Stationery Books

Book SynopsisIn Fungible Life Aihwa Ong traces the revolutionary scientific developments in Asia by investigating how biomedical centers in Biopolis, Singapore and China mobilize ethnicized "Asian" bodies and health data for genomic research.Trade Review"Anyone interested in cosmopolitan flows of knowledge and risk will find this book of value, as the phenomena that it describes and the methodologies that Ong uses seem to me to be readily transferable. . . . I particularly enjoy the way Ong fits the situated nature of her own authorship, including her Asian background, her family history of cancer and so on, seamlessly into her account. . . . [A] beautiful and engaging piece of writing and an important contribution to a wide spectrum of knowledge." -- Flora Samuel * Times Higher Education *"Embracing a new frontier, Ong’s latest work tackles our fear of the unknown in genomic research, concerns about multiple levels of research ethics, and our curiosity about genomic research’s implications for Chinese and Asian identity, which in turn has implications for human identity as a whole. This book on biomedical research is suitable for graduate students and scholars interested in the production of knowledge, science and technology studies, medical anthropology and sociology, ethnic studies, public health, and broadly Asian Studies." -- Fang Xu * New Books Asia *"This book is an essential contribution to a comparative anthropology of biosentinels through a refined and accessible ethnography of two biotech centers in Singapore and Shenzhen, showing how a future is taking shape in which Asia will play a prominent role." -- Frederic Keck * Medical Anthropology Quarterly *"Ong's book is a deep dive in the complex role of the state, universities, firms, research stars, and knowledge about genetics in shaping the development of Singapore, in particular, as a key space in the development of scientific knowledge. After reading it you can better understand why universities like Duke and Imperial College seek (and need) to have a formal institutional presence in Singapore, and in association with key national partner universities like NUS and NTU. The Ong book, thus, provides insights on the geographical-, historical-, and sectoral -specific developments that these universities are currently navigating." -- Kris Olds * Inside Higher Ed *“Fungible Life is an important addition to the growing literature in area-specific science studies, and an important intervention in the anthropology of science scholarship on racialised science. . . . Well worth the investment for anyone interested in how race, ethnicity and science are made in Asia today.” -- Katherine A. Mason * The Asia Pacific Journal of Anthropology *“Ong skillfully provides an accessible and lucid account of the intersection of ethnicity, biopolitics and uncertainties in Asia’s bioscientific world. Fungible Life is a valuable addition to fields such as the anthropology of Asia, medical anthropology, and science and technology studies. It is also highly accessible for readers of various levels.” -- Yifeng Cai * Social Anthropology *"The productive uncertainties and ethnic heuristics that Aihwa Ong examines in her study of Singapore’s Biopolis enrich our understanding of ethnicity in postgenomic Asia. These are the major contributions of Fungible Life." -- Wen-Ching Sung * American Ethnologist *Table of ContentsPrologue: Enigmatic Variations ix Acknowledgments xxiii Introduction: Inventing a City of Life 1 Part I. Risks 1. Where the Wild Genes Are 29 2. An Atlas of Asian Diseases 51 3. Smoldering Fire 73 Part II. Uncertainties 4. The Productive Uncertainty of Bioethics 93 5. Virtue and Expatriate Scientists 113 6. Perturbing Life 136 Part III. Known Unknowns 7. A Single Wave 157 8. "Viruses Don't Carry Passports" 174 9. The "Athlete Gene" in China's Future 197 Epilogue: A DNA Bridge and an Octopus's Garden 223 Notes 239 Bibliography 257 Index 271

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Book SynopsisIn this invitation to reflect on the power of performance, Diana Taylor explores the multiple and overlapping meanings of performance, showing how it can convey everything from artistic, economic, and sexual performance, to providing ways of understanding how race, gender, identity, and power are performed.Trade Review"Performance offers scenarios... for active pedagogy, inviting students and others to explore and perhaps undo the links between images and writing, texts and performances, so as to conduct their own performatic appropriations." -- Loren Kruger * Critical Inquiry *"Taylor's fascinating, multicultural analysis of performance explores not only what performance is but also what it does—what it allows one to see, to experience, and to theorize—and 'its complex relation to systems of power.' . . . Recommended." -- M. S. LoMonaco * Choice *"The book is performative and multivocal, combining images of performances in the Americas, Taylor’s narrative essays, and important excerpts from key texts on performance by academics, activists, and artists....The result is a work that gives ample space to artists/artivists as the creators of tactics rather than to performance studies scholars who analyze nonperformance phenomena as performance." -- Patricia Ybarra * TDR: The Drama Review *"Introduction, reflection, and provocation coalesce most successfully in Taylor’s passionate insistence on the necessity of performance and its academic study. Performance, Taylor argues, has real effects, but the nature of those effects is not pre-determined. The wielder determines the worth of the weapon. These passages alone would suffice to make the book a trusted companion of students and senior scholars alike." -- David Calder * New Theatre Quarterly *"This book is a valuable introduction to performance art and performance studies. It is deftly argued and elegantly composed. Taylor concludes by saying that performance is ‘world-making’ and that we need to understand it (208). This book helps us to do just that." -- Adrian Curtin * Studies in Theatre and Performance *“Incredibly important. Performance is a proffer of a new way of looking and thinking about performance.” -- Robert Summers * CAA Reviews *Table of ContentsPreface 1. Framing [Performance] 2. Performance Histories 3. Spect-Actors 4. The New Uses of Performance 5. Performative and Performativity 6. Knowing through Performance: Scenarios and Simulation 7. Artivists (Artist-Activists), or What's to Be Done? 8. The Future(s) of Performance 9. Performance Studies Notes

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Book SynopsisKristen Hogan traces the feminist bookstore movement's rise and fall, showing how the women at the heart of the movement developed theories and practices of lesbian antiracism and feminist accountability that continue to resonate today.Trade Review"An oft-forgotten chapter in the women's lib movement of the 1970s was the rise of independent, women-owned bookstores, many of which created safe spaces for conversations that spurred second-wave feminism. Hogan has written a history of those thought-leading small businesses and the lesbians and women of color behind them, in which she celebrates the power of the feminist printed word." * Ms. *"It’s difficult to write the history of women’s bookstores without romanticizing a complex world of books, ideas, feelings, and feminist community that many of us miss. Hogan describes the pleasures of these communities, as well as the anger and factionalism that their commitments provoked. A literary history that opens and closes with Hogan’s own experience working at the Toronto Women’s Bookstore, The Feminist Bookstore Movement leads us through the rise and fall of this network, which, at its peak, included 130 businesses in North America." -- Claire Bond Potter * Chronicle Review *"Hogan gives us a more complicated narrative; she focuses on a broad base of women from different backgrounds working together as activists, rather than on a few commercially successful writers. It is a history from the bottom-up rather than a female-adjusted Great Man style of history. . . .Hogan’s story should make us think about how we can build the communities that will give us the next books that will change our lives." -- Laura Tanenbaum * The New Republic *"[A]n eminently readable text that traces the history of feminist bookstores from their rise in the 1970s through the 1990s. . . . This work will appeal to scholars and everyday readers who enjoy microhistories. Highly recommended. All levels/libraries." -- M. Martinez * Choice *"In some ways, The Feminist Bookstore Movement is a classic Second Wave recovery project, casting a loving glance backward as it seeks to uncover a series of lost moments obscured by the financial fate (and fight) of feminist bookstores in the ’90s. But Hogan’s account also spills beyond generational borders." -- Stephanie Young * Los Angeles Review of Books *"The Feminist Bookstore Movement offers more than a chronicle of the rise and fall of feminist bookstores from 1970 to 2003. Drawing from archival documents, interviews, and scholarship, Hogan delineates the infrastructure that housed a lesbian, antiracist, anticapitalist, community-oriented culture, and she textures her account with thick descriptions of lived experience." -- Ellen Messer-Davidow * American Historical Review *"Hogan's richly researched text is resplendent with photos that commemorate the 1970s-1980s era of feminism....Indeed, the engaging narrative prompted winsome memories of my brief, mid-1980s stint as an employee at Womanbooks in New York City while in journalism school. The passage of three decades has not dimmed my affection for the colourful posters, shelves of dazzling books and smiling co-workers that greeted me when I began my shift. I'm honoured to have been a part of the tradition that Kristen Hogan recounts, to sublime effect, in her outstanding contribution to lesbian and feminist letters." -- Evelyn C. White * Herizons *"Carefully researched and highly engaging. . . . The Feminist Bookstore Movement is essential reading for anyone interested in the history of feminist writing and publishing, as well as anyone seeking to understand how feminist alternative economies and communities took shape and survived in the late twentieth century." -- Kate Eichhorn * Journal of American History *“A radical contribution to contemporary feminist dialogue. . . . This book will be of potential relevance to feminist, queer and antiracist readers both within and beyond the North American context.” -- Chiara Xausa * Women's Studies International Forum *Table of ContentsAcknowledgments ix Preface. Reading the Map of Our Bodies xiii 1. Dykes with a Vision 1970–1976 1 2. Revolutionaries in a Capitalist System 1976–1980 33 3. Accountable to Each Other 1980–1983 69 4. The Feminist Shelf, A Transnational Project 1984–1993 107 5. Economics and Antiracist Alliances 1993–2003 145 Epilogue. Feminist Remembering 179 Notes 195 Bibliography 241 Index 261

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Book SynopsisThis revised edition covers text on artistic anatomy. It includes 75 never before published drawings from the Burne Hogarth archives and 24 pages of new material. Action studies and practical diagrams show how to render the anatomical details of the figure in motion and at rest.

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Book SynopsisMaking and Unmaking Public Health in Africa explores how medical professionals and patients, government officials, and ordinary citizens approach questions of public health as they navigate contemporary landscapes of NGOs and transnational projects, faltering state services, and expanding privatization.Trade Review“The essays are in the very best tradition of medical anthropology: they display intimate political engagement, are genuinely comparative, speak to each other, and…accessibly written. …The volume opens up new vistas on public health, and challenges what we take for granted.” * African Affairs *“Public health in Africa—as elsewhere—is no longer strictly public. Public and private providers are involved in national and transnational partnerships that divide responsibility for health and welfare among a number of agencies and actors. These clear and powerful essays set out this new landscape, exploring how medical professionals and patients, government officials and citizens approach questions of health. This text is required reading for anyone interested in contemporary Africa.”“[The chapters] provide a fascinating range of ethnographically rich and theoretically subtle accounts of and insights into the diverse and often ambiguous practices of ‘public health’ across Africa. …One of the most impressive things about this volume is its integration and coherence…The result is a landmark publication that I believe will become a key text of enduring value – particularly to scholars and practitioners in the fields of public health, global health, and medical anthropology – but also to a much wider audience within and beyond anthropology.” * Journal of the Royal Anthropological Institute *“A powerful and complex picture of what ‘public health’ is in Africa today as commitments to national health systems are being reshaped through the dramatic rise of ‘global health.’ This set of ethnographically rich and historically sensitive essays illustrates the forms of inequality that structure efforts to building health care institutions and that configure debates over who is responsible for the health and care of particular individuals. It is a must read for both Africanists interested in medicine and public health professionals who care about Africa.”“This volume contributes significantly to the rapidly developing scholarship of public health and global health in African contexts, considered either as a collection of excellent chapters or taken as the sum of its parts. … [It] is also book-ended with trenchant, provocative commentaries on the operative theories and current practices of public health in Africa.…Making and Unmaking Public Health in Africa is an ideal fit for teaching the history or anthropology of public health at the undergraduate or graduate level.” * Social History of Medicine *“Though the historical and anthropological literature on public health in Africa has tended to focus on the ‘health’ part of the equation, the chapters in this volume interrogate the meaning of the ‘public’ aspect.…Prince and Marsland argue that in recent years ‘widening global and national inequalities and the emptying out of the public as an inclusive terrain’ has led to a shift in health care provision to ‘the arena of the market and of nongovernmental and transnational organizations’ in most African settings. Individual chapters examine how Africans across the continent interpret and negotiate this chaotic, fractured terrain in a variety of contexts… Recommended.” * Choice *“Any medical anthropologist who works in Africa will want this book in a nearby library. Those of us who study African biomedicine and biomedical research, whether anthropologists or historians, will find it particularly valuable. …As a whole, this excellent collection enlarges the scope of public health and challenges readers to think deeply about who is responsible for African health—and for the many threats to it.” * Medical Anthropology Quarterly *“This superb new edited volume is extraordinarily timely and important.” * Journal of the Royal Anthropological Institute *Table of Contents* Acknowledgments * Introduction Situating Health and the Public in Africa Historical and Anthropological Perspectives RUTH J. PRINCE * Part I WHOSE PUBLIC HEALTH? * One The Peculiarly Political Problem behind Nigeria's Primary Health Care Provision MURRAY LAST * Two Who Are the "Public" in Public Health? Debating Crowds, Populations, and Publics in Tanzania REBECCA MARSLAND * Three The Qualities of Citizenship Private Pharmacists and the State in Senegal after Independence and Alternance NOEMI TOUSIGNANT * Part II REGIMES AND RELATIONS OF CARE * Four Regimes of Homework in AIDS Care Questions of Responsibility and the Imagination of Lives in Uganda LOTTE MEINERT * Five "Home-Based Care Is Not a New Thing" Legacies of Domestic Governmentality in Western Kenya HANNAH BROWN * Six Technologies of Hope Managing Cancer in a Kenyan Hospital BENSON A. MULEMI * Part III EMERGING LANDSCAPES OF PUBLIC HEALTH * Seven The Publics of the New Public Health Life Conditions and "Lifestyle Diseases" in Uganda SUSAN REYNOLDS WHYTE * Eight Navigating "Global Health" in an East African City RUTH J. PRINCE * Nine The Archipelago of Public Health Comments on the Landscape of Medical Research in Twenty-First-Century Africa P. WENZEL GEISSLER * Bibliography * Contributors * Index

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Book Synopsis"Barbara Newman has written an erudite and wonderful book... From Virile Woman to WomanChrist should be required reading in every university-level women's studies course."-Caroline Walker Bynum, The Catholic Historical ReviewTrade Review"Barbara Newman has written the most wide-ranging and throughly researched study to date of women's religious literature of the Middle Ages. Ranging across time . . . regional and linguistic borders . . . and genres, Newman provides enough examples to sink an armada of skeptics who would dismiss medieval female piety as somehow unrepresentative of high medieval culture. The range of examples is itself dazzling, and students of religious and feminist history will treasure this book. . . . But to prodigious learning and careful scholarship Newman adds . . . a writer's gift for being both clear and engaging. . . . From Virile Woman to WomanChrist is not only good scholarship but a good read." * Studies in the Age of Chaucer *"Newman skillfully searches out explicit and implied attitudes toward the female sex. She uncovers, in addition to expected differences, a key contrast in what is meant by formation for each sex. . . . This book makes splendid contributions to religious and literary studies on more than one front. . . . The sheer comprehensiveness of the texts, themes, and persons integrated into this study recommends it to a wide readership." * Speculum *"In this engaging, informative work, Barbara Newman intends to explore 'women's gender-specific dilemmas, choices, and ways of being Christian during the period from approximately 1100 through 1500.' . . . The important work of Newman certainly helps us to understand the background of the emergence of this still very 'intricate web' . . . of religious and intellectual teachings by women." * The Journal of Religion *"Barbara Newman has written an erudite and wonderful book. Drawing on and in many ways surpassing the flood of work on medieval religious women produced in the past fifteen years . . . , she gives us a set of learned, thoughtful, and interrelated essays, written in lucid and beautiful prose. . . . From Virile Woman to WomanChrist should be required reading in every university-level women's studies course-for its method, its substance, and its prose." * Caroline Walker Bynum, The Catholic Historical Review *Table of ContentsIllustrations Introduction 1. Flaws in the Golden Bowl: Gender and Spiritual Formation in the Twelfth Century 2. Authority, Authenticity, and the Repression of Heloise 3. "Crueel Corage": Child Sacrifice and the Maternal Martyr in Hagiography and Romance 4. On the Threshold of the Dead: Purgatory, Hell, and Religious Women 5. La Mystique Courtoise: Thirteenth-Century Beguines and the Art of Love Excursus 1. Hadewijch and Abelard Excursus 2. Gnostics, Free Spirits, and "Meister Eckhart's Daughter" 6. WomanSpirit, Woman Pope 7. Renaissance Feminism and Esoteric Theology: The Case of Cornelius Agrippa Epilogue Abbreviations Notes Appendix A: Religious Literature of Formation, 1075-1225 Appendix B: Glossary of Religious Women Works Cited Index

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Book SynopsisContains nine essays which explores the allure of bogs, swamps, and wetlands. Detailing the land of carnivorous plants, swamp gas, and bog men, this work establishes a separate ground for thoughts about mythology, literature, Eastern spirituality, and human longing.Trade ReviewHurd is a consummate naturalist, writing with the grace and precision of a Peter Matthiessen or an Annie Dillard. - Los Angeles Times ""Delving into these wetlands, [Hurd] finds in their array of strange fauna and flora an objective correlative to the place in the mind where artistic inspiration occurs: a place of blurred borders, shifting identity, and strange odors, of rot and death, of Zen peacefulness."" - New Yorker ""Hurd's poetic inquiry into the life and margins of marshy terrain takes us on a magic-filled metaphorical mystery tour of human desire."" - Utne

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Book SynopsisA work on the history of black dandyism. It examines the pivotal role that style has played in the politics and aesthetics of African diasporic identity formation.Trade Review“Miller’s study incites a much-needed dialogue between existing scholarship on the figure of the dandy—particularly its performative queering of modern narratives of masculinity and nationhood—and the legacies of imperialism and slavery that attest to the constant, if silent, presence of race and racializing discourse in those same narratives. . . . [A]n absorbing and timely study of the black dandy.” - Jaime Hanneken, Comparative Literature“Encompassing the genres of drama, fiction, photography, film, and sculpture, Miller's study highlights the ways in which diaspora can be located in the image and the imagination of the body and its garments. . . . The value of Miller's text is in its historical range.” - Alisa K. Braithwaite, Modern Fiction Studies“Monica L. Miller's book is the first of its kind: a lengthy written study of the history of black dandyism and the role that style has played in the politics and aesthetics of African and African American identity. She draws from literature, film, photography, print ads, and music to reveal the black dandy's underground cultural history and generate possibilities for the future. . . . [U]ncanny feats of scholarship that illustrate ways in which the figure of the black dandy has been an elephant-in-the-room — albeit a particularly well-dressed one.” - D. Scot Miller, San Francisco Bay Guardian“A model for cultural studies, Slaves to Fashion brings the rich,interdisciplinary scholarship of the black dandy into the twenty-first century, serving the fields of both black and American studies.” - Pamela J. Rader, MELUS“Miller has performed a cultural excavation, sifting through fragments of visual and literary culture to trace a history of black style and assemble the first history of black dandyism. Her work deserves a place among the finer recent contributions to black performance studies. . . .” - Kristin Moriah, Callaloo“Monica L. Miller’s close readings dazzle, and her historical reach—confident and unforced—is as long as the transnational arc of black dandyism here is wide. Arresting, discerning, responsible, and urgent, Slaves to Fashion is path-breaking. Literary criticism, visual history, and black Atlantic studies never looked so good.”—Maurice O. Wallace, author of Constructing the Black Masculine: Identity and Ideality in African American Men’s Literature and Culture, 1775–1995“Revising and augmenting scholarship on minstrelsy, literary representations of blackness, and black sartorial aesthetics and visual culture, Slaves to Fashion is an impressive and meticulously researched treatise on the history of the black dandy. It fills a gap in the scholarship on the cultural politics of black self-fashioning.”—E. Patrick Johnson, author of Appropriating Blackness: Performance and the Politics of Authenticity“Encompassing the genres of drama, fiction, photography, film, and sculpture, Miller's study highlights the ways in which diaspora can be located in the image and the imagination of the body and its garments. . . . The value of Miller's text is in its historical range.” -- Alisa K. Braithwaite * Modern Fiction Studies *“Miller has performed a cultural excavation, sifting through fragments of visual and literary culture to trace a history of black style and assemble the first history of black dandyism. Her work deserves a place among the finer recent contributions to black performance studies. . . .” -- Kristin Moriah * Callaloo *“Miller’s study incites a much-needed dialogue between existing scholarship on the figure of the dandy—particularly its performative queering of modern narratives of masculinity and nationhood—and the legacies of imperialism and slavery that attest to the constant, if silent, presence of race and racializing discourse in those same narratives. . . . [A]n absorbing and timely study of the black dandy.” -- Jaime Hanneken * Comparative Literature *“Monica L. Miller's book is the first of its kind: a lengthy written study of the history of black dandyism and the role that style has played in the politics and aesthetics of African and African American identity. She draws from literature, film, photography, print ads, and music to reveal the black dandy's underground cultural history and generate possibilities for the future. . . . [U]ncanny feats of scholarship that illustrate ways in which the figure of the black dandy has been an elephant-in-the-room — albeit a particularly well-dressed one.” -- D. Scot Miller * San Francisco Bay Guardian *Table of ContentsAcknowledgments ix Introduction. Stylin' Out 1 1. Mungo Macaroni: The Slavish Swell 27 2. Crimes of Fashion: Dressing the Part from Slavery to Freedom 77 3. W. E. B. Du Bois's "Different Diasporic Race Man 137 4. "Passing Fancies": Dandyism, Harlem Modernism, and the Politics of Visuality 176 5. "You Look Beautiful Like That": Black Dandyism and the Histories of Black Cosmopolitanism 219 Notes 291 Bibliography 347 Index 371

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Book SynopsisCovering a range of media and a wide geographical spread, Making Modernity in the Islamic Mediterranean reveals how 19th-century artists in the Middle East and North Africa reckoned with new tools, materials, and tastes from local perspectives.Trade Review"This book is a timely contribution to pressing debates about visual cultures of modernity across the modern Mediterranean. With a geographic diversity reaching from the Ottoman capital across North Africa, the essays in this book address a rich range of themes, from emergent forms of modern historicism to original readings of objects and images that trouble entrenched assumptions about aesthetic value. So too, this book's revisionary perspective makes clear the necessity to address the diversity of visual culture, from painting to photography, from craft work to infrastructure. The collective enterprise of this anthology transforms our understanding of what it meant to be modern across the Islamic Mediterranean."—Mary Roberts, author of Istanbul Exchanges: Ottomans, Orientalists and Nineteenth-Century Visual Culture, University of Sydney"Making Modernity in the Islamic Mediterranean combines a compelling and well-researched range of studies that make a valuable contribution to the pluralization of global modernisms in art history, with a focus on nineteenth-century Islamic art and visual culture. This volume is a welcome addition to the literature of Islamic modernity and modern art."—Berin Golonu, Nineteenth-Century Art Worldwide"This attractive volume addresses the recent scholarly shift from the arts and architecture of the lands of Islam in the early caliphates of the Umayyads and Abbasids through the pre-modern Ottoman, Safavid, and Mughal dynasties to modern and contemporary times. An introduction by Graves (Indiana Univ.) and Seggerman (Rutgers Univ., Newark) is followed by 11 essays focused on the different ways in which artists, artisans, and patrons in the Mediterranean lands from Morocco to Egypt and the Ottoman Empire in the 19th and 20th centuries engaged with European modernity and the colonial enterprise. The essays are roughly grouped around three topics: the introduction of photography and printing with movable type, new modes of craft production, and transportation by steamship and railroad. As with all such collections, the essays are uneven; some are unexpectedly fascinating—for example those on the exchange of photographic albums between the Ottoman sultan and the University of Pennsylvania to foster archaeological projects, the celebrations surrounding the opening of the Suez Canal, the introduction of Krupps' steel I-beam to Istanbul—but others are laden with academic jargon. (Reprinted with permission from Choice Reviews. All rights reserved. Copyright by the American Library Association.)"—J. M. Bloom, Boston College, ChoiceTable of ContentsAcknowledgmentsNote on TransliterationIntroduction: Making Modernity in the Islamic Mediterranean, by Margaret S. Graves and Alex Dika SeggermanPart I: Picturing Knowledge1. Well-Worn Fashions: Repetition and Authenticity in Late Ottoman Costume Books, by Ünver Rüstem2. Osman Hamdi and the Long Duration of History, by Gülru Çakmak3. Picturing Knowledge: Visual Literacy in Nineteenth-Century Arabic Periodicals, by Hala Auji4. The Muybridge Albums in Istanbul: Photography as Diplomacy in the Ottoman Empire, by Emily NeumeierPart II: Conceptualizing Craft5. The Double Bind of Craft Fidelity: Moroccan Ceramics on the Eve of the French Protectorate, by Margaret S. Graves6. The Manual Crafts and the Challenge of Modernity in Late Nineteenth-Century Damascus, by Marcus Milwright7. The Turn to Tapestry: Islamic Textiles and Women Artists in Tunis, by Jessica GerschultzPart III: Aesthetics of Infrastructure8. Alabaster and Albumen: Photographs of the Muhammad Ali Mosque and the Making of a Modern Icon, by Alex Dika Seggerman9. Tents and Trains: Mobilizing Modernity in the Late Ottoman Empire, by Ashley Dimmig10. Precious Metal: The I-Beam in the Late Ottoman Empire, by Peter Christensen11. November 1869: The Suez Canal Inauguration, by David J. RoxburghTimelineGlossaryIndex

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Book SynopsisTrade Review“A classic in subaltern studies as well as in postcolonial studies.”—José Rabasa, University of California, Berkeley“A remarkable achievement.”—Patricia Seed, Rice University“Full of sparkling ideas and written in vivid and compelling prose.”—Arjun Appadurai, University of Chicago“Guha’s contributions to historiography are fundamental to colonial and postcolonial studies. By directing our focus to the question of consciousness or self-awareness in the making of peasant rebellions in colonial India, he corrects and redirects the writing of history.”—Sara Castro-Klarén, Johns Hopkins University“The most significant—and potentially the most influential—work of social theory since Michel Foucault’s Dicipline and Punish.”—John Beverley, University of Pittsburgh“Very unusual and original. Guha presents a new set of conceptual categories to understand the peasant situation in the postcolonial era. His work has transcended the local boundaries of India and has inspired the foundation of similar research projects in the Latin American field such as the Latin American Subaltern Studies Group.”—Ileana Rodriguez, Ohio State University“Written in a concise, easy-to-read style and offering a wealth of examples to illustrate each point, Elementary Aspects of Peasant Insurgency in Colonial India is the kind of book that our students desperately crave.”—Marcia Stephenson, Purdue UniversityTable of ContentsForeward to the Duke Edition ix Preface xv Abbreviations xvii 1. Introduction 1 2. Negation 18 3. Ambiguity 77 4. Modality 109 5. Solidarity 167 6. Transmission 220 7. Territorality 278 8. Epilogue 333 Glossary 339 Bibliography 345 Index 355

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Book SynopsisShows the capacities of film and video to bear witness to the cultural, political, and psychological imperatives of the AIDS crisis. This book explains how queer films and videos made in response to the AIDS epidemics in North America, Europe, Australia, and South Africa challenge assumptions about historical trauma and politics of gay visibility.Trade Review“And although he does a solicitous and richly nuanced job of situating these works in the ever-shifting cultural dynamics of their production and reception, Reframing Bodies does much more than provide a descriptive and historicist re-appraisal of these video/film texts (although in this enterprise it is both detailed and insightful). Beyond the particularity of Hallas’ interest in AIDS, homosexuality and representation, Reframing Bodies will also be essential reading for scholars and students of both memory/trauma studies and film/media studies more generally.” -- Dion Kagan * Screening the Past *“And although he does a solicitous and richly nuanced job of situating these works in the ever-shifting cultural dynamics of their production and reception, Reframing Bodies does much more than provide a descriptive and historicist re-appraisal of these video/film texts (although in this enterprise it is both detailed and insightful). Beyond the particularity of Hallas’ interest in AIDS, homosexuality and representation, Reframing Bodies will also be essential reading for scholars and students of both memory/trauma studies and film/media studies more generally.” - Dion Kagan, Screening the Past“Hallas looks at reframings of film and video conventions like autobiography, home movies, song, museum installations, and news reports. . . . It is wonderful to see attention given to this important archive. One wishes these were all on DVD and that Hallas could offer commentary as one viewed them! In his thoroughness, Hallas collects a wide range of voices in a kind of fraternity, but one based in a n embrace of complexity and difference and never denying the multifaceted trauma of AIDS. Taken together, they say something different than what each could say alone.” -- Chael Needle * A&U Magazine *“Hallas looks at reframings of film and video conventions like autobiography, home movies, song, museum installations, and news reports. . . . It is wonderful to see attention given to this important archive. One wishes these were all on DVD and that Hallas could offer commentary as one viewed them! In his thoroughness, Hallas collects a wide range of voices in a kind of fraternity, but one based in a n embrace of complexity and difference and never denying the multifaceted trauma of AIDS. Taken together, they say something different than what each could say alone.” - Chael Needle, Art & Understanding“This book presents an original and intriguing re-evaluation of queer film and videos made between the mid-1980’s and the early 2000’s in response to the AIDS epidemic. . . . Reframing Bodies expands our understanding of the political importance of visual media to the act of witnessing and the ongoing efforts of AIDS activism.” - James Polchin, Gay and Lesbian Review/ Worldwide“This book presents an original and intriguing re-evaluation of queer film and videos made between the mid-1980’s and the early 2000’s in response to the AIDS epidemic. . . . Reframing Bodies expands our understanding of the political importance of visual media to the act of witnessing and the ongoing efforts of AIDS activism.” -- James Polchin * Gay & Lesbian Review *“This excruciating, tender and evocative book not only produces a timeline of politicized queer corporeal action but peels back the intrinsic value between intersubjectivity and representation. Reframing Bodies explores the boundaries of visuality and visibility through an archive of AIDS activism and queer social history that leaves no rock unturned.” -- Stephanie Rogerson * Fuse Magazine *“With Reframing bodies, Roger Hallas has written a complex yet accessible book that manages to recapture the sense of urgency animating earlier queer AIDS media. But it is not nostalgic. It is also a moving work that reminds us that the AIDS crisis is far from over and that our duties to those afflicted have not abated.” - David Caron, Culture, Health & Sexuality“This is an important, informative, persuasive and timely book. . . . Reframing Bodies is a significant testament and testimony, itself bearing witness to a criminally unrecorded and underexamined time in our lives.” - Monica B. Pearl, Screen“This is an important, informative, persuasive and timely book. . . . Reframing Bodies is a significant testament and testimony, itself bearing witness to a criminally unrecorded and underexamined time in our lives.” -- Monica B. Pearl * Screen *“This excruciating, tender and evocative book not only produces a timeline of politicized queer corporeal action but peels back the intrinsic value between intersubjectivity and representation. Reframing Bodies explores the boundaries of visuality and visibility through an archive of AIDS activism and queer social history that leaves no rock unturned.” - Stephanie Rogerson, Fuse Magazine“With Reframing bodies, Roger Hallas has written a complex yet accessible book that manages to recapture the sense of urgency animating earlier queer AIDS media. But it is not nostalgic. It is also a moving work that reminds us that the AIDS crisis is far from over and that our duties to those afflicted have not abated.” -- David Caron * Culture, Health & Sexuality *“Roger Hallas ensures that HIV/AIDS activist media receives its critical due by showing not only its historical importance but also its formal complexity. Through his passionate engagement, keen sensitivity to shifting contexts of reception, and sophisticated account of the testimonial function of the moving image, he keeps this body of activist media, and its political and memorial legacies, alive for the future. ”—Ann Cvetkovich, author of An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Cultures“Roger Hallas is perhaps today’s leading expert on AIDS and the ‘queer moving image,’ and with Reframing Bodies he takes AIDS cultural studies in a variety of new, compelling directions. He makes important contributions about the practices and politics of homosexuality’s cultural visibility, the representational strategies mobilized around AIDS as a historical trauma experienced by gay men, and the ways that queer moving images allow us to rethink spectatorship, bearing witness, and trauma.”—Alexandra Juhasz, author of AIDS TV: Identity, Community, and Alternative Video“In this incisive and well-written volume, Hallas argues that ‘reframing’ is fundamental to the success of AIDS films and videos in bearing witness to tragedy and trauma while putting forward or holding open alternative imaginings of social existence.” -- Steven Epstein * GLQ *Table of ContentsIllustrations ix Acknowledgments xi Introduction 1 1. Historical Trauma and the Performance of Talking Heads 35 2. The Embodied Immediacy of Direct Action: Space and Movement in AIDS Video Activism 77 3. Related Bodies: Resisting Confession in Autobiographical AIDS Video 113 4. Queer Anachronism and the Testimonial Space of Song 151 5. Gay Cinephilia and the Cherished Body of Experimental Film 185 6. Sound, Image, and the Corporeal Implication of Witnessing 217 Afterword 241 Notes 253 Bibliography 291 Index 307

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Book SynopsisPresents the investigation that the renowned cultural theorist and mathematician Brian Rotman began in his previous books Signifying Nothing and Ad Infinitum ...the Ghost in Turing's Machine: exploring certain signs and the conceptual innovations and subjectivities that they facilitate or foreclose.Trade Review“Becoming Beside Ourselves is a bold, provocative, and highly original argument about the relation between medial effects and changing manifestations of subjectivity. It traces a sweeping trajectory from what Brian Rotman calls the ‘lettered self,’ associated with alphabetic inscription and the codex printed book, to the subject as distributed assemblage associated with network culture. While others have made parts of this kind of argument before, Rotman’s analysis is unique in placing special emphasis on gesture and revealing its traces in orality and print. In a brilliant synthesis, he mixes evolutionary theory with a Deleuzian view of agent-as-assemblage, arguing that computational media both reveal and perform distributed cognition as a crucial aspect of human being-in-the-world. Essential reading for anyone interested in the interrelations between computational media, contemporary subjectivity, and human evolution.”—Katherine Hayles, University of California, Los Angeles“Brian Rotman’s exciting new text not only adds to his previous work on signifying technology (zero, infinity), it expands his study of abstraction to encompass the construction of subjectivity itself. Becoming Beside Ourselves will open up all kinds of unexplored terrains, from grammatology to psychoanalysis, from the history of technology to the study of culture and religion.”—Fredric Jameson, Duke UniversityTable of ContentsForeword: Machine Bodies, Ghosts, and Para-Selves: Confronting the Singularity with Brian Rotman / Timothy Lenoir ix Preface xxxi Acknowledgments xxxv Aura xxxvii Introduction: Lettered Selves and Beyond 1 Part I 1. The Alphabetic Body 13 2. Gesture and Non-Alphabetic Writing 33 Interlude 3. Technological Mathematics 57 Part II 4. Parallel Selves 81 5. Ghost Effects 107 Notes 139 References 151 Index 163

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Book SynopsisIn the summer of 2000, the authors were in Santiago de Cuba, a city on the southeastern coast of Cuba. A chance encounter led them to the home of Santiago Castaneda Vera, a priest-practitioner of Santeria and Palo Monte. This book includes images of elaborate Santeria altars and Palo spirit cauldrons, as well as of Santiago and his godchildren.Trade Review“Crossing the Water is an amazing book that takes you on a wondrous journey into the world of Santería, Palo Monte, and Espiritismo. Claire Garoutte and Anneke Wambaugh have gone the extra mile to document the religions honestly and with a healthy respect for the participants and their beliefs. This is truly an extraordinary document about a world of Cuban religious faith that has rarely been visited in such detail by outsiders.”—Eli Reed, Magnum Photos“Crossing the Water is at once mysterious, encompassing, and illuminating. Most importantly, it is a deeply moving journey in which the various parts equal the whole. We must leave aside our predilections and ideas from what we know to enter this very personal territory. Upon repeated viewings and readings, the depth of this project reveals itself. Through the dedication of Claire Garoutte and Anneke Wambaugh we are allowed a meaningful glimpse of a further world elucidated by the images and writings of two who entered it.”—Robert Lyons, photographer, Intimate Enemy: Images and Voices of the Rwandan Genocide, Another Africa, and Egyptian Time“[A]n engaging and valuable ethnography in its own right, one that goes surprisingly far in its contribution to the field of Afro-Cuban religious studies. Written in sensitive and unpretentiously clear prose, the authors are astute observers of the social, emotional, and spiritual nuances of Cuban religious life, making of their foray a potential source of rich data for any scholar wishing to unravel the complex relationships between Afro-Cuban cosmology and practice, matter and deity, person and spirit.” -- Diana Espirito Santo * Journal of the Royal Anthropological Institute *“[A]n extraordinarily rich and detailed ethnographic undertaking combined with a highly personal engagement that is acknowledged and foregrounded throughout. It is this remarkable and beautiful combination of the visual, textual and personal that makes the book very powerful. . . .” -- Bridget Bennett * Bulletin of Latin American Research *“[F]rom a visual perspective Crossing the Water introduces one into an illuminating world of Afro-Cuban spiritualism. From a cultural and historical perspective the photographs provide a better understanding to viewers of the power of Afro-Cuban culture and religion and its impact on the people and their beliefs. Overall, Crossing the Water provokes intensity of human-sprit interactions, sights, smells, sounds, and a vivid choreography of ritual practice.” -- Christina Violeta Jones * The Latin Americanist *"[A] colorfully intimate portraiture of religious practice on the part of its authors. . . . [I]t provides, from its emic perspective, a close look at the quotidian practice of Santiago, a true priest of these 'crossed' religions and guide through their liturgies, rites, and arcane practices." -- Eugenio Matibag * The Americas *"Photographers Garoutte and Wambaugh demystify and celebrate the Afro-Cuban religions of Santería, Palo Monte and Espiritismo. . . What results is a respectful, vibrant account of Afro-Cuban religions, enhanced by more than 150 vivid photographs." (Starred Review) * Publishers Weekly *Table of ContentsAcknowledgments xi Introduction 1 1. I Bow My Head to the Ground: Santería Thrones and Rituals 25 2. Ver Para Creer (Seeing is Believing): The Prendas and Ritual of PaloMonte 67 3. It's My War Now: The Private Sphere of Santiago's Daily Practice 115 4. I Am Not from Here: Espiritismo and the Congo Spirits of the Dead 157 Afterword: ¿Y la Otra? (And the Other One?): The Nature of Our Collaboration 199 Notes 203 Glossary 227 Bibliography 243 Index 249

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Book SynopsisDeveloping a phenomenology of the animal other through contemporary artTrade Review"Surface Encounters is an insightful consideration of the problematics of animal phenomenology." —Kari Weil, Wesleyan University"Learned and intellectually courageous, Surface Encounters brims with counter-intuitive arguments about what it means to tarry thoughtfully with non-human life. This is nothing less than a scholarly manifesto: compact, lively, and pressing, as much a rousing call for future imaginings as it is a sober analysis in its own right." —David Clark, McMaster UniversityTable of ContentsContentsAcknowledgmentsIntroduction: Staying on the Surface1. Meat Matters: Distance in Damien Hirst2. Body of Thought: Immanence and Carolee Schneemann3. Making Space for Animal Dwelling: Worlding with Snæbjörnsdóttir/Wilson4. Contact Zones and Living Flesh: Touch after Olly and Suzi5. A Minor Art: Becoming-Animal of Marcus CoatesCoda: Human, Animal, and Matthew BarneyNotesIndex

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Book SynopsisA unique compendium, drawing on history and mythology, science and art, anecdote and image, personal narrative and epic to tell the extraordinary story of the grain that built the New World. Betty Fussell has given us a true American saga, interweaving the histories of the indigenous peoples who first cultivated the grain and the European conquerors who appropriated and propagated it.

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Book SynopsisA vast social gap separated Simon Bolivar from people of African descent; however, John Charles Chasteen's research shows that popular culture could bridge the gap. Fast-paced and often funny, this book explores the history of Latin American popular dance before the twentieth century. The relationship between Latin American dance and nationalism, it turns out, is very deep, indeed.

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Book SynopsisCelebrate your love of the classic television series FRIENDS with this 12-month undated planner.This 12-month undated planner features iconic imagery and beloved quotes from the legendary show Friends. Compact and completely customizable, this is a perfect gift for the Friends fan in your life. Undated Planner: This 12-month planner is undated for maximum personal customization. Perfect for Students and Adults: Get organized like the boss you are! This undated planner is perfect for students and adult professionals looking to keep their lives organized. Convenient 7” x 9”: This undated planner is 7 x 9 inches, perfect for a desk or easy to throw in a bag and take on the go. Bonus stickers included: Includes monthly stickers, one sheet of functional planning stickers, and one sheet of decorative stickers.   Build Your Friends Collection: Part of Insight Editions’ massively popular Friends collection, this planner stands alongside Friends: The Official Cookbook, Friends: Central Perk Softcover Notebook, Friends Blank Boxed Note Cards, and many more gifts and merchandise.

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Book SynopsisIn the struggle against apartheid, one often overlooked group of crusaders was the coterie of black lawyers who overcame the Byzantine system that the government established oftentimes explicitly to block the paths of its black citizens from achieving justice.Now,

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Book SynopsisDavid H. Price uses information from CIA, FBI, and military records to map the connections between academia and the strategic use of anthropological research to further the goals of the U.S. military and outline the major influence the American security state has had on the field of anthropology.Trade Review"Others have written on the entanglement of the social sciences with the military-intelligence complex, but none as energetically, from as many angles, or with as sensitive an eye for connections and overarching themes. ... Just as [Price] insists that HTS matters less than the underlying trends it represents, he cares less about the dramas of individual anthropologists in Cold War Anthropology and more about the subtle, systemic changes throughout the field—changes that threatened to make the discipline itself a security-state collaborator, sucking in individual researchers without their full knowledge." -- Peter C. Baker * The Nation *"In the course of twelve years Price has written three books which have helped redefine anthropology’s understanding of itself. And now, with Cold War Anthropology, Price brings his massive, precedent-make (and -busting) history of anthropology and American power to a close. It’s a defining moment in the history of anthropology, and deserves wide attention. . . . We have much to learn from our discipline’s recent past, and thanks to David Price we have the opportunity to see our field as it really was, warts and all. The stories in this book, and the issues that it raises, need to be discussed by the discipline as a whole." -- Alex Golub * Somatosphere *"Readers will benefit from Price’s careful attention to the impact of funding streams on scholarly decision-making, his dedication to amassing hard-to-locate source material, and his cogent moral compass." -- Margaret Flood * History of Anthropology Newsletter *"Cold War Anthropology restarts a conversation that should have never stopped. Anthropologists unaware of their discipline’s history will nodoubt find its lists of CIA and military projects eye-opening. Veterans of campaigns to rid the discipline of ties to the military and intelligence agencies will appreciate its recounting of battles lost and won within the AAA. Historians of science, too, have much to learn from the book’s methodology, especially its use of FOIA applications and tracings of blown CIA fronts." -- Audra Wolfe * Anthropological Quarterly *"Cold War Anthropology forces the reader to confront in blunt detail the ways in which ethnographic work exists in tandem with political-economic forces, especially the agendas of funding bodies and special interests. It is a book I encourage anthropologists everywhere to read, but, more importantly, to discuss its implications with colleagues and students." -- Joseph Anderson * LSE Review of Books *"With regard to US anthropology, perhaps no other scholar has done more to unsettle the by now defunct representation of the anthropologist as hero than David H. Price." -- Sindre Bangstad * Anthropology of This Century *"Price names names in abundance, carefully weighing researchers' awareness, or not, of hidden agendas; few records exist about unfunded research disfavored by state agencies. Illuminating shadows and obscured influences, Price brings realpolitik into anthropology’s history. . . . Highly recommended. Most levels/libraries." -- A. B. Kehoe * Choice *"Price’s work has been marked by extensive use of governmental archives, including many sources declassified through the Freedom of Information Act. Simply bringing this information to light should be reckoned as a major achievement....Price has written, if not a fully sufficient book (who has?), then a profoundly necessary one that challenges what American anthropology has been and what it remains." -- Robert Oppenheim * Journal of American History *"Cold War Anthropology is an exceptionally valuable book, based on impressive scholarship. It deserves the thoughtful attention of anthropologists interested in where their discipline has been and where it may be headed." -- Robert A. Rubinstein * Journal of Anthropological Research *"Historians of anthropology will welcome this volume, but it is relevant for every anthropologist working today. . . . We have much to learn from our discipline’s recent past, and thanks to David Price we have the opportunity to see our field as it really was, warts and all. The stories in this book, and the issues that it raises, need to be discussed by the discipline as a whole." -- Alex Golub * Savage Minds *"Price critically analyzes the rapid growth of American anthropology during the Cold War ... [and] masterfully contextualizes these tranformative years in anthropology." -- Roberto J. González * Anthropos *"The publication of David Price’s Cold War Anthropology concludes a trilogy of volumes that, taken together, constitute one of the most important and unprecedented contributions to the intellectual and political history of American anthropology." -- Mark Goodale * American Anthropologist *"Price has gone to extensive lengths using the FOIA to secure previously secret documents that complement his comprehensive survey of open source material and the secondary literature. No stone is left unturned, no shallow defense of complicity left unchallenged." -- John Krige * Diplomatic History *"This is a work of superb and relevant scholarship that deserves to be read and heeded by every undergraduate student let alone scholars across the anthropological discipline. It is a moral call to examine the nature and value of knowledge and of conducting independent research rather than following the pathways opened up by the imperial state." -- Inderjeet Parmar * Social History *"David Price is convincing; his arguments are nuanced and reveal the breadth and degree of US anthropology’s involvement in CIA and Pentagon efforts." -- Julie McBrien * American Ethnologist *Table of ContentsPreface xi Acknowledgments xxv Abbreviations xxix Part I. Cold War Political-Economic Disciplinary Formations 1. Political Economy and History of American Cold War Intelligence 3 2. World War II's Long Shadow 31 3. Rebooting Professional Anthropology in the Postwar World 54 4. After the Shooting War: Centers, Committees, Seminars, and Other Cold War Projects 81 5. Anthropologists and State: Aid, Debt, and Other Cold War Weapons of the Strong 109 Intermezzo 137 Part II. Anthropologists' Articulations with the National Security State 6. Cold War Anthropologists at the CIA: Careers Confirmed and Suspected 143 7. How CIA Funding Fronts Shaped Anthropological Research 165 8. Unwitting CIA Anthropologist Collaborators: MK-Ultra, Human Ecology, and Buying a Piece of Anthropology 195 9. Cold War Fieldwork within the Intelligence Universe 221 10. Cold War Anthropological Counterinsurgency Dreams 248 11. The AAA Confronts Military and Intelligence Uses of Disciplinary Knowledge 276 12. Anthropologically Informed Counterinsurgency in Southeast Asia 301 13. Anthropologists for Radical Political Action and Revolution within the AAA 323 14. Untangling Open Secrets, Hidden Histories, Outrage Denied, and Recurrent Dual Use Themes 349 Notes 371 Bibliography 397 Index 433

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Book SynopsisPooja Rangan interrogates participatory documentary's humanitarian ethos of "giving a voice to the voiceless" in documentaries featuring marginalized subjects, showing how it reinforces the films' subjects as the "other" and reproduces definitions of the human that exclude non-normative modes of thinking, being, and doing.Trade Review“Rangan moves diagonally across disciplinary boundaries and media forms, tracing the past and future of theory and practice concerning participatory documentary. Immediations offers substantial theoretical matrices for scholars to contend with going forward, and new challenges for interdisciplinary practitioners.” -- Joel Neville Anderson * Visual Studies Workshop *“Immediations marks an important contribution to documentary and anthropology studies, making exemplary use of multidisciplinary research to explore more deeply the human power structures and their relationship to the politics of representation.” -- Almudena Escobar López * Film Quarterly *"Pooja Rangan’s Immediations is a provocative, polemical, and vital book for thinking through the often problematic humanitarian impulse to give the camera to the Other. . . . Immediations is a bold, refreshing book that I simply cannot stop thinking about." -- Ryan Watson * Cinema Journal *Table of ContentsIllustrations ix Acknowledgments xi Introduction. Immediations: The Humanitarian Impulse in Documentary 1 1. Feral Innocence: The Humanitarian Aesthetic of Dematerialized Child Labor 23 2. Bare Liveness: The Eyewitness to Catastrophe in the Age of Humanitarian Emergency 61 3. "Having a Voice": Toward an Autistic Counterdiscourse of Documentary 103 4. The Documentary Art of Surrender: Humane-itarian and Posthumanist Encounters with Animals 151 Conclusion. The Gift of Documentary 191 Notes 197 Bibliography 223 Index 241

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Book SynopsisThis ethnographic analysis of violence that broke out in a South African gold mine soon after apartheid ended in 1994 shows how violence comes to be blamed on ethnic differences retrospectively—and often wrongly.Trade Review“Violence in a Time of Liberation is an absorbing and exceptionally clear-sighted analysis of violence and ethnic consciousness in South Africa. Focused on a specific set of events that occurred at a gold mine in the mid-1990s, Donald L. Donham brings vivid ethnographic description and analysis to bear on some of the thorniest questions faced by social analysts of violence. His book is lucidly written and cunningly constructed, with a substantial narrative pull. It is a very significant contribution both to scholarly understandings of contemporary South African society and to theoretical debates around ethnic violence.”—James Ferguson, author of Global Shadows: Africa in the Neoliberal World Order“Taking off from a single episode, Donald L. Donham provides readers with a rich account that makes an important point: ethnic identification is often more the consequence of violence than the cause. Since people involved may, in retrospect, interpret an event using ethnic categories, understanding the complexity of the processes leading up to violence requires peeling away layers of backward projection and reconstructing the flow of events, tasks Donham performs here with sensitivity and insight.”—Frederick Cooper, author of Colonialism in Question: Theory, Knowledge, History“A prescient narrative of mine violence. Based on a study of a mine called Cinderella, it provides a piercing and lucid exposition of the path to this violence in a post-1994 moment. . . . Violence in a Time of Liberation offers an exemplary example of how historical ethnography can be used to study violence. It probes us to give time and labour to understand better what has happened, even if its meanings remain elusive. For violence, too, is a way of remembering our disappointed hope.“ -- Matthew Willhelm-Solomon * Mail & Guardian *“This is a beautifully produced book…. It is also beautifully written, thoughtful, intelligent, meticulous in making arguments, and humble in making its case and in acknowledgement of others’ work. For those who are interested in debates about the often violent ambiguities of “liberation” (in South Africa and elsewhere), this is a must read. It is also a masterpiece of anthropological narrative in its own right. Like any engaging detective story, it will be widely read.” -- T. Dunbar Moodie * Anthropos *“This is a carefully analyzed, clearly written, and beautifully produced book. Donham’s careful attention to detail is nicely enhanced by South African photographer Santu Mofokeng’s work ....[It] is an important book with implications for analysis of many conflicts in the world that are all too easily dismissed as ethnic or religious. Donham leads us to see that these labels are not completely wrong but that they fail to incorporate the multiple dimensions in which the conflicts are embedded.” -- Thomas V. McClendon * International Journal of African Historical Studies *“What is particularly enjoyable about this book is the way in which Donham brings together multiple scales of analysis and discourses to demonstrate how ethnicity came to legitimate violence in the moment and explain the murders in retrospect…In sum, Donham’s monograph is an excellent example of ethnographic work on ethnicity that would provide excellent fodder for courses on nationalism, ethnicity, ethnic violence, and South Africa.” -- David M. Hoffman * Journal of Anthropological Research *“Working with an award-winning photographer Santu Mofokeng, Donham was able to capture in both word and image the grittiness and hardships of compound life. In truth, the use of image and text is powerful. . . . This book represents a kind of “reckoning” with a world in transition, with violence, with capitalism that surely extends far beyond South African studies to entice readers concerned with such questions almost anywhere.” -- Anne Maria Makhulu * American Ethnologist *Table of ContentsPreface ix Groups at Cinderella in 1994 xi Local Timeline in Relation to National Liberation xiii Introduction 1 1. Picturing a South African Gold Mine 11 Photo gallery by Santu Mofokeng 25 2. White Stories 45 3. Ways of Dying 69 4. Good Friday at Cinderella 88 5. Freeing Workers and Erasing History 110 6. Unionization from Above 125 7. Motives for Murder 151 8. The Aftermath. "They Were Enjoying Our Freedom" 174 Conclusion 186 Postscript. Doing Fieldwork at the End of Apartheid 189 Notes 197 Bibliography 217 Index 231

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Book SynopsisSuitable for children aged 5 to 11 years old, this title is targeted at young aspiring artists seeking to develop their technical skills and build a repertoire of subjects. It shows readers how to draw dozens of legendary creatures with a comprehensive, step-by-step approach.

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Book SynopsisIn 1581, after four days of debating six leading Anglican divines at the Tower of London, Jesuit Edmund Campion (1540-1581) was put to death because he would not deny his faith. This volume contains Catholic manuscripts of those debates.Trade Review...provides invaluable insights into the mind and soul of Edmund Campion, and highlights many of the issues that so tragically tore his world asunder. * —Catholic Historical Review *

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Book SynopsisAn innovative reinterpretation of the relationships forged between African revolutionaries and the countries of the Warsaw Pact, Cold War Liberation is a bold addition to debates about policy-making in the Global South during the Cold War.

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Book SynopsisTrade ReviewThis is only a 200 page book, but it covers a wealth of material...[A] clear, concise introduction that would be ideal for a one-term undergraduate course...Recommended." - CHOICE"This short text does an excellent job of covering those topics that should be included in an undergraduate introduction to computability theory... There are both appropriate exercises and enticing doorways to open topics and current research. The exposition is precise, but still conversational. I believe my students will enjoy reading this text." - Jeffry L. Hirst, Zentralblatt MATHTable of Contents Introduction Background Defining computability Working with computable functions Computing and enumerating sets Turing reduction and Post’s problem Two hierarchies of sets Further tools and results Areas of research Mathematical asides Bibliography Index

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Book SynopsisAnecdote and theory have diametrically opposed connotations: humorous versus serious, specific versus general, trivial versus overarching, short versus grand. This title cuts through these oppositions to produce theory with a sense of humor, theorizing which honors the uncanny detail of lived experience.Trade Review“Gallop is our foremost comic theorist. Anecdotal theory, as she observes, is theory with a better sense of humor. Gallop shows us how to be smart and rigorous precisely by refusing to ‘get serious,’ explaining how that imperative in fact makes literary critics relinquish what we do best. Lightening up without in any way producing theory ’lite’: this is one formulation of Gallop’s goal and considerable accomplishment, both here and throughout her career.”—Joseph Litvak, author of Strange Gourmets: Sophistication, Theory, and the Novel“Jane Gallop’s essays are lucid, bold, and timely: she gives us our time through a series of brilliant lenses. I’m always grateful for the intelligence, the edge, and the generosity of her vision. We would all be more lost without her.”—Judith Butler, author of Gender Trouble"[Gallop's] explorations resonate for us all. . . . [Anectodal Theory] interrogates its own narrative with . . . formidable wit and intellectual rigor . . . . Moving and provocative . . . ." -- Cora Kaplan * Women's Review of Books *Table of ContentsAnecdotal Theory; I The Incident; The Teacher's Breasts; The lecherous Professor: A Reading; The Personal and the Professional: Walking the Line; Resisting Reasonableness; II The Stories; A Tales of Two Jacques; Knot a Love Story; Dating Derrida in the Nineties; Castration Anxiety and the Unemployed PhD; Econstructing Sisterhood; Afterwords

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Book SynopsisPhotographic historian Edwards looks at the popularity of the amateur photographic survey movement in England between the mid-1880s and the end of World War I, when over a thousand amateur photographers took well over 50,000 photographs documenting nearby churches, cottages, and other local features. Edwards sees this movement as a form of popular history.Trade Review"The Camera as Historian offers groundbreaking insights into the entangled relations of photography and history, the recording impulse in modern British history, the complex links between visual practices and the historical imagination, and the intellectual and cultural traditions that frame representations of the past. It is significant as the first in-depth look at the fascinating and important work of the British survey movement: its participants, driving impulses, economies, audiences, values, and successes and failures. The book is made all the more important by Elizabeth Edwards's insistence on attention to the ways that photographs were produced and translated, and her demonstration of a mode of historical interpretation that not only links critical theory and archival practice, but illustrates their inseparability."—Jennifer Tucker, author of Nature Exposed: Photography as Eyewitness in Victorian Science"In this magnificent study, Elizabeth Edwards approaches the photographic survey movement in England above all as a practice: a relation between photographers, photographic technologies, photographs, and the material traces of the past in landscapes. This practice, as Edwards shows in rich detail, was extensive, amateur, public, local, and reflexive. With its empirical depth and conceptual reach, this book enhances immensely our understanding of the mediation of both history and geography by photography."—Gillian Rose, author of Doing Family Photography: The Domestic, the Public and the Politics of Sentiment“The The Camera as Historian provides a dense amount of information about the photographic survey movement, as well as aspects of Victorian and Edwardian Britain that shaped the survey movement. . . . But the content and ideas are interesting and provide an original perspective, making any extra effort in the read a tremendously worthwhile venture.” -- Mary Desjarlais * Photogram *“The Camera as Historian is unquestionably a major work of the new photographic history. As I have indicated it is now the benchmark study of mass photographic practice; it is inventively conceived, meticulously researched, and full of new ways of thinking about photography, history, and many other things.” -- Steve Edwards * Oxford Art Journal *“[A] fascinating and remarkable new book. . . . It is also a pleasure to use, being beautifully produced, with (as would be expected) a wonderful collection of photographs, magnificently reproduced—and. . . it is outstandingly good value.” -- Alan Crosby * Local Historian *“Probably because of the scope, British survey photography has lacked extensive studies, so this thoughtful analysis by Edwards of a complex set of practices and narratives is welcome. . . . Highly recommended. Lower-level undergraduates and above.” -- S. Spencer * Choice *“This is a great book on a great subject by a great author (and, yes, by a great publisher as well, for the amount and quality of the often never published images in this well designed and impressive volume is exemplary). . . . If good history is a dialogue between past, present and future, then The Camera as History is best history.” -- Jan Baetens * Leonardo Reviews *”This is the only comprehensive monograph on the survey movement, for which Edwards has identified 73 surveys, or regional bodies of work that were focused on particular towns, counties, and cities. Her analysis of the pictures is commendable as she describes the ‘historical imagination’ that these amateur photographers articulated through the surveys. . . . Serious researchers on this topic will appreciate the thorough work offered here, which is well documented in notes and appendixes.” -- Eric Linderman * Library Journal *“Essential and exciting reading for anyone interested in the visual culture of this period. Edwards’s achievement is to make the activities of one group—or linked groups—of people speak to the nation’s sense of itself and of how its physical character should be preserved and remembered. No less important is the way in which she makes us think about how photography may best be understood as history and what its responsibilities may be.” -- Kate Flint * Journal of British Studies *“Building on her groundbreaking work on anthropological photography, The Camera as Historian establishes Edwards as a role model in the field of photographic history. Addressing both the concerns of theory and the riches of the archive, Edwards exposes the foibles of these Edwardian amateurs without any bad-faith assumption of chauvinism. Adorned with over a hundred illustrations and a useful bibliography, scholars and graduate students in the fields of photography, visual culture, social, and cultural history will receive multiple dividends from reading and discussing this book.” -- Nicole Hudgins * Journal of Social History *“Edwards demonstrates a true mastery over her material and an adept use of critical theory, such that the book remains wholly engaging. The Camera as Historian positions Edwards as anexemplar in the writing of history and ethnography within the fields of photography and visualculture. With over one hundred illustrations and a comprehensive bibliography of primary andsecondary sources, this book will surely remain a useful reference on British survey photography and a model historiography of both British history and photography.” -- Taylor J. Acosta * Nineteenth-Century Art Worldwide *"I am Australian, and thus very distant in space and experience from these landscapes — but just holding and looking through Edwards’s beautiful book fills me with nostalgia and longing for a landscape I have never known.... Erudite and nuanced, this rich and suggestive book raises many issues and points to further work." -- Jane Lydon * Victorian Studies *Table of ContentsPreface xi Acknowledgments xiii 1. "Sacred Monuments of the Nation's Growth and Hope": Amateur Photography and Imagining the Past 1 2. "A Credit to Yourself and Your Country": Amateur Photographers and the Survey and Record Movement 31 3. Unblushing Realism: Practices of Evidence, Style, and Arachive 79 4. "To Be a Source of Pride": Local Histories and National Identities 123 5. "Doomed and Threatened": Photography, Disappearance, and Survival 163 6. "To Quicken the Instincts": Photographs 7. Afterlives and Legacies: An Epilogureas Public History 209 7. Afterlives and Legacies: An Epilogue 243 Appendix 259 Illustrations 269 Notes 273 Bibliography 305 Index 321

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Book SynopsisLooks at the vernacular cosmopolitanism of a group of jazz players in Ghana, who have traveled widely, played with American jazz greats, and blended Coltrane with local instruments and philosophy. This book describes their cosmopolitan outlook as an accoustemology, a way of knowing the world through sound.Trade Review"How to evoke the brilliant insight and empathy of Steven Feld's acoustemological memoir of music and musicians in Accra? To start, imagine E. T. Mensah, Shirley Temple, John Coltrane, and Ludwig van Beethoven riding (quasi-legally) in the back of a vividly motto-festooned Ghanaian trotro truck, cool-running a memory-drenched, complexly overlapping soundscape of highlife evergreens, Afriphonic jazz hollers, hallelujah choruses, ratcheting sewer toads, and honking India-rubber bulb horns. Centered on the voices, stories, and ambitions of a compelling cast of characters—Ghanaian musicians whose diversely linked experiences chart the layered, contradictory flows and deep reefs of globalization—Jazz Cosmopolitanism in Accra is a fundamental and stimulating contribution to the literature on musical cosmopolitanism and the study of contemporary urban culture in Africa.”—Christopher Waterman, Dean, UCLA School of the Arts and Architecture"Steven Feld has written an astonishing book: at once a sweetly told adventure story, biographies of some very important but virtually unknown African musicians, a shrewd look at the world we live in and think we know, and hidden within it all, a sly critique of the history of jazz."—John F. Szwed, Director, Center for Jazz Studies at Columbia University“[A] vital statement about the infinitely nuanced nature of cultural exchange between Africa and America, and how our fullest understanding of jazz history might be furthered by enquiries like this.” -- Kevin Le Gendre * Jazzwise *“A successful fusion of anthropology and aesthetics that illuminates the musical and cultural links—and differences—between African and American jazz, this is also a fascinating memoir of one person’s attempt to understand the urban culture of Ghana in an age of globalization.” * Publishers Weekly *“Feld reveals the high degree of cosmopolitanism in jazz-pop related musics and the huge role that race and class play in constraining the players. Deciphering the intertextuality of African American life and music requires an expert like Steven Feld. He has done a masterful job.” -- Philip K. Bock * Journal of Anthropological Research *“In addition to his effective usage of the storytelling mode, Feld provides an exemplary illustration of the seamless integration of multiple roles as a documentary filmmaker, musician, anthropologist, historian, and tour promoter. . . . Feld realizes that not all Ghanaians would view these musicians as cosmopolitans, but that fact seems to actually reinforce his discussion of the discourse on cosmopolitanism and its relationship to race, class, and other structures of power. Indeed, he opens many doors for his readers and tells us stories of why these types of music making are important beyond Ghana. He leads us to a more refined understanding of cosmopolitanism, not to provide a series of answers, but to provoke in each of us more thoughtful questions about our music, our research, and ourselves.” -- Dave Wilson * Ethnomusicology Review *“The chapters in which Feld listens and retells the stories of these mercurial musicians are compelling, and throw up original and profound material. . . . Feld is brilliant at articulating the multiple overlapping narratives and experiences that both obfuscate and animate diasporic dialogues, and in that process his book attains its own world-historical significance.” -- Tony Herrington * The Wire *“This fascinating book opens up jazz from the African perspective. Whether he’s discussing with Nortey the Africanization of his saxophone and his absolute dedication to the music of John Coltrane or explaining Ghanaba’s musical relationship with Max Roach, Feld brings a full picture to the broadening cultural aspects of Africans playing their own type of jazz.” -- Jon Ross * DownBeat *“With rich and diverse examples, Feld demonstrates the pervasiveness of cosmopolitan outlooks among jazz musicians in Accra, whether mobile or immobile, socially powerful or powerless, rich or poor… Jazz Cosmopolitanism in Accra is an important theoretical intervention in ‘cosmopolitanism from below’ and a powerful narrative about jazz as an African diasporic art form from the standpoint of musicians in Accra.” -- Stephen Hager * Notes *“Jazz Cosmopolitanism is a lively and important book, one that uses the vehicles of dialogue and sound to unearth the complex cultural and political dynamics that connect a group of urban Africans to the diaspora and wider world. It is a fun, invigorating, and worthwhile read. . . . Jazz Cosmopolitanism is a book that continues to resonate when finally put down. I highly recommend picking it up.” -- Nate Plageman * Journal of African History *“A thoroughly humane and endearing narrative account of Feld’s attempt in Ghana, encumbered by the title ‘prof,’ recording and photographic equipment, a car, and many of the resources one expects from a citizen of the wealthiest nation on earth,to try and engage with and understand Accra’s musical landscape and especially those aspects of it which relate to jazz. It’s a joy to read. . . .” * African Jazz *“Feld’s brilliant work should have a broad impact and appeal, offering significant contributions and interventions to interdisciplinary discourses on jazz, Ghanaian music, cosmopolitanism, as well as (urban) Africa and its diaspora.” -- Paul Schauert * African Music *“An absolute delight. . . . Jazz Cosmopolitanism in Accra will not only become one of the most important studies in jazz scholarship; it will also provide a provocative indication of where and how culturally oriented music studies might develop.” -- Ronald Radano * Journal of Popular Music Studies *“A text to listen to... Jazz Cosmopolitanism in Accra is a prime example of substantial academic research presented in an accessible way.... With his combination of academic depth, collaborative approach, and aesthetic sensibility in this book, as in his other work, Steven Feld is a guiding light for us all: musicians, filmmakers, anthropologists in Ghana and further afield.” -- Helena Wulff * Visual Anthropology Review *Table of ContentsOpus xi Four-Bar Intro "The Shape of Jazz to Come" 1 Vamp In, HeadAcoustemology in Accra: On Jazz Cosmopolitanism 11 First Chorus, with TranspositionGuy Warren / Ghanaba: From Afro-Jazz to Handel via Max Roach 51 Second Chorus, Blow FreeNii Noi Nortey: From Pan-Africanism to Afrifones via John Coltrane 87 Third Chorus, Back InsideNii Otoo Annan: From Toads to Polyrhythm via Elvin Jones and Rashied Ali 119 Fourth Chorus, Shout to the GroovePor Por: From Honk Horns to Jazz Funerals via New Orleans 159 Head Again, Vamp OutBeyond Diasporic Intimacy 199 "Dedicated to You" 245 Horn Backgrounds, Riffs Underneath 249 Themes, Players 299

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Book SynopsisExamining the notion of time in art history, Keith Moxey argues that looking at a work of art creates an experience of time for the viewer distinct from the work's place in the history of art.Trade Review“Every page is graced with an erudite yet refreshingly accessible writing style—a rare feat these days—which makes the reader feel excessively smart. . . . If you are not afraid to come away with more questions than you started with, this book definitely belongs within easy reach on your shelf. It is a book to anyone interested in the philosophy of time, the nature of art, and the ever-growing contemporary discourses of history and art history.” -- SeungJung Kim * Art in America *“Though it is a far-reaching critique of the kind of historicism that contents itself with studying the past without regard for the present, Keith Moxey’s Visual Time: The Image in History is not an attempt to liberate us from history. On the contrary, it is a critique of historicism in the name of history, and it never loses sight of the urgent issues that have fueled historicism, especially in the last century.” -- Amy Knight Powell * CAA Reviews *“Due to the breadth and variety of content and theory, the book should have wide-ranging application for art historians working in a number of geographic regions and time periods, and it should benefit those working in theory as well as object-based scholarship. . . . Moxey’s work is another valuable foray into a rich field, and it has the potential to reshape art historical discourse.” -- James Fishburne * Comitatus *"This book, with its sophisticated language and discussion of methodological and historiographical insights, will be key reading for graduate students and scholars across art history and related fields. While the case studies pertain largely to sixteenth-century northern European works, Moxey's thoughtful and provocative consideration of issues related to time, history, periodization, style, aesthetics, and presence in the interpretation of objects from the past will appeal to all who are grappling with these theoretical issues." -- Joyce de Vries * Sixteenth Century Journal * "Affect and historicism—dueling presences within any art experience—animate Keith Moxey’s superb new collection of essays on Northern Renaissance painting." -- Christopher P. Heuer * Renaissance Quarterly *Table of ContentsList of Illustrations ix Acknowledgments xi Introduction 1 Part I. Time 9 1. Is Modernity Multiple? 11 2. Do We Still Need a Renaissance? 23 3. Contemporaneity's Heterochronicity 37 Part II. History 51 4. Visual Studies and the Iconic Turn 53 5. Bruegel's Crows 77 6. Mimesis and Iconoclasm 107 7. Impossible Distance 139 Conclusion 173 Bibliography 177 Index 199

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Book SynopsisThe contributors to this provocative collection scrutinize the relations between anthropology and contemporary global war, contending that modern high-tech warfare is analogous to rituals of magic and sorcery, and examining the U.S. military's exploitation of ethnographic research.Trade Review"Virtual War and Magical Death is a creative project that is bound to stimulate constructive conversation. It inserts contemporary technologies of warfare, particularly the U.S. Army's Human Terrain System, into sociocultural anthropology's current reflections on its theoretical and methodological practices, as well as the purposes of ethnographic inquiry within and beyond the discipline."—Carol J. Greenhouse, author of The Paradox of Relevance: Ethnography and Citizenship in the United States"By placing in brackets conventional ways of contrasting modernity and premodernity, the contributors to this groundbreaking collection of essays bring into startling relief the phenomenological commonalities that underlie warfare and witchcraft, militarism and magic, while offering radically new insights into the virtual and ritual dimensions of violence and the 'war on terror.'"—Michael Jackson, author of Life Within Limits: Well-being in a World of Want“The book is strongly recommended, not least to those who are tasked with finding out whether ‘smart’ warfare does what it says on the box.” -- Paul Richards * Journal of Military History *“[E]nchanting, ethnographic- and analysis-full…. this volume gathers some of anthropology’s most knowledgeable war scholars who collectively identify the enormous scope of contemporary virtual war in its multiple meanings and applications.” -- Alisse Waterston * The Australian Journal of Anthropology *"The volume elegantly frames early-twenty-fi rst-century militarism as a form of magical thinking. The result is a collection that successfully, and productively, brings into dialogue chapters that cover the origins of the US military’s Human Terrain Systems and drone warfare programs with chapters on diamond diggers in rural Tanzania and the expansion of police violence in postwar Guatemala." -- Danny Hoffman * Journal of Anthropological Research *"A powerful critique of the hubristic illusion perpetuated by the military, that the infinite diversity, ambiguity and creativity of the social may be tamed through proper techno-cultural management." -- Malay Firoz * Social Anthropology *"This is a valuable collection…. It is a fine tribute to Neil Whitehead, whose insights on why we kill each other will be sorely missed." -- Chris Hables Gray * Technology and Culture *Table of ContentsAcknowledgments ix Introduction: Virtual War and Magical Death / Neil L. Whitehead and Sverker Finnström 1 1. Ethnography, Knowledge, Torture, and Silence / Neil L. Whitehead 26 2. The Role of Culture in Wars Waged by Robots: Connecting Drones, Anthropology, and Human Terrain System's Prehistory / David Price 46 3. Cybernetic Crystal Ball: "Forecasting" Insurgency in Iraq and Afghanistan / Roberto J. González 65 4. Full Spectrum: The Military Invasion of Anthropology / R. Brian Ferguson 85 5. Today He Is No More: Magic, Intervention, and Global War in Uganda / Sverker Finnström 111 6. The Hostile Gaze: Night Vision and the Immediation of Nocturnal Combat in Vietnam and Iraq / Antonius C. G. M. Robben 132 7. Virtual Soldiers, Cognitive Laborers / Robertson Allen 152 8. Virtual Wars in the Tribal Zone: Air Strikes, Drones, Civilian Casualties, and Losing Hearts and Minds in Afghanistan and Pakistan / Jeffrey A. Sluka 171 9. Propaganda, Gangs, and Social Cleansing in Guatemala / Victoria Sanford 194 10. The Soundtrack to War / Matthew Sumera 214 11. War at Large: Miner Magic and the Carrion System / Koen Stroeken 234 References 251 Contributors 279 Index 281

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Book SynopsisIn addition to being a renowned artist, Renée Green is also a prolific writer and a major voice in the international art world. Other Planes of There gathers for the first time a substantial collection of the work she wrote between 1981 and 2010.Trade Review“[B]y interweaving an astounding diversity of tones, modes, subjects, and genres into a single body of writing, Green reveals many of the underlying interactions and interconnections that would seem to shape our contemporary moment. In the pieces collected in the volume, Green oscillates between the poles of academic and literary ambition, combining the poetic with the analytic, the diaristic with the theoretical, the autobiographical with the systematic, the tentative with the polemical. . . . Other Planes of There offers both a critical genealogy of and a reflexive corrective to our present art-historical and political moment.” -- André Rottmann * Artforum *“Anticipating the artist’s expanded function—the various ‘turns’ of the 2000s—Green wears many hats, acting at once as a curator, archivist, events organizer, and independent distributor (a role she calls ‘free media agent’). . . . An important resource for those seeking to understand what has happened in progressive art discourse for the past twenty years. Other Planes of There also offers a model for how artists might situate their work through a critical, process-intensive writing practice.” -- Thom Donovan * BOMB *“The book is evidence of what remains an ongoing process, which continues to grow in the minds of those that read it or come to encounter Green’s work. Rooted within the fabric of every text is Green’s voice, which remains one of questioning the world, through a continual prodding and reexamination of methods of understanding, transmission, and communication.” -- Maia Nichols * Full Stop *“Complete with an extensive Publishing History, Curriculum Vitae and Index that indicate clearly the rich scope of this anthology, this certainly is a beautiful example of what thinking through and with work can lead to.” -- Edith Doove * Leonardo Reviews *Table of ContentsAcknowledgments xi Introductory Essays Other Planes, Different Phases, My Geometry, Times, Movements: Becomings Ongoings 1 Remarks on the Writings of Renee Green, by Gloria Sutton 19 Genealogies 1. Sites of Criticism: A Symposium. Practices: The Problem of Division of Cultural Labor. Statement (1992) 35 2. Discourse on Afro-American Art: The Twenties (1982) 42 3. I Won't Play Other to Your Same (1990) 53 4. What's Painting Got to Do with It? Representing Gender and Sexuality in the Age of Post-Mechanical Reproduction (1990) 57 5. From Camino Road (1994) 64 Circuits of Exchange 6. Open Letter #1: On Influence (1992) 73 7. Open Letter #2: Another Attempt (1993) 78 8. Collectors, Creators, and Shoppers (1994) 83 9. Peripatetic at "Home" (1995) 89 10. Free Agent Media / FAM (1995) 94 11. Situationist Text (2001) 99 12. Introductory Notes of a Reader and "A Contemporary Moment" (2001) 103 Encounters 13. Trading on the Margin (1991) 119 14. Democracy in Question (1991) 128 16. Spike Lee's Mix: Calculated Risks and Assorted Reckonings (1996) 141 17. Compared to What? (1998) 152 18. Notes on Humanist and Ecological Republic and Lac Mantasoa (2000) 156 19. Other Planes of There (2004) 163 20. Archives, Documents? Forms of Creation, Activism, and Use (2008) 176 21. On Kawara's Solutions to Living (2010) 191 Positions 22. "Give Me Body": Freaky Fun, Biopolitics, and Contact Zones (1995) 197 23. Dropping Science: Art and Technology Revisited 2.0 (1995) 210 24. Site-Specificity Unbound: Considering "Participatory Mobility" (1998) 225 25. Slippages (1997) 230 26. Affection Afflictions: My Alien/MySelf, or More "Reading at Work" (1998) 256 27. Survival: Ruminations on Archival Lacunae (2001) 271 28. Beyond (2006) 289 29. Place (2006) 297 Operations 30. Sites of Genealogy (1990) 309 31. VistaVision: Landscapes of Desire (1991) 312 32. Tracing Lusitania: Excerpts from an Imagined Prototype (1995) 317 33. Secret, Part 1. Practiced Places (1992-1993) 320 34. Secret, Part 2. Scenes from a Group Show: Project Unite (1993) 323 35. Inventory of Clues (1993) 335 36. Eighteen Aphoristic Statements (1994) 340 37. Collecting Well Is the Best Revenge (1995) 346 38. The Digital Import/Export Funk Office (1995) 354 39. Wavelinks Transmitted amidst "Dangerous Crossings": Reflections in 2006 (2000, 2006) 364 40. Standardized Octagonal Units for Imagined and Existing Systems (2002) 375 41. Sound Forest Folly: Intermediary Units of a Variable Number (2004) 379 42. Why Systems? (2004) 381 43. Relay (2005) 388 44. Index (From Oblivion): Paradoxes and Climates. Thought Experiments: Warm-up Notes (2005) 392 45. Climates and Paradoxes (2005) 396 46. Why Reply? (2007) 403 47. Now It Seems Like a Dream (2007) 408 48. Imagine This Wherever and Whoever You Are (2008) 411 49. Come Closer: Prelude to Endless Dreams and Water Between (2008) 419 50. Come Closer (2008) 422 51. Endless Dreams and Water Between (2009) 428 Plate Captions 453 Publishing History 463 Curriculum Vitae 469 Index 491

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Book SynopsisTrade Review“[A] slim yet comprehensive look at how an 1863 law against appearing in public dressed as a different sex invited a regime of surveillance upon “problem bodies.” The book covers a lot of ground.” -- Peter Kane * SF Weekly *“[A]s the first in-depth examination of cross-dressing laws in an American city, the book is a valuable contribution to gender studies. It demonstrates convincingly that societal discomfort with difference in gender-expression was historically tied to societal discomfort with other sorts of difference. Both led to the marginalization of “problem bodies.”” -- Lillian Faderman * Women's Review of Books *"Arresting Dress gives one much to think about beyond its well-argued and convincing conclusions. This is what I consider a good book — a scholarly endeavor that causes one to think about how one might look at evidence, arguments, and conceptualizations in different ways.... Arresting Dress is highly recommended, both for the conclusions it draws and for the further thinking and research it encourages." -- Peter Boag * GLQ *"Arresting Dress is an impressive work of history, based in deep archival research, written in engaging prose, woven with smart analysis, and complete with wonderful images from primary sources... that bring the text to life. Never over-theoretical, the work is both approachable for undergraduates as well as useful for specialists. As such, it deserves to be read and assigned widely." -- Emily Skidmore * Journal of American History *"In her compelling historical account of a multiplicity of cross-dressing practices and their incorporation into certain cultural venues and proscription in others, Clare Sears demonstrates the ways in which stabilizing gender and sexuality was central to state-making projects of that time.... [T]he result is a book well worth reading." -- Tey Meadow * American Journal of Sociology *"Sears’s book is important because it historicizes cross-dressing and cross-gender behavior in ways in which it never has been before. Indeed, it is the sort of interdisciplinary study that is often attempted but rarely executed with such interpretive precision.... Despite such scholarly intersections, however, the book is remarkably accessible. A stimulating read for undergraduates, specialists, and general readers." -- Adam Q. Stauffer * Journal of American Studies *"There is much to admire in Sears’ analysis of this topic, especially in her persistent and convincing analysis of how cross-dressing laws interacted with racial politics at the time—two topics that seem unrelated at first glance. Overall Sears gives a nuanced, sensitive and in intelligent reading of a little-known law and its vast consequences for the culture of the city and the nation." -- Ariel Beaujot * Social History *"What is especially admirable about Sears’s text is the depth and breadth of her interdisciplinary archival research that draws together a variety of processes and relations that demonstrate the fascination and outrage with forms of cross-dressing. This is equally well-balanced and supported with an application and articulation of a variety of theoretical perspectives that make this a valuable book about belonging, othering, bodies and dressed appearance, not just historically but with relevance today." -- Shaun Cole * International Journal of Fashion Studies *"Sears deftly uses a variety of well-placed illustrations (newspaper clippings, political cartoons, posters, and photographs) to explain and expand her arguments. She also, in a surprising twist in view of her emphasis on the prevalence of cross-dressing, successfully challenges the popular notion of frontier San Francisco as a ‘wide open' permissive town." -- Nancy C. Unger * Canadian Journal of History *Table of ContentsAcknowledgments vii Introduction. Not Belonging 1 1. Instant and Peculiar 23 2. Against Good Morals 41 3. Problem Bodies, Public Space 61 4. A Sight Well Worth Gazing Upon 78 5. Indecent Exhibitions 97 6. Problem Bodies, Nation-State 121 Conclusion. Against the Law 139 Notes 149 Bibliography 175 Index 191

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Book SynopsisFor Strasbourg consists of a series of essays and interviews by French philosopher and literary theorist Jacques Derrida (1930-2004) about the city of Strasbourg and the philosophical friendships he developed there over a forty year period. It is a profound interrogation of the relationship between philosophy and place, philosophy and language, and philosophy and friendship.Trade Review"Derrida did not plan to publish For Strasbourg, but it is an illuminating addition to his legacy," -Times Literary Supplement "This volume gathers some of Derrida's last texts, from 2002 to 2004, as he was engaged in fascinating discussions with Jean-Luc Nancy and Philippe Lacoue-Labarthe about questions of sovereignty, event, responsibility, friendship, hospitality, singularity, community, the people, the human and animality, and his own relation to Heidegger and to the "Strasbourg school." More poignantly, Derrida develops extraordinary meditations on death, on his own death, on dying alone or together, on survival and disappearance, on eternity, immortality and finitude, returning to the notions of trace, spectrality, and mourning. This is a moving and extraordinarily rich volume, which reveals Derrida's final philosophical reflections." -- -Francois Raffoul Louisiana State UniversityTable of ContentsTranslators' Preface 1. The place name(s): Strasbourg 2. Discussion between Jacques Derrida, Philippe Lacoue-Labarthe, and Jean-Luc Nancy 3. Opening 4. Responsibility-Of the Sense to Come

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Book SynopsisThe illuminating intellectual biography of one of the most controversial Italian figures of the twentieth century.Trade Review"Rota's biography of Angelo Tasca--a critically-important figure in 20th-century Italian political history--is clear, balanced,and engaging. Rota traces Tasca's tormented trajectory from communism to Vichy with judicious restraint and empathy. An insightful and provocative work of intellectual history." -- -Stanislao G. Pugliese Hofstra University "An original work. A good account of an intellectual and political journey from Italian and French socialism and communism through Vichy collaboration and back to an anti-communist moderate left." -- -Roy Domenico University of Scranton "...Rota's book is a fine example of a scholarly biography of an important figure in the history of the Italian Left. It is a pity that there are so few books of this nature available." -European Review of HistoryTable of ContentsAcknowledgments Introduction 1 Into the Battlefield 2 Learning Rus sian: Angelo Tasca and the Stalinization of the Communist Parties 3 In Limbo: Angelo Tasca and Liberal Democracy 4 The Road to Vichy 5 A Socialist in Vichy Epilogue Notes Bibliography Index

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Book Synopsis‘There are few historical developments more significant than the realisation that those in power should not be free to torture and abuse those who are not.’ – Amal Clooney On 10 December 1948, in Paris, the United Nations General Assembly adopted an extraordinarily ground-breaking and important proclamation: The Universal Declaration of Human Rights. This milestone document, made up of thirty Articles, sets out, for the first time, the fundamental human rights that must be protected by all nations. The full text of the document is reproduced in this book following a foreword by human rights lawyer Amal Clooney and a general introduction which explores its origins in the ‘Four Freedoms’ described by U.S. President Franklin D. Roosevelt, the role his wife Eleanor Roosevelt took on as chair of the Human Rights Commission and of the drafting committee, and the parts played by other key international members of the Commission. It was a pioneering achievement in the wake of the Second World War and continues to provide a basis for international human rights law, making this document’s aims ‘as relevant today as when they were first adopted a lifetime ago.’

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Book SynopsisThe commentary, which accompanies the Hebrew biblical text and the JPS translation, approaches the Book of Esther from a fresh literary point-of-view. It includes essays entitled “When and Where Was the Book of Esther Written?”, “Sex and Spies”, and “Rabbinic Interpretation”.Trade Review“This informative commentary . . . dissects the Book of Esther and, by extension, the Jewish holiday of Purim. Berlin begins with a lengthy introduction, discussing Esther as comedy and as diaspora literature; the introduction does a fine job of explaining the Persian period and its various art forms.”—Publishers Weekly "Berlin's literary approach to the book of Esther is a very well done, and filled with important information."—David J. Zucker, Women in Judaism

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Book SynopsisA FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. Born in Kent, Annie Soudain lives by the sea in Sussex and much of her work continues to be inspired by the beautiful landscapes surrounding her. This colourful linoprint was created using the reduction method, which involves progressively cutting, inking up, and printing from the same block. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

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Book SynopsisFocuses on the life of We'wha (1849-96), the Zuni who was perhaps the most famous berdache (an individual who combined the work and traits of both men and women) in American Indian history. Through We'wha's exceptional life, Will Roscoe creates a vivid picture of an alternative gender role whose history has been hidden and almost forgotten.

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Book SynopsisAs a young child, Herman Lehmann was captured by a band of plundering Apache Indians and remained with them for nine years. This is his dramatic and unique story.Trade ReviewLehmann's memoir is quite fantastic-sounding at times, but is regarded as one of the best of that rare breed of book, the first-person 'captivity story' . . . One of the values of Lehmann's book is its no-holds-barred, unapologetic tone." —Rocky Mountain News"A fascinating account of [Lehmann's] subsequent life among both the Apache and Comanche people. . . . this is an engaging read." —German Life"Lehmann's true-life story features suspense and excitement that surpass even the skill of the most imaginative fiction writer." —Books of the Southwest

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Book SynopsisThe story of a Cherokee boyhood of the 1930's.

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Book SynopsisMudpuppy''s Wild Mix-Up Magnetic Build-it includes 2 illustrated scenes and 3 sheets of mix and match magnets for creating your own wild animals! The sturdy tin package offers hours of imaginative play with easy cleanup and storage of pieces. Mudpuppy''s Magnetic Tins are the perfect children''s travel toy and quiet time activity.• 3 sheets of mix & match magnets + 2 illustrated background scenes• Hinged tin: 6.25 x 8.75 x 1, 16 x 22 x 2.5 cm• Ages 4+• Magnets adhere to tin package for compact, portable fun• Free display available

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Book SynopsisThis book uses a deconstructive method to bring together the history of Western Monotheism (Christianity, Judaism, Islam) and reflections on contemporary atheism. It develops Nancy’s concepts of sense, world, and exposure.Trade Review"Nancy pursues his explorations of Dis-Enclosure: The Deconstruction of Christianity by treating the old and complex Christian 'legacy' in an original and stimulating manner, thereby demonstrating a remarkable mastery and erudition in the fields of Christion theology and of the philosophy of religion. But he also takes some important new steps in this trajectory, that will fascinate the reader." -- -Laurens ten Kate University for Humanistics, University of Utrecht

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