Prints and printmaking Books
D Giles Ltd Graphicstudio: Uncommon Practice and the Art of
Book SynopsisGraphicstudio: Uncommon Practice at USF explores the incredible body of art from Graphicstudio, the print atelier at the University of South Florida, Tampa, Florida that has hosted artists including Louise Bourgeois, Jim Dine, Alex Katz, and Roy Lichtenstein. Founded in 1968, the studio has developed an international reputation, and work produced at Graphicstudio can now be found in private and museum collections across the world. This volume presents over one hundred artworks by forty-five artists including Chuck Close, Roy Lichtenstein, Christian Marclay, Philip Pearlstein, Robert Rauschenberg, Ed Ruscha, and Kiki Smith. The range of artworks includes etchings, photo- and direct gravures, digital or pigment prints, cyanotypes, lithographs, woodcuts and screen prints, as well as sculpture in bronze, concrete, basalt, and cast epoxy resin. Author Jade Dellinger investigates Graphicstudio's innovative atmosphere and interdisciplinary resources as well as the technical challenges artists have faced. Illustrated case studies focus on the work of seven artists; also featured are four illustrated interviews with the current and past Graphicstudio directors and brief biographies of the careers of the forty-five artists represented.
£25.46
Royal Academy of Arts Mick Moon
Book SynopsisThe first monograph on this important but overlooked artist. Coincides with a major show of new work at Alan Cristea Gallery, London, 27 June to 31 July, 2019. Mick Moon RA was born in Edinburgh in 1937 and grew up in Blackpool. He studied at the Chelsea School of Art (1958-62) and later taught at the Slade School of Fine Art (1973-90). He was elected a Royal Academician in 1994 and his work now forms part of many public collections including those of the Scottish National Gallery, Tate and the Victoria and Albert Museum. Moon's paintings and prints combine a wide variety of media and techniques in complex and intriguing layers. More recently, photographic elements have formed part of his practice, along with textural materials such as wood and cloth which Moon combines with ink and paint. The art historian Mel Gooding provides an authoritative insight into Mick Moon's practice and a definitive overview of his career. He argues that Moon is one of the most important artists of his generation and asserts his place as one of the key figures of post-war British art.
£22.50
Design For Today Hello Riso
£14.25
Crafty as Ever Wood Background Scrapbook Paper Pad 8x8 Scrapbooking Kit for Papercrafts, Cardmaking, DIY Crafts, Rustic Texture Design, Multicolor
£11.62
£13.79
Kruger Druck + Verlag GmbH & Co. KG Magdalena Grandmontagne: Epreuve D'Artiste
Book Synopsis
£23.75
De Gruyter Die Freiheit der Linie: Callot, Della Bella,
Book SynopsisEtching, the origins of which as an intaglio technique can be traced back to the beginning of the 16th century, unfolded its full glory in the 17th century. Famous engravers such as Albrecht Dürer had rejected etching as an inferior technique to copperplate engraving, but a century later it experienced its Baroque heyday. The etching technique owes its albeit late success to the freedom of its lines. Unlike the laborious method of copperplate engraving, the artist’s hand can playfully transpose the drawing onto the etching plate with ease. This catalogue provides fascinating insights into the working processes and aesthetics of Baroque printmaking. The focus is on works by three artists who excelled in the etching technique: Jacques Callot, Stefano della Bella and Giovanni Benedetto Castiglione. Exhibition: 8. September to 3. December 2023, Landesmuseum Mainz New state of research on Baroque etching Look inside https://issuu.com/deutscher_kunstverlag/docs/blick_ins_buch_die_freiheit_der_linie
£36.00
De Gruyter Becoming CoBrA: Anfänge einer europäischen
Book SynopsisCoBrA is one of the most important artist groups of Art Informel. The name is derived from the first letters of the three capital cities of Copenhagen, Brussels, and Amsterdam — the centers from which the CoBrA artists took action. Little is still known here in Germany about the concrete origins of the art movement. The exhibition and catalogue of the same name attempts a broad examination of the group’s origins: with the focus on the reconstruction of the movement prior to its official establishment in November 1948. It aims to present a representative cross-section of the movement that includes the largest possible number of artists as well as the greatest possible concentration of forms of expression and topics characteristic of the movement. Roughly fifty paintings, thirty sculptural works, fifty graphic reproductions and photographs as well as individual ceramics and textiles from international collections are presented.
£32.85
Niggli Verlag Print Design (Bilingual edition): The Latest from
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£25.46
Taschen Japanese Woodblock Prints
a huge range and FREE tracked UK delivery on ALL orders.
£999.99
Hatje Cantz Alex Katz Catalogue Raisonné: Prints 1947-2022
Book SynopsisBefore the rise of Pop Art proper, Alex Katz developed an iconic style of figurative painting in the early 1960s— influenced by film, television, and billboard advertising. Seemingly detached and incredibly stylish, he created portraits of the New York scene as well as idyllic landscapes. Printmaking plays an equally central role in Katz’s work. He uses lithographs, etchings, silkscreens, woodcuts and linocuts to reproduce, reflect and further reduce his bold aesthetic, while retaining the radiant color characteristic for his paintings. Since the first edition in 2011, Katz has almost doubled his output of prints—this timely new edition includes his complete prints, cutout editions, artists’ books, and also lists his works of applied art like book illustrations and public art projects. New essays and interviews with the artist give profound insights into the work of one of the foremost American artists of the present.
£111.00
Hirmer Verlag Set in Stone: Lithography in Paris, 1815-1900
Book SynopsisIn the early 19th century, artists and printers embraced the new medium of lithography, an innovative method to mass - produce and distribute images. Known for its collection of French prints and posters, the Zimmerli Art Museum at Rutgers University has rich holdings of lithographs made over the course of the 1800s, including examples from lithography’s early years in Paris to iconic color posters from the 1890s. Invented around 1796, lithography introduced a new proc ess and new opportunities for the creation and circulation of printed images. Artists, printers, and publishers embraced the new medium for its relative ease and economic advantages as compared with the established printmaking media of woodcut, engraving, and etching. Taking root in Paris around 1815 after the fall of Napoleon’s empire, the art and industry of lithography grew in tandem with the city as it became Europe’s artistic and urban capital over the course of the nineteenth century. Lithographs play ed a distinct role in both documenting and advancing (and often satirizing) the various and competing art movements of the period as publishers responded to the unprecedented demand for printed images of all types.Trade Review“Set in Stone: Lithography in Paris, 1815-1900 provides a comprehensive examination of multiple aspects of lithography’s development and impact, both artistically and commercially speaking, in its epicenter. . . . A welcome addition to the literature on lithography, generally speaking, and a particularly good resource for gaining an understanding of the medium’s localized context.” * ARLIS/NA *Table of ContentsForeword and Acknowledgements Introduction Lithography: A New Medium and Process L’industrie et l’art: Lithography’s Ascent in Paris 1815-1830 Actualités: Novelty, Reproduction, and Proliferation 1830-1870 L’Estampe et l’affiche: Lithography’s Renaissance 1870-1900 Plates Notes Selected Bibliography Catalogue of the Exhibition Index
£27.00
Hirmer Verlag Christiane Baumgartner: Another Country
Book SynopsisChristiane Baumgartner: Another Country complements the artist’s first major M useum exhibition in the U.S. and offers an in - depth introduction to the artist’s work at mid - career. Baumgartner is best known for monumental woodcuts, handcarved prints that literally and conceptually expand the traditional boundaries of the medium beyond expectation. Leipzig - based artist Christiane Baumgartner (b. 1967) works at the intersection of old and new media to expand the conceptual and technical capacities of printmaking. Sourcing images from cinema and TV or from her own photographs and videos, she hand - carves woodcuts that defy convention and expectation. Often monumental in scale or undertaken in large series, the work is about speed and transmission, about human sight and its elusive capture, about cultural memory and modes of representation. Essays contextualise the work in relation to German printmaking and the Leipzig school; an interview with the artist surveys her praxis at mid - career.
£22.10
Hirmer Verlag A Model Workshop: Margaret Lowengrund and The
Book SynopsisFirst publication to map the exciting activity and legacy of Margaret Lowengrund and her space. A Model Workshop explores the understudied impact of Margaret Lowengrund (1902–1957) – a visionary leader, organiser and critic within the mid-twentieth century printmaking community – and the vibrant New York print workshop/gallery she founded, "The Contemporaries". The book expands histories of 1950s printmaking by showing Lowengrund and The Contemporaries to be a vital nexus in the mid-century print field. Bringing together several original texts with archival documents, the book maps the activities, networks and legacies of Lowengrund and The Contemporaries, placing them within a constellation of contexts including organised labour, feminisms and entrepreneurship, international exchange, and making the modern print.
£28.80
BoD - Books on Demand Bon Appétit
£15.72
Schirmer/Mosel Verlag GmbH Cy Twombly - The Printed Graphic Work. Catalogue
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£78.75
Taschen GmbH Basilius Besler. The Garden at Eichstätt
Book SynopsisWhen Prince-Bishop Johann Konrad von Gemmingen (1593/95–1612) undertook a radical renovation of the Willibaldsburg Castle, overlooking the Altmühl River in Eichstätt, Bavaria, he also created a surrounding palatial pleasure garden of magnificence and grandeur. To preserve the garden for future generations – and provide an ‘evergreen’ record of its contents, compiling plants from all four seasons and presenting them in that order – he commissioned the garden’s director, Nuremberg apothecary Basilius Besler (1561–1629), and a team of engravers to immortalize its treasures in print.The resulting Hortus Eystettensis, published in Nuremberg in 1613 and containing 367 hand-colored plates and detailed descriptions, was a work of meticulous execution and spectacular diversity, and remarkably expensive for its time. As the garden contained a variety of plants imported from exotic locales, the three volumes exhibited a remarkable range, covering a total of 90 families and 340 genera. Due to the decorative, stylized execution of these illustrations, which began to see plants in aesthetic, rather than merely practical or medicinal terms, the book is seen as a milestone in the art of botanical illustration. While published before a time of standardized classification systems, it was nonetheless later described by Carl Linnaeus as an “incomparable work”.Besler’s catalog long outlived the gardens, which were destroyed in 1634 by invading Swedish troops during the Thirty Years’ War. However, a lengthy redevelopment project at the historic site has culminated in the opening of the modern Bastion Garden in 1998, containing many of the plants shown in the Hortus Eystettensis.Offering high-quality reproductions of these arresting illustrations, based on the copy of the Hortus Eystettensis at the University Library of Eichstätt-Ingolstadt, this facsimile edition is accompanied by detailed plate descriptions of each plant’s botanical, pharmaceutical, and symbolic significance and an appendix of further essays which place the garden and the book in their historical contexts.This edition presents a valuable piece of botanical literature which, on the rare occasions where a copy appears on the market, can fetch prices of over $1,000,000 at auction. In line with Besler’s original intentions, this facsimile unfurls the garden to a wider audience and captures it for posterity.Trade Review“This book should find its way to many a library and coffee table.” * Chicago Botanic Garden Book Review *
£170.00
Snoeck Verlagsgesellschaft mbH Georg Baselitz: Peintre Graveur IV: Catalog
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£70.80
Snoeck Verlagsgesellschaft mbH Surprise: Art of the Monotype
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£41.25
Argobooks Gehend
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£40.50
Skira Davide Quayola: re-coding
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£33.60
Skira Darrel Ellis: Regeneration
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£33.60
MER Paper Kunsthalle 35 Jaar Frans Masereel Centrum
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£23.28
MER Paper Kunsthalle Andy Warhol: Crude Icons
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£14.25
New Heroes & Pioneers Share Scandinavia: A Book You Will Like So Much
Book SynopsisSHARE SCANDINAVIA contains 50 Scandinavian inspired artworks carefully selected amongst the best up-and-coming first time published artist. Following the success of SHARE Vol. 1, this second installment combines the winning concept of high quality prints on perforated pages with the in-demand Scandinavian aesthetic.
£48.00
The University of Chicago Press Peasants Warriors and Wives
Book SynopsisKeith Moxey examines woodcut images from the Nuremburg area, arguing that far from being crude representations of popular culture, they in fact represent the means by which the middle and upper classes could disseminate reformed attitudes to a broader audience.
£26.60
University of Texas Press Homegrown
Book SynopsisBefore Austin became the “live music capital of the world” and attracted tens of thousands of music fans, it had a vibrant local music scene that spanned late sixties psychedelic and avant-garde rock to early eighties punk. Venues such as the Vulcan Gas Company and the Armadillo World Headquarters hosted both innovative local musicians and big-name touring acts. Poster artists not only advertised the performances—they visually defined the music and culture of Austin during this pivotal period. Their posters promoted an alternative lifestyle that permeated the city and reflected Austin’s transformation from a sleepy university town into a veritable oasis of underground artistic and cultural activity in the state of Texas.This book presents a definitive survey of music poster art produced in Austin between 1967 and 1982. It vividly illustrates four distinct generations of posters—psychedelic art of the Vulcan Gas Company, early works from the ArmadTrade ReviewShowcases a slice of [the city’s long celebration of live music]. * The Wall Street Journal *A sprawling illustrated monument to Austin music and culture. * PopMatters *Clubs close and are torn down. Bands break up. But posters endure as a history to admire. * Texas Highways *Table of Contents Preface It All Started Here (Joe Nick Patoski) Colorful Tales and Early Techniques: Postering in Austin (Nels Jacobson) The Posters Vulcan Gas Company Blues Portraits Reimagining Texas Traveling Bands Punk and the New Waves List of Posters Bibliography Acknowledgments
£21.59
MP-WIS Uni of Wisconsin The Prints of Warrington Colescott A Catalogue
Book SynopsisPrintmaker Warrington Colescott has trained his brilliant artistic eye on the fashions and foibles of human behavior. This illustrated catalogue documents Colescott's extensive and varied graphic career.Trade Review"Colescott is one of the most fortunate and revered artists of his generation, who has excelled as a teacher, an influential artist, and a contributor to the critical mass of modern print history." - Mark Pascale, curator of prints and drawings, the Art Institute of Chicago"
£60.35
Yale University Press Copper into Gold Print by John Raphael Smith
Book SynopsisA study of John Raphael Smith's career in printmaking. It investigates how he conducted his engraving and publishing business, and what his prints, drawings and paintings reveal about the culture and morality of the society that viewed them. It includes a catalogue raisonne.
£38.00
Yale University Press The Print in Early Modern England
Book SynopsisThe print repertoire of the sixteenth and seventeenth centuries in England has been neglected historically. This book provides an iconographic survey of the single-sheet prints produced in Britain during the early modern era and reveals significant discoveries from this visual storehouse.Trade Review"Highly recommended."—T. J. McCormick, Choice -- T. J. McCormick * Choice *"The Print in Early Modern England: An Historical Oversight represents both a vital contribution to the developing study of the early modern English print and a stimulating call to emerging scholars in the field."—Helen Pierce, Huntington Library Quarterly -- Helen Pierce * Huntington Library Quarterly *"The combination of the author’s knowledge of the literature and words of the period, his experience working with Continental influences on English art, his abilities with visual and bibliographic details, his organizational abilities, and his nice way of incorporating other scholars’ efforts with his own discoveries have led to a very fine book."—Agnes Haigh Widder, Historians of British Art Newsletter -- Agnes Haigh Widder * Historians of British Art Newsletter *"The Print in Early Modern England is a testament to the discoveries still attainable through good, old-fashioned, archival research. . . . What [Jones] uncovered is a bounty that should dispel the myth of early modern England's visual illiteracy, and transform the way we picture the life of that extraordinary, culturally dynamic time."—Suzanne Karr Schmidt, Art in Print -- Suzanne Karr Schmidt * Art in Print *
£42.75
Yale University Press Gauguins Paradise Remembered The Noa Noa Prints
Book SynopsisIn 1891, Paul Gauguin (1848-1903) traveled to Tahiti in an effort to live simply and to draw inspiration from what he saw as the island's exotic native culture. This book addresses both the artist's representation of Tahiti in the woodcut medium and the impact these works had on his artistic practice.
£22.50
Yale University Press From Still Life to the Screen Print Culture
Book SynopsisExplores the print culture of 18th-century London, focusing on the correspondences between images and consumer objects. In this text, the author considers such themes as the display of objects in still lifes and markets, the connoisseur's fetishistic gaze, and the fusion of body and ornament in satires of fashion.
£33.25
Yale University Press James Northcote History Painting and the Fables
Book SynopsisThe artistic accomplishments of James Northcote (1746-1831) have tended to be overshadowed by his role as a biographer of Joshua Reynolds, first President of the Royal Academy of Arts. This book focuses on Northcote's One Hundred Fables (1828), a masterpiece of wood engraving.
£45.00
Yale University Press Hogarths Legacy
Book SynopsisThe legacy of graphic artist William Hogarth (1697-1764) remains so emphatic that even his last name has evolved into a common vernacular term referring to his characteristically scathing form of satire. Featuring rarely seen images and written contributions from leading scholars, this book showcases a collection of the artist's works gathered from the Lewis Walpole Library at Yale University and other repositories. It attests to the idiosyncratic nature of his style and its international influence, which continues to incite aesthetic and moral debate among critics. The eight essays by eminent Hogarth experts help to further contextualize the artist's unique narrative strategies, embedding the work within German philosophical debates and the moral confusion of the Victorian period and emphasizing the social and political dimensions that are part and parcel of its profound impact. Endlessly parodied and emulated, Hogarth's distinctive satire persists in its influence throughout the centuries and this publication provides the necessary lens through which to view it.Distributed for the Lewis Walpole Library
£45.00
Yale University Press Van Dyck Rembrandt and the Portrait Print Elgar
Book SynopsisIn the last decade of his life, Anthony van Dyck (15991641) undertook a printmaking project that changed the conventions of portraiture. In a series later namedtheIconography, he portrayed artists alongside kings, courtiers, and diplomatsa radical departure from preexisting conventions. He also depicted his subjects in novel ways, focusing on their facial features often to the exclusion of symbolic costumes or props. In addition to illustrating approximately60 works by Van Dyck and other artists from his eraparticularly Rembrandtthis catalogue traces the artist's influence over hundreds of years. Showcasing both 17th century portraits in a variety of media and portrait prints by a wide range of artists spanning the16th through the20th centuriesincluding Albrecht Dürer, Hendrick Goltzius, Francisco de Goya, Edgar Degas, and Jim Dinethe book demonstrates the indelible mark that Van Dyck left on the genre. Distributed for the Art Institute of ChicagoExhibition Schedule:Art Institute of
£19.00
Yale University Press Jasper Johns
Book SynopsisThe first comprehensive overview of Jasper Johns's work in an innovative medium that the artist has singlehandedly redefined over the course of four decades
£108.00
Yale University Press Rembrandt
Book SynopsisA compelling reconsideration of Rembrandt's printed oeuvre based on new research into the artist's life and work As a pioneering printmaker, Rembrandt van Rijn (16061669) stood apart from his contemporaries thanks to his innovative approach to composition and his skillful rendering of space and light. He worked with the medium as a vehicle for artistic expression and experimentation, causing many to proclaim him the greatest etcher of all time. Moreover, the dissemination of the artist's prints outside of the Dutch Republic during his lifetime contributed greatly to establishing Rembrandt's reputation throughout Europe. Sumptuously illustrated with comparative paintings and drawings as well as prints, this important volume draws on exciting new scholarship on Rembrandt's etchings. Authors Jaco Rutgers and Timothy J. Standring examine the artist's prints from many angles. They reveal how Rembrandt intentionally varied the states of his etchings, printed them on exotic papers, and re
£35.62
Yale University Press Frank Stella Unbound Literature and Printmaking
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£24.00
Yale University Press The Private World of Surimono
Book SynopsisA detailed look at a genre that combines virtuoso printmaking techniques, sophisticated imagery, and engaging, playful poetryTrade Review“With detailed and erudite entries on 60 prints . . . the catalogue is beautifully produced, befitting the subject matter.”—John T. Carpenter, Mary Griggs Burke Curator of Japanese Art at The Metropolitan Museum of Art
£28.50
Yale University Press Strict Beauty
Book SynopsisTrade Review“Richly and beautifully illustrated. . . . This is the seminal work for any admirers of Lewitt’s graphic work.”—Mychael Barratt PPRE, Printmaking Today"This substantial publication . . . is a considered overview of the role of printmaking in the artistic development of Sol LeWitt. . . . The closely written text offers new insights into printmaking as a key element in LeWitt's thinking . . . the numerous, carefully produced reproductions allow an experience of LeWitt's prints that is nearly as good as seeing the exhibition itself."—Andrew Bick, Print QuarterlyAlfred H. Barr Jr. Award- Smaller Museums Finalist, sponsored by College Art Association“Strict Beauty is a signal achievement. No other medium in which LeWitt worked, not even the wall drawings and structures, has received such a rigorous, exhaustively researched, comprehensive treatment. David Areford’s close looking and detailed analyses of the prints reveal unexplored dimensions of LeWitt’s practice.”—Charles W. Haxthausen, Williams College“David Areford offers a thorough and original account of Sol LeWitt’s printmaking practice that illuminates the larger conceptual issues within the artist’s oeuvre.”—Gwen Allen, San Francisco State University
£42.75
Harvard University, Asia Center Manga from the Floating World
Book SynopsisAdam Kern offers a close reading of the vibrant popular imagination through kibyoshi, a genre of sophisticated pictorial fiction from late-eighteenth-century Japan. Illustrated with rare prints from Japanese archival collections, these entertaining works will appeal to the general reader as well as to the student of Japanese cultural history.Trade ReviewManga from the Floating World is a treasure trove of cultural tidbits… Kern’s love of his subject is infectious; how many scholarly books can be described as a joy to read? Mirroring the contradictions embodied in his beloved kibyoshi, Kern’s seemingly effortless, flowing prose belies a Mount Fuji of thoughtfulness, planning, imagination and erudition. He writes, as was once said of Raymond Chandler, like a slumming angel—but much more engagingly. His prodigious command of sources and generosity in crediting ideas are exemplary. His deft deployment of literary and cultural theory is as masterful as it is discreet. The book generates broad questions that resonate in the reader’s mind: How does humor ‘work’? What is the social role of the bestseller? What kinds of things do urban myths really tell us? How does the concept of au courant embody the seeds of its own demise? Why do people read? Some twenty years ago I asked Henry Smith why no one tried to do for Edo what Robert Darnton accomplished for eighteenth-century France in his classic The Great Cat Massacre and Other Episodes in French Cultural History: giving readers the gift of mental time travel. The answer was that the Japanese material is nearly impossible for any single person to retrieve on that scale. Manga from the Floating World demonstrates that scholarship has advanced to the point that this now is possible. Kern’s book rivals Darnton’s. As one of Enjiro’s savvy cronies might have said to the author: ‘Arigatayama!’ -- Melinda Takeuchi * Impressions *The present volume is a brilliant introduction to the world of kibyoshi. Taking account of very different aspects of Edo’s literary and cultural life, Kern provides a fascinating view of a long-disregarded form of Edo literature. -- Stephan Kohn * Monumenta Nipponica *Adam L. Kern’s stylish study demonstrates clearly the lack of any ongoing tradition: the kibyoshi were forgotten until the modern Japanese comics industry, accused of slavish imitation of America, needed to provide itself with roots, or at least with distant, childless cousins. -- Roz Kaveney * Times Literary Supplement *An indispensable text in the fields of manga studies and the history of early modern Japanese popular culture…Kern’s work stands the test of time and amply illustrates his contention that, despite not having given rise to manga, the kibyôshi ‘offers a similarly informative, visually compelling, and perhaps even an ultimately meaningful glimpse into one of the world’s most fascinating civilizations during one of that civilization’s greatest cultural efflorescences.’ Students and scholars of manga studies, comics studies, and Japanese history will find much to reward them. -- Andrea Horbinski * Journal of Anime and Manga Studies *
£63.96
Princeton University Press Piranesi Unbound
Book SynopsisTrade Review"A handsome treatment of [an] unheralded aspect of Piranesi’s career."---Benjamin Riley, New Criterion"Piranesi Unbound is a beautifully made book about a maker of beautiful books. Giambattista Piranesi (1720-78) is remembered mostly for his etchings, but art historians Carolyn Yerkes and Heather Hyde Minor make a strong—and charmingly wonkish—case that his true medium was the bound volume. They’re helped enormously by the designer Yve Ludwig, who strengthens every step of their argument with vivid closeups of the maestro’s work. Her gold-on-terracotta color scheme is the icing on the cake: Ms. Ludwig evokes Piranesi’s love for red chalk and Moroccan leather in a way that suggests the Roman genius might have a living heir."---Jackson Arn, Wall Street Journal"[Piranesi Unbound is], an academic book [that] contains plenty of visual material exploring the Italian artist’s work, and . . . dives into the world of bookmaking."---Silvia Moreno-Garcia, Washington Post"If you liked Piranesi by Susanna Clarke, you might want to look at Piranesi Unbound by Carolyn Yerkes and Heather Hyde Minor. It's an academic book, but it contains plenty of visual material exploring the Italian artist's work, and it dives into the world of bookmaking."---Silvia Moreno-Garcia, The Independent"Piranesi Unbound is a thoroughly researched and stimulating discursive study of Piranesi as a creator and seller of books. This will be a valuable book for students of Piranesi, book arts and patronage in Eighteenth-Century Rome."---Alexander Adams, Alexander Adams Art"In Piranesi Unbound . . . Carolyn Yerkes and Heather HydeMinor show how books represented an alternative business model for [Piranesi], one that required technologies of production and routes of distribution that were different from those for prints. According to the authors, Piranesi the bookmaker has been shouldered aside in the literature by the suitable-for-framing hero of exhibitions and catalogues. Their Piranesi, by contrast, is to be found in libraries more often than in print cabinets. . . . This is a book lover’s book."---Joseph Connors, Journal of the Society of Architectural Historians"By treating Piranesi’s books as a distinct and specific medium, Yerkes and Hyde Minor draw attention to a feature of early modern publications that scholarship rarely fully acknowledges: their inherent instability and ‘openness’. From Piranesi Unbound, the book emerges as a site of a continuous reconfiguration of content and printed matter, and this over the entire course of its life: from its conception, when plates are reused and content is cribbed, over its production and sale, when pages and fascicules are combined, bound and personalised, to its distribution and dispersal in collections of books and prints. . . . By casting Piranesi primarily as a bookmaker, Piranesi Unbound begins to liberate his work from his overbearing presence in its interpretation."---Maarten Delbeke, Architectural History"A scholarly and visually rich history that . . . should appeal to fans of Giovanni Battista Piranesi. . . . A beautiful book about books."---John Hill, A Daily Dose of Architecture"Beautifully designed and lavishly illustrated . . . the book is a testament to the kind of scholarship Piranesi stood for."---Richard Calis, International Journal of the Classical Tradition"Piranesi Unbound occupies a special place as a volume clearly aligned with the “material turn" of art history. The coauthors, experts on architectural drawings and prints, are implicitly and productively critical of the canonical type of art historical research, concentrating specifically on what classical art history has regarded as parerga—the technical, material, and economic aspects of artistic production."---Lola Kantor-Kazocsky, CAA Reviews"Piranesi Unbound . . . rematerialize[s] the codex as a material repository of practice"---Luisa Calè, European Romantic Review
£55.25
Princeton University Press Printing the Revolution
Book SynopsisTrade Review"Shortlisted for the Alice Award, Furthermore Grants in Publishing""Finalist for the PROSE Award in Art Exhibitions, Association of American Publishers""Finalist for the Alfred H. Barr Jr. Award, College Art Association""Winner of the ALAA Thoma-Foundation Exhibition Catalogue Award, Association for Latin American Art""A fat, beautifully illustrated catalog . . . [it] is a worthwhile artistic endeavor on its own."---Carolina A. Miranda, Los Angeles Times"[A] handsome book. . . . There’s a looseness, a jagged brio that gives the images in ¡Printing the Revolution! a visual bang — a kind of primal pop."---Tim Francis Barry, Arts Fuse"One of the best catalogues of the year."---Tyler Green, Instagram
£42.50
University of British Columbia Press The Cult of Happiness
Book SynopsisHistory and art come together in this definitive discussion of the Chinese woodblock print form of nianhua, literally New Year pictures. By analyzing the role of nianhua first in the home and later in commercial and political theatres, James Flath relates these artworks to the social, cultural, and political milieu of North China as it was between the late Qing dynasty and the early 1950s. Among the first studies in any field to treat folk art and folk print as historical text, The Cult of Happiness offers original insight into popular conceptions of domesticity, morality, gender, society, modernity, and the transformation of the genre as a propaganda tool under communism. An extraordinary account of the cultural life of rural North China over the period.Trade ReviewThis is a significant new book on the traditional New Year print (nianhua) in Norht China nad its modern transformations. Flath’s book is based on a particularly thorough investigation of early (mostly nineteenth and early twentieth-century) European sources on popular prints. -- David Holm, The University of Melbourne * The China Journal 55 *There can be no doubt that this short book, densely packed with new information and well illustrated in colour as well as black and white, is an original contribution to the well-worked field of Late Imperial-Republican era Chinese history. James A. Flath brings to the history new material and a seriously interdisciplinary approach, one which draws on anthropology, folklore studies, and politics, as well as combing history with art history. -- Ralph Croizier * University of Toronto Quarterly, vol. 75, no. 1, Winter 2006 *This engagingly written and rigorously argued book on the nianhua, literally “New Year Pictures,” produced in Shandong, Hebei, and Henan Provinces from about 1880 to 1950, is a welcome and important contribution to the study of China’s visual culture ... The author’s principal disciplinary identification is as a historian, and it is as historical texts that he engages with the seventy-four nianhua reproduced here (forty-three of them in good-quality color). However, his diligence in searching them out in collections in China and Europe, and the scrupulous attention paid to them also as material objects in their own right, with histories of production, distribution, and consumption practices all given their due weight is moreover a model of practice to art historians interested in addressing this material… The choice of cover illustration, a print from 1950 by Li Qi titled “Looking over the Tracktor,” might lead the unwary to expect more discussion of the post-Liberation transformations of nianhua than the book provides. However, it is clear that James Flath is highly qualified to provide this discussion, and it is very much to be hoped that he continues to do so to the same high standard as he sets here. -- Craig Clunas, Professor of Chinese and East Asian Art, School of Oriental and African Studies, London, China * Review International, Vol. 12, No.1, Spring 2005 *Table of ContentsIntroduction1 The Production of Print Culture in North China2 Home and Domesticity3 State and Society4 Retelling History through the Narrative Print5 Print and the Cosmopolitan Mystique6 The Politics of the Popular7 Exorcising ModernityNotesBibliographyIndex
£26.99
Northwestern University Press Renaissance Invention
Book SynopsisThe first full-length study of the Nova Reperta (New Discoveries), a renowned series of prints designed by Johannes Stradanus during the late 1580s in Florence. The book seeks to understand why certain inventions or novelties were represented in the series and how that presentation reflected their adoption in the sixteenth century.Trade ReviewLia Markey has assembled an excellent team of scholars to guide us through a close, careful, and well contextualized reading of Johannes Stradanus's series of prints from the late 1580s known as the Nova Reperta, some of the most evocative and emblematic images of the early modern era." - Paula Findlen, author of Empires of Knowledge: Scientific Networks in the Early Modern WorldTable of Contents Acknowledgements Preface Essays Introduction: Inventing the Nova Reperta Lia Markey 1.Philips Galle's Nova Reperta: A Case Study in Print Prices and Distribution Karen L. Bowen 2. Stradanus's Print Shop and the Practice of Printing in Sixteenth-century Antwerp Dirk Imhof 3. Diligent Labor in Stradanus's Engraving Shop Madeleine C. Viljoen 4. Mathematical Instruments in the Nova Reperta James Clifton 5. Invented Processes and Hands-On Knowledge: Stradanus's Distillation and Magnetic Compass Olivia Dill 6. A New World Disease and Therapy: Stradano's Guaiacum Engraving Alessandra Foscati and Lia Markey 7.The Global Reception of Stradanus and the Political Uses of the Nova Reperta DÁniel MargÓcsy 8. Practical Knowledge in Early Modern Europe Pamela H. Smith Conversations Navigation Jim Akerman, Pedro Raposo, JB Shank Warfare David Cressy, Jennifer Nelson, Suzanne Karr Schmidt Printing Jill Gage, Martin Antonetti Transformation Rebecca Zorach, Luca MolÀ, Matthew James Crawford Machines Jessica Keating, Deborah Howard, Niall Atkinson Visuality Christine GÖttler, Claudia Swan, Sven DuprÉ Catalogue 58 entries on materials from the Newberry's collection Bibliography Index
£37.46
University of Hawai'i Press The Distorting Mirror Visual Modernity in China
Book SynopsisAnalyzes the multiple and complex ways in which urban Chinese subjects saw themselves interacting with the new visual culture that emerged during the turbulent period between the 1880s and the 1930s. This work examines the media and visual forms, including lithography, photography, advertising, film, and theatrical performances.
£42.75
Cornell University Press A War of Images
Book SynopsisThe lubok - a broadside or poster - played an important role in Russia's cultural history. Evolving as a medium for communication, the prints were adapted to express political propaganda. This book examines the use of such prints to stir patriotic fervor during times of war, from Napoleon's failed attempt to conquer Russia to Hitler's invasion.Trade ReviewA new, important and provocatively fresh angle on the question of Russian and Soviet nationhood that is sure to inspire more study and productive scholarly debate in the future. * Studies in Russian and Soviet Cinema *Norris' work will be invaluable to scholars both of the lubok and of wartime propaganda. His mastery of the sources and of secondary works-both Russian and Western-is most impressive. * Nations & Nationalism *Eminently readable... well-researched text, lucidly written and free of theoretical digressions. * The Russian Review *Table of ContentsTable of Contents Illustrations Preface 1. The Lubok and Russian Visual Nationhood: Introduction 2. Images of 1812: The Patriotic War in Russian Culture 3. Regulating Wartime Culture: Government, Laws, Censorship 4. Consolidating Wartime Culture: Images of Crimea, 1853–1856 5. Depicting the Holy War: Images of the Russo-Turkish War, 1877–1878 6. Illustrating the Racial War: Images from the Russo-Japanese War, 1904–1905 7. The Great War in Russian Imagery, 1914–1917 8. The Wartime Lubok and Soviet Visual Culture 9. Wartime Culture and Russian National Identity: Conclusion Notes Bibliography Index
£31.45
Grolier Club of New York Stamped with a National Character Nineteenth
Book SynopsisTable of ContentsIntroductionBeginnings 1800-1825The Study of Nature 1817-1857Native Americans 1835-1894The Audubons 1840-1870Fashion and Sentiment 1813-1885House and Home 1860-1890Color in the Aid of Science 1825-1880Exotica 1839-1886The Golden Age of Chromolithography 1862-1897The End of the Century 1884-1900
£34.20
