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Book SynopsisPart of a series of four books produced for college students on equine degree courses. This book deals with complex issues on a step-by-step basis and provides detailed explanations of technical and scientific terminology. It covers first aid, wound management, controlling inflammation, causes of infectious disease, among others.

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Book SynopsisSince 1580, Lipizzaners have been bred by the Hapsburgs, the Royal family of the Austro-Hungarian Empire to be used in the Royal carriages and as riding horses in the Royal Courts, including The Imperial Riding School in the Hofburg in Vienna. The pure Lipizzaner is a rare breed, due partly, at least, to its turbulent history.

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Book SynopsisA collection of teachings and traditions that contains within it the intellectual output of hundreds of Jewish sages who considered all aspects of an entire people's life from the Hellenistic period in Palestine (c. 315 BCE) until the end of the Sassanian era in Babylonia (615 CE).Trade Review"For the general reader, and the ever-burgeoning number of students in Jewish studies programs, the Essential Papers series brings together a wealth of core secondary material, while the commentaries offered by the editors aim to place this material in critical comparative context." * Jewish Journal of Sociology *Table of ContentsI. The Traditional Study of the Babylonians TalmudII. The Modern Study of the Babylonian TalmudIII. The Palestinian TalmudIV. The Talmud and Interdisciplinary StudiesA. HistoryB. EconomicsC. EthicsD. Classical StudiesE. Literary StudiesGlossaryIndexAbout the Editor

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Book SynopsisTells the story of the thousands of Britons who lived and died in bondage in Britain's American colonies. This book demonstrates that the brutalities usually associated with black slavery alone were perpetrated on whites throughout British rule.Trade Review"“A colorful series of portraits of villains and victims, exploiters and exploited, rendered with bemused outrage." * Choice *"This vividly written book tells the tale from both sides of the Atlantic . . . meticulously sourced and footnotedbut is never dry or academic...Jordan and Walsh offer an explanation of how the structures of slaveryblack or whitewere entwined in the roots of American society. They refrain from drawing links to today, except to remind readers that there are probably tens of millions of Americans who are descended from white slaves without even knowing it." * New York Times Book Review *"High school American history classes present indentured servitude as a benignly paternalistic system whereby colonial immigrants spent a few years working off their passage and went on to better things. Not so, this impassioned history argues: the indentured servitude of whites was comparable in most respects to the slavery endured by blacks. Given the hideous mortality rates, the authors argue, indentured contracts often amounted to a life sentence at hard labor—some convicts asked to be hanged rather than be sent to Virginia . . . their exposé of unfree labor in the British colonies paints an arresting portrait of early America as gulag. 8 pages of photos" * Publishers Weekly *"With information gleaned from contemporary letters, journals and court archives, White Cargo is packed with proof that he brutalities usually associated with black slavery were, for centuries, also inflicted on whites" * Daily Mail *"An eye-opening and heart-rending story" * The Times (London) *Table of ContentsIntroduction: In the Shadow of MythChapter One: A Place for the UnwantedChapter Two: The Judge's DreamChapter Three: The Merchant PrinceChapter Four: Children of the CityChapter Five: The Jagged EdgeChapter Six: 'They Are Not Dogs'Chapter Seven: The People TradeChapter Eight: Spirited AwayChapter Nine: Foreigners in Their Own LandChapter Ten: Dissent in the NorthChapter Eleven: The Planter from AngolaChapter Twelve: 'Barbadosed'Chapter Thirteen: The GrandeesChapter Fourteen: Bacon's RebellionChapter Fifteen: Queen Anne's Golden BookChapter Sixteen: Disunity in the UnionChapter Seventeen: Lost and FoundChapter Eighteen: 'His Majesty Seven-Year Passengers'Chapter Nineteen: The Last HurrahNotesSelect BibliographyIndex

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Book SynopsisOffers a sustained reading of Blanchot's The Step Not Beyond that is prepared by interpretive presentations of a number of his important writings of the post-war periodTrade Review"The itinerary of Last Steps is unique and initially surprising: the ethico-political import of Blanchot's postwar writings, and particularly The Step Not Beyond. But in the course of this brilliant and compelling reading, Christopher Fynsk demonstrates that Blanchot's political engagement is central not just to his thinking about resistance or community or the events of 1968 but to everything from his views on freedom, justice, and messianic hope, to his practices of reading, critical vigilance, and fragmentary writing. No one is more capable than Fynsk of taking on these difficult subjects, and no one writes on Blanchot with this degree of erudition, rigor, patience, and sensitivity to the complexity and nuances of Blanchot's writing as well as to everything that resists interpretation and must remain unspoken within it. This is a remarkable work of criticism about one of the twentieth century's most remarkable writers." -- -Michael Naas, DePaul Univesity DePaul University "Christopher Fynsk in Last Steps offers a strikingly original and subtly captivating account of some of Maurice Blanchot's most challenging work and demonstrates with acute sympathy and incisive intelligence its far-reaching significance for philosophy and literature today." -- -Leslie Hill University of Warwick

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Book SynopsisFrance, officially, is a secular nation. Yet Catholicism is undeniably a monumental presence, defining the temporal and spatial rhythms of Paris. At the same time, it often fades into the background as nothing more than heritage. In a creative inversion, Elayne Oliphant asks in The Privilege of Being Banal what, exactly, is hiding in plain sight? Could the banality of Catholicism actually be a kind of hidden power? Exploring the violent histories and alternate trajectories effaced through this banal backgrounding of a crucial aspect of French history and culture, this richly textured ethnography lays bare the profound nostalgia that undergirds Catholicism's circulation in nonreligious sites such as museums, corporate spaces, and political debates. Oliphant's aim is to unravel the contradictions of religion and secularism and, in the process, show how aesthetics and politics come together in contemporary France to foster the kind of banality that Hannah Arendt warned against: the incapaTrade Review“In The Privilege of Being Banal, Oliphant has found a rich site to explore pressing questions of the privilege of Christianity in a secular age. Writing in the wake of the burning of Notre Dame, her vivid prose transports the reader into the nave, sacristy, crypt, and vaults of a monastery turned Catholic art space. Oliphant shows that the privileges of banality enjoyed by Catholicism require work, money, and the curation of history. This book is a must-read for anyone seeking to better understand the affordances of Christianity in debates about the politics of art and heritage in multireligious, self-declared secular societies.” * Pamela E. Klassen, author of 'The Story of Radio Mind' *“Subtle. Sophisticated. Engaging. In this book on French Catholicism, Oliphant offers a penetrating look at the intersections of art, religion, and secular modernity. In the best tradition of anthropology, she provides a kind of figure-ground reversal, revealing Paris—and the powers that be—in a new light.” * Matthew Engelke, author of How to Think Like an Anthropologist *Table of ContentsIntroduction: The Privilege of BanalityPart I: Curating Catholic Privilege Chapter 1: Evangelization and Normalization Chapter 2: Crystallization and RenaissancePart II: Mediating Catholic Privilege Chapter 3: Walls That Bleed Chapter 4: Learning How to LookPart III: Reproducing Catholic Privilege Chapter 5: The Immediate, the Material, and the Fetish Chapter 6: The Banality of Privilege Epilogue Acknowledgments Notes References Index

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Book SynopsisYoung Americans for Freedom was a conservative political group which locked horns with the New Left and spawned many of the major figures in the contemporary conservative movement. This history of YAF describes how young conservatives, unlike their leftist counterparts, survived the 1960s.Trade Review"A deeply engaging work. I am enormously impressed with the archival research and oral interviews this book represents. Exceptionally well-done." -- Kenneth J. Heineman,author of Campus Wars: The Peace Movement at State Universities in the Vietnam Era

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Book SynopsisFocusing on Japan, scholars of history, literature, film, art history, and anthropology demonstrate the necessity of understanding fascisms cultural manifestations.Trade Review“So can a volume focused on the cultural aspects of a primarily political concept succeed? Yes, indeed. This book offers a wealth of fresh information on the era of fascism in Japan, ranging from the ‘high road’ of intellectual history and literary studies to more accessible insights on the role of dogs and propaganda lies about Pearl Harbour. . . . [An] excellent study of fascist Japan.” - Lawrence Fouraker, Itinerario“[T]he essays in this collection provide informative perspectives on topics such as literature, film, architectural design, exhibitions and popular culture. . . .” - Roger Brown, Social Science Japan Journal“Alan Tansman deserves tremendous credit for bringing together this multidisciplinary group of scholars to deal with an issue conspicuously neglected by the majority of scholars in Japan studies. . . . The publication of this insightful set of essays in this volume is without question an important contribution to our understanding of a culture of Japanese fascism as a local manifestation of a truly international political and cultural phenomenon.” - Walter Skya, Journal of Japanese Studies“An extremely provocative and stimulating collection of essays, The Culture of Japanese Fascism canvasses a wide array of cultural forms—movies, novels, religious rites, material culture, monuments, and architecture—to show the ways that fascist aesthetics saturated a dispersed cultural field. By focusing on thought and culture, it helps us rethink the turn from modernism to fascism, to understand fascism’s effects on everyday life, and to reconsider the reigning conceptions of fascist ideology.”—Louise Young, author of Japan’s Total Empire: Manchuria and the Culture of Wartime Imperialism“These rich and varied essays provide a fascinating, if unsettling, depiction of the seductive appeal of fascist culture. They also show how much Japan shared with Europe in its aesthetic responses to the crisis of modernity in the interwar years. An important contribution in every respect.”—Carol Gluck, Columbia University“[T]he essays in this collection provide informative perspectives on topics such as literature, film, architectural design, exhibitions and popular culture. . . .” -- Roger Brown * Social Science Japan Journal *“Alan Tansman deserves tremendous credit for bringing together this multidisciplinary group of scholars to deal with an issue conspicuously neglected by the majority of scholars in Japan studies. . . . The publication of this insightful set of essays in this volume is without question an important contribution to our understanding of a culture of Japanese fascism as a local manifestation of a truly international political and cultural phenomenon.” -- Walter Skya * Journal of Japanese Studies *“So can a volume focused on the cultural aspects of a primarily political concept succeed? Yes, indeed. This book offers a wealth of fresh information on the era of fascism in Japan, ranging from the ‘high road’ of intellectual history and literary studies to more accessible insights on the role of dogs and propaganda lies about Pearl Harbour. . . [An] excellent study of fascist Japan.” -- Lawrence Fouraker * Itinerario *Table of ContentsForeword: Fascism, Yet? / Marilyn Ivy vii Introduction: The Culture of Japanese Fascism / Alan Tansman 1 Part I: Theories of Japanese Fascism Fascism Seen and Unseen: Fascism as a Problem in Cultural Representation / Kevin M. Doak 31The People's Library: The Spirit of Prose Literature versus Fascism / Richard Torrance 56 Constitutive Ambiguities: The Persistence of Modernism and Fascism in Japan's Modern History / Harry Harrotunian 80 Part II: Fascism and Daily Life On the Beauty of Labor: Imagine Factory Girls in Japan's New World Order / Kim Brandt 115 Mediating the Masses: Yanagi Sōetsu and Fascism / Noriko Aso 138 Fascism's Furry Friends: Dogs, National Identity, and the Purity of Blood in 1930s Japan / Aaron Skabelund 155 Part III: Exhibiting Fascism Narrating the Nation-ality of a Cinema: The Case of Japanese Prewar Film / Aaron Gerow 185 All Beautiful Fascists?: Axis Film Culture in Imperial Japan / Michael Baskett 212 Architecture for Mass-Mobilization: The Chūreitō Memorial Design Competition, 1939-1945 / Akiko Takenaka 235 Japan's Imperial Diet Building in the Debate over Construction of a National Identity / Jonathan M. Reynolds 254 Expo Fascism?: Ideology, Representation, Economy / Angus Lockyer 276 The Work of Sacrifice in the Age of Mechanical Reproduction: Bride Dolls and the Enigma of Fascist Aesthetics at Yasukuni Shrine / Ellen Schattschneider 296 Part IV: Literary Fascism Fascist Aesthetics and the Politics of Representation in Kawabata Yasunari / Nina Cornyetz 321 Disciplining the Erotic-Grotesque in Edogawa Ranpo's Demon of the Lonely Isle / Jim Reichert 355 Hamaosociality: Narrative and Fascism in Hamao Shirō's The Devil's Disciple / Keith Vincent 381 Literary Tropes, Rhetorical Looping, and the Nine Gods of War: "Fascist Proclivities" Made Real / James Dorsey 409 Part V: Concluding Essay The Spanish Perspective: Romancero Marroquí and the Francoist Kitsch Politics of Time / Alejandro Yarza 435 Contributors 451

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Book SynopsisPresents the comprehensive history of the turbulent and complex relationships in the Middle East that captures the people and the history.Trade Review“Stillman traverses a huge amount of ground, dispassionately and with impressive narrative and skill.”—The New York Times Book Review “An admirable synthesis...the author demonstrates a scrupulous sense of balance and objectivity.”—American Historical Review

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Book SynopsisIn lively, soothing rhyming text, this book helps little ones who are first learning to use the bathroom to understand that pooping doesn?t have to be uncomfortable or scary. Pooping can feel like a BIG deal to a LITTLE kid!It?s very confusing when your head says no but your body is saying I really need to go! The gentle and calming narration gives readers concrete coping strategies and practical advice. Authors Holly Brochmann and Leah Bowen offer an insightful Note to Parents and Caregivers with more information about helping little poopers to stay calm and have success! Trade Review“Help for kids whose No. 1 fear is going No. 2….The text goes on to offer validation of children’s fears, tips for relaxing, and the reassurance that everyone poops (to borrow Taro Gomi’s title line from his popular 1977 picture book)…. Sure to help kids with this bummer of a problem, and their caregivers, too.” —Kirkus Reviews * Kirkus Reviews *“Kudos to Holly Brochmann and Leah Bowen for tackling this important topic for young children.” * Children’s Books Heal *

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Book SynopsisEmploying modes of criticism and theory that have transformed study in the humanities, this title addresses questions seldom if ever raised in jazz writing: What are the implications of building jazz history around the medium of the phonograph record? Why did jazz writers first make the claim that jazz is an art?Trade Review"A most valuable and engrossing book that will surely be read by all those who write about jazz. Fans will also seek it out. It offers a wealth of perspectives, allowing the reader to learn what people in other disciplines have to say about jazz."—Lewis Porter, author, with Michael Ullman, of Jazz: From Its Origins to the Present"A remarkable variety of voices and perspectives, and yet the overall thrust of the collection—to establish the groundwork on which a field of jazz studies could be founded—is quite clear. Jazz Among the Discourses will have an obvious impact on musicology, simply because nothing like it has ever been attempted."—Scott DeVeaux, University of Virginia“A groundbreaking anthology.” * DownBeat *Table of ContentsAcknowledgments vii Introduction: The Jazz Canon and Its Consequences / Krin Gabbard 1 Rethinking Jazz History "Moldy Figs" and Modernists: Jazz at War (1942–1946) / Bernard Gendron 31 Jazz in Crisis, 1948–1958: Ideology and Representation / Steven B. Elworth 57 Other: From Noun to Verb / Nathaniel Mackey 76 Historical Context and the Definition of Jazz: Putting More of the History in "Jazz History" / William Howland Kenney 100 Oral Histories of Jazz Musicians: The NEA Transcripts as Texts in Context / Burton W. Peretti 117 The Media of Memory: The Seductive Menace of Records in Jazz History / Jed Rasula 134 Jazz Artists Among the Discourses "Out of Notes": Signification, Interpretation, and the Problem of Miles Davis / Robert Walser 165 Critical Alchemy: Anthony Braxton and the Imagined Tradition / Ronald M. Radano 189 Ephemera Underscored: Writing Around Free Improvisation / John Corbett 217 The Essential Context: Jazz and Politics Double V, Double-Time: Bebop's Politics of Style / Eric Lott 243 Ascension: Music and the Black Arts Movement / Lorenzo Thomas 256 Contributors 275 Index 277

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Book SynopsisTrade ReviewMost evocative is Bennette's ascertainment that dissenters, whether traumatized or not, often found ways to voice their dissent—she argues that they exercised 'personal agency'—to military psychiatrists. A welcome addition to World War I studies. * Choice *Drawing from meticulous research into patient records, Bennette complicates the picture [of conscientious objection as medical pathology]. * Foreign Affairs *Diagnosing Dissent is well-written and researched. Bennette's use of patient case files not only makes her arguments more compelling but also provides detailed and telling anecdotes about individual soldiers' lives that balance out the potentially sterile, cold language of contemporary psychiatric literature. * The Journal of Military History *Table of ContentsIntroduction 1. Antecedents: Psychiatry, the Military, and Pacifism in Late Imperial Germany 2. Hysterics and Other Patients: Diagnosis, Treatment, and Negotiation 3. Deserters: Delinquency, Psychological Disorder, and Dissent 4. Conscientious Objectors: Objects of Examination and Subjects with Agency Epilogue

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Book SynopsisAn investigation into the different relationships between democracy, culture, and Catholicism found in the religious, social, political, and cultural contexts of four nation-states: Indonesia, Lithuania, Peru, and the United States.Trade Review"Democracy, Culture and Catholicism is a unique and very illuminating book studying the restraints and resources of Catholicism for democracy. It links Catholic social thought on democracy with several key case studies of countries which underwent a transition from dictatorship to democracy and how the social location of the church aided or not that crucial transition. A must read for people concerned with comparative study of Catholicism and Catholic social thought." -- -John A. Coleman S.J. Associate Pastor, Saint Ignatius Church, San Francisco "... [A] dynamic conversation regarding the interpretation and application of Catholic social teaching in diverse Lithuanian, Indonesian, Peruvian, and U.S. American perspectives. A critical resource for expanding knowledge and inquiry into diverse expressions of Catholicism and globalization." -- -Alex Mikulich Jesuit Social Research Institute, Loyola University, New OrleansTable of ContentsIntroduction Lithuanian Voices Introduction John Crowley-Buck Democracy and Catholicism in Twentieth Century Lithuania Arunas Streikus The Domains of the Lithuanian Church during the Soviet Period: Martyria, Diakonia, and Leiturgia Vidmantus Simkunas, S.J. Traumatized Society, Democracy, and Religious Faith: The Lithuanian Experience Danute Gailiene Christianity and Politics in Post-Soviet Lithuania: Between Totalitarian Experience and Democracy Nerija Putinaite Note John Crowley-Buck Montaigne, Julian, and 'Others': The Quest for Peaceful Coexistence in Public Space David M. Posner Indonesian Voices Introduction John Crowley-Buck Catholics in Indonesia and the Struggle for Democracy Baskara Wardaya, S.J. Musyawarah and Democratic Lay Catholic Leadership in Indonesia: The Ongoing Legacy of John Dijkstra, S.J. and Ikatan Petani Pancasila Paulus Wiryono Priyotamtama, S.J. The Influence of Catholic Social Teaching on the Democratic Practice of Corporate Social Responsibility: A Study from Indonesia Francisca Ninik Yudianti The Performing Art of Kethoprak and the Democratic 'Power to Will' in Indonesia Albertus 'Budi' Susanto, S.J. Note John Crowley-Buck Alter/Native Democracies: Muslim and Catholic Negotiations of Culture, Religion, and Citizenship in the Twenty-First Century Marcia Hermansen Comparative Insights Regarding Religion and Democracy in a Muslim Context Russell Powell Peruvian Voices Introduction John Crowley-Buck The Relationship of Patronage and Legitimacy between the Catholic Church and the Peruvian State Maria Soledad Escalante Beltran Catholicism and the Struggle for Memory: Reflections on Peru Gonzalo Gamio Gehri The Catholic Church, Indigenous Rights, and the Environment in the Peruvian Amazon Region Oscar A. Espinosa Religion as a Political Factor in Latin America: The Peruvian Case Jorge Aragon Trelles Note John Crowley-Buck The Catholic Church and the Leftist Populist Regimes of Latin America: Venezuela, Ecuador and Bolivia Jeffrey Klaiber, S.J. United States Voices Introduction John Crowley-Buck Roman Catholic Sisters and the Cultivation of Citizenship in the United States: Rich and Contentious Legacies Bren Ortega Murphy "First Be Reconciled": Restorative Justice and Deliberative Democracy William R. O'Neill, S.J. Access to Information: Citizenship, Representative Democracy, and Catholic Social Thought Barry Sullivan Note Foundations of Human Rights: The Work of Francisco de Vitoria, O.P. Robert John Araujo, S.J. Global Interpretations Introduction John Crowley-Buck Democratic Transitions and Consolidation in Predominantly Catholic Countries Peter Schraeder Civil Discourse and Religion in Transitional Democracies: The Cases of Lithuania, Peru, and Indonesia David Ingram Epilogue on Democracy, Culture, and Catholicism Michael J. Schuck Contributors Index

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Book SynopsisA narrative history of the development of air conditioning from its beginnings to its current state, with an emphasis on its reception by members of the public.Trade Review"Fascinating ... examines the technology and its penetration into American life." -First Things "Cool: How Air Conditioning Changed Everything provides history readers and social science students alike with a review of how air conditioning evolved and changed life in America, and is recommended not just for college collections but for any seeking a pairing of history and lively social insights." -Midwest Book Review "Charming ... Much fun ... short, sharp micro-history." -New Scientist "... A lively and endlessly informative tale about how air conditioning happened scientifically and what it has done for and to us." -The Common Reader "A look at our love affair with air-conditioning ... breezily anecdotal." -The New York Times "COOL tells the surprisingly suspenseful story of the development and gradual adoption of air conditioning in the United States. The puckish Basile is more than up to the task, and his copious research pays off: Not only is COOL an informative read, each chapter is strewn with more anecdotes than there are sprinkles on an ice cream cone. Some are hilarious; others, jaw-dropping. Best of all, each chapter leaves you wanting more." -American Scientist "Some surprising things you probably don't know about air conditioning." -Los Angeles Times "Snarky ... entertaining." -Weekly Standard "The all-encompassing guidebook to the history of air conditioning, chronicling the numerous gimmicks, failed attempts, con jobs, and eventual successes ... a surprisingly interesting journey." -San Francisco Book Review "A joy ... I wish you coolth!" -KCRW-FMTable of ContentsIntroduction 1. Ice, Air, and Crowd Poison 2. The Wondrous Comfort of Ammonia 3. For Paper, Not People 4. Coolth: Everybody's Doing It 5. Big Ideas. Bold Concepts. Bad Timing. 6. From Home Front to Each Home 7. The Unnecessary, Unhealthy Luxury (that No One would Give Up)

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Book SynopsisSounding/Silence argues for the significance Martin Heidegger’s writing on poetry for the discipline of poetics. Focusing on Heidegger’s accounts of rhythm, metaphor, the relation between text and reader, and the relation between philosophy and poetry, Nowell Smith ultimately outlines a ‘poetics of limit’ that reaches beyond Heidegger’s own thinking.Trade Review"This is a major work of critical thought... highly recommended." -Choice "Nowell Smith's adventurous book shows that what is valuable in Heidegger's poetics is its disclosure of a truth in poetry opening up areas in which the reader can leave Heidegger behind. While Heidegger might still try to feign ownership of this clearing away of his own problematic authority, it is the poetry and its characteristic sounding of its own voice that exceed his. Nowell Smith reads Heidegger's readings of poems whose prosody is the catalyst of this transformation. He persuades us that Heidegger tries to see poetic figure, rhythm, and metrical invention as effacing themselves before an insight into the being of language. In fact, though, he exposes his own paradoxical reliance on poetry to try to establish the philosophical control his insights have empowered poetry to displace. To read Heidegger adequately here is to read him despite himself. Nowell Smith carefully and accessibly unpacks the ways in which Heidegger sets the poems to work against his philosophical unleashing of their own authority. Throughout, this central struggle of Heidegger's thought with itself is dramatized by concrete poetic examples and so by close attention to Heidegger's close attention to the words on the page. The result is a work with unusual power to make us intimate with Heidegger's still-compelling mix of the highest philosophical abstraction and the closest intimacy with the living contexts of expression." -- -Paul Hamilton Queen Mary, University of London "The best book on Heidegger and poetry that I have ever read, Nowell-Smith's Sounding/Silence takes both Heidegger and poetry very seriously, presuming that the most worthwhile goal is to do justice to both in an attempt to advance our understanding of poetics." -- -Jonathan Culler Cornell University "'Sounding/Silence' is a welcome contribution to a growing movement to rehabilitate literary criticism left casting about in the ruins that critical theory has made of literature studies." -The Review of MetaphysicsTable of ContentsList of Abbreviations Acknowledgements Note on the text Introduction: The limits of poetics 1. For the first time 2. The naming power of the word 3. Heidegger's figures 4. Reading Heidegger reading Conclusion: A Poetics of Limit? Notes Bibliography Index

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Book SynopsisWhy are today's adults more like adolescents, in their dress and personal tastes, than ever before? Why do so many adults seem to drift and avoid responsibilities such as work and family? This book gives us a vision of what it means to be an adult and makes sense of the longest, but least understood period of the life course.Trade ReviewSociologists will appreciate [Côté's] attempt at showing the social and structural roots of and consequences for unbridled consumerism. * Contemporary Sociology *

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Book SynopsisBringing together a record of traditional Yup'ik rules and rituals, this text incorporates elders' recollections of the system of ruled boundaries and ritual passages that guided their parents and grandparents a century ago.Trade ReviewThe cosmology and ritual cycle of the Yup'ik are much more sophisticated than most people ever imagined, and they are documented here in superb detail. Boundaries and Passages: Rule and Ritual in Yup'ik Eskimo Oral Tradition is an enormous contribution to Eskimo studies and a major contribution to anthropology. It will be a required source on Eskimo societies and on Alaskan Eskimos for years to come."" - Ernest S. Burch, Jr., author of Social Life in Northwest Alaska: The Structure of Iñupiaq Eskimo Nations

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Book SynopsisFirst published five hundred years ago as the “Rabbinic Bible”, the biblical commentaries known as Miqra'ot Gedolot have inspired and educated generations of Hebrew readers. With this fourth volume of the acclaimed English edition, the voices of Ibn Ezra, Nachmanides, and other medieval Bible commentators come alive once more, speaking in a contemporary English translation.Trade Review“Anyone who is unfamiliar with medieval commentary, or who is unable to study the commentators in the original Hebrew, will find The Commentators’ Bible a worthy addition to their book shelves. Carasik has done a real service making this material available.”—The Reporter"A handy and welcome contribution for those who want to read the key comments by the major Jewish medieval commentators."—Kenneth Bergland, Bulletin for Biblical ResearchTable of ContentsConventions and AbbreviationsFrequently Asked QuestionsWhat's on the Page? Text Translations Questions Major Commentators Editor's annotations Additional CommentatorsPrinciples of the TranslationAcknowledgmentsThe Commentators' BibleDeuteronomyGlossaryNames Mentioned in the TextSource TextsSpecial Topics Tithes Peshat and Derash Interpreting Biblical Law Medieval Jewish Philosophy Nachmanides' Mysticism Biblical Hebrew The Jewish CalendarSources for Further StudyOther English Translations

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Book SynopsisTrade Review“This brief but powerful book is a much-needed—and timely—Guide for the Perplexed Citizen, and it is as wise as it is witty. Capitalism and Democracy is a masterful synthesis of disparate sources, and a highly intelligent assessment and critique of arguments advanced by various economists, political theorists, and politicians. Spragens’s prose is pithy, clear, and a delight to read.” —Terence Ball, co-author of Political Ideologies and the Democratic Ideal“Capitalism and Democracy is a remarkably evenhanded book, and especially so in these highly contentious days. Spragens joins a sophisticated understanding of political theory to economic analysis and provides a fuller account of what is at stake in debates about the extent to which the market should be ‘free’ and the government should ‘interfere’ with it than one usually finds in writings on these matters. I read it practically straight through and found it almost as enjoyable as reading a good novel.” —Richard Dagger, author of Playing Fair"The free-market process is ultimately based on the reality of who we are as human beings. The free economy is not an ‘instrument’ but a ‘process’ which allows the ‘flourishing’ of the human person. . . . Spragens’s study is a most worthwhile contribution in this ongoing discussion." —VoegelinViewTable of ContentsForeword Introduction 1. The Political Economy Debate: What Brings Prosperity? 2. The Moral Philosophy Debate: Are Market Outcomes Morally Acceptable? 3. Markets and the Good Society 4. Why No Slam Dunk Answers 5. Conclusion: Toward Reasonable Judgements

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Book SynopsisDifferentiation from animals helped to establish the notion of a human being, but the disappearance of animals now threatens that identity. This is the argument underlying Electric Animal, a probing exploration of the figure of the animal in modern culture.

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Book SynopsisHow eighteenth-century artists created works that expressed their desire for other women.Trade Review"As its lyrical title suggests, Sister Arts, Lisa Moore's loving account of the unusual and haunting works produced by her four subjects-elegiac friendship poems, picturesque landscape designs, leaf collages and scrapbooks, collections of flowers, shells, and butterflies-at once illuminates and charms, deepening our understanding both of female–female intimacy and the elegantly subversive means women in past centuries found to express such devotion." —Terry Castle"Lisa Moore recounts the fascinating stories of four eighteenth-century women whose lesbian-like relationships were instrumental in inspiring and fostering their work as artists of the landscape. Sister Arts is an indispensible contribution to the project of establishing a readable record of lesbian desire in the historical past." —Lillian Faderman, author of Surpassing the Love of Men: Romantic Friendship and Love Between Women from the Renaissance to the PresentTable of ContentsPreface: Listening to Gossip in the Queer Archives Introduction: Lesbian Genres and Eighteenth-Century Landscapes 1. Queer Gardens: Mary Delany’s Flowers and Friendships 2. A Connoisseur in Friendship: The Duchess of Portland’s Collections and Communities 3. The Voice of Friendship, Torn from the Scene: Anna Seward’s Landscapes of Lesbian Melancholy 4. The Landscape Which She Drew: Sarah Pierce and the Lesbian Georgic Conclusion. The Persistence of Lesbian Genres: A Circuit Garden Acknowledgments Notes Bibliography Index

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Book SynopsisDeepens our understanding of the modernist nation-building processes in post-Ottoman Turkey through the perspective of ordinary citizens.Trade Review“All those who wish to understand the history of modern Turkey will read the book with pleasure.” —International Journal of Turkish Studies“By extending the scope of existing studies, by adding nuance and complexity, and above all by shifting the focus of inquiry from state to society, [Y?lmaz] significantly enhances our understanding of this seminal period of radical reform, social engineering, and national identity construction.” —American Historical Review“This richly researched book makes an important contribution to the social history of early republican Turkey.” —International Journal of Middle East Studies“An invaluable resource for historians of the Turkish Republic for some time to come.” —Middle East Journal“Y?lmaz’s intricate narrative not only helps to broaden our understanding of twentieth-century Turkey; it also provides an original and dynamic perspective on the problems of modernity in general.” —Journal of Interdisciplinary History.

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Book SynopsisTrade ReviewIn an unusually vigorous interrogation of philosophy and the social sciences, Lisa Guenther addresses one of humanity’s greatest inhumanities and its perversely long, extensive history in America. Guenther offers a compelling critique of solitary confinement, in the course of which she pushes phenomenology beyond its classical limits, revealing our inherent inter-subjectivity, our need for both interaction and anonymity, and the moral imperative that America end this cruel and barbaric form of punishment. An urgently needed, powerfully argued study of one of the nation’s gravest moral and socio-political failings.—Orlando Patterson, Harvard UniversityTable of ContentsContentsAcknowledgmentsIntroduction: A Critical Phenomenology of Solitary ConfinementI. The Early U.S. Penitentiary System1. An Experiment in Living Death2. Person, World, and Other: A Husserlian Critique of Solitary Confinement3. The Racialization of Criminality and the Criminalization of Race: From the Plantation to the Prison FarmII. The Modern Penitentiary4. From Thought Reform to Behavior Modification5. Living Relationality: Merleau-Ponty’s Critical Phenomenological Account of Behavior6. Beyond Dehumanization: A Posthumanist Critique of Intensive ConfinementIII. Supermax Prisons7. Supermax Confinement and the Exhaustion of Space8. Dead Time: Heidegger, Levinas, and the Temporality of Supermax Confinement9. From Accountability to Responsibility: A Levinasian Critique of Supermax RhetoricConclusion: AfterlivesNotesBibliographyIndex

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Book SynopsisTrade Review"This book provides a comprehensive overview of the most controversial and influential artistic movement in contemporary Korean art. With detailed formal analysis on the important artworks and locating them within the broader historical and intellectual framework, Joan Kee vividly portrays how Korean artists responded to the international art world and positioned Tansaekhwa as an alternative to Euro-American art. Contemporary Korean Art makes essential reading for anyone interested in the non-Western artists’ negotiations to global art in the twentieth century." —Insoo Cho, Korea National University of Arts"Rich in analysis and description, Kee’s book traces the development of Korean painting and issues of national artistic identity as a reflection of the country’s economic growth and political turmoil over the past five decades. This pioneering, generously illustrated tome deserves a place in every serious collection of books about modern art in Asia."—ArtAsiaPacific"Kee does an excellent job of placing Tansaekhwa artists in context, giving the reader a greater understanding of how the artists fit into contemporary Korean art and the international art world. Readers who are not familiar with Korean history will be well-served by the historical context that the author provides."—Art Libraries Society"A gorgeous and thoughtful introduction to the history of contemporary art in Korea. It’s a beautiful and fascinating book."—New Books Network"Kee displays throughout the book a rare sensitivity to formal qualities of the visual materials before her and exhaustive knowledge of theoretical discussions that surrounded and gave rise to the movement, all while writing a refined but accessible prose without a shred of excess."—Journal of Asian Studies"Kee successfully carves out a definable and cultivated place for the Tansaekhwa artist in the global history of modernist abstraction and contemporary art."—Orientations"This book is required reading for anyone with even a passing interest in Korean art of the 20th century."—Korean Quarterly"The horizontally evanescing yet rhythmically resurging dots of the frontispiece by Lee Ufan invites us into the exciting journey offered by this by this elaborately strucutured narrative of tansaekhwa."—Korean Studies"This book delivers a solid argument, displays meticulous research, and offers an in-depth reading of artworks. The questions Kee’s intervention raises will make this book an important point of reference and engagement for any future studies of contemporary Korean and non-Western art."—Art Journal"Kee’s attention to forms and method is brilliant, and her theoretical knowledge of contemporary Korean art provides pleasurable reading for even non-art historians."—Pacific AffairsTable of ContentsContentsNote to ReadersIntroduction: The Urgency of Method1. Kwon Young-woo and Yun Hyoungkeun Rethink Painting2. Rates of Exchange in Ha Chongyun’s Conjunction3. Encountering Lee Ufan in Korea and Japan4. Reading Park Seobo’s Écriture in Authoritarian Korea5. Tansaekhwa and the Idealization of Asian ArtEpilogue: The Contextualist PredicamentAcknowledgmentsAppendix: Korean Names and Terms NotesIndex

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Book SynopsisExploring the 60-degree panorama: the late eighteenth-century origins of immersive visual spectacle.Trade Review"During the last decade the new field of panorama studies has achieved a great deal, though many accounts of this important and elusive form of visual representation are still marked by misleading generalizations. Denise Blake Oleksijczuk’s impressive The First Panoramas carries panorama research to a new level of material and historical specificity. Clearly it is a work that will be indispensable for anyone studying this topic and readers will be rewarded by its exemplary combination of archival investigation and theoretical reflection." —Jonathan Crary, Meyer Schapiro Professor of Modern Art and Theory, Columbia University "The First Panoramas is a substantial and fascinating book that offers new ways of looking at the panoramic culture of early nineteenth century Britain. It combines a very detailed historical analysis with readings of individual panoramic works." —Lynda Nead, Birkbeck University of LondonTable of ContentsAcknowledgments Introduction: Robert and Henry Aston Barker’s Panorama 1. Nature at a Glance 2. Selling the Panorama to London 3. The King and Queen Visit the Panorama 4. The Views of Constantinople 5. The Keys to Panoramas Appendix Notes Bibliography Index

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Book SynopsisTable of ContentsAcknowledgments 1. Filipino American Communion: Cultural Alienation and the Conditions of Community 2. Deformed Nationalism and Arrested Raciality: the Grammar and Problematic of a "Filipino American" Common Sense 3. "Its Very Familiarity Disguises Its Horror": White Supremacy, Genocide, and the Statecraft of Pacifica Americana 4. Suspended Apocalypse: Towards a Fanonian Analytic of the Filipino Condition 5. "Death Was Swiftly Running After Us": Disaster, Evil, and Radical Possibility Notes Index

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Book SynopsisTrade Review "Debt to Society provides an innovative and ambitious scholarly intervention across a wide swath of fields, with much fresh thinking and provocative reframing in every one. Miranda Joseph analyzes the diverse and conflicted neoliberal norm of entrepreneurial subjectivity, searching for and illuminating its possible breaking points." —Lisa Duggan, New York University"I’ve been distressed by the increasing focus on debt as a central instrument of social control. Miranda Joseph offers a much richer reading of how debt is embedded in a larger system of social control via accounting. But this is no screed against accounting—it is instead a guide to thinking about how we use statistics and other forms of abstraction, and how we might rethink the practice to produce a better world. I learned a lot from it." —Doug Henwood editor, Left Business ObserverTable of ContentsContentsIntroduction: Modes of Accounting 1. Accounting for Debt: Toward a Methodology of Critical Abstraction 2. Accounting for Justice: Beyond Liberal Calculations of Debt and Crime3. Accounting for Time: The Entrepreneurial Subject in Crisis4. Accounting for Gender: Norms and Pathologies of Personal Finance5. Accounting for Interdisciplinarity: Contesting Value in the AcademyAcknowledgmentsNotesBibliographyIndex

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Book SynopsisIlluminates the ways in which our human intellectual and cultural models have been influenced by the natural history of insects. This book explores the cultural and textual meanings of bugs and argues that insects are humanity's "other."

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Book SynopsisThomas Howard became the third duke of Norfolk during the reign of Henry VIII and was intimately involved in many of the most controversial episodes of that era. This biography of Norfolk confronts the central paradox of Norfolk's career - one that lies in his unpleasant personality, marked by vain and tyrannical behavior.

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Book SynopsisAs a function of its corporate duties, the Consolidation Coal Company, one of the largest coal-mining operations in the United States during the first half of the twentieth century, had photographers take hundreds of pictures of nearly every facet of its operations.Trade Review“Extracting Appalachia brings together two great traditions of inquiry—history and geography. By creatively interpreting a rich collection of coal company photographs, Buckley helps us better understand the power and meaning of mining in everyday early twentieth-century life.”“Buckley shows vividly how seemingly dull institutional photographs produced to chronicle the construction of mines and company towns may also be read as haunting images of early twentieth century environmental degradation....a rich exploration of how historical photographs may be mined for clues to the complex contexts in which they were produced, reproduced, and circulated.”

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Book SynopsisTrade Review"Lisa Uddin’s highly original and compelling argument considers modern zoos as phenomena of urban, suburban, and exurban hopes and fears. The book makes clear that ever-more-ambitious plans to build a finally great zoo are deeply tied to our desires not for a better life for captive animals but for a better life for ourselves."—Nigel Rothfels, author of Savages and Beasts: The Birth of the Modern Zoo"[An] interesting, and perhaps surprising, perspective on urban and racial issues."—Planning Magazine"Zoo history is more than simply that-- it appears to also be a history of the human condition."—CHOICE"An important and thought-provoking contribution to thinking about the place of zoos in modern society."—Environmental History"Zoo Renewal makes an original, important contribution to the scholarship of zoo histories and human-animal studies as well as of the social and cultural history of urbanism, environmentalism and identity politics in twentieth-century American. It is highly recommended."—Humanimalia"Zoo Renewal offers a provocative, original reading of midcentury attempts to reform American zoos, reminding us that how we view animals inevitably reflects and reinforces how we view humans."—Journal of American History"Zoo Renewal is an important contribution to the growing critical historiography of zoos and, more broadly, post–World War II leisure spaces in the United States and around the globe. Uddin's book adds a new dimension to what has become the standard historical understanding of zoos' relationship to race and empire."—Buildings & LandscapesTable of ContentsContentsAcknowledgments Introduction: On Feeling Bad at the Zoo 1. Shame and the Naked Cage2. Zoo Slum Clearance in Washington, D.C.3. Mohini’s Bodies4. White Open Spaces in San Diego County5. Looking EndangeredAfterword: Good Feelings in SeattleNotesIndex

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Book SynopsisA comparative and historical examination of the way legal rules and structures relate to society. The book includes a revised and enlarged version of the author's ""The Law of the Ancient Romans"" with a discussion of the role of comparative law in uncovering the causes of legal development.

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Book SynopsisIn What Is a World? Pheng Cheah draws on accounts of the world as a temporal process from Hegel, Marx, Heidegger, Arendt, and Derrida, and analyzes several postcolonial novels to articulate a normative theory of world literature's capacity to open up new possibilities for remaking the world.Trade Review"Drawing from four critical philosophies–idealism, Marxist materialism, phenomenology, and deconstruction–theorist Pheng Cheah invites the reader to reconsider the presuppositions that underpin contemporary theories about world literature. Works from luminaries Amitav Ghosh, Michelle Cliff, and Timothy Mo, among others, providethe reader with concrete examples of Cheah’s theories in action." * World Literature Today *"[T]hrow[s] an intriguing new light on why and how 'world literature' succeeds in generating plurality and disruption rather than falling back into a flattening familiarity." -- Caroline Levine * Public Books *"Cheah strategically broadens the notion of world literature beyond its most common reference points, which too often constrain literatures and the worlds they offer to their spatial geographies and global circulations." -- David W. Hart * Postcolonial Text *"Pheng Cheah has contribued an eloquent volume that stands out in the crowd and belongs on the bookshelf of anyone interested in the field." -- Thomas O. Beebee * Comparative Literature Studies *"As with Cheah’s earlier work, it is a magisterial study, written in his characteristically scrupulous and teacherly prose. There is much to learn from What Is a World? at the levels of its intervention into the field of world literature, its case for postcolonial literature as an exemplary modality of world literature, and Cheah’s own interpretive style as a reader and critic." -- Ragini Tharoor Srinivasan * Qui Parle *"Beautifully written and eloquently constructed, What Is a World? will transform the landscape of world literature studies in the coming years by posing new questions about how the world is and should be conceived." -- César Domínguez * Recherche Littéraire *"Pheng Cheah’s What Is a World? On Postcolonial Literature as World Literature makes a powerful intervention in current debates on world literature, arguing for the literary text to be seen as an ethico-political force in the world rather than just a commodity whose global trajectory is best understood in terms of existing networks of influence and exchange." -- Ira Raja and Roanna Gonsalves * New Literatures *"What is a World? challenges scholars of world literature and postcolonial literature to reconsider and possibly to expand the definition of their fields. It is a thoughtful, theoretical work that further challenges all of us to reconsider the role literature plays in the world(s) around us and to assess our inclusion of literature beyond the Western tradition. Undoubtedly, this book will play an important role in the ongoing dialogue over what world literature really is." -- Gregory R. Jackson * Studies in 20th & 21st Century Literature *"Cheah’s compelling and acute study ultimately proposes a radical and complex reassessment of the notion of world itself as temporal object, to better explore some of the long-ignored intersections—or what he calls “missed encounters”—between cosmopolitanism, world literature, and postcoloniality. In doing so, the book makes a significant intervention in the ongoing scholarly debates dedicated to these topics. . . . The book [also] constitutes a critical response to the pressing questions raised today by the uneven process of (capitalist) globalization." -- Emmanuel Bruno Jean-François * Comparative Literature *"In bridging the postcolonial and the world, Cheah offers a powerfully refreshing account of the category of the 'world,' which arbiters in the world-literary field tend to take for granted." -- Kelly Yin Nga Tse * Interventions *Table of ContentsAcknowledgments vii Introduction. Missed Encounters: Cosmopolitanism, World Literature, and Postcoloniality 1 Part I. The World of World in Literature in Question 1. The New World Literature: Literary Studies Discovers Globalization 23 2. The World According to Hegel: Culture and Power in World History 46 3. The World as Market: The Materialist Inversion of Spiritualist Models of the World 60 Part II. Worlding and Unworlding: Worldliness, Narrative, and "Literature" in Phenomenology and Deconstruction 4. Worlding: The Phenomenological Concept of Worldliness and the Loss of World in Modernity 95 5. The In-Between World: Anthropologizing the Force of Worlding 131 6. The Arriving World: The Inhuman Otherness of Time as Real Messianic Hope 161 Part III. Of Other Worlds to Come 7. Postcolonial Openings: How Postcolonial Literature Becomes World Literature 191 8. Projecting a Future World from the Memory of Precolonial Time 216 9. World Heritage Preservation and the Expropriation of Subaltern Worlds 246 10. Resisting Humanitarianization 278 Epilogue. Without Conclusion: Stories without End(s) 310 Notes 333 Select Bibliography 369 Index 383

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Book SynopsisKellie Jones traces how the artists in L.A.'s black communities during the 1960s and 70s created a vibrant, productive, and engaged activist arts scene in the face of structural racism through the production of art works that spoke to African American migration and L.A.'s racial politics.Trade Review"[A] deeply researched, panoramic depiction of how black artists made not only great art, but their own art world in Los Angeles during two crucial decades.... Quite simply, the history, not just of art in Los Angeles, but of modern American art generally will have to be reconceived on the basis of South of Pico and Now Dig This!." -- Barry Schwabsky * Hyperallergic *"South of Pico is a testament to the pioneers of African–American art in the twentieth century, who forged new paths to liberation and selfhood through their work. Jones shows how these artists pushed against their own obliteration, and generated a zeal for change that would escalate into the 1980s, 1990s and beyond." -- Rachel Hurn * Studio Museum *"Jones's book is a timely reminder that the United States has seen massive internal displacement within living memory and could again. But, more important, it's also a credible affirmation that from such sudden, painful movements something new and whole might yet be made." -- Gary Dauphin * Artforum *"Both a scholarly triumph and a fascinating read, this book provides the backstory for some of the most consequential artists to emerge from the Black Arts Movement and examines the work, projects, and initiatives they fostered." -- Victoria L. Valentine * Culture Type *"South of Pico is of broad use to the field of contemporary art history, from specialists to undergraduate students in advanced survey courses. . . . One of the most urgent if unanticipated demands for which Jones’s study may be useful is the increasing problem in Los Angeles of gentrification and the intra-urban migrations it forces. If gentrification is enabled by ignorance of the relationship between geography and cultural history, Jones’s book might be deployed by contemporary cultural and social activists as a weapon against forgetting and for the continued protection of the material and immaterial cultural heritage that is sited in one of the city’s most significant areas—south of Pico." -- Natilee O. Harren * CAA Reviews *"A touchstone for future scholars and readers with current investments in how narratives of black artists and the history of American art are written." -- Bridget R. Cooks * Art Journal *"South of Pico is stunningly broad ranging and critically detailed in its peopling of a movement and in its thorough close reading and contextualizing of art practice and objects." -- Stephanie Leigh Batiste * Journal of American History *"South of Pico presents a finely detailed picture of the black art community as it emerged in 1960s Los Angeles and struggled to gain the means of self-representation." -- Ken D. Allan * Art Bulletin *"Thanks to Jones's relentless efforts to provide go-to comparisons, there is now absolutely no reasons why any classroom lecture or museum exhibition on American modernism should lack examples of Black artists.' -- Miguel de Baca * Art History *“South of Pico is a tour de force, a potent intervention into the histories of postwar art, Los Angeles, and Black America. It teaches us, against the legacy and perpetuation of institutional violence, the profound significance of African American art as solidarity, community action, and inspiration.” -- Michael Lang * Journal of African American History *Table of ContentsList of Illustrations ix Acknowledgments xiii Introduction. South of Pico: Migration, Art, and Black Los Angeles 1 1. Emerge: Putting Southern California on the Art World Map 23 2. Claim: Assemblage and Self-Possession 67 3. Organize: Building an Exhibitionary Complex 139 4. In Motion: The Performative Impulse 185 Conclusion. Noshun: Black Los Angeles and the Global Imagination 265 Notes 277 Selected Bibliography 359 Index 379

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Book SynopsisIn analyses of digital death footage—from victims of police brutality to those who jump from the Golden Gate Bridge—Jennifer Malkowski considers the immense changes digital technologies have introduced in the ability to record and display actual deaths—one of documentary's most taboo and politically volatile subjects.Trade Review"Well written, with a good message on the tabooed topic, this book is a good dare-to reading for everyone being arrested or rejected by everyday mediated images of death." -- Ana Peraica * Leonardo Reviews *"By intervening as she does, Malkowski not only provides readers with insight into the long-standing visual pursuits of documentary with regard to death, but also with important methodological concerns that are applicable to a number of other contexts. As digital platforms continue to evolve and provoke new apprehensions, one’s understanding of such phenomena as murders streamed over Facebook Live will be vastly enriched by the work that Dying in Full Detail so adroitly performs." -- Kelsey Cummings * Film Quarterly *"Of the many strengths of Dying in Full Detail, perhaps the greatest is Malkowski’s compassion and care in handling such extremely personal and sensitive material. . . . Her work is culturally sensitive and critically engaging, as well as clearly written and academically thorough." -- Stephanie Salerno * Journal of Popular Culture *"I really value Malkowski’s willingness to unflinchingly critique the intersection of death and media and question if and how these various media might better serve political activism against injustice. . . . Her book emphasizes the irony that while some might fetishize death through spectacle and digital recordings, recorded death can also function as visual and ethical rhetoric against repressive regimes and hegemonic forces. I think this is her most significant contribution and reason to read this important book." -- Candi K. Cann * Journal of Death and Dying *"As more people have the digital tools at their disposal to produce and disseminate images of death, whether as a conscious choice or due to circumstance, Malkowski’s careful unpacking of the ethics and limitations of the various gazes that organize these images will continue to be recommended reading." -- Emily West * International Journal of Communication *Table of ContentsAcknowledgments ix Introduction 1 1. Capturing the "Moment": Photography, Film, and Death's Elusive Duration 23 2. The Art of Dying, On Video: Deathbed Documentaries 67 3. " A Negative Pleasure": Suicide's Digital Sublimity 109 4. Streaming Death: The Politics of Dying on YouTube 155 Conclusion. The Nearest Cameras Can Go 201 Notes 207 Bibliography 231 Index 241

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Book SynopsisRebecca E. Karl interrogates the concept and practice of "the economic" as it was understood in China in the 1930s and the 1980s and 90s, showing how the use of Eurocentric philosophies, narratives, and conceptions of the economic that exist outside lived experiences fail to capture modern China's complex history.Trade Review"A challenging and often compelling perspective on modern Chinese history." -- Terry Peach * European Journal of the History of Economic Thought *"An intelligent analysis of important historiographical issues in modern Chinese history." -- Margherita Zanasi * American Historical Review *“Since The Magic of Concepts came out, I have found myself constantly recommending it to friends and colleagues, and in particular to friends and colleagues who are not scholars of modern China. And not just because I assume all modern China specialists already pay attention to Rebecca Karl’s work; rather, it is because she achieves in this book what historians often strive and fail to do, or at least fail to do well—to truly engage the global and the present from the specific geographical and chronological perspective of our chosen historical subjects.” -- Fabio Lanza * Journal of Asian Studies *"Karl’s book . . . is an important contribution to the fields of Chinese, global, and economic history. . . . Her argument challenges us to ever more carefully observe our perspective and level of analysis, deconstruct our models and tools of research, and realize the 'magic' of the concepts we utilize and repeat." -- Thorben Pelzer * Connections *"The Magic of Concepts makes a powerful case that the limitations of empiricism and reified consciousness have foreclosed realms of inquiry that possess considerable potential to complicate and deepen our understanding of social history. . . . This book is eloquent testimony to the need for historians to pursue a serious engagement with such theory in our training and in our research, not just to open new possibilities in our scholarship but to make sense of our own increasingly unstable historical moment." -- Jake Werner * Journal of Social History *Table of ContentsPreface and Acknowledgments ix Introduction. Repetition and Magic 1 1. The Economic, China, World History: A Critique of Pure Ideology 19 2. The Economic and the State: The Asiatic Mode of Production 40 3. The Economic as Transhistory: Temporality, the Market, and the Austrian School 73 4. The Economic as Lived Experience: Semicolonialism and China 113 5. The Economic as Culture and the Culture of the Economic: Filming Shanghai 141 Afterword 160 Notes 167 Bibliography 199 Index 213

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