Publishing industry and journalism Books
Random House Publishing Group Another Life A Memoir Of Other People
a huge range and FREE tracked UK delivery on ALL orders.
£26.30
Taylor & Francis Ltd Guide to Publishing a Scientific Paper
Book SynopsisThis book provides researchers in every field of the biological, physical and medical sciences with all the information necessary to prepare, submit for publication, and revise a scientific paper. Trade Review"[Ann Korners' book is...] well written and offers much useful advice... It is rare that Korner's advice does not apply to any potential paper."--British Journal of Educational Technology"This is a brief book with some solid advice for scientists and their editors on how to prepare a successful journal manuscript. I would recommend it for your bookshelf."--Tom Warren, Technical Communication (November 2009), Vol. 56, No. 4:410-411Table of ContentsIntroduction 1. The Publication of Scientific Papers 2. Before You Start Writing 3. The Title Page 4. The Abstract or Summary 5. The Introduction 6. Materials and Methods 7. Human Subjects 8. Results 9. Discussion 10. Acknowledgements 11. References and Notes 12. Figures and Figure legends 13. Tables 14. Supplementary Information 15. The First Letter to the Editor of Your Target Journal 16. Submission of Your Paper 17. Letter from the Editor and Your Response 18. Second Letter to the Editor with Responses to Reviewers 19. Congratulations, Your Paper Has Been Accepted! Appendix. A Note About Writing Applications for Financial Support. Valedictory
£128.25
Knopf Doubleday Publishing Group The Publisher Henry Luce and His American Century Vintage
a huge range and FREE tracked UK delivery on ALL orders.
£15.19
Central Books Ltd Central Books A Short History 19391999
Book Synopsis
£8.49
Bloomsbury Publishing PLC The Invisible Art of Literary Editing
Book SynopsisA field guide to the trade and art of editing, this book pulls back the curtain on the day-to-day responsibilities of a literary magazine editor in their role, and to the specific skills necessary to read, mark-up and transform a piece of writing. Combining a break-down of an editor's tasks including creating a vision, acquisitions, responding to submissions and corresponding with authors with a behind-the-scenes look at manuscripts in progress, the book rounds up with a test editing section that teaches, by way of engaging exercises, the nitty-gritty strategies and techniques for working on all kinds of texts. Generous in its insight and access to practicing editors' annotations and thought processes, The Invisible Art of Literary Editing offers an exclusive look at nonfiction, fiction and poetry manuscripts as they were first submitted, as they were marked up by an editor and how the final piece was presented before featuring an interview with the editor on theTable of ContentsBios Acknowledgments Introduction How this Book is Organized The Focus of this Book 1) Aesthetic: You know it when you see it A Few Words About Mission Exercise: Mission and Aesthetic Vision Exercise: Build a Prototype Journal 2) Acquisition Solicited Subs Unsolicited Work Submission Guidelines Call for Submissions Strategies for Dealing with Submissions Case Study: descant literary magazine Case Study: Rose Metal Press 3) Responding to Submissions Unconditional Acceptance Conditional Acceptance Specific Conditional Acceptance Invitation to Revise and Resubmit Personalized Rejection Warm Form Rejection Form Rejection Best Practices in Rejection Dealing with Blowback 4) Correspondence Initial Contact Sending Edits Confirmation 5) Case Studies Julie Riddle Creative Nonfiction/Personal Essay Valerie Vogrin Creative Nonfiction/Personal Essay Maggie Smith Poetry Mark Doten Fiction Student Example: Grace Dillow Fiction 6) Test Editing Global Editing Editing with a Heavy Hand Editing with the Body Selection and Sequencing Editing with Lenses Scalpel Edit Crafting an Editing Philosophy: A Capstone Assignment Appendix CPR Dummy Stories Dispatch from the Bunker We All Just Pretended To Like it So You Wouldn't Flunk Us Evolution Editing Philosophy Statements: Student Examples Chelsea Yedinak Mackenzie Thompson Lydia Gentry Index
£18.58
Little, Brown Book Group Something Nasty in the Slushpile
Book SynopsisMost publishers keep a slushpile - the stack of unsolicited manuscripts which contains a large percentage of preposterous or frightening book proposals, which might just conceal that one jewel of a bestseller or classic novel lying near the bottom. Authors discovered via the slush pile include Roddy Doyle, J. K. Rowling and Philip Roth. Stephenie Meyer sent 15 query letters about her teenage-vampire saga and got nearly 10 rejection letters; one even arrived after she signed with an agent and received a three-book deal from Little, Brown. Kathryn Stockett''s The Help was turned down 60 times over 3 years before becoming a best seller. Sadly though, these are the exceptions...Written by a reader with over a decade of slush pile experience, Something Nasty in the Slushpile takes a tour through the ''do''s and ''don''t''s of book proposal, including many examples of hilarious, misguided and plain weird approaches. The contents include:Offputing Trade ReviewIf you're thinking about publishing a book this should be required reading before you even go near a publisher. - Bookbag
£8.99
Edinburgh University Press Publishing Modernist Fiction and Poetry
Book SynopsisThe first scholarly collection to explore book publishers that sold modernist texts to a wide range of readers across the Atlantic and elsewhere.
£90.25
PublicAffairs,U.S. The Mercenary: A Story of Brotherhood and Terror
Book SynopsisIn the early days of the Afghanistan war, Jeff Stern was scouring the streets of Kabul for a big story. He was accompanied by a driver, Aimal, who had ambitions of his own: to get rich off the sudden infusion of foreign attention and cash.In this gripping adventure story, Stern writes of how he and Aimal navigated an environment full of guns and danger and opportunity, and how they forged a deep bond.Then Stern got a call that changed everything. He discovered that Aimal had become an arms dealer, and was ultimately forced to flee the country to protect his family from his increasingly dangerous business partners.Tragic, powerful, and layered, The Mercenary is more than a wartime drama. It is a Rashomon-like story about how politics and violence warp our humanity, and keep the most important truths hidden.
£22.50
Jessica Kingsley Publishers 30 Years of Social Change
Book SynopsisWhat social change has been achieved over the past 30 years?What have been the main barriers to progress?What great achievements can we identify and celebrate today?Marking Jessica Kingsley Publishers' 30th year of publishing books on social and behavioural issues, this book gathers together over 30 leading thinkers from diverse disciplines - from autism specialists and social workers through to trans rights activists and complementary therapists.Contributors provide a thoughtful account of how their field of expertise has changed over the past 30 years, and how they see it evolving in the future.Offering a unique insight into many professions, 30 Years of Social Change highlights much of the positive social change achieved in the past 30 years across these fields and the challenges we face in the future.Table of Contents1. How our understanding of and approach to autism has developed over 30 years. Tony Attwood. 2. The Stigma of Autism. Dr Luke Beardon. 3. What I have learnt over three decades as a child and adolescent psychiatrist. Nisha Dogra. 4. Therapeutic Communities: adapt or die!. Rex Haigh and Jan Lees. 5. Mental Health Stigma: Talking and Taboo. Sarah Carr. 6. Developments in Art Therapy over the Last 30 Years. Marian Liebmann. 7. Music Therapy. Grace Watts 8. What seest thou else? The past and future of forensic psychotherapy. Gwen Adshead. 9. Fake-News, Post Truth and the Glimmer of Hope: Some Changes in the Educational Landscape, 1987-2017. Paul Cooper. 10. A brief story of counselling in schools since 1987. Nick Luxmoore. 11. Children's rights and power. Priscilla Alderson. 12. Educational Psychology: The Last Thirty Years. Barbara Kelly. 13. Reflections on the past 30 years of restorative practice in the UK. Belinda Hopkins. 14. Social Work. Joyce Lishman. 15. Adult safeguarding. Michael Mandelstam. 16. 30 years of Service User Involvement and Advocacy. Peter Beresford. 17. Dementia: Reflections. Dawn Brooker. 18. Changing views of safeguarding children since 1987. Harriet Ward. 19. 30 Years of Social Work and the Media. Martin Barrow. 20. Breaking the Silence and Secrecy of Childhood Sexual Abuse. Christiane Sanderson. 21. 30 Years in the field of adoption and foster care. Kim Golding. 22. Other People's Children: Adoption. Sally Donovan. 23. Youth Work: Personal, Social and Political Education. Vanessa Rogers. 24. Occupational therapy. Winnie Dunn. 25. Using a 'Functional Nutrition' Approach. Lorraine Nicolle. 26. Chinese Medicine in the West. Nigel Ching. 27. Yoga Therapy: A Pleasant Surprise. Matthew Taylor. 28. Chinese medicine - journey from the fringes. 29. Aromatherapy Literature 2987-2017. Jennifer Peace Rhind. 30. Developments in Shiatsu over the last 30 years. Carola Beresford-Cooke. 31. Gender Diversity. CJ Atkinson.
£15.80
The Lilliput Press Ltd The Dubliner Diaries
Book SynopsisIn the summer of 2000 a young Irish journalist returned from New York to launch a magazine about life in boomtown Dublin. The Dubliner was an instant failure, and within a few months it was close to bankruptcy. For the next seven years Trevor White struggled to keep the magazine afloat. Along the way he managed to alienate nearly everyone in Ireland. The Dubliner Diaries is an awkward history of the Celtic Tiger by a man who tried to capture it, and ended up being mauled.Trade Review[The Dubliner Diaries is] a smart and engaging read’. – Frank Coughlan, The Irish Independent. ‘Thoughtful, often hilarious and endearingly self-deprecating. Trevor White might well be the pompous so-and-so he admits to being. But he’s also the most likeable pompous so- and-so in Ireland today … One of the funniest and most astute pieces of writing yet on the national midlife crisis we briefly called the Celtic Tiger.’ – Paul Howard, aka Ross O’Carroll-Kelly
£9.67
C Hurst & Co Publishers Ltd View from King Street: An Essay in Autobiography
Book SynopsisProviding both personal and professional revelations about the mid- to late-20th century book trade in England, this is the autobiography of Christopher Hurst, director of C.Hurst & Co. Publishers.
£23.75
Sandstone Press Ltd 18 Bookshops
Book SynopsisAnne Scott has never housed her books in order of theme or author yet she knows where each of them is and the kind of life it has led. Some have been gifts but most have been chosen in bookshops unique in their style and possibilities. They have been observers of discovery, decisions, and marvels with her, following the line of her time and place. Some are everyday shops with a shelf of books in a corner, some are beginning again after long lives as churches, printing presses, medieval houses, a petrol-station. There are a few the author is too late to see: early print-houses and booksellers here too in this book, searched for and described, side by side with all the bookshops open now and busy with readers. Not one is like another. In one way, the book is a sequence about writing. But first it is a map of books and a life.Table of ContentsFIRST ... 1. COMPENDIUM BOOKSHOP, CAMDEN: The Spread Sail 2. CHEPMAN AND MYLLAR, EDINBURGH 1507-1510: Three Years' Light: 3. THE PARROT, ST PAUL'S CHURCHYARD, LONDON 1609: These to be Solde by Wm Aspley at His Shop 4. THE OLD PRINTING PRESS BOOKSHOP, IONA: Reckoning 5. LEAKEY'S BOOKSHOP, INVERNESS: Little Gidding 6. WILLIAM TEMPLETON'S BOOKSHOP, IRVINE 1782: The Crossing Place 7. SMITH'S, 1 ANTIGUA STREET, EDINBURGH: The Lighted Stage 8. ATHOLL BROWSE BOOKSHOP, BLAIR ATHOLL: Stopping Place 9. THE GRAIL BOOKSHOP, EDINBURGH: No wealth but Life 10. BOOKS OF WONDER, NEW YORK CITY: The Colour of Hudson Street 11. THE TURL BOOKSHOP, OXFORD: If it were lost, then how? 12. THOMAS DAVIES'S BOOKSHOP, 8 RUSSELL STREET, COVENT GARDEN 1763: The Actor, his Bookshop, Samuel Johnson and James Boswell 13. WATKINS BOOKSHOP, CECIL COURT, LONDON: Through 14. KING'S BOOKSHOP, CALLANDER: The Reading Garden 15. BAUERMEISTER'S BOOKSHOP, EDINBURGH: Leaving 16. CARRAROE, CONNEMARA: Henry James at Home 17. KENNY'S BOOKSHOP, GALWAY: How to be in Ireland 18. ATLANTIS BOOKSHOP, LONDON: A Light to Shine Before
£11.39
LID Publishing Copy Righter: Become a Master Wordsmith and
Book SynopsisAn invaluable, modern guide to great copywriting, Copy. Righter. shows you how to write in a way that is brand-literate, media-savvy, utterly engaging...and irresistibly persuasive. It will show you how to write great copy in every print and digital medium. How to use substance, style and structure. How to win hearts and minds. How to develop brilliant concepts and the psychology of persuasion. Written by Ian Atkinson - multi award-winning copywriter and creative director - it's packed with fascinating examples and compelling content you won't find in any other copywriting book. In fact, whether you're junior or senior, enthusiastic amateur or seasoned pro, it may be the only book on copywriting you'll ever need. And with great copywriting in great demand, there's never been a better time to discover how to influence people using nothing more than the words on a page or screen. Copy. Righter. will show you how.Table of ContentsContents 1.The Fantastic Four: How to write good copy 1.1 How to write purposefully Specific objective, universal objective, clarity & focus 1.2 How to write practically Punctuation, grammar, typography & layout 1.3 How to write pleasingly Aristotle, audience, tone & interest 1.4 How to write persuasively WIIFM, Maslow, motivation & emotional vs rational 2. The Famous Five: How to write great copy 2.1 Content Proposition, interrogation & insight 2.2 Context Brand, audience & medium 2.3 Create Concept, style & structure 2.4 Compel Potent psychological triggers 2.5 Craft Review, edit & polish 3.Quick Wins: 25 tips and techniques 3.1 Start with a short one 3.2 Features tell, benefits sell 3.3 Avoid cliches 3.4 Be unusual 3.5 Metaphors, similes and analogies 3.6 Hardwired words 3.7 Wax lyrical 3.8 Solutions not problems 3.9 Nouns beat adjectives 3.10 Avoid talking about cost 3.11 Quantify 3.12 Be active not passive 3.13 Keep it short (or long) 3.14 Avoid a woolly ramble 3.15 Don't get them disagreeing 3.16 Don't know it, feel it 3.17 Show not tell 3.18 Three's the magic number 3.19 Tell them what you want 3.20 Urgency 3.21 The tease 3.22 Make it flow 3.23 Paint a picture 3.24 Reframe it 3.25 Back to the start 4.The Magnificent Seven: Copy examples, from brief to execution 4.1 Press ad 4.2 Dimensional mailing 4.3 Poster 4.4 Email 4.5 TV 4.6 Mail pack 4.7 Blog 5. Appendices 5.1 How to brief 5.2 How to give feedback 5.3 How to deal with amends 5.4 How to get better
£14.44
de Gruyter Westzonen Politik Institutionen
Book Synopsis
£143.96
Harrassowitz Drucken in Der Handpressenzeit
Book Synopsis
£78.40
Harrassowitz Verlag TYPE. Buchdruck in Europa und Asien
£34.20
Springer Fachmedien Wiesbaden HTML und CSS: Semantik - Design - Responsive
Book SynopsisDieser Band der „Bibliothek der Mediengestaltung“ bietet eine kompakte Einführung in die Webstandards HTML5 und CSS3 als Basis zur Erstellung multimedialer und responsiver Webseiten.Für diese Bibliothek wurden die Themen des Kompendiums der Mediengestaltung neu strukturiert, vollständig überarbeitet und in ein handliches Format gebracht. Leitlinien waren hierbei die Anpassung an die Entwicklungen in der Werbe- und Medienbranche sowie die Berücksichtigung der aktuellen Rahmenpläne und Studienordnungen sowie Prüfungsanforderungen der Ausbildungs- und Studiengänge.Die Bände der „Bibliothek der Mediengestaltung“ enthalten zahlreiche praxisorientierte Aufgaben mit Musterlösungen und eignen sich als Lehr- und Arbeitsbücher an Schulen sowie Hochschulen und zum Selbststudium.Table of ContentsVorwort.- Einleitung.- Semantik - Design - Responsive Layouts.- Lesbarkeit.- Index.
£9.99
Steidl Publishers How to Make a Book with Carlos Saura & Steidl
Book Synopsis
£12.53
Spector Books Library of Artistic Print on Demand: Post-Digital Publishing in Times of Platform Capitalism
£37.80
Wordcrafter Press D.I.Y. Author
Book Synopsis
£9.97
The University of Chicago Press Kurt Wolff
Book SynopsisKurt Wolff (1887-1963) was a singular presence in the literary world of the twentieth century, a cultural force shaping modern literature itself and pioneering significant changes in publishing. This title deals with his works.Trade Review"Pure oxygen and nutrition for exhausted and demoralized editors and publishers. One of the prophetic publishers of the century---Kurt Wolff instances in these modest reminiscences and correspondence with authors (Kafka, Werfel, Kraus, Rilke, Mann, Pasternak, Grass, et al.) the vision and devotion that bound them to him and that made him-the secret of his calling-'synonymous with his work.'" (Nation) "The invaluable correspondence, intoxicating recollections, and, best of all, engaging voice of perhaps this century's most discriminating publisher." (New York Times Book Review)"
£17.00
The University of Chicago Press Reclaiming Fair Use
Book SynopsisBeginning with a survey of the contemporary landscape of copyright law, Aufderheide and Jaszi drew on their years of experience advising documentary filmmakers, English teachers, performing arts scholars, and other creative professionals to lay out in detail how the principles of fair use can be employed to avoid copyright violation.
£20.00
The University of Chicago Press Behind the Book
Book SynopsisBehind the Book explores how eleven contemporary first-time authors, in genres ranging from post-apocalyptic fiction to young adult fantasy to travel memoir, navigated these pathways with their debut works.Trade Review"What a book-lover's fantasy! To see behind the making and launching of eleven diverse books, to hear stories of first and last drafts, of book tours and artist residencies, of publicity letdowns and bolts out of the blue--in short, tales of struggle, success, hard work, and luck, all told with Jones's keen eye toward craft--what a generous gift to the aspiring writer! The joy of this book is not to push a single path to publication, but to celebrate the endless variety such paths might take. Showing how we get our stories, real or imagined, into the world is this book's unique gift--and that's a proposition that feels particularly urgent in these tumultuous times."--Edward McPherson, author of The History of the Future: American Essays "An indispensable tool for writers eager to peek behind the curtain and learn about the realities of writing and publishing. Myths and mysteries about being an 'author' abound, and this book shines a bright light on it all. Full of valuable nuggets, Behind the Book draws on real-life stories as well as the wisdom of the very best writing guides to reveal an empowering truth: There's no one path to publishing success."--Katrin Schumann, cofounder of GrubStreet's Launch Lab and author of The Secret Power of Middle Children
£19.00
The University of Chicago Press The Scientific Journal
Book SynopsisTrade Review“Amid fresh convulsions in scholarly publishing, much here resonates — not least, how commercial interests have shaped science communication almost from the start.” * Nature *"[F]ascinating and carefully researched . . . . This timely book challenges our notion of the traditional scientific journal by showing that it was the result of a long and complex historical process and much controversy." * Times Higher Education *"A timely reminder that the literary marketplace and political ideologies, together with science practitioners' own interests, shape the vehicles and multiple roles of science communication. . . . It is indispensable for graduates in the history of science and, especially, in library and information science. . . . Essential." * CHOICE *"This book is really the first one that focuses on the development and emergence of the scholarly journal as we know it today. . . . The author’s interpretations of the past in the introduction and conclusion are keen and help the reader better understand the twenty-first-century status quo of scholarly publishing. . . . In addition to those studying the history of science, this book will be of interest to scholars of library and information science, epistemology, the history of bibliography, and the history of the UK and France." * Metascience *"The book is full of detailed sketches of the fascinating personalities involved in the development of an institution -- journal publishing -- that we often think of as having always existed. Csiszar gives a compelling account of how the publication of scientific results in the fragmented form of journal articles won out as a format over comprehensive books. . . . This book will be a very welcome resource for students of the history of academic publishing, as well as anyone with an interest in the history of science as it tracks with the origins of the institution of the scientific journal." * Publishing Research Quarterly *"Through a rigorous examination of the role of scientific institutions in framing knowledge, Csiszar has provided a compelling account of why the scientific journal took the shape that it did. His book is ambitious, in command of its material, and full of detail. More importantly, by showing how science came to be entangled with a particular medium of communication, it constitutes a timely reminder that the history of ideas cannot be separated from the forms in which those ideas were embodied." * Victorian Studies *"Alex Csiszar’s brilliant new book on the scientific journal is a welcome addition to a growing body of scholarship on science and nineteenth-century print culture. It deserves to be placed alongside the other important monographs appearing in the last two decades that examine the intersection of the history of publishing with the history of science. . . . An immensely satisfying read. . . . By concentrating on how the elite scientific societies responded to the proliferation of commercial science journals [Csiszar] is able to provide a new big picture upon which historians of science can build effectively in the future." * Journal of Modern History *“A scientific journal can make for dry reading; The Scientific Journal, on the other hand, does not. Csiszar provides a fascinating account about how this particular genre came to have its current form and, most importantly, its overwhelming status. There are thought-provoking challenges to our assumptions about scientific communication on just about every page.” -- Michael D. Gordin, Princeton University"This clever and absorbing history charts the coming into being and imminent passing away of one of the most important forms of scientific activity - journal publication. Stocked with fascinating tales of scientific authors' deeds and sufferings, and of publishers' market savvy and ingenious trickery, Csiszar shows that the allegedly novel and dramatic alliance between scientific writing and commercial interest is nothing new, and in fact dominated the original developments of scientific literature and its vagaries in earlier centuries. The book explains how the notion of a quick and cheap technological fix for any apparent trouble of public knowledge first gained ground and why its mythology so evidently survives. The book will be indispensable for anyone interested in the roots of trust in scientific facts and their authors, and the central role played by print media in the crisis of intellectual authority." -- Simon Schaffer, University of Cambridge"Certain books are as valuable for what they reveal about our professional inheritance as for what they tell us about the history of science. This is one of those books. It is impossible to read The Scientific Journal without reflecting upon the mechanisms of academic publishing today." * The British Journal for the History of Science *"With this work, undoubtedly destined to become a standard reference, Alex Csiszar marks an important milestone in a debate that will go on." * Revue d’histoire des sciences (Translated from French) *Table of ContentsList of Figures Introduction: “Broken Pieces of Fact” 1 The Press and Academic Judgment 2 Meeting in Public 3 The Author and the Referee 4 Discovery, Publication, and Property 5 What Is a Scientific Paper? 6 Access Fantasies at the Fin de Siècle Conclusion: Impact Stories Acknowledgments Archives and Abbreviations Notes Index
£28.00
The University of Chicago Press The Enlightenment and the Book Scottish Authors
Book SynopsisOffers an understanding of the Enlightenment and the forgotten role of publishing during that period. This title seeks to remedy the common misperception that such classics as The Wealth of Nations and The Life of Samuel Johnson were made by their authors alone.Trade Review"A major achievement." - Times Literary Supplement "This is an exceptional piece of work. It is both an astonishing accumulation of informative detail and a multiplicity of lively interconnected narratives of authors, books, booksellers, printers and other subjects. It is a very useful reference book, with its nearly 150 pages of tables and bibliographies; it is also an engaging and stimulating read." - Antonia Forster, Review of English Studies "Discerningly illustrated, at once scholarly and accessible, this is an essential addition not only to eighteenth-century studies but also to the history of the book." - Atlantic"
£38.00
Columbia University Press Left Politics and the Literary Profession Social
Book SynopsisTable of ContentsWhy theory?, by Gerald Graff The function of English at the present time, by Richard Ohmann What am I doing when I do women's studies in 1990?, by Catharine R. Stimpson Literature and politics: black feminist scholars reshaping literary education in the white university, 1970-1986, by Nellie Y. McKay What is the matter with Mary Jane? Feminist criticism in a time of diminished expectations, by Kate Ellis Canon theory and emergent practice, by Paul Lauter Canon fathers and myth universe, by Lillian S. Robinson Literature of resistance: the intersection of feminism and the communist left in Meridel Le Sueur and Tillie Olsen, by Constance Coiner Memory and historical record: the literature and literary criticism of Beirut, 1982, by Barbara Harlow. At the crossroads of history, on the borders of change: Chicano literary studies past, present, and future, by Hector Calderon Third plane at the change of the century: the shape of African-American literature to come, by Pancho Savery History as explanation: writing about lesbian writing, or "Are girls necessary?", by Julie Abraham Politics and literature: then and now, by Robert C. Rosen Somewhere off the coast of academia, by Robert Rich Some historical refractions, by Lillian S. Robinson What has happened to the seeds of the flower children?, by Susan Gushee O'Malley Annals of academic life: an exemplary tale, by Louis Kampf
£98.10
Columbia University Press The Letters of Sylvia Beach
Book SynopsisTrade ReviewThe patron saint of independent booksellers everywhere and the spunky proprietress of Shakespeare and Company, the famed Left Bank bookshop, Beach was a one-woman clearinghouse for literary modernism, 'a culture hero of the avant-garde,' as Keri Walsh writes in her fine introduction to this collection... Beach was an animated correspondent. -- Matthew Price Bookforum Reveal[s] the difficulties faced head on by this patron saint of independent booksellers who altered the course of expression in print. Publishers Weekly Academics and students interested in literary culture, especially of writers of the Lost Generation, will find this book valuable. Library Journal This lovely book, scholarly and well annotated, is a pleasure to hold. It documents what Beach once called 'my missionary endeavor' and also what she called, correctly, her 'interesting life.' -- Dwight Garner New York Times The consummate portrait of an incredible woman. -- Robert J. Wiersema The Vancouver Sun Keri Walsh has produced a commendable work. -- Diane Leach Pop Matters With The Letters of Sylvia Beach... we now have an unvarnished view of life from the bookshop floor. -- John Palattella The Nation Keri Walsh's compact and revealing volume introduces Beach as a character's character New Criterion Beach's letters are crisp, detailed, patient, and articulate. Editor Walsh's meticulously orchestrated scholarly apparatus--footnotes, appendices, glossary, and index--all work well to enhance the material. -- David Emblidge Publishing Research Quarterly Beach is an entertaining companion, a wonderful person to spend time with... readers...will be quick to celebrate this editorial achievement. Papers of the Bibliographical Society of CanadaTable of ContentsList of Illustrations Preface by Noel Riley Fitch Acknowledgments Introduction References Chronology THE LETTERS OF SYLVIA BEACH I. Friendship and Travel II. World War I III. Shakespeare and Company: Expatriates IV. Shakespeare and Company: 1930s V. Postwar VI. Old Friends and True VII. Legacies Appendix 1. Morrill Cody's Article on Shakespeare and Company for Publishers Weekly (April 12, 1924) Appendix 2. Beach's Letter of Protest against the Pirating of Ulysses (February 2, 1927) Appendix 3. Beach's Unsent Letter to James Joyce (April 12, 1927) Appendix 4. Beach's Speech for the Institut Radiophonique d'Extension Universitaire (May 24, 1927) Glossary of Correspondents Index
£58.77
Columbia University Press The Letters of Sylvia Beach
Book SynopsisTrade ReviewThe patron saint of independent booksellers everywhere and the spunky proprietress of Shakespeare and Company, the famed Left Bank bookshop, Beach was a one-woman clearinghouse for literary modernism, 'a culture hero of the avant-garde,' as Keri Walsh writes in her fine introduction to this collection... Beach was an animated correspondent. -- Matthew Price Bookforum Reveal[s] the difficulties faced head on by this patron saint of independent booksellers who altered the course of expression in print. Publishers Weekly Academics and students interested in literary culture, especially of writers of the Lost Generation, will find this book valuable. Library Journal This lovely book, scholarly and well annotated, is a pleasure to hold. It documents what Beach once called 'my missionary endeavor' and also what she called, correctly, her 'interesting life.' -- Dwight Garner New York Times The consummate portrait of an incredible woman. -- Robert J. Wiersema The Vancouver Sun Keri Walsh has produced a commendable work. -- Diane Leach Pop Matters With The Letters of Sylvia Beach... we now have an unvarnished view of life from the bookshop floor. -- John Palattella The Nation Keri Walsh's compact and revealing volume introduces Beach as a character's character New Criterion Beach's letters are crisp, detailed, patient, and articulate. Editor Walsh's meticulously orchestrated scholarly apparatus--footnotes, appendices, glossary, and index--all work well to enhance the material. -- David Emblidge Publishing Research Quarterly Beach is an entertaining companion, a wonderful person to spend time with... readers...will be quick to celebrate this editorial achievement. Papers of the Bibliographical Society of CanadaTable of ContentsList of Illustrations Preface by Noel Riley Fitch Acknowledgments Introduction References Chronology THE LETTERS OF SYLVIA BEACH I. Friendship and Travel II. World War I III. Shakespeare and Company: Expatriates IV. Shakespeare and Company: 1930s V. Postwar VI. Old Friends and True VII. Legacies Appendix 1. Morrill Cody's Article on Shakespeare and Company for Publishers Weekly (April 12, 1924) Appendix 2. Beach's Letter of Protest against the Pirating of Ulysses (February 2, 1927) Appendix 3. Beach's Unsent Letter to James Joyce (April 12, 1927) Appendix 4. Beach's Speech for the Institut Radiophonique d'Extension Universitaire (May 24, 1927) Glossary of Correspondents Index
£19.00
Columbia University Press The Late Age of Print
Book SynopsisTrade ReviewThis collection of historical and commercial analysis should fascinate those seriously involved with book culture and/or the industry. Publishers Weekly Forget the premature obituaries for books and reading. Striphas insists that books remain a vital presence in the twenty-first century. Booklist The Late Age of Print is an important history of the book and their impact on (mostly) American culture. Sacramento Book Review It is rare to say of a university press hardcover that it is a "must-read," but for those interested in the confluence of culture and economics as it relates to books, that is what The Late Age of Print is. -- Richard Nash Critical Flame This book is a gold mine of information and thought about book culture in the 20th and 21st centuries. -- Gwen M. Gregory Information Today A solid work of scholarship that fills in several significant gaps... Highly Recommended. Choice A magnificent achievement that makes a compelling series of arguments about the continuing importance of books and book publishing. Publishing Research Quarterly Striphas does an excellent job. -- Alan Jacobs Books and Culture What is it that you purchase when you buy a book? In describing the answer, [Striphas]is admirably clear about the choices publishers or booksellers made, and why. Technology and CultureTable of ContentsAcknowledgments Introduction: The Late Age of Print 1. E-books and the Digital Future 2. The Big-Box Bookstore Blues 3. Bringing Bookland Online 4. Literature as Life on Oprah's Book Club 5. Harry Potter and the Culture of the Copy Conclusion: From Consumerism to Control Notes Index
£66.50
University of Illinois Press The Rise and Fall of Early American Magazine
Book SynopsisRadically revising literary history by revisiting periodicalsTrade ReviewA Choice Outstanding Academic Title, 2013 EBSCO host-Research Society for American Periodicals (RSAP) Book Prize, 2013 Notable Title, Annual Book Award, Society for US Intellectual History, 2013. "Essential… The Rise and Fall of Early American Magazine Culture deserves to be dubbed In dispensable. As the most sustained and persuasive analysis of the early American magazine's cultural significance that we possess,and as the most detailed account of its repeated failure to prosper, Gardner's book is notable for its ability to draw broad conclusions and strong claims from the material it treats."--Amerikastudien / American Studies "The book offers much food for thought in depicting an 18th-century version of an inclusive public sphere, where semi-anonymous voices engaged in an ongoing virtual conversation without seeking recognition or profits."--Journal of Magazine & New Media Research "An eloquent picture of magazine journalism's place in literary history as the seminal contributor to the beginnings of the great American novel."--American Journalism"Jared Gardner provides an innovative account of the place of the magazine in U.S. literary history that allows for a reimagining of a large part of the conventional wisdom of the field. His well-written, original book situates magazine culture between and against the newspaper press on one hand and the novel on the other, and he usefully explains both the curious career trajectories of a number of familiar writers and the reasons why intelligent men and women continued to produce magazines without rational expectation of commercial success or viability."--John C. Nerone, coauthor of The Form of News: A History"Gardner demonstrates that early American periodicals constitute a coherent genre and play a more central role in the formation of an early American literary imagination than is generally recognized. . . . Essential."--Choice"Stimulating and highly readable. . . . fizzes with ideas, offered as answers to a question glossed over by established literary histories."--H-Net Reviews"Smoothly written and well researched. . . . an important contribution to the University of Illinois Press's valuable History of Communication series."--The Journal of American History"This erudite, incisive, and important book traces the history of magazine culture in America from its eighteenth-century origins through the early nineteenth-century. . . . A nuanced and illuminating account of a tradition we have ignored, to our detriment, for far too long."--American Periodicals "The Rise and Fall of Early American Magazine Culture is an ambitious reimagining of magazine culture in the early national period, which largely has been viewed not only as a failure but also as less important and less rich than the so-called golden age of nineteenth-century periodicals. Under Gardner's careful attention, however, the early national period emerges as a time of extraordinary periodical experimentation and worthy, in its own right, of a study such as this."--Patricia Okker, author of Social Stories: The Magazine Novel in Nineteenth-Century America
£81.90
University of Illinois Press Digital Critical Editions
Book Synopsis Provocative yet sober, Digital Critical Editions examines how transitioning from print to a digital milieu deeply affects how scholars deal with the work of editing critical texts. On one hand, forces like changing technology and evolving reader expectations lead to the development of specific editorial products, while on the other hand, they threaten traditional forms of knowledge and methods of textual scholarship. Using the experiences of philologists, text critics, text encoders, scientific editors, and media analysts, Digital Critical Editions ranges from philology in ancient Alexandria to the vision of user-supported online critical editing, from peer-directed texts distributed to a few to community-edited products shaped by the many. The authors discuss the production and accessibility of documents, the emergence of tools used in scholarly work, new editing regimes, and how the readers'' expectations evolve as they navigate digital texts. The goal: exTrade Review"This is the first collection I have seen to address such a range of questions surrounding editing in the digital age, with a well-focused approach on key issues and offering a strong theoretical and historical background."--Peter Robinson, editor of Chaucer: The Wife of Bath's Prologue on CD-ROM"Recommended."--Choice "An exciting and poignant contribution to the field of textual editing. . . .Digital Critical Editions represents the most comprehensive volume yet on this topic and one that every scholar and interested citizen should be proud to display on their bookshelf."--Digital Scholarship in the Humanities"Digital Critical Editions offers a wonderful introduction to an important aspect not only publishing but also of understanding the media involved in a process that so many take for granted-- reading."--Communication Research Trends"This collection melds theory with contemporary practice. Moreover, its use of theory is wide-ranging and current, providing a much-needed counterpoint to more technically focused scholarship."--Susan Schreibman, editor of A Companion to Digital Literary Studies and A Companion to Digital Humanities
£87.55
University of Illinois Press English in Print from Caxton to Shakespeare to
Book SynopsisA landmark collection of early English books, with many gorgeous illustrationsTrade Review"English in Print from Caxton to Shakespeare to Milton is a twice-welcome addition to the book lover's shelves. It provides a succinct and clear introduction to the history of printing in English, including such neglected topics as the interaction between printing and language and the religio-political implications of this seminal technological development. And it introduces to a wider audience the riches of two distinguished collections of early English printed materials."--Milton Gatch, author of The Library of Leander van Ess and the Earliest American Collections of Reformation Pamphlets"We should be grateful to Valerie Hotchkiss and Fred C. Robinson for providing a widely accessible but academically rigorous review of probably the most important period of printing in England. Although there is a grand sweep of two hundred years of history, the individual stories are not ignored, and the authors and printers are brought to light with well-chosen biographical details and vignettes. Many of the books in this catalogue are visually simply delicious, and together they provide a feast to anyone who enjoys books and their history."--Stella Butler, Deputy University Librarian and Associate Director of the John Rylands Library, The University of Manchester"Stimulating from start to finish, enjoyable for the diversity of materials and the strong unity of the presentation, this volume reminds one of precisely why we are attracted to these rare books in the first place: they enliven and invigorate, as much as they record and represent, the distant past immediately before our eyes. As a historian of the book and a curator of rare books and manuscripts, I would not consider my own reference library complete without a copy of English in Print from Caxton to Shakespeare to Milton."--Earle Havens, author of Commonplace Books: A History of Manuscripts and Printed Books from Antiquity to the Twentieth Century
£27.90
University of Illinois Press From Papyrus to Hypertext
Book SynopsisIn this study, Christian Vandendorpe examines how digital media and the Internet have changed the process of reading and writing, significantly altering our approaches toward research and reading, our assumptions about audience and response, and our theories of memory, legibility, and context. Reflecting on the full history of the written word, Vandendorpe provides a clear overview of how materiality makes a difference in the creation and interpretation of texts. Surveying the conventions of reading and writing that have appeared and disappeared in the Internet''s wake, Vandendorpe considers various forms of organization, textual design, the use (and distrust) of illustrations, and styles of reference and annotation. He also examines the novel components of digital texts, including hyperlinks and emoticons, and looks at emergent, collaborative genres such as blogs and wikis, which blur the distinction between author and reader. Looking to the future, reading and writing will continTrade ReviewA Choice Outstanding Academic Title, 2011. "In forty pithy essays, the author considers technological innovations that have transformed writing, altering the activity of reading and the processing of texts, individually and collectively. . . . The book's fragmentary organization--the adroit syntheses can be read in any order--makes it exceptionally accessible ... for the born-digital generation. . . . Essential."--Choice "Precious nuggets of information in every chapter."--Communication Research Trends"A valuable study of how reading quietly transforms culture."--Libraries & The Cultural RecordTable of ContentsSeries Preface -- Ray Siemens and Susan Schreibman vii 1. Introduction 1 2. In the Beginning Was the Ear 5 3. Writing and the Fixation of Thought 8 4. The Power of the Written Sign 10 5. Writing and Orality 12 6. Standards of Readability 15 7. Linearity and Tabularity 22 8. Toward the Tabular Text 28 9. Meaning and Effect 40 10. Filters in Reading 49 11. Textuality: Form and Substance 52 12. Textual Connections 56 13. Instances of Utterance 59 14. From Interactivity to the Pseudo-Text 63 15. Varieties of Hypertext 70 16. Context and Hypertext 77 17. The Limitations of Lists 80 18. Aporias of Hyperfiction 82 19. Reading Images 87 20. The Writer and Images 94 21. The Rise of the Visual 97 22. The Period, the Pause, and the Emoticon 102 23. Op. cit. 105 24. The Reader: User or Consumer of Signs/ 108 25. Intensive and Extensive Reading, or the Rights of the Reader 112 26. Metaphors for Reading 116 27. Representations of the Book 119 28. The Role of the Publisher 121 29. The CD-ROM and Nostalgia for teh Papyrus Scroll 123 30. Giving the Reader Control 125 31. Text and Interactivity 129 32. Managing Hyperlinks 131 33. I Click, Therefore I Read 133 34. The End of the Page? 136 35. On the Fragment 143 36. The Body of the Text 146 37. The Decline of the Novel 149 38. The Rise of the Blog 152 39. A Culture of Participation and Sharing 155 40. Toward the Universal Digital Library 159 Notes 167 References 177 Index 187
£19.79
University of Illinois Press Digital Critical Editions
Book Synopsis Provocative yet sober, Digital Critical Editions examines how transitioning from print to a digital milieu deeply affects how scholars deal with the work of editing critical texts. On one hand, forces like changing technology and evolving reader expectations lead to the development of specific editorial products, while on the other hand, they threaten traditional forms of knowledge and methods of textual scholarship. Using the experiences of philologists, text critics, text encoders, scientific editors, and media analysts, Digital Critical Editions ranges from philology in ancient Alexandria to the vision of user-supported online critical editing, from peer-directed texts distributed to a few to community-edited products shaped by the many. The authors discuss the production and accessibility of documents, the emergence of tools used in scholarly work, new editing regimes, and how the readers'' expectations evolve as they navigate digital texts. The goal: exTrade Review"This is the first collection I have seen to address such a range of questions surrounding editing in the digital age, with a well-focused approach on key issues and offering a strong theoretical and historical background."--Peter Robinson, editor of Chaucer: The Wife of Bath's Prologue on CD-ROM"Recommended."--Choice "An exciting and poignant contribution to the field of textual editing. . . .Digital Critical Editions represents the most comprehensive volume yet on this topic and one that every scholar and interested citizen should be proud to display on their bookshelf."--Digital Scholarship in the Humanities"Digital Critical Editions offers a wonderful introduction to an important aspect not only publishing but also of understanding the media involved in a process that so many take for granted-- reading."--Communication Research Trends"This collection melds theory with contemporary practice. Moreover, its use of theory is wide-ranging and current, providing a much-needed counterpoint to more technically focused scholarship."--Susan Schreibman, editor of A Companion to Digital Literary Studies and A Companion to Digital Humanities
£21.59
University of Notre Dame Press The Letters of Robert Giroux and Thomas Merton
Book SynopsisThese letters offer invaluable insights into Robert Giroux 's publishing process that brought some of Thomas Merton's most important books to his readers.Trade Review"This volume provides Thomas Merton readers with a unique perspective on his development as a published author and a deepened appreciation of Robert Giroux's role in fostering that development. The book is both a lively and enjoyable read and a significant resource for students and scholars researching various aspects of Merton's prolific writing career. It will lead to new perspectives on and to a more nuanced understanding of the development of Merton's wide-ranging interests in monastic life and religious renewal, in social and political issues, in interreligious dialogue and literary criticism, and in numerous other fields." —Patrick F. O'Connell, editor of Thomas Merton: Selected Essays"The Letters of Robert Giroux and Thomas Merton is an important historic record of the emergence and development of one of the great spiritual writers of the twentieth century and of his long friendship and working relationship with one of the great editors of the time. In these letters, carefully and unobtrusively edited and annotated by Patrick Samway, S.J., we see the ups and downs of Merton’s literary affairs against the background of the rapid changes taking place both in the church and in the world during these years. With the advent of email and the demise of the art of letter writing, this book is a testament to a fast disappearing era and the immense value to be found in the literary and historical records contained in such exchanges." —Paul M. Pearson, director, Thomas Merton Center“Robert Giroux, a great editor and publisher, was also a great friend, and Thomas Merton's correspondence with him—steady, tight in focus, rich in detail, frankly affectionate—makes clear how fully editing and publishing, for Giroux, was an act of friendship. That is no surprise. The surprise is in seeing, through these letters, how deeply Merton's vast and various body of work was grounded in friendship—in the desire to share all that he had come to know with the people he loved.” —Paul Elie, author of The Life You Save May Be Your Own"Giroux and Fr. Merton first met when both were students at Columbia University in the late 1930s. This volume of their letters begins with one from Giroux dated March 8, 1948, as the manuscript of Fr. Merton’s autobiography, “The Seven Storey Mountain,” was being revised and prepared for publication. At this time, Giroux was Fr. Merton’s editor at Harcourt, Brace & Co., a major New York publishing house. This book would go on to become a mega-bestseller and make Fr. Merton one of the most influential Catholic authors of the 20th century. Later in life, he would express regret that his autobiography included a kind of naive piety and a romanticized portrayal of monastic life. Still, “The Seven Storey Mountain” remains a classic that has never been out of print. . . . Fr. Samway’s introduction, footnotes and epilogue enrich the book beautifully." —The Compass"The Letters of Robert Giroux and Thomas Merton as compiled and edited by the Jesuit scholar Patrick Samway is a must read for the legions of Thomas Merton enthusiasts whose lives have been touched by his writings. This extraordinary collection of correspondence will also prove to be of immense interest to anyone with an interest in the publishing process that Merton engaged in with the editorial assistance and under the influence of Robert Giroux." —The Midwest Book Review"Few people were as influential in Merton’s writing career as Robert Giroux, classmate at Columbia, editor at two publishing houses, critic, confidant, and friend. . . . This collected correspondence runs from 1948 until Merton’s death in 1968 and discusses the business connected with the 15 volumes Merton and Giroux worked on. . . . In these letters, readers find the (justifiable) laments concerning censors and religious superiors reluctant to allow publication, often over remarkably trivial concerns. And publishers demonstrated that they could be as contentious, arbitrary, and capricious as any monastic censor. Several exchanges about racism, war, and literature—Giroux was editor for T. S. Eliot, Jack Kerouac, Flannery O’Connor, and Robert Lowell, among many others—allow readers to listen in on the wisdom of two astute observers of mid-20th century society." —Choice"The letters reveal a lifelong friendship between Merton and Giroux. . . . This is an important contribution to Merton scholarship—a new primary text in the Merton oeuvre. However, it is also a testimony to the brilliance of Robert Giroux, who emerges here as one of Merton's most important interpreters, critics, and collaborators." —American Catholic Studies“In many ways, the book primarily serves as an important literary and historic record, and will be of great interest to students and scholars looking in detail at Merton’s writing career and undertaking research on Merton.” —Modern Believing“Most helpful, and [indispensible] to the success of this book, are Samway’s annotations. . . . Who will read this book? Scholars of both Merton and Giroux. Merton fans. I think both groups will be pleased.” —Cistercian Studies Quarterly“The extensive professional and personal correspondence between Giroux and Merton is here presented with extremely helpful footnotes, biographical introduction, epilogue, and index.” —Commonweal
£105.40
WW Norton & Co Becoming a Published Therapist
Book SynopsisAt lasta writing and publishing book directed specifically for the mental health professional!Trade Review"Not only are his guidelines useful, but the tone takes throughout the book is relatable to anyone striving – yet too timid to pick up a pen and go. He is incredibly concise and well-organized throughout." -- International Journal of Psychotherapy"[Bill O’Hanlon] clearly has the skill and the know-how to write this book, and his presentation style feels familiar, connective as if he’s sitting beside you sharing his stories so you can share yours. . . . Bill’s background as both a therapist and a published writer affords him an insider’s view into the inner and outer work of writing and publishing. . . . [T]his is the first book targeting therapists written by a therapist, that addresses both writing, from conception to completion, and then on to publication, including creating your platform and reaching out to agents and traditional publishers." -- United States Association for Body Psychotherapy
£15.99
Harvard University, Asia Center Printing for Profit The Commercial Publishers of
Book SynopsisBased on an extensive study of Jianyang imprints, genealogies of the leading families of printers, local histories, documents, and annotated catalogs and bibliographies, Printing for Profit is not only a history of commercial printing but also a wide-ranging study of the culture of the book in traditional China.
£35.66
Harvard University Press Gandhis Printing Press
Book SynopsisWhen Gandhi as a young lawyer in South Africa began fashioning the tenets of his political philosophy, he was absorbed by a seemingly unrelated enterprise: creating a newspaper, Indian Opinion. In Gandhi’s Printing Press Isabel Hofmeyr provides an account of how this footnote to a career shaped the man who would become the world-changing Mahatma.Trade ReviewReconstructing a little-known episode in Gandhi's life, Hofmeyr places surprising new findings about a particular historical figure in the service of a radically new theory of reading. This ambitious and deeply researched book holds lessons for historians, literary theorists, and anyone interested in reading practices. -- Leah Price, Harvard UniversityThe connection between Gandhi and the lively Indian Ocean world of small printing presses is something that has almost entirely escaped the attention of historians of South Asia and scholars of print culture so far. Hofmeyr explores this crucial space with rare vigor and sophistication. -- Ajay Skaria, University of MinnesotaGandhi was one of history's most avid experimenters. His most audacious forms of utopianism were often nothing more than simple and ingenious experiments. Hofmeyr tells the remarkable story, with elegance and great learning, of how Gandhi imagined a radically different world simply by attending to the potentialities of the printing press. Very few books on Gandhi capture the minutiae and horizons of his world with such riveting intelligence. -- Uday Mehta, City University of New YorkThis slim volume sparks more ideas than are typically generated by a book three times its size. -- John Wilson * Books & Culture *While he was a young attorney in South Africa at the outset of the 20th century, Gandhi was also 'a sometime proprietor' of the press that printed the influential Indian Opinion newspaper, whose production formed, for the burgeoning activist, a crash course in the synthesizing of public opinion, news, and progressive thought. Located on an ashram outside the port city of Durban, the press allowed Gandhi and his cohorts to explore 'new kinds of ethical selves,' bringing together as it did 'different castes, religions, languages, races, and genders.' In Hofmeyr's portrait, Gandhi emerges as a surprisingly keen publicist and media strategist, willing to buck the system (e.g., copyright laws) in the service of social change. She also offers a fascinating take on Gandhi's mode of 'contemplative reading,' one characterized by the merging of the text with a receptive mind via 'pausing and perseverance,' all with an aim of cumulative progress. Indeed, Gandhi read as he led. This thoughtful account is a compelling preview of the colonial subcontinent's development, as well as Gandhi's eventual role as peaceful emancipator of his own country. * Publishers Weekly *Gandhi's espousal of free reproduction of material and repudiation of copyright--consider this throwaway line: 'Gandhi would have been a Wikipedian'--and his theories of slow reading, in which readers ponder and memorize the text and 'labor' for the paper, will provide food for thought in an age of Internet reading. -- Ravi Shenoy * Library Journal *Deepens our understanding of Gandhi in South Africa by giving us a history of his International Printing Press...His sparse, unadorned, direct prose had much to do with his early training in writing for Indian Opinion...The book also reflects on various printed forms--the newspaper, the periodical, the pamphlet--and their significance in not just creating a print culture but also in forging a people and sustaining a movement. The most significant part of the work is a theory of reading that Hofmeyr discerns through her examination of Indian Opinion and the Hind Swaraj (1909). Can one actually create modes of writing (and printing) that, while located within the modern realm, can militate against modernity? She shows that Gandhi consciously tried to cultivate a style of writing that required slow, meditative reading; his purpose was to adjust the act of reading to unhurried bodily rhythms not subject to the fast pace that he considered the chief signifier of the industrial age. He even tried to slow down the process of printing by dispensing with the oil machine that ran the press and instead employed manual labour to run it. In this way, Hofmeyr's elucidation of the manner in which a satyagrahi reads illuminates our understanding of Gandhi's modes of writing and discoursing. -- Tridip Suhrud * The Caravan *Fascinating...Isabel Hofmeyr discusses and analyses the origin and nature of [periodicals published by Gandhi], focusing on Indian Opinion and Hind Swaraj, and shows how their specific nature reflected Gandhian thought. Of particular interest is Hofmeyr's slant towards Gandhi's views on reading, which resonates with our fragmented, frantic age. -- Sanjay Sipahimalani * Sunday Guardian *The author draws us easily into a history that is varied, interesting and little understood. And in understanding philosophers like Thoreau through Gandhiji, one revisits and is astounded by them once more. The book is a welcome addition to readings on the Mahatma. -- Mallika Sarabhai * Indian Express *Beginning in Durban, South Africa, in 1898, Mohandas Gandhi became the guiding hand of a printing press and the multilingual newspaper it produced, Indian Opinion. Hofmeyr provides an account at once charming and erudite of Gandhi's vision of printing and the press in relation to Phoenix, the ashram from which the press largely was operated. She also examines the press in relation to the wider satyagraha movement, Gandhi's unique understanding of the quest for truth, and to Gandhi's thinking about empire, nationalism, race, sovereignty, and self-rule. Gandhi first developed his ideas of satyagraha while working with and for the Indian community in South Africa, and much of his thinking was first communicated in the pages of Indian Opinion. Hofmeyr’s careful study of the literary character of the newspaper dispels the idea that the journalistic format was hurried and thus lacking in care. She provides ample evidence that Gandhi saw the paper as comprised of clippings and articles that needed to be read and reread, slowly and thoughtfully. This attempt to integrate many levels of Gandhi's activity will surprise and reward all readers. -- C. A. Colmo * Choice *Hofmeyr has produced a work so exquisitely engaging and so vitally relevant to our age that anyone who reads enough to be concerned about the future of reading should take up this riveting little book. -- Kapil Komireddi * Daily Beast *
£32.36
Harvard University Press The Business of Enlightenment
Book SynopsisDarnton explores some fascinating territory in the genre of histoire du livre and tracks the diffusion of Enlightenment ideas. He is concerned with the form of the thought of the great philosophes as it materialized into books and with the way books were made and distributed in the business of publishing.Trade ReviewPublishing history, as told by Professor Darnton, turns out to be much meatier and livelier than might be expected… [This book is] a major achievement of American scholarship and in the first rank of those which have been transforming our view of French history during the last twenty years. * New York Review of Books *Darnton’s book succeeds brilliantly in illuminating the nature of late eighteenth-century encyclopedism and its use of science, in tracing the history of the most important book of the century, in revealing the lives of printers, masters, publishers, and even, to some extent, readers. This is an extraordinary achievement and Darnton has produced a book that possesses all the qualities of a classic. The Encyclopédie deserves nothing less, and it has indeed found a historian worthy of its reputation. * Isis *The story [Darnton] has to tell is a fascinating one, teased from a complex and obscure documentation with great finesse, told with elegance, wit, and a novelist’s eye for detail, analyzed for its historical implications with clarity and insight. * Journal of Modern History *Table of Contents* I. Introduction: The Biography of a Book * II. The Genesis of a Speculation in Publishing * The Neuchatel Reprint Plan * From the Reprint to the Revised Edition * Joseph Duplain and His Quarto Encyclopedie * Publishing, Politics, and Panckoucke * From the Revised Edition to the Quarto * The Paris Conference of 1777 * The Basis of a Bonne Affaire * III. Juggling Editions * The "Second Edition" * The Origins of the "Third Edition" * Imbroglios * The Neuchatel Imprint * Opening Gambits of the Final Negotiations * Duel by Lettre Ostensible * The Last Turn of the Screw * The Contract * IV. Piracy and Trade War * Pirate Raids * The Octavo Publishers and Their Encyclopedie * The Origins of the Quarto--Octavo War * The Final Failure of Diplomacy * Open War * Pourparlers for Peace * A Drole de Paix * V. Bookmaking * Strains on the Production System * Procuring Paper * Copy * Recruiting Workers * Setting Wages * Pacing Work and Managing Labor * Printing: Technology and the Human Element * VI. Diffusion * Managerial Problems and Polemics * Marketing * Booksellers * Prices and Consumers * The Sales Pattern * Subscribers, A Case Study * Diffusion in France * Diffusion Outside France * Reading * VII. Settling Accounts * The Hidden Schism of 1778 * A Preliminary Reglement de Comples * The Feud Between Duplain and the STN * Marketing Maneuvers * The Perrin Affair * The Anatomy of a Swindle * The Final Confrontation in Lyons * Denouement * Epilogue * VIII. The Ultimate Encyclopedie * The Origins of the Encyclopedie Methodique * The Climactic Moment in Enlightenment Publishing * The Liegeois Settlement * Panckoucke's Conception of the Supreme Encyclopedie * Panckoucke as an Editor * The Authors of the Methodique * Two Generations of Encyclopedists * From Voltairianism to Professionalism * Launching the Biggest Book of the Century * IX. Encyclopedism, Capitalism, and Revolution * Panckoucke 's Folly * From Encyclopedism to Jacobinism * An Enlightenment Publisher in a Cultural Revolution * The Last of the Encyclopedists * X. Conclusion * The Production and Diffusion of Enlightenment * Enlightenment Publishing and the Spirit of Capitalism * The Encyclopedie and the State * The Cultural Revolution * Appendices * A. Contracts of the Encyclopedie Publishers, 1776--1780 * B. Subscriptions to the Quarto Encyclopedie * C. Incidence of Subscriptions in Major French Cities * D. Contributors to the Encyclopedie Methodique * Bibliographical Note * Index
£37.36
Harvard University Press Niccolo di Lorenzo della Magna and the Social
Book SynopsisLorenz Böninger tells the story of Niccolò di Lorenzo della Magna, a major printer of Renaissance Italy. Niccolò's hitherto mysterious life and career provide unparalleled insight into the business of printing in its earliest years, illuminating the economic, legal, and intellectual forces that surrounded the publication and dissemination of texts.Trade ReviewA richly contextualized portrait of a premodern entrepreneur, one assuredly of interest to inquisitive business historians…[A] concise and diligent economic biography. -- Robert Fredona * Business History Review *Lorenz Böninger has undoubtedly performed an immense service for our understanding of the history of early printing in the cradle of the Renaissance. -- Neil Harris * The Library *An ambitious and successful effort to shed light on the social conditions, human networks, and labor practices that underpinned the earliest book production in one of the fifteenth century’s most dynamic—but also mercurial—centers. Building upon his numerous excellent essays and books on artisan culture and immigrant communities in Renaissance Florence, Böninger fills an extremely important lacuna in our knowledge of early Italian printing. -- Sean Roberts, author of Printing a Mediterranean WorldA tour de force of scholarship. Böninger has done a brilliant job of combining known and unknown documents with the literature on the pertinent literary, economic, social, and religious history to create the best and fullest history of Niccolò di Lorenzo della Magna and his world to date. -- John Monfasani, author of Greeks and Latins in Renaissance Italy
£38.21
LUP - Voltaire Foundation Pierre Rousseau and the Philosophes of Bouillon
Book SynopsisTable of ContentsPreface Introduction Chapter I. French journalism and the Enlightenment: to 1756 Chapter II. The founding of the Journal encyclopédique: to 1756 Chapter III. Publication and problems: January 1756 to May 1759 Chapter IV. Suppression and re-establishment: May 1759 to January 1760 Chapter V. Rousseau in Bouillon: the first years, 1760 to 1767 Chapter VI. The establishment of the Société typographique: 1767 to 1772 Chapter VII. The 'Panckoucke edition' of the Encyclopédie: to February 1771 Chapter VIII. Rousseau and the Suppléments à l'Encyclopédie: 1771 to 1777 Chapter IX. Rousseau's last years: 1775 to 1785 Chapter X. The end of the Bouillon enterprises and their successors Chapter XI. The Journal encyclopédique Conclusion Bibliography
£64.92
John Wiley and Sons Ltd Books in the Digital Age
Book SynopsisThe book publishing industry is going through a period of profound and turbulent change brought about in part by the digital revolution. What is the role of the book in an age preoccupied with computers and the internet? How has the book publishing industry been transformed by the economic and technological upheavals of recent years, and how is it likely to change in the future? This is the first major study of the book publishing industry in Britain and the United States for more than two decades. Thompson focuses on academic and higher education publishing and analyses the evolution of these sectors from 1980 to the present. He shows that each sector is characterized by its own distinctive logic' or dynamic of change, and that by reconstructing this logic we can understand the problems, challenges and opportunities faced by publishing firms today. He also shows that the digital revolution has had, and continues to have, a profound impact on the book publishing business, although Trade Review"As compelling as it is thorough ... a fascinating study of the contemporary academic publishing world in the UK and US." Times Higher Education Supplement "Likely to become the standard work in the field." British Journal of Educational Studies "This is undoubtedly the best book I have read about publishing ... It is the only book about publishing I have ever read where every statement rings true." Learned Publishing "Faultless, fascinating ... a must-read." Logos "A first-rate piece of scholarship." Academic Matters "A truly landmark study." Journal of Scholarly Publishing "[Those] working within academic/higher education publishing and librarianship have much to gain from this title; it is a valuable resource that explores how textbook publishing programmes in the UK and US in the early stages of the new millennium have evolved from the 1980s industry landscape. It also provides an opportunity to learn directly from senior executives within the academic publishing arena, who speak frankly, on the condition of anonymity." InPrint "Extremely useful to use as a potted history of a new area of interest for me." eLucidate "Thompson has soaked himself in publishing fact and lore. [His findings] are consistently reliable." Science "The world of academic publishing owes a great debt of gratitude to John Thompson ... this extensive and rigorous study is our best guide to the key issues of the day." Drake McFeely, Chairman and President of W. W. Norton & Company "A lucid, absorbing and accurate account of the university press world." Walter Lippincott, Director of Princeton University Press "Anyone wishing to know firsthand the issues that keep publishers awake at night would do well to start here. Anyone wishing to know where academic publishing is heading should look no further." William Sisler, Director of Harvard University Press "There is no other study of the publishing world, past or present, as comprehensive or fully researched as this." Professor Michael Schudson, University of California, San Diego "A masterly study." Paul Richardson, Oxford Brookes UniversityTable of ContentsList of figures and tables. Preface. Introduction. Part I The Publishing Business. Publishing as an economic and cultural practice. The social structure of publishing fields. The publishing field since 1980. Part II The Field of Academic Publishing. Academic publishing under pressure. Academic publishing in transition (1): changing organizational cultures. Academic publishing in transition (2): list diversification and field migration. Academic publishing at the crossroads. Part III The Field of Higher Education Publishing. Higher education publishing in the US (1): the formation of the field. Higher education publishing in the US (2): the differentiation of the field. Higher education publishing in the UK. Globalization and localization in the UK field of higher education publishing. Part IV The Digital Revolution. The digital revolution and the publishing world. Academic publishing and the digital revolution. Higher education publishing and the digital revolution. The hidden revolution: reinventing the life cycle of the book. Conclusion. Appendix on research methods. Bibliography. Index.
£19.99
John Wiley and Sons Ltd Beyond Journalism
Book SynopsisIn the context of profound transformations in the professional, business, technological and social context of journalism, it is crucial for journalism studies and education to move beyond limited approaches to the discipline. Among the most significant changes affecting journalism worldwide is the emergence of startup culture, as more and more journalists strike out on their own. In Beyond Journalism, Deuze and Witschge combine extensive global and comparative fieldwork. Through rich case studies of journalism startups around the world, they provide deep insight into the promises and pitfalls of media entrepreneurship. Ultimately, they aim to recognize new and emerging voices as legitimate participants in the discourse about what journalism is, can be and should be. A bold manifesto as well as an in-depth empirical study, this book is essential reading for students and scholars of journalism, media, communication, and related disciplines.Trade Review“In this insightful and engaging exploration of journalism startups and the people behind them, Deuze and Witschge break from narrow disciplinary boundaries in much the same way their subjects have broken from occupational ones. A must-read for anyone interested in the many forms contemporary journalism is taking, and the ‘rascals and rebels’ leading the way.”Jane Singer, City, University of London “To go beyond journalism, these scholars contest tacit assumptions about journalism and journalism studies, arguing that journalism has never been stable but is always becoming. Enter, then, this research on journalism startups, exemplary of how journalism as becoming is both praxis and ideology.”Nikki Usher, University of Illinois “In Beyond Journalism, Deuze and Witschge have seized upon the exciting energy felt among journalists who are working beyond the confines of traditional newsrooms.”Hyperallergic“Students, scholars, and professionals interested in journalism and entrepreneurship may find this book of interest.”Communication Booknotes QuarterlyTable of ContentsPrologue: The Beyond Journalism Project Introduction: What is Journalism (Studies)? 1 The Becoming of Journalism 2 Setting the Scene: Startups 3 Stories from the Heart 4 Making it Work 5 Stories that Matter Notes References Index
£45.00
John Wiley and Sons Ltd The Authors Hand and the Printers Mind
Book SynopsisIn Early Modern Europe the first readers of a book were not those who bought it. They were the scribes who copied the author's or translator's manuscript, the censors who licensed it, the publisher who decided to put this title in his catalogue, the copy editor who prepared the text for the press, divided it and added punctuation, the typesetters who composed the pages of the book, and the proof reader who corrected them. The author's hand cannot be separated from the printers' mind. This book is devoted to the process of publication of the works that framed their readers' representations of the past or of the world. Linking cultural history, textual criticism and bibliographical studies, dealing with canonical works - like Cervantes' Don Quixote or Shakespeare's plays - as well as lesser known texts, Roger Chartier identifies the fundamental discontinuities that transformed the circulation of the written word between the invention of printing and the definition, Trade Review'In these essays on the linguistic, typographical, social and cultural contexts of works by Shakespeare and Cervantes (among others), Roger Chartier shows once again his remarkable gifts for close reading, original observations, and the judicious and fruitful use of sociocultural theory.' Peter Burke, University of Cambridge 'These brilliant essays, by the world's foremost historian of the book, are an essential guide to the textual labyrinth in which we find ourselves, a perplexing maze in which manuscripts, printed books, and digital media vie for attention. By looking with singular learning and insight at early modern texts -- above all, works by Shakespeare and Cervantes -- Chartier enables us to understand not only the written traces that have been left by the past but also the traces that we will leave for the future.' Stephen Greenblatt, Harvard University "Chartier’s essays provide an impressive model for just such a rigorous and sophisticated investigation of the reading and writing habits of the past..." Andrew G. Bonnell, University of QueenslandTable of ContentsPreface Part I: The Past in the Present 1. Listen to the Dead with Your Eyes 2. History: Reading Time 3. History and Social Science: A Return to Braudel Part II: What is a Book? 4. The Powers of Print 5. The Author’s Hand 6. Pauses and Pitches 7. Translation Part III: Texts and Meanings 8. Memory and Writing 9. Paratext and Preliminaries 10. Publishing Cervantes 11. Publishing Shakespeare 12. The Time of the Work
£49.50
John Wiley and Sons Ltd The Authors Hand and the Printers Mind
Book SynopsisIn Early Modern Europe the first readers of a book were not those who bought it. They were the scribes who copied the author's or translator's manuscript, the censors who licensed it, the publisher who decided to put this title in his catalogue, the copy editor who prepared the text for the press, divided it and added punctuation, the typesetters who composed the pages of the book, and the proof reader who corrected them. The author's hand cannot be separated from the printers' mind. This book is devoted to the process of publication of the works that framed their readers' representations of the past or of the world. Linking cultural history, textual criticism and bibliographical studies, dealing with canonical works - like Cervantes' Don Quixote or Shakespeare's plays - as well as lesser known texts, Roger Chartier identifies the fundamental discontinuities that transformed the circulation of the written word between the invention of printing and the definition, Table of ContentsPreface Part I: The Past in the Present 1. Listen to the Dead with Your Eyes 2. History: Reading Time 3. History and Social Science: A Return to Braudel Part II: What is a Book? 4. The Powers of Print 5. The Author’s Hand 6. Pauses and Pitches 7. Translation Part III: Texts and Meanings 8. Memory and Writing 9. Paratext and Preliminaries 10. Publishing Cervantes 11. Publishing Shakespeare 12. The Time of the Work
£17.09
John Wiley and Sons Ltd Merchants of Culture
Book SynopsisThese are turbulent times in the world of book publishing. For nearly five centuries the methods and practices of book publishing remained largely unchanged, but at the dawn of the twenty-first century the industry finds itself faced with perhaps the greatest challenges since Gutenberg. A combination of economic pressures and technological change is forcing publishers to alter their practices and think hard about the future of the books in the digital age.In this book - the first major study of trade publishing for more than 30 years - Thompson situates the current challenges facing the industry in an historical context, analysing the transformation of trade publishing in the United States and Britain since the 1960s. He gives a detailed account of how the world of trade publishing really works, dissecting the roles of publishers, agents and booksellers and showing how their practices are shaped by a field that has a distinctive structure and dynamic. Trade Review"The book is written in a style that is both elegant and easy to follow. There is a good balance between, on the one hand, dry numbers and figures and, on the other, colourful anecdote and informative metaphor. (...)Thompson’s own book is a comprehensive and rigorous history of trade publishing, which will lead both scholars, editors or people with a more general interest in publishing to think about books in new and more complex ways." The Kelvingrove ReviewTable of ContentsPreface to the Second Edition vi Preface to the First Edition viii Introduction 1 1 The Growth of the Retail Chains 26 2 The Rise of Literary Agents 59 3 The Emergence of Publishing Corporations 101 4 The Polarization of the Field 147 5 Big Books 188 6 Extreme Publishing 223 7 Shrinking Windows 238 8 The Wild West 292 9 The Digital Revolution 313 10 Trouble in the Trade 377 Conclusion: Facing an Uncertain Future 403 Appendix 1 Selected Imprints of the Main Publishing Corporations 410 Appendix 2 Note on Research Methods 415 Bibliography 425 Index 430
£45.00
John Wiley & Sons Writers Rights Freelance Journalism in a Digital
Book SynopsisA timely study of freelance journalists’ working conditions and what is at stake for the future of journalism in precarious times.Trade Review" Writers' Rights will establish Cohen as the leading authority on freelance journalism for many years to come." Ursula Huws, University of Hertfordshire " Cohen has crafted a surprisingly hopeful, decidedly thorough treatise on shifting power structures and business ethics in a field that' s constantly reinventing itself." Publisher' s Weekly
£29.45
University of Nebraska Press So You Want to Write About American Indians A
Book SynopsisExplains the basic steps, opportunities, and challenges to writing about American Indians.Trade Review"The text is exceptionally informative, and the author's extensive credentials add credibility to her voice. . . . Most impressive about this text is the author's clarity and information about confusing issues . . . This is both a handy guide and an informative text for readers and writers of Native studies."—ForeWord Magazine“Directed toward anyone writing about the Indigenous peoples of the United States, Choctaw scholar and writer Devon Abbot Mihesuah explains step by step how to do it. . . .This is as informative and interesting a book on writing as I have read in a long time. I recommend it unreservedly.”—Roundup Magazine
£15.19
