String instruments Books
Boydell & Brewer Ltd The Erard Grecian Harp in Regency England
Book SynopsisDuring the early nineteenth century, the harp was transformed into a sophisticated instrument that became as popular as the piano. This was largely the result of the harp's intensive technical, musical and visual upgrading, which gradually led to the transition from the single- to the double-action pedal harp. A major figure in this process was Sébastien Erard (1752-1831), a tireless inventor and prolific manufacturer of harps and pianos operating branches in Paris and London. With the introduction in 1811 of the so-called 'Grecian' model, the first commercially built double-action harp, the Erard firm managed to establish the harp not only as a novel, state-of-the-art instrument, but also as a powerful symbol of luxury, wealth and status. Drawing upon a wide variety of primary sources, including surviving instruments, archival documents and iconographical evidence, this book provides a comprehensive overview of the development, production and consumption of the Erard Grecian harp in Regency England. The innovative approaches employed by the Erard firm in the manufacture and marketing of harps are measured against competitors but also against the work of leading entrepreneurs in related trades, ranging from the mechanical devices and precision tools of James Watt, Henry Maudslay or Jacques Holtzapffel, through the ornamental pottery of Josiah Wedgwood, to the clocks and watches of George Prior or Abraham-Louis Breguet. In addition, the book examines the omnipresent role of the harp in the education, art, fashion and literature of the Regency era, discussing how the image and perception of the instrument were shaped by groundbreaking advances, such as the Industrial Revolution, Neoclassicism, and the Napoleonic Wars.Table of ContentsIntroduction 1 The Shift from the Single- to the Double-Action Harp: The Emergence of the Erard Grecian Model 2 The Design and Engineering of the Erard Grecian Harp: Influences from Industry and Business 3 The Decoration and Branding of the Erard Grecian Harp: Innovation, Adaptation and Substitution 4 Manufacturing the Erard Grecian Harp: Aspects of Organisation, Management and Operation 5 Marketing the Erard Grecian Harp: Promotional Strategies and the Establishment of a Refined Clientele 6 Erard and the Harp in Education, Art and Fashion: 'Evening Dress' for a Private Concert 7 Erard and the Harp's Literary Footprint: From Pride and Prejudice to War and Peace 8 The Erard Grecian Harp as an Artefact of Cultural Heritage: 'Self-destruction' and Resurrection Conclusions Appendix Bibliography Index of Names Index of Places Index of Themes
£23.75
Boydell & Brewer Ltd The Great Vogue for the Guitar in Western Europe:
Book SynopsisThe first book devoted to the composers, instrument makers and amateur players who advanced the great guitar vogue throughout Western Europe during the early decades of the nineteenth century. Contemporary critics viewed the fashion for the guitar with sheer hostility, seeing in it a rejection of true musical value. After all, such trends advanced against the grain of mainstream musical developments of ground-breaking (often Austro-German) repertoire for standard instruments. Yet amateur musicians throughout Europe persisted; many instruments were built to meet the demand, a substantial volume of music was published for amateurs to play, and soloist-composers moved freely between European cities. This book follows these lines of travel venturing as far as Moscow, and visiting all the great musical cities of the period, from London to Vienna, Madrid to Naples. The first section of the book looks at eighteenth-century precedents, the instrument - its makers and owners, amateur and professional musicians, printing and publishing, pedagogy, as well as aspects of repertoire. The second section explores the extensive repertoire for accompanied song and chamber music. A final substantive section assembles chapters on a wide array of the most significant soloist-composers of the time. The chapters evoke the guitar milieu in the various cities where each composer-player worked and offer a discussion of some representative works. This book, bringing together an international tally of contributors and never before examined sources, will be of interest to devotees of the guitar, as well as music historians of the Romantic period.Table of ContentsForeword - Richard Savino Introduction - Christopher Page, Paul Sparks and James Westbrook Eighteenth-century precedents: the role of Paris - Damián Martín Gil and Erik Stenstadvold The Great Vogue for the guitar: an overview - Christopher Page The instrument and its makers - James Westbrook Printing and publishing music for the guitar with Appendix: Matteo Carcassi - Erik Stenstadvold Amateurs and professionals - Christopher Page Teaching and learning the guitar - Erik Stenstadvold Early-nineteenth-century guitars in the saleroom, private hands and public collections - James Westbrook Music for early-nineteenth-century guitars in the saleroom, private hands and public collections - Kenneth Sparr Accompanied song - Jelma van Amersfoort Chamber music for the guitar - Jukka Savijoki Ferdinando Carulli (1770-1841) - Mario Torta Mauro Giuliani (1781-1829) - Gerhard Penn Fernando Sor (1778-1839) - Erik Stenstadvold Dionisio Aguado (1784-1849) - Luis Briso de Montiano Emilia Giuliani (1813-1850) - Nicoletta Confalone Giulio Regondi (1822/23-1872) and Catharina Pratten née Pelzer (1824-1895) - Sarah Clarke Appendix: A note on string-making - Jenny Nex Bibliography
£76.00
Boydell & Brewer Ltd Life After Death: The Viola da Gamba in Britain
Book SynopsisNew research throws light on the history of the viol after Purcell, including its revival in the late eighteenth century through Charles Frederick Abel. It is normally thought that the bass viol or viola da gamba dropped out of British musical life in the 1690s, and that Henry Purcell was the last composer to write for it. Peter Holman shows how the gamba changed its role and function in the Restoration period under the influence of foreign music and musicians; how it was played and composed for by the circle of immigrant musicians around Handel; how it was part of the fashion for exotic instruments in themiddle of the century; and how the presence in London of its greatest eighteenth-century exponent, Charles Frederick Abel, sparked off a revival in the 1760s and 70s. Later chapters investigate the gamba's role as an emblem of sensibility among aristocrats, artists, and intellectuals, including the Countess of Pembroke, Sir Edward Walpole, Ann Ford, Laurence Sterne, Thomas Gainsborough and Benjamin Franklin, and trace Abel's influence and legacy far into the nineteenth century. A concluding chapter is concerned with its role in the developing early music movement, culminating with Arnold Dolmetsch's first London concerts with old instruments in 1890. PETER HOLMAN is Professor of Historical Musicology at Leeds University, and director of The Parley of Instruments, the choir Psalmody, and the Suffolk Villages Festival.Trade Review[O]utstanding research [...] a valuable reference book that I will no doubt consult again and again. * EIGHTEENTH CENTURY MUSIC *[A] fascinating study that has significantly enlightened the dark ages of a much loved instrument. * MUSIC & LETTERS *[Eine] spannenede und extreme informative Abhandlung. * VIOLA DA GAMBA *This is a book not only for those interested in the viola da gamba but also in musical social history in Britain from the 17th to the end of the 19th century. It is rich in scholarly detail and is entertaining to read. * STRINGENDO *[B]eautifully presented and Holman's lucid and elegant prose is a joy to read. [...] This is a book suitable for players and scholars alike, which makes a valuable contribution to our understanding of the viol; I recommend it wholeheartedly. * EARLY MUSIC *[This] volume draws on a truly vast range of documentation [...] and is written in an unpretentious, descriptive prose [...] the coverage is impressive and its result will be of use in many connections: indeed a reference work. * MUSICAL TIMES *There are so many new insights into the life of the viol in this book [...] that the reader is put on a steep learning curve and sent on a truly fascinating journey through the centuries. [...] it can easily be used as a reference book by delving into the sub-chapters or consulting the very comprehensive index, or be read like an exciting novel. * THE CONSORT *No one better could have written this book, which is superb. [...] Applying to the task his extensive research, close acquaintance with the instruments and their music, stellar command of the literature, and lively narrative, Holman demonstrates the extent to which viol playing in Britain survived. * CHOICE *Holman has the knack of finding interesting information and writing interestingly about it. [...] It is a book to dip into. * EARLY MUSIC REVIEW *Table of ContentsIntroduction 'Musitians on the Viol de Gamba': Professional Players in Restoration England 'The Noble Bass Viol': Amateur Players around 1700 'Per la Viola da Gamba': Immigrants in Early Eighteenth-Century London 'Awake my Cetra, Harp and Lute': John Frederick Hintz and the Cult of Exotic Instruments 'A Solo on the Viola da Gamba': Charles Frederick Abel as a Performer 'Composed to the Soul': Abel's Viola da Gamba Music 'The Heart of Sensibility': Writers, Artists and Aristocrats 'The Art of Playing it has never Died Out in this Country': Abel's Competitors, Followers and Successors 'Performed upon the Original Instruments for which it was Written': the Viola da Gamba and the Early Music Revival
£108.19
Boydell & Brewer Ltd The LaSalle Quartet: Conversations with Walter
Book SynopsisThe definitive study of the LaSalle Quartet, for forty years the premier exponent of 'the new music' for string quartet. The LaSalle Quartet (1946-1987) was the premier exponent of 'the new music' for string quartet. Founded in 1946 at the Julliard School in New York, it became famous for its performances of works by the Second Viennese School and its commissioning of many new pieces by contemporary post-war composers. As a result, the quartets by Lutoslawski, Ligeti and Nono have since entered the standard repertory, sitting comfortably next to those by Schoenberg, Berg andWebern. The LaSalle Quartet's brilliant advocacy of the quartets by Alexander Zemlinsky resulted in best-selling recordings for Deutsche Grammophon. In an informative and critical dialogue between new and old, the LaSalleQuartet was also an incisive interpreter of the classical quartet repertory; many of its recordings are still in print. Its record as a teaching quartet is equally impressive, numbering among its students at the University of Cincinnati the Alban Berg, Brahms, Prazak, Artis, Buchberger, Ponche and Vogler Quartets. The LaSalle Quartet's founder and first violinist, Walter Levin, is himself a highly influential teacher whose students have included the conductor James Levine and the violinist Christian Tetzlaff, as well as many third-generation string quartets. This book, based on extensive interviews with Walter Levin conducted by Robert Spruytenburg over five years, is in equal measure autobiography, history of the Quartet, reminiscences of the contemporary composers who figured so prominently in its career, and penetrating commentary on the LaSalle Quartet's wide-ranging repertory. All these aspectsare artfully woven into a uniquely valuable, informative and entertaining document of musical life in the twentieth century. ROBERT SPRUYTENBURG lives in Basel. He was introduced to Walter Levin in 1988 and took part inhis chamber music courses. Since 2003, Spruytenburg has been working on the LaSalle Quartet's archives located at the Paul Sacher Foundation in Basel. He is a frequent contributor to classical music programmes for Swiss radio.Trade ReviewAn absolutely magnificent book! The information is totally fascinating ... A thoroughly engaging book for professionals students and amateurs alike. * STRINGENDO *Charming, revealing and compelling ... an essential addition to the literature on 20th-Century music, one that should be on the reading list of all string players who aspire to a professional career. Warmly recommended. [Five stars out of five, Editor's choice] * CLASSICAL MUSIC *
£31.50
Hal Leonard Corporation Coldplay
Book Synopsis(Instrumental Play-Along). 12 Coldplay favorites arranged for instrumentalists to enjoy. The audio tracks available online using the unique code printed inside the book include accompaniment tracks so you can sound like a pro while playing! Songs include: Clocks * Every Teardrop Is a Waterfall * Fix You * In My Place * Lost! * Paradise * The Scientist * Speed of Sound * Trouble * Violet Hill * Viva La Vida * Yellow.
£14.24
Hal Leonard Corporation Easy Instrumental Play Along Disney Cello Book
Book Synopsis
£11.69
£20.89
Headstock Books No Bull Music Theory for Guitarists: Master the Essential Knowledge all Guitarists Need to Know
£21.34
Headstock Books No Bull Barre Chords for Guitar: Learn and Master the Essential Barre Chords that all Guitar Players Need
£17.99
Headstock Books The CAGED System for Guitar: A Fretboard Mastery Method for Lead and Solo Guitarists
£17.99
£18.04
Cuento de Luz SL El alma del violn
Book SynopsisThroughout this beautiful book, inspired by the true story of Gaspar Borchardt, we will experience how magic, music, nature, and spirituality come together in the same story to leave us with a marvelous message.A master craftsman in love with his work, whose creations are extraordinary, has a dream to fulfill: he wants to make the violin with the most exquisite wood in the world.Wood from a tree that seems more like a legend, located in almost extinct forests, will make this adventure a unique experience.It won''t be easy. Still, on the way to fulfilling his dream, the protagonist will leave us with a great lesson: love for the things we do, respect for nature, the value of art and music as a priceless heritage, and having the courage to pursue our dreams until we make them come true.Inspirado en la historia real de Gaspar Borchardt. Un lutier enamorado de su trabajo, cuyas creaciones son extraordinarias, tiene un sueño que cumplir: desea fabric
£20.49
Taylor & Francis Practicing Music by Design Historic Virtuosi on Peak Performance
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£142.50
Taylor & Francis Teaching Strings in Todays Classroom
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£128.25
Taylor & Francis Teaching Strings in Todays Classroom
Book SynopsisTeaching Strings in Todayâs Classroom: A Guide for Group Instruction assists music education students, in-service teachers, and performers to realize their goals of becoming effective string educators. It introduces readers to the school orchestra environment, presents the foundational concepts needed to teach strings, and provides opportunities for the reader to apply this information. The author describes how becoming an effective string teacher requires three things of equal importance: content knowledge, performance skills, and opportunities to apply the content knowledge and performance skills in a teaching situation. In two parts, the text addresses the unique context that is teaching strings, a practice with its own objectives and related teaching strategies. Part I (Foundations of Teaching and Learning String Instruments) first presents an overview of the string teaching environment, encouraging the reader to consider how context impacts teaching, followed byTable of ContentsPart I: Foundations of Teaching and Learning String Instruments / 1. An Introduction to the Orchestra Classroom / 2. Fundamentals of Teaching String Instruments / 3. Preparing Your Classroom / 4. Instrument Position / 5. Developing the Left Hand / 6. Developing the Right Hand / 7. Tone Production / 8. Basic Articulations / 9. Bowing Guidelines / Part II: Understanding Fingerings / 10. Violin and Viola Fingerings / 11. Cello Fingerings / 12. Bass Fingerings / 13. Intermediate and Advanced Techniques
£43.99
Cambridge University Press The Early History of the Viol Cambridge Musical Texts and Monographs
Book SynopsisThis book traces the development of the viol from its late medieval Spanish origins to the sixteenth century, when it became the most widely played bowed instrument in western Europe. Ian Woodfield examines the two most important ancestors of the instrument, the Moorish rahab and the vihuela de mano. From these two instruments emerged an early form of viol, the Valencian vihuela de arco, which spread rapidly across the Mediterranean during the papacy of Rodrigo Borgia. The viol was enthusiastically accepted by the d'Este and Gonzaga families and other Italian arbiters before migrating across the Alps and into the rest of Europe. The author discusses all aspects of the viol during its Renaissance hey-day: the growing perfection of viol design at the hands of Italian craftsmen; the gradual evolution of tuning systems; the development of advanced playing techniques and the wide range of music, both solo and consort. The final chapter examines the growth of a viol playing tradition in sixtTrade Review'There is no doubt that this book is now the authoritative treatment of the subject, and will remain so for some time to come.' The Times Literary SupplementTable of ContentsList of illustrations; Acknowledgements; Abbreviations; Introduction; 1. The medieval viol; 2. The Moorish rabab in Aragon; 3. The vihuela de mano; 4. The Valencian viol: its structure, playing techniques and music; 5. The introduction of the viol into Italy; 6. The viol in early sixteenth-century Germany; 7. The structural development of the Italian viol in the sixteenth century; 8. Italian viol tunings; 9. Viol-playing techniques in sixteenth-century Italy; 10. Music for solo viol in sixteenth-century Italy; 11. The viol consort and its music in sixteenth-century Italy; 12. The viol consort in late sixteenth-century Germany; 13. The viol in France and the Low Countries; 14. The viol in sixteenth-century England; Conclusion; Notes; Bibliography; Index.
£37.04
Cambridge University Press The Cambridge Companion to the Violin Cambridge Companions to Music
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£71.25
Cambridge University Press The Early Violin and Viola
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£75.00
Cambridge University Press The Early Violin and Viola A Practical Guide Cambridge Handbooks to the Historical Performance of Music
Book SynopsisThis practical guide is intended for all violinists and viola players who wish to give - or to understand and appreciate - historically aware performances of early music for their instruments. It comprises discussion of the literature, history and repertory of the violin and viola, the myriad relevant primary sources and their interpretation, and the various aspects of style and technique that combine to make up well-grounded, period performances. It also considers various related family instruments, contains practical advice on the acquisition of appropriate instruments, and offers suggestions for further reading and investigation. Many of the principles outlined are put into practice in case studies of six works composed c.1700âc.1900, the core period which forms this series' principal (though not exclusive) focus. Music by Corelli, Bach, Haydn, Beethoven, Mendelssohn and Brahms is examined with a view to recreating performances as faithful as possible to the composer's original inteTrade Review'A pleasure to navigate.' Early MusicTable of Contents1. Historical performance in context; 2. The repertory and principal sources; 3. Equipment; 4. Technique; 5. The language of musical style; 6. Historical awareness in practice 1: three eighteenth-century case studies: Corelli, Bach and Haydn; 7. Historical awareness in practice 2: three nineteenth-century case studies: Beethoven, Mendelssohn and Brahms; 8. Related family members.
£33.24
Cambridge University Press The Cambridge Companion to the Cello
Book SynopsisThis is a compact and authoritative survey of the cello. It deals with the history and construction of the cello and bow, discusses the careers of the most distinguished cellists through history, surveys the repertory and reviews teaching methods, technical developments and issues of performance practice.Table of ContentsList of illustrations; Notes on the contributors; Preface; Acknowledgements; List of abbreviations, fingering and notation; 1. The cello: origins and evolution John Dilworth; 2. The bow: its history and development John Dilworth; 3. Cello acoustics Bernard Richardson; 4. Masters of the Baroque and Classical eras Margaret Campbell; 5. Nineteenth-century virtuosi Margaret Campbell; 6. Masters of the twentieth century Margaret Campbell; 7. The concerto Robin Stowell and David Wyn Jones; 8. The sonata Robin Stowell; 9. Other solo repertory Robin Stowell; 10. Ensemble music: in the chamber and the orchestra Peter Allsop; 11. Technique, style and performing practice to c. 1900 Valerie Walden; 12. The development of cello teaching in the twentieth century R. Caroline Bosanquet; 13. The frontiers of technique Frances-Marie Uitti; Appendix: principal pedagogical literature; Glossary of technical terms; Notes; Select bibliography; Index.
£23.74
Cambridge University Press The Cambridge Companion to the Guitar Cambridge Companions to Music
a huge range and FREE tracked UK delivery on ALL orders.
£68.40
Cambridge University Press The Guitar in Tudor England
Book SynopsisThe guitar was played everywhere in the age of Elizabeth I and Shakespeare, from the royal court to the tavern. This groundbreaking book uses new literary and archival material, together with depictions in contemporary art, to explore the social and musical world of the instrument among courtiers, gentlemen and apprentices.Trade Review'The book is especially valuable because the author examines both the social and musical history of the guitar. Studies that focus just on one instrument can be sincere but dull, their pages filled with tables, measurements, stringing lists, and pretty pictures. Important information, to be sure, but missing a crucial point: these instruments were held in human hands and used for very human purposes. Here, Mr Page's book shines brightly … Readers who want to learn all things about the guitar in Tudor England could do no better than to read this superb book.' Mark Kroll, Early Music America'Christopher Page's study of the Tudor gittern presents the reviewer with a challenge, since it is impeccably conceived, comprehensively researched and exquisitely written; so what can one add beyond words of praise?' John Milsom, Early MusicTable of ContentsIntroduction; 1. Imagery; 2. Who owned a gittern?; 3. The gittern trade; 4. 'An instruction to the Gitterne'; 5. Sounding strings; 6. The gittern and Tudor song; 7. Thomas Whythorne: the autobiography of a Tudor guitarist; Conclusion; Appendices: Appendix A. The terms 'gittern' and 'cittern'; Appendix B. References to gitterns from 1542–1605; Appendix C. The probate inventory of Dennys Bucke (1584); Appendix D. Octave strings on the fourth and third course; Appendix E. The fiddle tunings of Jerome of Moravia, swept strings and the guitar; Appendix F. The mandore and the wire-strung gittern; Appendix G. The ethos of the guitar in sixteenth-century France; Appendix H. Raphe Bowle.
£31.90
The University of Chicago Press Say No to the Devil The Life and Musical Genius
Book SynopsisWho was the greatest of all American guitarists? Bob Dylan called Davis "one of the wizards of modern music." This book takes readers through Davis' difficult beginning as the blind son of sharecroppers in the Jim Crow South to his decision to become an ordained Baptist minister and his move to New York in the early 1940s, and more.Trade Review"Long time comin' and here at last! This fabulous book is for those who want to read, hear, and troll the depths of Americana music for incredible artists. Once you come across Rev. Gary Davis, you are forever hooked by his creative brilliance. From his earliest recordings to his last, Zack illuminates what made 'the Rev' so unique. Enjoy yourself! It's a good un'!" -Taj Mahal "Finally, the biography that Rev. Davis deserves. Ian Zack takes 'Blind Gary' out of the footnotes and into the footlights of the history of American music. Like John Coltrane, George Gershwin, Jimi Hendrix, and the rest of the very few, Davis's genius was unique and uncompromising. How he was able to take gospel and blues and create a style that was so unique and so powerful is a story that had to be told. Now, thanks to Zack's careful research and unbounded respect for his subject, we finally have insight into the art and environment that was Davis's life story. With this biography, Davis can finally take his place in the pantheon of the greatest of American musicians." -Steve Katz, cofounder of Blood, Sweat & Tears "Rev. Gary Davis had a rich and colorful but challenging life. Zack has put together the pieces of Davis's life in an exciting and detailed way. This biography reads like a novel! It details the life and times of Davis, as well as the evolution of his music and the influence he had on generations of black and white musicians. A must-read for anyone interested in the blues, the folk revival, or the life of a true American genius." -Stefan Grossman "Davis was a complex and difficult man, and it is to Zack's great credit that this comes through, along with the obvious admiration so many young musicians had for 'the Rev.' Say No to the Devil provides plenty of material to interest fans and newcomers alike." -Elijah Wald
£999.99
The University of Chicago Press Fiddling for Norway Revival Identity Revival
Book SynopsisThis is a portrait of a fiddle-based folk revival in Norway, investigating the people and events in Norwegian folk fiddling, and tracing the history of Norwegian folk music and the growth and diversification of the folk music revival. It uses a wide anthology of carefully-transcribed folk tunes.Table of ContentsList of Figures Preface and Acknowledgments Pt. 1: Fiddlers 1: Introduction 2: Reviving Folkemusikk 3: Fiddlers and Fiddle Clubs in the Late Twentieth Century 4: Contests and Concerts 5: Reconfiguring the Norwegian Folk Music World: The Gammaldans Controversy Pt. 2: Fiddle Tunes 6: Fiddle Tunes in Folkemusikk Genres: Mode and Form 7: Local and Regional Style, Genre, and the Individual Fiddle Tune 8: Musical Change and Cultural Forces Late in the Twentieth Century Tune Anthology Performance Information Notes Bibliography Index
£999.99
University of Wisconsin Press A Fiddlers TaleHow Hollywood And Vivaldi
Book SynopsisLouis Kaufman (1905-1994) recorded more than one hundred major concert works and hundreds of film soundtracks. Annette Kaufman, a pianist, shared Louis's passion for music, art, and theater as they traveled the globe on performance tours. Here she reads her husband's autobiography, fifteenth CD of musical selections played by Louis Kaufman.
£999.99
Hachette Books Strings Attached
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£14.40
Hal Leonard Corporation Bass Standards Classic Jazz Masters Series
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Hal Leonard Corporation Disney Solos
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Hal Leonard Publishing Corporation Disney Solos
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Hal Leonard Corporation Fretboard Roadmaps Slide Guitar
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Hal Leonard Corporation Fretboard Roadmaps Mandolin Partitions CD pour
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Hal Leonard Corporation John Corigliano The Red Violin Caprices For Solo
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Hal Leonard Corporation FAST TRACK BASS 1 SONGBOOK TWO BGTR BOOKCD Fast
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Hal Leonard Corporation MENOTTI FANTASIA FOR CELLO AND ORCHESTRA VLC
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Hal Leonard Corporation Christmas Carols Paperback Songs
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Hal Leonard Corporation METHODE MODERNE DE GUITARE VOLUME 1 GTR Modern
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Hal Leonard Corporation Christian Songs for Children Easy Piano
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Hal Leonard Corporation Hal Leonard Guitar Method Book 3 BookOnline Audio
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Hal Leonard Corporation Best Rock Guitar Songs Ever
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Hal Leonard Corporation Modes for Guitar
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Hal Leonard Corporation Consolidation of the Paper Web Vol I
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Hal Leonard Corporation Amazing Phrasing Guitar 50 Ways to Improve Your
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Hal Leonard Corporation THE SOUND OF MUSIC INSTRUMENTAL SOLOS VIOLIN VLN
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Hal Leonard Corporation 34Deep Purple34 Greatest Hits Signature Licks
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Hal Leonard Corporation LeftHanded Guitar
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Hal Leonard Corporation RODRIGUEZ GAMBITS SIX CHESS PIECES FOR HORN AND
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Hal Leonard Corporation The Vince Guaraldi Collection Piano Artist
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Hal Leonard Corporation Willy Wonka And The Chocolate Factory PVG
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