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Book SynopsisAs more and more of our cultural heritage migrates into digital form and as increasing amounts of literature and art are created within digital environments, it becomes more important than ever before for us to understand how the medium affects the text. The expert contributors to this volume provide a clear, engrossing and accessible insight into how the texts we read and study are created, shaped and transmitted to us. They outline the theory behind studying texts in many different forms and offer case studies demonstrating key methodologies underlying the vital processes of editing and presenting texts. Through their multiple perspectives they demonstrate the centrality of textual scholarship to current literary studies of all kinds and express the sheer intellectual excitement of a crucial scholarly discipline entering a new phase of its existence.Trade Review'… a collection of essays from noted authorities … with an informative introduction … a comprehensive description of the various modes of textual scholarship.' SHARP News'In all, a neat introduction to textual studies that offers to the reader a range of ways to think critically about ancient, early modern, and modern texts, from scribal to digital. The volume is useful for those who wish to find ways to articulate and theorize historical and modern conceptions of texts and textual studies.' N. C. Aldred, Notes and QueriesTable of ContentsIntroduction: textual scholarship in the age of media consciousness Neil Fraistat and Julia Flanders; 1. A history of textual scholarship David Greetham; 2. Anglo-American editorial theory Kathryn Sutherland; 3. Continental editorial theory Geert Lernout; 4. Late twentieth-century Shakespeares Hans Walter Gabler; 5. Apparatus, text, interface: how to read a printed critical edition Paul Eggert; 6. The politics of textual scholarship Michelle R. Warren; 7. Fearful asymmetry Random Cloud; 8. What is a book? Roger Chartier and Peter Stallybrass; 9. Orality John D. Niles; 10. Manuscript textuality Michael Sargent; 11. Picture criticism: textual studies and the image Kari Kraus; 12. Track changes: textual scholarship and the challenge of the born digital Matthew G. Kirschenbaum and Doug Reside; Coda: why digital textual scholarship matters Jerome J. McGann; Further reading; Index.

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Book SynopsisA wide-ranging and accessible account of the history of the book from ancient inscription to contemporary e-books, within local, national and global contexts. Includes a practical section on methods, sources and approaches, together with a chronology and a guide to further reading.Trade Review'Francis Bacon said 'some books should be tasted, some devoured, but only a few should be chewed and digested thoroughly'. This book is firmly in the latter category. My own copy is already looking somewhat mauled and well used, with ample marginalia, highlighted lines and references, and bookmarks sticking out of key sections. I cannot think of a better way to show how highly I recommend it.' Samantha J. Rayner, English'As a whole, the collection accomplishes what it sets out to do: it is an effective introduction to the field and its issues and practices, and it points the way toward new and exciting developments.' Marta Kvande, Papers of the Fall Bibliographical Society of CanadaTable of ContentsChronology; 1. The study of book history Leslie Howsam; Part I. Book Cultures, Local, National and Global: 2. Books in the library Karen Attar; 3. Books in the nation Trish Loughran; 4. Books in global perspectives Sydney Shep; Part II. The Material Book and the Mutable Text: 5. Materials and meanings Peter Stoicheff; 6. Handwriting and the book Margaret J. M. Ezell; 7. The coming of print to Europe Adrian Johns; 8. The authority and subversiveness of print in early modern Europe Cyndia Clegg; 9. The industrial revolution of the book James Raven; 10. The book in the long twentieth century Alistair McCleery; 11. The digital book Jon Bath and Scott Schofield; Part III. Methods, Sources and Approaches to the History of the Book: 12. Book history from descriptive bibliographies Michael F. Suarez, S.J.; 13. Book history from the archival record Katherine Bode and Roger Osborne; 14. Book history in the reading experience Mary Hammond; 15. Book history in the classroom Leslie Howsam; Glossary of technical terms; Guide to further reading.

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Book SynopsisThis volume covers the history of printing and publishing from the lapse of government licensing of printed works in 1695 to the development of publishing as a specialist commercial undertaking and the industrialization of book production around 1830. During this period, literacy rose and the world of print became an integral part of everyday life, a phenomenon that had profound effects on politics and commerce, on literature and cultural identity, on education and the dissemination of practical knowledge. Written by a distinguished international team of experts, this study examines print culture from all angles: readers and authors, publishers and booksellers; books, newspapers and periodicals; social places and networks for reading; new genres (children's books, the novel); the growth of specialist markets; and British book exports, especially to the colonies. Interdisciplinary in its perspective, this book will be an important scholarly resource for many years to come.Trade Review'This volume of The Cambridge History of the Book in Britain is an impressive and valuable achievement: it not only surveys a vast range of material, but also presents a great deal of detailed new primary research.' Rosemary Dixon, Queen Mary, University of London'This volume provides essential reading for both expert and beginning scholar … wide-ranging, scholarly and frequently fascinating examination of print products embedded in their wider contexts …' Stefanie Lethbridge, Zeitschrift für Anglistik und AmerikanistikTable of ContentsIntroduction Michael F. Suarez, S.J.; Part I. Quantity and Nature of Printed Matter: 1. Toward a bibliometric analysis of the surviving record, 1701–1800 Michael F. Suarez, S.J.; 2. Printed ephemera Michael Twyman; Part II. Economic, Legal and Cultural Context: 3. The book as a commodity James Raven; 4. Copyright, authors and censorship Mark Rose; 5. The rise of the professional author? Dustin Griffin; 6. Women and print: readers, writers, and the market Isobel Grundy; Part III. The Technologies and Aesthetics of Book Production: 7. The technologies of printing James Mosley; 8. The industrialisation of the paper trade John Bidwell; 9. A year's work in the London printing house of the Bowyers Keith Maslen; 10. Book illustration and the world of prints Tim Clayton; 11. The morphology of the page Nicolas Barker; 12. Bookbinding in the eighteenth century (1695–1830) Nicholas Pickwoad; Part IV. The Book Trade and its Markets: A. London and the 'Country': 13. London and the central sites of the English book trade 1695–1830 James Raven; 14. Personnel within the London book trades: evidence from the Stationers' Company Michael L. Turner; 15. The English provincial book trade: evidence from the British Book Trade Index Maureen Bell and John Hinks; 16. The Scottish book trade Iain Beavan and Warren McDougall; 17. Printing in Ireland Charles Benson; B. Two Case Studies: 18. The craft, the craftsman, and the crafty man: Richard Francklin (active 1718–65) James J. Caudle; 19. The Longmans Asa Briggs; C. Serial Publication and the Trade: 20. London newspapers 1695–1830 Michael Harris; 21. Newspapers and the sale of books in the provinces C. Y. Ferdinand; 22. British commercial and financial journalism before 1800 John McCusker; 23. Distribution – the case of William Tayler Michael L. Turner; 24. Periodicals and the trade 1694–1780 James Tierney; 25. Periodicals and the trade 1780–1830 Brian Maidment; D. The International Market: 26. Continental imports to Britain 1695–1740 P. G. Hoftijzer and O. S. Lankhorst; 27. The English book on the Continent Bernhard Fabian and Marie-Luis Spieckermann; 28. The British book in North America 1695–1840 James N. Green; 29. The British book in India 1695–1830 Graham Shaw; Part V. Books and their Readers: A. Religious Books: 30. Religious publishing Isabel Rivers; 31. The Bible trade B. J. McMullin; 32. The publishing and distribution of religious books by voluntary associations: from the Society for Promoting Christian Knowledge to the British and Foreign Bible Society Scott Mandelbrote; B. Literature and the Culture of Letters: 33. Book reviewing Antonia Forster; 34. English literature 1695–1773 Michael F. Suarez, S. J.; 35. British literature 1773–1830 Kathryn Sutherland; 36. Scholarly editing: patristics, classical literature and Shakespeare Marcus Walsh; 37. The reprint trade Tom Bonnell; C. Specialist Books and Markets: 38. Collecting and the antiquarian book trade Richard Landon; 39. The Stationers' Company and the almanack trade Robin Myers; 40. Children's books and school books Andrea Immel; 41. Music David Hunter; 42. Maps and atlases in Britain 1690–1830 Yolande Hodson; 43. Enlarging the prospects of happiness: travel reading and travel writing 1695–1830 Shef Rogers; 44. Law books Wilfrid Prest; 45. Philosophical books 1695–1830 John Vladimir Price; 46. Scientific and medical books to 1780 Alice Walters; 47. Scientific and medical books 1800–30 John Topham; 48. Radical publishing Marcus Wood; 49. Mining the archive: a guide to present and future book-historical research resources Michael F. Suarez, S.J.; Bibliography; Index.

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Book SynopsisThis is the first history of the book in Britain from the Norman Conquest until the early fifteenth century. The twenty-six expert contributors to this volume discuss the manuscript book from a variety of angles: as physical object (manufacture, format, writing and decoration); its purpose and readership (books for monasteries, for the Church's liturgy, for elementary and advanced instruction, for courtly entertainment); and as the vehicle for particular types of text (history, sermons, medical treatises, law and administration, music). In all of this, the broader, changing social and cultural context is kept in mind, and so are the various connections with continental Europe. The volume includes a full bibliography and 80 black and white plates.Table of ContentsPreface; Part I. The Roles of Books: 1. Books and society Christopher de Hamel; 2. Language and literacy Rodney M. Thomson and Nigel J. Morgan; Part II. Book Production: 3. The format of books: books, booklets and rolls Pamela Robinson; 4. Layout and presentation of the text M. B. Parkes; 5. Technology of production of the manuscript book: I. Parchment and ruling Rodney M. Thomson; II. Illumination Nigel J. Morgan; III. Binding Michael Gullick and Nicholas Hadcraft; 6. Handwriting in English books c.1100–1425 M. B. Parkes; 7. Monastic and Cathedral book production Rodney M. Thomson; 8. Urban production of manuscript books and the role of the university towns M. A. Michael; Part III. Readership, Libraries, Texts and Contexts: 9. Library catalogues and indexes Richard Sharpe; 10. University and monastic texts: I. Biblical exegesis, theology,and philosophy Jeremy Catto; II. Latin poetry, satires, fables and grammar Jan Ziolkowski; III. Encyclopaedias Michael Twomey; 11. Law Nigel Ramsay; 12. Books for the liturgy and private prayer Nigel J. Morgan; 13. Compilations for preaching and Lollard literature: I. Compilations for preaching Alan Fletcher; II. Lollard literature Anne Hudson; 14. Spiritual writings and religious instruction Alexandra Barratt; 15. Vernacular literature and its readership: I. Anglo-Norman Tony Hunt; II. Middle English Julia Boffey and A. S. G. Edwards; III. Welsh Daniel Huws; 16. History and history books Geoffrey Martin and Rodney M. Thomson; 17. Archive books Nigel Ramsay; 18. Scientific and medical writings Charles Burnett and Peter Jones; 19. Music Nicolas Bell; 20. Illustration and decoration Martin Kauffman; Bibliography; General index; Index of manuscripts; Plates.

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Book SynopsisVolume 4 of The Cambridge History of the Book in Britain covers the years between the incorporation of the Stationers' Company in 1557 and the lapsing of the Licensing Act in 1695. In a period marked by deep religious divisions, civil war and the uneasy settlement of the Restoration, printed texts - important as they were for disseminating religious and political ideas, both heterodox and state approved - interacted with oral and manuscript cultures. These years saw a growth in reading publics, from the developing mass market in almanacs, ABCs, chapbooks, ballads and news, to works of instruction and leisure. Atlases, maps and travel literature overlapped with the popular market but were also part of the project of empire. Alongside the creation of a literary canon and the establishment of literary publishing there was a tradition of dissenting publishing, while women's writing and reading became increasingly visible.Trade Review'The bibliography is extensive and detailed, and the index comprehensive and thorough. … here we have, naturally in book form, a major scholarly survey of just about every aspect of the book, commercial, physical and intellectual.' Reference Reviews'… this fourth volume of the The Cambridge History of the Book in Britain will be a constant source of information and a stimulus to further thought: like its predecessor, it is a splendid achievement.' The Times Literary Supplement'… the editors deserve congratulation for persuading so many eminent scholars to write to their strengths in such a pleasantly readable manner.' The Times Literary Supplement'… the volume's range of scholarship is impressive. A rich group of illustrations … add to the reader's understanding of the texts themselves … must immediately become required reading for any student of early modern religion … All the contributors, as well as Cambridge University Press, must be congratulated on this splendidly comprehensive volume … it is a pleasure to read as well as an invaluable reference work.' Journal of Ecclesiastical History'However, what this volume should do is encourage book historians out of their period and subject specialisms. It should also stimulate a broader acknowledgment of the importance of the book and the book trade.' Journal of the Printing Historical Society'… our … most heartfelt thanks go to Cambridge University Press for a 'Cambridge History' fully worthy of its distinguished predecessors.' The Book CollectorTable of ContentsIntroduction John Barnard; Part I. Religion and Politics: 1. Religious publishing in England 1557–1640 Patrick Collinson, Arnold Hunt and Alexandra Walsham; 2. Religious publishing in England c.1640–1695 Ian Green and Kate Peters; Part II. Oral Traditions and Scribal Culture: 3. Oral and scribal texts in early modern England Harold Love; 4. John Donne and the circulation of manuscripts Peter Beal; 5. Music books Mary Chan; Part III. Literature of the Learned: 6. The Latin trade Julian Roberts; 7. Patronage and the printing of learned works for the author Graham Parry; 8. University printing at Oxford and Cambridge David McKitterick; 9. Editing the past: classical and historical scholarship Nicolas Barker; 10. Maps and atlases Laurence Worms; 11. The literature of travel Michael Brennan; 12. Science and the book Adrian Johns; 13. Samuel Hartlib and the commonwealth of learning Mark Greengrass; 14. Ownership, private and public libraries Elisabeth Leedham-Green and David McKitterick; 15. Monastic collections and their disposal James P. Carley; Part IV. Literary Canons: 16. Literature, the playhouse and the public John Pitcher; 17. Milton Joad Raymond; 18. The Restoration poetic and dramatic canon Paul Hammond; 19. Non-conformist voices Nigel Smith; 20. Women writing and women written Maureen Bell; Part V. Vernacular Traditions: 21. The Bible trade B. J. McMullin; 22. English law books and legal publishing J. H. Baker; 23. ABCs, almanacs, ballads, chapbooks, popular piety and textbooks R. C. Simmons; 24. Books for daily life: household, husbandry, behaviour Lynette Hunter; 25. The creation of the periodical press 1620–1695 Carolyn Nelson and Matthew Seccombe; Part VI. The Business of Print: 26. Printing and publishing 1557–1700: constraints on the London book trades D. F. McKenzie; 27. The economic context 1557–1695 James Raven; 28. French paper in English books John Bidwell; 29. The old English letter foundries Nicolas Barker; 30. Bookbinding Mirjam M. Foot; 31. Mise-en-page, illustration, expressive form: introduction Maureen Bell; Paratextual features of printed books Randall Anderson; The typography of Hobbes's Leviathan Peter Campbell; The Polyglot Bible Nicolas Barker; The look of news: Popish Plot narratives 1678–1680 Harold Love; Sir Roger L'Estrange: the journalism of orality T. A. Birrell; Part VII. Beyond London: Production, Distribution, Reception: 32. The English provinces John Barnard and Maureen Bell; 33. Scotland Jonquil Bevan; 34. The book in Ireland from the Tudor re-conquest to the Battle of the Boyne Robert Welch; 35. Wales Philip Henry Jones; 36. British books abroad: the Continent Paul Hoftijzer; 37. British books abroad: the American colonies Hugh Amory; Part VIII. Disruption and Restructuring: The Late Seventeenth-Century Book Trade: 38. The stationers and the printing acts at the end of the seventeenth century Michael Treadwell; Statistical appendices: 1. Statistical tables; 2. Stationers' company apprentices C. Y. Ferdinand.

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Book SynopsisBetween roughly 1350 and 1500, the English vernacular became established as a language of literary, bureaucratic, devotional and controversial writing; metropolitan artisans formed guilds for the production and sale of books for the first time; and Gutenberg's and eventually Caxton's printed books reached their first English consumers. This book gathers the best work on manuscript books in England made during this crucial but neglected period. Its authors survey existing research, gather intensive new evidence and develop new approaches to key topics. The chapters cover the material conditions and economy of the book trade; amateur production both lay and religious; the effects of censorship; and the impact on English book production of manuscripts and artisans from elsewhere in the British Isles and Europe. A wide-ranging and innovative series of essays, this volume is a major contribution to the history of the book in medieval England.Trade Review'The chapters that form The Production of Books in England, 1350–1500 are consistently high quality essays that create a well-integrated unit. Gillespie and Wakelin have taken care to envision the overarching purpose of the text and to solicit chapters that further the purpose - historicizing the creation of manuscript texts at the beginning of the print revolution. If their challenges are accepted, we can look forward to more varied and vital productions in history of the book.' Linda Englade, Rare Books Newsletter'This volume will have a wide audience, since all the essays make an important contribution to the field of late medieval manuscript studies...an excellent and well-produced book that should quickly become the standard work for later medieval book history.' Elaine Treharne, The Review of English StudiesTable of ContentsForeword Derek Pearsall; Introduction Alexandra Gillespie and Daniel Wakelin; 1. Materials Orietta Da Rold; 2. Writing the words Daniel Wakelin; 3. Mapping the words Simon Horobin; 4. Designing the page Stephen Partridge; 5. Decorating and illustrating the page Martha Driver and Michael Orr; 6. Compiling the book Margaret Connolly; 7. Bookbinding Alexandra Gillespie; 8. Commercial organization and innovation Erik Kwakkel; 9. Vernacular literary manuscripts and their scribes Linne R. Mooney; 10. Book production outside commercial contexts Jean-Pascal Pouzet; 11. Censorship Fiona Somerset; 12. Books beyond England John Thompson; 13. English books and the Continent David Rundle; Afterword: the book in culture Wendy Scase; Bibliography; Manuscript index; Index.

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Book SynopsisFirst taking shape during the seventeenth century, the European encyclopedia was an alphabetical book of knowledge. For the next three centuries, printed encyclopedias in the European tradition were an element of culture and peoples'' lives, initially just among Europe''s educated elite but ultimately through much of the literate world. Organized around themes such as genre, economics, illustration, and publishing, The European Encyclopedia is the first comprehensive survey of encyclopedias to be written in English in more than fifty years. Engaging with printed encyclopedias, now largely extinct and the object of nostalgia, as well as the global phenomenon of Wikipedia, Jeff Loveland brings together encyclopedias from multiple languages (notably English, French, and German, amongst others). This book will be of interest to anyone, from academics in the humanities to non-academic readers, with an interest in encyclopedias and their history.Trade Review'A highly readable account of the many permutations of a genre that became familiar to a wide public. The thematic approach is innovative, and the research is mind-boggling in its extent, with coverage of dozens of encyclopedias in several languages. Loveland has written a major contribution to the history of encyclopedism.' Kathleen Hardesty Doig, Georgia State University'The great fields of the history of knowledge and the histories of print and digital culture have had the encyclopedic tradition on their horizons forever: a jumbled and forbidding mass of peaks (the Encyclopédie, Britannica, Zedler, Larousse, Wikipedia …), never explored as a whole. This book surveys it in a map of wonderful clarity, fascinating in itself and a sure guide for decades of future exploration.' John Considine, University of Alberta'… the book is replete with fascinating information.' W. Baker, Choice'Loveland combines many of the virtues of the encyclopedists themselves. He is formidably well-informed, having mastered the abundant primary sources in English, French and German and the secondary sources in Italian and Spanish as well. He is precise. He is well-organised. His presentation of information is cool, concise, balanced and accurate …' Peter Burke, Library and Information History'It would be extremely beneficial for those associated with FE or HE institutions, as it could also be read by students, early career researchers, and faculty in many departments. While the main narrative is a history of European encyclopaedias, it will also be of interest to colleagues working on business and economic history, information studies, world literature and print and visual culture.' Rose Roberto, Publishing HistoryTable of Contents1. Genres of encyclopedias; 2. The contents of encyclopedias; 3. Size, price, and the economics of encyclopedias; 4. Preparing an encyclopedia; 5. The organization of encyclopedias; 6. Illustrations in encyclopedias; 7. Authorship in encyclopedias; 8. Publishing an encyclopedia; 9. Readers and users of encyclopedias; 10. Encyclopedias after print.

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Book SynopsisDiana Vreeland has been called the fashion editor of the twentieth century. An epic self-mythologizer, she had an incredible aura of glamour, a great eye, and a genius for life. This title includes more than 300 illustrations, photographs, and drawings, many by the fashion photographers of her time such as Louise Dahl Wolfe, Irving Penn, and more.Trade Review"Diana Vreeland was the beacon of fashion for the twentieth century. She spotted, attracted, and showcased the most talented designers, photographers, illustrators, models, and fashion icons and gave their genius a glamorous theater. This book is a beautiful tribute to her." -- Diane Von Furstenberg "D.V. dazzled and dazed you, laughed, sang, and prophesized in a single sentence. She was a self-made triumph of spirit, distilling all the world's glories... In this wonderful book, you get to sit at her knee and see how she made herself-this quintessential all-tribe American." -- Lauren Hutton "Dwight gives new richness and poignancy to a personality appreciated primarily for her epigrammatic wit, dramatic flair, and compelling style... a nuanced portrait of a twentieth-century woman, socially liberated and intellectually unfettered, a modern careerist who never shed her Edwardian proprieties, a woman in full." -- Harold Koda, Director, the Costume Institute at the Metropolitan Museum of Art

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Book SynopsisReexamines early magazines and their reach to show how magazine culture was multivocal and presented a porous distinction between author and reader, as opposed to novel culture, which imposed a one-sided authorial voice and restricted the agency of the reader.Trade ReviewA Choice Outstanding Academic Title, 2013 EBSCO host-Research Society for American Periodicals (RSAP) Book Prize, 2013 Notable Title, Annual Book Award, Society for US Intellectual History, 2013. "Essential… The Rise and Fall of Early American Magazine Culture deserves to be dubbed In dispensable. As the most sustained and persuasive analysis of the early American magazine's cultural significance that we possess,and as the most detailed account of its repeated failure to prosper, Gardner's book is notable for its ability to draw broad conclusions and strong claims from the material it treats."--Amerikastudien / American Studies "The book offers much food for thought in depicting an 18th-century version of an inclusive public sphere, where semi-anonymous voices engaged in an ongoing virtual conversation without seeking recognition or profits."--Journal of Magazine & New Media Research "An eloquent picture of magazine journalism's place in literary history as the seminal contributor to the beginnings of the great American novel."--American Journalism"Jared Gardner provides an innovative account of the place of the magazine in U.S. literary history that allows for a reimagining of a large part of the conventional wisdom of the field. His well-written, original book situates magazine culture between and against the newspaper press on one hand and the novel on the other, and he usefully explains both the curious career trajectories of a number of familiar writers and the reasons why intelligent men and women continued to produce magazines without rational expectation of commercial success or viability."--John C. Nerone, coauthor of The Form of News: A History"Gardner demonstrates that early American periodicals constitute a coherent genre and play a more central role in the formation of an early American literary imagination than is generally recognized. . . . Essential."--Choice"Stimulating and highly readable. . . . fizzes with ideas, offered as answers to a question glossed over by established literary histories."--H-Net Reviews"Smoothly written and well researched. . . . an important contribution to the University of Illinois Press's valuable History of Communication series."--The Journal of American History"This erudite, incisive, and important book traces the history of magazine culture in America from its eighteenth-century origins through the early nineteenth-century. . . . A nuanced and illuminating account of a tradition we have ignored, to our detriment, for far too long."--American Periodicals "The Rise and Fall of Early American Magazine Culture is an ambitious reimagining of magazine culture in the early national period, which largely has been viewed not only as a failure but also as less important and less rich than the so-called golden age of nineteenth-century periodicals. Under Gardner's careful attention, however, the early national period emerges as a time of extraordinary periodical experimentation and worthy, in its own right, of a study such as this."--Patricia Okker, author of Social Stories: The Magazine Novel in Nineteenth-Century America

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Book SynopsisFrom the discovery of the author’s face in a century-old photograph to a triple-amputee hospice director working at the border of life and death, here are thirteen hopeful, heartbreaking, and profound essays from “one of the most intelligent, compassionate, and curious authors working today” (Elizabeth Gilbert). ONE OF THE BEST BOOKS OF THE YEAR: Kirkus ReviewsBeneath the self-assured and serious faces we wear, every human life is full of longing, guesswork, and confusion—a scramble to do the best we can and make everything up as we go along. In these wide-ranging essays, Jon Mooallem chronicles the beauty of our blundering and the inescapability of our imperfections. He investigates the collapse of a multimillion-dollar bird-breeding scam run by an aging farmer known as the Pigeon King, intimately narrates a harrowing escape from California’s deadliest wildfire, visits an eccentric Frenchman building a town at what he claims

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Book SynopsisAn NPR Book Concierge Best Book of 2018!A stunning story about how power works in the modern age--the book the New York Times called one helluva page-turner and The Sunday Times of London celebrated as riveting...an astonishing modern media conspiracy that is a fantastic read. Pick up the book everyone is talking about.In 2007, a short blogpost on Valleywag, the Silicon Valley-vertical of Gawker Media, outed PayPal founder and billionaire investor Peter Thiel as gay. Thiel's sexuality had been known to close friends and family, but he didn't consider himself a public figure, and believed the information was private. This post would be the casus belli for a meticulously plotted conspiracy that would end nearly a decade later with a $140 million dollar judgment against Gawker, its bankruptcy and with Nick Denton, Gawker's CEO and founder, out of a job. Only later would the world learn that Gawker's demise was not incidental--it had been masterminded by Thiel.For years, Thiel had searched endlessly for a solution to what he'd come to call the Gawker Problem. When an unmarked envelope delivered an illegally recorded sex tape of Hogan with his best friend's wife, Gawker had seen the chance for millions of pageviews and to say the things that others were afraid to say. Thiel saw their publication of the tape as the opportunity he was looking for. He would come to pit Hogan against Gawker in a multi-year proxy war through the Florida legal system, while Gawker remained confidently convinced they would prevail as they had over so many other lawsuit--until it was too late. The verdict would stun the world and so would Peter's ultimate unmasking as the man who had set it all in motion. Why had he done this? How had no one discovered it? What would this mean--for the First Amendment? For privacy? For culture?In Holiday's masterful telling of this nearly unbelievable conspiracy, informed by interviews with all the key players, this case transcends the narrative of how one billionaire took down a media empire or the current state of the free press. It's a study in power, strategy, and one of the most wildly ambitious--and successful--secret plots in recent memory.Some will cheer Gawker's destruction and others will lament it, but after reading these pages--and seeing the access the author was given--no one will deny that there is something ruthless and brilliant about Peter Thiel's shocking attempt to shake up the world.

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Book SynopsisPresents an analyses of the media and communications operations of the past four administrations, including chapters on George W Bush and Bill Clinton. This work describes how White House communications and media operations can be at once in flux and remarkably stable over time. It also describes how the presidential Press Office has evolved.Trade ReviewKumar combines her years of observation in the White House press room and hours of frank discussion with current and former officials to create a fascinating-and sometimes disheartening-history of how [the] dance has evolved over the last century. -- Jane Roh National Journal 2007 Having been a regular in the White House Press Room since the early years of the Clinton administration, Kumar can offer an insider's view... Political science and journalism scholars will appreciate the rich detail and scholarship here. Library Journal 2007 A must-read for political junkies. History Wire - Where the Past Comes Alive 2007 Some of the book is historical research, but much of it comes from the days and days that Kumar spends in the belly of the beast, hanging out in the press room in the West Wing of the White House. -- Michael Hill Baltimore Sun 2007 Kumar's insightful Managing the President's Message provides much-needed insight, charting the recent changes in presidential media management strategies and in the routines practiced by the two most-recent White Houses, and provides an important addition to the academic discourse on political communication, framing, and leadership. Political Science Quarterly 2008 Its place among scholarship on the presidency was quickly sealed when the presidency section of APSA awarded it the 2008 Richard E. Neustadt Award for best book on the presidency. The book is rich with detail regarding the Clinton and Bush communications and press operations... there is much to be mined in Kumar's descriptions and explanations. -- Stephanie Burkhalter Political Communication 2009 This is a well-written and detailed book and an ideal starting place from which to study the White House communications operations before moving on to fuller autobiographical accounts or the study of individual presidencies. -- Rob Griffiths Political Studies Review 2010Table of ContentsAcknowledgmentsIntroduction1. Creating an Effective Communications Operation2. The Communications Operation of President Bill Clinton3. The Communications Operation of President George W. Bush4. White House Communications Advisers5. The Press Secretary to the President6. The Gaggle and the Daily Briefing7. Presidential Press Conferences8. Managing the MessagePostscriptNotesIndex

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Book Synopsis“We think of English as a fortress to be defended, but a better analogy is to think of English as a child. We love and nurture it into being, and once it gains gross motor skills, it starts going exactly where we don’t want it to go: it heads right for the goddamned electrical sockets.”   With wit and irreverence, lexicographer Kory Stamper cracks open the obsessive world of dictionary writing, from the agonizing decisions about what to define and how to do it to the knotty questions of ever-changing word usage.   Filled with fun facts—for example, the first documented usage of “OMG” was in a letter to Winston Churchill—and Stamper’s own stories from the linguistic front lines (including how she became America’s foremost “irregardless” apologist, despite loathing the word), Word by Word is an endlessly entertaining look at the wonderful complexities and eccentricities of th

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Book SynopsisTrade Review“All aspiring authors know the value of a great literary agent, but few know how to get one. Lucinda Halpern has written the definitive guide to attracting an agent and laying the groundwork for a book well worth publishing.” — Adam Grant, #1 New York Times best-selling author of Think Again and Hidden Potential, and host of the TED podcast Re:Thinking“While Lucinda Halpern offers invaluable advice for navigating the choppy waters of literary agencies and publishing houses, she does something even more valuable with Get Signed. She entices the writer to elevate the storytelling, to create a timeless book, and to launch a dream career.” — Jenny Jackson, VP and executive editor at Alfred A. Knopf and New York Times best-selling author of Pineapple Street“Lucinda Halpern and her book are the map and the compass for any beginning writer looking for a way to find their perfect agent. There is no question in my mind that it will forever be the only book anyone trying to break into publishing will ever need. If only I had it when I was starting out! Wherever Lucinda leads, I will follow.” — Sam Wasson, New York Times best-selling author of Fifth Avenue, 5 A.M.; Fosse; and The Big Goodbye“Step by clear, insightful step, Lucinda Halpern gifts writers with the knowledge of what an agent does and how the writer-agent partnership works. She offers concise steps and exercises to help ready writers present their best ideas with excellent writing and secure platforms. As the title promises, this is the book to read to get signed.” — Marion Roach Smith, author of The Memoir Project“Lucinda Halpern offers aspiring authors a step-by-step, actionable roadmap for landing a literary agent. She pulls back the curtain to show you the nitty-gritty details agents and publishers are looking for so you can nail your big idea, dial in your pitch, and present yourself as the best author for the job. Full of insider wisdom suitable for writers of every genre, Get Signed gives you just what you need to woo—and then wow—the agent of your dreams. Highly recommended!” — Kelly Notaras, author of The Book You Were Born to Write“In this indispensable book, Lucinda Halpern teaches authors how to meet the marketplace and the moment. She turns overwhelm into action steps and helps make publishing dreams come true.” — Nicola Kraus, #1 New York Times best-selling co-author of The Nanny Diaries

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Book SynopsisThere is a certain perception from the outside that the publishing industry is a near insurmountable fortress, with gatekeepers and naysayers manning the turrets looking for any way to fire a flaming arrow at the dreams of an aspiring writer. Funny You Should Ask, based on the popular Writer's Digest column of the same name, assists to deconstruct, inform, and illuminate the path to publication and beyond, all while dispelling the rumor that those in the industry are better than thou. And even though each writer's publishing journey is like a game of PLINKO--you can drop the chip in the same slot every time and get a different result--there are still common constructs and confusions that can be shared and explored together in order to help inform all writers. From understanding the nuts and bolts of a query letter, to learning how to process the soul-searing envy of watching someone else's career flourish, to how to talk to your editor, veteran literar

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Book SynopsisNow a Netflix original film starring Will Forte, Domhnall Gleeson, and Emmy Rossum. Comic genius Doug Kenney cofounded National Lampoon, cowrote Animal House and Caddyshack, and changed the face of American comedy before mysteriously falling to his death at the age of 33. This is the first-ever biography of Kenney--the heart and soul of National Lampoon—reconstructing the history of that magazine as it redefined American humor, complete with all its brilliant and eccentric characters. Filled with vivid stories from New York, Harvard Yard, Hollywood, and Middle America, this chronicle shares how the magazine spawned a comedy revolution with the radio shows, stage productions, and film projects that launched the careers of John Belushi, Bill Murray, Chevy Chase, and Gilda Radner, while inspiring Saturday Night Live and everything else funny that’s happened since 1970. Based on more than 130 interviews conducted with key players including Chevy Chase, Harold Ramis, P. J. O’Rourke, John Landis, and others and boasting behind-the-scenes stories of how Animal House and Caddyshack were made, this book helps capture the nostalgia, humor, and enduring legacy that Doug Kenney instilled in National Lampoon--America’s greatest humor magazine.Trade Review"Jammed with personalities and capsule histories." -- The New York Times""Fun, fast, and furious." --Library Journal"Josh Karp has informed us well about one of the funniest and innovative humorists of the last century. Doug Kenny was a great friend of mine and it is a good read." -- Chevy Chase, actor, Caddyshack"Josh Karp achieves the unthinkable--he's written an essential American excavation of comedy that is, of itself, very, very, very, very, very, very funny. Doug Kenney would be extremely proud and humbled, if he weren't dead." -- Bill Zehme, author, Lost in the Funhouse: The Life and Mind of Andy Kaufman"The definitive profile of Kenney's brilliant comic mind and his too-short life." --Richard Roeper, film critic, Chicago Sun-Times"The sharpest analysis yet of how success, self-doubt and drugs led one of his generation's wittiest minds down a blind path." -- Philadelphia Citypaper"A must-read for the curious, comedy aficionados, and subversively shy teenagers everywhere." --Mark McKinney, actor, Kids in the Hall"[This] is the definitive behind-the-scenes account of the man and publication that all but defined the comedy zeitgeist of the last 35 years." --Rob Siegel, former editor, The OnionTable of ContentsContentsAcknowledgmentsIntroduction: Midas at the Marmont1 Hayley Mills in Pleasantville2 The Most Perfect WASP3 Here Is New York4 You’ve Got a Weird Mind. You’ll Fit in Well Here5 What Do Women Eat?6 Hitler Being Difficult7 Show Biz and Dead Dogs8 Guns and Sandwiches9 The Pirates10 The Cultural Revolution11 Fuck the Proposal12 Round Up the Usual Jews13 Pheasant Shake for Mr. Kenney14 A Year with No Spring EpilogueBibliographyIndex

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Book Synopsis“Bob Brown’s book is well named. It is, on one hand, a concise chronological history of a unique American publishing venture, and on the other, an autobiography of a maverick soldier and his bizarre assortment of cronies. Above all, it is a great read.”—American Rifleman"I Am Solider of Fortune" is a half-century of history told from ground level. The higher value, though, may be in the perspective it offers on the warrior culture. From the outside, it is easy to believe every soldier of fortune, every ‘private security contractor,’ is a Rambo-style wild man, pumped on testosterone. Some of the characters passing through Mr. Brown's book are that. Others are darkly sinister. Most are measured, disciplined professionals who understand both risk and principle.… At 80, Robert K. Brown stands as a central figure in a shadow world of secrecy and myth. His book opens that world to readers on the outside. There are many who don't like Soldier of Fortune magazine and the culture of rogue warrior exploits it represents. Bob Brown doesn't care.”—The Washington Times

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Book Synopsis"A witty, toothy, family saga, unashamedly intellectual . . . that, like youth, seems to have it all—energy, aspiration, and self-delusion." —Catherine Taylor, Financial Times"MEET SWEDEN'S SALLY ROONEY" —The Times of London"A wry bestseller that reads like the effortlessly chic European cousin of Fleishman is in Trouble." —The Telegraph of London"Poised at the intersection of life and art, reality and imagination, [Collected Works] blends the thrill of mystery with the curiosity and depth of philosophical inquiry." —The New Yorker"Collected Works . . . is as insatiable in its read as it is insightful to modern challenges of family, memory, and finding purpose." —Matthew Bedard, Flaunt"[A] sweeping and complex drama of family, art, and sacrifice . . . Readers will be captivated." —Publishers Weekly, Starred Review"A richly evocative work from a major new talent." —Kirkus Reviews, Starred Review A compelling mystery and poignant bildungsroman for readers of Karl Ove Knausgård, Collected Works is a novel about love, power, and art—and what leads us to make the pivotal decisions that change the course of our lives.Martin Berg’s wife, Cecilia, disappeared years ago. His memories of their carefree college days seem ever out of reach, and the intellectual curiosities that once made him the object of her desire have given way to midlife uncertainty. The methodical and quiet life he’s made for himself and his adult children couldn’t be further from the one he dreamed of in his youth, when the manuscripts lying around his apartment were flush with promise and his ailing publishing house was still new.Perhaps nothing reminds Martin of these failures more than his friend Gustav Becker, a wildly successful painter who’s returned to Gothenburg on the eve of his career-defining retrospective. Gustav, meanwhile, is hurting too. His obsession with Cecilia’s inexplicable disappearance had made his art hagiographic, fixated on her image. When posters for Gustav’s retrospective plaster Cecilia’s face on major billboards across the city, Martin’s daughter Rakel learns a haunting fact that points toward her mother’s whereabouts. She and her brother chase this clue across time, memory, and Europe to discover why Cecilia abandoned her family, with the imagined hope that the question of what makes a person leave can ever be answered.Collected Works, a major hit in Sweden, sold over 100,000 copies in its first year in print, instantly making Lydia Sandgren a literary sensation. Winner of the 2020 August Prize for Fiction, the novel is set to publish in 17 territories.Trade Review"[Collected Works] has flavours of the realism of her countryman, Karl Ove Knausgard, more than a hint of emotional American big hitters like Jeffrey Eugenides or Jonathan Franzen, and something of the twists and turns of a chronicle like War and Peace."—India Lewis, The Arts Desk (UK)"Collected Works has been put together with the care of a medieval scribe and the patient skill of a master carver. It is without doubt one of the most meticulously built works of fiction I’ve read in a long time." —Charlie Connelly, The New European (UK)"This is the 600-page Swedish debut novel I will be pressing into everyone’s hands this spring. Don’t be alarmed! The pages frankly fly by—in fact, I wish there were more" —LitHub"The mystery at the heart of the story adds urgency to this warm, engaging, and funny novel about the inebriation of youth and the sobriety of middle age; about lives shaped by art and ideas; about our human flaws and joys. Collected Works is a thoroughly enjoyable book."—Aysegül Savas, author of Walking on the Ceiling"Sandgren hooks the reader with an absorbing, multilayered plot that shifts between past and present, building slowly towards the emotional and narrative mystery at its heart." —Anne Foley, Booklist"[An] absorbing story . . . [Collected Works] is a witty, toothy, family saga, unashamedly intellectual but rarely bogged down by the weight of its theories . . . It's refreshing to read such a confidently ambitious work that holds art, literature, and philosophy close to its heart . . . Collected Works is an assured, bittersweet novel that, like youth, seems to have it all—energy, aspiration, and self-delusion."—Catherine Taylor, Financial Times"Lydia Sandgren's Collected Works is the most convincing work of literary fiction I've read in years: one part family saga, one part buddy comedy, one part mystery, one part bildungsroman, and one part philosophical inquiry into the nature of art, the whole filled with unforgettable characters, wry humor, and knock-down gorgeous sentences, positively vibrating with intelligence and style. People often write, with varying degrees of accuracy, that new books feel destined to become classics, but Collected Works feels like it already is one—and you, lucky reader, have stumbled upon it."—Emily Temple, author of The Lightness

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Book SynopsisThree lectures, initially presented before the University of Cambridge and now collected here, examine Matthew Parker as a noted collector of books, an avid annotator, and a keen student of Old English. In these lectures Dr. Page assesses the evidence for Parker's use of his manuscripts and printed books by drawing upon varied sources, including Parker's very numerous annotations upon their pages, and surveys the archbishop's role in the early-modern rediscovery and recovery of Old English and other medieval sources. Plates accompany the text to illustrate many characteristic aspects of Parker's interventions in his books.Table of ContentsIllustrations Foreword Acknowledgement A Mighty Collector of Books The Conservation of Ancient Records and Monuments The Chief Retriever of Our Ancient Native Language Appendix: Matthew Parker's Hand Bibliography

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Book SynopsisWhether you are a CEO, who's written a book to position yourself as a thought leader in your field, or a soccer mom, who wants to write the great American novel, Get Your Book Published! gives you vital keys to publish and market like an expert. This book will help you: Understand the different types of publishing options available Plot the development of your book from editing to cover design Navigate the terms of a publishing contract Understand the role of the literary agent Avoid land mines that derail and defeat so many authors Decide how best to tailor and format your message (mobile apps, eBooks, on-line courses, blog articles) Learn the sales channels where your book can best be sold Build a foundation for marketing that will get you noticed If you want to publish properly and profitably, this is the book to read!

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Book SynopsisEverything you’ve ever wanted to know about publishing but were too afraid to ask is right here in this funny, candid guide written by an acclaimed authorThere are countless books on the market about how to write better but very few books on how to break into the marketplace with your first book. Cutting through the noise (and very mixed advice) online, while both dispelling rumors and remaining positive, Courtney Maum's Before and After the Book Deal is a one–of–a–kind resource that can help you get your book published.Before and After the Book Deal: A Writer's Guide to Finishing, Publishing, Promoting, and Surviving Your First Book has over 150 contributors from all walks of the industry, including international bestselling authors Anthony Doerr, Roxane Gay, Garth Greenwell, Lisa Ko, R. O. Kwon, Rebecca Makkai, and Ottessa Moshfegh, alongside cult favorites Sarah Gerard, Melissa Febos, Mitchell S. Jackson, and Mira Jacob.Agents, film scouts, film producers, translators, disability and minority activists, and power agents and editors also weigh in, offering advice and sharing intimate anecdotes about even the most taboo topics in the industry. Their wisdom will help aspiring authors find a foothold in the publishing world and navigate the challenges of life before and after publication with sanity and grace.Are MFA programs worth the time and money? How do people actually sit down and finish a novel? Did you get a good advance? What do you do when you feel envious of other writers? And why the heck aren’t your friends saying anything about your book? Covering questions ranging from the logistical to the existential (and everything in between), Before and After the Book Deal is the definitive guide for anyone who has ever wanted to know what it’s really like to be an author.

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