Publishing and book trade Books
Cambridge University Press The Cambridge History of the Book in Britain
Book SynopsisThe Cambridge History of the Book in Britain is an authoritative series which surveys the history of publishing, bookselling, authorship and reading in Britain. This seventh and final volume surveys the twentieth and twenty-first centuries from a range of perspectives in order to create a comprehensive guide, from growing professionalisation at the beginning of the twentieth century, to the impact of digital technologies at the end. Its multi-authored focus on the material book and its manufacture broadens to a study of the book''s authorship and readership, and its production and dissemination via publishing and bookselling. It examines in detail key market sectors over the course of the period, and concludes with a series of essays concentrating on aspects of book history: the book in wartime; class, democracy and value; books and other media; intellectual property and copyright; and imperialism and post-imperialism.Trade Review'Inevitably in a volume of this kind there are elements, aspects and topics one would have liked to have seen covered, but that are not. Equally, topics are covered that one did not expect, or even know about. Regardless, the volume is a treasure trove of information. Like all previous volumes in the series, Volume Seven is extremely rich, detailed, carefully edited, and authoritative.' Wim Van Mierlo, Library and Information History'A fitting conclusion to a splendid seven-volume series (the first volumes appeared in 2008), this wonderfully useful and engaging collection presents 31 essays on topics including print materials and technology, book formats, and the digital book; authorship, publishing, distribution, and ownership; particular publishing niches from government publications, university presses, journals, magazines … This rich volume and indeed the whole series are essential for all who are interested in the history of the book.' D. L. Patey, Choice'The volume not only serves as an important point of reference for those working in book, publishing, or indeed library, history at the moment but will also serve as the foundation for scholars in the future to pursue their own investigations. This volume makes a very significant contribution and it is one which will stand the test of time.' Peter Reid, Journal of the Edinburgh Bibliographical Society'What has been done in this volume is immensely valuable. It is a time capsule of a national book history and book history more generally. It belongs - with no excuses - in any library pretending to house the essentials of cultural research.' Robert L. Patten, The Papers of the Bibliographical Society of AmericaTable of ContentsPart I: 1. Materials, technologies and the printing industry Sarah Bromage and Helen Williams; 2. Format and design Sebastian Carter; 3. The digital book Padmini Ray Murray; Part II: 4. Authorship Andrew Nash and Claire Squires; 5. Publishing David Finkelstein and Alistair McCleery; 6. Distribution and bookselling Iain Stevenson; 7. Reading and ownership Andrew Nash, Claire Squires and Shafquat Towheed; Part III: 8. Literature Andrew Nash and Jane Potter; 9. Children's books Peter Hunt and Lucy Pearson; 10. Schoolbooks and textbook publishing Sarah Pedersen; 11. Popular science Peter J. Bowler; 12. Popular history Helen Williams; 13. Religion Michael Ledger-Lomas; 14. Publishing for leisure Susan Pickford; 15. Museum and art book publishing Sarah Anne Hughes; 16. Music John Wagstaff; 17. University presses and academic publishing Samatha J. Rayner; 18. Journals (STM and humanities) Michael Mabe and Anthony Watkinson; 19. Information, reference, and government publishing Susan Pickford; 20. Maps, cartography and geographical publishing Iain Stevenson; 21. Magazines and periodicals Anthony Quinn; 22. Comics and graphic novels Mark Nixon; Part IV: 23. The book in Wartime Jane Potter; 24. Books, intellectual property and copyright Catherine Seville; 25. Books and the mass market: class, democracy and value Rónán McDonald; 26. The book and civil society Kate Longworth; 27. Sex, race and class: the radical, alternative and minority booktrade in Britain Gail Chester; 28. Counter-culture and underground Chris Atton; 29. Books and other media Alexis Weedon; 30. Book events, book environments David Finkelstein and Claire Squires; 31. The book, British imperialism and post-imperialism Caroline Davis.
£133.95
Cambridge University Press Women and the Circulation of Texts in Renaissance Italy
Book SynopsisDuring the Italian Renaissance, laywomen and nuns could take part in every stage of the circulation of texts of many kinds, old and new, learned and popular. This first in-depth and integrated analysis of Italian women''s involvement in the material textual culture of the period shows how they could publish their own works in manuscript and print and how they promoted the first publication of works composed by others, acting as patrons or dedicatees. It describes how they copied manuscripts and helped to make and sell printed books in collaboration with men, how they received books as gifts and borrowed or bought them, how they commissioned manuscripts for themselves and how they might listen to works in spoken or sung performance. Brian Richardson''s richly documented study demonstrates the powerful social function of books in the Renaissance: texts-in-motion helped to shape women''s lives and sustain their social and spiritual communities.Table of Contents1. Publishing texts; 2. Making and selling books; 3. Women as scribes; 4. Access to texts.
£79.79
Cambridge University Press Revising the EighteenthCentury Novel
Book SynopsisAnalyzes novel manuscripts and authors' revisions to construct a new narrative about eighteenth-century authorship, influenced by the networks in which writers lived and worked. Will appeal to researchers, scholars and students interested in eighteenth-century literature, the English novel, and the history of the book, of publishing, and of reading.Trade Review'… Revising the Eighteenth-Century Novel persuasively delivers on its premises and also recommends a novel tool that scholars will likely find valuable in their reconstruction of physically impaired manuscripts.' A. W. Lee, Choice'This study's careful attention to a massive archive makes it a valuable piece of scholarship … Richardson, Burney, Austen, and Edgeworth were each prolific writers and Havens' thorough coverage of all four is a service to the field … [and] because of its accessible focus on themes of gendered (dis)empowerment in the lives and works of its canonical figures, I can pay this study the tribute, rarer than it should be, of saying that I expect to recommend it to undergraduates …' Jacob Sider Jost, The Eighteenth-century intelligencer'Hilary Havens's Revising the Eighteenth-Century Novel: Authorship from Manuscript to Print is another important intervention in the history of both the novel and ideas of authorship … Havens has recovered previously hidden evidence about revision using digital palaeography - a powerful and fruitful new technology.' David Womersley, SEL Studies in English Literature 1500–1900'Revising the Eighteenth-Century Novel is a valuable contribution to our understanding of how the genre emerged and how authors crafted their texts in a social world over time … The real impact of Revising the Eighteenth-Century Novel is its central argument: that novels were the creation of many people and many influences, that even in their printed form they should not be considered textually stable or 'final,' and that all literary scholars need to be more aware of the influences that created the text that they are reading and more open to the idea that those influences may have contradicted the initial intent of the author.' Leah Orr, Reception: Texts, Readers, Audiences, History'With careful structuring, and a mostly lucid style, this industrious book claims new insights into the 'networks' that, via Bruno Latour, are already well established as significant in this field.' Min Wild, Times Literary Supplement'… this is essentially an interpretative, critical book … This is a rewarding study, one to argue with and learn from.' Aileen Douglas, Eighteenth-Century Fiction'Havens's book is a must-read for people interested in authorial networks and revision, regardless of the period and authors they study, and exceptionally useful for those interested in eighteenth-and early nineteenth-century authorship, and manuscript and publication practices, as well as scholars of Richardson, Burney, Austen, Edgeworth, Sterne, Lewis, and Godwin. Revising the Eighteenth-Century Novel ultimately not only provides excellent examples and amazing insight into 'authorship from manuscript to print,' as the book's subtitle explains, but also asks its readers to understand authorship as a network built upon reading, writing, dialogue, and revision. After one reads Havens's book, it would be impossible not to do that.' Misty Krueger, Eighteenth-Century Life'In developing 'a model of 'networked authorship',' Havens contributes to a growing scholarship that recovers eighteenth-century writing practices and book culture from overdetermined interpretations rooted in the 'individualistic view of authorship that arose during the Romantic period.' Mark Alan Mattes, Eighteenth-Century Studies'This is a compact but powerful book. Much of the evidence is new, and the argument is salient.' George Justice, Studies in the Novel'The organizational structure of the book is water-tight, clear, and lends itself well to teaching … Revising the Eighteenth-Century Novel is likely to be influential.' Emily Friedman, The Review of English Studies'Revising the Eighteenth-Century Novel remains an important entry in a growing body of scholarship on eighteenth-century manuscripts and literary circles. Taken together, this may do for the novel what twentieth-century criticism did for early modern drama-demonstrating that the text is not a singular 'event' emerging from a singular great voice, but an ever-shifting network of processes, responses and contributions that can open up fresh interpretative possibilities.' Natasha Simonova, The Scriblerian and the Kit-CatsTable of Contents1. Samuel Richardson: 'fan fiction' and networked authorship; 2. Frances Burney: obliterations and unending revisions; 3. Jane Austen: revision as empowerment; 4. Maria Edgeworth: scientific knowledge, didactic moralism, and her 'family jury of critics'.
£85.50
Cambridge University Press Print and Performance in the 1820s
Book SynopsisDuring the 1820s, British society saw transformations in technology, mobility, and consumerism that accelerated the spread of information. This timely study reveals how bestselling literature, popular theatre, and periodical journalism self-consciously experimented with new media. It presents an age preoccupied with improvisation and speculation a mode of behaviour that dominated financial and literary markets, generating reflections on risk, agency, and the importance of public opinion. Print and Performance in the 1820s interprets a rich constellation of fictional texts and theatrical productions that gained popularity among middle-class metropolitan audiences through experiments with intersecting fantasy worlds and acutely described real worlds. Providing new contexts for figures such as Byron and Scott, and recovering the work of lesser-known contemporaries including Charles Mathews'' character impersonations and the performances of celebrity improvvisatore Tommaso Sgricci, Angela Esterhammer explores the era''s influential representations of the way identity is constructed, performed, and perceived.Trade Review'In pondering the performativity of language and literature, no surer and more capable guide can be found than Angela Esterhammer.' Frederick Burwick, The BARS Review'Esterhammer's ability to make the history feel modern throughout will appeal to scholars of theater, literature, and history.' J. Rodzvilla, Choice'The richness of … [this book's] collection-point to the exciting possibilities materialist reading continues to offer scholars of British Romanticism.' Kristin Flieger Samuelian, European Romantic Review'Angela Esterhammer's latest monograph presents a vividly detailed, panoramic view of a decade that was long disregarded as a disappointing lull between the heights of Romanticism and Victoria's ascension … The study's greatest contribution to literary studies may be to foster many such additional readings with its fresh understanding of the 1820s as an exuberant era of risk-taking experimentation in performance and print. Reading it is an immersive experience that provides a clear and convincing take on a fascinating decade.' Sarah Zimmerman, The Wordsworth CircleTable of ContentsList of illustrations; 1. Introduction: being there, circa 1824; 2. Periodical performances: Blackwood's, Knight's, and The Bachelor's Wife; 3. Mediating improvisation and improvising mediation: Tommaso Sgricci and periodical culture; 4. Personal identity, impersonation, and Charles Mathews: who is he when he's at home?; 5. Theodore Hook's Sayings and Doings on the page and the stage: 'a curious matter of speculation'; 6. Speculating on property: to and from the village with Galt, Mitford, and Scott; 7. Scottish fictions of 1824: permutations of identity; Bibliography; Index.
£90.00
Chicago Review Press How to Write Your Own Life Story: The Classic
Book SynopsisWriting the story of one’s life sounds like a daunting task, but it doesn’t have to be. This warmhearted, encouraging guide helps readers record the events of their lives for family and friends. Excerpts from other writers’ work are included to exemplify and inspire. Provided are tips on intriguing topics to write about, foolproof tricks to jog your memory, ways to capture stories on paper without getting bogged down, ways to gather the facts at a local library or historical society, inspired excerpts from other writers, and published biographies that will delight and motivate.Trade Review"An inspiration and a practical guide to writing your autobiography." --KLIATT"Leads you through the process of story creation for nonprofessionals in a way that is easy and fun." -- Women's Words
£14.20
Grove Press / Atlantic Monthly Press Endpapers: A Family Story of Books, War, Escape
Book Synopsis'Remarkable lives in extraordinary times - a gripping and exceptional literary journey.' Philippe Sands'Alexander Wolff is keen, after a generation of silence, to follow the untold stories wherever they might lead.' Claire Messud, Harpers Magazine'As riveting as the fiction the Wolffs themselves have published, and deeply affecting.' NewsweekIn 2017, acclaimed journalist Alexander Wolff moved to Berlin to take up a long-deferred task: learning his family's history. His grandfather Kurt Wolff set up his own publishing firm in 1910 at the age of twenty-three, publishing Franz Kafka, Émile Zola, Anton Chekhov and others whose books would be burned by the Nazis. In 1933, Kurt and his wife Helen fled to France and Italy, and later to New York, where they would bring books including Doctor Zhivago, The Leopard and The Tin Drum to English-speaking readers.Meanwhile, Kurt's son Niko, born from an earlier marriage, was left behind in Germany. Despite his Jewish heritage, he served in the German army and ended up in an prisoner of war camp before emigrating to the US in 1948. As Alexander gains a better understanding of his taciturn father's life, he finds secrets that never made it to America and is forced to confront his family's complex relationship with the Nazis.This stunning account of a family navigating wartime and its aftershocks brilliantly evokes the perils, triumphs and secrets of history and exile.Trade Reviewan event-filled biography and, along the way, a captivating case study in the challenges faced by refugees attempting to remake a life...as enlightening as it is engaging. * Wall Street Journal *as riveting as the fiction the Wolffs themselves have published, and deeply affecting. * Newsweek *Alexander Wolff is keen, after a generation of silence, to follow the untold stories wherever they might lead. -- Claire Messud * Harpers Magazine *Remarkable lives in extraordinary times - a gripping and exceptional literary journey. -- Philippe Sands[A] poignant portrait...Wolff skillfully contextualizes his father and grandfather's tales with military and political history; details links between Merck and the Nazi regime; and uncovers family secrets, including the existence of his father's illegitimate half-brother. History buffs and literary enthusiasts will be rewarded * Publishers Weekly *An astonishing, compelling, confronting story of a divided family, reaching sharply into the present. -- Tim Bonyhady, author of GOOD LIVING STREETMeticulously researched and beautifully written, Endpapers, at its heart, is an absorbing family history. But it is so much more than that, a haunting exploration of guilt and responsibility, of roots and new beginnings. Filled with stunning literary details that any bibliophile will cherish, this is an intimate and complex portrait of a remarkable family that also tells a wider story of Europe and America in the twentieth century. Endpapers is a treasure - a brave and moving book. -- Ariana Neumann, author of WHEN TIME STOPPEDA powerfully told story of family, honor, love and truth, by a masterful writer who sees across the oceans and through the generations. In Endpapers we see the Wolff family through war and love, detention camps and immigration hearings, kindness and betrayal, occupying a world equal parts Casablanca and Kafka. It is engrossing and entertaining, a book of conscience and remembrance that tells the beautiful truth that so often those who contribute most to the culture and civic life of a place are the outcast and the refugee. -- Beto O'RourkeAlexander Wolff - a writer of superb grace - traces a complex and compelling family history in this deeply absorbing narrative of high culture under threat, of political and moral violence, and the deep wish for what Wolff refers to as Heimkehr or 'homecoming.' Endpapers held me in its spell for days. -- Jay Parini, author of BORGES AND ME: AN ENCOUNTERA stunning and brave book, deep and absorbing. I was enraptured by the story of Kurt, Niko and Alex as they moved through the crosswinds of the twentieth century, from Munich to Princeton, and into the modern world. -- David Maraniss, author of A GOOD AMERICAN FAMILYIn a compelling, frequently thrilling and - if you have an ear for the biting tone of Hitler's exiles - often hilarious book, Alexander Wolff combines biography, memoir and cultural history, rendering them indivisible, and making clear the uncanny and terrifying parallels between Kurt Wolff's day and ours. -- Anthony Heilbut, author of EXILED IN PARADISE and THOMAS MANN[A] revelatory, riveting and deeply moving account of his family's involvement in Germany's recent history. -- Joshua Hammer * New York Review of Books *Table of ContentsPrologue: Prologue Introduction: Introduction 1: Bildung and Books 2: Done with the War 3: Technical Boy and the Deposed Sovereign 4: Mediterranean Refuge 5: Surrender on Demand 6: Into a Dark Room 7: A Debt for Rescue 8: An End with Horror 9: Blood and Shame 10: Chain Migration 11: Late Evening 12: Second Exile 13: Schweinenest 14: Turtle Bay 15: Mr. Bitte Nicht Ansprechen 16: Shallow Draft 17: Play on the Bones of the Dead 18: The End, Come by Itself
£20.00
Word Dancer Press Navigating the Rough Waters of Today's Publishing
Book SynopsisA complete review of the modern publishing process, this resource is an ideal companion for aspiring authors who want to understand and break into this ever-changing industry. A question and answer format with a robust roster of literary agents, editors, authors, and insiders -- including Huffington Post founder Arianna Huffington, Slate magazine editor David Plot, and New York Times -- best-selling author Bob Mayer -- this guidebook demystifies the entire publishing process. Thorough discussions on the difference between fiction and non-fiction publishing, working with an agent, maximising marketing and promotional opportunities, and getting published in magazine, newspapers, and online make this an essential reference for anyone wanting to plot a course for publishing success.
£14.39
Monash University Publishing Post-Digital Book Cultures: Australian
Book Synopsis
£17.99
Sterling Publishers Pvt.Ltd One to One: Glimpses of Indian Publishing
Book SynopsisAre you interested in knowing the intricacies involved in publishing a book? Would you like to explore the diverse mind of a publishing professional working on a best-seller? Does the sight of a best-seller raise your curiosity levels as to how an idea into a book? If yes, then this is the book for you. It provides an insight into the inspiring and active working lives of 14 leading Indian publishing professionals, publishers, editors, booksellers, literary agents...
£7.99
Sterling Publishers Pvt.Ltd Face to Face with Indian Publishing Professionals
Book SynopsisThere is an enthusiasm and vigour in the Indian publishing industry that is hard to miss. India is, perhaps, the only country in the world where publishing is being done in 24 languages, resulting in an immense growth in regional as well as English language publishing. Many multinationals have begun their operations in India and many more are coming. The retail space has increased manifold in the last 10 years and will continue to increase rapidly in the coming years. Yet, there exists a vacuum within the industry in terms of sharing information and ideas. What is missing is a common platform for publishing professionals to interact with each other regarding issues concerning them. Keeping this in mind, Publishing Today, an e-journal, was started in Dec 2006, which serves as a forum for publishing professionals to share information and exchange views. In each issue there is an interview with a publishing professional with the view to help budding professionals and new entrants in widening their vision about the industry. This is a compilation of these inspiring interviews as it was felt that their accessibility was limited only to a scattered few and also because many publishers would enjoy a printed book rather than surf on-line. Hope you have as much fun going through these interviews as I had in conducting them!
£7.99
HarperCollins Publishers The Sun TwoSpeed Crossword Book 7 80 twoinone cryptic and coffee time crosswords The Sun Puzzle Books
Book SynopsisQuiz your family at home with crosswords, puzzles and games. Test your general knowledge with 80 two-in-one cryptic and coffee time crosswords from Britain’s bestselling newspaper, The Sun.
£9.37
St. Martin's Publishing Group Conde Nast
Book SynopsisThe first biography in over thirty years of Condé Nast, the pioneering publisher of Vogue and Vanity Fair and main rival to media magnate William Randolph Hearst. Condé Nast's life and career was as high profile and glamourous as his magazines. Moving to New York in the early twentieth century with just the shirt on his back, he soon became the highest paid executive in the United States, acquiring Vogue in 1909 and Vanity Fair in 1913. Alongside his editors, Edna Woolman Chase at Vogue and Frank Crowninshield at Vanity Fair, he built the first-ever international magazine empire, introducing European modern art, style, and fashions to an American audience. Credited with creating the café society, Nast became a permanent fixture on the international fashion scene and a major figure in New York society. His superbly appointed apartment at 1040 Park Avenue, decorated by the legendary Elsie de Wolfe, became a gat
£24.87
£14.61
Edinburgh University Press The Edinburgh History of the British and Irish
Book SynopsisComprehensively sets out the cross-regional and transnational dimension of press history in early-modern Britain and IrelandTrade Review"This is an indispensable collection, which skilfully maps the territory of news in early modern Britain, explores the central issues involved, and surveys a burgeoning historiography. At the same time, it also presents a wealth of striking evidence drawn from cutting-edge research, and highlights numerous avenues for further investigation. Essential reading." -Jason Peacey, UCL
£175.50
Hay House UK Ltd Get Signed: Find an Agent, Land a Book Deal and
Book Synopsis“All aspiring authors know the value of a great literary agent, but few know how to get one. Lucinda Halpern has written the definitive guide to attracting an agent and laying the groundwork for a book well worth publishing.” — Adam Grant, #1 New York Times best-selling author of Think Again and Hidden Potential, and host of the TED podcast Re:ThinkingIn this practical, immediately actionable guide, Lucinda Halpern, who has represented New York Times bestsellers and brokered numerous deals with major publishers for over a decade, divulges what agents look for in authors and the shortcuts they use to get book deals but have never revealed—until now. Lucinda has personally helped hundreds of writers and entrepreneurs launch timeless, best-selling books. But the path to literary success begins with knowing the answers to questions like: · How do I make my book idea marketable to agents and publishers? · What essential ingredients should my book pitch possess? · What common pitfalls and errors should I avoid? · How do I find a reputable agent who shares my vision? · What can I do if I'm getting rejected by agents and publishers? With her unique 6-step method, Lucinda provides the tools and concrete strategies to: · Write a query letter that gets an agent's attention · Build an effective marketing platform · Create a timeless bestseller Packed with interviews from best-selling authors, leading book editors from Penguin Random House, Simon & Schuster, HarperCollins, Hachette, and more, Get Signed is the indispensable roadmap you need right now to get noticed and become a published author.
£11.69
Two Rivers Press Roots and Branches: The Centenary History of
Book Synopsis
£11.74
Design For Today Printer's ABC
Book Synopsis
£12.95
Fly on the Wall Press In Conversation With Small Press Publishers
Book Synopsis A series of personal, curated interviews with the best of the UK's Small Presses. From advice on taking your manuscript to publication, marketing for authors and publishers and a look at contracts, these publishers wish to demystify the publishing process for budding authors, across a wide range of genres.
£11.77
The University of Chicago Press Science Periodicals in NineteenthCentury Britain
Book SynopsisTrade Review"This innovative, insightful, and valuable collection advances the historical and critical understanding of scientific periodical publication and readership in nineteenth-century Britain in important ways. Much of the existing literature on the topic has focused on general-interest periodicals; this volume offers, for the first time, an extremely well-researched, substantial comparative study of specialist scientific periodicals throughout the period. It's an impressive and polished collection of scholarship."--Robin Vandome, University of Nottingham
£45.60
Columbia University Press Jacques Schiffrin
Book SynopsisIn this first biography of Jacques Schiffrin, the founder of Pléiade Editions in Paris and cofounder of Pantheon Books in New York, Amos Reichman tells the story of a great publisher and his travails across two continents.Trade ReviewA fitting tribute to a man who did so much for literature—and who could have done even more, had he been allowed. * Foreword Reviews *In Jacques Schiffrin: A Publisher in Exile, from Pléiade to Pantheon, Amos Reichman provides a fine account of the events in the turbulent life of a gifted man who sought only to practice his trade in peace and tranquility -- William Cloonan, Florida State University * H-France Review *Despite fleeing first Tsarist Russia and then Nazi-occupied France, Jacques Schiffrin succeeded in being a major literary influence on two continents, establishing first the best edition of French classics and then a key publishing house in New York which would flourish still more under his son. It is splendid that we now at last have a lively and informative biography of this remarkable man. -- Adam Hochschild, author of King Leopold's Ghost: A Story of Greed, Terror, and Heroism in Colonial AfricaJacques Schiffrin, exiled from his native Russia after the Revolution, created a great career as an innovative publisher in Paris but had to start all over again as a refugee in New York in the 1940s, aged almost 50. Bravo to Amos Reichman for writing the first biography of this attractive yet tragic figure, whose life embodies the shocks and displacements caused by the catastrophic history of the twentieth century. -- Susan Rubin Suleiman, author of The Némirovsky Question: The Life, Death, and Legacy of a Jewish Writer in Twentieth-Century FranceExile is often a state of alienation. Sometimes it can be an adventure, a successful negotiation between old and new worlds. Amos Reichman skillfully recounts one such miracle, providing—through the melancholic, inspired figure of Jacques Schiffrin—a transatlantic microhistory of publishing and literary production from the 1930s through the 1950s that is precise and informed, rich and, at times, funny. -- Emmanuelle Loyer, Sciences-Po ParisAmos Reichman’s Jacques Schiffrin is a sensitively written and deeply researched version of an important story. Reichman’s account beautifully captures the pathos of exile. -- Evan Brier, University of Minnesota DuluthReichman's archival work brings a fresh perspective on a major yet little-known publisher and offers a sophisticated overview of the literary and cultural landscape in France before and during the Second World War. -- Lise Jaillant, Loughborough UniversityBeautiful book written with love and dedication, pretty warm, for everyone. Highly recommended. * Al Femminile Blog *Reichman provides a fine account of the events in the turbulent life of a gifted man. * H-France Review *Table of ContentsAcknowledgmentsForeword, by Robert O. PaxtonIntroduction1. From War to Exile2. A Publisher in New York3. The Impossible ReturnEpilogueNotesArchives ConsultedIndex
£22.50
The University of Michigan Press Getting Published in Academic Journals
Book SynopsisThe aim of this guide is to clarify the process and offer advice. Getting Published in Academic Journals is written for graduate students and newly graduated PhDs who want to publish their research in peer-reviewed academic journals.
£18.95
Harvard University Press True Story
Book SynopsisFocusing on Bernarr Macfadden, a bodybuilder turned publishing mogul, Shanon Fitzpatrick charts the rise and export of US mass media and consumer culture. Macfadden’s magazines—featuring fitness tips, celebrity gossip, and sensational “true” stories—created an enduring editorial template and powered worldwide demand for interactive American media.Trade ReviewRichly detailed and well-argued…Fitzpatrick has mined a fresh seam in the quarry of American periodical history, and by setting it in a new, global, context, she reveals a moment in the formation of a global media culture. -- Amy Aronson * American Journalism *A stimulating rewriting of the history of Macfadden’s media pulp empire…Makes a compelling argument about what factors shaped the interactive, confessional, and dynamic culture that makes up the U.S. mass media landscape we live in at present. -- Hana Vega * International Journal of Communication *Fitzpatrick’s book at once recuperates the forgotten origins of physical culture and contextualizes it within the media culture that it traveled, adding crucial texture to our understanding of media that explicitly tailored itself to nonelite readerships. -- Donal Harris * American Literary History *A lively, engrossing, and often funny history of Bernarr Macfadden and the publishing empire he built. Fitzpatrick tells the story of his journey from hungry orphan weakling to famous bodybuilder, patriarch, promoter of ‘physical culture,’ and publishing magnate. Though long overlooked as a purveyor of low-class, ephemeral pulp, Macfadden achieved unsurpassed newsstand sales, connected with leaders such as FDR, Mussolini, and the Pope, and represented American culture to millions of readers around the world. Fitzpatrick’s work provides insights into strongmen—understood both literally and figuratively—and their popular appeal, and readers today will see the unmistakable legacy of his media in the Trump era and beyond. -- Kristin L. Hoganson, author of The Heartland: An American HistoryAbsolutely original. Fitzpatrick deftly travels from the Victorian world of the mid-nineteenth century to the doorstep of our time to tell Macfadden’s story. Her book brims with insights into the changing, everyday understandings of bodies, sex, material status, and the individual’s place in a social world people found too vast to perceive and difficult to comprehend. Fitzpatrick shows how Macfadden’s work, from celebrating celebrity bodies to enlisting readers to create the content to be sold back to them, laid the foundations for today’s media world. -- Charles F. McGovern, author of Sold American: Consumption and Citizenship, 1890–1945
£31.46
Harvard University, Asia Center Writing for Print
Book SynopsisSuyoung Son examines the widespread practice of self-publishing by writers in late imperial China, focusing on the relationships between manuscript tradition and print convention, peer patronage and popular fame, and gift exchange and commercial transactions in textual production and circulation.
£30.56
Princeton University Press Under the Cover The Creation Production and
Book SynopsisTrade Review"Co-Winner of the 2018 Mary Douglas Prize for Best Book, Sociology of Culture Section of the American Sociological Association""Under the Cover is well-plotted, making use of the kind of narrative device--a three-act structure, revealing details, even cliff-hangers--one might find in an actual novel, all of which is underpinned by insightful observations of the many writers, agents, editors, publishers, booksellers, readers and others Childress studies. . . . An engaging story about the interface of the word and the world."---Megan Marz, Times Literary Supplement"Written with great love, accuracy, attention for every little detail, it is extremely clear in the exposition of the various steps of the creation of a book it's a great reading, captivating and interesting! Intriguing from the beginning to the end, this book can't be put down for a second."---Anna Maria Polidori, Alfemminile"In this excellent contribution to the study of literature and of the sociology of culture, Childress situates a specific cultural object--Cornelia Nixon's novel Jarrettsville (2009)--within the many contexts responsible for its birth and integration into the social fabric. In so doing, he reasserts the social nature of cultural products, a claim at the cornerstone of sociology as a discipline. . . . This work is interesting as a study of the evolving role of literature in modern life, and sociologists will learn from its unique approach to analyzing cultural products." * Choice *"Even someone who is part of the publishing system as an author is unaware of how the soup is made, and there can be no more fascinating, enjoyable, insightful, and well-written a guide to what goes on in the publishing kitchen than Clayton Childress’ wonderful Under the Cover."---Mitchell Abidor, Jewish Currents"Under the Cover is a significant contribution to work on cultural objects. Readers, prepared to be bowled over by the wealth of data Childress collected and the depth of his analyses. I certainly was. If you know you’ve read a good book when you’re jealous that you didn’t write it yourself, then color me green. To sum up, permit me to poach the words of Ayelet Waldman: 'This is a fucking AWESOME book.'"---Terence E. McDonnell, Social Forces"It is to Childress’s credit that Under the Cover does not announce itself as a program for the study of culture; such claims are more persuasive as demonstrations rather than pronouncements. Those who are open to the demonstration will note that in the guise of a lucid, lively study of a single novel, Under the Cover points the way to an arduous but richly rewarding approach to studying cultural life in general."---Ben Merriman, American Journal of Sociology"This beautifully written and deeply insightful book does just what its title indicates: it gets ‘under the cover’of a historical literary novel and follows it through its full life cycle, from inception to birth and beyond."---Heather Haveman, Administrative Science Quarterly
£22.50
University of Pittsburgh Press Latinoa Childrens and Young Adult Writers on the Art of Storytelling
Book SynopsisChildren's and young adult literature has become an essential medium for identity formation in contemporary Latino/a culture in the United States.Trade ReviewThese insightful, widely ranging interviews showcase the defining children’s and YA Latina/Latino writers and illustrators of our time. They speak about tapping the magic of story, taking risks, crafting identity: about crossing or defying or blurring the borders of language and experience. Aldama’s scholarship brings vital cultural and artistic realities to the page for the benefit of all those who care about young readers."" - Uma Krishnaswami, author of Book Uncle and Me""Alongside an elegant and thoughtful introduction, Aldama has provided us with a superbly illuminating set of interviews with some of this century’s most innovative and challenging writers. He sheds new light on the incredibly rich ideas and vision of Latino and Latina artists and writers and guides our reading with compelling questions."" - Mary Pat Brady, Cornell University""If you love stories, prepare for a very special treat. In this volume, you will encounter Latino/a authors and artists who tell the stories that led to their artistic creations—the long journeys they have taken to open a space for Latino work, for Latino voices, for Latino ways of engaging the world. In Aldama's deeply informative and moving interviews, we come face to face with the rich creative spirits that have given rise to a perfect feast of Latino/a children's and young adult fiction, nonfiction, and art"" - Andrea Lunsford, Emerita, Stanford University.""Aldama, along with all the authors included in this volume, have been reading and listening to stories told by young and old in homes, neighborhoods, and churches. This book reminds all of us to do the same and to consider the learning and reading lives of young people ordinarily left out of consideration in the literature of children and young adults. Creative depth, intellectual yearning, and vibrant imaginations shine through the wisdom of this book. Every reader should read these pages and take up the charge to spread this wisdom in every way possible."" - Shirley Brice Heath, Emerita, Stanford University
£38.95
Edward Elgar Publishing Ltd Publish or Perish
Book SynopsisTrade ReviewAcclaim for first edition:‘I know of no other work on the subject that collates and curates such a vast armamentarium of depressing, condemning data. Yes, to read this book is to be presented with example after astonishing example of situations that make the reader question, ultimately, how knowledge – which is, after all, what is at stake – manages to advance in the current academic environment.’ -- Steven E. Gump, Princeton University, US‘I found Moosa’s work to be commendable. This work is an interesting evaluation of modern academia and the problems within the system. I therefore recommend it to all academics.’ -- Marita Carnelley, North-West University, South Africa‘Publish or Perish is not a cheerful book, but it is one that all academics should read and consider.’ -- James Hartley, University of Keele, UK‘Professor Moosa describes in vivid terms the practical immediate effects and longer-term underlying faults of this [POP] system.’ -- Hugh David, R+D Hastings, UKTable of ContentsContents: Preface to the second edition 1 Publish or perish: origin, evolution and conceptual issues 2 Publish or perish: ideological foundations and perceived benefits 3 Consequences of POP: research quality and dissemination of knowledge 4 Consequences of POP: biases and emotional damage 5 Consequences of POP: the journal industry and authorship pattern 6 Consequences of POP: research misconduct (part 1) 7 Consequences of POP: research misconduct (part 2) 8 The peer review process 9 The ranking craze: journals 10 The ranking craze: universities 11 The way forward References
£100.00
University of Toronto Press Elizabethan Publishing and the Makings of Literary Culture
Book SynopsisOutlining the full range of practises that publishers performed, including the acquisition of copy and titles, compiling, alteration to texts, and reissuing, Elizabethan Publishing and the Makings of Literary Culture considers links between the book trade and the literary culture of Elizabethan England.Trade Review"This book is rife with references to practices and people not often discussed, but Melnikoff’s integration of terminology, Elizabethan classics, and applied techniques leaves an open door for both publishing professionals and newly interested readers to engage with the peculiarities of sixteenth century publishing." -- Marina Garcia, Portland State University * Publishing Research Quarterly, vol 35 *Table of ContentsGeldings, "prettie inuentions," and "plaine knauery": Elizabethan Book-Trade Publishing Practices Thomas Hacket, Translation, and the Wonders of the New World Travel Narrative Richard Smith’s Browsibles: A Hundreth Sundry Flowers (1573), The Fabulous Tales of Aesop (1577), and Diana (1592, 1594?) Flasket and Linley’s The Tragedy of Dido Queen of Carthage (1594): Reissuing the Elizabethan Epyllion Reading Hamlet (1603): Nicholas Ling, Sententiae, and Republicanism
£45.90
John Wiley and Sons Ltd Book Wars: The Digital Revolution in Publishing
Book SynopsisThis book tells the story of the turbulent decades when the book publishing industry collided with the great technological revolution of our time. From the surge of ebooks to the self-publishing explosion and the growing popularity of audiobooks, Book Wars provides a comprehensive and fine-grained account of technological disruption in one of our most important and successful creative industries. Like other sectors, publishing has been thrown into disarray by the digital revolution. The foundation on which this industry had been based for 500 years – the packaging and sale of words and images in the form of printed books – was called into question by a technological revolution that enabled symbolic content to be stored, manipulated and transmitted quickly and cheaply. Publishers and retailers found themselves facing a proliferation of new players who were offering new products and services and challenging some of their most deeply held principles and beliefs. The old industry was suddenly thrust into the limelight as bitter conflicts erupted between publishers and new entrants, including powerful new tech giants who saw the world in very different ways. The book wars had begun. While ebooks were at the heart of many of these conflicts, Thompson argues that the most fundamental consequences lie elsewhere. The print-on-paper book has proven to be a remarkably resilient cultural form, but the digital revolution has transformed the industry in other ways, spawning new players which now wield unprecedented power and giving rise to an array of new publishing forms. Most important of all, it has transformed the broader information and communication environment, creating new challenges and new opportunities for publishers as they seek to redefine their role in the digital age. This unrivalled account of the book publishing industry as it faces its greatest challenge since Gutenberg will be essential reading for anyone interested in books and their future.Trade ReviewOne of Tyler Cowen's 'Best Non-Fiction Books of 2021' in Marginal Revolution“An expert diagnosis of publishers and publishing, robustly illustrated with charts, graphs, tables, statistics and case studies… For anyone bewildered by the transformation of the book world, Mr. Thompson offers a pointed, thorough and business-literate survey.”The Wall Street Journal“Thompson takes the reader on a wild and exciting ride exploring the changes that have turned book publishing on its head over the last 30 years, with the development of many new technologies that readers may have come to take for granted or never considered… well worth reading to understand where the book was in the latter part of the twentieth century and where it is headed well into the twenty-first.”LSE Review of Books“Book Wars is as comprehensive, wide-ranging and deeply considered an appraisal of the book publishing world as one can imagine – and a sober consideration of what the digital age has meant to a print-centred business. This masterful work should be the foundation for all future thinking about book publishing, and much future thinking about how new technologies change – and don’t change – societies.”Michael Schudson, Columbia University “Thompson weaves together a remarkable account of how and why one of the oldest forms of media has persisted through the challenges posed by digital disruption. Extraordinary in its breadth and depth, Book Wars unpacks the complex implications of digital production and distribution and draws crucial lessons that are relevant well beyond the world of books, providing a valuable lens for examining the profound changes that internet communication has brought to nearly every sector of the economy, and especially media industries.”Amanda Lotz, Queensland University of Technology “John Thompson was there when the digital-driven changes were in full swing, and he uses his bird’s-eye view and thoroughly researched analysis to give the reader the story behind the stories. And it’s a great read too.”John Sargent, CEO of Macmillan Publishers USA“An astute deep dive into the current publishing predicament ─ how we got here and what lies ahead. For anyone who wants to understand the key challenges facing our industry today, this book is highly instructive.”Jonathan Galassi, President, Farrar Straus & Giroux “Thrilling reports from the trade-publishing front lines by a leading (as it were) war correspondent….I once (rather pompously) wrote that we need a 'contemporary history of the book'. Well, now we have it, for trade presses at least. I just didn’t expect it to be so interesting.”Times Higher Education“magisterial”The Independent“insightful and intelligent”Publisher’s Weekly “excellent… Every skirmish, every battle, every standoff is covered objectively with supporting data and entertainingly with the case studies I would have chosen.”Richard Charkin, Publishing Perspectives“An important book for anyone interested in publishing.”The Toronto Star“John B. Thompson’s Book Wars: The Digital Revolution in Publishing is certain to become this year’s must-read for anyone serious about the publishing industry.”Thad McIlroy, The Future of Publishing “an extremely authoritative account of the revolution which at one time looked like it was going to destroy the fusty old world of book publishing, but has actually ended up reinvigorating it in ways that no one predicted… for anybody wanting to get into publishing this should be compulsory reading. If you are about to go for a job interview anywhere in the industry, read this book first!”Authors Electric“Exceptionally well written, organized and presented... Book Wars: The Digital Revolution in Publishing is an extraordinary study and one that is especially and unreservedly recommended for anyone with an interest in how and why the publishing industry works as it does today.”Midwest Book Review “If you’re a serious professional author like me, this book is a must-read because it gives historical perspective. Younger and less experienced writers often lack historical perspective and there aren’t many books on the history of the publishing industry, so Thompson’s book is required reading.”M. L. Ron, Indie Author Confidential Vol. 5 “Thompson’s work is authoritative and will be of tremendous value to future readers and researchers in understanding how a 500-year-old culture of print was able to absorb and adapt. I’m aware of no other title that provides such a useful account of how publishing professionals have fought to ensure stabilization and reliable delivery of content.”The Scholarly Kitchen “magisterial… Thompson has provided an invaluable reference and resource for researchers into the complex and rapidly changing field of book publishing. Elegantly written, thoroughly researched, and remarkably comprehensive, Book Wars tells a fascinating story of how publishers large and small are adapting to the transformational effects of the digital revolution.”Publishing Research Quarterly “Thompson’s Book Wars has been the book-about-book-publishing event of 2021…no one else has Thompson’s ability to marshal the facts into comprehensive and illuminating accounts of publishing in all its splendor.”Publishers Weekly“Nobody arrives better equipped than Thompson to map how the publishing ecosystem has persisted and morphed in the digital environment… it's invaluable to have such thorough documentation of the digital publishing multiverse.”The Los Angeles Review of Books“Thompson sets out to detail the recent history of the digital revolution of books and succeeds in not only providing such a history, but also showing a clear warning sign of how the digital revolution impacts every industry and individual differently… fascinating.”Real Change“fascinating and salutary”The Critic“Thompson is an eloquent and lucid writer who has a real talent for telescoping smoothly from individual cases to a bird's-eye view of the industry of trade publishing… I do not imagine there are many other scholars working today who could provide such a magisterial account of the past two decades of the digital revolution in Anglo-American trade book publishing.”Robert Brown, Journal of Scholarly Publishing“This is a deeply informative book that can be read cover to cover and then put on a nearby shelf as a reference, not only to the grand themes of the digital revolution in books, but to a plethora of companies and organizations that have contributed to every aspect of that revolution, from Smashwords to Booksmart to Blurb to Unbound to Inkshares to so many more.”Alex Holzman, Journal of Scholarly Publishing“Book Wars brings depth and empirical richness to its account of the rapidly changing publishing industry, while contributing to theoretical and conceptual debates about digital platforms and culture industries.”International Journal of Communication“A great book… This is a comprehensive and thoroughly convincing monograph on the digital revolution in publishing. There is just no way round this book, for publishing studies scholars (and students) as well as for book business professionals interested in the inner workings of the digital sector of their industry.”Logos 'a brilliant and singular work'Escola de Llibreria ‘Book Wars presents a comprehensive and compelling narrative of new forms of book production, publication, and dissemination. Anyone considering the current and historical states of Anglo-American trade publishing would benefit from reading this impressive piece of scholarship.’Information & Culture ‘Literary scholars, professionals with a vested interest in books’ value, stand to benefit enormously from Thompson’s account… Book Wars shows that understanding the major forces shaping literary production and circulation requires methods appropriate to resolutely non-textual phenomena. Our disciplinary habitus may not be a reliable guide to the hidden continents of literary media. Thompson’s map of the changing publishing field points to different lines of inquiry for contemporary literary studies—different objects, different questions—than the ones we have so far taken up.’Contemporary Literature ‘Book Wars provides an expansive look at the state of publishing today, and will find readers across a wealth of disciplines and approaches… it will prompt and inform ongoing discussions about the book industry and publishing – and ultimately, help us understand the value of what we still call “the book” in our heavily digitized and media-filled lives.’Zeitschrift für Anglistik und Amerikanistik“Thompson has a long view of publishing, one that isn’t mired in nostalgia. He isn’t dismissive or jaded about the digital revolution, which is exactly the right attitude for any publisher hoping to navigate its turbulent future."The AuthorTable of ContentsPreface Introduction 1 The Faltering Rise of the Ebook 2 Reinventing the Book 3 The Backlist Wars 4 Google Trouble 5 Amazon's Ascent 6 Struggles for Visibility 7 The Self-publishing Explosion 8 Crowdfunding Books 9 Bookflix 10 The New Orality 11 Storytelling in Social Media 12 Old Media, New Media Conclusion: Worlds in Flux Appendix 1: Sales data from a large US trade publisher Appendix 2: Note on Research Methods Index
£48.75
Boydell & Brewer Ltd Publishing Culture and the Reading Nation :
Book SynopsisEssays examining aspects of German book history -- in relation to writers, readers, and publishers -- from the 1780s to the 1930s. Over the long nineteenth century, German book publishing experienced an unprecedented boom, outstripping by 1910 all other Western nations. Responding to the spread of literacy, publishers found new marketing methods and recalibrated their relationships to authors. Technical innovations made books for a range of budgets possible. Yearbooks, encyclopedias, and boxed sets also multiplied. A renewed interest in connoisseurship meant that books signified tasteand affiliation. While reading could be a group activity, the splintering of the publishing industry into niche markets made it seem an ever-more private and individualistic affair, promising variously self-help, information, Bildung, moral edification, and titillation. The essays in this volume examine what Robert Darnton has termed the "communications circuit": the life-cycle of the book as a convergence of complex cultural, social, and economicphenomena. In examining facets of the lives of select books from the late 1780s to the early 1930s that Germans actually read, the essays present a complex and nuanced picture of writing, publishing, and reading in the shadow of nation building and class formation, and suggest how the analysis of texts and the study of books can inform one another. Contributors: Jennifer Askey, Ulrich Bach, Kirsten Belgum, Matthew Erlin, Jana Mikota, Mary Paddock, Theodore Rippey, Jeffrey Sammons, Lynne Tatlock, Katrin Voelkner, Karin Wurst. Lynne Tatlock is Hortense and Tobias Lewin Distinguished Professor in the Humanities at Washington University in St. Louis.Trade ReviewI]nstructive and salutary in the way it takes us . . . beyond our usual preoccupations with individual authors and their text-writing and invites us to consider aspects of the publishing context . . . . [I]nformative, memorable, and in many aspects enlightening. * MODERN LANGUAGE REVIEW *It is genuinely refreshing to encounter a study that redirects the attention of German Studies to the central importance of material culture. . . . The essays are of uniformly high quality and offer a wealth of information. . . . German Studies should pay more attention to the issues Tatlock's volume raises. Buy the book. It is money well spent. * GERMAN STUDIES REVIEW *A wonderful addition to a field straddling both literary and historical scholarship. . . . Provides a rich, multi-faceted view of the publishing world as well as the authors' and readers' worlds in the long nineteenth century. * WOMEN IN GERMAN REVIEWS *Taken together, the essays in this fascinating book remind us that behind Germany's sense of Bildungsauftrag . . . lies an impressive publishing history. * JOURNAL OF EUROPEAN STUDIES *Table of ContentsIntroduction: The Book Trade and "Reading Nation" in the Long Nineteenth Century - Lynne Tatlock How to Think about Luxury Editions in Late Eighteenth- and EarlyNineteenth-Century Germany - Matt Erlin The Shaping of Garden Culture in the Journal des Luxus und der Moden (1768-1827) - Karin A. Wurst Documenting the Zeitgeist: How the Brockhaus Recorded and Fashioned the World for Germans - Kirsten Belgum The Afterlife of Nineteenth-Century Popular Fiction and the German Imaginary: The Illustrated Collected Novels of E. Marlitt, Wilhelmine Heimburg, and E. Werner - Lynne Tatlock A Library for Girls: Publisher Ferdinand Hirt & Sohn and the Novels of Brigitte Augusti - Jennifer Drake Askey-Do Not Use For the Love of Words and Works: Tailoring the Reader for Higher Girls' Schools in Late Nineteenth-Century Germany - Jana Mikota Thinking Clearly about the Marriage of Heinrich Heine and His Publisher, Julius Campe - Jeffery L. Sammons At Wit's End: Frank Wedekind and the "Albert Langen Drama" - Mary B. Paddock Bildung for Sale: Karl Robert Langewiesche's Blaue Bücher and the Business of "Reading Up" - Katrin Voelkner The Weimar Literature Industry and the Negotiations of Schloss Gripsholm - "It would be delicious, to write books for a new society, but not for the newly rich": Eduard Fuchs between Elite and Mass Culture - Ulrich E. Bach PhD
£99.00
University of Massachusetts Press Paper Electronic Literature: An Archaeology of
Book SynopsisThe field of electronic literature has a familiar catchphrase, "You can't do it on paper." But the field has in fact never gone paperless. Reaching back to early experiments with digital writing in the mainframe era and then moving through the personal computer and Internet revolutions, this book traces the changing forms of paper on which e-lit artists have drawn, including continuous paper, documentation, disk sleeves, packaging, and even artists' books.Paper Electronic Literature attests that digital literature's old media elements have much to teach us about the cultural and physical conditions in which we compute; the creativity that new media artists have shown in their dealings with old media; and the distinctively electronic issues that confront digital artists. Moving between avant-garde works and popular ones, fiction writing and poetry generation, Richard Hughes Gibson reveals the diverse ways in which paper has served as a component within electronic literature, particularly in facilitating interactive experiences for users. This important study develops a new critical paradigm for appreciating the multifaceted material innovation that has long marked digital literature.
£23.70
University of Massachusetts Press Fame Is Not Just for the Fellas: Female Renown
Book SynopsisBetween 1932 and 1958, thousands of children read volumes in the book series Childhood of Famous Americans. With colorful cover art and compelling—and often highly fictionalized—narrative storylines, these biographies celebrated the national virtues and achievements of famous women like Betsy Ross, Louisa May Alcott, and Amelia Earhart. Employing deep archival research, Gregory M. Pfitzer examines the editorial and production choices of the publisher and considers the influence of the series on readers and American culture more broadly.In telling the story of how female subjects were chosen and what went into writing these histories for young female readers of the time, Pfitzer illustrates how these books shaped children's thinking and historical imaginations around girlhood using tales from the past. Utilizing documented conversations and disagreements among authors, editors, readers, reviewers, and sales agents at Bobbs-Merrill, "Fame is Not Just for the Fellas" places the series in the context of national debates around fame, gender, historical memory, and portrayals of children and childhood for a young reading public—charged debates that continue to this day.
£65.45
Bucknell University Press,U.S. Paper, Ink, and Achievement: Gabriel Hornstein
Book SynopsisDuring his forty-two years as president of AMS Press, Gabriel Hornstein quietly sponsored and stimulated the revival of “long” eighteenth-century studies. Whether by reanimating long-running research publications; by creating scholarly journals; or by converting daring ideas into lauded books, “Gabe” initiated a golden age of Enlightenment scholarship. This understated publishing magnate created a global audience for a research specialty that many scholars dismissed as antiquarianism. Paper, Ink, and Achievement finds in the career of this impresario a vantage point on the modern study of the Enlightenment. An introduction discusses Hornstein’s life and achievements, revealing the breadth of his influence on our understanding of the early days of modernity. Three sets of essays open perspectives on the business of long-eighteenth-century studies: on the role of publishers, printers, and bibliophiles in manufacturing cultural legacies; on authors whose standing has been made or eclipsed by the book culture; and on literary modes that have defined, delimited, or directed Enlightenment studies. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.Trade Review"As its title indicates, Pen, Ink, and Achievement: Gabriel Hornstein and the Revival of Eighteenth-Century Scholarship, is a festschrift honoring the late head and owner of AMS Press, a stalwart house that devoted much of its energies to promoting scholarship of the long eighteenth century. This collection of innovative and largely stylistically lucid essays written by some of the most eminent scholars in the field will be of keen interest to most eighteenth-century scholars and of particular importance to those specializing in print studies and publishing, neglected authors, and reevaluations of important writers such as Pope, Swift, and Blake." -- Anthony Lee * author of Community and Solitude: New Essays on Johnson's Circle *"[T]he collection is well balanced, with a good mix of subjects and methodologies. Paper, Ink, and Achievement is marked by the kind of interdisciplinary scholarship that has always characterized most of the best work in eighteenth-century studies." -- Martine Brownley * author of Reconsidering Biography: Contexts, Controversies, and Sir John Hawkins's Life of Johnson *"Kudos to Bucknell University Press for publishing this book, which has many of the characteristics of a traditional festschrift despite not being in honor of a still-living academic. Rather this is a tribute by academics to a non- academic publisher who was as important to the pursuit of 18th-century studies as any other single person. It appears in an era when too many collections are simply rewritten conference papers of dubious quality and only an alleged thematic unity. It is refreshing to read...Everyone will find something of interest here." * Eighteenth-Century Intelligencer *Table of Contents List of Illustrations Foreword: Gabriel Hornstein (1935–2017) Cedric D. Reverand II Introduction Kevin L. Cope Section I: On Publishing Chapter 1: Raising the Price of Literature: The Benefactions of William Strahan and Bennet Cerf J. T. Scanlan Chapter 2: Eighteenth-Century Publishers and the Creation of a Fiction Canon Leah Orr Chapter 3: Elizabeth Sadleir, Master Printer in Dublin, 1715–1727 James E. May Section 2: Neglected Authors Chapter 4: Ihara Saikaku and the Cash Nexus in Edo-Era Osaka Susan Spencer Chapter 5: Frances Brooke, Rosina, Sense and Sensibility Linda Troost Chapter 6: “Justus Lipsius, Alexander Pope, and An Epistle to Dr. Arbuthnot Manuel Schonhorn Section 3: Reevaluating Literary Modes Chapter 7: “When Worlds Collide”: Anti-Methodist Literature and the Rise of Popular Literary Criticism in the Critical and Monthly Review Brett C. McInelly Chapter 8: Swift, Dryden, Virgil, and Theories of Epic in Swift’s A Description of a City Shower David Venturo Chapter 9: Tension, Contraries, and Blake’s Augustan Values Philip Smallwood Acknowledgments Bibliography Notes on Contributors
£28.90
Bucknell University Press,U.S. Paper, Ink, and Achievement: Gabriel Hornstein
Book SynopsisDuring his forty-two years as president of AMS Press, Gabriel Hornstein quietly sponsored and stimulated the revival of “long” eighteenth-century studies. Whether by reanimating long-running research publications; by creating scholarly journals; or by converting daring ideas into lauded books, “Gabe” initiated a golden age of Enlightenment scholarship. This understated publishing magnate created a global audience for a research specialty that many scholars dismissed as antiquarianism. Paper, Ink, and Achievement finds in the career of this impresario a vantage point on the modern study of the Enlightenment. An introduction discusses Hornstein’s life and achievements, revealing the breadth of his influence on our understanding of the early days of modernity. Three sets of essays open perspectives on the business of long-eighteenth-century studies: on the role of publishers, printers, and bibliophiles in manufacturing cultural legacies; on authors whose standing has been made or eclipsed by the book culture; and on literary modes that have defined, delimited, or directed Enlightenment studies. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.Trade Review"As its title indicates, Pen, Ink, and Achievement: Gabriel Hornstein and the Revival of Eighteenth-Century Scholarship, is a festschrift honoring the late head and owner of AMS Press, a stalwart house that devoted much of its energies to promoting scholarship of the long eighteenth century. This collection of innovative and largely stylistically lucid essays written by some of the most eminent scholars in the field will be of keen interest to most eighteenth-century scholars and of particular importance to those specializing in print studies and publishing, neglected authors, and reevaluations of important writers such as Pope, Swift, and Blake." -- Anthony Lee * author of Community and Solitude: New Essays on Johnson's Circle *"[T]he collection is well balanced, with a good mix of subjects and methodologies. Paper, Ink, and Achievement is marked by the kind of interdisciplinary scholarship that has always characterized most of the best work in eighteenth-century studies." -- Martine Brownley * author of Reconsidering Biography: Contexts, Controversies, and Sir John Hawkins's Life of Johnson *"Kudos to Bucknell University Press for publishing this book, which has many of the characteristics of a traditional festschrift despite not being in honor of a still-living academic. Rather this is a tribute by academics to a non- academic publisher who was as important to the pursuit of 18th-century studies as any other single person. It appears in an era when too many collections are simply rewritten conference papers of dubious quality and only an alleged thematic unity. It is refreshing to read...Everyone will find something of interest here." * Eighteenth-Century Intelligencer *Table of Contents List of Illustrations Foreword: Gabriel Hornstein (1935–2017) Cedric D. Reverand II Introduction Kevin L. Cope Section I: On Publishing Chapter 1: Raising the Price of Literature: The Benefactions of William Strahan and Bennet Cerf J. T. Scanlan Chapter 2: Eighteenth-Century Publishers and the Creation of a Fiction Canon Leah Orr Chapter 3: Elizabeth Sadleir, Master Printer in Dublin, 1715–1727 James E. May Section 2: Neglected Authors Chapter 4: Ihara Saikaku and the Cash Nexus in Edo-Era Osaka Susan Spencer Chapter 5: Frances Brooke, Rosina, Sense and Sensibility Linda Troost Chapter 6: “Justus Lipsius, Alexander Pope, and An Epistle to Dr. Arbuthnot Manuel Schonhorn Section 3: Reevaluating Literary Modes Chapter 7: “When Worlds Collide”: Anti-Methodist Literature and the Rise of Popular Literary Criticism in the Critical and Monthly Review Brett C. McInelly Chapter 8: Swift, Dryden, Virgil, and Theories of Epic in Swift’s A Description of a City Shower David Venturo Chapter 9: Tension, Contraries, and Blake’s Augustan Values Philip Smallwood Acknowledgments Bibliography Notes on Contributors
£107.20
Wilfrid Laurier University Press The Frankfurt Kabuff Critical Edition
Book SynopsisWhen violence breaks out at the stands of far-right publishers at the Frankfurt Book Fair, Beatrice Deft is provoked into action. An alienated Australian high school teacher who finds herself at the centre of the global book industry, Beatrice encounters a cast of characters including the very hot Caspian Schorle (German police officer), Kurt Weidenfeld (left-wing German publisher), and White Storm (a neo-Nazi publishing organisation).Such is the premise of The Frankfurt Kabuff, a comic erotic thriller about the publishing industry originally self-published under the pseudonym Blaire Squiscoll. With The Frankfurt Kabuff Critical Edition, Blaire Squiscoll is revealed as the pen name of Beth Driscoll and Claire Squires, who created the novella in the midst of fieldwork at the Frankfurt Book Fair. Published for the first time as a full critical edition, this experimental, playful work combines critical and creative modes for new perspectives on the publishing industry and creative economies.The Frankfurt Kabuff Critical Edition enriches the novella with an introduction, annotated text, 15 essays by leading scholars and practitioners, and additional creative assemblages. This highly unusual research project offers insights for students, academics and publishers alike.Trade Review“This not-quite-so-hardboiled neo-noir potboiler is your all-access all-in pass to the backrooms and afterparties of the sprawling Frankfurt Book Fair. But Driscoll and Squires’ Kabuff is more than just a cabinet of curiosities: the essays and accumulated ancillary material combine to create a seriously playful and playfully serious exploration of the often inscrutable world of the international book trade, where language, commerce, and cultural capital all collide. With fiction, criticism, and discourses on method all part of the exhibit, all that’s missing is the Prosecco.” – Matthew Kirschenbaum, author of Bitstreams: The Future of Digital Literary Heritage (2021) “The Frankfurt Kabuff Critical Edition is a refreshingly joyful and playful intervention in the book history and publishing studies worlds, showing what can be gained from applying academic tools to an experimental creative literary exercise. The serious purpose of this work is that the experimental techniques open up a way of talking about power dynamics, politics, and identity that can otherwise remain unaddressed. We need this kind of innovation, irreverence, and inspiration.” – Claire Battershill, author of Women and Letterpress Printing: Gendered Impressions (2022) “A remarkable scholarly volume …. It wields the tools of high theory, at the conflux of art and philosophy, to expand the possibilities of humanities and social sciences research. A perfect accompaniment for a glass of wine and a sausage while waiting for a train at the Hauptbahnhof.” – Prof. Dr. Theobald Jürgen Marx-Voss von Adorno, author of numerous books “I have read everything worth reading about the Frankfurt Book Fair and the school named after it. And now I have read this book, too. The Frankfurt Kabuff Critical Edition is a mash-up: Bookfair Murders meets The Russia House meets Dialektik der Aufklärung. A masterpiece!” – a publishing insiderTable of Contents Part I Introduction The Frankfurt Kabuff as Creative Critique ∼ Beth Driscoll and Claire Squires Part II The Annotated Text of The Frankfurt Kabuff: A Beatrice Deft (Comic Erotic) Thriller ∼ Blaire Squiscoll Part III Critical Essays Genesis ∼ Kim Wilkins Unplugging the Circuit: Historical Perspectives on Why Scholars Think Writing and Reading Books is the Easy Part ∼ Leslie Howsam Rectangularity and The Frankfurt Kabuff ∼ Ian Gadd Signature Cocktail: Negronis as Method in The Frankfurt Kabuff ∼ Julie Rak The Frankfurt Kabuff and the Historical Sociology of the Detective Genre ∼ Bridget Fowler Tinker, Tailor, Driscoll, Squires: Book Fairs and Liberal Bookism in The Russia House and The Frankfurt Kabuff ∼ Mark Banks Romancing Book Culture ∼ Sarah Brouillette Politics at Play in the Kabuff: The Buchmesse as a Political Space ∼ Corinna Norrick-Rühl Charting a Path for Social Change, One Negroni at a Time: The Frankfurt Kabuff ∼ Doris Ruth Eikhof A Frankfurt Memoir (inspired by The Frankfurt Kabuff) ∼ Arpita Das OuFiPo: Hypothetical Film Criticism (or Kabuff! The Film Musical) ∼ Elizabeth Ezra How to Take Over a Book Fair: A Bourdieusian Fiction ∼ Roanna Gonsalves Tagging Beatrice: Fanfic as Reader Response ∼ Danielle Fuller Kabuff or Wunderkammer? ∼ Kelvin Smith Teaching The Frankfurt Kabuff ∼ Alastair Horne Part IV Assemblages Original Plot Diagram drawn by Kim Wilkins at the Frankfurt Hauptbahnhof Paratextual Elements of The Frankfurt Kabuff Print on Demand Edition “Dear Diary”: An Account of the Production of the Print on Demand Self-Published Edition of The Frankfurt Kabuff Advanced Information (AI) Sheet for The Frankfurt Kabuff Publisher’s Weekly Report on Linksphilosophie Verlag List Launch Conference Abstract: Tante Fran’s Book Club: Solidarity, Slogans and Knitting Needles The Kabuff Joke Book Comic Strip featuring Nunu and Otot Spotify Playlists Map from The Frankfurt Kabuff “The Corona Kabuff” and Other Stories Acknowledgements Bibliography Contributor Biographies
£33.26
Wits University Press Reading from the South: African print cultures
Book SynopsisIsabel Hofmeyr is one of the world’s leading scholars on African print cultures, postcolonial literary histories, Indian Ocean studies and the oceanic humanities. For four decades and counting, her work has produced profound conceptual innovations from the global South and for the world at large.The essays gathered in Reading from the South are written in a blend of intellectual and personal modes, and mostly by scholars of Indian and African descent. Via their engagement with Hofmeyr’s path-breaking work, the essays in turn elaborate and contribute to studies of print culture as well as critical oceanic studies, consolidating their findings from the point of view of global South historical contexts and textual practices.The collection focuses on Hofmeyr’s life and work, her education and early career, her deep rootedness in place, and her political, creative and institution-building activities. The book captures Hofmeyr’s innovative and original scholarship through published works that address a range of topics: orality and literacy, feminist literary criticism, transnational histories of the book, South–South cultural connections, and the phenomenology of reading within the Indian Ocean world and, indeed, around the globe. After reading the collection as a whole, scholars in the field will have a much deeper appreciation of Hofmeyr’s work and the formidable contribution she has made to the study of African print cultures and oceanic humanities at large.Table of Contents List of illustrations Acknowledgements Introduction: Southern Lodestar: Isabel Hofmeyr’s Life and Work – Charne Lavery Part I High, Low and In-between Chapter 1 Transformations – Khwezi Mkhize Chapter 2 African Popular Literatures Rising – James Ogude Chapter 3 Fluidity and Its Methodological Openings: Mobility and Discourse on the Eve of Colonialism – Carolyn Hamilton Chapter 4 Oral Genres and Home-Grown Print Culture – Karin Barber Part II Portable Methods Chapter 5 Overcomers: A Historical Sketch – Ranka Primorac Chapter 6 Hemispheric Limits: Rethinking the Uses of Diaspora from South Africa – Christopher EW Ouma Chapter 7 What’s the Rush? Slow Reading, Summary and A Brief History of Seven Killings – Madhumita Lahiri Chapter 8 Seeing Waters Afresh: Working with Isabel Hofmeyr – Lakshmi Subramanian Part III Oceanic Turns Chapter 9 A Turn to the Indian Ocean – Sunil Amrith Chapter 10 ‘The Sea’s Watery Volume’: More-than-Book Ontologies and the Making of Empire History – Antoinette Burton Chapter 11 Amphibious Form: Southern Print Cultures on Indian Ocean Shores – Meg Samuelson Chapter 12 Wood and Water: Resonances from the Indian Ocean – Rimli Bhattacharya Part IV Closing Reflections Chapter 13 Travel Disruptions: Irritability and Canonisation – Danai S Mupotsa and Pumla Dineo Gqola Proximate – Gabeba Baderoon Contributors Index
£17.00
Edward Elgar Publishing Ltd The Economics of Open Access: On the Future of
Book SynopsisThe increasing shift towards digital publishing has provoked much debate concerning the issues surrounding ?'Open Access?' (OA), including its economic implications. This timely book considers how the future of academic publishing might look in a purely digital environment and utilises unique empirical data in order to analyze the experiences of researchers with, as well as attitudes towards, OA publishing.Presenting findings from a novel, in-depth survey with more than 10,000 respondents from 25 countries, this book shows that the research culture of scientific research differs considerably between disciplines and countries. These differences significantly determine the role of both '?gold?' and '?green?' forms of OA and foster both opportunity and risk. Discussing their findings in the light of recent policy attempts to foster OA, Thomas Eger and Marc Scheufen reveal considerable shortcomings and lack of knowledge on fundamental features of the academic publishing market and conclude by highlighting a policy agenda for its future development.Well-timed and far-reaching, this book will be of particular interest to students and scholars interested in the economic analysis of copyright law. Academic librarians and research sponsors will also benefit from the insights offered.Trade Review'This is the most comprehensive study on open access academic publishing. It covers the economic and legal aspects of this market of ideas, including the actual importance, shortcomings and potential developments of open access and is therefore a must for everyone interested in the organization of academic publishing. The authors provide a new and concise look on open access publishing, its economic consequences and legal requirements based on thorough empirical research in many countries.' --Hans-Bernd Schäfer, Bucerius Law School, GermanyTable of ContentsContents: 1. Introduction 2. The Academic Publishing Market 3. An International Survey Analysis 4. Policy Implications and the Way Forward 5. Summary and Outlook Appendices References Index
£81.00
Edward Elgar Publishing Ltd Handbook on Research Assessment in the Social
Book SynopsisThis Handbook provides a comprehensive overview of current developments, issues and good practices regarding assessment in social science research. It pays particular attention to the challenges in evaluation policies in the social sciences, as well as to the specificities of publishing in the area. The Handbook discusses the current societal challenges facing researchers, from digital societies, to climate change and sustainability, to trust in democratic societies. Chapters provide ways to strengthen research assessment in the social sciences for the better, by offering a diverse range of experiences and views of experts from all continents. The Handbook also outlines major data sources that can be used to assess social sciences research, as well as looking at key dimensions of research quality in the social sciences including journal peer review, the issue of identifying research quality, and gender disparities in social science research.This book will be an essential read for scholars interested in research assessment in the social sciences. It will also be useful to policy makers looking to understand the key position of the social sciences in science and society and provide appropriate frameworks for key societal challenges.Trade Review‘The Handbook provides an overview of current developments, points of attention, specificities and good practices regarding the assessment of social sciences research, including professional communication and societal interaction. Chapters show how the evaluation and funding procedures in general can be improved to appropriately represent social science research. With the editors, I hope that this collection of chapters on research assessment in the social sciences will have a great impact and inspire researchers, evaluators, funders and policy makers worldwide.’ -- Ronald Rousseau, KU Leuven, BelgiumTable of ContentsContents: 1 Introduction: Research assessment in the social sciences 1 Tim C.E. Engels and Emanuel Kulczycki 2 A tribute to Puay Tang, Judit Bar-Ilan and Paul Benneworth 7 Stefan P. L. de Jong PART I DIMENSIONS OF RESEARCH QUALITY IN SOCIAL SCIENCES 3 An epistemic approach to research assessment in the social sciences 14 Andrea Bonaccorsi 4 Identifying research quality in the social sciences 48 Michael Ochsner 5 Efficacy, efficiency, and models of journal peer review: the known and unknown in the social sciences 67 Marco Seeber 6 Gender research in academia: a closer look at variables 83 Alesia A. Zuccala and Gemma Derrick 7 Open science and open access publishing in social sciences 105 Mikael Laakso 8 Assessing interdisciplinary research in the social sciences: are we on the right track? 119 Joshua Eykens PART II DATA SOURCES FOR ASSESSMENT OF THE SOCIAL SCIENCES 9 The bright and dark sides of national databases for research output 136 Linda Sīle 10 Using research metrics in support of assessing social sciences research performance: a comparison of major bibliographic systems 148 Thed van Leeuwen 11 Google Scholar as a data source for research assessment in the social sciences 162 Güleda Doğan 12 Current research evaluation topics in social sciences 181 Zehra Taşkın 13 Social media and altmetrics 196 Sanam Ebrahimzadeh, Juan Pablo Alperin and Stefanie Haustein 14 Journal evaluation systems: evolution and practices in China’s social sciences 211 Ying Huang, Ruinan Li, Xiaoting Liu and Lin Zhang PART III PUBLISHING IN THE SOCIAL SCIENCES 15 The use of bibliometrics in assessments of social scientists 231 Gunnar Sivertsen 16 Publishing in the social sciences and its representation in research evaluation and funding systems 238 Gunnar Sivertsen 17 Journal lists in social sciences and the spectrum of quality standards 262 Raf Guns and Marek Hołowiecki 18 Open access and research assessment in the social sciences 278 Janne Pölönen and Mikael Laakso 19 Towards proper evaluation of book publishing in social sciences 295 Elea Giménez Toledo, Nataša Jermen, and Gunnar Sivertsen PART IV CHALLENGES IN EVALUATION POLICIES FOR SOCIAL SCIENCES 20 Between the traditional, the neo-liberal and the open university: early career investigators caught in the triple bind of academic career requirements 316 Marc Vanholsbeeck 21 Challenges of reporting societal impacts for research evaluation purposes—the case of sociology 335 Reetta Muhonen and Silje Tellmann 22 Multilingualism of social sciences 350 Emanuel Kulczycki, Tim C.E. Engels and Janne Pölönen 23 The challenges for research evaluation ethics in the social sciences 367 Aldis Gedutis, Maria Teresa Biagetti and Lai Ma 24 Engaging stakeholders to induce societal innovation 386 Jack Spaapen and Ad Prins 25 Social science research making an impact on public decision-making 403 Kimberley R. Isett and Diana Hicks PART V ASSESSMENT OF SOCIAL SCIENCES IN PRACTICE 26 National research evaluation systems and the social sciences 416 Michael Ochsner and Ginevra Peruginelli 27 Research assessment in Australia: journal ranking, research classification and ratings 434 Gaby Haddow 28 Assessment of the social sciences in China 451 Lin Zhang, Mengting Sun, Ying Huang and Gunnar Sivertsen 29 Producing knowledge in Latin America: social sciences research assessment with a geopolitical perspective 472 Hebe Vessuri and Leandro Rodriguez-Medina 30 Assessment of law journals in Croatia, Italy and Spain 491 Ginevra Peruginelli, Jadranka Stojanovski, Elias Sanz-Casado and Tommaso Agnoloni 31 Evaluation of the social sciences in Norway 508 Jon Holm Index
£224.00
Wits University Press Print, Text and Book Cultures in South Africa
Book SynopsisThis book explores the power of print and the politics of the book in South Africa from a range of disciplinary perspectives - historical, bibliographic, literary-critical, sociological, and cultural studies. The essays collected here, by leading international scholars, address a range of topics as varied as: the role of print cultures in contests over the nature of the colonial public sphere in the nineteenth century; orthography; iimbongi, orature and the canon; book-collecting and libraries; print and transnationalism; Indian Ocean cosmopolitanisms; books in war; how the fates of South African texts, locally and globally, have been affected by their material instantiations; photocomics and other ephemera; censorship, during and after apartheid; books about art and books as art; local academic publishing; and the challenge of 'book history' for literary and cultural criticism in contemporary South Africa.Trade ReviewPrint, text and book cultures in South Africa is a field-defining contribution to the country's literary scholarship. Andrew van der Vlies's introductory essay maps the conceptual terrain in a systematic and engaging way, illustrating its relevance to South Africa's literary and cultural history. The essays that follow demonstrate the archival richness and liveliness of the field, while opening doors to future research. Beyond South Africa, the book will be exemplary in showing how book histories develop under postcolonial conditions. - David Attwell, author of J.M. Coetzee: South Africa and the Politics of Writing (1993) and Rewriting Modernity: Studies in Black South African Literary History (2005), and co-editor of The Cambridge History of South African Literature (2012)Table of ContentsPrint cultures and colonial public spheres; local/global: south african writing and global imaginaries; three ways of looking at coetzee; questions of the archive and the uses of books; orature, image, text; ideological exigencies and the fates of books; new directions.
£33.25
University of Westminster Press The Propaganda Model Today: Filtering Perception
Book Synopsis
£22.99
Taylor & Francis Ltd Edward Lloyd and His World
a huge range and FREE tracked UK delivery on ALL orders.
£128.25
Taylor & Francis Ltd Open Access in Theory and Practice
a huge range and FREE tracked UK delivery on ALL orders.
£128.25
Taylor & Francis Ltd Print and Publishing in Colonial Bengal
a huge range and FREE tracked UK delivery on ALL orders.
£39.99
Taylor & Francis Serials Collection Management in Recessionary Times
a huge range and FREE tracked UK delivery on ALL orders.
£142.50
Taylor & Francis The Future of Journalism
a huge range and FREE tracked UK delivery on ALL orders.
£142.50
Taylor & Francis The Future of Journalism
a huge range and FREE tracked UK delivery on ALL orders.
£42.99
Cambridge University Press The Trade in Rare Books and Manuscripts between Britain and America c. 18901929
a huge range and FREE tracked UK delivery on ALL orders.
£15.51
Cambridge University Press Handbook for Academic Authors
a huge range and FREE tracked UK delivery on ALL orders.
£17.99
Cambridge University Press Chaucers Early Modern Readers
a huge range and FREE tracked UK delivery on ALL orders.
£80.75
