Stationery and miscellaneous items

Book SynopsisLooks at photograph collections of four Black German families taken between 1900 and the end of World War II and a set of portraits of Afro-Caribbean migrants to Britain taken at a photographic studio in Birmingham between 1948 and 1960.Trade Review“Campt offers a compelling study of how ‘engaging the photograph as a dynamic and contested site of black cultural formation’ and belonging leads to insights about representation extending well beyond substantive particularities. In prose readily accessible to undergraduates, she adapts current theories concerning the intentionality of photography, "image-making as a collective and relational practice of enunciation," and "haptic visualities" to case studies of black German and British identity formation.... Recommended.” - A.F. Roberts, CHOICE Magazine“Image Matters is a valuable addition to the body of knowledge on diasporaand transnationalism. The work also provides significance to the field of visual rhetoric and may prove indispensable to other similar studies. Furthermore, given the nature of the images and the stellar research this work can be effectively incorporated into the realm of psychology and sociology. At the very least, Campt upholds the idea that a picture is worth a thousand words and effectively challenges us to seek a deeper meaning of the photographs we view.” - Mary Vanderlinden, Ethnic and Racial Studies“Campt, by merely presenting unseen images of these African people, accomplishes much. She also proves that the African Diaspora that we all know from history books and discussion isn't as streamlined as we thought. Image Matters presents a complex story on race, gender and image control of a people who haven't controlled their image in a long time.” - Stephon Johnson, New York Amsterdam News“In Image Matters Tina Campt explores a visual nexus of black European subjectivities through an innovative interrogation of vernacular photography. This volume is a beautifully detailed account of Campt’s investigation, one that gracefully unfolds its unexpectedly private moments, moving public provocations, and at times chilling accounts of our perpetually returning historical legacies. Campt has gathered a stunning array of photographs. . . .” - Vera Ingrid Grant, CAA Reviews"In this lucid and meticulously argued book, Tina M. Campt questions the way we see and understand race by examining family photographs of black Europeans. Her detailed readings of studio portraits, snapshots, and orphaned images engage the multiple sensory registers on which images solicit and touch us. In our encounters with these photographs of belonging, displacement, and exclusion, we are reminded why images matter."—Saidiya Hartman, author of Lose Your Mother: A Journey along the Atlantic Slave Route"None of the riveting photographs in Image Matters are what they first seem. As Tina M. Campt's analysis unfolds, the images of black diasporic communities in Europe are revealed to be infinitely complex. They complicate accepted narratives and link to larger questions about the nature of historical evidence and the historical process. Ultimately, they become a prism for thinking about the diasporic condition itself, drawing attention to the diversity of black experience and to the ways that diaspora involves not only movement but also staying put."—Elizabeth Edwards, author of The Camera as Historian: Amateur Photographers and Historical Imagination, 1885–1918“Image Matters is an extraordinary reflection on what vernacular photography enabled black Europeans to say about themselves and their communities. . . . I have family photos throughout my home, but after reading Image Matters, this thought provoking book, I will never look at them the same. They now seem to take on a life of their own beyond just images. This is a book that I highly recommend, especially from a scholarly perspective.” -- Dennis Moore * EUR/Electronic Urban Report *“Image Matters offers historians (and other people) a fascinating and thought-provoking set of case studies and guide to productive ways of reading photographs, as well as to thinking about our own response to them.” -- Eve Rosenhaft * German History * “Image Matters is highly engaging, and Campt’s employment of multiple methodologies is adroit and interesting. . . . The book is an important addition to Africana / Afro-Caribbean Studies and Cultural and Media Studies. More precisely, Campt makes a critical scholarly contribution to how we conceive of the African Diaspora.” -- Nicosia Shakes * Callaloo *“Tina Campt’s recent monograph achieves an authorial tone both deeply personable and strikingly engaging for the intellect. Her research contributes to the emerging field of black European studies through an interdisciplinary engagement with the intersecting discourses of photography, diaspora, and race. . . . Campt has produced a work of scholarship daringly subjective and intellectually provocative.” -- Angelica Fenner * Journal of Family History *Table of ContentsAcknowledgments ix Introduction: Our Family Tales and Photographic Records 1 Part 1. Family Matters: Sight, Sense, Touch 21 1. Family Touches 35 Interstitial 1. The Girl and/in the Gaze 71 2. Orphan Photos, Fugitive Images 83 Part 2. Image Matters: Sight, Sound, Score 115 Interstitial 2. "Thingyness"; or, The Matter of the Image 117 3. The Lyric of the Archive 129 Epilogue 199 Notes 205 Bibliography 223 Illustration Credits 231 Index 233

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Book SynopsisSince the mid-1980s, the Islamic Republic of Iran has permitted, and partially subsidized, sex reassignment surgery. In Professing Selves, Afsaneh Najmabadi explores the meaning of transsexuality in contemporary Iran. Combining historical and ethnographic research, she describes how, in the postrevolutionary era, the domains of law, psychology and psychiatry, Islamic jurisprudence, and biomedicine became invested in distinguishing between the acceptable 'true' transsexual and other categories of identification, notably the 'true' homosexual, an unacceptable category of existence in Iran. Najmabadi argues that this collaboration among medical authorities, specialized clerics, and state officials—which made transsexuality a legally tolerated, if not exactly celebrated, category of being—grew out of Iran''s particular experience of Islamicized modernity. Paradoxically, state regulation has produced new spaces for non-normative living in Iran, since determining who Trade Review"Professing Selves is one of the best recent works on contemporary Iran. Arguing that transsexuals' legal and psychiatric negotiations reveal more general processes of proceduralism, negotiation of legal categories, and state formation, Afsaneh Najmabadi challenges the lumping of transsexuals and homosexuals as identical human rights issues, and argues that poorly targeted universalistic campaigns can damage the conditions of life for the people they are intended to help. She works refreshingly at the level of real lives, jurists, and psychiatrists."—Michael M. J. Fischer, author of Mute Dreams, Blind Owls, and Dispersed Knowledges: Persian Poesis in the Transnational Circuitry"In this important, timely, and erudite work, Afsaneh Najmabadi brings her nuanced understanding of multiple discourses and institutions in Iran to bear on the recent and remarkable visibility of transsexuality in that country. Professing Selves is likely to have a wide-ranging appeal—to historians, Middle East specialists, sexuality and gender scholars, and social scientists interested in issues of state formation and biopolitics. It will be the definitive text on its topic for a long time to come."—Susan Stryker, author of Transgender History"In her theoretically sophisticated book, historian Najmabadi investigates the political and cultural evolution of Iranian attitudes toward 'sexual deviancy and sexual disorder,' beginning in the 1930s. . . .Recommended. Upper-division undergraduates and above." -- A. Rassam * Choice *"A fascinating book that... challenges the Western media’s depiction of transsexuality and sex reassignment surgery as coercive while ignoring the vibrant reform movement and history of progressive activism in Iran." -- Nancy Gallagher * Middle East Media and Book Reviews *“Under guise of an ethnography of transsexuality in contemporary Iran, Afsaneh Najmabadi has written a nuanced ethnography of the transition of the Iranian state and public sphere from one type (jins) to another. Building on Joan Scott’s (1986) observation that gender is a useful category for historical analysis, Najmabadi goes beyond showing that sex and sexuality are also useful categories for historical analysis to suggest that somatic-constitutional transformation can be as well. … Najmabadi is an excellent guide through this world of nonconforming confirmers of the core gender categories of the Islamic Republic of Iran.” -- Leila Hudson * TSQ *“Here we find that nuanced and adept reading of power, subjectivity, submission, and subversion—this time of lived, contemporary cultural practices—that we have grown to expect from a scholar of her caliber.” -- Roshanak Kheshti * GLQ *“ Afsaneh Najmabadi’s new book Professing Selves is a great start to understanding how gender and sexuality work within Iran. It makes the point that geography, history, culture, and on-going macro- and microsocial processes are crucial to understanding transsexuality and same-sex desire…. This is a work that speaks to the historical and cultural relativity of social meanings and practices—the importance of the local and specific.” -- Darryl B. Hill * Journal of the History of the Behavioral Sciences *Table of ContentsAcknowledgments ix Introduction 1 1. Entering the Scene 15 2. "Before" Transexuality 38 3. Murderous Passions, Deviant Insanities 75 4. "Around" 1979: Gay Tehran? 120 5. Verdicts of Science, Rulings of Faith 163 6. Changing the Terms: Playing "Snakes and Ladders" with the State 202 7. Living Patterns, Narrative Styles 231 8. Professing Selves: Sexual/Gender Proficiencies 275 Glossary of Persian Terms and Acronyms 303 Notes 305 Works Cited 373 Index 389

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Book SynopsisOffering a new theory of queer world cinema, Karl Schoonover and Rosalind Galt explore how it intersects with shifting ideals of global politics and cinema aesthetics to demonstrate its potential to disturb dominant modes of world making and to forge spaces of queer belonging.Trade Review"Absolutely productive and provocative. . . . An important intervention that has stakes for the field of media studies [and] for social justice." -- Regina Longo * Film Quarterly *"Queer Cinema in the World is both brilliant and maddening. It is a daring attempt by Schoonover and Galt to explode the relationship between queer theory and film studies that is bound by Western intellectual conventions. Highly recommended." -- G. R. Butters Jr. * Choice *"A wildly ambitious configuring of contemporary queer cinema that has no less than a holistic revision of cinematic representation on its mind. . . . Queer Cinema in the World belongs on the bookshelf of anyone who consistently grapples with understanding human difference as a positive quality of social and political life." -- Clayton Dillard * Slant Magazine *"[A] willingness to attend to the surprising ways and spaces where queer cinema can appear is part of what makes the book so dizzyingly comprehensive and enjoyable. . . . This commitment to searching out queer world cinema’s as yet unthought possibilities of pleasure and intimacy shines through." -- Brandon Kemp * Hong Kong Review of Books *"Queer Cinema in the World is a work of remarkable capaciousness and intellectual adventure, written in welcome defiance of the scholarly demand for tight focus and narrow specialization. Maximalist rather than minimalist, it offers a wide view that, among its other pleasures, will provide many readers with introductions to neglected films and filmmakers as well as with compelling treatments of works that are now part of the canon of queer cinema." -- Corey K. Creekmur * Cineaste *"By providing such an array of critical analysis and scholarly resources and by showcasing diverse filmic expressions of queer identity, the authors successfully open countless channels for future research, crucial to creating a larger space for and attention to queer representations in cinema and society at large." -- Joanna Randall * Journal of Film and Video *"Wonderfully ambitious and carefully argued." -- Lindsey Green-Simms * College Literature *"Theoretically daring. . . . it is not difficult to see [Queer Cinema in the World] serving as a cornerstone of future scholarship on queer cinema, and the authors should be commended." -- James Hodgson * Screen *Table of ContentsAcknowledgments ix Introduction. Queer, World, Cinema 1 1. Figures in the World: The Geopolitics of theTranscutlural Queer 35 2. A Worldly Affair: Queer Film Festivals and Global Space 79 3. Speaking Otherwise: Allegory, Narrative, and Queer Public Space 119 4. The Queer Popular: Genre and Perverse Economies of Scale 167 5. Registers of Belonging: Queer Worldly Affects 211 6. The Emergence of Queer Cinematic Time 259 Notes 305 Bibliography 339 Index 357

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Book SynopsisCaren Kaplan traces the cultural history of aerial imagery—from the first vistas provided by balloons in the eighteenth century to the sensing operations of military drones—to show how aerial imagery is key to modern visual culture and can both enforce military power and foster positive political connections.Trade Review"Kaplan challenges the assessment that the view from above must always entail power and control, though that’s often the purpose of this perspective. . . . As Kaplan shows, the view from above can be appropriated by artists and activists to challenge military claims and call attention to the suffering on the ground. She herself takes a view from higher above to critique drone warfare." -- Jason Pearl * Public Books *"[A] fascinating history which [Kaplan] illustrates with well-chosen images sprinkled throughout the text. She shows that while the aerial perspective is far from new, contemporary viewers almost always find it fresh and consider the view from the heavens to be particularly revealing." -- Neta C. Crawford * H-Diplo, H-Net Reviews *"An intelligent, engaging tour‑de‑force bringing into conversation with one another a variety of different media, images and texts, and persuading the readers through its thoughtful reconstruction and deconstruction of historical instances of all‑encompassing vision to learn something even about the unconscious ways they may view the world themselves." -- Laleh Khalili * New Americanist *"Caren Kaplan’s brilliant new Aerial Aftermaths is full of quotable material . . . The author is clear that she wants to interrogate the kind of thinking that makes for grand narratives. And we are better for it. Kaplan’s deconstruction of such narratives is necessarily interdisciplinary, as she impressively reads across a host of literatures in geography, history, American studies and technology/media studies, but it is especially noteworthy for bringing art historians and critics into the fold. She nimbly reads images against the grain, finding the gaps and absences and filling them with historical and critical insight." -- Timothy Barney * Imago Mundi *"Kaplan’s erudition and deep thought emerge from every page, and her prose is as purposeful and potent as one would expect from a Duke monograph. Aerial Aftermaths is a powerful, timely and elegantly crafted book that shrewdly subverts the optics of war." -- Peter Hobbins * Cultural Studies Review *"Kaplan troubles both the conventional wisdom that vision from above results in the immediately legible and its opposite: that vision from above evacuates the possibility of what we can see. She compels her reader to consider the violence 'always already inherent in both desires.'" -- Jennifer Kelly * Radical History Review *"A historically astute account of becoming-aerial, Kaplan’s text is a valuable, careful and nuanced contribution to a wider collection of aerially attentive interventions." -- Anna Jackman * Postcolonial Studies *"Anyone with an interest in state power, surveillance, drone theory or technology, the history of colonialism, art history, military history, or the history of visual culture would find this study enriching and challenging." -- Grace Aldridge Foster * Journal of Cinema and Media Studies *"[A] sweeping, richly illustrated work on the uses of aerial views in wartime aftermaths." -- Blair Stein * Technology and Culture *“Bringing together mapping, photography, war, and the interrogation of the aerial view, Kaplan’s engaged study Aerial Aftermaths underscores the significance of that view to contemporary visual culture. Moreover, Kaplan links this account to an established critique of cartography as a form of power and more particularly an engagement with Western control over non-Western landscapes and peoples.” -- Jeremy Black * American Historical Review *Table of ContentsAcknowledgments ix Introduction. Aerial Aftermaths 1 1. Surveying Wartime Aftermaths: The First Military Survey of Scotland 34 2. Balloon Geography: The Emotion of Motion in Aerostatic Wartime 68 3. La Nature à Coup d'Oeil: "Seeing All" in Early Panoramas 104 4. Mapping "Mesopotamia": Aerial Photography in Early Twentieth-Century Iraq 138 5. The Politics of the Sensible: Aerial Photography's Wartime Aftermaths 180 Afterword. Sensing Distance 207 Notes 217 Works Cited 255 Index 277

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Book SynopsisIn Cooking Data Crystal Biruk offers an ethnographic account of research into the demographics of HIV and AIDS in Malawi in which she rethinks how quantitative health data is produced by showing how data production is inevitably entangled with the lives of those who produce it.Trade Review“A brilliant example of an ethnography of global health. Crystal Biruk offers a very insightful, convincingly argued and well-substantiated account of the effects of what has become the most common type of research not only in global health but the development industry more generally.” -- Anna Wolkenhauer * LSE Review of Books *"Bookended by a thoughtful introduction and conclusion . . . I recommend this book to anyone who does survey work in Africa. . . . Its prose is scholarly but accessible and Biruk does a good job of marrying theoretical concepts to real world examples." -- Kevin Fridy * Journal of Modern African Studies *"Cooking Data succeeds . . . by giving life to the trajectory of data from raw to cooked and troubling what we think we know about what happens in the field." -- Monica Grant * Population and Development Review *"Impressive in its focus and scope, Cooking Data makes a clear and compelling case for the social thickness of numbers. . . . This is a substantive contribution to our understanding of the role of data in global health." -- Damien Droney * Somatosphere *"Cooking Data is a powerful critique of the understanding that survey data are an objective and complete representation of reality. . . . I strongly recommend using this publication as a required reading in undergraduate and graduate courses in Anthropology, Demography, Sociology, and related social sciences that teach students to design and conduct qualitative as well as quantitative research. Further, those interested in African Studies, Global Health, and International Development will tremendously benefit from reading this publication as these disciplines are strongly influenced by survey research. The book is also a must-read for agencies, policy makers, and funding agencies. . . ." -- Alexander Rödlach * Anthropos *“The continued relevance of Biruk’s work is clear in the midst of the global COVID-19 pandemic…. At a time when trust in numbers is increasingly shaken, Biruk offers nuanced insights on the production of numbers that prompts discussion about the role of feminist science studies to both critically examine how numbers attain their authority and simultaneously build capacity for fact based decision making in a post-truth era where powerful leaders intentionally spread harmful misinformation.” -- Angela Okune * Catalyst *Table of ContentsAcknowledgments ix Introduction. An Anthropologist among the Demographers: Assembling Data in Survey Research Worlds 1 1. The Office in the Field: Building Survey Infrastructures 31 2. Living Project to Project: Brokering Local Knowledge in the Field 67 3. Clean Data, Messy Gifts: Soap-for-Information Transactions in the Field 100 4. Materializing Clean Data in the Field 129 5. When Numbers Travel: The Politics of Making Evidence-Based Policy 166 Conclusion. Anthropology in and of (Critical) Global Health 200 Appendix. Sample Household Roster Questions 217 Notes 223 Bibliography 237 Index 269

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Book SynopsisExamines gang history in the region encompassing West Texas, Southern New Mexico, and Northern Chihuahua, Mexico. Mike Tapia examines this region by exploring a century of historical developments through a criminological lens and by studying the diverse subcultures on both sides of the law.Trade Review�Tapia provides a sorely needed supplement to our knowledge of gangs in the Southwest, giving us a detailed history of gang development, cartel and street-gang relations, and the evolution of street�prison gang hybrids in the El Paso, Las Cruces, and Ju�rez regions.��Christian Bolden, contributor to The Encyclopedia of Theoretical Criminology �Very rarely do criminologists get to read an authoritative book by an authoritative scholar on a topic with great interest but little scholarly attention. Tapia�s book is a landmark achievement on the gangs of the El Paso�Ju�rez region in a one-hundred-year time period. You will not be able to put this book down.��Alex R. Piquero, coeditor of Rational Choice and Criminal Behavior: Resent Research and Future Challenges

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Book SynopsisThe long pilgrimage of LeRoy Chatfield weaves its way through multiple collective projects designed to better the condition of the marginalized and forgotten. In this collection of what the author calls Easy Essays, Chatfield recounts his childhood, explains the social issues that have played a significant role in his life and work.

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Book SynopsisThe only Latin art of war to survive, Vegetius’ Epitome was for long a part of the medieval prince’s military education. The core of his proposals, the maintenance of a professional standing army, was revolutionary for medieval Europe, while his theory of deterrence through strength remains the foundation of modern Western defence policy.Trade Review... by far the best English translation of Vegetius available ... Bryn Mawr Classical Review

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Book SynopsisLysistrata is the third and last of Aristophanes' peace plays. It is a dream of peace, of how the women could help to achieve an honourable settlement, conceived when Athens was going through its most desperate crisis since the Persian War. This fully annotated English translation of the play presents facing translation, commentary and notes.Trade Review‘The scholarship and broad appeal of Sommerstein’s Lysistrata will commend it to individuals and libraries alike.’ Classical WorldTable of ContentsPrefaceAddenda 2007Select BibliographyBibliography to LysistrataReferences & AbbreviationsLYSISTRATA Introductory Note Note on the Text SiglaText and TranslationNotes

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Book SynopsisTrade Review“Superbly translated. . . . Both inspiring and astonishing to read.” * Times Literary Supplement *“Some of [Char’s] most incisive writing about poetry. . . . A superb new translation. . . . Hutchinson’s locution suggests a candid manager with no time to waste on ceremony.” * On the Seawall *“A fresh authoritative English translation . . . . Char’s insightful reflections offer a point-of-view that’s as intimate as that within which he was living, engaged with the life-and-death consequences of the operation at hand. . . . The poet’s work is maintenance of the record by which the rest of us may take stock of our lives. Char’s words are abundantly informed by the actions he undertook. The merits of reading them remain as worthwhile today as ever.” * The Rumpus *“The book is a masterpiece of war poetry in part because it has so little resemblance to what we commonly imagine war poetry to be. It is pensive and philosophical rather than grandiloquent or dramatic. . . . Great books deserve translations in excess of what they actually require, and Hutchinson’s version is wonderfully lucid and supple. It was my favorite book of poetry in 2015.” * Sam Sacks, Open Letters Monthly *“Hutchinson’s translation of Hypnos is a thing of rare intelligence and beauty. It is as if we were truly hearing Char for the first time in English.” * Richard Sieburth, New York University *“The Inventors is meant to be read alongside Hutchinson’s other translation, Hypnos: Notes from the French Resistance, and for me this is not optional—independently they are each beautiful books, but together they are stunning.” * Bookslut *Table of ContentsIntroduction Hypnos Translator's Notes

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Book SynopsisTrade Review"The White Bathing Hut manages, without ever exercising a heavy hand, to call attention to the extent to which any disability—physical, cognitive or mental—is met with a social stigma that extends beyond the afflicted individual to the family and their contacts. It also alludes to an even darker subtext, that of Norway’s difficult historical relationship with eugenics. Of course, neither of these factors are unique to Norway, nor are they entirely behind us. Shame associated with disability still exists, and the ability to selectively control for desired sex, against congenital conditions, or even for other qualities raises serious ethical questions. Through this book’s very honest, resilient and endearing narrator, many of these critical issues are brought to light." * Roughghosts *Table of ContentsN

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Book SynopsisTrade Review"A highly original Palestinian novel." * The Modern Novel *"An intricately woven and multi-layered narrative, where content and form are closely interconnected in a spiraling structure... by the end of the book we are thrown right back to the beginning by the force of its spiraling form and, like the characters of the stories told by the narrator, are left in desperate search to fill that emptiness left by loss... The result is simultaneously a novel that reflects some of the collective themes of the Palestinians — the collective loss, absence, and memory in this case — as well as a novel that expands beyond these limits and opens up to meanings that are universal and can be related to by every reader." * The Markaz Review *

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Book SynopsisTable of ContentsLengtonghoih

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Book SynopsisTable of ContentsIntroductionChapter 1: Debating the ObviousChapter 2: So Like Her FatherChapter 3: Settling an Isle, or an Englishman’s ColorChapter 4: Seeing What You WantChapter 5: Looking and SeeingChapter 6: “Fictions of the Pose”: Act I, Scene 2EpilogueWorks Cited

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisInvestigates the power of commemorative performances in the production of nationalist narratives, and examines an eclectic range of both state-sponsored social memory projects and counter-memorial projects.Table of Contents Introduction - Lest We Forget: The Contested Terrain of Canadian Commemoration Chapter 2 The Canadian War Museum: Imagining the Canadian Nation through Military Commemoration Chapter 3 Unbecoming Canadian Militarism’s Forgetful Narratives: Unravelling the Uniform’s Ambiguous Meanings Chapter 4 The Canadian Museum for Human Rights: Collisional Encounters of Unbecoming Canadian Nationalisms Chapter 5 Unbecoming Canada 150: By Many Means Necessary

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Book SynopsisPresents a collection of essays and lectures of the author. This volume features new English translations of a number of previously unpublished works.

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisA fresh modern translation of a major French Revolutionary text, whose arguments for popular sovereignty are couched in the form of an Oriental dream-tale. This is a forgotten bestseller in the history of political thought which was translated by Thomas Jefferson and hugely influenced radical poets from Shelley to Whitman.Table of ContentsTranslators' preface; Introduction; Chronology of Volney's life; Further reading; Biographical notes; The Ruins; Catechism of Natural Law; Appendix I. Volney's endnotes and sources; Appendix II. Volney's Black Egyptianist passages; Appendix III. Significant textual variants; Index.

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Book SynopsisKaren Beil chronicles the life of a ground-breaking scientist.

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Book SynopsisThe definitive biography of America's best-known and least understood food personality, and the modern culinary landscape he shaped.Trade Review"Birdsall’s sentences have rhythm, too, and compress time and place so that a meal becomes a history." -- Ligaya Mishan - The New York Times Book Review"Birdsall is not a polite biographer, and I say this with admiration... [he] applies his deep research to give us critical readings of Beard’s culinary style, documenting its zigzagging development through travel and apprenticeship, looking into dishes that shaped him and crucial meals he cooked, finding intellectual and sensual meaning in the relics of Beard’s delights." -- Tejal Rao - The New York Times Magazine"Birdsall has a good story to tell, and tells it well…" -- Adam Gopnik - The New Yorker"This is the first biography of Beard in 25 years and looks at not only his professional achievements but also his personal life as a gay man in 20th century America." -- The food books of 2020 to buy - The Independent"Packed with sensory detail, The Man Who Ate Too Much is a magnificent tribute to a titan of American life, who taught us, through the coded – or universal – language of food, our inalienable right to the pursuit of pleasure." -- Stephanie Sy-Quia - Times Literary Supplement

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Book SynopsisA mesmerising novel of family myths and inheritances by the award-winning author of CrescentTrade Review"A delicate arabesque of intertwining family relationships, Fencing with the King probes the cost of exile and voluntary expatriation, asking: When is inheritance a blessing, and when is it merely a burden?" -- Geraldine Brooks, author of The Secret Chord"[An] enthralling novel of Jordan’s history, glory and authoritarian impulses, stratified class structure, and fraught family dynamics. (And fencing with King Hussein)" -- Elizabeth Taylor, co-author of American Pharaoh"Diana Abu-Jaber outdoes herself with this brilliantly paced and utterly absorbing novel. From start to finish, her dynamic prose and seemingly effortless storytelling create an original narrative of love, intrigue, and family/global dynamics. Fencing with the King is a flavorful page-turner that will both nourish and satiate. You are in for a treat." -- Laila Halaby, author of Once in a Promised Land"I read Diana Abu-Jaber’s Fencing with the King in one sitting— I couldn’t stop. Ambitious, vivid, compelling, and full of life, this rich family story tells so many truths and uses family myths and fables to explore complex history, intergeneration" -- Etaf Rum, author of A Woman is No Man

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Book SynopsisSusan Walsh is the Founder of The Classification Guru, a company that focuses on helping clients solve dirty data problems to maximise profitability and impact. Based in London, UK, she is an industry thought leader, influencer and global speaker. She has been listed in the DataIQ100 for the last two years, as well as winning DataIQ Data Champion 2022 and 2023 and is a finalist for The Great British Businesswoman Awards in the Technology category.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisGod intends for all of us to contribute to the mission of the local church and experience profound spiritual growth as a result. This book shows church members, pastors, and leaders what a healthy church member looks like.

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Book SynopsisThirteen contributors explain the shorter Prophetic Books of the Old TestamentDaniel, Hosea, Joel, Amos, Obadiah, Jonah, Micah, Nahum, Habakkuk, Zephaniah, Haggai, Zechariah, and Malachiwith biblical insight and pastoral wisdom, showing readers the hope that is offered even amidst judgment.

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Book SynopsisIssuing a warning against preaching and teaching a candy-coated gospel that neither offends nor convicts anyone, MacArthur challenges readers to return to the roots of the Great Commission. (Revised and expanded edition)

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Book SynopsisTheESV Women's Study Biblefeatures study and devotional contentalong with elegant artwork from artist Dana Tanamachi to help women in all seasons of life pursue a transformational understanding of Scripture.

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Book SynopsisIn this redesigned edition of Death in the City, Schaeffer looks at the example of the prophet Jeremiah and offers a simple response to the rejection of biblical principles by modern culturecommitment to God's word as truth.

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Book SynopsisThe church exists to be a reflection of God's indescribable love. In this concise version of Dustin Benge's The Loveliest Place, learn to see beyond methodology and structure into the church's eternal beauty.

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