Popular music Books
Reaktion Books Five Years Ahead of My Time: Garage Rock from the
Book SynopsisFive Years Ahead of My Time: Garage Rock from the 1950s to the Present tells of an explosive musical phenomenon whose continuing influence on popular culture is dramatic and deep. The tale begins in 1950s America, when classic rock ’n’ roll was reaching middle age and teenage musicians kept its primal rawness going with rough-hewn instrumentals. In the mid-1960s, the Beatles and the British Invasion conquered America, and soon every neighbourhood had its own garage band. Groups like the Sonics and 13th Floor Elevators burned brightly but briefly, only to be rediscovered by a new generation of connoisseurs in the 1970s. Numerous compilation albums followed, spearheaded by Lenny Kaye’s seminal Nuggets, which resulted in garage rock’s rebirth across the world during the 1980s and ’90s. Be it the White Stripes or the Black Keys, bands have consistently found inspiration in the simplicity and energy of garage rock. It is a revitalizing force, looking back to the past to forge the future. And this, for the first time, is its story.
£10.99
Reaktion Books Ornette Coleman: The Territory and the Adventure
Book SynopsisOrnette Coleman’s career encompassed the glory years of jazz and the American avant-garde. Born in segregated Fort Worth, Texas, during the Great Depression, the African American composer and musician was the zeitgeist incarnate. Steeped in the Texas blues tradition, Ornette and jazz grew up together, as the brassy blare of big band swing gave way to bebop, a faster music for a faster, post-war world. At the dawn of the Space Age and New York’s 1960s counterculture, his music gave voice to the moment. Lauded by some, maligned by many, he forged a breakaway art sometimes called `the new thing’ or `free jazz’. Featuring previously unpublished photographs of Ornette and his contemporaries, this is the compelling story of one of America’s most adventurous musicians and the sound of a changing world.Table of ContentsIntroduction Part One: Coming Up Part Two: Ignition Part Three: Atmospherics Part Four: Transmissions Epilogue
£21.25
Reaktion Books Ornette Coleman: The Territory and the Adventure
Book SynopsisOrnette Coleman’s career encompassed the glory years of jazz and the American avant-garde. Born in segregated Fort Worth, Texas, during the Great Depression, the African American composer and musician was zeitgeist incarnate. Steeped in the Texas blues tradition, Ornette and jazz grew up together, as the brassy blare of big band swing gave way to bebop, a faster music for a faster, post-war world. At the dawn of the Space Age and New York’s 1960s counterculture, his music gave voice to the moment. Lauded by some, maligned by many, he forged a breakaway art sometimes called ‘the new thing’ or ‘free jazz’. Featuring previously unpublished photographs of Ornette and his contemporaries, this is the compelling story of one of America’s most adventurous musicians and the sound of a changing world.Trade ReviewFittingly unconventional . . . Ornette Coleman: The Territory and the Adventure is an atlas in prose, a guide to the territories of varied sorts – social, racial, aesthetic, economic and even geographic – that Coleman came out of, traveled through, lived near, occupied, left behind or transformed . . . Golia covers a lot of territory in tight, direct language that illuminates Ornette Coleman’s life and work . . . Most impressively, perhaps, she devotes a sizable section to Coleman’s cryptic and elliptical philosophy of music, which he called Harmolodics, without straining to defend it with academic triple-talk or dismissing it.', David Hajdu, New York Times Book Review 'Ms. Golia aptly outlines the aesthetic dilemma, when “jazz had become aware of itself and its strengths” . . . [and] writes with demystifying clarity about the manifestations of compassion and rigor behind Coleman’s search for “unison” and the musical system he called “harmolodics.” . . . She notably grounds Coleman’s identity in his hometown, reconstructing an“idiosyncratic collage of radio broadcasts from Harlem, Western Swing fiddlers, Tejano two-steps, high-school marching bands, and the rhythm and blues that issued from storefront churches” . . . [Ornette Coleman: The Territory and the Adventure] opens ears yet further to the transformative power of Coleman’s music.', Larry Blumenfeld, Wall Street Journal 'Maria Golia's well-researched volume paints a portrait of a man who looked different, ate differently (being a vegetarian in Texas was no joke), and, of course, played differently . . . we learn a great deal about Coleman's musical beginnings, his subsequent motivations, and the broader landscape of which he was a part.', Record Collector 'The freedom that Golia describes is the freedom and openness to form friendships with artists from other areas of the arts. It is the freedom of someone who would go off to Morocco to seek out the musicians of JouJouka. These musicians had a profound effect on the way that Coleman developed multiple unisons and the harmolodic melding of the blues to create the Prime Time band . . . The research that Golia has done is impressive and her book will be essential.', Jazz Views 'Following Ornette's departure from the planet, his presence in the world only seems to increase and his music’s influence will no doubt continue far into the future. The poetic conception of music, sound, and life in the broadest sense that Ornette embodied is addressed here through the terrific writing of Ms. Golia. This volume is an excellent addition to the ongoing study of one of the greatest improvising musicians of all time.', Pat Metheny, musician, composer, educator 'It’s always good to learn more about one of America’s greatest musicians, and Golia’s work has much that is new, especially (at last) a proper overview of Ornette’s experience in his hometown of Fort Worth, both in his youth and the 1980s. Ornette Coleman: The Territory and the Adventure is the best book on Ornette Coleman yet.', Ethan Iverson, musician and music critic 'The history of jazz is often told as a geographical adventure in which a great art enlightens and assimilates a chain of territories in the course of world conquest. Maria Golia revitalizes that narrative in exploring the life and genius of Ornette Coleman. This is the most incisive portrait we have of him – a joyous addition to the literature of music.', Gary Giddins, music critic, author and biographer 'A giant step in the right direction and the first significant book on Ornette Coleman since John Litweiler's Ornette Coleman: The Harmolodic Life was published in 1992…. Golia is very good at contextualising and explaining… and succeeds in exploring in a non-systemically musicological way the mysteries of harmolodics by shedding light on the more arcane side of Ornette's vast artistic curiosity. Ornette Coleman: The Territory and the Adventure also is excellent in enhancing our biographical knowledge of Ornette's early life in a very considered way.', Stephen Graham, Marlbank.net 'There are lots of fascinating anecdotes, stories and previously unpublished photographs in Golia’s book . . . She has compiled a detailed, interesting story of his career.', Martin Chilton, udiscovermusic.com 'One of the finest books on the power of place and influence in a musician's life.', Andrew Male, Mojo 'Golia offers a wide-ranging biography of the great saxophonist, writing less about the man himself than about the people, places, and musical tendencies that converged to make him the "patron saint of all things dissonant and defiant." The approach suits Coleman, who was soft-spoken despite his stubborn nonconformity, and unaffected by the larger-than-life egotism of contemporaries such as Charles Mingus or Miles Davis.', Julian Lucas, Harper's Magazine 'Maria Golia eloquently describes the Ornette phenomenon in a book laden with musical and social insights.', Chris Searle, The Morning Star 'The book is much more than a conventional biography — you learn a lot about his childhood and artistic development, particularly the early years when he was wrestling with the blues and conventional R&B forms, and you learn about the whole Texas milieu he emerged from. But there’s also a great deal of discussion of his music and life philosophy, including extensive quotes from people in his bands, so if you’re at all a fan of his work and want to gain some real perspective on it, it’s pretty much a must-read. Highly recommended.', Stereogum.com 'Ornette Coleman was the shock of the new . . . Golia writes scenically about Coleman’s birthplace, Fort Worth, Texas, where Jim Crow and music were everywhere . . . With a pointillist’s talent for detail, [she] shows how Coleman’s origins in Texas blues gave way to abstraction on landmark records . . . ultimately leading him to create the musical paradigm he called “harmolodics.” . . . The “free” in [Coleman’s] “free jazz” is an ambivalent word. It doesn’t refer to the absence of oppression or musical rules, but instead the struggle to imagine a place beyond them both. In that sense, Coleman’s definition of freedom was radically inclusive, both politically and musically.', Josephine Livingstone, The New Republic 'Golia takes a broader approach, situating the great saxophonist and composer in his cultural, social and geographical contexts. Each of the four sections pivots on a particular time and place, establishing the territory then striking out on an adventure in a manner akin to a Coleman solo . . . By deftly tracing these connections and transformations, Golia has created a valuable and highly engaging survey of Coleman’s harmolodic life.', The Wire '[A] compelling and rewarding new book.', Jerry Jazz Musician 'A marvelous and unique biography of an equally unique artist. Maria covers his entire life in vivid detail with emphasis on the man, his associations and his artistic methods. It is the perfect companion to John Litweiler’s Ornette Coleman: A Harmolodic Life written in 1994.', Mosaic Records’ Daily Jazz Gazette 'Maria Golia’s forensic, scholarly, original Ornette Coleman: The Territory and the Adventure is a very welcome book . . . Golia – perfectly placed to write this book as one-time manager of the Caravan Of Dreams – expertly outlines Ornette’s place in a distinctly Texan musical heritage . . . a fascinating, formidable study of Ornette, with all the seriousness and rigour his life and music deserve.', Sounds of Surprise 'Golia takes us on a guided tour, not just of Coleman’s mind and music but of the country and state that birthed him and made him into a permanent outlaw and outlier. She clearly designates the framework of the biography of this titanic figure, demonstrating that the individuals who may be said to define an era have generally distilled its characteristic forces and possibilities into a consistent body of work that has in turn transformed the times in which they lived and worked. In other words, Ornette is a mirror of the very America which often found it so hard to incorporate him into its artistic, musical and cultural fabric.', Donald Brackett, Critics at Large 'Author Maria Golia’s depiction of the mise en scene of Ornette Coleman’s life, and her insights into his persona, provide ample material to understand the saxophonist’s initial disruption and his long-term influence.', The Arts Fuse 'A professional account of a heady dude, without cosmic junk and jargon.', Colin Fleming, Jazz Times 'A spectacular new biography . . . Golia has penned a labor of love and a thoroughly researched, righteous homage. Best of all, in my view, Golia gets Coleman’s ravenous intellectual curiosity. Her prose is sometimes dense with context, sometimes poetic and exalted, sometimes punchy ("Jim Crow could not dictate what kind of music a person listened to.") She gets that Ornette was never only a jazz musician. He was a thinker, a futurist, a cultural revolutionary . . . Refreshingly, Golia describes references that informed Ornette’s voracious curiosity, like Derrida, Buckminster Fuller, Maya Angelou, the later Krishnamurti, and Guy Debord.', Los Angeles Review of Books 'Golia contends that Coleman's particular vision of music, what he called Harmolodics, affected not only the shape of jazz but also that of other musical genres as well as poetry, visual art, film-making, and even architecture. It's a compelling argument, and Golia's book offers much interesting information concerning Coleman's upbringing and early music apprenticeship in his hometown of Fort Worth, TX, not generally considered a jazz capital but in these pages comes across as much more than a backwater.', Pittsburgh Post-Gazette 'Lauded by some, maligned by many, Ornette Coleman forged a breakaway art sometimes called "the new thing" or "free jazz." At the dawn of the Space Age and New York's 1960s counterculture, his music gave voice to the moment. Featuring previously unpublished photographs of Ornette and his contemporaries, this is the compelling story of one of America's most adventurous musicians and the sound of a changing world.', Rough Trade, Books of the Year 2020 'In this book Maria Golia has succeeded in celebrating Coleman’s life of musical ‘adventure’ and arguing his status as a modern master.', Centrepiece 'a book with superbly reproduced photographs . . . Ornette Coleman did his own thing with graceful ease. This comes across strongly in the story of his life as told by Maria Golia and she is good at contextualising the different phases of his musical career.', The Prisma 'Coleman’s status as a larger-than-life icon has tended to eclipse the soft-spoken, often enigmatic artist himself. Opposing this tendency is Maria Golia’s wide-ranging new biography . . . One of the book’s virtues lies in its foregrounding of Coleman’s own voice and the voices of his con-temporaries, with ample quotations throughout, many drawn from the author’s own interviews . . . Golia’s book is scholarly and well researched, but it is not written exclusively or even primarily for academics and should be welcomed by fans and general reader-ship.', Jazz and Culture 'Fascinating . . . There is a great deal of new information in her book about Coleman, particularly about his later nonmusical artistic activities, his general philosophy, and the way that that he influenced other artists including from very different fields. Even those who consider themselves experts on the altoist will find much to learn from this well-written and scholarly book . . . The Territory And The Adventure has many bright moments, fresh stories, and fascinating information about the life and times of Ornette Coleman.', LA Jazz Scene 'An invaluable contribution not only to Coleman scholarship but also to the history of African-American music, culture, and commerce of mid-twentieth-century Fort Worth.', Alan Schaefer, Journal of Texas Music History
£999.99
Reaktion Books Pin-Ups 1972: Third Generation Rock ’n’ Roll
Book SynopsisElvis, Eddie, Chuck, Gene, Buddy and Little Richard were the original rockers. Dylan, The Beatles, The Stones and The Who formed rock’s second coming. As the 1960s turned into the 1970s, the crucial question was who would lead rock ’n’ roll’s third generation? Pin-Ups 1972 tracks the London music scene during this pivotal year, all Soho sleaze, neon, grease and leather. It begins with the dissolution of the underground and the chart success of Marc Bolan. T. Rextasy formed the backdrop to Lou Reed and Iggy Pop’s British exile and their collaborations with David Bowie. This was the year Bowie became a star and redefined the teenage wasteland. In his wake followed Roxy Music and the New York Dolls, future tense rock ’n’ roll revivalists. Bowie, Bolan, Iggy, Lou, Roxy and the Dolls – pin-ups for a new generation.
£18.00
Reaktion Books A Band with Built-In Hate: The Who from Pop Art
Book Synopsis‘Ours is music with built-in hatred.’ – Pete Townshend A Band with Built-In Hate pictures The Who from their inception as the Detours in the mid-sixties to the late seventies, post-Quadrophenia. It is a story of ambition and anger, glamour and grime, viewed through the prism of pop art and the radical levelling of high and low culture that it brought about – a drama that was aggressively performed by the band. Peter Stanfield lays down a path through the British pop revolution, its attitude and style, as it was uniquely embodied by The Who: first, under the mentorship of arch-mod Peter Meaden, as they learnt their trade in the pubs and halls of suburban London; and then with Kit Lambert and Chris Stamp, two aspiring filmmakers, at the very centre of things in Soho. Guided by contemporary commentators – among them George Melly, Lawrence Alloway and most conspicuously Nik Cohn – Stanfield describes a band driven by belligerence, and of what happened when Townshend, Daltrey, Moon and Entwistle moved from back-room stages to international arenas, from explosive 45s to expansive concept albums. Above all, he tells of how The Who confronted their lost youth as it was echoed in punk.Trade Review‘This superb volume . . . A Band with Built-in Hate feels fresh and without precedent, a scholarly yet thrilling studyof the paradoxes that made The Who the most vital band of the '60s, and the cultural backdrop against which their initial impact was played out.’ — Shindig!; ‘Eloquently framing their success as the only successful 1960s UK pop/rock group that didn't want to be either The Beatles or The Rolling Stones, Stanfield locates The Who (and crucially their peak years, during which they were, he writes "not copyists but innovators") at a boundary-breaking intersection of pop and art-rock.’ — Tony Clayton-Lea, Irish Times; ‘Stanfield’s masterful new book on the Who, A Band with Built-In Hate, charts their perfect trajectory from pop art to punk with the serious tone their cultural rage deserves. And he does it with a verve that properly situates creative powerhouse Townshend in a practically ideal collaborative arc . . . Stanfield has produced a valuable document, the accurate archive of a uniquely revolutionary band driven forward by belligerence.’ — Critics at Large; ‘There’s some very perceptive writing on the influence the Who had on the wider scene . . . essential reading for anyone who’s ever loved the Who, or wants an insight into the Sixties’ music scene that goes beyond greatest hits compilations and easy generalisations.’ — Louder Than War; ‘If Roger Daltry's 2018 autobiography was a prosaic foot soldier's telling of the Who story, here is a view from the high plains . . . . The best parts of the book mirror the best of The Who, fizzing with ideas and connections . . . This book vividly reanimates the nasty, transgressive, scene-shaping thrill of their beginnings.’ — Mail on Sunday; ‘[An] ear for apt detail enriches Stanfield's account. He plumbs archives for ephemeral magazines and forgotten interviews to reveal more than the standard recitals of the works.’ — Popmatters; ‘Another example of popster intellectualism from this year comes from Stanfield who tackles the overlap of pop music and pop art at the height of the 1960s in A Band With Built-In Hate. This account of The Who up to the arrival of punk concentrates on Pete Townsend’s ideas rather than Keith Moon’s treatment of TVs and cars and is the better for it.’ — 'Music Books of the Year', The Herald, Glasgow; ‘Stanfield has masterfully identified the mod, pop art, and art rock stages of the Who’s career for rock fans and general readers alike.’ — Library Journal; ‘A Band With Built-In Hate: The Who From Pop Art To Punk is an easy but by no means breezy read, well researched and notated, and illustrated throughout in black and white. It brings together some significant criticism of The Who, connecting them with all manner of cultural references, and is a valuable addition to my ever-expanding Who library. That The Who continue to be so well-served by knowledgeable authors is a tribute to their importance.’ — Chris Charlesworth, Just Backdated; ‘While the death of Keith Moon effectively put to bed the essential meaning of their opposition, the push-back of their music and lives, A Band with Built-In Hate can now address with minute clarity and put-right connections how it all started and for the others that followed in their tidal-wave wake, and for the lows and the highs of the cultural innovators that are collectively engraved as the Who. I give this book 4 out of 4 beetles!’ — beatles-freak.com; ‘This definitely is not the kind of book on The Who you expected. A Band with Built-In Hate is an unusual title, very well done and enlightening.’ — www.popcultureshelf.com; ‘A Band With Built-in Hate reaffirms the Who's importance to the rock and pop revolutions of the sixties and seventies’ — Choice magazine, UK; ‘With impressive eloquence, A Band with Built-in Hate situates '60s Britain's most volatile and incendiary group at the heart of pop's wild vortex, its sonic assaults on the class system and the cultural status quo. Stanfield digs brilliantly into the Who's transgressions, their up-ending of entertainment, their transmuting of pop music into art-rock and proto-punk. He can see for miles.’ — Barney Hoskyns, author of Lowside of the Road: A Life of Tom Waits and Major Dudes: A Steely Dan Companion; ‘The best book on the Who. Stanfield understands that they were built entirely around opposition - they didn’t want to be the Beatles or the Stones; they didn’t even want to be the Who most of the time. He smartly states the case for peak Who as transgressive, how their clashing obsessions with primitive rock’n’roll and sociological statements made them so exciting. He also wisely concentrates on their peak years, before pop solidified as rock, when the Who were the closest thing to pop art British music has ever produced.’ — Bob Stanley, founding member of St Etienne and author of Yeah Yeah Yeah: The Story of Modern Pop; ‘That The Who’s image was constantly shifting according to whatever they thought would best promote their music in the moment is the focus of Peter Stanfield’s new book A Band with Built-In Hate. Stanfield examines how The Who took in disparate influences from outside the rock world—influences flying in from the fine and pop arts, youth culture, and so-on – and shipped them back out to be co-opted by everyone from The Creation to The Sex Pistols. It is the first deep, book-length look at an important aspect of The Who’s persona and art that is an integral portion of every book on the band . . . fills in the gaps of an important area of Who history.’ — Mike Segretto, The Who FAQ: All That's Left to Know About Fifty Years of Maximum R&B
£12.34
Michael O'Mara Books Ltd The Official Charts' Music Quiz Book: Put Your
Book SynopsisTest yourself on 70 years of chart music trivia with this official quiz book!· Which Number 1 song by The Beatles became the biggest-selling single of the 1960s?· Can you name the two Number 1 songs by Lionel Richie and Adele which shared the same title?· In what year did Ed Sheeran make both his Official Singles and Albums Chart debuts?You’ll find these questions and thousands more in The Official Charts' Music Quiz Book, the ultimate challenge for pop music lovers and chart nerds alike. Compiled using the Official Charts Company’s definitive music database, this collection of quizzes spans 70 years of unforgettable music history, making it the perfect gift for music fans of all ages.With individual quizzes dedicated to specific genres (pop, rock, hip-hop and more), legendary artists (from Elvis and Madonna to Rihanna and Ed Sheeran), Christmas Number 1s and more, The Official Charts' Music Quiz Book contains everything you need to set your own challenges for friends and family or put on a musical masterclass at your next pub quiz.
£11.69
Michael O'Mara Books Ltd A Taylor Me Journal
Book SynopsisA Taylor-inspired journal filled with self-care tips and inspirational stories of the star, with room to fill in your thoughts.From the power of self-acceptance and how to be your own best friend to the importance of shaking it off and embracing your anti-hero, Taylor and Me brings together the essential self-care tips from the worldwide sensation.Featuring 30 self-care strategies alongside stunning artworks, plus room to record your thoughts, this is your space to be more Taylor and to channel her unique personality in your everyday life. From learning the art of rising above to dusting yourself off in the darkest of times, Taylor and Me is on hand to show you that you can make art out of anything life throws at you.Journey through your eras as you learn from her inspiring success as a businesswoman and how to bounce back from heartbreak and more. This is the essential journal for any Swiftie wanting to delve into her signature themes of friendship, feminism, relationships and self-worth. Rise up, the Taylor way.
£9.49
RSL Awards Rockschool Piano Grade 2
Book Synopsis
£18.04
RSL Awards Rockschool Piano Grade 4
Book Synopsis
£17.99
Intellect Books Popular Music in Leeds: Histories, Heritage,
Book SynopsisThis first academic collection dedicated to popular music in Leeds - developed from the work of interdisciplinary scholars, drawn from a major public museum exhibition “Sounds of Our City” and built upon contemporary research. Leeds has rich musical histories and heritage, a long tradition of vibrant music venues, nightclubs, dance halls, pubs and other sites of musical entertainment. The city has spawned crooners, folk singers, punks, post- punks, Goths, DJs, popstars, rappers and indie rockers, yet – with a few exceptions - Leeds has not been studied for its scenes in ways that other UK cities have. In ways that the chapters explore, Leeds’ popular music exemplifies and informs understandings of broader cultural and urban changes – both in Britain and across wider global contexts – of the social and historical significance of music as mass media; music and migration; music, racialisation and social equity; industrial decline, de-industrialisation, neoliberalism and the rise of the 24-hour city. Charting moments of stark musical politicisation and de-politicisation, while concomitantly tracing arguments about “heritagising” popular music within discussions about music’s “place” in museums and in the urban economy, this book contributes to debates about why music matters, has mattered, and continues to matter in Leeds, and beyond. Table of ContentsList of Figures ix Acknowledgements xi Foreword xiii Jez Willis Introducing Leeds 1 Brett Lashua, Karl Spracklen, Kitty Ross and Paul Thompson PART 1. PLACES OF LEEDS’ POPULAR MUSIC 13 1. Dance and Drink the Fenton: Fighting for Territory in Leeds’ Culture Wars 15 Rio Goldhammer 2. When Mr Fox Met Kit Calvert, the Maker of Wensleydale Cheese: Constructing Yorkshireness in the Sixties Leeds Folk Scene 31 Karl Spracklen 3. Park Life: When Roundhay Went Pop 43 Peter Mills 4. ‘Everything Is Brilliant in Leeds’: Venues in the Leeds Indie Scene 1992–2012 57 Dan Lomax 5. Noise, Power Electronics and the No-Audience Underground: Place, Performance and Discourse in Leeds’ Experimental Music Scene 70 Theo Gowans, Phil Legard and Dave Procter PART 2. PEOPLE: LEEDS’ MUSICAL COMMUNITIES AND CULTURAL IDENTITIES 85 6. La-Di-Dah: Some Thoughts on Jake Thackray and British Popular Culture 87 Stephen Wagg 7. Home Is Where the Music Is: Migrants and Belonging in Leeds 102 Jonathan Long 8. A Tale of Two Artists: Thinking Intersectionally About Women and Music in Leeds 117 Beccy Watson 9. Leeds Punk through a Feminist Lens 130 Mallory McGovern 10. Americana and Leeds: Narrating the American South with Northern Grit 144 Dave Robinson PART 3. HISTORIES OF POPULAR MUSIC IN LEEDS 159 11. Leeds City Varieties in the 1950s and 1960s: Decline, Nudity and Nostalgia in the British Variety Industry 161 Dave Russell 12. The Evolution of DIY Venues as Dancing Spaces in Leeds from the 1940s to 2020s 176 Stuart Moss 13. Music of the Leeds West Indian Carnival 191 Danny Friar 14. Jazz in Leeds, 1940s–50s 205 Michael Meadowcroft PART 4. POPULAR MUSIC HERITAGE, LEGACIES AND FUTURES 215 15. Sounds of Our City Exhibition: Music and Materiality in Leeds’ Abbey House Museum 217 Kitty Ross and Paul Thompson 16. Where You’re From and Where They’re At: Connecting Voices, Generations and Place to Create a Leeds Hip Hop Archive 235 Sarah Little and Alex Stevenson 17. A Splendid Time is Guaranteed for All: A Psychogeography of Leeds’ Popular Music Heritage 250 Brett Lashua and Paul Thompson 18. Music: Leeds – Supporting a Regionalized Music Sector and Scene 264 Paul Thompson and Sam Nicholls Conclusion: Putting Popular Music in Leeds ‘On the Map’ 279 Brett Lashua, Paul Thompson, Kitty Ross and Karl Spracklen Notes on Contributors 287 Index 299
£28.45
John Blake Publishing Ltd The Stone Age: Sixty Years of the Rolling Stones
Book Synopsis'However much you thought you knew about The Stones before you read it, afterwards you'll know more. It's glittering' - Simon Napier-Bell'Special [...] it's brilliant' Johnnie WalkerFrom Sunday Times bestselling author Lesley-Ann JonesOn 12 July 1962, the Rollin' Stones performed their first-ever gig at London's Marquee jazz club. Down the line, a 'g' was added, a spark was lit and their destiny was sealed. No going back.These five white British kids set out to play the music of black America. They honed a style that bled bluesy undertones into dark insinuations of women, sex and drugs. Denounced as 'corruptors of youth' and 'messengers of the devil', they created some of the most thrilling music ever recorded. Now, their sound and attitude seem louder and more influential than ever. Elvis is dead and the Beatles are over, but Jagger and Richards bestride the world. The Stones may be gathering moss, but on they roll. Yet how did the ultimate anti-establishment misfits become the global brand we know today? Who were the casualties, and what are the forgotten legacies? Can the artist ever be truly divisible from the art? Lesley-Ann Jones's new history tracks this contradictory, disturbing, granitic and unstoppable band through hope, glory and exile, into the juggernaut years and beyond into rock's ongoing reckoning . . . where the Stones seem more at odds than ever with the values and heritage against which they have always rebelled. Good, bad and often ugly, here are the Rolling Stones as never before.
£17.00
Sonicbond Publishing Aimee Mann On Track: Every Album, Every Song (On
Book SynopsisAny consideration of the song writing craft would be incomplete without the inclusion of American singer/songwriter Aimee Mann. From her first steps as singer and bass player with '80s synth pop band 'Til Tuesday, who scored a massive MTV hit with 'Voices Carry' in 1985, she has continually produced starkly autobiographical and often ironically melodic songs that cut through the emotional detail. With a career now spanning almost forty years, she has built a catalogue of nine studio albums since going solo in the early 1990s and, via a series of record label frustrations, has developed into a fiercely independent recording artist, flying outside the mainstream. Her critical acclaim has never wavered, and whilst happy to work in a niche market, her soundtrack for the film Magnolia and the accompanying Oscar nomination raised her profile considerably, adding to her stalwart army of fans. This book gives an overview of Aimee Mann's career from her earliest days, making it big with 'Til Tuesday and onward through her solo career to date, investigating every recorded track in a comprehensive guide for fans and new listeners keen to investigate a true original and double Grammy winner whose songs should be much more widely recognised.
£13.49
Sonicbond Publishing Crosby, Stills and Nash: Every Album, Every Song
Book SynopsisThe music of Crosby, Stills and Nash, and especially their 1969 self-titled debut album, exemplified the Woodstock generation – three men, three voices, one common view of freedom and justice. Their decision to recruit Neil Young before their first public performance fundamentally altered CSNY the band dynamic. Worldwide acclaim and success followed: their first three albums, released 1969-1971, have sold almost 30 million copies. In 1974 they embarked on the biggest stadium tour then attempted, playing baseball and football stadiums and racetracks across the US to thousands of fans. They were also pop stars, securing nine top 40 singles between 1969 and 1982. And yet, today, with Neil Young regarded as a musical legend with a classic back catalogue, his colleagues Crosby, Stills and Nash remain far less acclaimed. They comprised Crosby: the drug-addled hippy with weird songs and golden voice, Stills: the blues man and guitar genius and Nash: the hard-as-nails balladeer with a strong social conscience. Together, at their best, they were unbeatable. This book tells you why, aiming to set things straight, with an album by album analysis of CSN’s five studio albums, as well as the three they made with Neil Young.
£13.49
Sonicbond Publishing UFO Every Album, Every Song (On Track )
Book SynopsisUFO, the legendary band which have been gracing the world’s stages for the last 50 years, have given us more than their fair share of superb quality hard rock songs including ‘Doctor, Doctor’, ‘Rock Bottom’, ‘Shoot Shoot’, ‘Too Hot To Handle’, and ‘Only You Can Rock Me’. And that was just during the Seventies! Albums such as ‘Force It’, ‘Obsession’, ‘The Wild, The Willing, And The Innocent’, ‘Walk On Water’ and ‘You Are Here’ are acknowledged as classics of the melodic hard rock genre, and their live masterpiece ‘Strangers In The Night’ regularly features at or near the top of rock music polls. UFO’s history can be delineated by the guitarists who have passed through their ranks. From the early ‘Space Rock’ stumblings, their astonishing development with the brilliant, mercurial Michael Schenker, the consolidation and first downfall during Paul Chapman’s tenure, subsequent re-launches and crash-landings, a troubled reformation of the Schenker line-up, and the final mostly settled version with Vinnie Moore, this book explores each of the band’s 23 studio albums, and, of course, ‘Strangers’. Every song is analysed in detail and opinions are numerous in this passionate critique of one of Britain’s best loved and most influential rock institutions
£13.49
Sonicbond Publishing Fleetwood Mac In The 1970s
Book SynopsisMusic fans tend to divide into two camps at the mention of Fleetwood Mac. There are those who think of the multi-million-selling five-piece that formed in the mid-1970s and released Rumours, the biggest selling album of all time. But there are those who adopt a self-appointed 'cooler' stance, preferring the late-sixties blues band fronted by the virtuosic guitarist Peter Green. But that's not the whole story. Between May 1970, when Green left his own band to be replaced by the bass player's wife, to the beginning of 1975, when Lindsey Buckingham and Stevie Nicks joined Fleetwood Mac, there were five years of what can only be described as turmoil. One by one, talented musicians such as Jeremy Spencer, Danny Kirwan, Bob Weston and Bob Welch joined and left the band. While it's impossible to ignore the skill and longevity such classic songs as 'Rhiannon' and 'Don't Stop' and albums Fleetwood Mac, Rumours and Tusk, there are an equal number of half-forgotten classic songs from the first half of the 1970s and many deep album cuts that have been overlooked. Here is the story of Fleetwood Mac in the 1970s - the music, the people, the tours, the rumours, the failures and the successes.
£13.49
Sonicbond Publishing Caravan: Every Album, Every Song: On Track
Book SynopsisCaravan have a history that stretches back over half a century, with a catalogue of music that ranges from progressive rock classics to pop gems that should have been hits. Lumped into that strange category known as ‘the Canterbury Sound’, they are both the paradigm and the transcendent band within that nebulous category. This book traces their history, track-by-track, over eighteen canonical albums, stopping off to examine the plethora of live and BBC session releases that have swollen their back catalogue like a girl who grows plump in the night. Beginning with their pop-psych debut on Verve, continuing through the run of classic and revered albums on Decca/Deram that forged their reputation, and then on the albums that saw them move towards pop and be swept up by the tides of fashion, it ends with the decades of reunions that saw fewer albums, but a refinement of the sensibilities that define their unique sound. With ever-present Pye Hastings on guitar/vocals/songwriting, and Richard Coughlan at his back on drums, the band has also been defined by the skills of viola player Geoff Richardson and the Sinclair cousins – David on keys and Richard on bass. But this is not to belittle the contribution of every musician and songwriter whose talents have combined to make this most English of bands just that little bit special…
£13.49
Sonicbond Publishing The Damned On Track: Every Album, Every Song
Book SynopsisThe Damned are a great British rock n’ roll institution. They have helped to plot the course of guitar music over the last 45 years, putting UK punk on record for the first time in 1976, and going on to lay the groundwork for the hardcore, Goth, post-punk, indie-pop and horror-punk movements that have thrived in their wake. Ever underestimated by critics, their string of classic albums has nevertheless been hugely influential, from the trailblazing punk of Damned Damned Damned, to the epic, eclectic sprawl of The Black Album, through the glossy dark-pop of Phantasmagoria, to the genre-spanning triumph of the recent Evil Spirits and beyond. In this book, Morgan Brown takes a fascinating deep dive into each of the band’s groundbreaking records, unearthing the stories and inspirations behind them, picking apart their musical building blocks, and examining both the creative process and the creators themselves - visionary early leader Brian James, iconic frontman Dave Vanian, madcap genius Captain Sensible, volatile percussive dervish Rat Scabies and many more. Curious new listeners and long-time aficionados alike will find this book the perfect companion on a voyage of discovery into the strange, chaotic, wonderful world of the Damned.
£13.49
Sonicbond Publishing Eric Clapton Solo On Track: Every Album, Every
Book SynopsisOf all of the 'classic' British rockers who came to prominence in the 1960s, only a very few have achieved significant, sustained success through to the present day. A list that comprises Paul McCartney and The Rolling Stones should also include Eric Clapton. His critical and commercial accomplishments with John Mayall's Bluesbreakers, Cream, Blind Faith and his first solo album between 1965 and 1970 was followed the inexplicable failure of the Layla album, released under the semi-pseudonym of Derek & The Dominos. Clapton withdrew into heroin addiction for several years. In 1974, his 'comeback' album, 461 Ocean Boulevard, returned him to the top three in both the UK and America. Always a strong concert draw, Clapton has released another sixteen top twenty albums since. Even 'Layla' returned to the charts in 1982. Eric Clapton Solo reviews and analyses all of Clapton's studio albums since 1974, as well as successful collaborations with BB King and JJ Cale. It's been a long, varied journey: the laid-back rocker of the 1970s; the commercial sheen of the 1980s; the polished, acoustic yuppie music and hard blues of the 1990s; the slick R & B stylings of the 2000s and the roots homages of the 2010s. All of this was underpinned by the skill and talent of Britain's greatest blues guitarist and a hugely underrated vocalist
£13.49
Sonicbond Publishing Tori Amos On Track: Every Album, Every Song
Book SynopsisIn 1992, Singer, pianist and composer Tori Amos achieved fame with the intensely personal solid gold record, Little Earthquakes, the first of fifteen studio albums. Each new recording cut new ground both musically and thematically. Since then, Amos has performed world-wide, both as a soloist and also accompanied, by a rhythm section, an octet or an orchestra. Her projects have ranged from the musical, A Light Princess to the classically-inspired Night of Hunters. Grammy nominations include: Best Alt. Album for Under The Pink, Boys for Pele and From The Choirgirl Hotel and Best Female Rock Vocal Performance for 'Strange Little Girls.' Amos was the first female artist to chart in the Billboard Top ten in Classical, Alternative and Rock genres simultaneously for Night of Hunters. She has been strongly involved in Native American issues and was the first spokesperson for RAINN, the largest, anti-sexual violence organization in the U.S. This book provides a track-by-track analysis of those essential recorded works, starting from Tori Amos' late 1980s synth-pop beginnings through 2017's illuminating Native Invader
£13.49
Sonicbond Publishing Genesis in the 1970s
Book SynopsisFew, if any bands, have been as prolific or consistently creative as Genesis were in the 1970s, both together and apart. Across that decade, the mothership released eight studio and two live albums, played a thousand concerts and launched the solo careers of four of its members. Through it all, they weathered the departures of Anthony Phillips, Peter Gabriel and Steve Hackett, ending the decade as a self-contained trio of Tony Banks, Phil Collins and Mike Rutherford, one that was about to become the biggest band in the world. For many though, the 1970s represents their artistic peak as a hothouse for incredible songwriters. It made for a combustible, heady brew when those talents were all harnessed in the service of the band, helping create the progressive rock genre, pioneering the multimedia concert experience, as well as making a rakishly worn daffodil the headgear of choice for the cognoscenti. Genesis began the decade by playing before an audience of one and asking if he had 'any requests?' and ended it by headlining the Knebworth Festival in front of 80,000 fans. This book tells the whole story of that tumultuous decade, on record and on stage, together and apart.
£13.49
Sonicbond Publishing Korn On Track: Every Album, Every Song
Book SynopsisRising to prominence in 1994 on the back of their eponymous debut album, Korn ushered in a new sound within heavy metal which many would try and imitate in the years that followed. Earning themselves the title of "The Godfathers of Nu Metal", the Bakersfield quintet has sold well over 40 million records, they have topped charts all around the world, and they have also won multiple awards which include two prestigious Grammys. Still firing on all cylinders after three decades, Korn continues to produce powerful and accessible anthems in the present day. Korn On Track covers all the band's studio releases thus far- from their 1993 demo tape, Neidermayer's Mind, to their thirteenth studio album, The Nothing, released in 2018. Reviewing every track and delving into the stories behind many of them, also discussed is Korn's largely unheralded unreleased material, and B-sides which also include songs exclusively featured on movie soundtracks.
£13.49
Sonicbond Publishing The Golden Road: The Recorded History of Grateful
Book SynopsisOver their 30-year career as one of the most influential and successful bands in the world, the Grateful Dead released just a handful of studio albums and a small number of live albums. With a reputation built on their stellar live performances, it was only in their later years and after the death of their iconic frontman Jerry Garcia, that they began the release of over 100 recordings from their vaults that documented the magic they produced on stage. This book charts the history of the band through these hundreds of releases, as well as their studio recordings and their key solo albums, that show what made this pioneering band unique. From the heady days of the San Francisco underground in the 60s to the stadiums of the 90s, via Woodstock, Altamont, Europe and Egypt, the recorded history of the Grateful Dead covers their constantly evolving music as they changed the way that music was played, recorded and experienced. With former members of the band continuing to attract new audiences both live and online, the magic created by the Grateful Dead remains a vital ingredient in contemporary rock, and this book uncovers and celebrates the recordings that capture the band at their best.
£16.19
Sonicbond Publishing The Hollies On Track: Every Album, Every Song
Book SynopsisEveryone loved The Hollies. They were the 'group's group'. Never confrontational or rebellious, always smartly suited, always smiling. The band had an unbroken run of immaculate pop singles which, while they seldom had that must-buy factor of the latest Rolling Stones or Beatles record, was hallmarked by tight harmonies and unfailing chart sensibility. Throughout the sixties and well into the seventies, everyone had - own up - at least one or two Hollies singles in their collection. No-one begrudged The Hollies their hits. When 'He Ain't Heavy, He's My Brother' and 'Long Cool Woman In A Black Dress' became global million-sellers, The Hollies were inducted into The Rock 'n' Roll Hall Of Fame. Graham Nash - by then deep into his second career as part of Crosby, Stills and Nash - was reunited with other members of the outfit, all on stage together in the March 2010 ceremony. This book tells the full story, from the band's origins in Manchester, through the full arc of hits, and the albums - track-by-track, into the twenty-first century, then... now... always
£13.49
Sonicbond Publishing Tangerine Dream in the 1970s
Book SynopsisLong, unfurling tracks; huge stacks of gear; music like that of no other group; trailblazing live gigs based on improvisation. This is the legacy of Tangerine Dream, the legendary German group piloted by Edgar Froese, whose impact on music, and electronic music in particular, has been profound. Formed in the Summer of Love, and at the beginning a group of rock musicians who liked to improvise, they went on to record and release a series of ground-breaking synthesiser albums with their native Ohr Records and with Richard Branson's fledgling Virgin Records. With the support of underground DJ titan John Peel, their star ascended through the seventies. This book covers that glorious, extraordinary decade, focusing on the music but also telling the group's tale. Albums recording by the band included the classic Phaedra, it's hugely popular follow up Rubycon and they ended the decade with the powerful Force Majeure. The book includes new interviews with Steve Jolliffe and also with early member Steve Schroyder, who was there alongside Froese in those very early days.
£13.49
Sonicbond Publishing Hall and Oates On Track: Every Album, Every Song
Book SynopsisBest known for a string of 1980s pop soul classics such as 'Private Eyes', 'Maneater', and 'Out Of Touch', Daryl Hall & John Oates are far more than the much caricatured image of the tall blonde one and the short one with the moustache. Through peaks and troughs of the preceding decade, their Philly soul sound twisted and turned, with forays into psychedelic rock with Todd Rundgren and an embracing of new wave tunes as the 1970s progressed. Their records are full of luscious harmonies and catchy melodies, but with an experimental side that's often been overlooked by those who know them principally from 'Rich Girl' or 'I Can't Go For That (No Can Do)'. This book unpicks the multiple facets of the best-selling musical duo act of all time, recounting the stories behind the songs, and charting the myriad paths they've taken, to reveal a very different Hall & Oates behind their popular image. Hall & Oates on track, the first critical exploration of their work in book form for over thirty-five years, examines their entire output, from Whole Oats to Do It For Love, taking in bonus tracks, compilations, covers and live albums, to give the reader a proper overview of their fifty year career.
£14.39
Sonicbond Publishing Black Sabbath in the 1970s: Decades
Book SynopsisThe 1970s saw the rise of rock and metal as a force in record and ticket sales. Right there at the birth of this was Black Sabbath, whose first album came from nowhere to smash into the top of the charts in Britain and around the world. The book covers the career of the original foursome - Geezer Butler, Tony Iommi, Ozzy Osbourne and Bill Ward – from Polka Tulk, through Earth and their original nine years as Black Sabbath, when the band recorded such iconic albums as Paranoid, Sabbath Bloody Sabbath and Masters of Reality. The book includes new interview material from key figures including Rick Wakeman and engineers Mike Butcher and Robin Black, among others. This is a comprehensive roundup of the band's music in the decade. All of the albums and singles from 'The Rebel' until 'Never Say Die' are examined in detail, along with related archive releases. There is also a section covering Black Sabbath's tours in the era, looking at key live recordings from every tour. Overall, this is the most comprehensive account of the fortunes in the band during this crucial decade yet written.
£999.99
Sonicbond Publishing Roxy Music in the 1970s
Book SynopsisBetween 1972 and their first break-up in 1976 (and then again following their 1979 reunion), Roxy Music were arguably the most exciting, ambitious and vivacious bans in the land - a core four piece of vocalist Bryan Ferry, guitarist Phil Manzanera, horn player Andy Mackay and drummer Phil Thompson (but also featuring, at different times, Brian Eno and Eddie Jobson) who emerged during 1972's long, hot summer of glam rock, but who could never be readily pigeonholed. The greatest records they made became, in turn, some of the greatest records of the age. 'Virginia Plain,' 'Pyjamarama,' 'Street Life,' 'All I Want Is You,' 'Love is the Drug,' 'Trash' and 'Dance Away' were the hits, but even the deepest cuts on the band's first five albums became anthems for a generation. Roxy were no ordinary band in other ways, too, as Ferry, Manzanera, Mackay and Eno all embarked upon solo careers - which, between them, were responsible for a complex catalogue of songs that stretches from the ballads of the 1930s to the electronica of the distant future, from Wagner's Valkyries to David Bowie's Low. This book encompasses all of that, documenting the histories of both band and band members, while analysing and detailing every album and single released by the Roxy family throughout the decade.
£14.39
Sonicbond Publishing The Human League and the Sheffield Electro Scene
Book SynopsisSheffield in the late-1970s was isolated from what was happening in London in the same way that Liverpool had been in 1963. A unique generation of electro-experimental groupings evolved in the former Steel City around Cabaret Voltaire and The Future. The Future split into two factions, Clock DVA and The Human League. Then The Human League split into two further factions, Heaven 17, and The Human League as we now know them, fronted by Philip Oakey with Joanne Catherall and Susan Sulley. Dare became one of the most iconic albums of the eighties; the album by which Human League are most instantly recognised. It is a musically ambitious album, both driven and voracious album, with giddy grenades of shared inventiveness. A triumph of content over considerable style, at once phenomenally commercial and gleefully avant-garde. The American success of 'Don't You Want Me', accelerated by the high-gloss movie-quality video, exploiting the band's extreme visual appeal, heralded what was soon termed the Second British Invasion. It was the first of two Human League singles to top the American charts. This book tells the full story, from the band's origins in Sheffield, through the full arc of Human League and the very early Heaven 17 hits, and the albums - track-by-track, into the twenty-first century...
£14.39
Sonicbond Publishing Pearl Jam On Track: Every Album, Every Song
Book SynopsisPearl Jam are the last men standing from great alternative rock explosion of the Nineties. They introduced themselves with one of the biggest-selling and most iconic albums of the decade, and their follow-up albums broke sales records worldwide. To date they have sold over 30 million albums worldwide, as many as iconic such artists as The Doors, Tom Petty, and Rush. Just as those artists did, Pearl Jam built an intense cult following who feel personally connected to the band. They tour constantly and are renowned for the quality of their live shows. While maintaining a huge network of fans, they have also collaborated with rock legends and helped boost the profiles of new artists. They fight for social justice causes even when that costs them in other areas. And through it all they keep releasing amazing music. Yet for many they remain an artefact of the Nineties, the epitome of the angsty Gen X stereotype. By going through their entire discography track-by-track, covering their origins in the Seattle scene, their musical development, and how the pop culture context has changed around them, this book will argue that Pearl Jam are not only one the greatest bands of their generation, but one of the greatest bands of all time.
£14.39
Sonicbond Publishing Donovan in the 1960s (Decades)
Book SynopsisDonovan is one of the musicians who defined the 1960s. From his humble, working-class roots as a teenager with big dreams, he rose to become an icon of the times, the troubadour of the flower power generation. His story is one filled with tales of romance, legendary friendships, and screaming fans. But it's also the story of a spiritual journey and of a personal mission to bring his message of love to the world. Most of all, though, it's about the music. Defying the press who dubbed him a mere Dylan imitator, Donovan found his own unique voice and produced some of the most creative and enduring music of the '60s; songs that captured the imagination with memorable melodies and poetic, thought-provoking lyrics. He transcended his folk roots to blend in rock, pop, jazz, classical and world music elements like no one had done before. The mythical, magical decade of the 1960s was the time that Donovan made his mark on the world. This book tells his story through a deep dive into the music he created in those times, including new insights from John Cameron, who arranged and played on many of Donovan's classic songs of the era.
£14.39
Sonicbond Publishing Creedence Clearwater Revival On Track: Every
Book SynopsisCreedence Clearwater Revival were a San Francisco band of the 1960s that had nothing to do with Human Be Ins, Timothy Leary, or the Summer of Love. They were, for a time, the most popular band in the US but never scored a number one hit. They were headliners at Woodstock but didn’t appear in the film or on the soundtrack LP. They shared a radical ‘back to basics’ sensibility with The Band but were not embraced by the emerging rock press with anywhere near the same enthusiasm. When the punks were hunting dinosaur bands to extinction in 1977, Richard Hell covered one of their songs on his debut album. In the 1980s, as their songs became staples of ‘classic rock’ radio, they were revered by underground bands like The Gun Club, The Minutemen and The Scientists. As Butch said to Sundance, ‘Who are those guys?’ In this book, a track-by-track analysis of all the band’s recorded output, Tony Thompson rolls up the sleeves on his plaid shirt and prepares to answer the big questions. Who’s Jody? What is ‘chooglin’? Where is Green River? Why can’t the singer leave Lodi? Who was the fortunate son? Is the bathroom on the right?
£14.39
Sonicbond Publishing Brian Eno in the 1970s: Decades
Book SynopsisBrian Eno is arguably one of the most influential musicians working in rock music. Starting out as synthesizer peacock of the early glam rock era Roxy Music, Eno not only changed his look but his musical style throughout the seventies and moved from foot-stomping proto-punk anthems to the quiet introspection and inventor of ambient music. Along the way, he became a much in demand producer working with Ultravox! and Talking Heads and also collaborated with David Bowie on three of the most important albums of his career. He also managed to blur the boundaries between rock music and modern avant-garde classical music with the founding of his 'Obscure Records' label. Eno began this decade strutting his stuff onstage to Bryan Ferry's songs and finished it with the serene melodies of Music For Airports and, along the way, managed to squeeze in a couple of albums with King Crimson's Robert Fripp as well as being part of the krautrock scene. This is Eno’s journey through the highs and lows of the seventies.
£14.39
Sonicbond Publishing Status Quo in the 1980s: Decades
Book SynopsisStatus Quo are a British institution - a multi-million selling band of epic proportions and while their career was in it's hey day during the 1970s, the hits kept coming through the 1980s along with breakups, lawsuits, line-up changes, substance abuse and a high-profile, highly successful comeback after calling it a day in 1984. While much has been written about the 'glory years', Quo's difficult but triumphant struggle through the 1980s is a much more exciting story with twists, turns and a sense of peril that feels like it could go either way. This is a celebration of Quo's music at its most vulnerable and experimental, at a time when the band lost old fans, gained new ones and made some of the most varied and creative recordings of their career. No stone has been left unturned with several members of the band contributing stories and anecdotes from their own perspectives that should leave even the most knowledgeable of fans feeling like they've learned something.
£14.39
Sonicbond Publishing Van der Graaf Generator in the 1970s: Decades
Book SynopsisThere were a lot of very different bands peddling their wares in the progressive rock 'golden age' of the 1970s - some tending toward symphonic grandeur, other towards jazz fusion, and others still ploughing the more immediate end of the spectrum. There were the left-field eccentrics and the tricky 'difficult' bands. Apart from it all, however, there were Van Der Graaf Generator. In a decade stuffed with a wild array of influences, styles and instrumental line-ups, there can be few tending quite so near to the definition 'unique' as the four musicians who made up the 'classic' line-up of Van Der Graaf. For a start, there was the astonishing songwriting and vocals of generally accepted 'leader' Peter Hammill, but there was much more behind that to set these men apart. Their unparalleled instrumental make-up saw little or no guitar and no bass guitar, while organist Hugh Banton handled the bass parts on pedals, David Jackson pioneered an astonishing saxophone style, playing two instruments at once, electric rather than miked up, and using a full effects pedalboard. Drummer Guy Evans filled in - well, everything else. It was and remains a sound quite like no other. This book documents their incredibly influential first decade as prog's ultimate 'outsiders'. It's quite a ride.
£14.39
Sonicbond Publishing Spirit On Track: Every Album, Every Song
Book SynopsisEven in an age of unparalleled innovation and artistic freedom, Spirit stood head and shoulders above their 1960s-era rock 'n' roll contemporaries. Perhaps only Love shared the same sort of expansive and adventurous artistic vision as the five guys in Spirit, whose disparate and diverse musical backgrounds led them to explore the outer regions of rock 'n' roll as the band incorporated elements of the blues, folk, R&B, and jazz into their heady brew of psychedelia-tinted hard rock. Although they never experienced the level of commercial success that their talents and innovative music deserved, few bands since have matched Spirit in eccentricity, originality, intensity, and instrumental virtuosity. For all their creative accomplishments, Spirit's legacy is that of a half-forgotten band whose name is seldom brought up in 'classic rock' discussions. Spirit on track corrects this oversight, revisiting the band album by album, song by song, from their ground-breaking self-titled 1968 debut and their masterpiece, Twelve Dreams of Dr. Sardonicus through the break-ups and reunions and solo efforts of the lean years until their resurgence in the 1990s with albums like Tent of Miracles. More than a mere album guide, this book recounts 30 years of the trailblazing artistry of Spirit.
£14.39
Sonicbond Publishing Faith No More in the 1990s
Book SynopsisIt may have taken them a few years to achieve a stable line-up, but Faith No More did just that with the arrival of enigmatic frontman, Mike Patton in 1988. By 1990, the San Francisco quintet were flying high on the back of their third album, The Real Thing, and the influential anthem for a generation, 'Epic'. Becoming a household name and mainstream chart botherers with colourful and diverse songs ranging in style from heavy metal to jazz, and rap rock to lounge music, Faith No More refused to follow trends and instead pushed forward with a gung-ho attitude and a talent for songwriting built around sonic experimentation. The band released the critically acclaimed Angel Dust, as well as King for a Day...Fool for a Lifetime and the ironically titled Album of the Year records, before stunning fans by parting ways in 1998. Faith No More in the 1990s is the story of a largely rewarding but tension-filled decade for rock music's greatest underdogs. Providing a detailed timeline of events, frenetic touring schedules, and most importantly- the songs, this book documents the rise and progression of one of the most distinctive bands of all time
£14.39
Sonicbond Publishing The Allman Brothers Band On Track: Every Album,
Book SynopsisIn 1973, the Allman Brothers Band were one of the most popular in America: they headlined the Watkins Glen Summer Jam, attended by an estimated 600,000 people and their album Brothers and Sisters was a number one for five weeks on the Billboard listings that summer. The single 'Ramblin' Man' hit #2 in October. The group made the cover of Newsweek. Rolling Stone named them 'band of the year'. Their story can only be described as 'volatile'. Always a strong live draw since forming in 1969, in the two years prior to Watkins Glen they had released one of the greatest live albums of all time and lost two founding members in near-identical motorcycle accidents, including guitar genius 24-year-old Duane Allman. Increased drug use and a ruinous 1976 court case forced the band apart. A three-album reunion between 1978 and 1982 rekindled some of the old fire, but it was with their twentieth anniversary and second reformation in 1989 that provided a degree of stability and acclaim. The passing of founder members Butch Trucks and Gregg Allman in 2017 definitively ended the band's story. Their legacy of eleven studio albums, six contemporaneous live albums and several box sets includes classics such as their self-titled debut, the sophomore Idlewild South, their artistic and commercial breakthrough, the definitive live document At Fillmore East and astounding final album Hittin' The Note from 2003.
£14.39
Sonicbond Publishing Fleetwood Mac in the 1980s
Book SynopsisOut of the dozen different line-ups since Fleetwood Mac formed in 1967, there's only one incarnation that truly matters for most listeners. During their time together, Mick Fleetwood, John McVie, Christine McVie, Stevie Nicks and Lindsey Buckingham created some of popular music's most enduring records, including 1977's Rumours. Written and recorded as multiple relationships within the band were collapsing, the landmark album became a worldwide hit that still attracts new fans. Disbanding might have been the rational response to the turmoil surrounding the making of that album, but they continued touring and recording even as tensions within the group continued to accumulate. Although Fleetwood Mac only recorded two albums together in the 1980s, four of the five members released solo albums that brought their individual contributions to the band into focus. After the group splintered in the late-1980s, it took a request from a US President to fix it, if only temporarily. The underlying tension between the band members' individual and group efforts - the truth that they worked best together but could only do so for limited periods - continues to the present day and reflects that even more so than the 1970s, the 1980s were the pivotal decade for Fleetwood Mac.
£14.39
Sonicbond Publishing Van Halen On Track: Every Album, Every Song
Book SynopsisVan Halen are arguably America's greatest ever rock n' roll band. From inauspicious roots as a backyard covers outfit, they went on to revolutionise and revitalise heavy rock, creating a world-conquering blend of heavy metal power, punk energy and pop hooks. Armed with staggering musical virtuosity and irresistible charisma, they sold millions of records and spawned legions of imitators. From their humble origins and meteoric rise, through some dark, troubled years, to their triumphant rebirth, the band produced a remarkable body of work. In this thorough and illuminating book, Morgan Brown guides us song by song through the band's classic albums, charting their development from Sunset Strip upstarts to multi-platinum stadium rockers and beyond. We'll examine the music's ingredients and inspirations, and meet the characters behind the songs, including visionary guitar genius, the late Edward Van Halen, motormouth master showman David Lee Roth, and his replacement, powerful vocalist Sammy Hagar, who ushered in a new era for the band. Equally suitable for inquisitive new listeners or long-time fans, this book is both an in-depth guide to, and an enthusiastic celebration of the career of a truly legendary band. Feel like diving in? Well, as Roth said, go ahead and jump!
£14.39
Sonicbond Publishing Alice Cooper in the 1980s (Decades)
Book SynopsisThe 1980s saw Alice Cooper release arguably his most diverse collection of albums, ranging from new wave to metal to full-on radio-friendly rock. They weren't all commercially successful, but all are worth listening to and some are excellent. This book (which follows on from the author's acclaimed Alice Cooper In The '70s) features all new interview material by the author with 45 musicians and performers who worked with Alice over the decade. Many have never been interviewed before and they offer fascinating insight into working with Alice and each other. Key interviewees include Mike Pinera, Jan Uvena, John Nitzinger, Graham Shaw, Ken Mary, Kip Winger, Kane Roberts, John McCurry and Al Pitrelli. Consequently, the book includes a lot of new facts and information that should please fans. The author adds commentary and opinions on all of the songs from the era, Alice's film work and the five live tours. There is also an appendix on the album that could have been but never was. Alice 'contributes' from the contemporary press of the time are referenced, which became more loquacious as the decade goes on. Alice in the '80s, what a thrill ride that was!
£14.39
Sonicbond Publishing REO Speedwagon On Track: Every Album, Every Song
Book SynopsisOnce, there were four university students who started a rock band named after a firetruck. Five and a half decades later, REO Speedwagon are still going strong, still drawing massive crowds, and, thankfully, still have no plans to stop. With classic albums like the multi-platinum You Can Tune a Piano, but You Can't Tuna Fish and the ten million-selling Hi Infidelity, REO conquered America's heartland, then the nation, and then - as a ten-year 'overnight sensation' - the world. It was the rock tunes like 'Golden Country' and 'Back on the Road Again' that built their reputation before the ballads like 'Keep on Loving You' and 'Can't Fight this Feeling' brought them global fame. REO have sold over 40 million records under their own name and are further featured on the soundtracks to scores of films and television programs, including Supernatural and Ozark. The current line-up with the 'new guys' has been together for more than 30 years. REO Speedwagon On Track shines a light on the band's lengthy career. This book delves into the tracks on each of their 16 studio albums, their official live releases, and several compilations, and provides a glimpse of some of the band members' outside projects,
£14.39
Sonicbond Publishing Horslips On Track: Every Album, Every Song
Book SynopsisHorslips: arguably the greatest band in Irish rock music history. This five-piece band produced truly special, unique music in the 1970s. By joining literary craft and their cultural heritage with a fusion of traditionally inspired music with rock instrumentation, they created a genre of music which became known as 'Celtic Rock'. Horslips also pioneered an 'in-house' approach to the rock music business, controlling their stage presentation, graphic design, record pressing and concert promotion. Their finest albums - The Tain, and The Book Of Invasions - adapted legendary and historic texts with compelling music. Elsewhere the life and times of Turlough O'Carolan, the famine and emigration provided a conceptual backdrop to Dancehall Sweethearts, Aliens, and The Man Who Built America. But the band broke up in 1980. Reconvening in the next century, after the 'longest tea break in history', they produced a new 'acoustic covers' album, played stadium-filling gigs and television performances, and recorded two live albums. This book celebrates (and sometimes criticises) the creative waves that Eamon Carr, Barry Devlin, Johnny Fean, Jim Lockhart, and Charles O'Connor gave us.
£14.39
Sonicbond Publishing Rick Wakeman in the 1970s: Decades
Book SynopsisKeyboard wizard Rick Wakeman is one of the most talented and influential musicians and composers to have graced the world of popular music. He is also one of the most prolific, with more than a 100 albums to his credit. The 1970s, however, was Rick's most important decade one in which he regularly topped magazine polls, staged extravagant concerts and released several highly successful albums, including a UK number one in Journey To The Centre of The Earth. Rick's professional career began as a highly respected session musician where he played on hundreds of recordings, including many hit singles and songs by David Bowie, Elton John, Cat Stevens and Lou Reed, amongst many others. He was also a member of the folk rock band Strawbs and played a key role in the International success of progressive rock pioneers Yes. In addition to tracing Rick's career trajectory throughout the 1970s, this book examines in detail his recorded output during the period, including nine solo albums, six albums with Yes and two with Strawbs. As such, this is the most comprehensive guide yet to the music of Rick Wakeman during this most pivotal decade in the history of rock
£14.39
Sonicbond Publishing Queen in the 1970s: Decades
Book SynopsisWhen Freddie Bulsara arrived in England in 1964, fleeing with his family from a bloody revolution on the streets of his homeland Zanzibar, he already knew that he wanted to be a rock'n'roll star. But before that dream could become a reality, there were three specific people he needed to meet. Brian May, Roger Taylor and John Deacon were the other three components in what became Queen, a band whose name is now writ large in rock legend, but whose members spent their early career mired in legal troubles, critical hostility and financial hardship. In the early 1970s, with their preening singer and arch conceptualiser now renamed Freddie Mercury, the group projected an image that was at once regal, mystical and exotic. Yet behind the black eyeliner and billows of dry ice, Queen were four sharply contrasting individuals whose dogged struggle to win success was every bit as dramatic as the ogre battles and fairy king fantasias that populated their music. Queen in the Seventies is an up-close examination of the band's now critically adored first ten years, the decade when they forged their unique vision, beat off the critics and became, after many epic tantrums and much violent throwing of crockery, champions of the world.
£14.39
Sonicbond Publishing Slade in the 1970s
Book SynopsisSlade were one of the biggest British bands of the 1970s. One of the early pioneers of gl,am rock they enjoyed an incredible run of six number one singles, four top-ten albums and a succession of sell-out tours. However, after a failed attempt at an American breakthrough in the mid-1970s, Slade returned to Britain and faced dwindling record sales, smaller concert halls and a music press that had lost interest in them. By the end of the decade, they were playing residencies in cabaret clubs and recorded a cover of a children's novelty song. But then came a last-minute invitation to play the 1980 Reading Festival, setting into motion one of the most remarkable comebacks in rock history. As we come to the fiftieth anniversary of Slade's 1973 annus mirabilis that saw 'Cum On Feel The Noize', 'Skweeze Me, Pleeze Me' and 'Merry Xmas Everybody' all enter the UK charts at number one, this book celebrates the music of Slade. From the band's beginnings in the mid-1960s through each year of the decade that gave them their biggest successes, every album and single is examined, as well as their raucous live shows and colourful media profile.
£14.39
Sonicbond Publishing Metallica On Track: Every Album, Every Song
Book SynopsisFrom humble beginnings, as they emerged pimple-popped and sweaty out of a global New Wave of British Heavy Metal scene infiltrating California in the early 80s, through to almost complete world domination, sell out tours and Billboard chart success, Metallica's story is like few others. With an insatiable hunger andhell-for-leatherr attitude, they helped to forge a new direction for metal music across the world, combining progressive anger with, at times, sweeping ballads. In the space of just a few album,s they transformed from thrashing wannabes (Kill 'Em All) into real heavy rock contenders (...And Justice for All) - before unleashing a new blend of chart-topping heavy metal on the masses (Black Album). A band of dogged workers, with twists and turns, heartbreak and line-up changes peppering their more than 40-year career, if they aren't on the road, it seems they're in the recording studio, with an incessant hunt for the next loudest, ground-breaking sound, spurring them on. They rode a wave, then started a tsunami, so prepare to be blown away. Metallica give you 'heavy baby!'
£14.39
Sonicbond Publishing Soft Machine On Track: Every Album, Every Song
Book SynopsisSoft Machine are perceived as cold and forbidding. At their peak in the 1970s, they purposefully raised the hackles of pop journalists, the musical establishment, and even their own fans. Their music was designed to exclude all but the most devoted. Their line-up constantly churned, divesting themselves of every player that tried to make a human connection. Instead of the community of live performance, they favoured an abusive blast of ferocious noise that never ceased from the first note to the point you were driven out of the venue in shock. That all this was true only for a short period of their career and is certainly not the case for more recent incarnations is irrelevant if potential listeners are turned away before they've even dared to hear a note of their music. Do so, and an entirely different band emerges: one that is sly, spry, tuneful, trippy, and surprisingly welcoming, merging a glorious melange of prog rock, jazz fusion, and much more and capable of shifting on a unison beat from soul ballad to freeform skronk, from fuzz-driven pounding to aching minimalism. This book guides you through the maze of the band's works, revealing why every album is worthy of re-evaluation, why they're so influential, and why you should rush to assimilate as many of them as you can. It covers the live and studio material released by the parent group, all related projects with a 'Soft' in their name, and the essential extracurricular activities of every member from 1960 to the present day.
£14.39
Sonicbond Publishing Earth, Wind and Fire On Track: Every Album, Every
Book SynopsisSince their formation in the early 1970s, Earth, Wind & Fire have been at the forefront of popular music. Led by the fearless Maurice White, the band imprinted their funky style onto the world's psyche, with tracks like 'September', 'Let's Groove', 'That's The Way of The World' and 'Reasons' becoming instantly recognisable in the process, transforming the group into one of the biggest pop acts of all time. Walking the fine line between pop hits, jazz compositions and fusion playing, Maurice surrounded himself with some of the best players of the time in order to realise his vision. Al McKay, Verdine White, Larry Dunn, Andrew Woolfolk and vocalist extraordinaire Philip Bailey were players of the highest order, committing stunning performances to tape and becoming icons in the process. Earth, Wind & Fire On Track gives a complete overview of the group's recorded output. From 1971s self-titled debut to 2014's Holiday, with smash hits like I Am, All 'N All and Spirit in between, here you will find every song delved into with facts and insightful analysis. No stone is left unturned in this career overview, giving both longtime fans and newcomers something fresh to find out about one of popular music's greatest acts.
£14.39
