Popular music Books

Book SynopsisA compelling biography of virtuoso, baritone saxophonist Pepper Adams and how his life intersected with some of the greatest poets, writers, painters, and musicians of his time.Pepper Adams is more than a definitive biography of Park "Pepper" Adams (1930?1986). The culmination of thirty-seven years of research, it''s a fascinating account of Adams''s life and times, thanks to colorful vignettes drawn from the author''s 250 unpublished conversations with Adams and other esteemed musicians. These candid observations about Adams and his colleagues reveal previously confidential aspects of Adams''s complex personality, his many outstanding achievements, and little-known facts about musicians with whom he worked, such as Thad Jones, Miles Davis, Charlie Parker, John Coltrane, Elvin Jones, Charles Mingus, Stan Kenton, Duke Ellington, Bobby Timmons, Wardell Gray, Dizzy Gillespie, Thelonious Monk, and others. Musicians, jazz fans and collectors, and readers who enjoy a hero''s journey will be intrigued by Adams''s extraordinary intelligence, the extent of his influence, the reverence he commanded, and his struggle to be rewarded as the unique stylist that he was throughout his career. Moreover, readers will be enlivened by the author''s unique approach to biography, in which storytelling moves thematically, sometimes in reverse chronological order.

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Book SynopsisWhile the 1960s may have been a decade of significant upheaval in America, it was also one of the richest periods in musical theatre history. Shows produced on Broadway during this time include such classics as Bye, Bye Birdie; Cabaret; Camelot; Hello Dolly!; Fiddler on the Roof; How to Succeed in Business without Really Trying; Oliver!; and Man of La Mancha. Performers such as Dick Van Dyke, Anthony Newley, Jerry Orbach, and Barbara Streisand made their marks, and other talentssuch as Bob Fosse, John Kander, Fred Ebb, Alan Jay Lerner, Frederick Loewe, Jerome Robbins, and Stephen Sondheimalso contributed to shows. In The Complete Book of 1960s Broadway Musicals, Dan Dietz examines every musical and revue that opened on Broadway during the 1960s. In addition to providing details on every hit and flop, Dietz includes revivals and one-man and one-woman shows that centered on stars like Jack Benny, Maurice Chevalier, Marlene Dietrich, Danny Kaye, Yves Montand, and Lena Horne. Each entry coTrade ReviewBetween the forgotten Beg, Borrow or Steal (February 1960) and Meredith Willson's 1491 (which closed pre-Broadway in October 1969), 271 musicals opened or tried to open on Broadway. Dietz, author of Off-Broadway Musicals, here discusses all book musicals with new music, revivals, revues, imports, and other works that appeared in New York venues (plus 29 pre-Broadway closings). Each chronologically arranged entry includes opening and closing dates, number of performances, crew, cast (with character names), setting, musical numbers (and performers), a two-page plot summary and critical reception, awards, book availability, and recording history. If a performer's name was billed above the title, it is presented in italics. Entries are well written, with subjectivity kept to a minimum (the critics do the talking), and the commentary is well informed. Included in the 12 appendixes are a discography and a filmography. More detailed than Thomas Hischak's Broadway Plays and Musicals, and more comprehensive than Stanley Green's Broadway Musicals: Show by Show (7th ed., rev. and updated, or Ethan Mordden's Open a New Window: The Broadway Musical in the 1960s, this is a valuable resource for all theater collections. Summing Up: Highly recommended. Lower-level undergraduates through researchers/faculty; general readers. * CHOICE *This hefty volume examines all 271 musicals that opened on Broadway from 1960 through 1969, from the familiar (Camelot, Fiddler on the Roof, Funny Girl, and Hello, Dolly!) to the obscure (Holly Golightly and 1491). As author Dietz notes in the introduction to this book, the 1960s saw the last hurrah of the traditional book musical. In this decade, there were 98 new musicals (with original music) produced on Broadway. (Compare this to the years 2000 to 2009, which saw 38 new musicals and 42 revivals.) This reference covers those musicals, as well as a number of musical revues, imports from London’s West End, revivals, and pre-Broadway closings.The technical details for each production include opening and closing dates; number of performances; names of the writers, composers, directors, and casts; and a brief description. This is followed by a full listing of the musical numbers and a narrative (ranging one to three pages) about the show. The narrative portions of the entries consist of facts and figures, quotes, and interesting details—and Dietz does a wonderful job of remaining objective, not allowing personal bias or preference to show. There are 12 appendixes, including an alphabetical listing of shows, a chronology by season, a chronology by classification (i.e., 'Revues' and 'Institutional Revivals'), and a list of shows by Broadway theater. There are a number of books about Broadway musicals, but this one—set to be the first in a new series examining musicals by decade—stands out as a rich and readable resource. General theater enthusiasts will enjoy perusing this book, and students or researchers in the field will find this to be a great starting point. Recommended for medium and large public-library reference collections as well as academic libraries supporting performing-arts programs. * Booklist *Numerous and notable musicals made their initial runs in the 1960s. . . .[The author] compiles plot summaries, cast members, composers, writers, directors, producers, and information about the musical, for shows produced from 1960 to 1969, encompassing the 1959-1960 through the 1969-1970 seasons. Additional information in each entry includes the number of performances, specific songs, opening and closing dates, and reception history. Dietz adds his own critical commentary, as he calls the 1960s the 'last hurrah of the traditional book musical.' In that decade, 98 new book musicals with new music appeared on Broadway. This is compared to the recent decade of 2000-2009, which saw only 38 premiere with new musical content. However, there were several more revivals. The book presents 271 musicals that opened on Broadway during the 1960s; this includes 98 with new music, 3 with pre-existing music, 22 revues, 16 personality revues, 58 revivals, and several imports. Several appendixes add data. . . .The first, an alphabetic list of musicals, designates the years only when another musical of that title was produced. Others appendixes present chronologies (one by season, another by classification), discography, filmography, the operettas of Gilbert and Sullivan, three lists by the theater producing the musical (e.g., New York City Center Light Opera Company, New York City Opera Company, Lincoln Center), published scripts, and theaters (with the musicals they presented). The author uses italics to display cast members who were billed above the musical’s title. * American Reference Books Annual *Table of ContentsAcknowledgments Introduction Broadway Musicals of the 1960s 1959–1960 Season 1960–1961 Season 1961–1962 Season 1962–1963 Season 1963–1964 Season 1964–1965 Season 1965–1966 Season 1966–1967 Season 1967–1968 Season 1968–1969 Season 1969–1970 Season Appendixes A. Alphabetical Listing B. Chronology (By Season) C. Chronology (By Classification) D. Discography E. Filmography F. Gilbert and Sullivan Operetta Productions G. New York City Center Light Opera Company Productions H. New York City Opera Company Productions I. Music Theatre of Lincoln Center Productions J. Other Operetta Productions K. Published Scripts L. Theatres Bibliography Index About the Author

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Book SynopsisIn The Grail Guitar: The Search for Jimi Hendrix's Purple Haze Telecaster, Chris Adams takes readers on a fascinating mystery tour to determine whether a Fender Telecaster bought secondhand in a London music store in 1973 was the one used by Jimi Hendrix to record Purple Haze in January 1967. The only clues are its left-handed tuners and the salesman's chance remark that the guitar was brought into the shop by a Hendrix roadie. But these are enough to set the author off on this intriguing journey into Hendrix history.With firsthand details from model Linda Keith, who discovered Hendrix in New York, Adams recounts how the rising star left for London with a white Stratocaster belonging to Keith Richards. The man who made Hendrix's pedals explains how this Strat failed to make the Purple Haze recording session and how it was replaced by a borrowed Telecaster. As Adams tracks down the surviving musicians, they shed light on the fate of that Telecaster and gradually the two guitars begin toTrade ReviewIn 1973, Adams bought a guitar from a music store in London. The salesman mentioned that the guitar had been brought in by one of Jimi Hendrix’s roadies. It was a maybe-it’s-true curiosity, and the author talked about the possible Hendrix connection from time to time as the years passed. Forty years later, though, he learned that a lot of Hendrix fans were debating the existence of a (possibly mythical) 'lost' guitar, one used by Hendrix at some London recording sessions that had disappeared in the early 1970s. Could Adams have bought that guitar? He was determined to find out. This endlessly fascinating account of his search for the truth is structured like a police procedural: Adams finds clues, follows leads, and interviews people who might know something. It’s the story of a guitar, sure, but it’s also the story of a music subculture, of a global fan collective whose devotion to a long-dead musician has shaped their lives. It’s not often that you can say about a music book that readers will be impatiently turning the pages, anxious to see how the story plays out, but that’s exactly what happens here. * Booklist, Starred Review *Musician Adams's fascinating search for the provenance of his beloved and battered Fender Telecaster—which may or may not have been owned by guitar hero Jimi Hendrix—is equal parts cultural history and detective story, and it's completely compelling reading. Adams's quest for the history of his 'grail' begins almost 40 years after he found the guitar in 1973 in a London music store, where a salesman casually tells Adams he got it from 'one of Hendrix's roadies.' At the time, Adams was guitarist in the folk-rock band String Driven Thing, and his knowledge of the late 1960s music scene serves him well as he and a researcher friend—inspired decades later by rumors about 'Jimi's lost Tele'—comb through Hendrix biographies and Internet sites. They discover a few solid facts in the chaos of Hendrix history: that Jimi used a Telecaster on overdubs on the 'Purple Haze' recording, even though his guitar of choice was the Fender Stratocaster; that Hendrix bass player Noel Redding had procured the guitar from a friend for the session; that Redding ended up with the guitar after he had stopped playing with Hendrix; and that Redding had probably sold it to an actual Hendrix roadie. As Adams traces the guitar's journey through the 1960s—including a day-glo paint refinishing—he successfully rescues 'this little piece of rock history for posterity.' * Publishers Weekly *Even 45 years since his death, Hendrix books still come thick and fast, most unable to provide much exciting new insight into the greatest guitarist the world has ever seen. But former String Driven Thing guitarist Chris Adams has a genuinely interesting tale to tell and produces a book that Jimi geeks ill salivate over.... Adams deftly weaves in Hendrix's story, from hitting the UK with the white Stratocaster Linda 'borrowed' from then-boyfriend Keith Richards, then the triumphs, nightmares, and dodgy business shenanigans which plagues Hendrix until his death and beyond. He emerges with a compelling book that manages to combine ace detective work, relentlessly diligent endeavor and, crucially, tantalising morsels of new information. Unreservedly recommended for Hendrix buffs. * Shindig! Magazine *The growth and the development of the internet is responsible for many things, and one of the benefits of the possibilities of the world wide web is the existence of books like this, where something said over a 3rd hand telecaster can lead to the amount of detective work that would put a Raymond Chandler private eye to shame. If you add one of the most revered and iconic figures in rock history to the mix, then there will be a lot of interest, from fans of the guitar, rock music, and the Sixties and the Seventies. . . .There is a lot to be said for this book, both as a historical record of the bands and musicians who worked with Hendrix, and the times in the 1960s and 1970s and for shedding light on some of the musicians and players that plied their trade in the shadows of one of the giants of rock music. * Muso's Guide *[The Grail Guitar: The Search for Jimi Hendrix’s Purple Haze Telecaster] makes for a interesting mix of musical history and detective novel that form this intriguing read. * My Big Honkin Blog *In 1973 author Adams, at the time the guitarist for String Driven Thing, bought a used Telecaster in London after enduring an embarrassing on-stage incident where his only guitar failed on him during a show. Eventually Adams came to believe the guitar was previously played by Jimi Hendrix, and then the possibility came up that it could actually be the guitar that Jimi used on the recording of 'Purple Haze.' The book is the story of Adams' quest to find out the truth about the guitar and the tale is presented in a fun way that reveals insight about Hendrix and other rock 'n' roll luminaries as Adams meets and gleans information from various survivors of the scene. We won't reveal here what Adams determined about the provenance of the guitar but we will reveal that the reader will have a great time tagging along with him during the investigation. * antiMusic *Rock and roll has a million stories of the love affair between men and gear. This one's a heart-breaker. -- David Hepworth, author of Never A Dull MomentI was there the day that Chris Adams bought the battered old Tele, so I can vouch for the left handed tuners and the salesman's chance remark that it had been brought in by a Hendrix Roadie. But moving on from that point and building a case from scratch takes countless hours of detective work. And make no mistake! That's what this book is... an intriguing detective story with no clue left unfollowed and no lead left unturned. And by the way, that's what makes it a hell of a great read! -- Arnie Toshner, sound engineer for String Driven ThingTable of ContentsPart 1: Sifting Fact from Fiction Chapter 1: The Backup Guitar Chapter 2: Purple Haze Rumors Chapter 3: Ruby Tuesday Chapter 4: Enter Svengali Chapter 5: Jamming Chapter 6: Experience Counts Chapter 7: A Kentish Lad Chapter 8: The Purple Haze Session Part 2: Following The Tele Trail Chapter 9: Psychedelic Makeover Chapter 10: Travels with the Grail Guitar Chapter 11: Dreams Realized Chapter 12: Sam Chapter 13: Isle of Wight Connexions Chapter 14: The Hendrix Expert Chapter 15: Last Rays Part 3: Outcomes Chapter 16: A Shot of Rye Chapter 17: The Crew Chapter 18: Holy Relics Chapter 19: Tele-photo! Chapter 20: The Examination Part 4: Conclusions Chapter 21: Exit Lines Chapter 22: Return of the Grail Guitar Chapter 23: Lonely Intersections Chapter 24: Closing Arguments Postscript: The Man Who Said ‘No’ to Jimi Notes on Key Players

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Book Synopsis This is the first full-length biography of Keith Relf, frontman for the Yardbirds and one of the great tragic characters in rock history. Keith''s moody vocals and harmonica helped to define the Yardbirds'' sound on a string of innovative hit records in the 1960s that influenced garage rock, psychedelia, blues rock, hard rock and heavy metal. Numerous books have been written about the Yardbirds'' famous guitarists--Eric Clapton, Jeff Beck and Jimmy Page--yet Keith has remained a mysterious and elusive figure since his death by electrocution at age 33. A deeply private person, prone to depression and poor health, Keith was ill-suited to the life of a rock star. In the years following the Yardbirds'' breakup, as the band''s guitarists became household names playing blues-based rock, Keith insisted on pursuing new musical paths, always searching for something new and trying to extend the Yardbirds'' spirit of curiosity and innovation. By the time of his death in 1976, KeithTable of Contents Table of Contents Acknowledgments—ix Foreword by Alice Cooper—1 Preface—3 Introduction—5  1. Richmond Upon Thames—9  2. Ready, Steady, Go!—20  3. Emotional Experiences in Sound—39  4. Invaders—50  5. Pop Art—62  6. Blow Up—81  7. Dazed and Confused—99  8. A Fresh Start—119  9. The Good Life—134 10. The Human Element—142 11. A Place in the Sun—147 12. The Battle of Light and Dark—155 13. Farewell—167 Epilogue—175 Selected Discography—177 Chapter Notes—185 Bibliography—193 Index—195

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Book SynopsisÊBuck ''Em! The Autobiography of Buck OwensÊ is the life story of a country music legend. Born in Texas and raised in Arizona Buck eventually found his way to Bakersfield California. Unlike the vast majority of country singers songwriters and musicians who made their fortunes working and living in Nashville the often rebellious and always independent Owens chose to create his own brand of country music some 2 000 miles away from Music City ä racking up a remarkable twenty-one number one hits along the way. In the process he helped give birth to a new country sound and did more than any other individual to establish Bakersfield as a country music center.ÞIn the latter half of the 1990s Buck began working on his autobiography. Over the next few years he talked into the microphone of a cassette tape machine for nearly one hundred hours recording the story of his life.ÞWith his near-photographic memory Buck recalled everything from his early days wearing hand-me-down clothes in Te

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Book SynopsisK-pop (Korean popular music) reigns as one of the most popular music genres in the world today, a phenomenon that appeals to listeners of all ages and nationalities. In Soul in Seoul: African American Popular Music and K-pop, Crystal S. Anderson examines the most important and often overlooked aspect of K-pop: the music itself. She demonstrates how contemporary K-pop references and incorporates musical and performative elements of African American popular music culture as well as the ways that fans outside of Korea understand these references.K-pop emerged in the 1990s with immediate global aspirations, combining musical elements from Korean and foreign cultures, particularly rhythm and blues genres of black American popular music. Korean solo artists and groups borrow from and cite instrumentation and vocals of R&B genres, especially hip hop. They also enhance the R&B tradition by utilizing Korean musical strategies. These musical citational practices are deemed authentic by

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Book SynopsisQuyn Vn Minh is one of the most preeminent jazz musicians in Vietnam. Considered a pioneer in the country, Minh is often publicly recognised as the ‘godfather of Vietnamese jazz’. This book tells the story of the music as it intertwined with Minh's own narrative.

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Book SynopsisRock and Romanticism: Blake, Wordsworth, and Rock from Dylan to U2 is an edited anthology that seeks to explain just how rock and roll is a Romantic phenomenon that sheds light, retrospectively, on what literary Romanticism was at its different points of origin and on what it has become in the present. This anthology allows Byron and Wollstonecraft to speak back to contemporary theories of Romanticism through Bob Dylan and the Rolling Stones. Relying on Löwy and Sayre's Romanticism Against the Tide of Modernity, it explores how hostility, loss, and longing for unity are particularly appropriate terms for classic rock as well as the origins of these emotions. In essays ranging from Bob Dylan to Blackberry Smoke, this work examines how rock and roll expands, interprets, restates, interrogates, and conflicts with literary Romanticism, all the while understanding that as a term rock and roll in reference to popular music from the late 1940s through the early 2000s is every bit as contradicTrade ReviewIt might seem odd to bring the Romanticism of the 19th century together with the rock music of the 20th and 21st centuries. However, with this book Rovira (Mississippi College) shows that there is a valid connection. In dealing with rock, the contributors (most of whom are, like the editor, English scholars) focus primarily on lyrics rather than the music itself. The contributors do not superimpose their concepts of Romanticism onto song lyrics; rather, they show that song lyricists from Bob Dylan and the Beatles to U2 have had demonstrable connections to Romantic poets such as Blake and Wordsworth and to the thinking of the Romantic era. In exploring such connections, the essayists delve into the sociocultural background of the earlier time and the present. Summing Up: Recommended. Upper-division undergraduates through faculty. * CHOICE *This collection by James Rovira shows just how influential the Romantics have been on modern popular music, not only furnishing contemporary singers with the themes and lyrics of their songs but, in many cases, also providing the attitude that defines post-war rock music. I was delighted to see some of my favorite Blake-inspired adaptations included here, as well as the fact that the contributors do not simply deal with the obvious examples of the influence of Romanticism but display a much wider range of appreciation and erudition. -- Jason Whittaker, University of LincolnA deft examination of the varieties of Romanticism and their incarnations in rock music, as wide-ranging and stimulating as the music and the literature it probes. -- Robert Pattison, Long Island University, author of The Triumph of VulgarityTable of ContentsIntroduction: Rock and Romanticism by James Rovira Part I: Blake, Shelley, and Rock “Tangled Up in Blake: the Triangular Relationship among Dylan, Blake, and the Beats” by Luke Walker “Romanticism in the Park: Mick Jagger Reading Shelley” by Jaaneke van der Leest “William Blake: The Romantic Alternative” by Douglas T. Root “Digging at the Roots: Martha Redbone’s The Garden of Love: Songs of William Blake” by Nicole Lobdell “‘Tangle of Matter and Ghost’: U2, Leonard Cohen, and Blakean Romanticism” by Lisa Crafton Part II: Wordsworth, Coleridge, and Rock “The Inner Revolution(s) of Wordsworth and the Beatles” by David Boocker “‘When the Light that’s Lost within Us Reaches the Sky’: Jackson Browne’s Romantic Vision” by Gary L. Tandy “‘Swimming Against the Stream’: Rush’s Romantic Critique of their Modern Age” by David S. Hogsette “Wordsworth’s ‘Michael,’ the Georgic, and Blackberry Smoke” by Ronald D. Morrison “Wordsworth on the Radio” by Rachel Feder Part III: European Romanticisms and Popular Music “Themes of ‘Scapigliatura’ and cursed poets in the songs of Piero Ciampi (1934–1980)” by Lorenzo Sorbo For more information, visit https://jamesrovira.com/rock-and-romanticism-blake-wordsworth-and-rock-from-dylan-to-u2/

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Book SynopsisBelfast punk and the Troubles is an oral history of the punk scene in Belfast from the mid-1970s to the mid-80s. The book explores what it was like to be a punk in a city shaped by the violence of the Troubles, and how this differed from being a punk elsewhere. It also asks what it means to have been a punk – how punk unravels as a thread throughout the lives of the people interviewed, and what that unravelling means in the context of post-peace-process Northern Ireland. In doing so, it suggests a critical understanding of sectarianism, subjectivity and memory politics in the North, and argues for the importance of placing punk within the segregated structures of everyday life described by the interviewees.Adopting an innovative oral history approach drawing on the work of Luisa Passerini and Alessandro Portelli, the book analyses a small number of oral history interviews with participants in granular detail. Outlining the historical context and the cultural memory of punk, the central chapters each delve into one or two interviews to draw out the affective, imaginative and political ways in which punks and former punks evoke their memories of taking part in the scene. Through this method, it analyses the punk scene as a structure of feeling shaped through the experience of growing up in wartime Belfast.Belfast punk and the Troubles is an intervention in Northern Irish historiography stressing the importance of history from below, and will be compelling reading for historians of Ireland and of punk, as well as those interested in innovative approaches to oral history.Table of ContentsIntroduction1. Alternative Ulster? Sectarianism, segregation and the punk scene2. The Belfast punk scene in cultural memory3. Epiphany, transgression and movement 4. Making affective and political spaces5. Gender, respectability and emigration6. Collecting, storytelling and memoryConclusionAppendixBibliographyIndex

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Book SynopsisThis book is an oral history of punk in Belfast from the mid-70s to the mid-80s. It reads a small number of interviews in close detail to place them in the context of the Troubles and to draw out the imaginative ways that interviewees evoke the experience of growing up in Northern Ireland and punk's intervention in that complex conjuncture. -- .

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Book SynopsisKnown for albums like Late for the Sky, The Pretender, and Running on Empty, Jackson Browne was a master of capturing the counterculture ethos of the late 1960s and 70s. This book dives deeply into his music, long career, and activism within the context of American life, revealing a remarkable musician still fueled by ideals of love and peace.

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Book SynopsisA thrilling and tumultuous, behind-the-scenes account of house music in NYC.The Beat, the Scene, the Sound follows DJ Disciple and his behind-the-scenes account of how DJs, promoters, fans, and others transformed house music from a DIY project into an international sensation—dive into the glitzy clubs, underground parties, and the diverse communities who made up the scene amidst the tumult of 1980s/90s-era NYC—between the fall of disco and the rise of EDM. The book unearths many untold stories of the era. When house first rose to prominence in the 1980s, it brought people together—Palladium, Paradise Garage, Tunnel, Zanzibar, Studio 54, and other clubs were going strong. But as DJ Disciple established himself in the scene, he witnessed it shatter. During the crack-cocaine epidemic, he literally dodged bullets bringing his records to and from clubs at night. HIV/AIDS and homophobia threw up fear-based partitions. Then, mayors worked to close the clubs. House music was pushed underground and then abroad to the UK and Europe. Disciple and many other DJs sought to regain a footing in the United States, but that only became possible with the rise of commercialized EDM. With dozens of interviews and historic photographs, The Beat, the Scene, the Sound shows what is possible when you bring people together and what can unravel when you split them apart.

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Book SynopsisThe remarkable, powerful story of the son of blues legend John Lee HookerBorn in Detroit and exposed to the music world from an early age, John Lee Hooker Jr. began singing as a featured attraction in his father's shows as a teenager. His father was a sharecropper's son who became known for hit songs like Boogie Chillin, I'm in the Mood, and Boom Boom, and in 1972, he and his father performed live and recorded an album in Soledad Prison. Junior seemed to have a golden ticket to a successful music career as a child, but trouble brewed as his father's marriage was in trouble and ripped apart the family.Drug addiction and a series of related crimes, including as a con player, landed Junior in and out of jails & prisons for several decades. An early brush with the law led to a sentence at Synanon, the infamous drug rehabilitation program turned religious cult. Later arrests resulted in time served in prisons including at Soledad, San Quentin, and Avenal. Shot, stabbed, and convicted multiple times, Junior was at his lowest point doing time at a Santa Rita jail, but it was at that moment that he found the Lord. He emerged clean and sober and began a successful career as a blues singer, earning two Grammy nominations as well as the Bobby Blue Bland Lifetime Achievement Award. He eventually devoted himself fully to his faith. Now an ordained minister, Reverend John Lee Hooker Jr. testifies, preaches, and performs gospel music in prisons.

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Book SynopsisEmerging from a period of protest and social unrest, 1968 was the year that ushered in gut-punching sounds that would define classic and hard rockthe formation of bands like Led Zeppelin and Black Sabbath rolled away the light sounds of psychedelic music and Flower Power. John Einarson provides the first detailed account of this crucial period.

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Book SynopsisMy Life in E-flat is the remarkable memoir of a woman who witnessed some of the most important movements in the history of jazz. Through her autobiography, Chan Parker provides intimate insights into the music and into life with Charlie Parker, the key figure in the development of bebop and one of the most important of all jazz musicians.Born Beverly Dolores Berg in New York City at the height of the Jazz Age, Parker's father was a producer of vaudeville shows and her mother was a dancer in Florenz Ziegfeld's Midnight Frolic. Parker became part of the jazz culture as a nightclub dancer and later as the wife of jazz saxophonists Charlie Parker and then Phil Woods.In a moving and candid portrait of Charlie Parker, the author describes in harrowing detail a man of incredible talent besieged with addictions and self-destructiveness. She painfully recounts his death at the age of 35 while married to her and its effect on her life as well as on the musical world. Parker's honest portrait of one of the most gifted musicians in jazz provides unique insight into the history of the music and the difficulties faced by African American performers during the 1940s. Parker also reflects on her struggle to find her own voice and on her work with Clint Eastwood on the film biography of Charlie Parker, Bird (1988).

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Book SynopsisIn 1969 Gerhard Kubik chanced to encounter a Mozambican labor migrant, a miner in Transvaal, South Africa, tapping a cipendani, a mouth-resonated musical bow. A comparable instrument was seen in the hands of a white Appalachian musician who claimed it as part of his own cultural heritage. Through connections like these Kubik realized that the link between these two far-flung musicians is African-American music, the sound that became the blues. Such discoveries reveal a narrative of music evolution for Kubik, a cultural anthropologist and ethnomusicologist. Traveling in Africa, Brazil, Venezuela, and the United States, he spent forty years in the field gathering the material for Africa and the Blues. In this book, Kubik relentlessly traces the remote genealogies of African cultural music through eighteen African nations, especially in the Western and Central Sudanic Belt. Included is a comprehensive map of this cradle of the blues, along with 31 photographs gathered in his fieldwork. The author also adds clear musical notations and descriptions of both African and African American traditions and practices and calls into question the many assumptions about which elements of the blues were ""European"" in origin and about which came from Africa. Unique to this book is Kubik's insight into the ways present-day African musicians have adopted and enlivened the blues with their own traditions. With scholarly care but with an ease for the general reader, Kubik proposes an entirely new theory on blue notes and their origins. Tracing what musical traits came from Africa and what mutations and mergers occurred in the Americas, he shows that the African American tradition we call the blues is truly a musical phenomenon belonging to the African cultural world. Gerhard Kubik is a professor in the department of ethnology and African studies at the University of Mainz, Germany. Since 1983 he has been affiliated with the Center for Social Research of Malawi, Zomba. He is a permanent member of the Center for Black Music Research in Chicago and an Honorary Fellow of the Royal Anthropological Institute of Great Britain and Ireland, London.

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Book SynopsisJimmie Rodgers (1897-1933), the first performer elected to the Country Music Hall of Fame, was a folk hero in his own lifetime and has been idolized by fans and emulated by performers ever since. His life story has been particularly susceptible to romanticizing, marked as it was by humble origins, sudden success and fame, and an early death from tuberculosis.Nolan Porterfield's biography banishes the rumors and myths that have long shrouded the Blue Yodeler's life story. Unlike previous writings about Rodgers, Porterfield's book derives from extensive and detailed research into original sources: private letters, personal interviews, court records, and newspaper accounts. Jimmie Rodgers significantly expands and alters our knowledge of the entertainer's life and career, explaining the nature of his role in American culture of the Depression era and providing insightful background on the milieu in which he worked. Porterfield writes a preface for this edition.

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Book SynopsisThe population of Mexican-origin peoples in the United States is a diverse one, as reflected by age, class, gender, sexuality, and religion. Far from antiquated concepts of mestizaje, recent scholarship has shown that Mexican@/Chican@ culture is a mixture of indigenous, African, and Spanish and other European peoples and cultures. No one reflects this rich blend of cultures better than Chican@ rappers, whose lyrics and iconography can help to deepen our understanding of what it means to be Chican@ or Mexican@ today. While some identify as Mexican mestizos, others identify as indigenous people or base their identities on their class and racial/ethnic makeup. No less significant is the intimate level of contact between Chican@s and black Americans. Via a firm theoretical foundation and a collection of vibrant essays, Pancho McFarland explores the language and ethos of Chican@/Mexican@ hip hop and sheds new light on three distinct identities reflected in the music: indigenous/Mexica, Mexican nationalist/immigrant, and street hopper. With particular attention to the intersection of black and Chicano cultures, the author places exciting recent developments in music forms within the context of progressive social change, social justice, identity, and a new transnational, polycultural America.

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Book SynopsisWhen Mississippi John Hurt (1892-1966) was ""rediscovered"" by blues revivalists in 1963, his musicianship and recordings transformed popular notions of prewar country blues. At seventy-one he moved to Washington, D.C., from Avalon, Mississippi, and became a live-wire connection to a powerful, authentic past. His intricate and lively style made him the most sought after musician among the many talents the revival brought to light.Mississippi John Hurt provides this legendary creator's life story for the first time. Biographer Philip Ratcliffe traces Hurt's roots to the moment his mother Mary Jane McCain and his father Isom Hurt were freed from slavery. Anecdotes from Hurt's childhood and teenage years include the destiny-making moment when his mother purchased his first guitar for $1.50 when he was only nine years old. Stories from his neighbors and friends, from both of his wives, and from his extended family round out the community picture of Avalon. U.S. census records, Hurt's first marriage record in 1916, images of his first autographed LP record, and excerpts from personal letters written in his own hand provide treasures for fans. Ratcliffe details Hurt's musical influences and the origins of his style and repertoire. The author also relates numerous stories from the time of his success, drawing on published sources and many hours of interviews with people who knew Hurt well, including the late Jerry Ricks, Pat Sky, Stefan Grossman and Max Ochs, Dick Spottswood, and the late Mike Stewart. In addition, some of the last photographs taken of the legendary musician are featured for the first time in Mississippi John Hurt.

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Book SynopsisBorn in 1916 at the northern end of New Zealand’s South Island, the teenaged Robert William Lane became obsessed with the singing and expressive yodeling of country music’s Jimmie Rodgers. By the 1940s, his obsession and subsequent focus on his own guitar playing, singing, and yodeling led him to achieve musical stardom as Tex Morton, master showman and influential progenitor of Australian country music. Tex Morton: From Australian Yodeler to International Showman offers the first full-length biography of this country music phenomenon from down under.“From the time he first left the security of his home and set out to discover the world, life was a continual journey for Tex Morton,” Smith writes in chapter 1. And it was: Beginning with Morton’s early life and chronicling his burgeoning career and ultimate stardom, Smith’s study showcases Morton’s multi-faceted creative endeavors over the years, from showman and sharpshooter to hypnotist and academic. His talents took him all over the world, from Australia and New Zealand and countries throughout Asia to the United States, Canada, and England. Smith’s carefully constructed narrative captures the nuance of a versatile yet driven, flawed yet talented figure who ultimately became both an influential country artist and an entertainer of international standing over the course of an almost fifty-year career.An important contribution to music history scholarship, this volume not only establishes Morton’s significance in the history of Australian country music, but it also draws deep connections between Morton’s Australasian influence and country music in the United States, exploring Morton’s legacy in the wider context of the genre worldwide. Complete with a comprehensive discography of Tex Morton’s works, Smith’s in-depth biography claims for Morton his rightful place as a major founding figure in the history of Australian country music.

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Book SynopsisPrince on Prince gets behind the controversies to tell the Prince story in his own words. Prince is among the most respected and influential entertainers of the twentieth century, breaking sexual, racial, and creative barriers throughout his almost forty years in the spotlight. He was a multitalented studio artist, a master songwriter who produced and performed almost all of his own music on yearly LPs and countless singles and videos. He was one of the most dynamic live performers ever to hit the stage, a world-class dancer, and musician who’s still remembered for the best Super Bowl halftime performance in history. He fought for artists’ rights, changed his name to a glyph, and took a star turn in the Oscar-winner Purple Rain. But for all this, he was a quiet and private individual, reluctant to talk about the work he felt should speak for itself. This volume offers a chronological look at some of Prince’s most entertaining and revealing interviews, from 1978 and the release of his debut LP, For You, to a 2015 interview conducted only months before his untimely death at the age of fifty-seven. Prince’s memoir was left incomplete, but this volume offers a view of the man as he sought to portray himself in his own words to journalists of every status throughout his career.Table of ContentsMay / June 1978 Prince: Touch of Magic Insider Jeff Schneider Mar-80 That Mysterious Prince: He Talks About Himself! Soul Teen J. Randy Taraborrelli 21 Dec. 1980 Prince: More than just a ‘Dirty Mind’ Los Angeles Times Dennis Hunt 25 Feb. 1981 Prince in the afternoon Aquarian Night Owl – supplement Gene Kalbacher Jun. 1981 Prince. Mom’s favorite freak Rock & Soul Ed Ochs 6 Jun. 1981 Strutting With The New Soul Monarch New Musical Express (NME) Chris Salewicz Nov. 21 1982 The Renegade Prince Los Angeles Times Robert Hillburn Sep. 1983 Mixed Emotions: Prince on the Music Musician Robert Hillburn Sep. 1983 Prince: Strange Tales from Andre’s Basement... and other fantasies come true. Musician Barbara Graustark September 12 1985 Prince Talks Rolling Stone Jun 7 1986 Radio Interview Power96 WHYT Electrifying Mojo Jan. 1992 Prince Invites Black Beat to Paisley Park Black Beat Steven Ivory 11 Mar. 1995 New Gold Dream Echoes Adam Mattera Nov. 12 1996 Press Conference Portrait of The Artist as a newly free man Nick Krewen Jan. 1997 Den Siste Artisten (The Last Artist) Pop Andres Lokko Apr. 1997 Portrait of the Artist Musician Robert L. Doerschuk June 24 1997 World Healing Project Press Conference Aug. 1998 18 Questions for THE ARTIST (still generally known as Prince) Mojo (#57) Ben Edmonds Oct./Nov. 1999 The ARTIST Formerly known as PRINCE... An Exclusive Interview OK! Jesse Nash Dec. 1999 O(+>: Portrait of The Artists as a Free Man Notorious Dimitri Ehrlich Mar-00 An Interview with the Prince formerly known as The Artist MOJO Barney Hoskyns May 16 2000 NYC Press Conference Jun. 2001 Prince Yahoo! Internet Life Bilge Ebiri Jun. 12 2004 Prince of Paradox Daily Telegraph Mick Brown Sept. 12 2004 "Where's My Interview?" Gallery of Sound Gary Graff December 13 2005 Press Conference - Los Angeles 11 Jan. 2009 My night with Prince L.A. Times Ann Powers October 12 2009 Hotel Costes Press Conference 24-Jun-10 ‘Ik word steeds beter’ ("I'm getting better") Het Nieuwsblad Hans-Maarten Post 23-Jun-11 "I'm a musician. And I am music" The Guardian Dorian Lynskey 3 Jul. 2013 Everlasting Now: Prince V Vanessa Grigoriadis Apr-14 All The Critics Love You In . . . London? Mojo Will Hodgkinson 22 Dec. 2015 Prince Hits N Runs N Talks! Ebony Miles Marshall Lewis

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Book SynopsisFrom the depths of the seventies rock 'n' roll excesses through unimaginable personal losses to an inspiring late-life transformation, Cidny Bullens’s story is an utterly compelling journey about living and singing with your authentic voice. An androgynous gender-bending musician from the get-go, Bullens toured extensively with Sir Elton John and performed with Bob Dylan, undergoing a complete immersion in the drug-fueled excesses of 1970s rock 'n' roll. Despite getting sober, climbing the charts with the Grammy-nominated Survivor, as well as a Grammy nomination for his lead vocals in the soundtrack for the movie Grease, Bullens was unable to break out as a solo star in a world that allowed its artists to cross the gender line, but had much more narrow expectations about how women could behave and perform. Retreating into the conventional lifestyle of a suburban mom, Bullens felt like she was living in an alternate universe. Then whatever world she had was shattered by the tragic death of her younger daughter from cancer. Out of the ashes of despair, Bullens brought forth an award-winning album, Somewhere Between Heaven and Earth, that relaunched the musician’s career. Finally, nine years ago, Cidny claimed his own healing and transitioned from female to male—finding unexpected love, becoming a new step-father, and a grandfather.What he found, too, was his true voice and true power as a performer. Table of ContentsForeword by Sir Elton John Prologue Part I 1. Walkin’ Through This World 2. Hollywood Hot 3. Finally Rockin’ 4. Powerless 5. Survivor 6. Mockingbird Hill 7. Rock ’n’ Roll Girl Part II 8. Send Me an Angel 9. Boxing with God 10. Somewhere Between Heaven and Earth 11. I Gotta Believe in Something Part III 12. Unbound 13. The Gender Line 14. Little Pieces 15. Purgatory Road 16. Call Me by My Name Epilogue: Lucky for Me (In Spite of Myself)

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Book SynopsisLong before there was Twitter or Facebook, MySpace created an entirely new way to be a lonely, confused teenager—and music was the site’s beating heart. With MySpace, you could finally find your people, your scene, and your home. With new and extensive interviews with scene pioneers and mainstays like Geoff Rickly (Thursday), Gape Saporta (Midtown/Cobra Starship), Chris Carrabba (Dashboard Confessional) and Max Bemis (Say Anything), Tedder has crafted a once-in-a-generation exploration of The Scene that is as forthright as it is tenderly nostalgic. Even beyond emo, Tedder's interviews with artists from Colbie Caillat to Lil Jon stand out in this epic journey through the 2000s and what they meant.MySpace offered excitement and freedom, but it wasn't long before shortsighted business decisions led the site to lose the social media battle to Facebook, and Tedder talked to the executives and employees who saw it happen. Table of ContentsPrologue #1: Into The FoxholePrologue #2: Why We Miss MySpaceChapter One: Back In The DayChapter Two: The My Generation Chapter Three: The Lonely Hearts Club Chapter Four: Top EightChapter Five: Enough Space For EveryoneChapter Six: Top Of The WorldChapter Seven: Blogging OnChapter Eight: The Bottom Falls OutChapter Nine: Kerplunk Chapter Ten: FalloutEpilogue: Space Was The PlaceThe Who’s Who of MySpace Bibliography Index

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Book SynopsisConveying Lived Experience through Rock and Pop Music Lyrics explores rock and pop music lyrics of the last seventy years to elucidate a broad spectrum of themes about the collective human experience. The opening chapters discuss personal topics, with a first chapter about developing a romantic relationship and a second chapter about breaking up. Subsequently, lyrics describing nostalgia, that is, the longing for the past, as well as those about leaving home, going on the road, and returning home are considered. More social topics are treated in chapters devoted to lyrics about the outsider in society, those experiencing mental illness, and alcohol and drug use. Next, songs of social and political critique are surveyed, followed by an examination of utopian and dystopian lyrics. Finally, rock and pop songs about religious topics are considered, first with a chapter on the use of the prophetic voice, and then with a description of lyrics about hell and the devil, as well as heaven, angels, and God. This broad survey of several hundred songs, using a close reading approach, shows how rock and pop lyrics convey the lived experience of people in contemporary society.

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Book SynopsisAn analysis of the 113 singles which have passed the magical million sales threshold in the UK in the past 60 years, from Bill Haley & The Comets very first UK million-seller right through to more recent singles by Lady Gaga, Rihanna and the Black Eyed Peas. Interviews with some of the artists reflecting on their memories of their million sellers and what they remember of the success at the time. At - a-glance facts and data outlining the songwriters, producers, albums and total sales figures for the million selling track. A foreword by one of the million selling artists talking about how it feels to be a member of 'millionaires club'.

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Book SynopsisHow many bands have rocked the world solidly for 50 years? Played in front of 1,500,000 people at one concert? Had hit records in every decade since the 1960s? That's right, just one: the Rolling Stones. This book documents the career of the band decade by decade, album by album and member by member, accompanied by 130 images and memorabilia.

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Book SynopsisA Rough Trade Book of the YearA Resident Book of the YearA Classic Pop Book of the Year'A wonderful book' ELTON JOHN'Beautiful, insightful and honest' CILLIAN MURPHY'A love letter to a charmed life lived through music' OBSERVERAs one-third of seminal band Cocteau Twins, Simon Raymonde helped to create some of the most beautiful and memorable albums of the '80s and '90s - music that continues to cast a spell over millions. This is the story of the band, in his words. Beginning with Simon's remarkable childhood and exploring his relationship with his father, Ivor Raymonde (the legendary producer, musician and arranger for acts such as the Walker Brothers and songwriter for artists including Dusty Springfield), the book will journey through the musician's rise to prominence and his time with Cocteau Twins and This Mortal Coil. It will also chart the successful career he has forged running his own label, Bella Union, for the past twenty-seven years, discovering, developing and working with globally renowned artists like Beach House, Fleet Foxes, Father John Misty and John Grant. And the narrative will lead us back to the present day, reflecting on Simon's most recent experiences in the music industry - all while going deaf in one ear. A must-read for music fans, this is the incredible tale of Simon's life and legacy.

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Book SynopsisCelebrate the incredible career of pop music’s biggest star in this sparkling, Sunday Times bestselling biography, fully up-to-date and featuring The Tortured Poets Department.Selling hundreds of millions of records and selling out countless arenas, Taylor Swift is one of the most influential artists of her generation. But how did she become so iconic and so wildly successful? Covering her influences and her collaborators to the aesthetics that have become such a crucial part of her performances and much more, this meticulously researched biography reveals all.From her self-titled debut album to The Tortured Poets Department, author and music journalist Caroline Sullivan charts Taylor’s journey from budding country starlet to pop music phenomenon. Each of Taylor’s eras are explored in depth like never before, encompassing her evolution as an artist, her high-profile relationships and the stories behind her songs.Featuring a stunning photographic section with pictures spanning her entire career, this is the most complete portrait yet of one of the most popular artists on the planet, and the perfect gift for any Taylor fan.

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Book SynopsisA Taylor-inspired journal filled with self-care tips and inspirational stories of the star, with room to fill in your thoughts.From the power of self-acceptance and how to be your own best friend to the importance of shaking it off and embracing your anti-hero, Taylor and Me brings together the essential self-care tips from the worldwide sensation.Featuring 30 self-care strategies alongside stunning artworks, plus room to record your thoughts, this is your space to be more Taylor and to channel her unique personality in your everyday life. From learning the art of rising above to dusting yourself off in the darkest of times, Taylor and Me is on hand to show you that you can make art out of anything life throws at you.Journey through your eras as you learn from her inspiring success as a businesswoman and how to bounce back from heartbreak and more. This is the essential journal for any Swiftie wanting to delve into her signature themes of friendship, feminism, relationships and self-worth. Rise up, the Taylor way.

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Book SynopsisThis first academic collection dedicated to popular music in Leeds - developed from the work of interdisciplinary scholars, drawn from a major public museum exhibition “Sounds of Our City” and built upon contemporary research. Leeds has rich musical histories and heritage, a long tradition of vibrant music venues, nightclubs, dance halls, pubs and other sites of musical entertainment. The city has spawned crooners, folk singers, punks, post- punks, Goths, DJs, popstars, rappers and indie rockers, yet – with a few exceptions - Leeds has not been studied for its scenes in ways that other UK cities have. In ways that the chapters explore, Leeds’ popular music exemplifies and informs understandings of broader cultural and urban changes – both in Britain and across wider global contexts – of the social and historical significance of music as mass media; music and migration; music, racialisation and social equity; industrial decline, de-industrialisation, neoliberalism and the rise of the 24-hour city. Charting moments of stark musical politicisation and de-politicisation, while concomitantly tracing arguments about “heritagising” popular music within discussions about music’s “place” in museums and in the urban economy, this book contributes to debates about why music matters, has mattered, and continues to matter in Leeds, and beyond. Table of ContentsList of Figures ix Acknowledgements xi Foreword xiii Jez Willis Introducing Leeds 1 Brett Lashua, Karl Spracklen, Kitty Ross and Paul Thompson PART 1. PLACES OF LEEDS’ POPULAR MUSIC 13 1. Dance and Drink the Fenton: Fighting for Territory in Leeds’ Culture Wars 15 Rio Goldhammer 2. When Mr Fox Met Kit Calvert, the Maker of Wensleydale Cheese: Constructing Yorkshireness in the Sixties Leeds Folk Scene 31 Karl Spracklen 3. Park Life: When Roundhay Went Pop 43 Peter Mills 4. ‘Everything Is Brilliant in Leeds’: Venues in the Leeds Indie Scene 1992–2012 57 Dan Lomax 5. Noise, Power Electronics and the No-Audience Underground: Place, Performance and Discourse in Leeds’ Experimental Music Scene 70 Theo Gowans, Phil Legard and Dave Procter PART 2. PEOPLE: LEEDS’ MUSICAL COMMUNITIES AND CULTURAL IDENTITIES 85 6. La-Di-Dah: Some Thoughts on Jake Thackray and British Popular Culture 87 Stephen Wagg 7. Home Is Where the Music Is: Migrants and Belonging in Leeds 102 Jonathan Long 8. A Tale of Two Artists: Thinking Intersectionally About Women and Music in Leeds 117 Beccy Watson 9. Leeds Punk through a Feminist Lens 130 Mallory McGovern 10. Americana and Leeds: Narrating the American South with Northern Grit 144 Dave Robinson PART 3. HISTORIES OF POPULAR MUSIC IN LEEDS 159 11. Leeds City Varieties in the 1950s and 1960s: Decline, Nudity and Nostalgia in the British Variety Industry 161 Dave Russell 12. The Evolution of DIY Venues as Dancing Spaces in Leeds from the 1940s to 2020s 176 Stuart Moss 13. Music of the Leeds West Indian Carnival 191 Danny Friar 14. Jazz in Leeds, 1940s–50s 205 Michael Meadowcroft PART 4. POPULAR MUSIC HERITAGE, LEGACIES AND FUTURES 215 15. Sounds of Our City Exhibition: Music and Materiality in Leeds’ Abbey House Museum 217 Kitty Ross and Paul Thompson 16. Where You’re From and Where They’re At: Connecting Voices, Generations and Place to Create a Leeds Hip Hop Archive 235 Sarah Little and Alex Stevenson 17. A Splendid Time is Guaranteed for All: A Psychogeography of Leeds’ Popular Music Heritage 250 Brett Lashua and Paul Thompson 18. Music: Leeds – Supporting a Regionalized Music Sector and Scene 264 Paul Thompson and Sam Nicholls Conclusion: Putting Popular Music in Leeds ‘On the Map’ 279 Brett Lashua, Paul Thompson, Kitty Ross and Karl Spracklen Notes on Contributors 287 Index 299

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Book SynopsisFrom Sunday Times bestselling author Lesley-Ann JonesScandalous affairs and public divorce. Addiction and fiery passion. And of course, the iconic song writing...Christine McVie - born Christine Perfect - was the quintessentially English rock star, as both the backbone and the beating heart of Fleetwood Mac.Straddling the bands incarnations to achieve global fame alongside Stevie Nicks, Mick Fleetwood, Lindsey Buckingham and John McVie, the classic line-up, she wrote and performed many of their greatest hits.As famous for their occasionally life-threateningly decadent lifestyles as for their musical brilliance, they were held together by this strong, constant figure whom they dubbed the mother of the band. It was Christine who contained the flock, regrouped them when they went AWOL, focused and blended their talents and always got them back on track.And yet, as the engine of the band during their Rumours era - an album that unwittingly charted the complete romantic disintegration within the band - Christines personal life was every bit as tempestuous as those of her bandmates, weathering affairs, divorce, addiction and fiery passion, all of which bled into her now iconic song-writing.Told by an author who herself was friends with Christine, and with new contributions from those who knew her best, Songbird offers a true insiders view, and deep psychological insight into Christine as a both a woman and a musician - the first, the only, the ultimate picture of a rock legend and a national treasure.

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Book SynopsisWhen Billy J. Kramer’s record of Lennon and McCartney’s “Do You Want To Know A Secret?” topped the New Musical Express charts in 1963, he became the first singer in the world to have a number one hit with a Beatles song, apart from the Fab Four themselves. This success propelled the teenage Kramer into the fast lane, and he followed it with another five top twenty singles within the space of two years. In this autobiography Billy J. Kramer (born William Ashton) tells his rags to riches story, from his working class childhood in Liverpool, via a British Rail engineering apprenticeship in the dying days of steam, to the racy world of international pop music. Managed by Brian Epstein, produced by George Martin, engineered by Hurricane Smith, and friend, confidante and colleague of the Beatles, Kramer gives a definitive insider’s account of the birth of the Liverpool sound and also the “British Invasion” of the US. We follow him to the Star Club in Hamburg, to Abbey Road, into the BBC studios, and onto package tours and stage shows with the Beatles, Cilla Black, Gerry and the Pacemakers, Tommy Quickly and other stars of the age. He shares a dressing room with James Brown, and appears alongside other 1960s giants of the American music business. Kramer also brilliantly evokes the world of variety, as he goes behind the scenes with comedian Tommy Cooper, and learns about the stagecraft of artistes from another era. On the surface, Kramer’s career seems like a dream come true, but there are dark secrets in the Kramer story. Even before he’d reached his twenties, he was already in the grip of drugs and alcohol, and there were constant tensions between him and his Mancunian backing band, The Dakotas. When the screaming stopped, he reinvented himself as a cabaret performer, and some of his best records were made during the years he was out of the limelight. He brought up a young family, but the drink and pills made his domestic life, and eventually his professional life, a struggle. In this no-holds-barred account of his life, Kramer evokes the vibrancy of the sixties and reveals how he exorcised his demons and forged a new career in the US. He assembles his current band, shows a growing mastery of songwriting and recording, and returns to national tours, keeping the flame of the Mersey sound alive. The lifetime of experience he brings to his new songs infuses every page of this enthralling read.Table of ContentsForeword Chapter 1: Little Children: 1943-1958 Chapter 2: I’ll Be on My Way: 1958-1962 Chapter 3: Silver Dream: 1963-1964 Chapter 4: It’s Gotta Last Forever: 1964-1967 Chapter 5: Twilight Time: 1967-1971 Chapter 6: Gone Away: 1971 Chapter 7: You Can’t Live on Memories: 1972-1983 Chapter 8: I Won the Fight: 1984-2006 Chapter 9: To Liverpool with Love: from 2006 Recordings List

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Book SynopsisCoded Lyrics is the first comprehensive academic work dedicated to unraveling the lyrical intricacies of Argentine rock in the English language.

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Book SynopsisWhen Harry Styles appeared on the cover of Vogue, he attracted attention not only because he was the first cis man to do it, but because of what he was wearing—a dress. From his message of inclusivity and love, to his cherished friendships and endeavours for gender equality, this courageous trendsetter has an attitude that could inspire every one of us. This wonderfully illustrated graphic novel focuses on the values that makes Harry so inspirational to so many people. He fearlessly showcases these strengths through his music, performances, and fashion – from the Vogue cover to showing his vulnerability on stage. Brought to life with breathtaking immersive illustrations, this book celebrates the inspiring moments—both public and private—that have transformed this boy-next-door into cultural phenomenon.   

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Book SynopsisTaylor Swift makes the whole world shimmer in this glittering, globetrotting search book. Spot Taylor at a Nashville rodeo, browsing for cat toys at the pet shop and charming the crowds at a concert arena. Featuring 17 sensational locations and showcasing 17 iconic outfits, readers can spot Taylor, her cats and three Eras-themed items hiding in every scene.

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Book SynopsisIn contemporary society, the cult of celebrity is inescapable. Anyone can be turned into a celebrity, and anything can be made into a celebrity event. Celebrity has become a part of everyday life, a common reference point. But how have people like Elvis Presley, John Lennon, Bill Clinton or Princess Diana impressed themselves so powerfully on the public mind? Do they have unique qualities, or have their images been constructed by the media? And what of the dark side of celebrity why is the hunger to be in the public eye so great that people are prepared to go to any lengths to achieve it, as numerous mass murderers and serial killers have done. Chris Rojek brings together celebrated figures from the arts, sports, politics and other public spheres, from O.J. Simpson and Marilyn Monroe to Hitler and David Bowie, and touches on many movements and fads, including punk, rock-and-roll and fashion. Rojek analyzes the difference between ascribed celebrity, which derives from bloodline, and achieved celebrity, which follows on from personal achievement - the difference between Princess Margaret and, say, Woody Allen. He also shows how there is no parallel in history to today's ubiquitous 'living' form of celebrity, powered by newspapers, PR departments, magazines and electronic mass media.Trade ReviewAccording to a brief but brilliant new book by the British sociologist Chris Rojek, democracy (or capitalism) simply cannot operate properly without celebrity ... Rojek's most original insight is that people have been wanting this ever since the 18th century. He brilliantly rereads Samuel Smiles's Self-Help as a manual on the virtues of the celebrity. The Independent Rojek ranges widely across celebrity culture ... His feel for the topic means that these necessarily bite-sized snippets of the famously famous reveal a shewdly evaluative aesthetic at work, and his critical sense is infallibly strong. The result is a delightful social history of fame - a mix of cultural studies and social theory - that works very well. The Australian illuminating ... New Statesman

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Book SynopsisMusic and Tourism is the first book to comprehensively examine the links between travel and music. It combines contemporary and historical analysis of the economic and social impact of music tourism, with discussions of the cultural politics of authenticity and identity. Music tourism evokes nostalgia and meaning, and celebrates both heritage and hedonism. It is a product of commercialisation that can create community, but that also often demands artistic compromise. Diverse case studies, from the USA and UK to Australia, Jamaica and Vanuatu, illustrate the global extent of music tourism, its contradictions and pleasures.Trade ReviewMusic and Tourism: On the Road Again is outstanding in every way. The authors have done a great job on presenting a very informative and focused analysis of the geography of music tourism. I'll definitely use the book when next I teach the geography of popular music. * David Keeling, Western Kentucky University *This book is a useful addition to the literature and a pleasure to read. As most academics love to read and music is the food of love, read and enjoy. * Richard Butler, University of Strathclyde, in Annals of Tourism Research 33 (2) *Table of ContentsPreface 1. Tourism and Music 2. Virtual Tourism 3. Musical Landscapes, Tourist Sites 4. Music in the Market: Economy, Society and Tourism 5. Music, Tourism and Culture: Authenticity and Identity 6. On The Road Again: Nostalgia and Pleasure 7. Festivals: Community and Capital 8. Conclusion: Final Notes

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Book SynopsisThis book examines arranging methods and their applications. It is designed to be used in a jazz studies program and as a professional reference manual for musicians. The text begins with a historical overview of jazz band instruments and a study of their characteristics. The body of the text includes an examination of relevant terminology, notational devices, principles of theory, and arranging techniques.Table of ContentsPart 1 Preface Part 2 Introduction Chapter 3 1. Jazz-Band Instrumentation Part 4 Historical Overview Part 5 Transposition Part 6 Instrument Properties and Ranges Part 7 Brass Muting Part 8 Exercises Chapter 9 2. Prepatory Information Part 10 Terminology Part 11 Notational Procedure Part 12 Principles of Theory Part 13 Exercises Chapter 14 3. Form and Design Part 15 General Information Part 16 Common 32 Measure Forms Part 17 Optional Forms Part 18 Repeats and Endings Part 19 Added Components Part 20 Exercises Chapter 21 4. Melody Part 22 Melody/Lead Line Part 23 Melodic Analysis Part 24 Melody: Ranges and Instrumentation Part 25 Exercises Chapter 26 5. The Rhythm Section Part 27 General Notational Practice Part 28 Drums Part 29 Bass Part 30 Piano Part 31 The Electric Guitar Part 32 The Vibraphone Part 33 Musical Devices Part 34 Score Practice Part 35 Exercises Chapter 36 6. Two Parts Part 37 Two-part Soli Part 38 Approach-note Harmonization Part 39 Guide-tone Lines Part 40 Unisons Part 41 Additional Voicing Procedures Part 42 Backgrounds Part 43 Score Practice Part 44 Exercises Chapter 45 7. Three, Four, and Five Parts Part 46 Fundamental Methods Part 47 Extensions Part 48 Independent Lead Part 49 Approach-note Harmonization Part 50 Unisons Part 51 Voicing Considerations Part 52 Score Practice Part 53 Exercises Chapter 54 8. Special Voicings Part 55 Voicings in Fourths Part 56 Spreads Part 57 Clusters Part 58 Upper Structures Part 59 Six Parts Part 60 Exercises Chapter 61 9. Expanded Methods Part 62 Arbitrary Voicings Part 63 Linerar Arranging Chapter 64 10. Large Ensembles Part 65 Ensemble Writing Part 66 Combinations Part 67 Doubling Part 68 Exercises Chapter 69 11. Big Band Part 70 Instrumentation Part 71 Section Writing Part 72 Section against section Part 73 Ensemble Writing Part 74 Unisons Part 75 Chords Part 76 Doubling in Big Band Part 77 Horn and Tuba Part 78 Exercises Part 79 Appendix 1: Score and Parts Part 80 Score Part 81 Parts Part 82 Appendix 2: The Arranger's Tools Part 83 Music Pens, Pencils, Papers Part 84 Computers: Hardware and Music Software Part 85 Bibliography Part 86 Index

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Book SynopsisImmerse yourself in the vibrant world of Latin Jazz guitar improvisation with Contemporary Latin Jazz Guitar Vol 2: Solos by Neff Irizarry. This comprehensive guide is designed for musicians and enthusiasts eager to enhance their improvisational skills and infuse their playing with the distinctive Sabor characteristic of Latin Jazz. In this volume, Irizarry builds upon the foundational knowledge established in Volume 1, diving deeper into the advanced rhythmic, melodic, and harmonic techniques that defi ne the soloist's role in Latin Jazz. With this book, you will gain invaluable insights into the improvisational tools used by some of the most infl uential Tres, Cuatro, Requinto, and Guitar players. The meticulous analysis of these elements-note choices, articulation, phrasing, and sound-reveals the unique aspects of each player's style and highlights the common threads that bind traditional and contemporary players in shaping Latin Jazz Guitar and even Latin Rock. Comprehensive Transcriptions: Delve into 54 meticulously transcribed solos from legends such as Steve Khan, George Benson, Bruce Forman, Peter Bernstein, Arsenio Rodriguez, Yomo Toro, Carlos Emilio Morales, and Edgardo Miranda, among others. In-Depth Analysis: Gain a deeper understanding of the note choices, articulation, phrasing, and sound that defi ne each solo, providing a clear path to incorporating these techniques into your own playing. Play-Along Compositions: Practice with specially designed compositions that allow you to apply the insights and techniques learned from the transcriptions in a practical, engaging manner. By studying the transcriptions and analyses in this volume, you will be able to incorporate the soulful and vibrant Sabor of Latin Jazz into your own improvisations. Learn from the masters and elevate your playing with the authentic sounds and techniques that have shaped Latin Jazz Guitar.Contemporary Latin Jazz Guitar Vol 2: Solos by Neff Irizarry is more than just a book; it's a journey into the heart of Latin Jazz improvisation. Whether you are a seasoned guitarist or an enthusiastic learner, this volume offers the tools and inspiration you need to master the art of Latin Jazz Guitar. Don't miss the opportunity to enrich your musical repertoire with the wisdom and expertise of some of the greatest guitarists in the genre.

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Book SynopsisThe most helpful beginner's guide to walking bass lines ever published! A must' for teachers and students! Concentrates on C minor only!Each exercise introduces one new advancement to help you learn how to create your own bass lines. The book progresses step-by-step from simply playing roots, all the way up to complete blues choruses in the style of 18 bass legends - from Pops' Foster to Ron Carter!Choose from four different, professionally recorded backing tracks: 1 piano, drums; 2 guitar, drums; 3 B3, drums; 4 drums only.Exercises include concepts of approach notes, enclosures, passing tones, and forward motion. Access to detailed explanations of each concept, plus how to practice, playing with spirit, how to deepen your groove and much more! TAB included for beginning electric bassists. Range limited to high C (1st 5 frets for electric players).

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Book SynopsisA complete overview of Jimmy's essential lines across his recorded output, broken down by types, chord types and progressions. An in-depth look at Jimmy's subtle mastery of rhythm, with numerous examples of his polymeter, asymmetry, and displacement concepts.Jimmy's original techniques for creating long lines and making bad lines into good ones! Looks at the big picture of Jimmy's core concepts: multi-measure lines, evolving sequence, harmonic concepts, and compositional techniques. Introduces a practical method for creating original lines based on Jimmy's core vocabulary.This book is a welcome addition for any musician seeking a deeper insight into what makes bebop really fly. Randy Vincent

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Book Synopsis'We were reflecting on our own career as it was happening. It's not that we weretrend-conscious, we were doing exactly what we would have been doing anyway.' - Jim Morrison'We didn't sit down and have a meeting to say, Hey, we want to change theminds of people.' We didn't say it but we enjoyed doing it.' - John Densmore'The Doors is bigger than any of us, and that only happens once in a lifetime andnot to many people. It's an honour to be one of The Doors.' - Robby Krieger'We were just a bunch of psychedelic guys trying to spread the word and the feel ofwhat it was like to be high in Venice back in the mid-sixties. And boy, was it a good feeling to watchthat sun set into the middle of the ocean and feel that peace, and to feel at one with the universe.' - Ray Manzarek?Night Divides the Day is the definitive chronicle of The Doors, offering an intimate and richlyillustrated exploration of the band's legendary journey. Featuring interviews with Robby Kriegerand John Densmore and meticulously sourced archival text from Jim Morrison and Ray Manzarek,this 50,000-word, 344-page manuscript comes to life with a treasure trove of rare, unpublished photographs,exclusive memorabilia and intricate recording and production notesall drawn from The Doors'personal archives and private collections. In this deeply intimate narrative, the band members recount their evolution from their early days playing localclubs on the Sunset Strip in Los Angeles to the iconic, and sometimes infamous, moments that defined theircareer. From the electrifying release of anthems like Light My Fire', The End' and Riders on the Storm', to thenotorious Dinner Key Auditorium performance in Miami, the book captures the essence of their meteoric riseand the cultural impact they left in their wake. Featuring new and insightful contributions from a diverse array of artists, including Van Morrison, NileRodgers, Slash, Nancy Sinatra and more, the book is anchored by a foreword from Nirvana bassist KristNovoselic and an afterword by maestro Gustavo Dudamel. These unique voices offer fresh perspectives on TheDoors' influence and legacy. Granted unprecedented access to the band's archives, Night Divides the Day is a visual and narrative feast. Thebook showcases a stunning collection of historical artifactschildhood photographs, handwritten song lyrics,poster art, movie stills and previously unseen album cover outtakes. Images of the band in the recording studio,along with work from celebrated photographers and trusted insiders, transport readers behind the scenes and onthe road with The Doors. In addition, rare and invaluable items from the band's history, including vintage instruments and recordingequipment, are specially photographed to enrich this kaleidoscopic portrait of one of rock music's mostlegendary bands. Night Divides the Day is the ultimate account of The Doors, capturing their incredible story and enduringlegacy in a way that has never been seen before.

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Book SynopsisThe official companion to the highly popular Radio 2 Popmaster Quiz from the Ken Bruce show. Featuring more than 1700 questions it is the perfect way to test your music knowledge. There are more than 170 separate ten-question quizes each with a different category.

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Book SynopsisCoal Digging Blues: Songs of West Virginia Miners, compiled by Mark Allan Jackson, is the eighth addition to the WVU Press Sound Archive series. Drawing upon gospels, blues, and country musical influences, the musicians on this compilation explicate the hardships and hopes of Great Depression-era West Virginia coal miners. The songs and stories on the CD were collected by folklorist George Korson when he traveled to mining communities in northern and eastern West Virginia in the 1940s. Some of the songs from Korson's visit were released by the Library of Congress under the title Songs and Ballads of the Bituminous Miners, but the majority of them are being released to the public for the first time here on Coal Digging Blues. Many of the songs are performed by African-American miners, a marginalized group in the history of mining who bring to the collection their rich musical heritage and sui generis sound. A booklet of detailed notes on the performers, their songs, and the history of coal-camp songs in West Virginia, as well as contemporary photographs, is included with the CD.

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