Sculpture Books
Schirmer/Mosel Verlag GmbH Walter De Maria: Conceptual Art, Minimal Art,
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£42.75
Taschen GmbH Futurism
Book SynopsisWith motion and machines as its most treasured tropes, Futurism was founded in 1909 by Filippo Tommaso Marinetti, along with painters Giacomo Balla, Umberto Boccioni, Carlo Carrà, and Gino Severini. With affiliate painters, sculptors, designers, architects, and writers, the group sought to subsume the dusty establishment into a new age of sleek, strong, purified modernity. Futurism’s place in art history is as ambivalent as it is important. The movement pioneered revolutionary methods to convey movement, light, and speed, but sparks controversy in its glorification of war and fascist politics. Their frenzied, almost furious, canvases, are as remarkable for their macho aggression as they are for their radical experimentation with brushstrokes, texture, and color in the quest to record an object moving through space. With key examples from the Futurists’ prolific output and leading practitioners, this book introduces the movement that spat vitriol at all -isms of the past and, in so doing, created an -ism of their own.
£15.00
Arnoldsche Bernhard Huber: Transition Glass Projects
Book SynopsisUsing new techniques and new materials, Bernhard Huber creates abstract paintings in glass in large formats that shift on multiple planes between transparency, reflection and opacity. His colours are vibrant and clear. Rarely does he indulge in an opulent riot of colour but instead mainly produces stringent creations notable for their cool colour tones. The effects achieved are precisely calculated yet never overwhelmingly so. In this respect, Huber's affinities with Concrete art, with which he also shares some of the formal qualities of his works, are revealed. Glass is for Huber a pivotal working material yet is not his sole medium. He has made the light-forming properties of glass the core of his artistic agenda, which goes beyond glass as a medium to encompass working in the fields of painting, sculpture and architecture. Colour and light have become his media of choice, with which he forms surfaces and spaces. He reacts sensitively to available architectural situations; his works are 'site-specific' to the utmost yet also stunningly configure the space surrounding them. He never simply makes stained-glass windows - he always forms several visual planes so that the 'window principle' is always extended into the interior space. Thus the glass surface becomes light sculpture and this in turn forms light space. Text in English and German.
£33.60
Celestin Buche Inhabiting Stone
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£22.50
Hartmann Books Kathrin Linkerdorff Works
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£40.00
Turner Publicaciones, S.L. Arnaldo Coen
Book SynopsisArnaldo Coen (1940) is one of the most prominent Mexican artists. As a result of his restless, transgressive and irreverent creativity, his work has never ceased to be fresh. He has made important individual exhibits in the Museum of Modern Art and in the National Hall of the Palace of Fine Arts. His work has been exhibited in Asia, Europe, Africa, and Latin America, featuring in important collections and exhibitions in different cultural venues such as the Museum of Modern Art, Tlatelolco Cultural Center, Museum of Contemporary Art, Isidro Fabela Cultural Center, Museum of Mexican Art in Chicago and the Bank of Mexico, to name a few. This award winning artist has also been the focus of several recognised art critics such as Octavio Paz, Raquel Tibol, Carlos Monsivais, Juan Garcia Ponce, Salvador Elizondo, Teresa del Conde, Sigrunn Paas, Josephine Siller. Arnaldo Coen is the first monograph covering the artist's pictorial and sculptural works from the 1960s to date, with some 300 images complementing this contemporary, provocative and irreverent compendium of Coen's legacy.
£27.00
Skira Iran do Espiríto Santo
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£36.00
Skira Feliza Bursztyn: Welding Madness
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£999.99
Skira Henri Beaufour (Bilingual edition)
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£30.00
Five Continents Editions Passage de témoins pour Luciano Fabro
Book SynopsisThis book, designed and edited by the Italian-Swiss artist Vivianne van Singer, is an ode to Italian sculptor Luciano Fabro (1936-2007), a well-known Informalist artist and one of the founders of the Arte Povera movement. Having been long acquainted with his work and then having met the artist in person, Van Singer reflects upon his untimely death and pays homage to his career in a collection of texts, images, and works. The starting point of the project is a letter Van Singer sent artists, critics, and prominent figures of the art world in which she invited them to submit a work of art or a text exemplifying what Luciano Fabro had represented for them. Among the contributors to this collection: Giovanni Anselmo, Izzo Arcangelo, Gianni Caravaggio, Rudi Fuchs, Von Fürstenberg, Giovanni Lista, Alessandra Lukinovic, Massimo Minini, Giulio Paolini, Margit Rowell, Sarkis, and Ettore Spalletti. Text in English, German, French, and Italian. Table of Contents6 Luciano Fabro. Passages de témoins Vivianne van Singer 8 Introduzione Antonella Trotta 9 Préface Vivianne van Singer AUTORI 15 Luciano Fabro 18 Giovanni Anselmo 20 Hidetoshi Nagasawa 22 Giulio Paolini 24 Ettore Spalletti 30 Maria Nordman 34 Werner OEchslin 38 Alessandra Lukinovich 44 Adelina von Fürstenberg 48 Sarkis 52 Arcangelo Izzo 56 Arianna Giorgi 60 Margit Rowell 64 Luciano Fabro 66 Luciano Fabro 70 Saskia Bos | Luciano Fabro 74 Rudi Fuchs 78 Jacinto Lageira 86 Didier Semin 94 Martin Schwander, Theodora Vischer | Luciano Fabro 100 Daniel Soutif 104 Marcello Maloberti 108 Luciano Fabro 109 Pascal Schwaighofer 112 Liliana Moro 114 Luciana Trombetta 118 Bernhard Rüdiger 132 Gianni Caravaggio 138 Luciano Fabro 142 Dieter Schwarz 148 Davide De Francesco 151 Luciano Fabro 152 Jan Hoet 156 Massimo Minini 161 Luciano Fabro 169 Luciano Fabro 170 Véronique Goudinoux 180 Jan Braet | Luciano Fabro 188 Thierry de Duve 204 Thérèse Legierse 210 Marie-Laure Bernadac 216 Franca Falletti 222 Giovanni Lista 226 Giovanni Lista | Luciano Fabro 234 Denys Zacharopoulos 244 Niele Toroni 248 Stefano Boccalini 250 Micheline Szwajcer-Tob 257 Biographie de Vivianne van Singer 259 English translations
£35.25
Cannibal/Hannibal Publishers Pedro de Mena: The Spanish Bernini
Book SynopsisPedro de Mena y Medrano (1628-1688) is the most highly regarded master of Spanish Baroque sculpture, on a par with his contemporaries, the great seventeenth-century painters Velázquez, Zurbarán and Murillo. Mena's contributions to Spanish Baroque sculpture are unsurpassed in both technical skill and expressiveness of his religious subjects. His ability to sculpt the human body was remarkable, and he excelled in creating figures and scenes for contemplation. This first monograph of Pedro de Mena shows incredible details and remarkable images of his hyper-realistic sculptures, full of passion. In addition to text by curator Xavier Bray, Pedro de Mena also features important contributions by José Luis Romeo Torres, curator of the exhibition Pedro de Mena, to be held in Málaga in 2019.
£36.00
NUS Press Reconstructing God: Style, Hydraulics, Political
Book SynopsisA fully illustrated archaeological and art historical analysis of one of the most important artworks of Angkor, rewriting the chronology of the royal capital. In December 1936, a villager was led by a dream to the ruins of the West Mebon shrine in Angkor where he uncovered remains of a bronze sculpture. This was the West Mebon Visnu, the largest bronze remaining from pre-modern Southeast Asia, and a work of great artistic, historical, and political significance. Prominently placed in an island temple in the middle of the vast artificial reservoir, the West Mebon Visnu sculpture was an important focal point of the Angkorian hydraulic network. Interpretations of the statue, its setting, date, and role have remained largely unchanged since the 1960s—until now. Integrating the latest archaeological and historical work on Angkor, extensive art historical analysis of the figure of Visnu Anantasayin in Hindu-Buddhist art across the region, and a detailed digital reconstruction of the sculpture and its setting, Marnie Feneley brings new light to this important piece. Highly illustrated, the book will be of interest to art historians and curators, historians of Southeast Asia, and anyone curious about the art and history of Angkor.Table of Contents Introduction Chapter 1: The West Mebon Vi??u Chapter 2: The Cultural and Religious Development of Cambodia Chapter 3: The Iconography of Vi??u Chapter 4: The Iconography of Vi??u Anantasayin Chapter 5: The Hydraulic System of Angkor: Gods, Nature and Water Chapter 6: The Archaeology of the West Mebon Chapter 7: Artefacts, Inscriptions and the History of the West Mebon Chapter 8: Analysing the West Mebon Vi??u Chapter 9: Political and Religious Context of the West Mebon Vi??u Chapter 10: Bronze Sculptures of the Mahidharapura Dynasty Chapter 11: Appraising the date of the West Mebon Vi??u
£62.05
National Galleries of Scotland Andy Goldsworthy
Book SynopsisAndy Goldsworthy reflects on an astonishing 50 years. Illustrated with works spanning Goldworthy's career, the book includes a wide-ranging interview with the artist.
£21.24
The University of Chicago Press Aspects
Book SynopsisStretching lengths of yarn across interior spaces, American artist Fred Sandback (1943 2003) created expansive works that underscore the physical presence of the viewer. This book, the first major study of Sandback, explores the full range of his art, which not only disrupts traditional conceptions of material presence, but also stages an ethics of interaction between object and observer. Drawing on Sandback's substantial archive, Edward A. Vazquez demonstrates that the artist's work with all its physical slightness and attentiveness to place, as well as its relationship to minimal and conceptual art of the 1960s creates a link between viewers and space that is best understood as sculptural even as it almost surpasses physical form. At the same time, the economy of Sandback's site-determined practice draws viewers' focus to their connection to space and others sharing it. As Vazquez shows, Sandback's art aims for nothing less than a total recalibration of the senses, as the spectator is caught on neither one side nor the other of an object or space, but powerfully within it.
£41.80
MIT Press Ltd Anish Kapoor Past Present Future The MIT Press
Book SynopsisThe first major American publication on this important contemporary sculptor.Anish Kapoor is one of a highly inventive generation of sculptors who emerged in London in the early 1980s. Since then he has created a remarkable body of work that blends a modernist sense of pure materiality with a fascination for the manipulation of form and the perception of space. This book—the first major American publication on Kapoor's work—surveys his work since 1979, with a focus on sculptures and installations made since the early 1990s. With more than ninety color images of these ambitious and complex works, three original essays, an extended interview with Kapoor, and selections from his sketchbooks, this book confirms Anish Kapoor's place as one of the most remarkable sculptors working today. Kapoor's work has evolved into an abstract and perceptually complex elaboration of the sculptural object as at once monumental and evanescent, physical and ethereal—as in his famo
£8.54
Yale University Press The Silent Rhetoric of the Body
Book SynopsisLooks at a neglected corner of eighteenth-century art - the funeral monument. This book demonstrates that tombs and inscriptions are of manifest worth to the student of eighteenth-century English value systems, providing as they do an archaeology of ideal types.
£52.25
Yale University Press Baule Monkeys
Book SynopsisThe Baule people of the Ivory Coast are renowned for their refined sculptural work of masks and figures. This book is the first to focus exclusively on an antithetic aspect of Baule culturerough zoomorphic sculptures representing monkeys. These awe-inspiring bowl-bearing figures evoke invisible powers and serve their communities through the mediation of diviners. Investigating the creation, forms, and usage of the sculptures, the authors shed light on the cultural and ritual contexts in which they operated. Beautifully illustrated with over 55 full-page color images of works in public and private collections, this important publication also includes many unpublished field photographs. Distributed for Mercatorfonds
£47.50
Princeton University Press Gold Silver and Bronze
Book SynopsisRoman baroque sculpture is usually thought of in terms of large-scale statues in marble and bronze, tombs, or portrait busts. Smaller bronze statuettes are overlooked, and the extensive production of sculptural silver--much of which is now lost but can be studied from drawings--is omitted from theTrade Review"This pioneering book provides fascinating insights into the relationship between patrons and artists and between those who provided the drawings or models and the craftsmen who produced the finished sculptures." * Art Newspaper *
£29.75
Princeton University Press Rodins Egypt
a huge range and FREE tracked UK delivery on ALL orders.
£32.30
British Museum Press Eric Gill Lust for Letter Line
Book SynopsisEric Gill (18821940) is one of the twentieth century's most controversial artists. This illustrated introduction focuses on the clarity of Gill's drawn and cut line. It explores his genius as a letter cutter, wood engraver, sculptor and typographer in the light of his refined finished drawings and preparatory sketches.
£9.49
Phaidon Press Ltd Bernar Venet
Book SynopsisThe first true monograph on the work of celebrated French conceptual artist and sculptor Bernar Venet
£29.75
Stanford University Press Heidegger Among the Sculptors
Book SynopsisIn the 1950s and 60s, Martin Heidegger turned to sculpture to rethink the relationship between bodies and space and the role of art in our lives. In his texts on the subjecta catalog contribution for an Ernst Barlach exhibition, a speech at a gallery opening for Bernhard Heiliger, a lecture on bas-relief depictions of Athena, and a collaboration with Eduardo Chillidahe formulates his later aesthetic theory, a thinking of relationality. Against a traditional view of space as an empty container for discrete bodies, these writings understand the body as already beyond itself in a world of relations and conceive of space as a material medium of relational contact. Sculpture shows us how we belong to the world, a world in the midst of a technological process of uprooting and homelessness. Heidegger suggests how we can still find room to dwell therein. Filled with illustrations of works that Heidegger encountered or considered, Heidegger Among the Sculptors makes a singular contributiTrade Review"Heidegger Among the Sculptors is an insightful exploration of the role sculpture plays in Heidegger's thinking of the interrelationship between corporeality and space." -- Sculpture Journal"In Heidegger Among the Sculptors, Andrew Mitchell offers an abundance of detailed information, as well as subtle and insightful reflections. His book is interspersed with extremely well-chosen images of works of sculpture. Throughout his discussions, Mitchell is attentive to the works and their specific character, and yet he never loses sight of the major philosophical questions that inform his reflections. This is a work of absolutely first-rate scholarship, of acute artistic sensitivity, and of philosophical profundity." -- John Sallis * Boston College *"This is a truly exceptional book: beautifully written, carefully argued, and deploying a detailed knowledge of Heidegger's oeuvre with a light touch. It is the first to be written on Heidegger and art that concentrates on sculpture and looks at the specific sculptural works discussed by Heidegger. Mitchell's achievement in this area is truly significant. Not only will this book appeal to Heidegger scholars, it will be of genuine interest to anyone who studies or is moved by sculpture." -- Andrew Benjamin * Monash University *
£16.14
The University of Alabama Press Speaking with the Ancestors Mississippian Stone Statuary of the TennesseeCumberland Region Dan Josselyn Memorial Publication
Book SynopsisCompiling the data from early documents and public and private collections, this title remind us that the statuary should not be viewed in isolation, but rather as regional expressions of a much broader body of art, ritual, and belief. It also includes examples of southeastern Mississippian stone statuary, dating as far back as 1,000 years ago.
£30.56
Rizzoli Karen LaMonte
Book SynopsisThis first major monograph on feminist sculptor Karen LaMonte features her hauntingly beautiful works that draw upon the power of the sublime.LaMonte's highly charged works embody a challenge to historic conceptions of the female nude. Integrated into a comprehensive monograph are 250 images of her acclaimed series--from glass, ceramic, bronze, and rusted iron-draped female figures to timely explorations in climatology and biomimetics.In this definitive look at a vital contemporary artist, essays by award-winning authors frame LaMonte's work in the context of female identity, music, art history, and science, placing her alongside other contemporary sculptors who have adopted the human body as an vehicle for expressing the human condition.
£46.00
Whitechapel Gallery Dominique White Deadweight
Book SynopsisDominique White (b.1993, UK) is the 9th winner of the Max Mara Art Prize for Women. White's recent solo exhibitions include: Destruction of Order, VEDA (Florence, Italy, 2024); Dominique White and Alberta Whittle: Sargasso Sea, ICA Philadelphia (Philadelphia, USA 2024); When Disaster Strikes…, Kunsthalle Münster (Münster, Germany 2023-4), May You Break Free and Outlive Your Enemy, La Casa Encendida (Madrid, Spain, 2023) and Statements, Art Basel (Basel, Switzerland, 2022). White was awarded the Foundwork Artist Prize of 2022 (US), has received awards from Artangel (UK), the Henry Moore Foundation (UK) in 2020 and the Roger Pailhas Prize (Art-O-Rama, FR) in conjunction with her solo presentation with VEDA in 2019. White was in residency at Sagrada Mercancía (Chile), Triangle France Astéride (France) and La Becque (Switzerland) in 2020 and 2021.
£23.80
Museum of Modern Art Oasis in the City
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£93.75
iUniverse Brian Honyouti: Hopi Carver
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£29.75
Getty Trust Publications Bouchardon - Royal Artist of the Enlightenment
Book SynopsisOne of the most imaginative and fascinating artists of eighteenth-century France, Edme Bouchardon (1698-1762) was instrumental in the transition from Rococo to Neoclassicism and in the artistic rediscovery of classical antiquity. Much celebrated in his time, Bouchardon created some of the most iconic images of the age of Louis XV. His oeuvre demonstrates a remarkable variety of themes (from copies after the antique to subjects of history and mythology, portraiture, anatomical studies, ornament, fountains and tombs), media (drawings, sculptures, medals, prints), and techniques (chalk, plaster, wax, terracotta, marble, bronze). This lavishly illustrated publication represents an unprecedented and thorough survey on this major and unique artist from the Age of Enlightenment, offering in-depth scholarship based on unpublished material detailing the subtle relationship between, as well as the relative autonomy of, the artist's two careers as a sculptor and a draftsman.Trade Review"With illustrations of excel-lent quality. Bouchardon is well served by this fine catalogue which, with its comprehensive survey of the life and work, should win new admirers for this innovative and most interesting artist."--Art Newspaper
£63.00
Michigan State University Press The Spirit of the City: Marshall Fredericks Sculptures in Detroit
Book SynopsisMarshall Fredericks’s Detroit sculptures capture the spirit of the Motor City and its dramatic transformation from the 1950s to the present day. In this book, Janna Jones analyzes eight of these enormous works of public art, situating them and their structures in metro Detroit’s distinctive midcentury milieu and bringing much-needed critical attention to this sculptor’s oeuvre. Sadly, some of these artworks have suffered along with the city as it shrank from its postwar zenith. Both the buildings and the sculptures erected for them deserve to be rescued from neglect, and then maintained and preserved for the future.
£85.81
Michigan State University Press The Spirit of the City: Marshall Fredericks
Book SynopsisMarshall Fredericks’s Detroit sculptures capture the spirit of the Motor City and its dramatic transformation from the 1950s to the present day. In this book, Janna Jones analyzes eight of these enormous works of public art, situating them and their structures in metro Detroit’s distinctive midcentury milieu and bringing much-needed critical attention to this sculptor’s oeuvre. Sadly, some of these artworks have suffered along with the city as it shrank from its postwar zenith. Both the buildings and the sculptures erected for them deserve to be rescued from neglect, and then maintained and preserved for the future.Trade ReviewThis highly readable urban, cultural, and visual history enacts “discursive preservation” to track the rise and fall of midcentury Detroit through Marshall Fredericks’s monumental sculptures. Deftly combining storytelling, archival research, and advocacy, Janna Jones makes a compelling case for the public artscape of one of the U.S. Midwest’s great cities as communal memory." - Jennifer L. Jenkins, professor and research social scientist, Southwest Center, University of Arizona"Public art can help narrate collective hopes and fears. Janna Jones’s engaging analysis of Marshall Fredericks’s sculptures shows how this important artist is linked to Detroit’s history and imagined future." - Daniel Makagon, author of Underground: The Subterranean Culture of DIY Punk Shows, and professor in the College of Communication, DePaul University"Through a lively account of Marshall Fredericks’s major works, Janna Jones narrates a fascinating social history of Detroit, one of America’s most emblematic cities, set among a vernacular landscape of public parks, railway stations, and shopping malls that were home to both Fredericks’s accessible sculptures and the common folk who most enjoyed them." - Tim Simpson, author of Betting on Macau: Casino Capitalism and China’s Consumer Revolution
£47.00
David Zwirner Carol Bove
Book SynopsisCarol Bove presents new work by “sculpture’s woman of steel,” as coined by Randy Kennedy in The New York Times. Her new sculptures expand on her investigations of materiality and form.Characterized by compositions of various types of steel, Bove’s ongoing series of “collage sculptures,” begun in 2016, amalgamates theoretical and art-historical influences across time periods and disciplines. To create these lyrical and abstract assemblages, Bove pairs fabricated tubing that has been crushed and shaped at her studio with found metal scraps and a single highly polished disk. Luminous color is applied to parts of the composition, transforming the steel—more commonly associated with inflexibility and heft—into something that appears malleable and lightweight, like clay, fabric, or crinkled paper.Bove’s new works are smaller in scale and elaborate on the “collage sculptures,” with more complex forms that twist, fold, and bend into postures that belie their material construction. Bove manipulates steel to varying degrees, rendering gentle folds in some, and extreme, almost anthropomorphic contortions in others. Their contrasting textures—matte, glossy, or rough—create a further sense of visual play, heightening the surface tension throughout.The publication features a new interview with the artist by Johanna Burton. Published on the occasion of the artist’s solo exhibition at David Zwirner, Hong Kong in 2019, Carol Bove is available in both English only and bilingual English/traditional Chinese editions.
£21.25
David Zwirner Nikita Gale: END OF SUBJECT
Book SynopsisImmersing the audience in sound and light Nikita Gale’s END OF SUBJECT subverts understandings of viewership by prompting spectators to question their subjecthood within 52 Walker’s site-specific installation. Creating an aurally and visually rich environment, Gale engages with the architecture of the surrounding space, stimulating all senses through site-specific installation and muses on the boundaries of performance art. Considering and fracturing the physical space of the installation, the artist employs abolitionist ideology and institutional critique to simultaneously rupture and rebuild facets of the art institution. With an introduction by Ebony L. Haynes and a suite of poems by Harmony Holiday, this publication considers Gale’s multidisciplinary approach to address historical hierarchies of visibility. A text by the esteemed artist Andrea Fraser offers reflections on the various interventions at play during a gathering held in the exhibition.
£21.25
David Zwirner By Land, Air, Home, and Sea: The World of Frank
Book SynopsisExplore Frank Walter’s relationship to Antigua through a range of works and writings that express his intimate connection to Caribbean nature, landscape, and place. “Nothing seems to be reworked—it is as if each piece drew or painted itself without being adjusted, revised, or fussed over.” — Hyperallergic Influenced by his studies of agriculture and the sugar industry in the former British colony of Antigua as well as his extensive travels in England, Scotland, and West Germany, Walter created work inspired by his thoughts, knowledge, journeys, and surroundings—work that encompassed painting, drawing, writing, sculpture, photography, and sound. This focused selection focuses on paintings—tender, quiet, and lush—that transcend the traditional tourist’s view of island life in favor of perspectives that explore how and why we look at where we are.Published on the occasion of the 2022 exhibition at David Zwirner, this catalogue includes an introduction by the show’s curator Hilton Als. Barbara Paca, the leading expert on Walter, writes a text detailing her personal experience meeting Walter and being in his presence. An essay by Charlie Porter takes readers on a walk as he muses about Walter’s life and the nature depicted in his paintings. Joshua Jelly-Schapiro travels to Antigua to explore the history of the island and Walter’s lasting impact there.
£44.00
Beam Editions Derek Sprawson, Hyphen: Paintings – Drawings –
Book Synopsis
£31.50
Figure 1 Publishing Gathie Falk: Variations
Book SynopsisGathie Falk: Revelations, published on the occasion of the retrospective exhibition curated by Sarah Milroy, investigates the career of a legendary Canadian artist.Now in her nineties, Gathie Falk was born in 1928 in Brandon, Manitoba, settling finally in Vancouver, where she established herself as one of Canada’s most visionary and experimental artists. Flying horses, rows of potted conifers festooned with blossoms and ribbons, floating cabbages, piles of glossy apples, gentlemen’s brogues presented in reliquary style, expanses of water, or burgeoning flower beds exploding with color—these have been the manifestations of Falk’s rampant imagination as she has explored the disciplines of painting, ceramic, performance art and installation over the span of a half century. In all her works, effulgence and order are held in a dynamic tension as she works through her generative themes and variations.A trailblazer on all fronts, she has brought a rich sensibility to bear on her observations of the everyday, perceptions often tinged with the surreal and the uncanny. From her fruit piles to the landmark performances of her early career, to her extended pursuit of themes with variations in her painting practice —expanses of water dazzling with light, riotous flower borders set against cement sidewalks, night skies pierced by starlight or obscured by clouds—she finds the wondrous in the routine world around her, pursuing her work with a modesty and diligence that reflects her Russian Mennonite heritage.The publication includes an introduction by McMichael Chief Curator Sarah Milroy, lead essay by Vancouver curator and writer Daina Augaitis (who examines her performance and installation works in a national and international context), and a host of other artists and writers, rising to the occasion of this career-spanning survey. This catalogue summarizes an extraordinary career, with full page images of her artworks and rarely seen archival photos of the artist’s studio, performance works, and Falk herself.For more than sixty years, Falk has generated work of extraordinary thematic integrity and material invention. This publication will illuminate those connections across disciplines, while also tracing the artist’s journey from youth to old age—from the lushness of the fruit piles, with their sensuous surfaces and dazzling colors, to the sepulchral hush of the night skies.
£28.79
Boydell & Brewer Ltd The Marvellous and the Monstrous in the Sculpture
Book SynopsisRichly-illustrated consideration of the meaning of the carvings of non-human beings, from centaurs to eagles, found in ecclesiastical settings. Representations of monsters and the monstrous are common in medieval art and architecture, from the grotesques in the borders of illuminated manuscripts to the symbol of the "green man", widespread in churches and cathedrals. These mysterious depictions are frequently interpreted as embodying or mitigating the fears symptomatic of a "dark age". This book, however, considers an alternative scenario: in what ways did monsters in twelfth-century sculpture help audiences envision, perhaps even achieve, various ambitions? Using examples of Romanesque sculpture from across Europe, with a focus on France and northern Portugal, the author suggests that medieval representations of monsterscould service ideals, whether intellectual, political, religious, and social, even as they could simultaneously articulate fears; he argues that their material presence energizes works of art in paradoxical, even contradictory ways. In this way, Romanesque monsters resist containment within modern interpretive categories and offer testimony to the density and nuance of the medieval imagination. KIRK AMBROSE is Associate Professor & Chair, Department of Art and Art History, University of Colorado Boulder.Trade ReviewAn insightful and overdue study that will pave the way for future research. * SPECULUM *[An] excellent work. ... Ambrose's scholarly contribution is fundamental to the progression of the study of Romanesque sculpture. * MEDIEVAL REVIEW *Profound and intellectually wide-ranging. ... A book that offers both a fresh and profound perspective on monsters and a superb, original, perspective on the current state of the field and some of its central questions. * BURLINGTON MAGAZINE *Fascinating. To the wonderful sculptures on which the author focuses, he brings knowledge and sound judgment. -- Christopher Howse * DAILY TELEGRAPH *Table of ContentsIntroduction: Approaching Monsters Past Present Ideal Bodies (Il)Legibility Creating Monsters Imagining Cosmos Epilogue
£23.74
Boydell & Brewer Ltd Motherhood and Meaning in Medieval Sculpture:
Book SynopsisAn examination of women as mothers in medieval French sculpture. What can medieval sculptural representations of women tell us about medieval women's experiences of motherhood? Presumably the work of male sculptors, working for clerical patrons, these sculptures are unlikely to have been shaped by women's maternal experiences during their production. Once produced, however, their beholders would have included women who were mothers and potential mothers, thus opening a space between the sculptures' intended meanings and other meanings liable to be produced by these women as they brought their own interests and concerns to these works of art. Building on theories of reception and response, this book focuses on interactions between women asbeholders and a range of sculptures made in France in the twelfth through sixteenth centuries, aiming to provide insight into women's experiences of motherhood; particular sculptures considered include the Annunciation and Visitation from Reims cathedral, the femme-aux-serpents from Moissac, the transi of Jeanne de Bourbon-Vendome, the Eve from Autun, and a number of French Gothic Virgin and Child sculptures. Marian Bleeke is Associate Professor of Art History and Chair of the Department of Art and Design at Cleveland State University.Trade ReviewThere is much to admire about Bleeke's energetic and wide-ranging study. A great strength of her book is her belief that public sculpture could shape peoples' thoughts and behaviors, and that it could do so in ways not intended by the designers of the program. * SPECULUM *The impressive assembly of modern scholarship on the broad subject of female reception and experience is evident. * ECCLESIOLOGY TODAY *Table of ContentsIntroduction: Motherhood and Meaning in Medieval Sculpture Motherhood as Transformation: From Annunciation to Visitation at Reims Motherhood as Monstrosity: The Moissac Femme-aux-serpents and the Transi of Jeanne de Bourbon-Vendome Resurrecting Lazarus: The Eve from Saint-Lazare at Autun Visualizing Parturition: Devotional Sculptures of the Virgin and Child Afterword: Motherhood and Meaning: Medieval Sculpture and Contemporary Art Bibliography Index
£56.25
Boydell & Brewer Ltd Medievalism in Nineteenth-Century Belgium: The
Book SynopsisThis study of the monument of Godfrey of Bouillon offers new insights to the political uses of public monuments devoted to figures from the past, modern uses and appropriations of the Middle Ages, and the role of historical culture in the creation of national identity. On 15 August 1848, a bronze equestrian statue of the crusading hero Godfrey of Bouillon (d.1100) was unveiled in the Place Royale in Brussels, Belgium's capital. Conceived and largely funded by the national government, its creation was a major element in a programme of political and cultural consolidation put into place after the Belgian Revolution (1830-1831) and the consequent establishment of the nation's independence. From the outset, the monument was designed to transmit ideas about history and nationhood, and functioned as a focal point in discussions of politics, language, religion and identity. This book sheds new light on a range of dynamics in nineteenth-century Belgium, using the statue as a prism; it investigates responses to it both home and abroad, and traces broader national interest in the commemoration of Godfrey, adopted as a national hero despite being born almost 800 years before the emergence of the state. Above all, it reveals that Belgian politics and culture in this period were profoundly shaped by a sustained interest in the Middle Ages, and by efforts to shape a historical narrative that traced Belgian nationhood back to that era, and beyond.Table of ContentsList of illustrations Acknowledgments A note on language and names List of abbreviations Preface Introduction 1. State-building, historical culture and public monuments in nineteenth-century Belgium 2. The physical setting of the monument: Brussels' Place Royale 3. The creation of the monument 4. The changing meanings of the monument 5. The monument as a lieu de mémoire I: culture and politics 6. The monument as a lieu de mémoire II: history and national identity Conclusion Bibliography Index
£76.00
C Hurst & Co Publishers Ltd Blood and Bronze: The British Empire and the Sack
Book SynopsisAn incisive history revealing Britain’s conquest of the Kingdom of Benin and the plunder of its fabled Bronzes. The Benin Bronzes are among the British Museum’s most prized possessions. Celebrated for their great beauty, they embody the history, myth and artistry of the ancient Kingdom of Benin, once West Africa’s most powerful, and today part of Nigeria. But despite the Bronzes’ renown, little has been written about the brutal imperial violence with which they were plundered. Paddy Docherty’s searing new history tells that story: the 1897 British invasion of Benin. Armed with shocking details discovered in the archives, Blood and Bronze sets this assault in its late Victorian context. As British power faced new commercial and strategic pressures elsewhere, it ruthlessly expanded in West Africa. Revealing both the extent of African resistance and previously concealed British outrages, this is a definitive account of the destruction of Benin. Laying bare the Empire’s true motives and violent means, including the official coverup of grotesque sexual crimes, Docherty demolishes any moral argument for Britain retaining the Bronzes, making a passionate case for their immediate repatriation to Nigeria.Trade Review'A powerful and thoughtful exploration of the deep history behind the looting of some of Africa's greatest artistic treasures. If you want to understand why the Benin Bronzes must be returned to Nigeria, read this book.' -- David Olusoga, historian, broadcaster, and author of 'Black and British''This compelling account of the plunder of Benin provides a deeply disquieting snapshot of the workings of the British Empire in Africa and beyond. There is a manifestly powerful case for restitution and reparation.' -- Priyamvada Gopal, Professor of Postcolonial Studies, University of Cambridge, and author of 'Insurgent Empire''"Blood and Bronze" is a scholarly, forensic and wonderfully readable account of the circumstances leading to the fateful Benin Expedition of 1897 and the looting of the bronzes. Vivid, passionate and compelling, it deserves to be widely read--and surely will be.' -- John Darwin, Professor of Global and Imperial History, University of Oxford, and author of 'Unfinished Empire: The Global Expansion of Britain''An absorbing, original and beautifully written historical horror story. Docherty skilfully weaves a rich tale of the almost primal evil inflicted on Benin by the British Empire. Essential reading for anyone with an interest in the unvarnished truth of the "glorious" days of Empire.' -- Louise Raw, historian, broadcaster, and author of 'Striking a Light''An audacious and brave narrative about how the Benin Bronzes were looted during the colonial era and exhibited in the British Museum. Careful and lucid, "Blood and Bronze" weaves an engrossing narrative explaining how the theft of cultural artifacts is the theft of culture itself.' -- Rafia Zakaria, writer, political philosopher, attorney, and author of 'Against White Feminism''This is, hands down, the most granular and compelling account yet of the 1897 British invasion of Benin. After reading this book, I dare you to make any reasonable argument against restitution of Benin's looted treasures.' -- Chika Okeke-Agulu, Director of the Program in African Studies, Princeton University, and author of 'Postcolonial Modernism: Art and Decolonization in Twentieth-Century Nigeria''Docherty gives vivid access to a place and time we don't know but should: the resource-rich Niger Delta when the British Empire still believed its own myths. An impassioned plea to understand our colonial past in all its greed and ruthlessness--and to return the spoils of Empire to where they belong.' -- Llewelyn Morgan, Professor of Classical Languages and Literature, University of Oxford
£19.00
Liverpool University Press Working Against the Grain: Women Sculptors in
Book SynopsisThis lavishly illustrated book breaks new ground in focusing on some of the many successful professional British women sculptors active during this period. Largely unknown, the few women who have been mentioned in histories of twentieth century British sculpture have been those who adhered to the (masculine) Modernist canon. Organized by theme this book explores and illustrates an unusually large number of and stylistically varied works. The social and cultural contexts in which these women sculptors were working are investigated, revealing how, mostly male, commentators often fixated on their gender at the expense of seriously engaging with their work. A wide variety of sources are used, ranging from contemporary art historical accounts to articles in popular magazines. This book explores contemporary sculptural developments, art school training, exhibiting opportunities, and the writings of influential critics. It also reveals how important photography, film and the written word were in the creation of reputations. Alongside revealing important works and individuals, this book’s originality also lies in its scope, covering diverse sculptural genres such as decorative sculpture and utilitarian objects for the home and garden; portraits and statues; architectural sculpture, war memorials and ecclesiastical work. Trade Review'Rose’s study reveals the full scale of women’s involvement in every kind of sculpture from the late nineteenth to the mid-twentieth century – from monumental to decorative, from architectural to ecclesiastical, in a variety of materials [...] a carefully researched, revealing and beautifully illustrated study.'Jaqueline Banerjee, Times Literary Supplement'Pauline Rose’s Working against the Grain: women Sculptors in Britain is an impressive work, a ‘must’ for all sculpture buffs.’Peyton Skipwith, The Victorian
£51.21
The Lilliput Press Ltd With Barry Flanagan: Travels Through Time and
Book SynopsisWith Barry Flanagan is a vivid account of a friendship that evolved into a working relationship when Richard McNeff became ‘spontaneous fixer’ (Flanagan’s description) of the sculptor’s show held in June 1992 at the Museum of Contemporary Art on Ibiza, where they were both living. McNeff was to gain a privileged insight into the sculptor’s singular personality and eccentric working methods, learning to decipher his memorably surreal turns of phrase and to parry his fascinating, if at times unsettling, pranksteresque quirks. In September 1992 Flanagan and McNeff took the show to Majorca, resulting in a lively visit to the celebrated Spanish artist Miquel Barcelo. The following year McNeff was involved in Flanagan’s print-making venture in Barcelona and in his Madrid retrospective. Flanagan rescued him from a rough landing in England in 1994 by commissioning a tour of stone quarries there.Subsequently McNeff ran into a fourteen-year-old profoundly deaf girl who turned out to be his unknown daughter. She had a talent for art and the generous sculptor was instrumental in helping with her studies. Late in 2008 Barry was diagnosed with motor neurone disease. By June 2009 he was wheelchair-bound. Two months later he died, and McNeff read the lesson at his funeral. Fleshed out with biographical detail, much of it supplied by the sculptor himself, this touching memoir is the first retrospective of a major Welsh-born artist. Photographs of him as well as of his drawings and sculpture fully complement the text. With Barry Flanagan captures the spirit of this remarkable Merlinesque figure in a moving portrait that reveals a true original.
£19.00
Pallas Athene Publishers Auguste Rodin
Book SynopsisAuguste Rodin (1840-1917) was already an old man when the young poet Rainer Maria Rilke went to interview him for the first time. Rilke stayed on to work as Rodin's secretary. Intensely sensitive to art, and in particular to the irreducible power of objects, and yet able to express this awareness in prose of great lyricism and clarity, Rilke was destined to be the critic who would most naturally dramatise Rodin's work. In 1903 Rilke published this essay, a sustained and profound meditation on the unique power of Rodin's sculpture that has never been equalled. Written around a chronology of Rodin's work, it is also a very approachable introduction to some of the greatest sculpture of the nineteenth century.Trade Review"The London publishing house Pallas Athene has come up with the very welcome and worthwhile project of assembling English translations of early biographies of artists in an easily accessible publication." - Historians of Netherlands Art Reviews
£9.99
Boydell & Brewer Ltd The Marvellous and the Monstrous in the Sculpture
Book SynopsisRichly-illustrated consideration of the meaning of the carvings of non-human beings, from centaurs to eagles, found in ecclesiastical settings. Representations of monsters and the monstrous are common in medieval art and architecture, from the grotesques in the borders of illuminated manuscripts to the symbol of the "green man", widespread in churches and cathedrals. These mysterious depictions are frequently interpreted as embodying or mitigating the fears symptomatic of a "dark age". This book, however, considers an alternative scenario: in what ways did monsters in twelfth-century sculpture help audiences envision, perhaps even achieve, various ambitions? Using examples of Romanesque sculpture from across Europe, with a focus on France and northern Portugal, the author suggests that medieval representations of monsterscould service ideals, whether intellectual, political, religious, and social, even as they could simultaneously articulate fears; he argues that their material presence energizes works of art in paradoxical, even contradictory ways. In this way, Romanesque monsters resist containment within modern interpretive categories and offer testimony to the density and nuance of the medieval imagination. KIRK AMBROSE is Associate Professor & Chair, Department of Art and Art History, University of Colorado Boulder.Trade ReviewAn insightful and overdue study that will pave the way for future research. * SPECULUM *[An] excellent work. ... Ambrose's scholarly contribution is fundamental to the progression of the study of Romanesque sculpture. * MEDIEVAL REVIEW *Profound and intellectually wide-ranging. ... A book that offers both a fresh and profound perspective on monsters and a superb, original, perspective on the current state of the field and some of its central questions. * BURLINGTON MAGAZINE *Fascinating. To the wonderful sculptures on which the author focuses, he brings knowledge and sound judgment. -- Christopher Howse * DAILY TELEGRAPH *Table of ContentsIntroduction: Approaching Monsters Past Present Ideal Bodies (Il)Legibility Creating Monsters Imagining Cosmos Epilogue
£70.00
Lund Humphries Publishers Ltd Anthony Caro: Stainless Steel
Book SynopsisThis is the sixth volume in Lund Humphries’ series of monographs on British sculptor Anthony Caro and the first publication to focus on his use of stainless steel as a distinct body of work.Caro employed stainless steel extensively, from intimately scaled Table Sculptures to extremely large works, over many decades, and in his mature works, Caro's exploration and interrogation of this material became increasingly important. Karen Wilkin analyses Caro’s use of stainless steel in the context of the development of modernist constructed sculpture, pioneered in the UK by Caro and in the US by David Smith, a friend and admired predecessor, from whom Caro inherited most of the stainless steel he first employed, following Smith's untimely death in 1965. Karen Wilkin's text represents a much-needed overview of Caro's late career and a vital expansion of our understanding of 20th-century and early 21st-century modernist sculpture.Trade Review'Karen Wilkin brilliantly discusses an essential aspect of the work of a key modern artist while illuminating important aspects of post- 1945 sculpture. A must read for anyone interested in modern art.' - William C. Agee, Professor Emeritus, Hunter CollegeTable of ContentsAnthony Caro: Changing Habits; Catalogue of Stainless Steel Works; Chronology; Bibliography; Acknowledgments; Index
£38.00
Lund Humphries Publishers Ltd Luisa Roldán
Book SynopsisThis beautifully illustrated monograph presents the first overview in English of the life and work of Luisa Roldán (1652–1706), a prolific and celebrated sculptor of the Spanish Golden Age. The daughter of Pedro Roldán, a well-known sculptor from Seville, she developed her talent in her father’s workshop. Early in her career she produced large polychromed wooden sculptures for churches in Seville, Cádiz, and surrounding towns. She spent the second half of her career in Madrid, where she worked in both polychromed wood and polychromed terracotta, developing new products for a domestic, devotional market. In recognition of her talent, she was awarded the title of Sculptor to the Royal Chambers of two kings of Spain, Charles II and Philip V. This book places Roldán within a wider historical and social context, exploring what life would have been like for her as a woman sculptor in early modern Spain. It considers her work alongside that of other artists of the Baroque period, including Velázquez, Murillo, and Zurbarán. Reflecting on the opportunities available to her during this time, as well as the challenges she faced, Catherine Hall-van den Elsen weaves the narrative of Roldán's story with analysis, revealing the complexities of her oeuvre. Every year, newly discovered sculptures in wood and in terracotta enter into Roldán’s oeuvre. As her artistic output begins to attract greater attention from scholars and art lovers, Luisa Roldán provides invaluable insights into her artistic achievements.Trade Review'Luisa Roldán’s story is full of paradoxes. Despite her success she died in penury. She was remembered as ‘an immortal’ by the early 18th-century art historian Antonio Palomino but was not the subject of a solo exhibition until 2007. Hall-van den Elsen’s monograph makes an important contribution to the existing bibliography, only some of which is included at the back of the book, and to raising the profile of Roldán’s enchanting terracottas, which deserve a catalogue all of their own.' – Apollo magazine'There is much here to counteract the minority-interest category that Spanish Baroque polychromed sculpture might still be shelved under by many. The high-quality illustrations make the publication attractive and enable useful study of the materials, techniques, and development of the sculptor’s style. Above all, they show the refinement and delicacy of her art. The writing is clear and flows naturally, making the book remarkably accessible.' – Hilary Macartney, CAA ReviewsTable of ContentsForeword; Introduction; Chapter 1: Women in Early Modern Spain; Chapter 2: Sculpture in Seville; Chapter 3: Andalucía: Building a Career; Chapter 4: Madrid: Challenge and Opportunity; Chapter 5: Luisa Roldán through the lenses of History; notes; chronology; extant works; further reading
£31.50
Lund Humphries Publishers Ltd Matt Rugg: The Many Languages of Sculpture
Book SynopsisExamining for the first time the life and work of the sculptor Matt Rugg (1935–2020), Michael Bird’s impeccably researched text vividly charts Rugg’s parallel careers as artist and teacher in the context of developments in creative pedagogy in Britain during the second half of the twentieth century, and their implications for practice and teaching today. Highlighting the impressive range of Rugg’s output, from his distinctive 'painted drawings' to large-scale metal constructions, and the unifying strands in his thought, this book skilfully draws together Rugg’s work, ideas and inspirational role as an educator. Lavishly illustrated, it charts successive phases of Rugg's continuous experimentation with found industrial materials and form, and the subtle interrelationship in his work between two and three dimensions. Dr Harriet Sutcliffe's research into the Basic Course led by Victor Pasmore and Richard Hamilton at King's College, Newcastle, in the 1950s and 1960s provides fascinating insights into both Rugg's oeuvre and wider developments in British art practice and pedagogy.Table of ContentsIntroduction: points and pathways; 1 Tapestries of interconnectedness (1935–56); 2 I just took to it, really (1956–63); 3: Continuum of movements (1963–70); 4 Wanting not to stand still (1970–94); 5 One and the same (1994–2020); 6 The Basic Course at Newcastle: teachers and students; 7 Postscript by Phyllida Barlow; List of exhibitions; Notes; Further reading; Picture credits; Acknowledgements; Index
£38.00
Liverpool University Press The Emperors' Needles: Egyptian Obelisks and Rome
Book SynopsisObelisks, originally associated with the sun cult, had their heyday between 2000 and 1500 BC, when they adorned the Nile’s banks and proclaimed the splendour of the pharaohs. Today, only twenty-seven Egyptian obelisks remain standing and they are scattered in various locations throughout the world. Rome, with thirteen, boasts more than anywhere else, including Egypt itself. These monolithic structures can be seen in every corner of the ‘Eternal City’ and still hold a fascination for all who gaze upon them. This book is intended as a general guide to the obelisks that have found their way to the four corners of the earth. It examines the interest shown in them by the Roman emperors; it discusses each obelisk in detail, and traces individual histories and anecdotes concerning their journeys from Egypt. The work is illustrated throughout and translations of some of the relevant historical texts are supplied.Trade Review... a very readable and accessible book that will be enjoyed by anyone who seeks something more than the basic comments one might find in a generic guidebook. * Archaeology Travel, www.archaeology-travel.com *Table of ContentsList of Illustrations Preface Standing Obelisks and their Present Locations Chronologies Introduction: The History of the Pharaonic Egypt 1. The Cult of the Sun Stone: The Origins of the Obelisk 2. Created from Stone: How Egyptian Obelisks were Made 3. Contact with the West: Greece and Rome 4. Roman Annexation of Egypt 5. Egyptian Influences in Rome 6. Augustus and the First Egyptian Obelisks to Reach Rome 7. Other Augustan Obelisks 8. Augustus' Successors: Tiberius and Caligula 9. Claudius and Nero: The Last of Augustus' Dynasty 10. The Flavian Emperors and the Obelisks of Domitian 11. The Emperor Hadrian: A Memorial to Grief 12. Constantine and the New Rome 13. From Rome to Constantinople 14. An Obelisk in France 15. Obelisks in Britain 16. From the Old World to the New: An Obelisk in New York 17. The Obelisk Builders and the Standing Obelisks of Egypt Conclusions Appendix: Translations of Two Obelisk Inscriptions Bibliography Index
£34.39
NMSE - Publishing Ltd The Millennium Clock Tower
Book SynopsisThe Millennium Clock first chimed on 1 January 2000 and crowds still gather round it in the National Museum of Scotland. The finished clock tower echoes the form of a medieval cathedral, standing just over ten metres high. It marks the passing of time but is also a summary of the best and worst of the twentieth century. The animated construction comprises four sections: The Crypt, The Nave, The Belfry and The Spire. Each has its own stories to tell and secrets to reveal. This edition is in a new format and has 12 superb replacement photographs which give close-ups of some of the clock's intricate details. The clock tower is a collaboration between E Bersudsky, A Sandstrom, T Stead and J Tubbecke.
£6.16
