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Book SynopsisFew work settings compete with the waterfront for a long, rich history of multi-ethnic and multiracial interaction. Irish dockers from Chelsea to Ashtabula to Tacoma labored side-by-side with African Americans, Poles, Germans, Scandinavians, and Italians. Eastern Europeans worked with the Irish and black workers in Philadelphia. Farther south, African Americans were the majority on the Baltimore waterfront in the 1930s. On the Pacific Coast, where laws excluded Chinese workers and African Americans remained relatively few in number until World War II, white dockers and longshoremen dominated. InWaterfront Workers, five scholars explore the complex relationships involved in this intersection of race, class, and ethnicity. Contributors: Eric Arneson, Colin Davis, Howard Kimeldorf, Bruce Nelson, and Calvin Winslow.Trade Review"Opens up some of the most significant questions in American labor and social history, including the struggle for control at the workplace and, even more important, the relationship between black and white workers and among various ethnic groups on the docks."--David Brundage, author of The Making of Western Labor Radicalism: Denver's Organized Workers, 1878-1905

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Book SynopsisLooks at works of modern literature, visual art, music, film, theater, and architecture to arrive at an assessment of what parody is and what it does. This title identifies parody as one of the major forms of modern self-reflexivity, one that marks the intersection of invention. It discusses the remarkable range of intent in modern parody.Trade Review"Linda Hutcheon's thoughtful engagement with the theory of parody picks its way meticulously through this conceptual minefield, to emerge with a convincing map of the terrain... [A] scrupulously reasoned case made more persuasive by the tenacity with which its details have been pursued." -- Terence Hawkes, Times Literary Supplement

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Book SynopsisDescribes Cambodian history, migration, and resettlement in the US.Trade Review"Not Just Victims allows for a new, 'whole' perspective about the Cambodian community to unfold."--International Examiner"A nuanced and moving portrait of a people actively struggling to overcome one of the twentieth century's most horrific wars."--Asian Affairs"Not Just Victims is inspirational in the way it affirms the resilience of Cambodian culture. [Contains] a wealth of information for the resourceful ehtnographer who seeks to understand Khmer culture in transformation in the United States."--Journal of American Ethnic History“Not Just Victims is of very high quality as a piece of scholarship. The review of the literature on Cambodia and Cambodian refugees is extraordinary. The book contains easily the single best synthesis of Cambodian history, migration, and resettlement I have ever read.”--Jeremy Hein, author of From Vietnam, Laos, and Cambodia: A Refugee Experience in the United StatesTable of ContentsLong Beach California - the capital of Cambodian America; on Buddhism and psychotherapy; law enforcement issues; how Massachusetts became a refugee-friendly state; Lowell Massachusetts - the "Long Beach of the east coast"; getting established in Fall River Massachusetts; Cambodians in Philadelphia; the Cambodian network council; Cambodians in Portland Oregon; Cambodians in Tacoma Washington; a holistic approach to mental health; The Khmer Krom.

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Book SynopsisExplores how American Indian autobiographers' approaches to writing about their own lives have been impacted by American legal systems from the Revolutionary War until the 1920s. This book traces the way that their sustained engagement with colonial legal institutions gradually enabled them to produce a new rhetoric of Indianness.Trade Review"The book is most engaging. . . . One of the strengths of Sovereign Selves is its commitment to a complex reading of the history of engagement between colonial power and Native Americans. . . . Because Carlson shows a clear trend toward the kind of rights talk being used by American Indians today, his book has the potential to help Native Americanist scholars rethink the ways in which literary and legal histories intersect."--Western Historical Quarterly "In this superbly clear-minded and judicious study, Carlson lays out the various networks of historical and legal processes that shape and articulate Indian identities and that resonate today in ongoing struggles for Native sovereignty."--Great Plains Quarterly "David Carlson's examination of 'sovereign selves' moves examination of the Native-white encounter from the ethnohistoric to the literary, from cultural entity to individual agency. . . . Necessary to understand what has brought us to the contemporary realities of Indian land claims and other persistent conflicts."--Journal of the Early RepublicTable of ContentsCoverTitleCopyrightContentsAcknowledgmentsIntroduction1. The Discourse of Indian Law2. Seneca Politics and the Rhetoric of Engagement3. William Apess and the Constraints of Conversion4. William Apess and Indian Liberalism5. Charles Eastman and the Discourse of Allotment6. Charles Eastman and the Rights of CharacterConclusion: Toward Self-SovereigntyNotesWorks CitedIndexBack cover

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Book SynopsisUnderstanding worldwide gangs through the lens of globalization Trade Review"This strong mix of fresh ideas offered by top authors in well-written and well-researched commentaries makes this book an important publication."--Journal of Sociology and Social Welfare

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisExploring the natural scientific foundations of far-reaching social ideologiesTrade Review"Olson provides another in a series of fine works detailing the social history of science. . . . Masterfully detailed. . . . Highly recommended."--Choice "No brief review can so this book justice. Suffice to say that both the student and seasoned scholar will find his synthesis and insight compelling."--FCS Quarterly"Both the student and seasoned scholar will find his synthesis and insight compelling."--Review of Metaphysics

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Book SynopsisNew perspectives on a pivotal moment in U.S. historyTrade Review"Stowell, author of the definitive Streets, Railroads and the Great Strike of 1877, brings together social historians who examine how the strikes created a shift in the pictorial stereotyping of workers in the pages of illustrated newspapers; the railroad strikes in Hornellsville, New York; how the 'Battle of Halsted Street' revitalized the labor movement in Chicago politics; strike fears and agitation in Memphis, Nashville, and Louisville; details of the strike in San Francisco, where Chinese immigrants were the target; and the effect of the strikes on Hispanic and Mexican-American labor and racial issues in southern California."--C&RL News "These insightful essays let us glimpse the nation's first responses, its initial stumbling steps in a painful, sometimes bloody process of adjustment that, in many ways, occupies the nation to this day."--Business History Review“As many historians consider the strikes of 1877 to be the beginning of the organized labor movement in the United States, the lessons learned from this epic can serve to educate activists of today, and Stowell’s work provides a concise guide.”--Labor Studies Journal"Few events in American labor history are more fraught with significance than the Great Strikes. Bringing our understanding of the events up to date with the latest historiography, The Great Strikes of 1877 is the first volume to assess the strikes' larger implications while also looking closely at their dynamics in particular local settings."--Joseph A. McCartin, author of Labor's Great War: The Struggle for Industrial Democracy and the Origins of Modern American Labor Relations, 1912-1921Table of ContentsContributors include Joshua Brown, Steven J. Hoffman, Michael Kazin, David Miller, Richard Schneirov, David O. Stowell, and Shelton Stromquist

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Book SynopsisAn astute collection of inquiries into the rich history and impact of the National Barn DanceTrade Review“An interesting but complicated book. . . . I highly recommend it.”--Appalachian Heritage"Well written and informative.”--Dirty Linen"A valuable resource for those who want to understand how country music, rural imagery, and nostalgia permeated twentieth-century American life."--Joli Jensen, author of The Nashville Sound: Authenticity, Commercialization, and Country Music"The National Barn Dance's importance has long been underappreciated in the scholarship on country music, and The Hayloft Gang makes a vital contribution to be welcomed by academics and aficionados alike. A particularly strong group of authoritative voices on the history of country music, early radio broadcasting, and American culture."--Diane Pecknold, author of The Selling Sound: The Rise of the Country Music IndustryTable of ContentsForeword Loyal Jones vii Acknowledgments xi Introduction: Assessing the National Barn Dance Chad Berry 1 1. The Rise of Rural Rhythm Paul L. Tyler 19 2. Music of the Postwar Era Wayne W. Daniel 72 3. Chicago as Forgotten Country Music Mecca Lisa Krissoff Boehm 101 4. Early Broadcasting and Radio Audiences Susan Smulyan 119 5. Race and Rural Identity Michael T. Bertrand 130 6. Patriarchy and the Great Depression Kristine M. McCuscker 153 7. Cowboys in Chicago Don Cusic 168 8. The National Folk Festival Michael Ann Williams 187 Afterword Stephen Parry 199 Contributors 205 Index 207

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Book Synopsis On the Ground charts labor relations in the airline industry, unraveling the story of how baggage handlers--classified as unskilled workers--built tense but mutually useful alliances with their skilled coworkers such as aircraft mechanics and made tremendous gains in wages and working conditions, even in the era of supposedly 'complacent' labor in the 1950s and 1960s. Liesl Miller Orenic explains how airline jobs on the ground were constructed, how workers chose among unions, and how federal labor policies as well as industry regulation both increased and hindered airline workers'' bargaining power.Trade Review“Provides a detailed history of institutions, regulatory regimes, technological evolution, and the development of the division of labor, wages and working conditions in the airline industry. This is an extremely useful work.”--EH.Net"An important study."--Enterprise and Society"An important study ... which should interest union activities and academics."--Enterprise & Society"This wonderful treatment of an underexamined area of labor history is able to cut through mounds of tangled and confusing material to reveal a clear picture of how workers coped with an ever-changing industry. . . . An important book."--Labor Studies Journal"With sympathy and careful detail, Orenic offers a well-documented counterpoint to the story of post-World War II labor complacency by showing how airline ground crews used militant tactics to build their unions in the 1950s and 1960s."--Business History ReviewTable of ContentsList of Illustrations ix Acknowledgments xi Introduction 1 1. The U.S. Airlines through the 1930s 7 2. Airline Work during World War II 49 3. Organizing the Airline Industry, 1945-49 71 4. Bargaining in Prosperity, 1949-59 132 5. On the Ramp in the 1950s and 1960s 155 6. Militance and the Mutual Aid Pact, 1960-70 191 Epilogue: Deregulation and Beyond 217 List of Interviews 225 Manuscript Collections and Specialized Libraries 227 Notes 229 Index 271

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Book SynopsisTalking turkey about the bird you thought you knewTrade Review"Virtually every page offers a fact worth recalling."--Chicago Tribune"A lively, literate tour of turkey lore."--Wall Street Journal"Smith gives depth and authority to a subject we thought we knew. . . . The turkey covers vast terrain, and his book is invaluable to anyone in its pursuit."--Gastronomica"In his book, Smith . . . talks turkey about the folklore and natural and social history of the bird."--Ashbury Park Press"Smith . . . cuts through the myth and legend surrounding the turkey to provide a history that is loaded with fascinating facts and anecdotes with which you could regale the entire family from dawn to dusk this Thursday."--Kansas City Star

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Book SynopsisIs there such a thing as a 'feminist technology'? If so, what makes a technology feminist? Is it in the design process, in the thing itself, in the way it is marketed, or in the way it is used by women? This title considers these questions by examining a range of products, tools, and technologies that were specifically designed for women.Trade Review"This coherent and integrated collection lays out the issues and questions of feminist technology, crossing a true range of disciplinary boundaries including science and technology studies, architecture, biology, and the social sciences."--Barbara Katz Rothman, author of Recreating Motherhood: Ideology and Technology in a Patriarchal SocietyTable of ContentsContributors are: Jennifer Aengst, Maia Boswell-Penc, Kate Boyer, Frances Bronet, Shirley Gorenstein, Anita Hardon, Deborah G. Johnson, Linda L. Layne, Deana McDonagh, and Sharra L. Vostral

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Book SynopsisA study of James P Cannon's early years (1890-1928) that details how the life of a Wobbly hobo agitator gave way to leadership in the emerging communist underground of the 1919 era.Trade Review"Palmer's biography is destined to become a classic in the historiography of US Communism. It is the most serious treatment of the Communist movement's history in the 1920s since Draper's two volumes appeared approximately 50 years ago. . . . Palmer is currently preparing the second volume of his Cannon biography, chronicling the subject's Trotskyist years. I can hardly wait to read it."--Left History"Palmer's faithful, moving account of the choices Cannon faced has important lessons for us. One of those lessons is that, even as we weigh the decisions the choices and hopes of previous radical generations, we need to attend to our own imperatives and dreams."--Canadian Dimension"An important contribution to the study of American radicalism."--Journal of American History

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Book SynopsisExploring the political and cultural layers of memory and commemorationTrade Review"Commemorating Hell is a fascinating and unique combination of social history and cultural analysis that uses the social memory of Mittelbau-Dora to analyze the personal and social processes of coming to grips with horrific past acts. It is among the best books examining the dark history of the Dora camp."--David Price, author of Anthropological Intelligence: The Deployment and Neglect of American Anthropology in the Second World WarTable of ContentsIntroduction ix 1. Conceptualizing Horror 1 2. The Camp Mittelbau-Dora 19 3. An End and a Beginning 39 4. The Change of Command 59 5. Shaping the New Land and Its Memories 77 6. The Mahn- und Gedenkstatte in the GDR 93 7. The Wall Comes Down 115 8. The Modern Gedenkstatte 137 9. Major Themes and Conclusions 152 Notes 169 Bibliography 183 Index 195

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Book Synopsis Sweet Air rewrites the history of early twentieth-century pop music in modernist terms. Tracking the evolution of popular regional genres such as blues, country, folk, and rockabilly in relation to the growth of industry and consumer culture, Edward P. Comentale shows how this music became a vital means of exploring the new and often overwhelming feelings brought on by modern life. Comentale examines these rural genres as they translated the traumas of local experience--the racial violence of the Delta, the mass exodus from the South, the Dust Bowl of the Texas panhandle--into sonic form. Considering the accessibility of these popular music forms, he asserts the value of music as a source of progressive cultural investment, linking poor, rural performers and audiences to an increasingly vast network of commerce, transportation, and technology. Trade Review"In this eloquently written book Edward P. Comentale accomplishes what he sets out to do--'to disentangle vernacular music from certain romantic myths of origin and identity and explore its inherent modernism.' Highly personal, erudite, and informed, Sweet Air: Modernism, Regionalism, and American Popular Song is an original and important contribution."--The Journal of Southern History "With the potential to be enormously influential, Sweet Air addresses American popular song as a whole while offering a compelling reinterpretation of the rise of pop music as an expansion of vernacular modernism. This book will be warmly received by a wide variety of scholars in American studies, southern studies, musicology, and popular music."--Diane Pecknold, author of The Selling Sound: The Rise of the Country Music Industry "Sweet Air is brilliant in its way of tracing the commercial genres of popular music from their purported regionalism to a deterritorialization made possible by modern technology. An original and engaging argument about regionalism and modernity." --Barbara Ching, author of Wrong's What I Do Best: Hard Country Music and Contemporary Culture "In his second book, Edward Comentale revisits and reconceptualizes some obscure portions of American popular music. . . .It aptly highlights the dynamics opposing mainstream culture and regional cultures in the US. . . . No one can deny this author is passionate about early American music from the South."--Journal of American Culture"An impressive treatment of modern American popular song, marking a definite advance on celebrations of blues primitivism and inventions of a mythical musical past."--European Journal of Communication“This profound intervention expands the appreciation of modernism and cuts through the layers of mythology and romanticization that still cloud broader understandings of American vernacular music. . . . A significant and engaging achievement.”--Rock Music Studies "Aptly highlights the dynamics opposing mainstream culture and regional cultures in the US. It is clear Comentale knows very well the American music he comments and loves."--Journal of American Culture

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Book SynopsisAn interdisciplinary compendium of worldwide animal rights issuesTrade Review "Even when faced with urgent human problems, we should not overlook the issue of justice to animals. . . . This Global Guide reflects a growing worldwide sensitivity to animals and a developing sense that--as a matter of justice--they deserve our compassion and respect. It has my warm support."--Archbishop Desmond Tutu, from the book's foreword "This book provides an excellent reserve of examples that will be useful in a variety of pedagogical context."--Modern Believing "This broadly appealing multidisciplinary work will interest scholars in the sciences and humanities as well as general readers committed to animal welfare issues. While it draws attention to many contemptible forms of animal abuse, it also offers glimmers of hope by highlighting the positive work of numerous animal advocates who work to protect our nonhuman cohabitants of planet Earth."--Marc R. Fellenz, author of The Moral Menagerie: Philosophy and Animal Rights"An excellent and trusted resource."--The Vegan "An intriguing array of eye-opening information, covering economic, legal, religious, ecological, moral, and biomedical viewpoints."--Choice

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Book SynopsisTrade Review"Let's celebrate the many dimensions of Agnès Varda as one of the greatest artists working today. Conway succeeds in capturing her curiosity, ingenuity, wit, and new storytelling to confirm her status as the indefatigable pioneer of European cinema."--Hans Ulrich Obrist"Kelley Conway builds upon a vast array of archival research to forge this insightful study of Agnès Varda's distinct approach to filmmaking. Conway concentrates on Varda's experimental production strategies and Varda's engagement with her audience across a truly amazing career."--Richard Neupert, author of A History of the French New Wave Cinema, second edition"Drawing on privileged access to the filmmaker's archives, Kelley Conway expands our understanding of Agnès Varda in several new and eye-opening ways. Offering welcome insight into Varda’s working methods, revisiting the production, distribution and reception of the filmmaker's classics from La Pointe Courte and Cléo de 5 à 7 to Les Plages d'Agnès and her recent multi-media installations, Conway illuminates the astonishingly varied, yet coherent, life-long creative output of one of the key figures in world cinema."--Ginette Vincendeau, coeditor of The French New Wave: Critical Landmarks"A breakthrough text on Varda's trajectory from photography and film to video, digital media, and installation projects. Conway's pages on the reception of Cleo from 5 to 7 are stunning. Her take on The Gleaners and I, The Widows of Noirmoutier , and The Beaches of Agnès is astute." --Steven Ungar, coauthor of Popular Front Paris and the Poetics of Culture"Conway writes in an easy, conversational manner, conveying a good deal of information and numerous insights… Varda remains one of the least-examined figures of the French New Wave, so this book is especially welcome. Highly recommended."--Choice"The meticulous archival research, and the author's personal connection to her subject combine to make Agnès Varda an engaging, helpful read for scholars, students, and laypersons alike."--French Review"An excellent, in-depth study of the major works of the pioneering French New Wave auteur Agnes Varda, who not only preceded and helped to found the movement, but also became one of its most outstanding figures. . . . Agnes Varda is an outstanding work, not to mention a labor of love, and this love is evident in the scholarly care and expertise tendered to understanding Varda's working process and her life's work."--Film Matters

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Book SynopsisTrade ReviewA Choice Outstanding Academic Title, 2016 "Sex Testing is the first comprehensive account of the various sex and gender tests that sports authorities have devised from the 1930s on for female athletes. It offers great documentation of significant developments, well-written throughout, accompanied by incisive, penetrating insights as to what is going on below the surface in the world of women's sports. It is a stellar, informative read that public libraries should acquire. It is certainly, above all, a scholarly resource that colleges and universities should purchase."--ARETE, publication of the Sport Literature Association."Sociology of gender scholars will find the book of interest given its historical evidence of the ways in which sex testing reflected 'larger cultural perceptions of womanhood' in the twentieth century."--Gender and Society"Pieper's well-written and carefully crafted narrative and analysis provides enormous insight into a topic previously unexplored at such depth."--Sport History Review"Pieper does an exceptional job of detailing the history and methods of sex/gender testing and of connecting the phenomenon to larger sociological issues about appropriate physical activity for women. . . . Essential."--Choice"Chock full of terrific research from primary sources. . . . Pieper's message comes through loud and clear: sex testing is a political act. It is about enforcing gender norms, not ensuring fair play."--Women's Review of Books"Pieper takes on the complex and infinitely important topic of sex testing in women's sport with fresh insight and a measured hand. In the process, she deftly unpacks how attempts to 'control' sex are continually fraught with elements of sexism, gender anxieties, and geopolitical tensions. This is an enlightening and necessarily disturbing analysis."--Jaime Schultz, author of Qualifying Times: Points of Change in U.S. Women's Sport"For the first time, someone is pulling together the complete history of sex testing in sport. A very important book that makes a significant and unique contribution."--Alison M. Wrynn, former editor, Journal of Sports History"A timely and important book, the first in-depth history of its kind. Rich in detail and thorough in research, it is a must read for understanding the multiple layers of politics and ideology that inform gender policing in sport."--Kathryn Henne, author of Testing for Athlete Citizenship: Regulating Doping and Sex in Sport

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Book SynopsisWe live in a boosterish era that exhorts us to play local and buy local. But what does it mean to support local media? How should we define local media in the first place? Christopher Ali delves into our ideas about localism and their far-reaching repercussions for the discourse of federal media policy and regulation. His critique focuses on the new interest in localism among regulators in the United States, the United Kingdom, and Canada. As he shows, the many different and often contradictory meanings of localism complicate efforts to study local voices. At the same time, market factors and regulators' unwillingness to critically examine local media blunt challenges to the status quo. Ali argues that reconciling the places where we live with the spaces we inhabit will point regulators toward effective policies that strengthens local media. That new approach will again elevate local media to its rightful place as a vital part of the public good.Trade Review"Energetically written. . . . Crucial topics for understanding what is actually going on behind the scenes of your local nightly news."--Sante Fe New Mexican"Shines a needed light on the threats that local broadcasters are currently facing. . . . The conversation about media localism is an important one, and this book raises critical questions and posits thought-provoking ideas for a path forward."--Journalism and Mass Communication Quarterly"The book is well researched. . . . The conversation about media localism is an important one, and this book raises critical questions and posits thought-provoking ideas for a new path forward."--American Journalism"It is the detail in Ali's analysis that is impressive. There is much value in it as just a history of media policy-making at the beginning of the 21st century, as Ali looks at key moments in regulatory processes in each of the territories he covers."--Journalism"This book offers a very interesting contribution to reconsider the approach to local media." --CBQ Critical Reviews"Media's woeful lack of localism is matched by lack of definition about what the term really means. Ali's brilliant dissection of localism in the United States, the United Kingdom, and Canada provides a foundation for developing strategies to restore our vanished local media."--Michael Copps, former Commissioner of the U.S. Federal Communications Commission"This landmark book offers a fascinating and invaluable analysis for anyone seeking a critical understanding of 'the local' in our digital age. With elegance and clarity, Ali draws from comparative case studies and key historical contexts to show why democracy still requires media localism--and why an unfettered market can't support it. This is a must-read for policymakers, journalists, and concerned citizens everywhere."--Victor Pickard, author of America's Battle for Media Democracy: The Triumph of Corporate Libertarianism and the Future of Media Reform"Bold and innovative. A scholarly interrogation of significant moves to think through the meaning of community and how various policymakers, politicians, activists, and indeed entrepreneurs have sought to mobilize these concerns."--Des Freedman, author of The Contradictions of Media Power

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Book SynopsisA first-of-its-kind history, The Mormon Tabernacle Choir tells the epic story of how an all-volunteer group founded by persecuted religious outcasts grew into a multimedia powerhouse synonymous with the mainstream and with Mormonism itself. Drawing on decades of work observing and researching the Mormon Tabernacle Choir, Michael Hicks examines the personalities, decisions, and controversies that shaped America''s choir. Here is the miraculous story behind the Tabernacle''s world-famous acoustics, the anti-Mormonism that greeted early tours, the clashes with Church leaders over repertoire and presentation, the radio-driven boom in popularity, the competing visions of rival conductors, and the Choir''s aspiration to be accepted within classical music even as Mormons sought acceptance within American culture at large. Everything from Billboard hits to TV appearances to White House performances paved the way for Mormonism''s crossover triumph. Yet, as Hicks shows, such success raised Trade ReviewFinalist, Utah Book Award for Nonfiction, Utah Center for the Book, 2016. Honorable Mention, Best Biography, Mormon History Association, 2016. “Mormon history written by Mormons can be pretty dry, but Mr. Hicks, a professor of music at Brigham Young University, is funkier than your average saint. . . .the anecdotes alone are worth the price of the book.”--The Wall Street Journal "Tracking the choir from its humble beginnings in 1836 to moves into radio, international touring, and TV and film appearances, the material is as expansive in scope as the choir's reach has become. . . . Intriguing."--Library Journal "A well-done biography that best highlights the historical aspects of the growth of the choir and the vision of its several directors."--Association for Mormon Letters "While the historical information is well presented and highly engaging, it is the story of the choir's intersection with American society and culture, and Hicks' ability to bring out these nuances, that make this book a brilliant read."--The Journal of the Association of Anglican Musicians“Hicks documents plenty of intrigue in the leadership, mission and repertoire of ‘America's choir,’ . . . . this history is more provocative than readers may suspect.”--Kirkus Reviews "The Mormon Tabernacle Choir: A Biography is the most accessible and authoritative history of this unique musical ensemble yet published. . . . Required reading not only for Mormons and musicians, but for anyone who wants to learn about the realities of world-class music making in a hierarchal religious community."--Mormon Studies Review "This fascinating, honest account should find many eager readers among the Mormon Tabernacle Choir's millions of fans. Michael Hicks combines the accuracy of a fine historian with the sensitivity of a judicious music critic." --Daniel Walker Howe, Pulitzer-Prize-winning author of What Hath God Wrought: The Transformation of America, 1815–1848 "An invaluable retelling of one of America's most vibrant and important musical institutions." --Eric Whitacre "A fascinating history of the wonderful Mormon Tabernacle Choir. Michael Hicks traces the story of this great ensemble from its early days to its current status as one of the world's great choirs. He highlights the remarkable dedication and musicianship of the choir members through the years, and the leadership and vision of the conductors." --David Hurley, member of The King's Singers

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Book SynopsisIn Peruvian Lives across Borders, M. Cristina Alcalde examines the evolution of belonging and the making of home among middle- and upper-class Peruvians in Peru, the United States, Canada, and Germany. Alcalde draws on interviews, surveys, participant observation, and textual analysis to argue that to belong is to exclude. To that end, transnational Peruvians engage in both subtle and direct policing along the borders of belonging. These acts allow them to claim and maintain the social status they enjoyed in their homeland even as they profess their openness and tolerance. Alcalde details these processes and their origins in Peru's gender, racial, and class hierarchies. As she shows, the idea of returnwhether desired or rejected, imagined or physicalspurs constructions of Peruvianness, belonging, and home. Deeply researched and theoretically daring, Peruvian Lives across Borders answers fascinating questions about an understudied group of migrants.Trade Review"Recommended." --Choice"Impressive and highly engaging. Hits all the right notes as it takes up transnational migration, a shifting sense of home, and what Cristina Alcalde persuasively calls exclusionary cosmopolitanism among middle class Peruvians."--Florence E. Babb, author of The Tourism Encounter: Fashioning Latin American Nations and Histories"A compelling ethnographic case study of middle- and upper-class Peruvian migration to the United States, Canada, and Germany. Alcalde offers her readers a unique analysis of the gendered and sexuality-driven intricacies of return."--Ulla Berg, author of Mobile Selves: Migration, Race, and Belonging in Peru and the US

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Book SynopsisTrade Review"Women's Political Activism in Palestine is remarkable for its attention to detail that is skillfully pitched to appeal both to readers with interests in women's activism more generally and to those with a deeper regional knowledge specific to Palestine. . . . A thought-provoking text that sits among the finest social scientific works on contemporary Palestine in recent years." --LSE Review of Books"This highly engaging book poses new questions about Palestinian women's activism in Occupied Palestine, in light of the failure of the Oslo process, ongoing and intensifying Israeli colonization, dispossession and violent repression, and the absence of an effective and legitimate Palestinian national leadership." --Journal of Holy Land and Palestine Studies"The author has succeeded in achieving the aim of analysing and generating a better understanding of micro-level politics as represented in Palestinian women's everyday practices." --Women's Studies International Forum"A narrative that is rich with fresh insights and enlightening anecdotes, and affords a cluster of new solutions to old problems." --South Asia Magazine"Sophie Richter-Devroe's research offers a rich description and analysis of women's political activism in Palestine. . . . The focus on women's multiple forms of political engagement in the post Al-Aqsa intifada fills a gap in our knowledge about the contemporary landscape of women's politics in Palestine." --Journal of Women, Politics & Policy"Richter-Devroe's book navigates many complex trajectories and dispels the notion of understanding the Palestinian anti-colonial struggle from a Western liberal viewpoint." --Middle East Monitor"This highly engaging book poses new questions about Palestinian women's activism in Occupied Palestine, in light of the failure of the Oslo process, ongoing and intensifying Israeli colonization, dispossession and violent repression, and the absence of an effective and legitimate Palestinian national leadership." --Journal of Holy Land and Palestine Studies"This brilliant book challenges successfully common theoretical approaches to the ongoing struggle in Palestine. Richter-Devroe takes the analysis of women's resistance in Palestine into new intriguing and fascinating areas of inquiry. This book successfully combines a very thorough theoretical examination with a very humane narration of life in Palestine under the Israeli colonization. A must-read for students, scholars, and anyone looking to shed new light on the evergreen topic of Palestinian resistance."--Ilan Pappé, author of The Forgotten Palestinians: A History of the Palestinians in Israel "Richter Devroe offers a rich and nuanced account of women’s ways of doing politics in contemporary occupied Palestine. It is an essential reading for all those seeking to understand how resistance is entrenched into mundane and ordinary practices in everyday life."--Ruba Salih, author of Gender in Transnationalism: Home, Longing, and Belonging among Moroccan Migrant Women

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Book SynopsisTrade Review"Writing Revolutions's specific focus on the anarchist press sheds necessary light on the complexity of late nineteenth- and early twentieth-century anarchist networks among a variety of Hispanophone social groups from the U.S., Latin America, and Europe." --American Periodicals"High-quality and worth reading. " --Anarcho-Syndicalist Review"This phenomenal collection brings to light the breadth, depth, and interconnectedness of the Spanish-speaking anarchist movement in the United States, as well as the transnational networks that linked it to Europe, the Caribbean, and Latin America. Essential reading for anyone interested in either anarchism or Hispanic labor and radicalism."--Kenyon Zimmer, author of Immigrants against the State: Yiddish and Italian Anarchism in the United States"Anarchism in the United States was so misunderstood and feared in the late nineteenth and early twentieth centuries that governmental authorities at all levels worked their hardest to obliterate it, smash its presses and deport or imprison its leaders. Government mail censors, G-men, local sheriffs, not to mention political hacks and journalists were so successful in their persecution that most of the documents necessary to study this idealistic, social justice movement were destroyed and are still missing today. The editors and authors of the well documented, enlightening essays in Writing Revolution have done the yeomen’s work of tracking down a good portion of this legacy that was so important in educating workers and establishing the rights they still vouchsafe today. Castañeda and Feu, inveterate researchers into Latino history and identity, have taken the lead in restoring the role played by Spanish-language anarchist print in the development of Latino working-class culture. That the editors and writers here were able to trace the transnational networks of the Hispanic anarchists, as well as locate and study such a large sampling of their periodicals and documents has not only the potential of filling gaps in our history but also of providing a whole new corpus of texts that will put a lie to the concept that only the victors get to tell their stories. Castañeda, Feu, and their collaborators have restored the testimonies of so many activists and organic intellectuals that it will take many other scholars years to follow up on and study their discoveries."--Nicolás Kanellos, author of Hispanic Immigrant Literature: El Sueño del Retorno"This new collection edited by Christopher J. Castañeda and Montse Feu fills a substantial historiographical gap in the English language on Hispanic anarchism in the United States. The collection is sprawling in its ambition, with chapters ranging from discussions of early Spanish Republicanism and important but largely forgotten figures to analyses of individual newspapers and magazines. Despite this conglomeration of topics, the book flows easily, thanks in part to its chronological and thematic organization. " --The Volunteer

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Book SynopsisTrade ReviewChoice Outstanding Academic Title, 2020 "A deeply persentist examination of a rich, dynamic 1970s." --Journal of American History"A deeply presentist examination of a rich, dynamic 1970s." --Journal of American History"Deeply informed and persuasively argued, this wide-ranging yet cohesive collection of original essays illuminates the inter-workings of black activism and expressive culture in and beyond the 1970s. With its rigorous historical contextualization and compelling commentary on how the 1970s anticipated and influenced our own moment, Black Cultural Production After Civil Rights is sure to become an invaluable resource for contemporary scholars working in the fields of African American literature and print culture; film studies; popular culture; feminist history and theory; and trauma and memory studies."--Aida Levy-Hussen, author of How to Read African American Literature: Post-Civil Rights Fiction and the Task of Interpretation"The essays gathered here speak to one another in remarkable ways, both because of the authors' commitment to the material and the editor's guidance. This volume is required reading for anyone seeking to understand the complexities and influences of African American culture in the 1970s." --Choice"A harmoniously blended symphony in the interests of Black folks, culture, and justice." --Ethnic and Racial Studies"This wide-ranging collection of essays on literature, feminism, performance, publishing, Black Power, and the afterlife of slavery brings depth and texture to our studies of the post-civil rights era. As Black artists and activists mounted calls to liberation in the 1970s, they also faced a mushrooming carceral industry, white supremacist violence, and the rise of neoliberalism. This urgent and refreshing text returns our attention to that volatile decade and to the ways cultural production provided the vital means for engaging with and reimagining the world."--Erica R. Edwards, author of Charisma and the Fictions of Black Leadership

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Book SynopsisThe popularity and profile of African dance have exploded across the African diaspora in the last fifty years. Hot Feet and Social Change presents traditionalists, neo-traditionalists, and contemporary artists, teachers, and scholars telling some of the thousands of stories lived and learned by people in the field. Concentrating on eight major cities in the United States, the essays challenges myths about African dance while demonstrating its power to awaken identity, self-worth, and community respect. These voices of experience share personal accounts of living African traditions, their first encounters with and ultimate embrace of dance, and what teaching African-based dance has meant to them and their communities. Throughout, the editors alert readers to established and ongoing research, and provide links to critical contributions by African and Caribbean dance experts. Contributors: Ausettua Amor Amenkum, Abby Carlozzo, Steven Cornelius, Yvonne Daniel, Charles Chuck Davis, EsailamaTrade Review"An intriguing collection of stories about the origins and purposes of African dance . . . Hot Feet and Social Change, is a strong resource." --African Studies Quarterly"The collection is generally well conceived and will surely provide inspiration for the dance world." --Choice"Many of the authors are themselves the sources of both dance traditions created within the last decades and of significant studies about them. This work is unprecedented and, thanks to its insider perspectives, only possible as the editors have constructed it."--Sheila S. Walker, editor of African Roots, American Cultures: Africa in the Creation of the Americas

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Book SynopsisTrade Review"Crymble seamlessly integrates print, digital, oral history, and interactive source material to document the ways historians have responded, both individually and as an imagined community, to the social contexts that have shaped our interactions with technology." --Journal of American History"Crymble gives me a greater appreciation for how my own course in ‘digital history’ fits within and reflects broader patterns of discourse about technology and the past." --Corinthian Matters"This book explodes many of the foundation myths upon which digital history has been built; and replaces them with a clear-eyed account that melds historiography, technology, and pedagogy. In beautiful prose Crymble has identified the streams of influence that have shaped the field."--Tim Hitchcock, University of Sussex"Crymble's work provides an insightful historiographical examination of how computer technology has been impacted in various practices pertaining to the field of history. This book merits attention from students, researchers, and practitioners of the historical profession, as it serves as a salient reminder that technology has long pervaded, transformed, and continually shaped every dimension of our discipline." --Middle Ground Journal

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Book SynopsisDefining the Chief Executive via flash powder and selfie sticks Lincoln's somber portraits. Lyndon Johnson's swearing in. George W. Bush's reaction to learning about the 9/11 attacks. Photography plays an indelible role in how we remember and define American presidents. Throughout history, presidents have actively participated in all aspects of photography, not only by sitting for photos but by taking and consuming them. Cara A. Finnegan ventures from a newly-discovered daguerreotype of John Quincy Adams to Barack Obama's selfies to tell the stories of how presidents have participated in the medium's transformative moments. As she shows, technological developments not only changed photography, but introduced new visual values that influence how we judge an image. At the same time, presidential photographsas representations of leaders who symbolized the nationsparked public debate on these values and their implications. An original journey through political history, Photographic PresideTrade Review"Entertaining yet informative. . . Photographic Presidents is an excellent book that brings context and depth to certain decision points within history and how photography shaped them. It takes on a concept often overlooked by scholars as simply there, and moves it front and center into the discussion." --Congress & the Presidency"Well-written and engaging . . . What will be the next step in how presidents become photographic? Finnegan cannot—and does not try to—answer that question, but the fact that the question resonates in my head after putting down her book is a testament to how thought-provoking Photographic Presidents is." --Journal of American History"Very interesting and informative . . . Finnegan has covered a lot of ground in this well-illustrated book. She traces the development of the photographic medium and techniques with the history of visual communications and the image of the presidents, and has done it extremely well." --Journal of American Culture"Today, the camera, the press, and the presidency are inextricably linked. But how did we get here and, more importantly, how does that evolution inform the present visual and rhetorical landscape? Based on her longstanding research, writing and commentary as a 'presidential visual scholar,' there is no one better equipped to compose this picture than Cara Finnegan. This narrative weaves the evolution of a technology, a communications medium, and the highest office in the land into a vivid historical panorama. In current times, in an atmosphere in which visual politics can be all too affecting and effecting, Photographic Presidents places the visual presidency into a necessary frame."--Michael Shaw, Publisher, Reading the Pictures​"A valuable resource for students of both American politics and the history of photography." --Booklist"Informative, knowledgeable, and enjoyable . . . . Photographic Presidents is a valuable addition to presidential history." --Foreword Reviews"Captivating . . . . Broad in scope and rich in anecdotal detail, this will please photography and history buffs." --Publishers Weekly"Fascinating." --Air Mail

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Book SynopsisRediscovering soccer's long history in the U.S. Across North America, native peoples and colonists alike played a variety of kicking games long before soccer's emergence in the late 1800s. Brian D. Bunk examines the development and social impact of these sports through the rise of professional soccer after World War I. As he shows, the various games called football gave women an outlet as athletes and encouraged men to form social bonds based on educational experience, occupation, ethnic identity, or military service. Football also followed young people to college as higher education expanded in the nineteenth century. University play, along with the arrival of immigrants from the British Isles, helped spark the creation of organized soccer in the United Statesand the beautiful game's transformation into a truly international sport. A multilayered look at one game's place in American life, From Football to Soccer refutes the notion of the U.S. as a land outside of football history.Trade Review"From Football to Soccer enhances the history of soccer in America by focusing on the United States and the early years of the game." --Journal of American History "An excellent addition. . . From Football to Soccer undoubtedly adds much to the historiography of soccer in the United States." --Journal of Popular Culture "Bunk presents an innovative look at early American soccer history that should help put to rest any notion of the United States as a place exceptional among soccer-playing nations. Individual chapters within From Football to Soccer can stand alone as readings for undergraduate courses, and the book is a valuable resource for all who study the history of football codes." --Journal of Sport HistoryTable of ContentsCoverTitleCopyrightContentsAcknowledgmentsIntroduction1. Indigenous Football in North America2. The Schoolboys’ Game3. Manly Games of Celebration and Escape4. Steel City Soccer5. Soccer Goes Pro6. Collen Bawns and Bonnie Lassies7. Women and Soccer in the Early Twentieth Century8. Soccer Goes to War9. Ethnic and Industrial SoccerConclusionNotesBibliographyIndexBack cover

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Book SynopsisA long-overlooked group of workers and their battle for rights and dignity Like thousands of African American women, Charlotte Adelmond and Dollie Robinson worked in New York's power laundry industry in the 1930s. Jenny Carson tells the story of how substandard working conditions, racial and gender discrimination, and poor pay drove them to help unionize the city's laundry workers. Laundry work opened a door for African American women to enter industry, and their numbers allowed women like Adelmond and Robinson to join the vanguard of a successful unionization effort. But an affiliation with the powerful Congress of Industrial Organizations (CIO) transformed the union from a radical, community-based institution into a bureaucratic organization led by men. It also launched a difficult battle to secure economic and social justice for the mostly women and people of color in the plants. As Carson shows, this local struggle highlighted how race and gender shaped worker conditions, labor orgTrade Review"Even progressive organizations like the ACWA actively participated in the reproduction of racial and gender hierarchies within labour markets and within their own organizations. It is a sobering finding, albeit one tempered in Carson's account by extraordinary heroism of the laundry workers themselves." --Labour"Grounded in recent scholarship, A Matter of Moral Justice combines structural analysis of the industry with deft mini-biographies and astute assessments of industrial feminism, left organizations, and the CIO itself." --Labor: Studies in Working-Class History"An engaging book on a workforce that has received surprisingly little attention from labor historians. Carson provides a highly readable analysis of how racialized and gendered were job assignments, union organizing campaigns, and labor politics."--Dennis Deslippe, author of Protesting Affirmative Action: The Struggle over Equality after the Civil Rights Revolution"With this beautifully written, emotionally powerful book, Jennifer Carson has rescued the history of organizing among African-American and Afro-Caribbean laundry workers from the shadows. Power laundries were the largest industrial employer of Black women in the U.S. in the first half of the twentieth century, but professional historians have paid little attention to these workers' long campaigns for justice. Carson narrates this crucial history with grace and verve, nuance and drama, centering the biographies of the remarkable organizers Dollie Robinson and Charlotte Adelmond and their struggle to bring decent working conditions and union recognition to a labor force made up almost entirely of women of color. As Carson relates struggles between Black women organizers and white male union leaders, fruitful but fraught alliances with Jewish organizers in the Women’s Trade Union League and the Amalgamated Clothing Workers Union, she makes clear again and again how these movements were direct forebears of the Black Lives Matter and Fight for $15 movements. This history and its powerful actors are as relevant in 2020 as they have ever been. Brava."--Annelise Orleck, author of Rethinking American Women's Activism"Carson's book is well worth the read. . . . Carson has done a masterful job making Black working-class women and intersectionality central to US history." --American Historical Review"Carson's compelling study recovers Black women-led civil rights unionism in the North and provides a powerful and understudied history of how Black women workers sought to transform the labor movement, abolish oppressive workplaces, and build a moral and just society." --Journal of American History

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Book SynopsisWinner of the Mormon History Association Best International Book Award The Church of Jesus Christ of Latter-day Saints continues to contend with longstanding tensions surrounding gender and race. Yet women of color in the United States and across the Global South adopt and adapt the faith to their contexts, many sharing the high level of satisfaction expressed by Latter-day Saints in general. Caroline Kline explores the ways Latter-day Saint women of color in Mexico, Botswana, and the United States navigate gender norms, but also how their moral priorities and actions challenge Western feminist assumptions. Kline analyzes these traditional religious women through non-oppressive connectedness, a worldview that blends elements of female empowerment and liberation with a broader focus on fostering positive and productive relationships in different realms. Even as members of a patriarchal institution, the women feel a sense of liberation that empowers them to work against oppression and agTrade Review"Scrupulously researched. . . . Kline's conclusions are vitally important, not only for scholars who must now expand their sense of the variety of responses Mormon women have to Church teachings and policies, but also for missionaries, travelers, investigators, and leaders at all levels in this hierarchical, patriarchal, imperfect, Utah-based church." --Association of Mormon Letters“Reading Caroline Kline's Mormon Women at the Crossroads: Global Narratives and the Power of Connectedness has been an exercise of discovery, delight, and richly provoking insights. . . . I would enthusiastically recommend this book to anyone with a stake in the tradition. " --Juvenile Instructor"Mormon Women at the Crossroads blends personal stories with theological considerations of women’s roles in contemporary Mormonism." --Foreword Reviews"Yes! Mobilizing her powerful skills as a researcher and her lived understanding of Mormonism, Caroline Kline amplifies the voices of women from the global Mormon movement with a level of respect for complexity and nuance we just don’t get from official LDS venues. In so doing, she offers us all a model for Mormon Studies--and, more broadly, religious studies--of how to navigate the vast distances in geography, history, and perspective that one faith tradition can embrace. This is how we understand our fellow Saints: we listen and let them teach us. Thank you, Dr. Kline. This book should be taught in introductory religious studies courses nationwide, and I hope no Mormon Studies class in the country proceeds without this text on the syllabus."--Joanna Brooks, author of Mormonism and White Supremacy: American Christianity and the Problem of Racial Innocence

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Book SynopsisKelli D. Zaytoun draws on Gloria Anzaldúa's thought to present a radically inclusive and expansive approach to selfhood, creativity, scholarship, healing, coalition-building, and activism. Zaytoun focuses on Anzaldúa's naguala/ shapeshifter, a concept of nagualismo. This groundbreaking theory of subjectivity details a dynamic relationship between inner work and public acts that strengthens individuals' roles in social and transformative justice work. Zaytoun's detailed emphasis on la naguala, and Nahua metaphysics specifically, brings much needed attention to Anzaldúa's long-overlooked contribution to the study of subjectivity. The result is a women and queer of color, feminist-focused work aimed at scholars in many disciplines and intended to overcome barriers separating the academy from everyday life and community. An original and moving analysis, Shapeshifting Subjects draws on unpublished archival material to apply Anzaldúa's ideas to new areas of thought and action.Trade Review"A significant text in the scholarship of Gloria Anzaldúa and in Latina/x feminisms in general. Zaytoun's in-depth analysis of la naguala, a key concept in Anzaldúa's work that has been barely theorized, will move Anzaldúa scholarship in new directions."--Mariana Ortega, author of In-Between: Latina Feminist Phenomenology, Multiplicity, and the Self"Shapeshifting Subjects takes us to the radical edge of many untheorized aspects of Gloria Anzaldúa’s theoretical toolbox including shapeshifting, naguala, and intra-relationality. Zaytoun revives the possibilities of shapeshifting for radical feminist work long preoccupied with difference and coalition building, and decolonial methods for healing colonial wounds. Shapeshifing transports ontological becoming with a dazzling array of more-than-human forms of consciousness. Brimming with nuanced critical insights and poignant reflection, you will be moved after reading this book."--Felicity Amaya Schaeffer, author of Love and Empire: Cybermarriage and Citizenship across the AmericasTable of ContentsSeries Editor’s Foreword ix Preface xiii Acknowledgments xvii INTRODUCTION: Toward a Radically Relational Consciousness 1 CHAPTER ONE. La Naguala in Theory and Practice 9 CHAPTER TWO. “An Artist in the Sense of a Shaman”: Border Arte as Decolonial Practice 41 CHAPTER THREE. Connections with Arab American Feminism 65 CHAPTER FOUR. “Reaching Through the Wound to Connect”: Trauma and Healing as Shapeshifting 95 CONCLUSION: Toward New Potentials of Imagination 121 Notes 131 Works Cited 151 Subject Index 165 Gloria Anzaldúa Works Index 171

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Book SynopsisPullout sections, poster supplements, contests, puzzles, and the funny pages--the Sunday newspaper once delivered a parade of information, entertainment, and spectacle for just a few pennies each weekend. Paul Moore and Sandra Gabriele return to an era of experimentation in early twentieth-century news publishing to chart how the Sunday paper became an essential part of American leisure. Transcending the constraints of newsprint while facing competition from other media, Sunday editions borrowed forms from and eventually partnered with magazines, film, and radio, inviting people to not only read but watch and listen. This drive for mass circulation transformed metropolitan news reading into a national pastime, a change that encouraged newspapers to bundle Sunday supplements into a panorama of popular culture that offered something for everyone.Trade Review"Essential for communication collections and for anyone looking at book or literacy history of the period." --Choice"Paul Moore and Sandra Gabriele's The Sunday Paper: A Media History presents a narrative of the rise of a new form of media in an existing field of publishing power. . . . This book will be of great value for those scholars researching American newspapers as well as those with a theoretical background for understanding media within changing public spheres of knowledge production." --H-Net Reviews"An engaging and pleasantly readable text, supported by examples, illustrations, and primary sources. . . . The innovation, nurturing, and maturity of the Sunday paper, and its rippling cultural effects, makes for interesting, informative reading for just about everyone." --New York Pennsylvania Collector"With this meticulously researched and smartly written book, Paul Moore and Sandra Gabriele have demonstrated the central role Sunday newspapers played in the creation of modern media culture. The Sunday Paper recovers a vibrant interactive multimedia form that historians of both popular culture and journalism have long ignored. This book deserves a place on the short shelf of indispensable media histories."--John C. Nerone, coauthor of The Form of News: A History"While sharing much with the newspapers appearing on the other six days of the week, the Sunday paper was a media experience unto itself. These weekly print spectacles were physically heavy, stuffed with supplements, and offered a kaleidoscopic view of modern life. They were meant to be read but also written upon and cut up, and they offered visual and tactile pleasure for millions of people every week. Sunday newspapers were extraordinary media, and Paul Moore and Sandra Gabriele have written a book that does justice to their strange and wonderful form and content."--Michael Stamm, author of Dead Tree Media: Manufacturing the Newspaper in Twentieth-Century North America

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Book SynopsisLatina/o/x places exist as both tangible physical phenomena and gatherings created and maintained by creative cultural practices. In this collection, an interdisciplinary group of contributors critically examines the many ways that varied Latina/o/x communities cohere through cultural expression. Authors consider how our embodied experiences of place, together with our histories and knowledge, inform our imagination and reimagination of our surroundings in acts of placemaking. This placemaking often considers environmental sustainability as it helps to sustain communities in the face of xenophobia and racism through cultural expression ranging from festivals to zines to sanctuary movements. It emerges not only in specific locations but as movement within and between sites; not only as part of a built environment, but also as an aesthetic practice; and not only because of efforts by cultural, political, and institutional leaders, but through mass media and countless human interactions. Trade Review"Building Sustainable Worlds is a transdisciplinary tour de force of Latinx Studies scholarship that captures the vibrancy, resiliency, diversity, and idiosyncrasy of Latinx expressive culture in the Midwest! This wonderfully curated collection of essays serves as an outstanding contribution to the new scholarship on the Latinx Midwest."--Louis Mendoza, author of A Journey Around Our America: A Memoir on Cycling, Immigration, and the Latinoization of the U.S.

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Book SynopsisStarting in 1952, the United States Navy and Coast Guard actively recruited Filipino men to serve as stewards--domestic servants for officers. Oral histories and detailed archival research inform P. James Paligutan's story of the critical role played by Filipino sailors in putting an end to race-based military policies. Constrained by systemic exploitation, Filipino stewards responded with direct complaints to flag officers and chaplains, rating transfer requests that flooded the bureaucracy, and refusals to work. Their actions had a decisive impact on seagoing military's elimination of the antiquated steward position. Paligutan looks at these Filipino sailors as agents of change while examining the military system through the lens of white supremacy, racist perceptions of Asian males, and the motives of Filipinos who joined the armed forces of the power that had colonized their nation. Insightful and dramatic, Lured by the American Dream is the untold story of how Filipino servicepersTrade Review"I greatly enjoyed reading this well-crafted, sophisticated, and deeply moving oral history and enthusiastically endorse its engagement in courses in U.S. history, migration studies, and labor analysis." --Pacific Historical Review"Accessible and sophisticated. Paligutan’s exploration of the recruitment and experiences of Filipino navy men is an excellent illustration of how economic underdevelopment of the Philippines in the interests of US economic and political gain created the first of many pools of cheap Filipino migrant workers. Paligutan has done a fantastic job at weaving in an intersectional analysis of gender, particularly masculinity, throughout the book."--Valerie Francisco-Menchavez, author of The Labor of Care: Filipina Migrants and Transnational Families in the Digital Age

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Book SynopsisInstitutions in Recife, Brazil, have restructured subsidies in favor of encouraging musicians to become more entrepreneurial. Falina Enriquez explores how contemporary and traditional musicians in the fabled musical city have negotiated these intensified neoliberal cultural policies and economic uncertainties. Drawing on years of fieldwork, Enriquez shows how forcing artists to adopt neutral market solutions reinforces, and generates, overlapping racial and class-based inequalities. Lacking the social and financial resources of their middle-class peers, working-class musicians find it difficult to uphold institutional goals of connecting the city's cultural roots to global markets and consumers. Enriquez also links the artists' situation to that of cultural and creative workers around the world. As she shows, musical sponsorship in Recife and the contemporary gig economy elsewhere employ processes that, far from being neutral, uphold governmental and corporate ideologies that produce sTrade Review"The Costs of the Gig Economy is a welcome English-language contribution about Recife's contemporary music scene, which receives less attention compared to those in São Paulo, Rio de Janerio, and Salvador. . . . In a clear and engaging writing style, Enriquez zooms in and out of various scales—from local to global—and weaves her theoretical framework of 'rooted cosmopolitanism' into the interconnected issues musicians, cultural promoters, and bureaucrats encounter. Her case studies are refreshingly inclusive of both popular and traditional musicians navigating this environment." --Notes

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Book SynopsisFor more than twenty years, John Milton Bernhisel negotiated with the federal government on behalf of the Church of Jesus Christ of Latter-day Saints. Bruce W. Worthen illuminates the life and work of the man whose diplomacy steered the Church's relationship with Washington, D.C. from its early period of dangerous conflict to a peaceful and pragmatic coexistence. Having risen from a Pennsylvania backcountry upbringing to become a respected member of the upper class, Bernhisel possessed a personal history that allowed him to reach common ground with politicians and other outsiders. He negotiated for Joseph Smith's life and, after the Church's relocation to the Utah Territory, took on the task of rehabilitating the public image of the Latter-day Saints. Brigham Young's defiance of the government undermined Bernhisel's work, but their close if sometimes turbulent relationship ultimately allowed Bernhisel to make peace with Washington, secure a presidential pardon for Young, and put Utah aTrade Review"What Worthen has given readers is a candidate for 'bookshelf essential,' especially for those looking for fresh perspectives on the often-told and widely-documented early events of Restoration history. Academically impeccable, Mormon Envoy is a good yarn, and Bernhisel's unique perspective makes for a narratively fascinating vantage amidst these dueling saints and senators." --John Whitmer Historical Association Journal"Worthen does an excellent job of emphasizing Bernhisel's accomplishments in Mormon Envoy." --Journal of Mormon History"Worthen's biography of Bernhisel is also an elegantly written history lesson." --Library JournalTable of ContentsIntroduction: The Diplomacy of John Milton Bernhisel “My Journey to the Westward” “Stand Still and See the Salvation of God” Four Miles from Carthage The Angry Apostle An Adopted Son and a Travelling Bishop Far from the Land of Our Enemies Correcting Public Opinion Old Rough and Ready Great Basin Confrontation “We Have Only Asked for Simple Justice” “Throwing Down the Glove” Dueling Discourses “A Most Turbulent, Disloyal, and Rebellious People” Wild Fire “When a Thousand Years Have Slept Away” “Let Uncle Sam Choose” Wrongs Real and Imaginary The Train of Hell The Great Wheel of Time Conclusion: Out of the WestAppendix: Bernhisel’s MarriagesNotesBibliographyIndex

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Book SynopsisWhen an obscure primary election met the culture wars In 1990, a suburban Chicago race for the Republican Party nomination for state representative unexpectedly became a national proxy battle over abortion in the United States. But the hard-fought primary also illustrated the overlooked importance of down-ballot contests in America's culture wars. Patrick Wohl offers the dramatic account of a rollercoaster campaign that, after attracting political celebrities and a media circus, came down to thirty-one votes, a coin toss to determine the winner, and a recount fight that set a precedent for how to count dimpled chads. As the story unfolds, Wohl provides a rare nuts-and-bolts look at an election for state office from its first days through the Illinois Supreme Court decision that decided the winner--and set the stage for a decisive 1992 rematch. A compelling political page-turner, Down Ballot takes readers behind the scenes of a legendary Illinois election.Trade Review"Engaging prose. . . . Will likely be a popular selection as the 2024 election draws near. It will also be of interest to those teaching civics and journalism." --Library Journal“Patrick Wohl’s important, entertaining book illustrates what we lose when local news is replaced with nationalized political coverage. Anyone who thinks local politics is boring hasn’t heard of the Pullen-Mulligan race.”--Elise Jordan, NBC News and MSNBC political analyst“The Pullen-Mulligan race was unlike any other I covered in thirty-plus years in journalism on so many levels. It absolutely underscores the importance of paying attention to local races and to the critical role local media play in our democracy.”--Madeleine Doubek, former Daily Herald political reporter and executive director of CHANGE IllinoisTable of ContentsAcknowledgments Introduction Amendment XXVII Rosemary Mulligan Blood Terrorists Henry Penny Two Cents On the Trail Raccoons, Reporters, and Rapists’ Rights GOTV Dimpled Chads Heads or Tails Rematch Talk of the Town Goldwater Girls Epilogue Notes

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Book Synopsis The most successful bandleader of the 1920s, Paul Whiteman was an entertainment icon who played a major role in the mainstreaming of jazz. Whiteman and his band premiered Gershwin’s Rhapsody in Blue. Duke Ellington acknowledged his achievements. His astonishing ear for talent vaulted a who’s who of artists toward prominence. But Whiteman’s oversized presence eclipsed Black jazz musicians while his middlebrow music prompted later generations to jettison him from jazz history. W. Anthony Sheppard’s collection of essays confronts the racial implications of Whiteman’s career. The contributors explore Whiteman’s broad impact on popular culture, tracking his work and influence in American marketing, animated films, the Black press, Hollywood, and the music publication industry, and following him behind the scenes with arrangers, into grand concert halls, across the Atlantic, into the courtroom, and on television. Multifaceted and cuttin

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