also genuinely liked by the mass audience -- Michael Mason * London Review of Books *

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Book SynopsisIn a narrative bridging television studies, memoir, and comic, literary nonfiction, Kathleen Collins takes readers alongside her from the 1960s through to the present, reminiscing and commiserating about some of what has transpired over the last five decades in the US, in media culture, and in what constitutes a shared cultural history.

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Book SynopsisAnne Gjelsvik is Professor in Film Studies in the Department of Art and Media Studies at Norwegian University of Science and Technology in Trondheim, Norway. Her research includes popular cinema, film violence, representation of gender in the media, and adaptation studies. Among her recent publications are Eastwood's Iwo Jima: A Critical Engagement with Flags of Our Fathers and Letters from Iwo Jima (2013, co-edited with Rikke Schubart) and Adaptation Studies: New Challenges, New Directions (2013).Rikke Schubart is Associate Professor in Media Studies at the Institute for the Study of Culture, University of Southern Denmark in Odense, Denmark. Her research focuses on gender, genre, and emotions in cinema and media. Schubart's publications include Mastering Fear: Women, Emotions, and Contemporary Horror (forthcoming), Eastwood's Iwo Jima: A Critical Engagement with Flags of Our Fathers and Letters from Iwo Jima (2013, co-edited with Anne Trade ReviewA new collection of essays, Women of Ice and Fire: Gender, Game of Thrones and Multiple Media Engagements explores the role and representation of women in Martin’s A Song of Ice and Fire books and its cultural adaptations. * The Conversation *This is not just another academic book exploring a popular culture phenomenon and the representation of women inside this phenomenon, it is the contemporary reference work to the representation of female characters in the A Song of Ice and Fire books, the TV series (Game of Thrones) and other transmedia adaptations. * Pop-Zeitschrift *Together, the contributions provide a welcome and nuanced analysis of the female figure in relation to fantasy ... It is recommended for readers of all genders. * Norsk Medietidsskrift (Bloomsbury translation) *Game of Thrones and controversy go pretty much fist in gauntlet. And nowhere more so than around its presentations of nudity, sex and sexual violence on screen. Arya … Brienne … Cersei … Daenerys … Ellaria: just the start of an alphabet of complex female characters whose actions and sufferings have been hotly debated. So, can academic criticism take us beyond simple praise vs. condemnation? Oh yes. Agreement? Now that really would be fantasy. Instead, this book elaborates on the debates around particular characters, scenes and narrative adaptation decisions, to great effect. Pretty much all varieties of contemporary feminist analysis are well represented here. The issues are clearly important – but there is also fun to be had, deciding who you (dis)agree with, and why. * Martin Barker, Emeritus Professor of Film & Television Studies and Principal Investigator in Lord of the Ring and Hobbit Audience Projects, Aberystwyth University, UK *The popularity of the HBO Game of Thrones is sensational, and thus a scholarly collection that brings together different perspectives—from gender, genre, television and film, adaptation, and fan studies—is a welcome contribution especially as it engages with the most controversial aspects of the show. By focusing on women characters in George R.R. Martin’s novels, Game of Thrones, and its video-game and wiki byproducts, collectively these essays confirm just how powerful gender politics and sexualized violence are in the production and consumption of fantasy across media today. By taking fan and other public discussions of the show seriously, the book also invites us to consider there may be something new in women’s engagement with fantasy. * Cristina Bacchilega, Professor of English, University of Hawai‘i-Manoa, USA *Women of Ice and Fire: Gender, Game of Thrones, and Multiple Media Engagements is an anthology that needed to be written and must be read. This book presents a series of thoughtful and engaging essays about the female characters who populate the universe of this incredibly successful book and television series. Women of Ice and Fire is an excellent study of the rich tapestry of women – from the progressive to the conventional, the monstrous to the glorious – who give life to the fantastic world that has captured the hearts of millions. * Angela Ndalianis, Head of Screen and Cultural Studies, University of Melbourne, Australia *Table of ContentsIntroduction Rikke Schubart, University of Southern Denmark, & Anne Gjelsvik, Norwegian University of Science and Technology, Norway Adapting Sex: Cultural Conceptions of Sexuality in Words and Images Mariah Larsson, Stockholm University, Sweden Adapting Desire: Wives, Prostitutes, and Smallfolk Shannon Wells-Lassagne, Université de Bretagne Sud, France Unspeakable Acts of (Sexual) Terror as/in Quality Television Anne Gjelsvik, Norwegian University of Science and Technology, Norway Sworn Swords and Noble Ladies: Female Characters in Game of Thrones Video Games Felix Schröter, Universität Hamburg, Germany Woman With Dragons: Daenerys, Pride, and Postfeminist Possibilities Rikke Schubart, University of Southern Denmark Power Play and Family Ties: Hybrid Fantasy, Network Narrative, and Female Characters Helle Kannik Haastrup, Roskilde University, Denmark Mother, Maiden, Crone: Motherhood in Westeros Marta Eidsvåg, freelance writer, UK Women Warriors From Chivalry to Vengeance Yvonne Tasker, University of East Anglia, UK, & Lindsay Steenberg, Oxford Brookes University, UK Female Machiavellians in Westeros Elizabeth Beaton, Australian National University, Australia The Expert Female Fan Recap on YouTube Susana Tosca, University of Copenhagen, Denmark, & Lisbeth Klastrup, University of Copenhagen, Denmark “I’m Not Going to Fight Them, I’m Going to Fuck Them”: Sexist Liberalism and Gender (A)Politics in Game of Thrones Stéphanie Genz, Edge Hill University, UK About the Contributors Full Bibliography Index

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Book SynopsisThe last decade has seen a transformation of journalism industries and the working lives of our journalists. Do the changes have the same impact everywhere? Do journalists today experience these changes as a pressure or as a possibility? Is something irrevocably lost from journalism with these changes? Newsworkers takes a broad range of European countries - North and South, East and West, big and small - comparing in each how journalism as work has been affected by the changes in journalism institutions. The book looks at three pertinent and topical questions: the role of technology in changing journalism work practice; the decline or not of professional values; and whether journalism is becoming more homogenous across national borders. Drawing on extensive and original research, the book provides a comprehensive picture of contemporary European journalism.Trade ReviewThis well-organized book reports the findings of an ambitious and thorough study of journalists in six European countries—Britain, Estonia, Germany, Italy, Poland, and Sweden. It focuses on continuity and change in the technology, skills, autonomy, and professionalism of news people in these countries, using both quantitative and qualitative methods. It offers some unexpected insights, as well as support for previous studies, and should be of real value to anyone interested in European journalism. * David H. Weaver, Distinguished Professor Emeritus of Journalism, Indiana University, USA *Newsworkers: A Comparative European Perspective is a welcomed comparative account on the realities of journalism, which is particularly relevant in a time when journalists are struggling with a changing media world. Theoretically rich and empirically illuminating, Örnebring's book takes a fresh look into journalistic cultures in a variety of European countries. It is a great resource and vantage for scholars interested in state-of-the-art comparative journalism research. * Thomas Hanitzsch, Chair and Professor of Communication, LMU Munich, Germany *Well-theorized and well-researched, Örnebring’s book provides an insightful look at the daily pressures of working journalists. We gain important comparative evidence that brings into relief commonalities and differences across Europe while also hearing the voices of journalists struggling to adapt their understandings of professionalism to a changing media environment. * Matt Carlson, Associate Professor of Communication, Saint Louis University, USA *Table of ContentsChapter 1: Journalism as Work and Institution Chapter 2: Institution, work, and professionalism – an analytical framework Chapter 3: Six countries – background and empirical data Chapter 4: Technology Chapter 5: Skill Chapter 6: Autonomy Chapter 7: Professionalism Chapter 8: Newswork in Europe: Continuity and Change Methodological Appendix Bibliography Index

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Book SynopsisThe Prisoner reaches its 40th anniversary in September 2007, just in time for its reincarnation on our screens. The series has puzzled and intrigued millions of viewers since it was originally shown on ITV in the late 1960s. Only seventeen episodes were originally made; each one of them is riddled with mystery and poses unanswerable questions. The first Prisoner series captured the imagination as few programmes have done before or since and became a true television phenomenon. Here its unique appeal and history are examined in a fully updated edition with a new chapter boasting insider info on the new series. Including interviews with Patrick McGoohan, Kenneth Griffith, Alexis Kanner and Anton Rogers, The Prisoner Handbook reveals more information than was previously known about the series, the characters portrayed, the cast themselves and what it was really like during production. Complete with a foreword by Alex Cox and a full episode-by-episode guide, as well as an examination of the significance of the series both forty years ago and now, this is the complete guide to the unique appeal and history of television's most enigmatic series.

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Book SynopsisThe official companion to the Emmy-winning Netflix drama chronicling the reign of Queen Elizabeth II, and starring Claire Foy and John Lithgow, The Crown by Peter Morgan, featuring additional historical background and beautifully reproduced archival photos and show stills   Elizabeth Mountbatten never expected her father to die so suddenly, so young, leaving her with a throne to fill and a global institution to govern. Crowned at twenty-five, she was already a wife and mother as she began her journey towards becoming a queen.   As Britain lifted itself out of the shadow of war, the new monarch faced her own challenges. Her mother doubted her marriage; her uncle-in-exile derided her abilities; her husband resented the sacrifice of his career and family name; and her rebellious sister embarked on a love affair that threatened the centuries-old links between the Church and the Crown. This is the story of how Elizabeth II drew on every ounce of resolve to ensure that the Crown always came out on top.   Written by the show’s historical consultant, royal biographer Robert Lacey, and filled with beautifully reproduced archival photos and show stills, The Crown: The Official Companion: Volume 1 adds expert and in-depth detail to the events of the series, painting an intimate portrait of life inside Buckingham Palace and 10 Downing Street. Here is Elizabeth II as we’ve never seen her before.

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