Screenwriting techniques Books
University of Minnesota Press Scenarios III: Stroszek; Nosferatu, Phantom of
Book SynopsisFor the first time in English, and in his signature prose poetry, the film scripts of four of Werner Herzog’s early works “Herzog doesn’t write traditional scripts,” Film International remarked of the master filmmaker’s Scenarios I and II. “Instead, he writes scenarios which are like a hybrid of film, fiction, and prose poetry.”Continuing a series that Publishers Weekly pronounced “compulsively readable . . . equal parts challenging and satisfying, infuriating and enlightening,” Scenarios III presents, for the first time in English, the shape-shifting scripts for four of Werner Herzog’s early films: Stroszek; Nosferatu, Phantom of the Night; Where the Green Ants Dream; and Cobra Verde. We can observe Herzog’s working vision as each of these scenarios unfolds in a form often dramatically different from the film’s final version—as, in his own words, Herzog works himself up into “this kind of frenzy of high-caliber language and concepts and beauty.”With Scenarios I and II, this volume completes the picture of Herzog’s earliest work, affording a view of the filmmaker mastering his craft, well on his way to becoming one of the most original, and most celebrated, artists in his field.
£17.99
Workman Publishing You Talkin' to Me? : The Definitive Guide to
Book Synopsis"You Talkin' to Me?" is a fun, fascinating, and exhaustively reported look at all the iconic Hollywood movie quotes we know and love, from Casablanca to Dirty Harry and The Godfather to Mean Girls. Drawing on interviews, archival sleuthing, and behind-the-scenes details, the book examines the origins and deeper meanings of hundreds of film lines: how they've impacted, shaped, and reverberated through the culture, defined eras in Hollywood, and become cemented in the modern lexicon. Packed with film stills, sidebars, lists, and other fun detours throughout movie history, the book covers all genres and a diverse range of directors, writers, and audiences.
£14.44
Rowman & Littlefield A Guide to Screenwriting Success: Writing for
Book SynopsisA Guide to Screenwriting Success, Second Edition provides a comprehensive overview of writing—and rewriting—a screenplay or teleplay and writing for digital content. Duncan's handy book teaches new screenwriters the process of creating a professional screenplay from beginning to end. It shows that inspiration, creativity, and good writing are not elusive concepts but attainable goals that any motivated person can aspire to. Duncan includes sections on all aspects of screenwriting—from character development to story templates—and breaks down the three acts of a screenplay into manageable pieces. A Guide to Screenwriting Success contains dozens of exercises to help writers through these steps. The second half of Duncan's practical book covers another, often overlooked, side of screenwriting—the teleplay. Aspiring writers who also want to try their hand at writing for television will need to learn the specifics of the field. The book breaks down this area into two parts, the one-hour teleplay and the situation comedy. There is a section on writing and producing digital content that embraces the “Do It Yourself” attitude to approaching a career in the entertainment industry. Success in screenwriting is no longer a dream but an achievable goal for those who pick up Duncan's guide.
£72.90
Rowman & Littlefield A Guide to Screenwriting Success: Writing for
Book SynopsisA Guide to Screenwriting Success, Second Edition provides a comprehensive overview of writing—and rewriting—a screenplay or teleplay and writing for digital content. Duncan's handy book teaches new screenwriters the process of creating a professional screenplay from beginning to end. It shows that inspiration, creativity, and good writing are not elusive concepts but attainable goals that any motivated person can aspire to. Duncan includes sections on all aspects of screenwriting—from character development to story templates—and breaks down the three acts of a screenplay into manageable pieces. A Guide to Screenwriting Success contains dozens of exercises to help writers through these steps. The second half of Duncan's practical book covers another, often overlooked, side of screenwriting—the teleplay. Aspiring writers who also want to try their hand at writing for television will need to learn the specifics of the field. The book breaks down this area into two parts, the one-hour teleplay and the situation comedy. There is a section on writing and producing digital content that embraces the “Do It Yourself” attitude to approaching a career in the entertainment industry. Success in screenwriting is no longer a dream but an achievable goal for those who pick up Duncan's guide.
£36.90
Rowman & Littlefield Naked Screenwriting: Twenty-two Oscar-Winning
Book SynopsisAward-winning screenwriters reveal their Hollywood secrets in crafting brilliant stories and methodology through interviews with world-renowned UCLA screenwriting professor Lew Hunter. Naked Screenwriting includes interviews with Francis Ford Coppola, Billy Wilder, Oliver Stone, Bruce Joel Rubin, William Goldman, Julius Epstein, Alexander Payne, Jim Taylor, Alfred Uhry, Tom Schulman, Ted Tally, Ruth Prawer Jabvola, Eric Roth, Jean-Claude Carriere, Frank Pierson, David Ward, Horton Foote, Ron Bass, Alan Ball, Callie Khouri, Robert Benton, Irving Ravetch, and Harriet Frank Junior.Never before has a book covered Oscar-winning writers so thoroughly, shedding insight and wisdom into the art of screenwriting.
£32.40
Ivan R Dee, Inc The Ivan R. Dee Guide to Plays and Playwrights
Book SynopsisWith more than five hundred entries, from A to Z, providing information on the most important plays and playwrights (dead or alive) performed today, The Ivan R. Dee Guide to Plays and Playwrights is the most useful and comprehensive reference book for contemporary theatre now available. It is both biographically detailed and critically up to date, and offers an extensive cross-referencing system that allows for wider perspectives and new discoveries. For example: The entry on Carlo Goldoni provides his dates of birth and death; a complete listing of his plays with the dates they were written; approximately 300 words of biography and critical commentary on Goldoni's work; and references to other plays and playwrights that are similar in subject and treatment (in this case, for instance, "Beaumarchais's Marriage of Figaro for its treatment of servant and master relationships; Molière, writing in a more formal style is more savage in exposing bourgeois and aristocratic hypocrisies;...") Stimulating, observant, and informative, The Ivan R. Dee Guide to Plays and Playwrights is an essential companion and reference tool for producers, directors, actors, teachers, and anyone with an active interest in drama. Illustrated with 34 black-and-white photographs.Trade ReviewThis respected reference on playwrights and plays is finally making its American debut...an important resource for directors and producers and is highly recommended for theater and drama collections. * Library Journal *A fine piece of work—especially valuable for undergraduates who need to know where to go next—the additional paths that Griffiths charts for the reader really streamline the journey toward a fuller understanding of any given listing in its multiple contexts. -- Dorothy Louise, Director, the Green Room Theater; Professor of Theatre, Franklin & Marshall CollegeWith its extensive cross references, this is the best guided tour through the pages and stages of dramatic literature and performance I know. -- Robert J. Orchard, Executive Director of American Repertory Theatre, Director, Loeb Drama Center, Harvard University…An important reference for playwrights and modern theatre goers alike. * Library Bookwatch *Griffiths' work is a concise, readable introduction to present-day dramatists. * CHOICE *A useful and enjoyable book. * Reference Book Of The Day *
£18.99
Penguin Putnam Inc Now Write! Screenwriting: Screenwriting Exercises
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£14.45
Rowman & Littlefield Cool Million: How to Become a Million-Dollar
Book SynopsisTo write a million dollar screenplay you need determination, talent, and an insider's knowledge about what Hollywood wants. With in-depth interviews and revealing insights, this look behind the scenes is comprehensive, inspiring readers with advice, secrets, and stories from screenwriters like: Akiva Goldsman - "A Beautiful Mind"; David Hayter - "X-Men," and Ed Solomon - "Men in Black."
£11.69
Penguin Publishing Group Inside the Room Writing Television with the Pros at UCLA Extension Writers Program
Book SynopsisWhat does it take to go from being a fan to professional television writer? For the first time outside of the UCLA Extension Writers' Programme classrooms, TV writers whose many produced credits include The Simpsons, House M.D., and Pretty Little Liars take aspiring writers through the process of writing their first spec script for an on-air series, creating one-hour drama and sitcom pilots that break out from the pack, and revising scripts to meet pro standards. Learn how to launch and sustain a writing career and get a rare, intimate look inside the yearlong process of creating, selling, and getting a TV show made. Edited by writers' program director Linda Venis, Inside the Room is the ultimate guide to writing one's way into the Writers Guild of America. Venis corrals an accessible and useful guide for anyone with the dream and the drive who needs to know, practically, what to do. An engaging and helpful how-to for hopeful TV writers or anyone interested in the nuts and bolts of this ephemeral art. - Kirkus Reviews
£16.45
BearManor Media War Eagles
£33.07
£20.37
£21.22
BearManor Media The Hunchback of Notre Dame
£23.46
£24.00
BearManor Media The Horror of Dracula
£21.56
Atlantic Publishing Co Complete Guide to Writing a Successful Screenplay: Everything You Need to Know to Write & Sell a Winning Script
£19.49
Michael Wiese Productions Writing the Comedy Blockbuster: The Inappropriate
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£15.99
Michael Wiese Productions Notes to Screenwriters: Advancing Your Story,
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£18.47
Michael Wiese Productions Beat by Beat: A Cheat Sheet for Screenwriters
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£21.56
Michael Wiese Productions The Coffee Break Screenwriter…Breaks the Rules: A
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£10.79
Michael Wiese Productions The Hollywood Standard - Third Edition: The
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£37.46
Design Studio Press Cinematics Storyboard Workshop: Filmmaking
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£12.59
Bloomsbury Publishing Plc Screenwriting is Rewriting: The Art and Craft of Professional Revision
Book SynopsisIf there is one skill that separates the professional screenwriter from the amateur, it is the ability to rewrite successfully. From Jack Epps, Jr., the screenwriter of Top Gun, Dick Tracy, and The Secret of My Success, comes a comprehensive guide that explores the many layers of rewriting. In Screenwriting is Rewriting, Epps provides a practical and tested approach to organizing notes, creating a game plan, and executing a series of focused passes that address the story, character, theme, structure, and plot issues. Included are sample notes, game plans, and beat sheets from Epps’ work on films such as Sister Act and Turner and Hooch. Also featured are exclusive interviews with Academy Award® winning screenwriters Robert Towne (Chinatown) and Frank Pierson (Dog Day Afternoon), along with Academy Award® nominee Susannah Grant (Erin Brockovich).Trade ReviewThe book is a great starting point that would teach aspiring screenwriters or students of creative writing how to go about starting, developing and rewriting their screenplays. * Alphaville: Journal of Film and Screen Media *And just when we thought we didn't need another book about screenwriting along comes this one, which in short order makes itself a must-have. Jack Epps is a great writer, a master teacher, as smart about character as he is about structure. He's distilled this part of our craft to its essence, and by heeding his book's fine wisdom we will all of us become better rewriters—and better writers. * Howard A. Rodman, Screenwriter and President of the Writer’s Guild of America, We *Never in the history of Hollywood has a screenwriter heard the words: ‘It's perfect; don't change a thing.’ Even if someone were to say that, we know better and would change it anyway, and change it again, and again, and again. This book teaches the why and the how of rewriting and is written by a real, live, honest-to-God professional screenwriter who has successfully had many of his scripts made into movies. * Stephen Sommers, Writer and Director of The Jungle Book (1994), The Mummy (1999), and Van Helsing (2004) *An exemplary text on screenplay writing. Drawing from both his professional and academic experiences, Jack Epps, Jr. provides an excellent distillation of ideal screenwriting practice, creating an indispensable resource for both students and self-taught screenwriters. * David Dunn, Principal Teaching Fellow in Film Studies, University of Southampton, UK *Table of ContentsIntroduction How To Use This Book Let’s Talk About Rewriting The Pass Method – Layer By Layer Movies You Need To See Part One: Foundations and Fundamentals Chapter 1 Notes – Receiving and Organizing Notes Chapter 2 Interpreting Notes – Reading Tea Leaves Chapter 3 Annotated Draft – Your Reference Guide Chapter 4 Game Plan – Creating a Road Map for the Rewrite Chapter 5 Character – Writing from the Inside Out Chapter 6 Foundation Pass – Strengthening the Core Chapter 7 Character Pass – The Emotional Core Chapter 8 The Set-Up – Establish – Complicate – Resolve Chapter 9 Story & Theme Pass – The Emotional Underpinning Chapter 10 Structure – What Stays In, What Goes Out, and In What Order Chapter 11 Structure Pass – Architecture and Design Chapter 12 Plot – How Will This Turn Out? Chapter 13 Plot Pass – Cause and Effect Chapter 14 Feedback on Your Interim Draft – Checking-In Part Two: Details and Layering Chapter 15 Opposition Characters – Sources of Conflict and Tension Chapter 16 Obstacles, Complications, Reveals, and Reversals – Complicate, Complicate, Complicate Chapter 17 Obstacles, Complications, Reveals, and Reversals Pass – Making Life Much More Difficult Chapter 18 Relationships – The Ties that Bind Chapter 19 Relationship Pass – Interconnecting Chapter 20 Dialogue – Rhythm and Flow Chapter 21 Scene Pass – Link and Connect Chapter 22 Consistency Pass – Motivated Actions Chapter 23 Polish Pass – Dialogue, Text, and Tightening Chapter 24 Sending Out Your Screenplay – Letting Go Chapter 25 Working with Directors, Producers, and Executives – Patience, Patience, Patience Part Three: Screenwriters on Rewriting Interview with Robert Towne Chinatown, The Firm, Mission Impossible II Interview with Frank Pierson Cool Hand Luke, Dog Day Afternoon, King Of The Gypsies Interview with Susannah Grant Pocahontas, Erin Brockovich, The Soloist Part Four: Examples Studio Script Notes Turner & Hooch Notes Sister Act Studio Notes and Game Plan Student Annotated Pages Suicide Girl by Ivy Pruss Student Script Notes & Game Plans Take Your Grandma To Work Day by David Ngo F@#% The Knot by Romi Barta Essential Three Act Questions Acknowledgements Quote Sources Index
£80.00
Rockridge Press The Creative Screenwriter: 12 Rules to
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£13.59
Lexington Books The Evolution of Hollywood's Calculated
Book SynopsisIn this book, Alexander Ross highlights how creative entrepreneurs saved the Hollywood studios in the 1970s by establishing the calculated blockbuster, consisting of key replicable markers of success, as Hollywood's preeminent business model. Ross demonstrates how visionary individuals such as Coppola, Spielberg, Lucas, and Zemeckis helped create the modern, calculated blockbuster business model (BBM). However, with the rise of streaming giants such as Netflix and the studios struggling to compete, many consumers of entertainment now elect to partake from the comfort of their homes, making the difference between “cinema” and “television” anachronistic. Revisiting the history of those pioneering 1970s blockbusters, Ross offers distinct analysis about whether or not the calculated blockbuster can continue to lead, or whether the streamers will continue to generate their own content and, eventually, fully control the dissemination process. Scholars of film studies, screenwriting, and popular culture will find this book of particular interestTable of ContentsTable of ContentsForewordIntroductionSection IChapter 1: Historical Evolutionary Path to the Modern BlockbusterChapter 2: The Evolving Definitions of a Blockbuster and its MarkersChapter 3: Evolution of Marketing and Promotion for the Modern BlockbusterChapter 4: The Evolution of Release and Distribution: Predicting Success and Challenging the Goldman AphorismChapter 5: Creative Entrepreneurship: The Evolving Challenges for Hollywood’s Historical InstitutionalismSection IIChapter 6: The GodfatherChapter 7: JawsChapter 8: Star WarsChapter 9: E.T. The Extra-TerrestrialChapter 10: Back to the FutureSection IIIChapter 11: Transmedia Economy: The Evolving Relationship between Content, Commodity and AudienceChapter 12: NetflixConclusionBibliographyAbout the Author
£76.50
Lexington Books Crafting Contemporary Documentaries and
Book SynopsisThis book explores the industrial and personal challenges faced by filmmakers in bringing the current worldwide craze for documentary films and series to screens small and large. Utilizing a number of case studies drawn from in-depth interviews with acclaimed documentary directors, producers, and screenwriters from around the world, Phoebe Hart offers a thematic analysis to reveal the risks and opportunities for practitioners. Hart examines these themes in the context of current scholarship to provide insight into the modes and methods of making factual screen content as she engages with the documentary form and the marking of it, acquisition of mastery and inspiration, and specific rituals and habits of practice. From the unique vantage point of being a “pracademic” – that is, being both a successful documentary filmmaker and a recognized screen researcher and teacher - Hart ultimately argues for greater support of filmmakers and pursuit of a deeper understanding of creative processes.Table of ContentsList of FiguresAcknowledgmentsIntroductionChapter 1: Crafting CareersChapter 2: Ideas that LandChapter 3: A Fine RomanceChapter 4: Right Tool for the JobChapter 5: (Re)writing DocumentariesChapter 6: Recording ImpactsConclusion: A Good Time to be Making?ReferencesAbout the Author
£69.30
Regan Arts The Godfather Notebook
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£59.62
Bicep Books Writing Japanese Monsters: From the Files of The
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£31.50
The Crowood Press Ltd Screenwriting is Filmmaking: The Theory and
Book SynopsisTo write for the unique medium of the screen, you need to be as engaged with the theory and practice of film as you are with words. Screenwriting is Filmmaking provides a wealth of insights for new and experienced writers alike on the historical, theoretical and practical essentials of screenwriting. With clear analyses drawn from a wide range of classical and contemporary films, alongside case studies and practical exercises, this book encourages the development of craft skills and a personal voice through the writing of short and feature screenplays. You will learn how to develop your screenplay from idea to final draft; apply the techniques of narrative, structure and visual language; build rounded and convincing characters; craft compelling scenes through dialogue and sub-text and maintain a meaningful and lasting creative practice. Brian Dunnigan draws on over thirty years' experience of writing, teaching and making films, to provide a practical guide on how to become an effective screenwriter as well as giving a fascinating insight into visual storytelling and the place of the screenplay in the collaborative process of filmmaking.Trade ReviewIn the beginning was The Word. Brian Dunnigan has brilliantly encapsulated the profound dependency all filmmaking has on the ideas that arise from a well written screenplay. Screenwriting is Filmmaking is an invaluable resource for anyone facing the task of making a film. I cannot recommend it enough. -- Iain Smith, producer of Mad Max: Fury Road and Local HeroScreenwriting is Filmmaking is the book I have been looking for! Uniquely tracing the origins of screenwriting up to present day, it gives an unsurpassed context for contemporary film writing. Whether a skilled professional or aspiring student, you will find this an invaluable tool in developing your script writing skills and turning your ideas into a screenplay. -- Sandy Lieberson, former President of Production, 20th Century FoxOften a screenplay is thought of as an ends to a means. It is neither an image nor is it a piece of literature. Yet it is imperative to the success of a film. In Screenwriting is Filmmaking, Brian Dunnigan helps shed light on the symbiotic relationship between the two. Brian has a profound understanding of the craft, and his emphasis on story and character is essential reading for anyone wanting to uncover the beating heart of their own screenplay. -- Gonzalo Maza, Oscar-winning screenwriter of Fantastic Women.
£16.14
Usborne Publishing Ltd Write Your Own Scripts
Book SynopsisDo you dream of becoming a scriptwriter? This book will help you write all kinds of scripts - scary ones, exciting ones and hilariously silly ones. Each page is full of tips and ideas that will help you every step of the way - from making up characters to writing dialogue and putting on your very own show. With Usborne Quicklinks to specially selected websites for more inspiration.A great primer for anyone who wants to write a film, a play, a radio play, a puppet show, a podcast - any kind of script you can dream of.
£14.24
Oldcastle Books Ltd Short Films: Writing the Screenplay
Book SynopsisEvery award-winning short film begins life with a clever idea, a good story and a screenplay. Patrick Nash analyses the process of writing short film screenplays and gives advice on: Story and structure Ideas generation Plot and pace Screenplay format Dos and don'ts Eliciting emotion Dialogue and subtext Character design Protagonists and antagonists Character motivation and goals Conflict, obstacles and stakes Clichés and Stereotypes Beginnings, middles and ends Hooking the viewer Screenplay competitions Loglines, outlines and synopses Rewriting and length Practicalities and budgets The book also includes a number of award-winning scripts and interviews, advice and contributions from their award-winning screenwriters and a discussion of the benefits to writers of writing short screenplays.Trade ReviewI would definitely recommend this book . . . (it is) a very thorough look at all aspects of being a writer of short scripts -- Michelle Goode * Writesofluid *Straight talking tome bursting with practical advice * Total Film *A helpful book for anyone interested in screenwriting -- Tom Farr * Tom Farr Reviews *
£16.99
Oldcastle Books Ltd Screenplays...: How to Write and Sell Them
Book SynopsisScreenplays ... How to Write and Sell Them is an accessible yet comprehensive book aimed at those with a keen interest in writing feature film screenplays. Using case studies, creative exercises and interviews from the industry, the book will guide readers through the necessary stages of writing a screenplay, from finding and developing ideas to creating and executing characters to shaping structure and constructing scenes. It will also consider how a screenplay might be sold, or used to raise interest in the writer, looking at areas such as finding and working with an agent, networking, using competitions, and raising private production funds. The book's approach is both creative and reflective, giving readers the opportunity to learn a wealth of creative skills alongside skills that will encourage them to think about themselves as writers and the work that they are developing. As such, the book will empower readers in their own creative processes and allow them to successfully tell the stories they want to tell. Rich with analyses from classic and contemporary films, littered with practical models, paradigms and creative tasks, and enhanced by the views of key industry figures, the book is a must for any aspiring feature film screenwriter.Trade ReviewEssential, indeed -- Robin Mukherjeeresults-oriented exercises, spot-on case studies, workable options and professional insight -- Kathie Fong Yoneda
£17.99
Oldcastle Books Ltd Web TV Series
Book SynopsisToday, people can watch television shows, feature films, live sporting events, and just about anything they want on their computers, tablets or phones. As the new media marketplace continues to grow, so does demand for original content and opportunities for filmmakers. Online distributors - such as YouTube, Hulu, and Funny or Die - are interested in acquiring web series (episodic digital entertainment, like mini-TV shows) that attract audiences and appeal to advertisers. Web TV Series... How to Make and Market Them provides advice and expertise to help readers create their own original, successful online shows - projects that can be profitable, potentially developed into film or television properties, and help to start a career in the industry. Readers will learn how to develop characters and stories designed for new media platforms, and find tips for planning, shooting, and editing that are tailored specifically to web series production. This book also extensively covers the latest distribution platforms and social media marketing strategies, as well as examples of how to find financial sustainability through advertisers, branded content, and sponsorship partners. Web Series has all of the tools necessary for both aspiring and experienced filmmakers to make the most of this growing new medium.Trade ReviewDan Williams provides the background and information you need to start a Web TV series, whilst encouraging you to develop your own individuality and creative processes -- Leo White * Kamera Film Salon *This book encourages quality work, and does a quality job of instructing it * Write So Fluid *
£15.29
Oldcastle Books Ltd Writing and Selling Romantic Comedy Screenplays
Book SynopsisWhat happens when 'happy ever after' isn't quite so simple? Today's attitudes to love and romance are as varied and diverse as individuals, and audiences want and need more sophisticated, authentic films that show how we live and love now. So what does this mean for the screenwriter developing a romcom? And how do they write heart-warming stories for a genre that is constantly evolving, from bromcom to zomcom to famcom? Writing and Selling Romantic Comedy Screenplays offers a fresh approach to creating narratives for this ever-changing genre. Moving away from rigid and limited definitions that have evolved out of mainstream genre films, the book embraces a working definition that crosses cultural and national boundaries to give screenwriters around the world a truly international perspective on writing comedic love stories. It will be the first screenwriting guide to reflect the diversity of approaches in today's films that deal with the human need for emotional and physical intimacy using humour - the contemporary romantic comedy. Features of the book include: Illuminating, challenging and provocative about the state of the rom-com genre. Why do some films feel so dated, while others are perennially relevant? Explores and defines all subgenres of romcom, such as zomcom, bromedy, soromcom and famcom. Uniquely draws on creativity, screenwriting genre theory and film industry practice. Stimulating creative exercises at the end of every chapter, and 'hot tips' throughout. Adaptable concepts that can be applied to both feature films and short films. Encourages screenwriters to define their own values about love to ensure their voice and message is original - and commercial. Case studies and analyses of produced screenplays, including Dostana, Due Date, I Give it a Year, I love You, Man, Midnight in Paris, Ruby Sparks, Tamara Drewe, Ted and Warm Bodies. Interviews with writers, directors and producers. Genuine international perspective. Indispensible guide for both the student and the professional writer or filmmaker.
£17.09
Oldcastle Books Ltd The Art of Screenplays - A Writer's Guide
Book SynopsisThe Art of Screenplays is a working handbook for writers with stories to tell. Addressing the key issues of creativity and craft, its aim is to connect with our natural understanding of story, to demystify the screenwriter's art, and to enable fresh, original and authentic writing. Working on the central premise that drama reflects nature, and screenplays simply echo life as we know it, the areas Mukherjee discusses include: The Writer's eye. How to gather, ferment and communicate story. The art of action. Understanding structure through observation. Who am I? Exploring the levels of characters. Vertical structure. Say what you mean. Mean what you say. Speak the speech. The art of not writing dialogue. Trade ReviewRM comes across as what he is: a screenwriter of real experience who has the confidence and knowledge of having worked extensively at the industry coal-face with a lot of really good credits in TV and feature films. Unlike many screenwriting books, he writes from a position of authority - and it shows -- Philip Shelley * Script Consultant *an insightful guide that prompts readers to think for themselves -- Dominic Carver * The Scriptwriter *'a really interesting mix of theoretical study and practical experience...Highly recommended for both beginners and experienced writers' * Write So Fluid *Brilliant and original...far and away the best writing guide I've read. It should become must reading for all of us, students and tutors alike -- Paul Bryers - award winning writer, filmmaker and producerone of the most beautifully written books about screenwriting that I've ever read * Scriptangel *
£18.69
Oldcastle Books Ltd Writing for Television: Series, Serials and Soaps
Book SynopsisA no-nonsense, direct down-the-lens look at the television industry written from the point of view of a television drama producer who's been there, done it, fought some battles and won the odd award. Written in an engaging, anecdotal tone, Writing for Television provides advice on: Getting an agent The type of writer television's looking for The tool kit a television writer needs The writer /script editor relationship How to structure a storyline How to write good treatments and outlines Packed full of useful insights, links and information, the book includes interviews with successful television writers working today, pointers on how to work collaboratively in the industry and how to make good contacts with the people who can further your career.Trade ReviewYvonne delivers a practical, accessible, no-nonsense guide to the world of writing for popular TV -- Mal Young - Producer, writer and former BBC Controller of Drama SeriesA very comprehensive and informative book on TV script writing. Yvonne covers every conceivable point that will help writers wanting to break into writing for the small screen, whilst at the same time creating a very accessible read -- Tony McHale * Sanctuary Films *A great read and a great guide. Learn from Yvonne Grace who's done it, is still doing it and has now written the book -- Gail Renard * The Writers' Guild of Great Britain *offers valuable insight, sage advice and a wealth of information -- Dominic Carver - Screenwriter
£17.09
Oldcastle Books Ltd Writing and Selling Drama Screenplays
Book SynopsisIt may be drama features that win the most awards and kudos from critics, but in the current marketplace you're unlikely to sell a drama screenplay in the way you would a genre script. Breaking down the nuts and bolts of what differentiates drama from genre, Writing and Selling Drama Screenplays will consider questions such as: What is 'emotional truth'? What separates stereotypical and authentic characters? What are the different types of drama feature screenplay? How do we make these films, when there's 'no money'? What are the distribution opportunities for dramas? Exploring the ways in which drama and authenticity work, it will empower screenwriters to make their own story and character choices, so they can write and also help to package, finance and even make their own drama features. Writing and Selling Drama Screenplays includes detailed case studies of produced dramas made on both shoestring and bigger budgets, and industry insights from their writers, directors and producers. It looks in-depth at Scottish BAFTA-winning Night People, the iconic coming out movie Beautiful Thing, the touching New Orleans drama Hours, starring the late Paul Walker, and the ambitious true story of Saving Mr Banks, based on the battle of wills between Mary Poppins author PL Travers and Walt Disney himself. It will also discuss films such as Brokeback Mountain, American Beauty, The King's Speech, Juno, Erin Brockovich, Changeling and Girl, Interrupted.
£17.99
Oldcastle Books Ltd The Art of Script Editing: A Practical Guide
Book Synopsis'A clear, insightful and sensitive look at the work of script editors and screen writers' - Hossein Amini: writer of Drive and writer and director of The Two Faces of January The Art of Script Editing provides a comprehensive overview of this vital role, examining its responsibilities and functions during all stages of the development process, both in film and television. Detailing the nuts and bolts of the job, it looks at what's required and expected, how script editors assess a script, their approach to working with writers and producers, and their input during rewrites and pre-production, and up to a project's completion. It also examines the ways in which writers and producers can benefit from working with a professional script editor as they seek to refine and communicate their vision. The Art of Script Editing; A Practical Guide is a valuable resource for anyone developing a script no matter where they are in the process, for writers and producers interested in expanding their understanding of how a script is advanced, and for those pursuing a career in script development.Trade ReviewA clear, insightful and sensitive look at the work of script editors and screen writers -- Hossein Amini: writer of Drive and writer and director of The Two Faces of January
£17.09
Nick Hern Books The Writer's Toolkit: Exercises, Techniques and
Book SynopsisPerfect for playwrights and screenwriters of all levels of experience, The Writer's Toolkit will equip you with everything required to kickstart your creativity, develop your craft, and make your writing the very best that it can be. Written by an experienced playwright, screenwriter and producer, this essential book is packed with almost two hundred practical exercises, techniques and ideas for every part of your process, designed to be used either solo or in a group. It includes: Writing warm-ups to focus your mind and get your creative muscles in gear Dozens of exercises to strengthen fundamental elements of your writing such as developing characters, improving dialogue, layering in subtext, creating a strong setting and constructing a compelling plot Immersive-writing techniques to lift the world of your script off the page and allow you to shape it more effectively A blueprint for writing a ten-minute play – a great way to practise your craft, explore a new idea and add to your portfolio A Submission Surgery with exercises and pointers so you can review and fine-tune your completed work before sending it out 101 quick-fire writing prompts to help you warm up, take a break from your current project, or just keep you feeling productive Also included are mindful meditations to use at the beginning and end of your writing sessions, to help you relax, boost your productivity and maximise your creative output. Whatever you need as a writer – whether that’s to crack a problem in your current script, develop ideas for future projects, build up your skills and experience, or bust through writer’s block – this book will give you the right tools for the job. So get writing! 'A generous and inventive book, packed full of the creativity it is bound to inspire' Anna Jordan, playwright and screenwriter (Succession, Killing Eve, Yen) 'An enthusiastic, encouraging guide with endless tips to make every stage of the writing process not only doable but enjoyable too' Diane Samuels, playwright and author (Kindertransport)Trade Review'A goldmine, honest and down-to-earth… Kalburgi manages to achieve more than a theoretical manual on the art of scriptwriting; he invigorates his creatives, cheers them on, and urges them to dust off their notebooks and start scribbling, stirring his reader's imagination with well-calibrated pointers' * Broadway World *'An easy read… there are many themes that will be of value' * British Theatre Guide *'Very practical... a worthwhile book for anyone wanting to tackle a play or film script' * Ink Pellet *
£11.69
Quill Driver Books, U.S. Pitching Hollywood: How to Sell Your TV and Movie
Book SynopsisTwo successful movie and TV producers provide the reader with the tools needed to create, develop, and sell ideas to Hollywood. Producers Jonathan Koch ("Beyond the Glory") and Robert Kosberg (Deep Blue Sea) are known as the "Kings of Pitch." They currently have more than a dozen projects in development at major studios, including projects with Josh Lucas, Tobey Maguire, and Katherine Heigl.
£12.59
Quill Driver Books, U.S. Emotional Structure: Creating the Story Beneath
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£19.54
Wallflower Press Screeenwriting – History, Theory and Practice
Book Synopsis
£19.80
Accelerated Education Publications Ltd Early Screenwriting Teachers 1910-1922: Origins,
Book SynopsisEarly Screenwriting Teachers 1910-1922: Origins, Contribution and Legacy is an historical study that reveals the previously unacknowledged contribution that early screenwriting teachers have made to the development of the Hollywood film industry.Table of ContentsAbstract; Acknowledgements; Introduction: Research Objectives, The Academic Debate, Possible Reasons for the Lack of Previous Research, Research Methodology; Part One - Origins: 1. Literary and Theatrical Sources; Theatrical Legacy: Melodramatic Elements, Classical Elements, Classical Melodrama; 2. Industry Context: The Script as a Controlling Factor; The Drive for Narrative Clarity; Censorship, Copyright and Stardom: Censorship, Copyright, Stardom; 3. Scenario Fever; 4. Summary; Part Two - Contribution: Section 1 - Screenwriting Teachers: 1. The First Screenwriting Teachers; 2. Five Important Criteria; 3. Peripheral Screenwriting Teachers; 4. The Five Key Screenwriting Teachers; Part Two - Contribution: Section 2 - The Discourse; 6. The Advice Given by the Key Screenwriting Teachers; 7. How to Train for the Industry: A. The Learning Process; B. The Filmic Process; C. The Storytelling Process; D. 8. How to Write for the Industry; A. Visual Writing; B. Photoplay Form; C. Screen Technique; 9. How to sell the Industry; A. Writing the Manuscript; B; Marketing the Script; 10. The Contribution of the Key Screenwriting Teachers; 11. The End of an Era; Part Three - Legacy: 1. Equivalence with Modern Screenwriting Gurus; 2. Evolution of the Screenplay; 3. Education of the Screenwriter; 4. Summary
£999.99
ERIS NOON
Book SynopsisNOON is a collection of six works from Filippou's non-filmic oeuvre. Published for the first time in English is available as a limited edition box set of 1,000 hand-numbered copies.
£67.20
Tallfellow Press Write Screenplays That Sell: The Ackerman Way:
Book Synopsis
£20.85
Silman-James Press,U.S. The 21st-Century Screenplay: A Comprehensive
Book Synopsis
£20.69
Beating Windward Press LLC Crafting the Character ARC
£17.99
BenBella Books Becoming a Writer, Staying a Writer: The
Book SynopsisIn the words of novelist Harlan Ellison, “The trick is not becoming a writer. The trick is staying a writer. New York Times bestselling author and British Academy Award nominee J. Michael Straczynski knew he wanted to be a writer ever since he was a child. What he didn't know was how to actually become, or stay, a writer. Now, he's giving fellow writers the comprehensive guide he wishes he had all along, personalized tips and techniques that can't be found in any other book on writing. Becoming a Writer, Staying a Writer culls from Straczynski's more than thirty years of experience writing for film, television, books, and comics. Designed for writers in any stage of their career, this quirky, insightful and often humorous book provides an inside look at these industries with advice and wisdom covering such topics such as: What fledgling writers need to know to improve and sell their work—and avoid wasting valuable time Tips for experienced writers who want to get to the next level Staying disciplined when writing is your day job Why writers should never wait for inspiration Story-planning strategies that don’t kill your spontaneity Expert techniques for effective, memorable world-building How to get an agent and survive the writer’s journey in more personal relationships Revising and editing with precision When and how to reinvent yourself as an artistTable of ContentsCONTENTSIntroduction: Why This Book? 1BECOMING A WRITERIn Which We Discuss Murdered Typewriters,Lost Loves, and the Writing Impulse 7Who Are You? Version 1.0 21Writing for the Workshop 27Sanding It Down 35Building Characters and Worlds 43Muse-Ings 55You Can’t Sell an Idea 63Shark Alert! 71Hearing Voices 81Finish the Damned Thing 87Hills, Valleys, and the Refractory Period 93Questions of Intent 99How to Build a Monster in Three Easy Lessons 105To the University or College Student 113Systems of Creation 121Making Time 131Value Added 135STAYING A WRITERWho Are You? Version 2.0 141Nota Bene 143Agents of Darkness 151Imposter Syndrome 161Annnnd Here’s the Pitch 167Several Hundred Words About Writer’s Block 177Turning It Upside Down 183Two for the Price of Fun 189What’s in the Box? 195The Thick Plotens 199Living (or at Least Surviving) the Writing Life 205Concluding Thoughts: Touching the World 215Acknowledgments 221Index 223About the Author 229
£13.29
