Social and cultural history Books

Book SynopsisSo shattering were the after-effects of Kishinev, the rampage that broke out in Russia in April 1903, that one historian remarked that it was “nothing less than a prototype for the Holocaust itself”. In three days of violence, 49 Jews were killed and 600 raped or wounded, whilst more than 1,000 Jewish-owned houses and stores were ransacked and destroyed. Recounted in lurid detail by newspapers throughout the Western world, the pre-Easter attacks seized the imagination of an international public, quickly becoming the prototype for what would become known as a “pogrom” and providing the impetus for efforts as varied as The Protocols of the Elders of Zion and the NAACP. With new evidence from Russia, Israel and Europe, Steven J. Zipperstein brings historical insight and clarity to a much-misunderstood event.Trade Review"Pogrom is an outstanding mix of detailed social history, close readings of texts and historical storytelling. It is never dry or merely academic. Zipperstein moves between the details of what happened in Kishinev but always has an eye for the bigger story, especially for what it tells us about both modern Russian and Jewish history, and what pogroms came to symbolise for generations of American immigrants, Zionists and socialists. It is a superb work." -- New Statesman"Zipperstein deserves praise for the detail, balance and originality of his book. His unwinding of the events, his careful analysis of the evidence and his sensitive description of the actors are commendable. Pogrom comes as close as we shall ever get to an authoritative account of one of the most awful chapters in modern times." -- Literary Review"... impressive, heart-wrenching new book on the subject... Zipperstein gives us a strong, clear narrative as well as appalling details... masterly work…" -- The International New York Times"This book is fascinating..." -- The Jewish Chronicle"The methodical slaughter of forty-nine Jews on the streets of Kishinev, the capital of Moldova, over the course of three days in April, 1903, was a pivotal event in the history of modern anti-Semitism, the rise of Zionism, and, as a symbol of racist violence, a catalyst for the rise of the N.A.A.C.P. With extraordinary scholarly energy, Zipperstein uncovers sources in Russian, Yiddish, and English that show not only why this bloody event ignited the Jewish imagination, its sense of embattlement in exile, but also why it had such lasting resonance internationally." -- The New Yorker"A riveting, often painful and vivid picture of a pogrom which captured attention worldwide, Zipperstein looks beyond the event itself and demonstrates how the tragedy at the heart of Russia served as a catalyst for the widest range of institutions including the NAACP. Written with the insight of an impeccable historian, his account—that will intrigue scholars as well as the widest array of readers—can be seen as a harbinger of what would come but four decades later." -- Deborah Lipstadt, author of The Eichmann Trial

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Book SynopsisLike trigger warnings and gender-neutral bathrooms, pronouns spark debate, prompting new policies about what pronouns to use. More than a by-product of the culture wars, gender-neutral pronouns are, however, nothing new. Pioneering linguist Dennis Baron puts them in historical context, noting that Shakespeare used singular they, women invoked the generic use of he to assert the right to vote (while those opposed to women’s rights asserted that he did not include she) and people have been coining new gender pronouns for centuries. An essential work in understanding how 21st century culture has evolved, What’s Your Pronoun? chronicles the story of the role pronouns have played—and continue to play—in establishing both our rights and our identities.Trade Review"Dennis Baron’s What’s Your Pronoun? is a delightful account of the search for what Baron, a professor of English and linguistics at the University of Illinois, calls ‘the missing word’: a third person singular, gender-neutral pronoun." -- Amia Srinivasan - London Review of Books"Dennis Baron has spent years researching the quest for a gender-neutral third-person singular pronoun in English. Lively, accessible and full of fascinating details, What’s Your Pronoun? will appeal to anyone with an interest in linguistic and cultural history." -- Deborah Cameron, Worcester College, University of Oxford"Into the breach comes a useful corrective in the form of Dennis Baron's well-timed new book, "What's Your Pronoun?"" -- The Economist"In this learned and entertaining book, Dennis Baron provides vital historical context to today's impassioned debates over gender-neutral and non-binary pronouns... Baron knows what he's talking about and provides a much-needed dose of scholarship leavened with good sense in the language wars. The book is timely, for pronouns are suddenly politically sexy." -- The Times"A scrupulous and absorbing survey. Its great virtue is to show that these issues are nothing new… This scholarly assiduousness, though, also makes him the ideal pilot through these contentious political-linguistic waters. If you want to know why more people are asking ‘what’s your pronoun?’ then you (singular or plural) should read this book." -- Joe Moran - The New York Times Book Review"His [Dennis Baron's] new book, What's Your Pronoun? Beyond He and She is a meticulous, consummate dissection of the pronoun wars..." -- Attitude

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Book SynopsisThe second installment in the series of graphic novels that began with Washington State Book Award Finalist We Hereby Refuse: Japanese American Resistance to Wartime IncarcerationBasketball-loving Sumiko Tanaka, then 11, narrates this graphic novel about the World War II incarceration of Japanese Americans. Through her eyes, we watch as her family is forced from their home and subjected to indiscriminate racism as they are shipped off to the concentration camp called Minidoka in Idaho.But Sumiko and her 17-year-old sister Yuri also see acts of charity and solidarity from their non-Japanese neighbors and friends in the Seattle area that make them hopeful for the future. As the young girls struggle with the horrors of being imprisoned in the dusty desert, they also find solace in the fact that some people chose to help. This story highlights the actual actions and experiences of those neighbors and friends.Trade ReviewPraise for We Hereby Refuse: Japanese American Resistance to Wartime IncarcerationIt leaves you simultaneously furious, questioning ideas of loyalty and citizenship … and deeply moved. May all of us learn, and share, these stories.–Moira Macdonald, The Seattle TimesHighly recommended for high school and college classrooms.–Terry Hong, Booklist

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Book SynopsisFrom the adolescent thrill of getting a driver''s license to the dreaded commutes of adulthood, from vintage muscle cars to electric vehicles, this groundbreaking book reveals the outsized impact the car has had—and will continue to have—on the lives of women.Since their inception cars have defined American culture, but until quite recently car histories were largely written by and about men—with little attention given to the fascinating story of women and cars. In this engaging non-fiction narrative, Nancy A. Nichols, the daughter of a used car salesman, uses the cars her father sold and the ones her family drove to tell a larger story about how the car helped to define modern womanhood. From her sister’s classic Mustang to her mother’s Chevy Convertible to her own Honda minivan, Nichols tells a personal story in order to shed light on a universal one. Cars helped women secure the right to vote, changed the nature of roman

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Book SynopsisBritain yesterday; America today. The reality of being top dog is that everybody hates you. In this provocative book, noted historian and commentator Jeremy Black shows how criticisms of the legacy of the British Empire are, in part, criticisms of the reality of American power today. He emphasizes the prominence of imperial rule in history and in the world today, and the selective way in which certain countries are castigated. Imperial Legacies is a wide-ranging and vigorous assault on political correctness, its language, misuse of the past, and grasping of both present and future.

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Book SynopsisSimon Fairlie is possibly the most influential – and unusual – eco-activist you might not have heard of. The Observer Simon Fairlie is the original hippie. The Idler This is a fascinating, funny and moving record of an extraordinary life lived in extraordinary times. George Monbiot Going to Seed is the unforgettable firsthand account of how the hippie movement flowered in the late 1960s, appeared spent by the Thatcher-consumed 1980s, yet became the seedbed for progressive reform we now take for granted – and continues to inspire generations of rebels and visionaries. At a young age, Simon Fairlie rejected the rat race and embarked on a new trip to find his own path. He dropped out of Cambridge University to hitchhike to Istanbul and bicycle through India. Simon established a commune in France, was arrested multiple times for squatting and civil disobedience, and became a leading figure in protests against the British government’s road building programmes of the 1980s and – later – in legislative battles to help people secure access to land for low impact, sustainable living. Over the course of fifty years, we witness a man’s drive for self-sufficiency, freedom, authenticity and a deep connection to the land. Simon Fairlie grew up in a middle-class household in leafy middle England. His path had been laid out for him by his father: boarding school, Oxbridge and a career in journalism. But everything changed when Simon’s life ran headfirst into London’s counterculture in the 1960s. He finds Beat poetry, blues music, cannabis and anti–Vietnam War protests – and a powerful lust to be free. Instead of becoming a celebrated Fleet Street journalist like his father, Simon becomes a labourer, a stonemason, a farmer, a scythesman, a magazine editor and a writer of a very different sort. He shares the highs of his experience, alongside the painful costs of his ongoing search for freedom – estrangement from his family, financial insecurity and the loss of friends and lovers to the excesses of the 1960s, 70s, and 80s. Going to Seed questions the current trajectory of Western ‘progress’ – explosive consumerism, growing inequality and environmental devastation; it’s for anyone who wonders how we got to such a place. Simon’s story is for anyone who wonders what the world might look like if we began to chart a radically different course.Trade Review“This is a fascinating, funny and moving record of an extraordinary life lived in extraordinary times.”—George Monbiot‘Simon Fairlie is one of a kind. Going to Seed is brilliant, bloody-minded, funny and full of hard-learned lessons that we would do well to heed.’—Paul Kingsnorth‘Authentic counter-cultural voices, true to a set of consistent values and principles shaped over a lifetime, are few and far between. Simon Fairlie’s voice is one of those, highlighting so much of what is wrong about our current model of progress.’—Jonathon Porritt, cofounder, Forum for the Future; author of Hope in Hell‘Pull up a chair by a rustic fireside, with a glass of local cider in hand, and allow master raconteur Simon Fairlie to regale you with tales from his extraordinary life. It is so important that the great modern activists capture their stories and the rarely-written histories of progressive social change. These are the shoulders on which we all stand, and there is much wisdom to be discovered here.’—Rob Hopkins, author of From What Is to What If; founder, Transition movement ‘Sooner or later anyone who gets involved in low-impact housing or agriculture in Britain, and perhaps beyond, will find a path through the weeds already mown for them by the well-honed scythe of the pioneering Simon Fairlie. In his wonderful new book, Simon takes us behind the scenes with a warts-and-all personal memoir about an unconventional life lived with gusto. At the same time, and without seeming to try, he sketches a social history of postwar England of surprising thoroughness. Most importantly, while it’s debatable how much tuning in resulted from the dropping out of many in his generation, in these pages Simon forges an acute and nuanced political analysis out of his counter-cultural experiences that’s of urgent mainstream relevance today.’—Chris Smaje, author of A Small Farm Future‘An ideological romp through a life well lived, as irascible, rebellious and perspicacious as the man himself. Genuinely gripping.’—Maddy Harland, editor and cofounder of Permaculture magazine‘Beautifully written—both informative and entertaining, and I found myself laughing aloud on numerous occasions. This book is an essential read and a source of inspiration for anyone who ever has been, or ever hopes to be, involved in any kind of “alternative society”.’—Mike Abbott, author and pioneer of the green woodwork revival in the UK‘A fascinating insight into the life of a true pioneer. This energetic memoir charts half a century of environmental resistance, from almost accidental activism to becoming one of the most powerful advocates for sustainable land use in my lifetime. Without his inspiration, I would never have been able to introduce One Planet Developments in Wales.’—Jane Davidson, author of #futuregen: Lessons from a Small Country and former Welsh minister‘A riveting memoir of a timeless English radicalism; a chronicle of insight, wit and wisdom of the land.’—Alastair McIntosh, author of Soil and Soul; fellow, Centre for Human Ecology

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Book SynopsisA history of the Civil Rights Movement from Emancipation through the 1980s, told through 200 objects (buttons, badges, posters, leaflets, and more) created by activists as tools to advance the fight for justice and freedom. From Reconstruction through Jim Crow, through the protest era of the 1960s and ’70s to current-day resistance and activism, the material culture of the Civil Rights Movement has been integral to its goals and tactics. During decades of sit-ins, marches, legal campaigns, boycotts, and demonstrations, objects such as buttons, flyers, and posters have been key in the fight against racism, oppression, and violence. Making the Movement presents more than 200 of these nonviolent weapons alongside the story of the activists, organizations, and campaigns that defined and propelled the cause of civil rights. It is a must-read for anyone seeking to learn about Black history in the United States, and about strategies to combat racism and the structures that support it.

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Book SynopsisAn introduction to a new early modern woman writer that makes her manuscripts available in print for the first time. This first print edition of two extant manuscripts by Dorothy Calthorpe (1648–1693) introduces a new seventeenth-century woman writer to the growing canon of early modern female authors. The edition provides transcriptions of the manuscripts and Calthorpe’s will, as well as a hefty apparatus that features a comprehensive introduction to Calthorpe, her family, and her work; a glossary of persons who figured in her writing and her life; and two genealogical charts. Calthorpe’s writings (including both prose and verse and ranging from Petrarchan love poems to roman à clef and devotional verse), and the thoughtfully constructed and illustrated volumes in which her texts appear, demonstrate the rich intellectual life of a previously unknown female writer and provide a compelling example of Restoration manuscript production. Trade Review“The discovery of two manuscripts written by Dorothy Calthorpe enriches the canon of early modern writing in many different genres: speculative fiction, family history (which in Calthorpe’s case intersects with romance writing), pastoral lyrics, commentary on the Fall, and religious poetry. Perfectly pitched to a wide audience, this edition provides learned glosses and sketches out Calthorpe’s entire milieu, from her will and self-designed funeral monument, to her extended family relationships, to later provenance information about her books and manuscripts. Julie Eckerle’s presentation of Calthorpe’s work allows today’s readers to appreciate this fascinating writer’s wide-ranging interests, unusual imagery, and unique voice.” -- Victoria E. Burke, University of OttawaTable of ContentsAcknowledgments Illustrations Abbreviations INTRODUCTIONThe Other Voice The Calthorpes of Ampton Historical Context Life and Works Content and Analysis of news from the midell regions Content and Analysis of Calthorpe’s Chapel The Manuscripts: Material Conditions Provenance and Afterlife Editorial Principles and Practices THE REDWOOD LIBRARY MANUSCRIPT: NEWS FROM THE MIDELL REGIONS “of truth who is times eldest daughter times wonted off spring” “Contempt of the world” “on the death of Mrs I R” THE BEINECKE LIBRARY MANUSCRIPT: CALTHORPE’S CHAPEL “Philismena to Philander” “Philander to Philismena” “In commendations of a country Life it being so innocent” “A Discription of the Garden of Edden” A Short History of the Life and death of Sir Ceasor Dappefer A Castell in the aire or the pallace of the man in the moon APPENDIX 1: Dorothy Calthorpe’s Pedigree APPENDIX 2: Bible and Calthorpe’s Chapel Manuscript Ownership among Calthorpe/Harvey Descendants APPENDIX 3: Dorothy Calthorpe’s Will APPENDIX 4: Glossary of Persons Bibliography Index

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Book SynopsisA luminous, inventive, and deeply personal exploration of living in the liminal space between Jewish and Arab, ancient and modern, by a gifted Palestinian writer.Chosen by The New York Times as one of the best books of 1988, Arabesques is a luminous novel that engages with history and politics not as propaganda but as literature. That engagement begins with the language in which the book is written: Anton Shammas, from a Palestinian Christian family and raised in Israel, wrote in Hebrew, as no Arab novelist had before. The choice was provocative to both Arab and Jewish readers.Arabesques is divided into two sections: “The Tale” and “The Teller.” “The Tale” tells of several generations of family life in a rural village, of the interplay of past and present, of how memory intersects with history in a part of the world where different people have both lived together and struggled against each other for centuries. “The Teller” is about the writer’s voyage out of that world to Paris and the United States, as he comes into his vocation as a writer, and raises questions about the authority of the storyteller and the nature of the self. Shammas’s tour de force is both a personal and a political narrative—a reinvention of the novel as a way of envisioning and responding to historical and cultural legacies and conflicts.

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Book SynopsisIt took nearly sixty years for a meaningful climate change bill to run the political gauntlet from Capitol Hill to the Oval Office. Why?From mavericks to party standard-bearers, U.S. Senators, members of the House of Representatives, and presidential candidates have campaigned for four decades espousing their intentions to address the impacts of climate change.Glacial: The Inside Story of Climate Politics is the first Inside-the-Beltway account to lay bare the machinations of what went wrong in Washington—how and why our leaders failed to act on climate change as mounting scientific evidence underscored the urgency to do so. Glacial tells a story of behind-the-scenes infighting and power struggles that blocked or derailed federal legislative progress on climate change, even in times of bipartisanship and with polls showing most Americans favored action.The good news today is that public opinion is at its highest level of support

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Book SynopsisWithout the horse, India would not be this India ... The history of the horse in India is an epic tale of life and war, of migration and intermingling, and points towards a greater history throughout the world, the history of humans and animals in symbiosis.

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Book Synopsis“Enjoy your homes. Enjoy your food. There is nothing that can take their place.” Half a world away from her home in Manitoulin Island, Ethel Mulvany is starving in Singapore’s infamous Changi Prison, along with hundreds of other women jailed there as POWs during the Second World War. They beat back pangs of hunger by playing decadent games of make-believe and writing down recipes filled with cream, raisins, chocolate, butter, cinnamon, ripe fruit—the unattainable ingredients of peacetime, of home, of memory. In this novelistic, immersive biography, Suzanne Evans presents a truly individual account of WWII through the eyes of Ethel—mercurial, enterprising, combative, stubborn, and wholly herself. The Taste of Longing follows Ethel through the fall of Singapore in 1942, the years of her internment, and beyond. As a prisoner, she devours dog biscuits and book spines, befriends spiders and smugglers, and endures torture and solitary confinement. As a free woman back in Canada, she fights to build a life for herself in the midst of trauma and burgeoning mental illness. Woven with vintage recipes and transcribed tape recordings, the story of Ethel and her fantastical POW Cookbook is a testament to the often-overlooked strength of women in wartime. It’s a story of the unbreakable power of imagination, generosity, and pure heart.Table of ContentsTable of Contents Prologue: Setting the Table I. Meeting the Emperor 1. What’s a Manitoulin Girl Doing in Singapore? 2. The Tiger Woman 3. Bon Voyage Photos 4. Stepping Out in Singapore 5. Guns, Bicycles and Spies 6. Loaded to the Hilt on Benzedrine 7. Silence of the Guns II. Getting to Hunger 8. The Road to Jail 9. On the Inside 10. Shopping for Food and Answers 11. Shop for Some Pumpkins in Stall 38 12. The Logic of a Dream 13. Recipes of Longing III. Dreaming it Up 14. Stitching Stories 15. The Red Cross Silence Hut 16. The Games People Play 17. Double Tenth 18. Descending Mania 19. Solitary Confinement IV. Breaking Out 20. Shameful Hunger 21. First Feasts 22. The Horrors of Health Care 23. Is this Home? 24. Never Enough 25. The Gift of Food V. Putting it all Together 26. Not Fit Company for Herself 27. Treasure Van 28. What’s in the Bottom Drawer? 29. A Forgiving Spirit Draws Two Worlds Together Notes Index

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Book SynopsisThe Victorians risked more than just delays when boarding a steam train . . .Victorian inventors certainly didn't lack steam, but while they squabbled over who deserved the title of 'The Father of the Locomotive' and enjoyed their fame and fortune, safety on the rails was not their priority. Brakes were seen as a needless luxury and boilers had an inconvenient tendency to overheat and explode, and in turn, blow up anyone in reach.Often recognised as having revolutionised travel and industrial Britain, Victorian railways were perilous. Disease, accidents and disasters accounted for thousands of deaths and many more injuries. While history has focused on the triumph of engineers, the victims of the Victorian railways had names, lives and families and they deserve to be remembered . . .Trade ReviewOriginal, informative and quirky, the stories in this book linger in the memory. * GOOD BOOK GUIDE *'an intriguing alternative history' -- B Lesle McDowell * SUNDAY HERALD *

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Book Synopsis'An illuminating work of massive insight' Alan Moore'A sensational book. Heartily recommended' Rufus HoundIt is the century about which we know too much, yet understand too little. With disorientating ideas such as relativity, cubism, the id, existentialism, chaos mathematics and postmodernism to contend with, the twentieth century, John Higgs argues, cannot fit easily into a traditional historical narrative. Time, then, for a new perspective. Higgs takes us on a refreshingly eclectic journey through the knotty history of the strangest of centuries. In the company of radical artists, scientists, geniuses and eccentrics, he shows us how the elegant, clockwork universe of the Victorians became increasingly woozy and uncertain; and how in the twentieth century we discovered that our world is not just stranger than we imagine, but 'stranger than we can imagine'.Trade Review'It was formerly held that a comprehensive history of the last century would never be written, by virtue of the fact that we knew too much about that frenetic and eventful period. Now, with the era's ink barely dry, John Higgs demolishes this assumption with a breathtakingly lucid and coherent map of the tectonic shifts which drastically reshaped the human psyche, and the human world, within a hundred thrilling, terrifying years ... An illuminating work of massive insight, in STRANGER THAN WE CAN IMAGINE John Higgs informs us of exactly where we've been and, by extension, where we are. I cannot recommend this magnificent work too highly' -- Alan Moore, author of V FOR VENDETTA, WATCHMEN and LOST GIRLS'A beautiful, erudite, funny and enlightening tour of the widening boundaries of uncertainty revealed in the twentieth century, and who doesn't need a book that explains quantum behaviour with a boxing bout between Putin and a kangaroo?' -- Robin Ince'. . . a brilliantly stimulating tale.' * Financial Times *'. . . a challenging book that stimulates the reader to think radically.' * Daily Mail *'In Stranger Than We Can Imagine, [Higgs] broadens his intellectual reach to encompass modernism, situationism, chaos theory, indeterminacy and almost every other byway of that epoch. Higgs's plate-spinning act is a fine example of learning worn lightly.' -- Adam Roberts * New Scientist *'John Higgs takes a journey through some of the 'curious backwaters' of the last century in the excellent, and consistently intriguing STRANGER THAN WE CAN IMAGINE.' * CHOICE magazine *'Hugely entertaining and thought-provoking' -- Scott Pack'A great and truly enlightening read.' * History Revealed *'The best, most imaginative, most readable history book... No tired chronology of the Wars, Depression, or Vietnam here. No, instead you get a Bill Bryson-type rollercoaster ride of the ideas that made and broke the [twentieth] century.' * Tea In The Cloister.com *A sensational book. Heartily recommended -- Rufus Hound'To paraphrase Colonel Kurtz, reading John Higgs is like being shot with a diamond. Suddenly everything becomes terrifyingly clear' -- Andrew Male * Mojo *'STRANGER THAN WE CAN IMAGINE is a thought-provoking read. Its memorable anecdotes and signposts to further reading make it an enjoyable introductory text on twentieth century history, as well as an accessible guide to many of its more murky aspects.' * History Matters.co.uk *'an enjoyable and informative history' -- Alastair Mabbott * THE HERALD *'From Freud to fractals, cubism to corporations, the topics covered are impressive in such a short book. Even more striking is how well he ties them all together. It's a bravura performance that's unreservedly recommended.' -- Alwyn Turner * BBC HISTORY MAGAZINE *'Higgs recounts . . . with wide-ranging erudition and a delightful deadpan humour; a particular joy is the explanation of quantum theory via an example of Vladimir Putin fighting a kangaroo.' * Press Association *It was formerly held that a comprehensive history of the last century would never be written, by virtue of the fact that we knew too much about that frenetic and eventful period. Now, with the era's ink barely dry, John Higgs demolishes this assumption with a breathtakingly lucid and coherent map of the tectonic shifts which drastically reshaped the human psyche, and the human world, within a hundred thrilling, terrifying years ... An illuminating work of massive insight, in STRANGER THAN WE CAN IMAGINE John Higgs informs us of exactly where we've been and, by extension, where we are. I cannot recommend this magnificent work too highly -- Alan Moore, author of V FOR VENDETTA, WATCHMEN and LOST GIRLS

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Book SynopsisThe newly discovered diary of a wartime nurse - a fascinating, dramatic and unique insight into the experiences of a young nurse in the Second World War.'I always seem to be saying good-bye to men whom I might have loved had there been enough time...'1939: 18-year-old trainee nurse Mary Mulry arrives in London from Ireland, hoping for adventure. Little did she know what the next seven years would bring.In her extraordinary diary, published now for the first time, Mary records in intimate detail her life as a nurse, both on the Home Front and on the frontline. From nursing children during bombing raids in London to treating Allied soldiers in Normandy, Mary's experiences gave her vivid and unforgettable material for the private diary she was dedicated to keeping.Filled with romance, glamour and inevitably sadness, too, these are the rich memories of an irrepressible personality, living through the turbulent years of the Second World War.Trade ReviewWe know so much about Mary's war because she broke the rules. Keeping a diary was strictly forbidden while on active service, which makes Mary's remarkably complete account all the more exceptional * DAILY EXPRESS *Mary Morris's absorbing diary is a tonic to so many outsized histories of the second World War by those who had not been there. ....In pithy, occasionally sardonic entries, Morris builds a picture of the pity of war and, above all, the moral and material ruins of post-Hitler Germany, where she danced the nights away in Allied officers clubs but also got to know the stench of diphtheria ("so foul and sickly") and gangrene. The scenes of horror and distress she recorded are leavened by childhood reminiscences of the Connemara coast and the glories of whiskey fruit cake. * THE IRISH TIMES *Keeping a diary during active service was forbidden, so this book offers a rare insight into the important roles of nurses, both on the Home Front and the frontline during the Second World War from their own viewpoint. * WHO DO YOU THINK YOU ARE *Diaries transport us back to the events they describe with a vividness other sources cannot match. This diary, recently discovered in the archives of the Imperial War Museum, was kept by Irish nurse Mary Morris to record her experiences during and after the Second World War. Her strength of character and spirit shine through. ....day and night she faced the grim experience of nursing battle casualties. The constant hunger from insufficient rations, catching diphtheria, and being injured by shrapnel failed to daunt her. * NURSING STANDARD *Throughout it all, Mary's sense of humour and her high spirits rarely failed ... Mary is a talented writer and a humane observer of her remarkable experiences. Her diary is full of vivid, sometimes shocking vignettes ... [A] fascinating and deeply moving book * DAILY MAIL *A remarkable work ... [Mary] was a lucid observer of some of the most cataclysmic events in history * IRISH TIMES *

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Book SynopsisThe astonishing story of the project that launched Mass Observation In the late 1930s the Lancashire town of Bolton witnessed a ground-breaking social experiment. Over three years, a team of ninety observers recorded, in painstaking detail, the everyday lives of ordinary working people at work and play - in the pub, dance hall, factory and on holiday. Their aim was to create an 'anthropology of ourselves'. The first of its kind, it later grew into the Mass Observation movement that proved so crucial to our understanding of public opinion in future generations. The project attracted a cast of larger-than-life characters, not least its founders, the charismatic and unconventional anthropologist Tom Harrisson and the surrealist intellectuals Charles Madge and Humphrey Jennings. They were joined by a disparate band of men and women - students, artists, writers and photographers, unemployed workers and local volunteers - who worked tirelessly to turn the idle pleasure of people-watching into a science. Drawing on their vivid reports, photographs and first-hand sources, David Hall relates the extraordinary story of this eccentric, short-lived, but hugely influential project. Along the way, he creates a richly detailed, fascinating portrait of a lost chapter of British social history, and of the life of an industrial northern town before the world changed for ever. Published in partnership with the Mass Observation Archive at the University of Sussex, which holds the papers of the British social research organisation Mass Observation from 1937 to the early 1950s, as well as new material collected continuously since 1981 about everyday life in Britain. www.massobs.org.uk @MassObsArchiveTrade ReviewA great read -- Oscar Quine * THE INDEPENDENT *The book details how 90 observers (usually upper-class Oxbridge types), recorded minute details of everyday life, and how [Tom Harrisson's] experiment grew into the wider Mass Observation study. The social history is fascinating and class issues run throughout the book. A timely, readable reminder that while everything changes, everything also stays the same * GLASGOW HERALD *Hall's depiction of Harrisson's eccentricities is enthralling... there is much to enjoy - and plenty of contemporary resonance in an age when internet giants are collecting information about our tastes and habits -- Francis Wheen * THE MAIL ON SUNDAY *lively and accessible -- Peter Clarke * FINANCIAL TIMES *Drawing on vivid reports, photographs and first-hand sources (very little of which has ever been previously published) David Hall relates the extraordinary story of this eccentric and short lived but hugely influential project. He creates a detailed and fascinating portrait of a lost chapter of British social history and of the life of Bolton before the world would change forever. The photographs of Humphrey Spender are used in this fascinating book (these, of course are held by Bolton's Library and Museum Services) and they help to show how mass observation (from 1937 to the early 1950s as well as new material collected continuously since 1981) can tell us so much about our town and its people -- Gail McBain * THE BOLTON NEWS *Highly readable, anecdote-rich history -- Kevin Jackson * GUARDIAN *David Hall charts the first phase of the groundbreaking Mass-Observation project that examined working class life in Bolton... Including evocative photographs and stories from residents, the author takes us on a journey back to the 1930s and introduces us to life at street level. This fascinating and readable book throws light on the lives of many of our pre-WW2 relatives. -- Amanda Randall * FAMILY TREE MAGAZINE *

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Book SynopsisConfrontations with naked human bodies can provoke powerful, and often contradictory, impressions and feelings. Just as they might either thrill or revolt, they can signal innocence or sexiness, frankness or madness, a oneness with nature or a separation from society. Advertisers and the media are very aware of the complex and highly subjective associations that most of us have towards nakedness, and use images incessantly to compete for our attention. Yet mystics have embraced nudity to get closer to God or to some other remote power, while political activists have discovered that baring all is one of the most effective ways to gain publicity for a cause. In "A Brief History of Nakedness", Philip Carr-Gomm traces our preoccupation with nudity in three distinct areas of human endeavour: religion, politics and popular culture. Rather than study the history of the fine-art nude, or detail the ways in which the naked body has been denigrated or imprisoned, this book explores new territory - revealing the ways in which religious teachers, politicians, protestors and cultural icons have used nudity to enlighten or empower themselves, or simply to entertain us. From the naked sages of India and St Francis of Assisi to modern-day druids and Christian nudists, from "The Full Monty" and "Calendar Girls" to Lady Godiva and Lady Gaga, "A Brief History of Nakedness" surveys the touching, sometimes tragic, and often bizarre story of our relationship with our own and with others' naked bodies.Trade Review'Philip Carr-Gomm has an idea: Stop reading and take off your clothes' - Chronicle of Higher Education 'Being naked in public can be fun, or naughty, or provocative, or health-giving, or political. It is almost always illegal. And, as anyone who has visited a nudist resort can testify, it is rarely, if ever, sexy. But, as Philip Carr-Gomm reveals in his academic romp through two millenniums of public exhibitionism from the ancient Greeks to animal-rights activists, you can be naked anywhere. You are only nude if someone is watching. Nakedness on its own is straightforward - it's the context and the audience of nudity that make it interesting ... wonderful illustrations' - Sunday Times 'Once you've finished this thought-provoking book, go back to the mirror. Slip off the bathrobe and have another look. Unless you were reading it in the waiting room of a plastic surgeon, nothing much will have changed. Yet something seems different. If it weren't anatomically impossible, you'd swear your whole body was smiling.' - Daily Telegraph

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Book SynopsisZombies: A Cultural History, now available in paperback, sifts materials from anthropology, folklore, travel writing, colonial histories, long-forgotten pulp literature, B-movies, medical history and cultural theory to give a definitive short introduction to the zombie, exploring the manifold meanings of this compelling, slow-moving yet relentless monster.Trade ReviewLuckhurst s wide-ranging history of this cult phenomenon is a richly detailed and eminently readable, nuanced, and rigorous story. He outlines the different shapes the complex, colonially driven monster takes in its century-long journey through the imperial American sub-Zeitgeist including its surprising global resurrection in the new millennium. Everyone from Zora Neale Hurston to 1950s pulp comics to esoteric space scientists and Kirkman had a hand in fashioning the imaginary creature we know today as the zombie. --Victoria Nelson, author of Gothicka and The Secret Life of Puppets"

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Book SynopsisHomosexuals, transvestites, transsexuals, sado-masochists, necrophiliacs - all of these have been, or still are, considered 'deviants'. Concomitantly there has been almost universal acceptance that unembellished vaginal penetration, performed by one man and one woman, is 'normal' sex. This is now contested. But what is perverse sex and what isn't? The Pleasure's All Mine explores the gamut of sexual activity that has been seen as strange, abnormal or deviant over the last 2,000 years. This first comprehensive history of sexual perversion examines an abundance of original sources - letters, diaries, memoirs, court records, erotic books, medical texts and advice manuals - and shows how, for ordinary people, different kinds of sex have always offered myriad different pleasures. There never was a 'normal'. Almost all sexual behaviours have travelled to and fro along a continuum of proscription and acceptance. Attitudes have changed towards masturbation, leatherwear, 'golden showers' and sado-masochism.From the specialized cultures of pain, necrophilia and bestiality to the social world of plushies and furries, and lovers of life-sized sex dolls, some previously acceptable behaviour now provokes social outrage, while activities as diverse as sodomy and wife-swapping have moved on the spectrum of acceptance from sin to harmless fun. Each 'perversion' is explored from the time it was first visible in history, to how it is viewed today, and along the way the book asks why we can be so intolerant of other people's sexual preferences. Carefully researched as well as a fascinating read, and featuring a wide array of illustrations, The Pleasure's All Mine reaches conclusions that are surprising and sometimes shocking. This is an essential volume for anyone interested in the art, history and culture of sex.Trade Review'For those with an erudite interest in debauchery, this latest from author, historian, and sex scholar Peakman is just the ticket... Peakman's broad overview is stunning, sweeping, and very carefully nonjudgmental. She recounts the history of each so-called perversion from its earliest recorded occurrence through the present, showing how the shifting mores of society color our views on this endlessly fascinating subject ... Exhaustively researched and packed with startling images, this work is a fact-filled, entertaining read for sex history neophytes and scholars alike.' - Library Journal 'Throughout history, sexual norms have shifted drastically: an act that is seen as deviant at one time may be widely accepted at another. Peakman argues that sexual acts have not changed much through the ages, but the cultural response to them has. Today, discussions about sexual preferences are still taboo in many parts of the world, and many opinions are still colored by society's long-held beliefs ... This is a history for the general reader, primarily covering Western thought; it's also a wonderful reference source for sexual studies and research ... Peakman asks readers to think about how society dictates their own opinions, and her work helps pave the way for more open discussions of sexuality in the future.' - Publishers' Weekly 'Serious, historically informed, and as close to an exhaustive account as we are likely ever to see of the extravagant creativity that humans have invested in sex. A masterpiece.' - Thomas W. Laqueur, Helen Fawcett Distinguished Professor in the Department of History, University of California, Berkeley

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The Goths are truly a 'lost civilization'. Sweeping down from the north, ancient Gothic tribes sacked the imperial city of Rome and set in motion the decline and fall of the western Roman Empire. Ostrogothic and Visigothic kings ruled over Italy and Spain, dominating early medieval Europe. Yet the last Gothic kingdom fell more than a thousand years ago, and the Goths disappeared as an independent people. Over the centuries that followed, the vanished Goths were remembered both as barbaric destroyers and as heroic champions of liberty. This engaging history brings together the interwoven stories of the original Goths and the diverse Gothic legacy: a legacy that continues to shape our modern world. From the ancient migrations to contemporary Goth culture, through debates over democratic freedom and European nationalism and across the work of writers from Shakespeare to Bram Stoker, David M. Gwynn explores the ever-widening gulf between the Goths of history and the Goths of popular imagination. Historians, students of architecture and literature and general readers alike will learn something new from The Goths.

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Book SynopsisIn this riveting book Gretchen E. Henderson explores perceptions of ugliness through history, from ancient Roman feasts to medieval grotesque gargoyles, from Mary Shelley's monster cobbled from corpses to the Nazi Exhibition of Degenerate Art. Covering literature, art, music and even Uglydolls, Henderson reveals how ugliness has long posed a challenge to aesthetics and taste. Following ugly bodies and dismantling ugly senses across periods and continents, Ugliness: A Cultural History draws on a wealth of fields to cross cultures and times, delineating the changing map of ugliness as it charges the public imagination. Now available in paperback, this book is illustrated with a range of artefacts and offers a refreshing perspective that moves beyond the surface to ask what `ugly' truly is, even as its meaning continues to shift.Trade Review`Gretchen Henderson's cultural history of ugliness skates, at an entertainingly high speed, across large swathes of territory, cultural, historical and biological, always fascinating.' - Times Literary Supplement; `Ugliness in Henderson's generous handling becomes a synonym for whatever is shocking, difficult, displeasing in one moment but reveals itself as containing real value and delight in the next.' - The Guardian

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Book SynopsisThe Isle of Arran dominates the Firth of Clyde. A favourite haunt of holidaymakers, it is also a place of fascination for the geologist, offering a huge variety of rocks that represent a massive slice through geological time. From the ancient bent and buckled strata of Dalradian - a small fragment of the roots of the once mighty Scottish Highlands - the dramatic Northern mountains through which ice gouged its way during the Ice Age, to the relatively recent (some 60 million years ago!) rocks associated with the Arran volcano, the geological record tells an amazing tale. This book is a fascinating introduction to the landscape of Arran - one of the significant geological areas of the country.Trade Review'Alan McKirdy’s insights are valuable because he is the author of a string of accessible and informative short illustrated books on the geological history of Scotland' * West Highland Free Press *'Not only are they a wealth of information on Scotland's past, they offer valuable insight as Scotland’s future becomes increasingly uncertain due to climate change' * Dundee Courier *

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Book Synopsis'Deserves to sell like hot cakes' - Allan Massie, The Scotsman Shortlisted for the Saltire Society History Book of the Year From the Indian Mutiny to the London Blitz, offering a ‘nice cup of tea’ has been a stock British response to a crisis. But tea itself has a dramatic, and often violent, history. That history is inextricably interwoven with the story of Scotland. Scots were overwhelmingly responsible for the introduction and development of the UK’s national drink, and were the foremost pioneers in the development of tea as an international commodity. This book reveals how Darjeeling, Assam, Ceylon and Africa all owe their thriving tea industries to pioneering work by Scottish adventurers and entrepreneurs. It’s a dramatic tale. Many of these men jeopardised their lives to lay the foundation of the tea industry. Many Scots made fortunes – but it is a story with a dark side in which racism, the exploitation of native peoples and environmental devastation was the price paid for ‘a nice cup of tea’. Les Wilson brings the story right up to date, with a look at the recent development of tea plantations in Scottish hills and glens.Trade Review'Rich in fascinating detail and stories ... it deserves to sell like hot cakes washed down with a fortifying blend of Assam and Ceylon tea' -- Allan Massie * The Scotsman *'[Wilson's] book is overwhelmingly a delight, infused with unstinting research' -- Hugh Macdonald * Glasgow Herald *'Wilson is an excellent writer, creating an intriguing and compulsive narrative from remarkably thorough and wide-ranging research. Encapsulated in the cup of tea tray on the breakfast table is a history of which few of us are aware, and a history that often reads like a novel of buckled swashes and dos that have been derringed. Even if you’re a coffee drinker, 'Putting the Tea in Britain' is a highly desirable purchase' -- Brian Palmer * Ileach *'The blood-stained story of tea is a fascinating one in which the Scots were front and centre. Les Wilson is a skilled writer who weaves a fast-paced, compelling tale' * Scottish Field *

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Book SynopsisHodges Figgis Book of the Year 2023 Maps are essential tools in finding our way around, but they also tell stories and are great depositories of information. Until the twentieth century and the arrival of aerial images, a map was the best way of getting a sense of what a city looked like on the ground. Through a carefully chosen selection of maps, the book traces the growth and development of Dublin from the early seventeenth century to the present day, offering a fascinating snap-shot of how the city has changed over time. Whilst the maps recount the big stories – the impact of major forces such as the restoration of the monarchy in 1660 or the effects of the Easter Rising in 1916 and the Civil War in 1922 – they also tell the smaller tales such as the creation of a colony of Irish speakers in the late 1920s and the arrival of parking meters and how they changed how people could use the city centre. Together with maps that reveal much about the famous buildings, transport, health, trade, life and work of the city, this book is a fascinating portrait of Dublin through the ages which offers many new perspectives on one of Europe’s great cities.Trade Review'An absolutely fascinating and beautiful book using maps to help us understand the growth and development of Dublin over time… I can’t emphasise enough how gorgeous the book is' -- Dr. Miranda Melcher * New Books Network *'A fascinating new book... an eclectic, illuminating cornucopia of unusual maps ... judiciously selected and explained by Brady and Ferguson' * Irish Independent *'A fine, solid, beautifully produced book ... wonderfully filled with information, written with a crisp clarity' * The Irish Catholic *'an eclectic, illuminating cornucopia of unusual maps, stretching back to 17th century charts to help sea captains approach the narrow entry into Dublin Bay . . . You may never have thought that a city planner once contemplated using gondolas to ease traffic congestion, or another felt that the solution lay in using flying boats, but you would be wrong' * Irish Independent *

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Book SynopsisPeople are drawn to the harbours and boats of Scotland whether they have a seafaring background or not. Why do boats take on different shapes as you follow the complex shorelines of islands and mainland? And why do the sails they carry appear to be so many shapes and sizes? Then there are rowing craft or power-driven vessels which can also be considered ‘classics’, whether they were built for work or leisure. As he traces the iconic forms of a selection of the boats of Scotland, Ian Stephen outlines the purposes of craft, past and present, to help gain a true understanding of this vital part of our culture. Sea conditions likely to be met and coastal geography are other factors behind the designs of a wide variety of craft. Stories go with boats. The vessels are not seen as bare artefacts without their own soul but more like living things. 'A writer uniquely attuned to the water, and to the relationships each boat shares with the places it shaped, his stories restore past sea roads and river routes to life' - David Gange, author of The Frayed Atlantic EdgeTrade Review'Wonderful... a rich compendium of the Scottish engagement with the sea' -- Adam Nicolson, author of Life Between the Tides'The small boats that made Scottish history have never seemed so charismatic and characterful as in Ian Stephen’s gorgeous, vivid prose. A writer uniquely attuned to the water, and to the relationships each boat shares with the places it shaped, his stories restore past sea roads and river routes to life' -- David Gange, author of The Frayed Atlantic Edge'[Boatlines] tells of the compelling bonds between humans and nature, along with copious anecdotes about the vessels, who built them, sailed in them, and the communities they served... an evocative love letter to the sea' -- Neil Drysdale * Press and Journal *'A magisterial flight across 30 or 40 different vernacular vessels... it is fascinating' * West Highland Free Press *'Ian Stephen's fascinating new book explores Scotland's deep relationship with boats, the talented people who built them and the many communities that still depend on them' * The Herald *'A wonderful book about...the small boats that do so much to give individual stretches of the coastline of Scotland such distinctive characters' -- Ken Lussey * Undiscovered Scotland *'Although there's an incredible density of nautical information, Stephen also packs in anecdotes and has a light writing style' * Scottish Field *'A sensitively written account of sailors' lore to vicariously share the pleasures of life afloat... absorbing and leaves you wanting more' -- Frank Rennie * Stornoway Gazette *'carefully researched and there are a selection of nice pencil drawings which make for a pleasing read' * Sailing Today *'Stephen, through his wonderful use of prose, allows us to experience the culture of these coastal and canal communities which followed a natural rhythm governed by the seasons, the weather, and the tides' -- Marc Chivers * Mariner's Mirror *

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Book SynopsisRaider. Conqueror. King. Saint. This is the story of Olav Haraldsson, the greatest Viking who ever lived. A ruthless Viking warrior who named his most prized battle weapon after the Norse goddess of death, Olav Haraldsson and his mercenaries wrought terror and destruction from the Baltic to Galicia in the early eleventh century. Thousands were put to the sword, enslaved or ransomed. In England, Canterbury was sacked, its archbishop murdered and London Bridge pulled down. The loot amassed from years of plunder helped Olav win the throne of Norway, and a century after his death he was proclaimed ‘Eternal King’ and has been a national hero there ever since. Despite his bloodthirsty beginnings, Olav converted to Christianity and, in a personal vendetta against the old Norse gods, made Norway Christian too, thereby changing irrevocably the Viking world he was born into. Told with reference to Norse sagas, early chronicles and the work of modern scholars, Desmond Seward paints an intensely vivid and colourful portrait of the life and times of arguably the greatest Viking of them all.Trade Review'All books about historical subjects should be as good as this one: but very few actually are' * Undiscovered Scotland *'Paints an intensely vivid and colourful portrait of the life and times of arguably the greatest Viking of them all' -- Michael Alexander * Dundee Courier *

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Book SynopsisJames VI and I, the first monarch to reign over Scotland, England and Ireland, has long endured a mixed reputation. To many, he is simply the homosexual King, the inveterate witch-roaster, the smelly sovereign who never washed, the colourless man behind the authorised Bible bearing his name, or the drooling fool whose speech could barely be understood. For too long, he has paled in comparison to his more celebrated Tudor and Stuart forebears. But who was he really? To what extent have myth, anecdote, and rumour obscured him? In this new and ground-breaking biography, James’s story is laid bare and a welter of scurrilous, outrageous assumptions penned by his political opponents put to rest. What emerges is a portrait of Elizabeth I's successor as his contemporaries knew him: a gregarious, idealistic man obsessed with the idea of family, whose personal and political goals could never match up to reality. With reference to letters, libels and state papers, it casts fresh light on the personal, domestic, international and sexual politics of this misunderstood sovereign. 'A real page-turner for lovers of history' - Philippa GregoryTrade Review'The Wisest Fool is a sensitive portrait of a king who, despite errors of judgement managed to negotiate a period of exceptional political and religious turbulence... this is a probing, wellrounded and very readable account of a king too often over-looked, despite his pivotal role in modern British politics.' -- Rosemary Goring * Herald *'It does not flinch from the flaws of character and errors of rule but makes a fair analysis of James the man as he struggled to become James the king ... a real page-turner for lovers of history' -- Philippa Gregory'Two kingdoms, two very different reputations. Veerapen brings fresh life and acute insight into the conundrum that is the reigns of King James' -- Leanda de Lisle'[James] was derided as "the wisest fool in Christendom" - wise in small things, but a fool when it came to weightier matters. That image has now been punctured. Not for the first time a historical parody emerges on closer inspection to be largely based on manufactured propaganda' -- Magnus Linklater * The Times *'Steven Veerapen's biography of James VI/I is so good that it seems likely to become the definitive work about the life of a much maligned and perhaps poorly understood character.' * Undiscovered Scotland *'He may not always have acted wisely during his reign, but a new biography shows that James VI and I was no fool...this is a very engaging book' -- Allan Massie * The Scotsman *'an extremely well-balanced account of James' character... a highly accomplished and well-written work of creative non-fiction' * Country Life *'It takes someone with the scholarship and narrative skills of Steven Veerapen to weave his way with through the evidence to provide a cohesive and plausible story, providing a book that will become essential reading for academics and ordinary history lovers alike' -- Robert Stedall * Amazon Five Stars *'A really interesting biography… a deep dive into the facts and information paints something of a different story… busts some of the false ideas and presents a better picture of this historical person' -- Dr Miranda Melcher * Newbooks Network (British Studies) *'Veerapen weaves a fresh and honest tapestry of James’s character in all its imperfect glory. It is based on scholarly study and achieved with appropriate gravitas . . . Only by examining his time as King of Scotland can later years be fully understood – and this is expertly done' -- Mark Turnbull * GoodReads, FIVE stars *'Steven Veerapen has done a splendid job in bringing this neglected king and the extraordinary life he led so vividly to the page . . . Expertly researched and eminently readable' -- Linda Porter * The Writing Desk blog *

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Book SynopsisAcclaimed historian Alistair Moffat sets off in the footsteps of the Highland clans and their definitive conflicts. In twelve journeys he explores places of conflict, recreating as he walks the tumult of battle. As he recounts the military prowess of the clans he also tells of their lives, their language and culture before it was all swept away. From the colonisers who attempted to ‘civilise’ the islanders of Lewis in the sixteenth century through the great battles of the eighteenth century – Killiekrankie, Dunkeld, Sheriffmuir, Falkirk and Culloden – this is a unique exploration of many of the places and events which define the country’s history. The disaster at Culloden in 1746 represented not just the defeat of the Jacobite dream but also the unleashing of merciless retribution from the British government which dealt the Highland clans a blow from which they would never recover. Locations included are: Prestonpans • Glenfinnan • The Isle of Lewis • Edinburgh • Inverlochy • Tippermuir • Mulroy • Killiecrankie • Dunkeld • Sherriffmuir • Falkirk • Culloden Moor • Arisaig & MorarTrade Review'Taking the reader through key historical moments of battles that would alter the country forever, he also offers fascinating insight into the language, culture and lives of the clans' * The Bookseller *'This is a splendid book, evocative, and enlightening, Study it and take it with you if you set out to explore these scenes of long-ago battles; or, with its help, content yourself with reliving them in your imagination' -- Allan Massie * The Scotsman *'There are digestible explanations of the complex politics that drew so much blood and reflections on the Gaelic culture that was swept away after Culloden... a stirring account' -- Mary Miers * Country Life Magazine *'Centuries melt away in this riveting read' * Sunday Post *'A marvellous book in which the author takes you by the hand and leads you through some of the pivotal moments in Scottish history' -- Ken Lussey * Undiscovered Scotland *'The prolific Scottish author Alistair Moffat has developed something of a speciality in combining scholarly analysis of historical figures with vivid descriptions of his own journeys in their footsteps... well-researched and well-written' -- Ian Bradley * Church Times *'He clambers through terrain described with vivid, sensory immediacy, telling the story of each battle, setting each in context in the landscape and offering terrifying glimpses of Scotland’s past' * The Tablet *'Moffat has blended solid history with a readable style and elements of a travelogue to create an engaging piece that spans genres and should interest a wide audience' -- Robbie MacNiven * Current Archaeology *

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Book SynopsisTwenty years on from her critically acclaimed book, Northern Protestants: An Unsettled People, Susan McKay talks again to the people she ‘uneasily’ called ‘her own’, those from a Protestant background in Northern Ireland. Against the backdrop of social justice movements, Brexit, the centenary of the foundation of the Northern Ireland state, and the prospect of a poll on Irish Unity, McKay interviews a wide range of people from all over Northern Ireland. They include students, politicians, ex-security force members, victims and survivors, former paramilitaries, business people, religious leaders, community workers, writers and many others. She seeks to understand how the Northern Protestant community is negotiating the ‘shifting ground’ on which it stands. She gives space to the Lundys, those who find in banishment the freedom to grow. The result is a vivid and multi-layered portrait of a surprisingly diverse and fluid community. Written with McKay’s trademark passion and conviction, and full of vulnerable and valiant testimony, this book is compelling, essential reading. A fascinating and constantly thought-provoking book. Sean O’Hagan, Observer Seamlessly weaves together personal stories and political events with deep emotional intelligence … Vital reading in all senses of the word. Claire Mitchell, Irish Times

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Book SynopsisIn this follow-up to their landmark first book, Deric Henderson and Ivan Little have gathered new stories from seventy journalists who have worked in Northern Ireland during the Troubles. These contributors write powerfully about the victims they have never forgotten, the events that have never left them, and the lasting impact of working through those terrible years. Reporting the Troubles 2, which includes contributions from a new generation of journalists, who came up in the years leading to the Good Friday Agreement, provides a compelling narrative of the last fifty years, and covers many of the key events in Northern Ireland’s troubled history, from Bloody Sunday in 1972 to the inquest into the Ballymurphy Massacre in 2021. Grounded in the passionate belief that good journalism and good journalists make a difference, Reporting the Troubles 2 is a profoundly moving act of remembrance and testimony. 'I am sometimes asked to identify the most important story that I dealt with while I was editor of the Irish Times … I answer that the most important story was not published in a single day but over years. And it was not put together by any one journalist but by a whole cohort of reporters, photographers, feature writers and editors … For the most part they just got by-lines and the satisfaction of knowing that what they were doing was important, that the story had to be told, day by day, hour by hour. And that telling it could make a difference. It is difficult to imagine that there could ever have been a peace process without that.’ CONOR BRADY, former editor, Irish Times Contributions from - Gordon Adair, Don Anderson, Ciaran Barnes, Colin Bateman, Jilly Beattie, Charlie Bird, David Blevins, Declan Bogue, Conor Brady, Stephen Breen, Eugene Campbell, Peter Cardwell, Mark Carruthers, Niall Carson, Paddy Clancy, Simon Cole, Liam Collins, Mark Davey, Donna Deeney, Michael Denieffe, Patricia Devlin, Michael Donnelly, Roisín Duffy, Gavin Esler, Michael Fisher, Jim Flanagan, Mike Gaston, Gareth Gordon, Jim Gracey, Paul Harris, Deric Henderson, Mark Hennessy, Gary Honeyford, Paul Johnson, Fergal Keane, Vincent Kearney, Gerry Kelly, Will Leitch, Ivan Little, Robin Livingstone, David Lynas, Darragh MacIntyre, Michael Macmillan, Kevin Magee, Stanley Matchett, Don McAleer, Roisin McAuley, Barry McCaffrey, Jonny McCambridge, Freya McClements, Sir Trevor McDonald, Lindy McDowell, Mark McFadden, Hugh McGrattan, Seamus McKee, Fearghal McKinney, Allison Morris, Rod Nawn, Malachi O’Doherty, Maggie O’Kane, Mike Parry, Lance Price, Colin Randall, Paul Reynolds, Maggie Taggart, Eric Villiers, John Ware, Nicholas Watt, Johnny Watterson, David Young.

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Book SynopsisMoura Budberg: spy, adventurer, charismatic seductress and mistress of two of the century’s greatest writers, the Russian aristocrat Baroness Moura Budberg was born in 1892 to indulgence, pleasure and selfishness. But after she met the British diplomat and secret agent Robert Bruce Lockhart, she sacrificed everything for love, only to be betrayed. When Lockhart arrived in Revolutionary Russia in 1918, his official mission was Britain’s envoy to the new Bolshevik government, yet his real assignment was to create a network of agents and plot the downfall of Lenin. Lockhart soon got to know Moura and they began a passionate affair, even though Moura was spying on him for the Bolsheviks. But when Lockhart’s plot unravelled, she would forsake everything in an attempt to protect him from Lenin’s secret police. Fleeing to a life of exile in England and taking a string of new lovers, including Maxim Gorky and H. G. Wells, Moura later spied for Stalin and for Britain amidst the web of scandal surrounding the Cambridge spies. Through all this she clung to the hope that Lockhart would finally return to her. Grippingly narrated, this is the first biography of Moura Budberg to use the full range of previously unexamined letters, diaries and documents. An incredible true story of passion, espionage and double crossing that encircled the globe, A Very Dangerous Woman brings her extraordinary world vividly to life with dramatic resonances to rival the most sensational novel.Trade Review'Riveting biography…of [Moura Budberg's] remarkable life…Dangerous woman, indeed'. * Independent on Sunday *‘An extraordinarily complex story based on a fabulous cache of rich material… the end result really is an example of truth being stranger than fiction’ * Good Book Guide *'Hard to go wrong with Moura's combustible life, and the authors relish her excesses'. * Independent *‘McDonald and Dronfield’s summaries of events during the revolutionary period make a coherent narrative from a bafflingly complex series of events’ * The Guardian *‘A rollicking good read’ * Country Life *‘A thrilling new biography of baroness and double agent Moura Budberg…. Brave and multi-faceted, a mosaic monument to a mistress of deceit.’ * Russia Beyond the Headlines *‘The tale of Baroness Moura Budberg is a splendid one… entertaining and well-researched.’ -- Dr. Mark Galeotti, Clinical Professor of Global Affairs, New York University‘There is an echo of foxy, seductive Scarlett O'Hara about Moura Budberg’ * Herald *‘This book could read like a thriller, yet the thorough research here provides a weightier feast… impressive… alive… a well-researched and well-ordered biography’ * Spectator *‘Conjures up a vivid and alluring version of old Russia’ * Mail on Sunday *‘An astoundingly unbelievable life well retold in this gripping new biography. Well-written too. The book’s account of the Lockhart Affair is particularly fascinating, recreating the paranoid, anti-Western world that was Soviet Russia in the late 19-teens and early 1920s.’ * Russian Life *‘[The authors] have done a sterling job of piecing together the pieces of this mysterious, peripatetic life… they are very clear about the limits of what can and cannot be known from the extant evidence’ * Daily Telegraph *'A fast-paced story of European intrigue, featuring an enigmatic, strong-willed woman [whose] survival story is fascinating.' * Publishers Weekly *'The authors draw on diaries, correspondence, and newly released files to create a powerful study that attracts sympathy toward their subject. It also produces a great snapshot of life in Russia during the collapse of the czarist regime through the early part of the Joseph Stalin era.' * Library Journal *

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Book Synopsis‘A tale of arson, loot and murder’ was how one source described the events that would befall Cork city on the night of 11–12 December 1920. In a scene of almost unprecedented destruction, members of the British forces bent on revenge for the ambushes at Kilmichael and Dillon’s Cross set fire to both the commercial and the civic heart of the city. One side of Patrick Street and the area surrounding it were razed to the ground, while City Hall and the neighbouring Carnegie Library were gutted as Auxiliaries and Black and Tans shot at Cork’s firemen and cut their hoses in an effort to ensure maximum damage. Then, to add insult to injury, as the smoke cleared the British government tried to blame Cork’s own citizens for the devastation. Using eyewitness accounts and contemporary sources, and illustrated with exceptional images from the period, Cork Burning tells the story of the events before, during and after that infamous night. It covers such topics as Cork City before December 1920, the Black and Tans, Auxiliaries and K Company, Republican Cork, a timeline of events before the burning of Cork City, early fires and arson by crown forces in Cork, the Kilmichael Ambush, the Dillon’s Cross Ambush, premises destroyed, official investigations into the causes, compensation and rebuilding.Table of ContentsAcknowledgements 9 Introduction 11 Timeline of Events before the Burning of Cork City 19 Cork City Before December 1920 25 The British Forces in Cork in 1920 49 Republican Cork 59 Arson Rampant in Cork 77 The Kilmichael Ambush 89 The Dillon’s Cross Ambush 93 The Burning of the City 103 Business Premises destroyed 145 Local Reaction to the Burning 155 British Reaction 169 Bishop Cohalan’s Decree 177 Compensation Claims 181 Rebuilding Cork City 191 Epilogue 217 Appendix 1 The Higginson Inquiry 221 Appendix 2 The Strickland Inquiry 227 Bibliography 243 Index 249

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Book SynopsisA lively and engaging account of the legendary Irish folk music ensemble Ceoltóirí Chualann, and the first time that readers can see the groundbreaking concepts used by Seán Ó Riada and his band Ceoltóirí Chualann as they changed the course of Irish Music.Written by Peadar Ó Riada, blending memoir and historical narrative, this book draws on the experiences and records of Éamon de Buitléar, Michael Tubridy, and the Ó Riada archives, enriched by Seán Ó Sé''s anecdotes. From the birth of the band to the complexities of their trailblazing musical arrangements, composed by the visionary Seán Ó Riada, this book showcases their ability to blend traditional Irish music with complex orchestration.The magic of their story unfolds against the backdrop of a changing Ireland, where traditional music, once marginalised, began to find new expression and appreciation as their popul

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Book SynopsisIn this captivating and meticulously researched book, delve into the heart of history as the New Forest emerges from obscurity to take its rightful place in the annals of World War II.Through an engaging blend of personal anecdotes, period news items, and insightful social commentary, the true significance of wartime preparations in this hallowed land are unveiled, their local, regional, and national context brought to life.Table of ContentsForeword Preface Acknowledgements Abbreviations Introduction A message from Marion Loveland Preparations for Invasion 1 Music While you Work 2 Christmas of 1939 3 The War Had Come to Us 4 Eyes to the Skies 5 On Manoeuvres 6 Defending the Realm 7 They also Served 8 In Case of Fire 9 Through Adversity to the Stars 10 On the Home Front Line 11 Patrolling in the Shadows 12 Personal Anecdotes 13 Evidence of War 14 Then and Now Postscript New Forest Reference Section Hampshire Reference Section

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Book Synopsis‘Passengers’ is a social history of Britain between 1790 and 1840. This is the period of the Napoleonic War and of rapid technological change and social tension. It was a contradictory age, simultaneously the elegant era of Jane Austen and the inspiration for Charles Dickens’s work on poverty and injustice. The book has an initial focus on transport and hospitality, but it is also a wider portrait of this important but neglected period of British history. The author covers all aspects of the period-work, law, technology, finance, politics, poverty and crime are the most prominent. The inn and the stagecoach were some of the few places that the different classes met and co-existed in a country that was stratified and deferential. The poor served the transport and hospitality system, the middle classes used it and the ruling classes profited from it. The life of women is an important part of this book; they worked at levels in the travel and hospitality industries.This is everybody’s story, an exposition of real places and real people in a society that was ‘on the move’, in all senses of the phrase.Table of ContentsIntroduction: Is there Really a Stagecoach History of Britain?; 1 The Walking Classes; 2 Scandal at the Swan; 3 Respectability; 4 Bad Education ; 5 Calculated Charity; 6 The Stagecoach Masters; 7 The Entrepreneurial Widows; 8 Crime in the Coaching Inn; 9 Crime On The Road; 10 Roads Work; 11 Who’s on Board Today?; 12 The Stagecoach Driver: A Class Act; 13 A Georgian Family and their Struggle with Transport; 14 Melancholy Events; 15 The Stagecoach v the Law; 16 Hell for Horses; 17 A Journey up the Great North Road; 18 Moving the Mail; 19 Attacked by a Lioness; 20 The Brighton Line; 21 Inn Hospitality; 22 Poor Women and their Work; 23 New Times, New Time and New Timing; 24 First with the News; 25 The Stagecoach Defeats the Steam Engine; 26 The Steam Engine Defeats The Stagecoach; Conclusion: Immortality via Nostalgia.

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Book SynopsisIn the late 1960s the world was faced with impending disaster: the height of the Cold War, the end of oil, and the decline of great cities throughout the world. Out of this crisis came a new generation of thinkers, designers and engineers who hoped to build a better future, influenced by visions of geodesic domes, walking cities, and a meaningful connection with nature. In this brilliant work of cultural history, architect Douglas Murphy traces the lost archeology of the present-day through the works of thinkers and designers such as Buckminster Fuller, the ecological pioneer Stewart Brand, the Archigram architects who envisioned the Plug-In City in the '60s, as well as co-operatives in Vienna, communes in the Californian desert, and protesters on the streets of Paris. In this mind-bending account of the last avant garde, we see not just the source of our current problems but also some powerful alternative futures.Trade ReviewNo one warns you that when you get old eras that you lived through are, to the next generation, history. And it is salutory to have one of the wilder fringes of that history recounted with the acuity, sympathy and fluency Douglas Murphy brings to it. The cast is extraordinary: oddballs, philosophers, seers-and a few frauds. -- Jonathan MeadesIn Last Futures, such one-time commonplaces as three day weeks, the elimination of labour, geodesic domes, walking cities, space colonies and industrialised housing are removed from dimwitted 'where's my jetpack' nostalgia and put back into history. In so doing, Douglas Murphy performs the useful service of making clear when the ideas of the unrealised futures of the 1960s and 1970s were stupid and wasteful, and when they were exceptionally smart-serious solutions to problems we still haven't solved, and problems we seem intent on making considerably worse. Last Futures is the Silent Running to contemporary architecture's The Fountainhead. -- Owen Hatherley, author of Landscapes of CommunismA fluent, chronological narrative in which oddities from the recent past form sequences in an unfolding drama . Murphy deploys his storytelling with great effect. * Architecture Today *Murphy tells the story of this counter-revolution pithily and well . A fresh and haunting way of explaining what happened to the radical '60s and '70s as a whole, in Murphy's view quite possibly the last chance the west had of creating a decent and environmentally sustainable society. -- Andy Beckett * Guardian *Provocative and compelling. * Macleans *Murphy's chief virtue is the faculty with which he connects the dots between various, seemingly unconnected developments in architecture and theory with the ecological, financial, and military crises of an earlier era, holding a mirror onto our own anxious epoch of globalized precarity labor and anthropogenic climate change. -- Anna Khachiyan * Metropolis *Murphy outlines both some well known and some intriguingly novel suggestions for why the enthusiasm for 'omni-infrastructural' utopian frames went away.[Last Futures's] motley quality is in no way a fault of Murphy's approach, but rather a real advantage of his method as a cultural historian. A strength of Murphy's book is that he depicts both the general outlines and some of the juiciest details of these complex historical moments without distilling them into a deceptively linear chronology or a progression of mere styles. -- David Wittenberg * Los Angeles Review of Books *Last Futures is to the end of mid century experimentalism what the Zapruder film is to the death of Kennedy: a weird and gripping replay, full of period grain, each frame posing questions about whether things could have been played our differently. * Times Literary Supplement *

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Book SynopsisThe remarkable story of the money sent by the Choctaw to the Irish in 1847 is one that is often told and remembered by people in both nations. This gift was sent to the Irish from the Choctaw at the height of the Great Irish Famine, just sixteen years after the Choctaw began their march on the Trail of Tears toward the areas west of the Mississippi River. Famine Pots honours that extraordinary gift and provides further context about and consideration of this powerful symbol of cross-cultural synergy through a collection of essays and poems that speak volumes of the empathy and connectivity between the two communities. As well as signalling patterns of movement and exchange, this study of the gift exchange invites reflection on processes of cultural formation within Choctaw and Irish society alike, and sheds light on long-time concerns surrounding spiritual and social identities. This volume aims to facilitate a fuller understanding of the historical complexities that surrounded migration and movement in the colonial world, which in turn will help lead to a more constructive consideration of the ways in which Irish and Native American Studies might be drawn together today.

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