Precious metal, stones and jewellery Books

Book SynopsisThe Jewish Museum in Prague is home to a variety of silver Jewish ritual artifacts, from Kiddush cups, Hanukkah lamps, and Torah decorations, to the dozens of other objects used in observing the commandments. This title celebrates this collection with full-color illustrations and explanations of each of the museum's nearly five hundred pieces.

Read more less

Book SynopsisAfter the introduction into geometry, perspective and the representation of materials in vol 1, this volume constitutes a thorough and complete study on the fundamental aspects of graphically depicting a wide variety of jewellery. Having learned about geometry, perspective and representation of materials in the first volume, this second book in this two-part series delves deeper into the process of designing jewellery, from the first sketch to the final representation, with special emphasis on how to work on ideas, plan a collection, and design and depict a wide variety of pieces. The fundamentals of drawing different pieces, such as necklaces, rings, earrings, and bracelets, are carefully explained and illustrated in the book, which includes all the technical details to be taken into consideration when planning a jewellery piece, from the executive point of view. While the first volume focused on the tools needed to be able to accurately convey ideas, draw different materials, facets and effects, and master the use of colour, this publication tackles the process from the initial idea, based in natural or geometrical forms, to the final drawing of the completed piece, including illustration techniques and sources of inspiration, all aspects that will stir up the reader's creativity. It is the ultimate tool and resource for jewellery students and professionals, and even illustrators in search of professional guidelines in freehand drawing and painting techniques when representing jewellery. AUTHORS: Manuela Brambatti began her career in the fashion world in the late 1970s working for Style and other fashion magazines. She has collaborated with Giorgio Correggiari, Krizia and Gian Marco Venturi, but her most important and far-reaching experience was her work with Gianni Versace, where she played a crucial role in setting standards with regard to the presentation and illustration of the house's fashion and home collections. She currently freelances as an illustrator in the fashion, jewellery and design industries. She is the author of the best-selling title Fashion Illustration and Design and Fashion Illustration Design for Accessories, both from Promopress. Cosimo Vinci studied jewellery design in Florence and Vicenza, Italy. With a focus on artistic consulting, branding and project design for jewellery, watches, sunglasses and fashion accessories, his clients are international companies both small and large, from high-end to fashion jewellery. The styles he produces range from exclusive and contemporary to young and fun. He has designed pieces for famous fashion brands such as Versace, Versus, Balmain, Montana, Laura Biagiotti, Valentino and Etro. Since 1998, he has taught at the Arts and Crafts School in Vicenza and has conducted seminars in many parts of the world on the subject. In 2011, Vinci won the Bijoux d'Autore design competition awarded by the Associazione Gioiello Contemporaneo (Contemporary Jewelry Association, Italy). SELLING POINTS: . This book analyses the fundamental aspects of designing jewellery and collection ideas based on natural or geometrical forms . It includes all the technical details to be considered when planning a piece of jewellery, from an executive point of view . A complete, in-depth manual that explains everything one needs to know about designing an drawing jewellery . Readers will learn how to depict earrings, necklaces, rings, and bracelets as if they were real 400 illustrations

Read more less

Book Synopsis

Read more less

Book SynopsisSince ancient times, fashion jewellery in Italy has been, and still is, an important component of clothing. The history of fashion cannot be written without mentioning its jewels. This book presents 200 Italian fashion jewels that, spanning from the era of La Dolce Vita to the Pret à Porter of the Eighties, from '90s Minimalism to the Neo Baroque of the new millennium, define the aesthetic mirror of society and show the transformation of styles and customs, ambitions and conquests of women, the evolution of shapes and innovations of materials and new technologies. DIVA! Italian Glamor in Fashion Jewellery tells about fashion jewellery in its creative intersections with Italian excellence: craftsmanship, design and fashion. It is a typically Italian story based on the ability to combine creativity, manufacturing and industry, art and technology, beauty and innovation. The masters of costume jewellery enter a dialogue with the great stylists and the talents of design, three heterogeneous visions with a single great protagonist: the Italian fashion jewel. Text in English and Italian.

Read more less

Book Synopsis

Read more less

Book Synopsis

Read more less

Book Synopsis

Read more less

Book Synopsis

Read more less

Book Synopsis

Read more less

Book Synopsis

Read more less

Book SynopsisThe exhibition and its accompanying catalogue are the first to examine the union of contemporary jewellery and the photographic image, demonstrating how each of these mediums is informed and enlarged by an engagement with the other. The works included, both historical pieces and recent creations by over eighty international art jewellers, suggest the richness of this encounter and the artistic strength embodied in this dynamic combination of object and image. The examples selected for the exhibition and catalogue traverse a remarkably wide range, from traditional and even sentimental formats (such as the locket) to entirely new formats. Drawing upon the abundance of imagery available today, from vintage daguerreotypes to analog and digital photographs, X-rays, and Internet jpegs, the artists whose work was selected for Multiple Exposures: Jewelry and Photography express a stimulating range of ideas realised with a great diversity of materials and innovative jewellery-making approaches.

Read more less

Book SynopsisFor many women of Egypt, their jewelry is their bank-they wear their wealth in their gold. But jewelry in Egypt is also more than mere assets, and its design and manufacture reveal a great array of styles and a high degree of skill and artistry. In this lavishly illustrated book, Azza Fahmy, herself a world-renowned designer of jewelry based on traditional motifs, lays before us an Aladdin's cave of jewelry made in all corners of Egypt over the last one hundred years, collected through her extensive travels throughout the country. From the farms and villages of the Nile Valley and Delta, from the oases of the Western Desert and the mountains and wadis of Sinai and the Eastern Desert, from Nubia in the south, and from the crowded traditional neighborhoods of Cairo is displayed a cornucopia of gold and silver adornment-each area with its own distinctive favored style. Personal seals have been widely employed, and there is even jewelry for special occasions, such as the appeasement of malignant spirits, and for animals.In this completely redesigned edition of her bestselling book, in a new and elegant format, the author not only documents all these varieties and illustrates them with the finest examples, she also describes the techniques and skills involved in their production and the materials used, and recounts her own journey of learning as she apprenticed with the leading master jewelers to become the best known jeweler in Egypt, whose work is worn by world leaders, royalty, and connoisseurs of jewelry around the globe.Trade Review"Enchanted Jewelry Of Egypt: The Traditional Art And Craft comes in an oversized gorgeous hardcover with slipcase and is a top pick for any college-level or in-depth specialty collection focusing on either world jewelry in general or Egyptian history, culture and the arts in particular. The author is a designer of jewelry based on traditional motifs and covers jewelry made throughout Egypt over the last hundred years, using her own collection and travels to supplement history and research. Both history and jewelry-making insights make for an outstanding survey."--Midwest Review of Books"This well-researched and beautifully designed book presents a detailed history of traditional jewelry design and adornment in Egypt, with many full-page color plates of jewelry, both alone and being worn, including many historic photographs. The text is of interest for its treatment of ethnography, a result of the author's travels from Nubia to the Mediterranean researching local jewelry traditions in villages and towns. Fahmy's roots are in Upper Egypt and she is an accomplished jeweler with training in traditional Egyptian gold and silver metalwork."--Book News"Jewelry-making is a subject Azza Fahmy knows well. Unlike most jewelry designers who merely design jewelry, Fahmy can also make jewelry: she mastered the techniques and the skills involved in their production. She was the first Egyptian woman to learn silver-smithing as an apprentice in the iconic Khan Al-Khalili ... Enchanted Jewelry of Egypt is a delightful book to read and to look at. The text is informative and devoid of technical verbiage. The photographs are superb, and most of the jewelry pieces come from the author's private collection. Azza Fahmy's passion for jewelry is clear throughout the book. And she succeeds in communicating her enthusiasm to readers."--Arab News"Fahmy's jewelry catches the spirit of Arab tradition. The pieces are inspired by everything from the hammered silver of peasant wedding jewelry and the repetitive patterns of Islamic architecture to symbols of Arab folklore such as wolf fangs and chili peppers."--Time Magazine"An exceptional women, who makes exceptional jewels in exceptional circumstances."--The Telegraph"Azza Fahmy's brand of tempered Middle Eastern exoticism has started to spread beyond the Arab world."--Financial Times

Read more less

Book SynopsisJewelry was worn by ancient Egyptians at every level of society and, like their modern descendants, they prized it for its aesthetic value, as a way to adorn and beautify the body. It was also a conspicuous signifier of wealth, status, and power. But jewelry in ancient Egypt served another fundamental purpose: its wearers saw it as a means to absorb positive magical and divine powers—to protect the living, and the dead, from the malignant forces of the unseen. The types of metals or stones used by craftsmen were magically important, as were the colors of the materials, and the exact positioning of all the elements in a design. Ancient Egyptian Jewelry: 50 Masterpieces of Art and Design draws on the exquisite collections in the archaeological museums of Cairo to tell the story of three thousand years of jewelry-making, from simple amulets to complex ritual jewelry to the spells that protected the king in life and assisted his journey to the Otherworld in death. Gold, silver, carnelian, turquoise, and lapis lazuli were just some of the precious materials used in many of the pieces, and this stunningly illustrated book beautifully showcases the colors and exceptional artistry and accomplishment that make ancient Egyptian jewelry so dazzling to this day.Trade Review"The photography is crisp, clear, modern and very attractive: it makes you observe the jewelry in another way. . . [and] the book provides, seemingly in passing, an enormous amount of information about religion, economy, trade, history and craftsmanship."—Bedouin Silver"Beautifully illustrated...inherently fascinating and impressively informative."—Midwest Book Review"Highlights fifty of the most beautiful pieces of jewelry ever created—anywhere."—Ancient Egypt Magazine"Stunning" —AramcoWorldTable of ContentsIntroduction: Ancient Egyptian Jewelry Ancient Egyptian Jewelry: 50 Masterpieces The Bracelets of Horus Djer Carnelian Necklace with a Lion Head Amulet The Butterfly Bracelets of Queen Hetepheres Jewels of Princess Khnemet Khnemet’s Motto Bracelets Falcon Collar with Amulets Bracelet Clasps of Khnemet Princess Ita’s Dagger Necklace with a Pectoral of Senwosret II Bracelets of Queen Weret Cowrie Shell Belt Queen Weret’s Motto Necklace A Queen’s Bracelets and Anklets Pectoral of Senwosret III Diadem of a Princess Sithathoriunet’s Mirror Cowrie Shells and Acacia Seeds Mereret’s Feline Girdle Anklets with Claw Pendants Pendant of a Princess Neferuptah’s Collar Pectoral of Amenemhat III A Necklace with Fly Pendants Queen Ahhotep’s Bracelet Ahmose’s Armlet A Queen’s Bracelets The Ankh Sign A Glass Kohl Holder A General’s Earring Pectoral of an Official Gold Statuette of Tutankhamun Tutankhamun’s Daggers A Falcon Pendant Necklace Necklace with a Lunar Boat Tutankhamun’s Vulture Pectoral Pectoral of Nut Bracelets of Rameses the Great Seti II’s Earrings Pasebkhanut’s Necklace Pectoral of Pasebkhanut A General’s Pendant The Goddess Isis Pectoral of Sheshonq I Sheshonq’s Wedjat Bracelets Pectoral of Sheshonq II Pendant Head of Hathor Pendant of Maat A Necklace of Many Pendants A Young Woman’s Jewelry Diadem of Serapis Afterword and Further Reading

Read more less

Book SynopsisFacsimile edition of the 1974 reissue of Flinders Petrie’s 1921 corpus of prehistoric pottery and slate palettes from pre-dynastic, prehistoric Egypt. The pottery corpus was produced separately to accompany the catalogue of Egyptian artifacts in the volume Prehistoric Egypt and comprises hundreds of line drawings illustrating the shapes, forms and types of decoration. It was intended to be a ‘graveside’ aid for use during excavation, with the intent that it be used with record cards to classify and date pottery that could then be returned to the grave. The corpus of palettes updated Petrie’s original classification published Ballas and Naqada, to include many new finds and refine the typology and sequence.This series comprises facsimile re-issues of typological catalogues produced between 1898 and 1937 by W.M. Flinders Petrie, based on his vast collection of Egyptian artefacts which now reside in The Petrie Museum of Egyptian and Sudanese Archaeology, University College, London. Long out of print, the catalogues were re-issued in facsimile by publishers Aris & Phillips in the 1970s alongside newly-commissioned titles by contemporary experts. Petrie’s catalogues remain invaluable source material today. The Oxbow Classics in Egyptology series now makes a selection of these important resources available again in print for a new generation of students and scholars.Table of ContentsThe corpus of Prehistoric pottery The corpus of slate palettes The registers Plates

Read more less

Book SynopsisFacsimile edition of the 1974 reissue of Flinders Petrie’s 1896 account of the excavation (mainly) of tombs in the area around Ballas and Naqada on the edge of the Egyptian desert, 30 miles north of Thebes.Several areas of the ancient towns of Deir and Nubt color="#2F2F2F">– the latter identified as the center of Set worship face=Calibri color="#2F2F2F">– and more tombs were investigated. At each cemetery, traditionally furnished Old and Middle Kingdom tombs were examined and many proved to have been plundered and reused in antiquity. Petrie named these later burials as of a New Race and describes them in detail at Ballas and Naqada. A collection of mostly Palaeolithic flint artefacts is also described.This series comprises facsimile re-issues of typological catalogues produced between 1898 and 1937 by W.M. Flinders Petrie, based on his vast collection of Egyptian artefacts which now reside in The Petrie Museum of Egyptian and Sudanese Archaeology, University College, London. Long out of print, the catalogues were re-issued in facsimile by publishers Aris & Phillips in the 1970s alongside newly-commissioned titles by contemporary experts. Petrie’s catalogues remain invaluable source material today. The Oxbow Classics in Egyptology series now makes a selection of these important resources available again in print for a new generation of students and scholars.Table of ContentsIntroduction 1. The cemeteries of Ballas 2. Selected Egyptian tombs, Ballas 3. Products of the New Race, Ballas 4. Selected graves of the New Race, Ballas 5. Summary of Ballas 6. Cemetery of the New Race, Naqada. The drawn graves 7. Notable graves, Naqada 8. Details of burials, Naqada 9. Description of plates 10. Flint implements of Naqada (by F.C.J. Spurrell) 11. Conclusions 12. Nubt, the town of Set Index

Read more less

Book SynopsisFlinders Petrie undertook excavation and survey of ancient Egyptian towns in the Faiyum oasis, south-west of Cairo, in 1888–90. The work included opening of a pyramid at Illahun and excavation of a nearby cemetery, excavation and planning of over 2000 chambers of the city of Kahun, excavation of a Ptolemaic cemetery at Gurob, and work at the temple site at Medinet Gurob. This facsimile volume presents brief descriptions of the work with a focus on the artifacts and inscriptions recovered and recorded with an attempt to establish a chronology of occupation in the oasis.The entrance to the pyramid at Illahun, its peculiar structure and exploration of its various internal passages and chambers are described, including the sepulchre containing the red granite sarcophagus of Usertesen II, accompanied by a table of offerings. A series of nearby tombs produced a wealth of artifacts associated with burials, wooden coffins and cartonnages, including glazed objects, amulets, scarabs, beads, silver cowries, carved and inscribed wooden objects and statuettes. At Kahun the complete surviving plan of the ancient town revealed a regular layout thought by Petrie to be the work of a single architect. He identified the acropolis, at least eight great houses, dwelling houses, rubbish heaps, and storerooms arranged along numerous narrow ‘workmen’s’ streets with drainage channels. Much evidence for construction materials and techniques and house fittings, wall plaster and paint was recovered. Portable objects included decorated pottery, some of it imported; pottery trays of offerings; stonework; wooden carvings; flint sickles and knives; inscribed stelae; a variety of copper tools; scarabs and clay seals; stone weights and many tools, including several workshop groups. A family tomb in the cellar beneath one house contained 12 coffins, each containing several bodies with grave offerings buried in succession, two baby boxes and a heap of offerings. At Gurob, the plan of the main temple and surrounding enclosures, within which were contained most of the houses, was established and an outline of its history determined. An unusual practice of burning personal belongings in pits beneath the houses was identified and the groups of objects and inscriptions discussed. The nearby cemetery was also investigated with pit-like tombs producing undecorated coffins but finely painted cartonnages, badly decomposed papyri and a few funerary objects. A discussion of the wider urban landscape concludes the narrative. There are specialist reports on the papyri and stone implements.This series comprises facsimile re-issues of typological catalogues produced between 1898 and 1937 by W.M. Flinders Petrie, and re-issued in facsimile by publishers Aris & Phillips in the 1970s alongside newly-commissioned titles by contemporary experts. Petrie’s catalogues remain invaluable source material today. The Oxbow Classics in Egyptology series now makes a selection of these important resources available again in print for a new generation of students and scholars.Table of ContentsIntroductory 1. Pyramids of Illahun 2. The town of Kahun 3. The antiquities of Kahun 4. Medinet Gurob 5. The tomb of Maket 6. Illahun in the XXII Dyn. 7. Ptolemic cemetery, Gurob 8. Ptolemais and late sites 9. The Greek papyri (by Prof. Sayce) 10. The hieratic papyri (by F.Ll. Griffith) 11. The stone implements (by F.C.J. Spurrell, F.G.S.) Plates

Read more less

Book SynopsisThis facsimile reissue of Anthea Page’s 1983 catalogue makes this important source material available again in print for a new generation of students and scholars. The catalogue documents 82 ostraca held in The Petrie Museum of Egyptian and Sudanese Archaeology collection in London. Ostraca are flakes of limestone or broken sherds of pottery used essentially as 'notepads' for private letters; laundry lists; records of purchases; roughly inscribed images of people, birds, and animals; and copies of literary works. In Ancient Egypt they reveal the artist-craftsman at practice, leisure and play. Apprentices, for instance, copied scenes to improve techniques; artists drew pictures to amuse, perhaps with satirical images and caricatures, or made measured studies for finished works. A wide range of trivial examples survive, together with more serious devotional, votive and dedicatory pieces.Table of ContentsAcknowledgements Abbreviations Introduction Catalogue Appendix 1: Classification of the material of the pottery ostraca Appendix 2: Sketches on pottery vessels Concordance of Museum and Catalogue numbers Plates

Read more less

Book SynopsisHailed as a sumptuously produced and finely illustrated outstanding contribution to ancient Egyptian studies, this facsimile reprint of Patrick Houlihan’s 1986 comprehensive study makes a welcome return in the Oxbow Classics in Egyptology series.Animals of all kinds are amply illustrated in Egyptian art, none more so than birds, in both secular and religious contexts and in hieroglyphic scripts. A great variety of bird species has for millennia made twice yearly migrations passing over Egypt, which is also an important overwintering area for many. These migrant birds, together with indigenous species were an abundant and easily exploited source of food for ancient Egyptians, for domestication and status display. Tomb scenes displaying birds provided as food for the deceased are abundant, as are procession scenes of offering with bearers bringing gifts of fowl. Many birds also had religious associations. Houlihan provides a systematic and unparalleled survey of all the bird life depicted by the ancient Egyptians in art and hieroglyphic writing face=Calibri>– some 72 species (plus bats) – with a list of known mummified species, discussions on their religious and secular associations, and many illustrations. Their present-day distributions are compared with that known from the time of the Pharoahs. A checklist of the birds of modern Egypt is provided by Steven Goodman.Table of ContentsSources of the figures Map of Ancient Egypt Preface Acknowledgements Abbreviations and references cited The catalogue Appendix I The mummified birds Appendix II A preliminary checklist to the Birds of Egypt, by Steven M. Goodman Notes to the catalogue and checklist Chronological table Index

Read more less

Book SynopsisFirst published in 1979, this facsimile edition of Jeffrey Spencer’s comprehensive study provides a detailed account of the brick architecture of ancient Egypt. Part I provides introductory information on brick manufacture, early use of brick in Egypt and explains the corpus of brick bonding systems. Part II provides an account of the surviving brick buildings, discussed by type, with special reference to technical and structural matter. Part III presents an examination of the constructional techniques employed at different periods for various purposes. A discussion of the kinds of bricks used, their sizes, and bonding is included.This series comprises facsimile re-issues of typological catalogues produced between 1898 and 1937 by W.M. Flinders Petrie, based on his vast collection of Egyptian artefacts which now reside in The Petrie Museum of Egyptian and Sudanese Archaeology, University College, London. Long out of print, the catalogues were re-issued in facsimile by publishers Aris & Phillips in the 1970s alongside newly-commissioned titles by contemporary experts – of which Brick Architecture in Ancient Egypt is one. The Oxbow Classics in Egyptology series makes a selection of these important resources – which remain invaluable source material – available again in print for a new generation of students and scholars.Table of ContentsAbbreviations Preface Introduction Part I 1. Brick manufacture 2. The earliest use of brick in Egypt 3. The bonding corpus Part II 4. Funerary architecture 5. Religious architecture 6. Administrative and official buildings 7. Domestic architecture 8. Fortresses and defensive town walls Part III 9. Brick walls 10. Floors and foundations 11. Arches, vaults, domes and corbels 12. Solid brick construction in mastabas and pyramids 13. Supplementary materials in brick construction 14. Bonding 15. Special bricks 16. Brick sizes Appendix I: Metrology of Egyptian brickwork Indexes Plates

Read more less