Popular music Books

Book Synopsis''There is something quite moving about seeing the lyrics of these fifty-six songs collected and assembled this way. You can see the evolution of the minds and hearts at work behind the lyrics'' Brandon Taylor, from the IntroductionSince the release of their breakout debut in 2008, Fleet Foxes and their frontman, singer-songwriter Robin Pecknold, have enjoyed international critical and commercial acclaim. Drawing comparisons to Simon & Garfunkel; Crosby, Stills & Nash; and the music of Brian Wilson, Grammy-nominated Fleet Foxes have reshaped the American indie-folk sound, crafting songs that are acoustically and melodically driven, steeped in gospel-like harmonies, and propelled by resonant and timeless lyrics.Wading in Waist-High Water: The Lyrics of Fleet Foxes contains Robin Pecknold's complete lyrics from 56 songs, capturing the poetic and inventive storytelling that is a hallmark of the band's music. These richly layered lyrics explore the complexity, dar

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Book Synopsis''Last Of the Giants is the mad, funny, dark and often painful story of a lost band from a now-distant time'' CLASSIC ROCK MAGAZINEINCLUDES BRAND NEW CHAPTER COVERING GUNS N'' ROSES EPIC WORLD TOUR''Any story about Guns is worth reading. But when the author is Mick Wall it''s absolutely essential'' KERRANGMany millions of words have already been written about Guns N'' Roses, the old line-up, the new line-up. But none of them have ever really gotten to the truth. Which is this: Guns N'' Roses has always been a band out of time, the Last of the Giants. They are what every rock band since the Rolling Stones has tried and nearly always failed to be: dangerous. At a time when smiling, MTV-friendly, safe-sex, just-say-no Bon Jovi was the biggest band in the world, here was a band that seemed to have leapt straight out of the coke-smothered pages of the original, golden-age, late-sixties rock scene.''Live like a suicide'',Trade ReviewLast Of the Giants is the mad, funny, dark and often painful story of a lost band from a now-distant time.Any story about Guns is worth reading. But when the author is Mick Wall it's absolutely essential. * Kerrang! *After years of writing from their inner circle - with some accounts more controversial than others - Mick Wall has penned the ultimate biography that sets out to tell the true story. * Huffington Post *

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Book SynopsisNow Michael, you''re the son of a naval officer, you must behave like a naval officer at all times...What Captain William Rutherford told his seven-year-old son Michael was to stay with him all his life. Born in 1950, Michael was truly his father''s son, even serving in the naval section of the student cadet corps at one of England''s top public schools, Charterhouse. Mike''s future lay in the civil service: it was a subject that he discussed with his father at Captain Crawford''s gentlemen''s club. But then something happened. Mike discovered rock music. As one of the founder members of Genesis, Mike was to tour the world and achieve international fame. From unpromising beginnings - demonised by his teachers as a fomenter of revolution, driving to gigs in a bread van - Mike would go on to crisscross the globe with bandmates Peter Gabriel and, later, Phil Collins, playing to packed-out stadiums and achieving record sales of over 150 million. Swapping

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Book SynopsisDwight E. Brooks deep dives into Earth, Wind & Fire''s That''s The Way of the World. Alongside interview material from members Phillip Bailey and Verdine White, he analyses how this album shattered musical barriers, transcended genres, and paid homage to African and American traditions.Understanding TTWOTW requires appreciating EWF founder Maurice White's multifaceted vision for his band. White created a band that performed various styles of music that sought to uplift humanity. His musicians personified a new form of Black masculinity rooted in dignity that embraced diverse spiritualities and healthy living. A complete understanding of TTWOTW also necessitates an awareness of American racial dynamics and changes in the popular music industry in the 1960s and ''70s.EWF's landmark album TTWOTW presented hopeful messages about the world that were sorely needed at the time. TTWOTW did not tell listeners exactly how to live, but instead how they caTable of ContentsAcknowledgments Foreword by Dr. William C. Banfield Prologue: That World Today 1. Yearnin’ 2. Learnin’ 3. Revolving Doors 4. Presenting… Earth, Wind, & Fire! 5. Break Throughs 6. Interludes 7. International Anthem Epilogue Endnotes

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Book SynopsisTHE SUNDAY TIMES BESTSELLER ‘Delicious’ Nigella Lawson ‘Clever and beguiling’ Guardian ‘Sublime and immersive’ Jojo Moyes Erica is eighteen and ready for freedom. It’s the summer of 1960 when she lands on the sun-baked Greek island of Hydra where she is swept up in a circle of bohemian poets, painters, musicians, writers and artists, living tangled lives. Life on their island paradise is heady, dream-like, a string of seemingly endless summer days. But nothing can last forever. ‘A surefire summer hit ... At once a blissful piece of escapism and a powerful meditation on art and sexuality’ Observer ‘Heady armchair escapism ... An impressionistic, intoxicating rush of sensory experience’ Sunday Times ‘If summer was suddenly like a novel, it would be like this one. Immaculate’ Andrew O’HaganTrade ReviewSamson is an intensely sensual writer, conjuring up blue skies, the tang of wild herbs, the vivid splash of bougainvillea ... As good as a Greek holiday, and may be the closest we get this year * Financial Times *As dreamily nostalgic as Cohen’s song Famous Blue Raincoat -- Alex Preston * Observer, New Year Highlights *Sleazy, evocative, beautiful and entertaining -- Stuart Turton * Guardian Summer Reading Picks *A thoroughly enjoyable drama of hedonism, enchantment and emotional beastliness * Times Literary Supplement *A coming of age story set among a group of artists and poets, including Leonard Cohen, on the Greek island of Hydra in 1960. She is so good at mentally indelible imagery -- Jojo Moyes * Guardian *This well-crafted novel beautifully captures the texture of a halcyon age in which anything seems possible * Mail on Sunday *Spellbinding … An immersive read, steeped in nostalgia. Samson’s poetic prose is so evocative that, by the end, you find yourself googling those entrancing images of Hydra, 1960, just to wallow further in the poignancy of it all * Vanity Fair *The novel has a lightly worn heft to it, as it probes freedom and creativity … By the end of this enjoyable novel, which makes vivid an interesting moment and place, you discover people have paid a price – a heavy one – for that freedom in the sun * The Times *Samson recreates one heady summer there with impeccably ripening prose …This is a slow, deliberately languorous novel that mixes real-life figures with fictional counterparts. It is sunbaked, stewed in alcohol, and wonderfully gossipy * i paper *Intoxicating ... Highly accomplished ... A testament to Samson’s transportive prose * Spectator *A surefire summer hit ... Feels at once like a gift and an escape route ... At once a blissful piece of escapism and a powerful meditation on art and sexuality – just the book to bring light into these dark days * Observer *Heady armchair escapism ... An impressionistic, intoxicating rush of sensory experience * Sunday Times *By the end the reader may be unable to decide whether Hydra enchanted or cursed those attracted by its primitive beauty, cheap rents and easy access to sex, drugs and performance poetry … A novel about the treatment of women by artistic men * The Times *Beautiful ... Perfect if you want to escape the drudgery of another lentil dinner and dream of 1960s Hydra with Leonard Cohen -- Dolly AldertonIt is a grand read and the prose falls translucently like the air ... Superb work and a delightful novel -- Thomas KeneallySuch a lyrical, elegant and beautifully told story -- Joanna CannonSo vivid that you can see the sun-washed white houses and blue seas * Good Housekeeping, Book of the Month *I cannot tell you how much I needed this beautiful book to transport me back to 1960s Greece! Lyrical, sexy, tender and sad in places. Highly recommended -- Erin KellyThis radiant novel will transport you straight to Greece - a blessing at a time when most of us are stuck in our homes * Cosmopolitan *Delicious -- Nigella LawsonThis well-crafted novel beautifully captures the texture of a halcyon age in which anything seems possible * Daily Mail *A coming of age story set among a group of artists and poets, including Leonard Cohen, on the Greek island of Hydra in 1960. She is so good at mentally indelible imagery -- Jojo Moyes * Guardian *Dreamily nostalgic * Observer, Fiction to look out for in 2020 *About real people living in Hydra in 1960. Steeped in nostalgia that's both sad and beautiful. It's fascinating, immersive and so MOVING -- Marian KeyesHands down the best book I've read all year. Luminous, immersive, gorgeous, profound -- Joanne HarrisHer best work yet, so evocative and alive with the scents and colours of a Greek summer ... Among the best prose writers of her generation. The writing is just delicious -- Cressida ConnollyI was utterly entranced. It feels entirely true and effortless and compelling – in the way that all great novels do -- Justine PicardieIf summer was suddenly like a novel, it would be like this one. Immaculate -- Andrew O'HaganA seductive story, suffused with nostalgia * Sunday Mirror *This is a sheer delight - I’ve never been to Hydra but this book transports you and miraculously, you are there in 1960 -- Jenny EclairA glorious novel -- Kate MosseA beautifully written, evocative, inspiring novel. I devoured it -- Kathy LettePolly Samson has created such a dazzling evocation of an era and its mindset. Here, the island of Hydra is a geographical place but a psychological one too, populated by beautiful and damaged characters who pull you down into its pages for another café gossip, another moonlit swim, another drink. This book is a bohemian idyll meticulously drawn, and unsparingly exposed. It is like going away to paradise, then coming back rather wiser. You don’t read this book – you live it -- Marina HydeA luscious seduction of a book -- Sofka ZinovieffSamson's story sizzles with the Greek sun and seduction * The i *Praise for The Kindness: ‘An addictive, cleverly structured and intriguing relationship story of lies and flawed communication * SUNDAY TIMES Book of the Week *Annoyingly close to perfection -- INDIA KNIGHT * SUNDAY TIMES *A story that entices you to revel in its languid, beautifully written prose while demanding that you turn the page to discover the secrets it holds * OBSERVER Paperback of the week *Beautifully written, with twists engineered like a thriller -- STEPHANIE MERRITT * OBSERVER Books of the Year *A book to cherish, to recommend, to return to * FINANCIAL TIMES *Brilliant, tender and beautiful -- ANDREW O'HAGANBeautifully written and plotted with serpentine cunning, Samson’s novel is what might be called a love story for adults: unsentimental, at times harsh, but ultimately uplifting * MAIL ON SUNDAY *Gorgeously chilling … Samson seems to write in colours * INDEPENDENT ON SUNDAY *Shining, poetic and sumptuous … Polly Samson is a writer of great insight and sensitivity -- JOANNE HARRISA richly sensory writer … A sumptuous, serious story * DAILY MAIL *Lush, lyrical prose … The Kindness is to be read more than once, not merely to enjoy again the beauty of the writing and the considerable insights into human experience, but to test the earlier narrative with the knowledge of what is to come * INDEPENDENT *Compelling … Atmospheric and vividly told, the book is a poignant examination of love, guilt, betrayal and the deception that can lie at the heart of every relationship * TATLER *Family proves far from idyllic in this poetic, sensual story of betrayal and lies. Writer and lyricist Samson’s prose is dazzlingly evocative, as she explores how relationships are rarely what they seem * GLAMOUR *Secrets and misunderstandings fuel Polly Samson’s involving, melancholy and cleverly constructed second novel … This is a mature and haunting novel about love and loss that asks if we all, in the end, see what we want to see * METRO *This is elegant, witty writing, informed throughout by generosity and wise perceptiveness. Dealing with many kinds of love, and with misunderstanding, betrayal, grief and forgiveness, the novel dares to posit, ultimately, the possibility of redemption. It is a book to cherish, to recommend, to return to * FT WEEKEND *Intensely evocative … Samson treats this difficult subject with candour and compassion … The novel’s effortlessness, its readability, sweeps everything in its wake … This is a book to relax into * DAILY TELEGRAPH *Polly Samson’s mastery of the English language is powerful and impressive * DAILY EXPRESS *Fills the back of your eyes with light like an Aegean sky, and has that rare and lovely quality of making you nostalgic for something you never had ... It perfectly takes the reader into a different world. Which we could all do with -- Louisa Young

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Book SynopsisUntil his death aged thirty-three in 1982, Lester Bangs wrote wired, rock 'n' roll pieces on Iggy Pop, The Clash, John Lennon, Kraftwerk, Lou Reed. As a rock critic, he had an eagle-eye for distinguishing the pre-packaged imitation from the real thing; written in a conversational, wisecracking, erotically charged style, his hallucinatory hagiographies and excoriating take-downs reveal an iconoclast unafraid to tell it like it is. To his journalism he brought the talent of a great a renegade Beat poet, and his essays, reviews and scattered notes convey the electric thrill of a music junky indulging the habit of a lifetime. As Greil Marcus writes in his introduction, 'What this book demands from a reader is a willingness to accept that the best writer in America could write almost nothing but record reviews.'Trade ReviewBangs was one of the best writers ever to appear on newsprint ... when he died, American culture lost one its most astute, ornery, funniest and most soulful observers * New York Times *Still a byword for rock writing at its most unrestrained and passionate ... his two posthumous anthologies ... attest to his brilliance -- John Harris * Guardian *A superb collection ... wild and funny and unpredictable. Lester Bangs was a great American writer who happened to write about rock 'n' roll * Rolling Stone *A marvellous collection ... it will unquestionably teach you more about rock music and the appreciation thereof than a two-year subscription to all of the current British rock papers and mags * Time Out *A powerhouse in the American music journalism scene ... It's one of the oddest yet most original pieces on music you're ever likely to read ... This is rock criticism in its raw state - it is vulgar, conversational, and abusive towards its subjects ... That a collection of music criticism continues to be republished 28 years after its first appearance - and 44 years after the publication of the earliest essay it contains - is perhaps a better testament to the quality of Bangs' writing than anything else. Now, if you'll excuse me, I'm off to listen to 'Astral Weeks' one more time. * Irish Examiner *

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Book SynopsisIdiosyncratic.Iconoclastic.Acerbic.Hilarious.The influence of Tom Hibbert's music writing across print, radio, TV and podcasts is incomparable. From his genre-defining work at Smash Hits to his 'Who the Hell ... ?' profiles for Q magazine and beyond, this book brings together many of Hibbert's funniest writings.Compiled by Barney Hoskyns and Jasper Murison-Bowie at Rock's Backpages, the archive of music journalism, Phew, Eh Readers? showcases some of Hibbert's greatest pieces. Presented thematically and chronologically, they highlight his marvellously eccentric perspective on life and popular culture.Many leading writers and journalists attest to Hibbert's genius. This compendium supplements his writing with new reflections on Tom from some of his peers, colleagues and admirers, including Mark Ellen, Bob Stanley, Tom Doyle, Chris Heath, Sylvia Patterson, along with his widow Allyce.Phew, Eh Readers? is a must-read homage to one of the most influential writers of our time, a man who left an indelible mark on our cultural landscape.Trade Review'The funniest and most revealing of all music journalists.' -- Neil Tennant

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Book SynopsisThe hard-rocking British supergroup was fronted by Steve Marriott, possessor of what is generally regarded as one of the finest ever rock and blue-eyed soul voices. They achieved global success in the early 1970s and earned themselves a reputation as one of the best live bands of the era. As fate would have it, however, this enormous success was to be short-lived and the group initially disbanded in 1975. There were to be subsequent reformations and reunions, but the heady days of the early 1970s were not to be repeated. Ultimately, rock music history books have tended to somewhat overlook the band in favour of some of their contemporaries – the likes of Led Zeppelin, Deep Purple, Faces, Free and Bad Company – but Humble Pie’s influence on the rock and metal bands that followed in their wake cannot be denied. This book examines all of Humble Pie’s recorded output in detail – album by album, track by track – covering every chapter of the band’s musical story, from the early carefree and democratic days of genre experimentation through to their halcyon period of hard-rocking R&B. The various subsequent reformations and reunions are also covered in detail, bringing the band’s story bang up-to-date in the 21st century. Ultimately, this detailed guide offers fans, old and new alike, a fully comprehensive look at the band’s musical legacy.

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Book SynopsisA ROUGH TRADE BOOK OF THE YEAR 2022WITH A FOREWORD BY ROBERT SMITHThe definitive collection of renowned photographer Tom Sheehan's images of The Cure – with photographs seen here for the very first time.Spanning three decades, more than 20 sessions and hundreds of images, Tom Sheehan's photographs of The Cure are a breathtaking visual chronicle of the most important alternative rock band in the world.Encompassing early portraits, epic live shows, studio sessions and snatched moments on tour around the world, Sheehan's photographs capture the band's journey from cult heroes to global rock stars. Many of the images published in this brand new book have never been seen anywhere before now.Beautifully presented in a cloth-bound hardback and featuring a new, original four-part biography by acclaimed author Simon Goddard, this is the ultimate collection of Sheehan's work, indispensable to any fan of The Cure.

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Book SynopsisElvis passed away in 1977 but his spirit lives on. His records still sell, his movies are still hugely popular and his concerts are still discussed by new generations of fans. The Elvis Presley estate has tens of thousands of photographs and miles of video footage from all eras of Elvis' career and fans' hunger for new imagery and information on the King remains unsated. This publication is a beautiful, desirable package, ideal for any Elvis fan. This book tells the personal story of Elvis and his relationships with those near and dear to him and contains more than 150 colour and black and white photographs from the Graceland archives, accompanied by insightful text from an author with a proven Elvis track record.To take you closer than ever before to the King, 30 items of rare memorabilia are carefully reproduced on the page, including personal letters, receipts, telegrams, publicity material and other fascinating items which provide new insight into the life of a legend.There are photographs of Elvis himself, Elvis with friends and family, and all manner of personal artifacts, including guitars, jewelry, clothing, vehicles and more.

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Book Synopsis'Enormously enjoyable' Sunday Times 'Genial and entertaining' Daily Telegraph 'A joyous celebration of the founding fathers of British youth culture' Alwyn Turner, author of All in it Together and Little Englanders With their draped suits, suede creepers and immaculately greased hair, the Teddy Boys defined a new era for a generation of teenagers raised on a diet of drab clothes, Blitz playgrounds and tinned dinners. From the Edwardian origins of their fashion to the tabloid fears of delinquency, drunkenness and disorder, the story of the Teds throws a fascinating light on a British society that was still reeling from the Second World War. In the 1950s, working-class teenagers found a way of asserting themselves in how they dressed, spoke and socialised on the street. When people saw Teds, they stepped aside. Musician and author Max Décharné traces the rise of the Teds and the shockwave they sent through post-war Britain, from the rise of rock 'n' roll to the Notting Hill race riots. Full of fascinating insight, deftly sketching the milieu of Elvis Presley and Derek Bentley, Billy Fury and Oswald Mosley, Teddy Boys is the story of Britain's first youth counterculture.Trade Review[An] enormously enjoyable history of the Teddy boys ... plenty of historians have mentioned them in passing, but none has ever investigated them with Décharné's enthusiasm and attention to detail -- Dominic Sandbrook, 'Book of the Week' * Sunday Times *In his genial and entertaining Teddy Boys, rock journalist Max Décharné takes a calm look at the phenomenon and strips away the myths that coloured it * Daily Telegraph *Excellent ... Décharné's book is a loving reclamation of an important youth type ... Most of all, in focusing on the late Forties and early Fifties, Teddy Boys illuminates a fascinating and still under-explored period in British youth culture and social history. -- Jon Savage, 'Book of the Day' * New Statesman *Max Décharné's book delves into the vanished world of the 1950s Ted just before it slips from living memory, presenting contemporaneous reports and eyewitness accounts with empathy and enthusiasm * Financial Times *Taking in everything from the birth of rock 'n' roll to the Notting Hill riots, [Teddy Boys] takes us back to an era when working-class teenagers first began to assert themselves in the UK ... Décharné's cultural history offers a fresh take on one of the most maligned youth cultures in 20th-century British history * Herald ***** [A] rise-and-fall chronicle of the New Edwardians, from the early-'50s cosh boys to the Notting Hill Riots of 1958 ... offers repeated riches in its lovingly curated assemblage of news articles and interviews that reveal how this working-class cultural revolution was reinterpreted, co-opted and demonised * Mojo *A joyous celebration of the founding fathers of British youth culture, and a great slice of social and cultural history -- Alwyn TurnerReclaiming a youth cult that from the very outset was besmirched by the gutter press of Fleet Street and continues to be associated more with thuggish behaviour than peacockish dandyism, Max Decharne traces the rise and fall of a peculiarly English street-wise style that found a soundtrack in American rock 'n' roll and that lit up the grey, bomb damaged streets and sedate dance halls of post-war Britain in truly glorious fashion -- Travis ElboroughPraise for Max Décharné -- :Décharné writes attentively and with authority about the ping-ponging of scenester phrases between genres, and from closed circles of cognoscenti to the wider world * TLS *Décharné, a musician and songwriter, has written extensively on music, crime and noir, and his great gift is to connect his encyclopaedic knowledge of more recent slang to that of the past. His mind is a trivia-trap of the first order * New York Times *The strength of Mr. Décharné's account is its zest ... he has an infectious enthusiasm for the peculiarities of English vocabulary * Wall Street Journal *

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Book Synopsis(The Little Black Songbook). This little book packs in over 80 Oasis tunes with chords and complete lyrics for each. Songs include: Be Here Now * Better Man * Champagne Supernova * Cum on Feel the Noize * D'You Know What I Mean? * Don't Go Away * Don't Look Back in Anger * Fade Away * Gas Panic! * Go Let It Out * Hey Now * The Hindu Times * Little by Little * Live Forever * Rock 'N' Roll Star * Songbird * Supersonic * Wonderwall * and more.

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Book Synopsis"I'm both blessed and cursed to be a guitar player. I didn't choose it, it chose me. The challenge was to find a way to weave my convictions into my music in a meaningful way." - Tom Morello As the cofounder and guitarist of Rage Against the Machine, Audioslave, and Prophets of Rage, and as a solo artist and collaborator with artists as diverse as Bruce Springsteen and Wu-Tang Clan, few musicians have been as groundbreaking as Tom Morello. Now, for the first time, Morello's remarkable life as a guitarist, songwriter, singer, and political activist is captured in Whatever It Takes. Telling the story from his first guitar to the present day, Morello's commentary is accompanied by a wealth of photographs, handwritten notes, and set lists, many of which are previously unpublished and come from the author's personal archives. Stunning images of Morello's heavily customized guitars complete this jam-packed photographic memoir, and the result, like his incendiary guitar playing, is fascinating, honest, and completely unique. Introduced by the Oscar-winning filmmaker Michael Moore, Jann Wenner, the cofounder of Rolling Stone, Morello's Prophets of Rage collaborator Chuck D, and Nora Guthrie, daughter of the legendary Woody Guthrie, Whatever It Takes is the defining document of one of the greatest rock guitar players of our times. "He's not only the most dangerous guitarist in history, he just might be the best." - Michael Moore "He's not only a brilliant musician, but he has a deep heart and a social conscience, just like Bob Dylan, Bruce Springsteen, Bono, or Jackson Browne. Tom is right up there with that gang. I think this excellent book helps prove why." - Jann Wenner "Tom Morello is a Visionary Activist, meaning what he sees in his mind goes full throttle into him making IT happen." - Chuck D "A musician who has no fear, who is not afraid of a good fight, and has no hesitation. When Tom Morello sings "This Is Your Land" he demands we jump up and sing with our fists raised." - Nora Guthrie

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Book SynopsisMegadeth's run of thrash classics from the mid eighties through to the nineties continue to be celebrated in the metal community long after leader Dave Mustaine's band mates have been discarded to the sands of time-save one, Dave "Jr" Ellefson. Along the way there's Mustaine's pathology with his ex-friends in Metallica but also a hell of a lot of killer metal as the band works its way up through Peace Sells and So Far, So Good... So What! through to the superlative metal classics, namely Rust In Peace and Countdown To Extinction. Later came Cryptic Writings and Risk that threatened to kill the band but the reconstitution of Megadeth after its demoralising decline and then deflating dispersal at the destructive hand of Mustaine is a story untold... until now. But it's a tale worth telling for its instructiveness on how to rebuild and maintain a career. Quite simply the recent Megadeth story spanning the albums The World Needs A Hero through to Super Collider includes some of the beast and heaviest Megadeth ever committed to record. Celebrate Mustaine's vision track-by-track with top author Martin Popoff. With over sixty books to his name, Popoff applies his tried and tested methodology to a head-crunching canon of work that is truly as strong at the recent end of the spectrum as it is with the classics you all know and love.

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Book SynopsisThrough storytelling rhymes and vulnerable narratives in conversation with both contemporary Hip-Hop culture and systemic anti-Blackness, 808s & Otherworlds pieces together a speculative reality where Blackfolk are simultaneously superhuman and dehumanized.

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Book SynopsisThis unique book is based around the unpublished photos of Whitesnake in 1981 by Andy Phillips. These photos were taken on stage, off stage and backstage, during the German tour. The photos are complimented by a narrative and timeline by Jerry Bloom, including album and gig reviews that charts one of the most eventful years in Whitesnake's history.

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Book SynopsisWith an introduction by Richard Hawley. So It Started There chronicles the life and career of drummer Nick Banks, and how he came to be in one of the UK's most iconic and beloved bands: Pulp. Beginning with his childhood in Rotherham, Nick recounts his personal and musical journey through the genres, first as a punk, then as a goth; how it all started when he was first inspired to pick up the sticks by Sex Pistols drummer, Paul Cook. Flash forward to the eighties, Nick has been playing in a handful of Sheffield groups and spies an ad from his favourite band, Pulp, in a local club. He pays Jarvis and the gang a visit and the rest is history. From there, Nick describes his growth as a professional drummer and musician, the trials and tribulations of chasing success in the music industry, touring triumphs and horrors, the band's journey from relative obscurity to becoming a global sensation, and the process of writing and recording their most famous albums.Trade ReviewWarm and witty... There's tons of detail for fans to thrill over, some cracking anecdotes, woven together to give a reassuring sense of a man who took it all in his stride and loved almost every minute of it. Record Collector; Told in a wonderful, personably style exuding Northern charm and wide eyed wonder... an entertaining insight into a truly unique band. 4**** Classic Pop; Until Cocker writes his own Pulp history, this is the definitive version. MOJO; Nick Banks is the time-keeper of Pulp, and within these covers are the early times, the good times, the not-so-good times and the WTF times. Do You Remember the First Time? Nick does. Great stuff. Jarvis Cocker;

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Book SynopsisThis collection reflects on the Seattle music scene of the late 1990s into the 2000s, documented through photography and personal stories as the world transitioned from celluloid to digital, grunge to indie. The book opens with a nod to a truly independent woman with a forward from Megan Jasper, Sub Pop Records C.E.O., for 25 years. The work is a pilgrimage back in time, a nostalgic trip for anyone who remembers their 20s, cherishes music or yearns for a time when nobody texted or had a camera in their pocket. This series transcends the boundaries of music or a single life story. It's about heeding your instincts. I was documenting my life. The musicians, promoters, and bouncers were my friends, and I went to see bands I enjoyed and places I could get in for free. I didn't know I was in the middle of something new.Holler's personal story is witness to an artist in her 20s photographing little-known bands who later defined a decade in music history - capturing live gigs, portraits, and the remnants and landscapes of a scene that was the formative stage for groups such as Death Cab for Cutie, Fleet Foxes, Interpol, Macklemore, Modest Mouse, The Gossip and Yeah Yeah Yeahs, along with Beck, Foo Fighters- Dave Grohl, Moby, Pearl Jam, The Posies, and R.E.M.

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Book SynopsisWhat was it about Bob Marley that made him so popular in a world dominated by rock'n'roll?How is that he has not only remained the single most successful reggae artist ever, but has also become a shining beacon of radicalism and peace to generation after generation of fans across the globe?On May 11, 1981, a little after 11.30 in the morning, Bob Marley died. The man who introduced reggae to a worldwide audience, in his own lifetime he had already become a hero figure in the classic mythological sense. From immensely humble beginnings and with talent and religious belief his only weapons, the Jamaican recording artist applied himself with unstinting perseverance to spreading his prophetic musical message.And he had achieved it: only a year earlier, Bob Marley and The Wailers'' tour of Europe had seen them perform to the largest audiences a musical act had up to that point experienced. Record sales of Marley''s albums before his death were spectacular; in the years since his death they have become phenomenal, as each new generation discovers afresh the remarkable power of his music.Chris Salewicz, who had a sequence of adventures with Bob Marley in Jamaica in 1979, offers us a comprehensive and detailed account of Bob Marley''s life and the world in which he grew up and came to dominate. Never-before-heard interviews with dozens of people who knew Marley are woven through a narrative that brings to life not only the Rastafari religion and the musical scene in Jamaica, but also the spirit of the man himself.Trade Review'Salewicz invades and illuminates Marley's privacy more effectively than previous biographers' - The Sunday Times 'Essential biography that also traces the evolution of rebel music. It's the author's owm conjuring of events - that make this book so valuable' - Mojo 'Where the veteran music journalist Chris Salewicz provides new insights is in his portrait of the musician's complex and troubled personality. Drawing on extensive interviews with those closest to Marley, he reveals a character afflicted by insecurity and instability' - Times Literary Supplement 'The definitive account of the man and the myth' - The Independent

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Book SynopsisIn his graphic biography Nick Cave: Mercy on Me, Reinhard Kleist paints an expressive and enthralling portrait of the musician, novelist, poet, and actor. It is, according to Nick Cave himself, “a complex, chilling and completely bizarre journey into Cave World.” Nick Cave & The Bad Seeds: An Art Book collects Kleist’s moody and expressive portraits of the musician and his band, spanning 30 years of writing, recording, and live performance. Kleist also returns readers to Cave’s imaginative world with comic book reimaginings of “Deanna,” “The Good Son,” and “Stagger Lee.” Filled with visual delights, this record-size art book is a kaleidoscopic portrait of Nick Cave’s wide-ranging career as a storyteller, musician, and cultural icon.

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Book Synopsis''A roadmap for a new generation'' VOGUE''Radical, funny and fearless' VANITY FAIRGripping' NYLONRaw'GUARDIANAn electric, searing memoir by the original Riot Grrrl and legendary frontwoman of Bikini Kill and Le TigreHey girlfriend I got a proposition, goes something like this: Dare ya to do what you want.Kathleen Hanna's rallying cry to feminists echoed far and wide through the punk scene of the 1980s, '90s, and beyond. Her band, Bikini Kill, embodies this iconic time, and today their gutsy, radical lyrics of anthems like Rebel Girl' and Double Dare Ya' are more powerful than ever. But where did this transformative voice come from?In Rebel Girl, Hanna's raw and insightful new memoir, she takes us from her tumultuous childhood home, to her formative college years in Olympia, Washington, and on to her first years on tour, fighting hard for gigs and for her band. As Hanna makes blindingly clear, being in a girl band', especially a punk girl band, in those years was not a simple or a safe

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Book SynopsisThe final word on the only name synonymous with heavy metal - Black Sabbath. 'An epic tale, told the way it should be' RECORD COLLECTORTrade ReviewThe band's uppers and downers are recounted here with amusing and sobering appraisal, making this an entertaining read for long-standing fans and newcomers alike. * GUITARIST *Wall has a marvellous turn of phrase... required reading for all fans, regardless of their preferred era. * IRISH NEWS *Wall delivers the book he was born to write. * CLASSIC ROCK MAGAZINE *...the book's research was super, getting the balance between fact and fiction spot on destroying a lot of the myths surrounding the band and also giving great insight into the Bill Ward debacle. -- Kevin Bell * Waterstones.com *..the real advantage that Wall enjoys over all the other Sabbath biographers is that he worked for the musicians as a PR and knew them all personally... as a result (he) is able to portray the Sabbath members as they really are. ...It's an epic tale, told the way it should be. -- Joel McIver * RECORD COLLECTOR *

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Book SynopsisPink Floyd are one of the most innovative and enduringly successful bands in history. 1973's Dark Side of the Moon, though far from the first concept album, established a new model for quasi-symphonic, long-form investigations into the human condition. It is a record of thoughtfully poignant lyrics and some of the most powerful, genre-defining rock music ever made. Roger Waters, Rick Wright, Nick Mason and the tragically brilliant Syd Barrett fused English whimsy with electrifying voyages through inner and outer space. Their underground gigs are the stuff of psychedelic legend, but between 1968 and 1971, with Barrett replaced by David Gilmour, their sonic inquiries were never braver. Some were delivered instantly while others were revealed slowly, but all played crucial parts in rock's development. During the 1970s, the music matured as the messages darkened. While Floyd continued to prove that emotional weight can be forged from deceptively modest arrangements, the band's live spectaculars reached a pitch of technical complexity and extravagance none has matched. With insightful analysis and witty objectivity, Richard Butterworth appraises afresh Pink Floyd's official recorded canon, from 'Arnold Layne' to The Endless River and beyond to 2022 and the first all-new Floyd music for 28 years.

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Book SynopsisTrade Review“More than an insider’s story about VH; Monk also shares fascinating firsthand information about how the music industry operated at that time…An absolute must-read for VH fans and fans of rock music memoirs.” — Library Journal “Too bad the title The Dirt was already taken. Noel Monk – who went from being Van Halen’s road manager to their business manager during their Diamond Dave prime – holds nothing back…Monk paints a convincing picture of a brilliant, substance-addled young band that wasn’t built to last.” — Rolling Stone “The Van Halen book you’ve been waiting for…brutally honest and at times shocking…Van Halen fans will be discussing and debating it with the same attention to detail as Eddie’s finger-tapping work on ‘Eruption.’” — Houston Press “There’s plenty of sex and drugs here, along with the absurdities of the hard-rock life.” — New York Times Book Review

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Book SynopsisThe official photobook commemorating the 50th anniversary of The Dark Side Of The Moon. March 2023 marks fifty years since the release of Pink Floyd's classic album The Dark Side Of The Moon. Designed by Pentagram to high specifications, this celebratory publication brims with rare and unseen photographs and reveals the visual conception of the original iconic album artwork. It will be a covetable package for the legions of Floyd fans out there new and old. Presents rare and unseen backstage and onstage photography of the band during the album tours of 1972 to 1975. 129 candid photographs by Storm Thorgerson, Jill Furmanovsky, Aubrey Powell and Peter Christopherson document the soundchecks, the shows and the after shows. A review of the October 1972 Wembley gig, originally published in Melody Maker, provides insight into one of the Floyd's most celebrated performances. Reveals the visual conception of the iconic album artwork. Includes a complete listing of the touTrade Review'Lavish... Amazing photos...in crystal-clear, black-and-white...show the band rehearsing, performing around the globe, playing squash, and enjoying life on the road... Pink Floyd fans will enjoy this handsome collection' - Library Journal'Combines striking layouts with rare and unseen images' - Creative Boom'Beautifully presented … the images are deeply revealing' - Buzz'In typical Floyd style, they let the images do the talking … a stately addition to the Pink Floyd bookshelf, that allows its audience free rein to interpret its content, just like the album itself did 50 years ago' - Prog Magazine'A beguiling glimpse of the group and supporting cast on tour' - Record Collector'Every image has obviously been carefully selected and each one is immaculately presented on the highest quality art paper to make this coffee table book a real thing of beauty' - The Afterword'This really is a treasure trove of Pink Floyd images, most of which won’t be found elsewhere. It proves a very diverting trip down memory lane, to simpler times, and a real insight into a world that very few people would have had access to. Couple that with the exemplary presentation, and you have a wonderful publication fitting for the occasion' - Brain Damage

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Book SynopsisA lavish book celebrating 50 years of Rolling Stone magazine--one of the most iconic and influential voices in American music and cultureTrade Review" Rock out and read this landmark book celebrating Rolling Stones 50th birthday. Documenting the magazine's rise from humble beginnings in a tiny office in San Francisco, the book includes interviews with artists such as Bob Dylan, the Beastie Boys and Adele, images from iconic photographers including Annie Leibovitz and sparking prose from the likes of Hunter S. Thompson. Each page makes it easy to see why every budding musician dreams of gracing its cover." * Daily Mail *

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Book SynopsisIn Brian May's Red Special you will discover everything about Brian May's unique, home-made guitar. Brian reveals all, from the guitar's origins to playing on the roof of Buckingham Palace, from Live Aid to the closing ceremony of the London 2012 Olympics, from the set of Bohemian Rhapsody to opening the Academy Awards in 2019 where the film scooped four Oscars. All of this is accompanied by original diagrams, sketches and notes from the building of the guitar, as well as a selection of classic photographs including Brian on stage with his guitar, close-ups and even an X-ray. Rare images are included throughout, as the entire guitar was dismantled and photographed for the book. Table of ContentsIntroduction by Brian May. Father to Son. A Guitar is Born. The Works. The Queen Days. On the Roof. Revisiting the Past. From Feltham to Hollywood. Gallery. Acknowledgements and credits.

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Book SynopsisI was the Fool-king of Soho and the number-one slag in the Groucho Club, the second drunkest member of the world''s drunkest band. This was no disaster, though. It was a dream coming true.''For Alex James, music had always been a door to a more eventful life. But as bass player of Blur - one of the most successful British bands of all time - his journey was more exciting and extreme than he could ever have predicted. In Bit of a Blur he chronicles his journey from a slug-infested flat in Camberwell to a world of screaming fans and private jets - and his eventual search to find meaning and happiness (and, perhaps most importantly, the perfect cheese), in an increasingly surreal world.Trade ReviewAlex James is a witty, engaging guide to the mad goings-on behind the scenes of Britpop. Blur's bassist famously estimates that he blew around £1m on champagne and cocaine during the Nineties. Here's how. * INDEPENDENT *Bright, passionate . . . James writes with wit and flair * TIME OUT **'The definitive guide to Britpop . . . this effervescent memoir emerges as the most fascinating, as well as hilarious, document to date of those times * OBSERVER *Guaranteed to bring a tear to your eye - in a good way * ELLE *

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Book SynopsisJuggling work and family can be... hell. Calvin & Hobbes meets Call of Cthulhu as the sensationally popular heavy metal webcomic Belzebubs comes to print in a grim, goofy, and gorgeous hardcover.Belzebubs is a "trve kvlt mockumentary" focusing on the everyday challenges of family life: raising kids, running a small business, and making time for worship. Except the kids are named Lilith and Leviathan, the business is a black-metal band, and the worship... isn''t exactly aimed upstairs.In a few short years, what started out as improvised social-media doodles has now become a wildly successful webcomic with hundreds of thousands of fans. The irresistible cartooning of JP Ahonen (Sing No Evil) combines relatable slice-of-life humor with over-the-top occult antics and references from metal music to Lovecraftian horror, making Belzebubs a devil of a good time.

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Book SynopsisYou have the luck of Croesus on stilts (as my Auntie Vi would have said) if you've had the sort of career, ups and downs, warts and all that I have in that wondrous little corner of show business called musical theatre.One of the most successful and distinguished artists of our time, Andrew Lloyd Webber has reigned over the musical theatre world for nearly five decades. The winner of numerous awards, including multiple Tonys and an Oscar, Lloyd Webber has enchanted millions worldwide with his music and numerous hit shows, including Jesus Christ Superstar, Evita, Cats, The Phantom of the OperaBroadway's longest running showand most recently, School of Rock. In Unmasked, written in his own inimitable, quirky voice, the revered, award-winning composer takes stock of his achievements, the twists of fate and circumstance which brought him both success and disappointment, and the passions that inspire and sustain him.The son of a music professor and a piano teacher, Lloyd Webber reveals his Trade Review‘It seems there is nothing Andrew Lloyd Webber can’t do. Besides his feats as a composer and creator of musicals, this memoir proves that he can write stylish and witty prose too.’ – Sunday Times ‘There is much of this autobiography that is, quite simply, hilarious…His is an authentic voice, the real deal, and you emerge feeling as if you have been allowed inside the tornado that is ALW.’ – The Times ‘I laughed, I cried, it was better than Cats!’ – Sloane Crosley, Vanity Fair ‘An autobiography that has… wit, suspense, contemporaneity, audacity, and an appealingly shrewd sense of the occasion.’ – Adam Gopnik, The New Yorker ‘Charmingly idiosyncratic, surprisingly endearing and ruthlessly entertaining.’ – Dominic Green, Wall Street Journal

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Book SynopsisGeorge Clinton’s Parliament-Funkadelic collective (P-Funk) stands as one of the most iconic and important groups in popular music history, with an impressively large discography, enormous number of members, and long history. For the first time, this authorized reference provides the official P-Funk canon from 1956 to 2023: every project, album, song, song personnel, and tidbits about each act and select songs, as well as dozens of rare photos and a color photospread.No volume has ever attempted to provide details of every song from this collective and its many dozens of acts, collaborations, and offshoot projects from its inception in the 50s as The Parliaments to present day. Daniel Bedrosian, keyboardist for P-Funk, accomplishes that in this volume, the culmination of nearly thirty years of careful research, interviews, and access to exclusive archival material. Song entries are organized under artist / group names and contain definitive information on who played on which song. Select song entries shed light on the inner workings of the recording process, singles chartings, controversies, inside information about process, and more. This authorized volume demystifies one of the most unique and influential popular musical groups in history.Table of ContentsTable Of ContentsIntroduction Some Notes On Process Special Thanks Interview List Information On The List Criterion For CanonErrata Chapter One: Artists Starting In 1956 - 1966 Chapter Two: Artists Starting In 1967 - 1977 Chapter Three: Artists Starting In 1978 - 1988 Chapter Four: Artists Starting In 1989 - 1999 Chapter Five: Artists Starting In 2000 - 2010 Chapter Six: Artists Starting In 2011 - 2021 Chapter Seven: Artists Starting In 2022 - 2023 Chapter Eight: Live Releases Index

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Book SynopsisThe definitive New York Times bestselling biography of legendary musician, composer, and performer Leon Russell, who profoudly influenced George Harrison, the Rolling Stones, Eric Clapton, Elton John, Willie Nelson, Tom Petty, and the world of music as a whole.  Leon Russell is an icon, but somehow is still an underappreciated artist. He is spoken of in tones reserved not just for the most talented musicians, but also for the most complex and fascinating. His career is like a roadmap of music history, often intersecting with rock royalty like Bob Dylan, the Stones, and the Beatles. He started in the Fifties as a teenager touring with Jerry Lee Lewis, going on to play piano on records by such giants as Frank Sinatra, The Beach Boys, and Phil Spector, and on hundreds of classic songs with major recording artists. Leon was Elton John’s idol, and Elton inducted him into the Rock and Roll Hall of Fame in 2011. Leon also gets credit for altering Willie Nelson’s career, giving us the long-haired, pot-friendly Willie we all know and love today. In his prime, Leon filled stadiums on solo tours, and was an organizer/performer on both Joe Cocker’s revolutionary Mad Dogs and Englishmen tour and George Harrison’s Concert for Bangladesh. Leon also founded Shelter Records in 1969 with producer Denny Cordell, discovering and releasing the debut albums of Tom Petty, the Gap Band, Phoebe Snow, and J.J. Cale. Leon always assembled wildly diverse bands and performances, fostering creative and free atmospheres for musicians to live and work together. He brazenly challenged musical and social barriers. However, Russell also struggled with his demons, including substance abuse, severe depression, and a crippling stage fright that wreaked havoc on his psyche over the long haul and at times seemed to will himself into obscurity. Now, acclaimed author and founding member of Buffalo Tom, Bill Janovitz shines the spotlight on one of the most important music makers of the twentieth century.

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Book SynopsisLa Marr Jurelle Bruce ponders the presence of “madness” in black literature, music, and performance since the early twentieth century, showing how artist ranging from Kendrick Lamar and Lauryn Hill to Nina Simone and Dave Chappelle activate madness as content, form, aesthetic, strategy, philosophy, and energy in an enduring black radical tradition.Trade Review“This lyrical and profound tour de force explores the intersection of race and derailment, or ‘madness as methodology.’ We know that the traumatic discordance of slavery's enduring legacy manifests as both private sorrow and public health emergency. Yet that unyielding stress is sometimes also the forge of a radical black creativity vividly exceeding the shapeshifting states of un-Reason into which raced and nonnormative bodies are too relentlessly imagined and compressed. La Marr Jurelle Bruce has given a gift in this powerful recontextualization of black creative ‘madness’ as liberatory demand for expressive life—to wit, an aesthetic practice by which, ultimately, ‘what is stolen is returned, and what is unwritten is at last inscribed.’” -- Patricia J. Williams, columnist for "Diary of a Mad Law Professor" in The Nation"The sheer range of academic discourses that Bruce engages—from disability studies and psychoanalysis to affect theory and black studies—is impressive enough. What Bruce does within their intersections, however, is create a kind of poetics of black madness—a way of looking that is itself a way a making; or maybe it’s the converse—a way of making that is itself a way of looking. . . I can’t predict the future, but it’s so obvious to me that scholars will long be grateful for Bruce’s expansive imagination and the careful attention paid to radical black creativity in this wildly astute and socially and emotionally conscious work." -- Dawn Lundy Martin * 4Columns *"Bruce’s deft and thoughtful touch invites readers to dream loudly among a compendium of radical Black artists that few others would think about collectively. With subjects that range from early-twentieth-century jazz cornet player Buddy Bolden to contemporary rapper and composer Lauryn Hill (and many in between), Bruce’s archive reflects the mindful mayhem at the center of his methodology. . . . Bruce’s work closes with [this] imperative direction: 'Now let go.' But letting go of a book that feels both so present and so prescient may prove impossible." -- Omari Weekes * Bookforum *"In La Marr Jurelle Bruce’s How to Go Mad Without Losing Your Mind, we find ourselves in a dance with the mad. . . . [The] book is an analysis of praxis, a snap, a click, a break, an opening, a closing, the middle, the beyond, the here, the now, the then, and the there." -- Michael Cordov * E3W Review of Books *"A paradigm-shaping book for future scholarship around mental difference. Bruce’s book not only helps announce the emergence of [mad studies] but significantly advances the analytic, cultural, historical, and theoretical sophistication of mad scholarship...As a result, How to Go Mad is a must-read for those of us engaged in the intersectional politics and scholarship of difference." -- Bradley E. Lewis * Journal of Medical Humanities *"Bruce articulates understandings of madness that encompass the lived experiences of Black, queer, and disabled people, putting forth a 'mad methodology' that capsizes dominant notions of social, political, economic normalcy, and ethics, and invites, for me, a new possibility of Afrofuturistic imagining. . . . [A] dynamic critical analysis of madcrazyBlackness that spans genre, medium, and epoch." -- Victoria R. Collins * Electric Literature *"This melodic volume explores relationships between the surreal, impossible conditions (and conditions of impossibility) experienced by Black people and our radical, imaginative 'mad Black creativity.' Showing us 'lessons [we can] learn from those who make homeland in wasteland' as blueprints for freedom dreaming, Bruce picks apart the self-obscuring cultural and political forces that shape understandings of madness to disempower, disenfranchise, and control Black life and Being...It is ratchet. It is unruly. It is gorgeous." -- Kia Darling-Hammond * Nonprofit Quarterly *"With a Walt Whitman-style expansiveness, Bruce wraps his arms around a multitude of creative genres and Black artists and then pulls us into his project of 'radical compassion' with mad subjects. Bruce’s writing is both critical and compelling, analytical and yet intimate. . . . How to Go Mad without Losing Your Mind invites readers to sit with madness for a while, to explore its radical liberatory potential, and to become mad methodologists with radical compassion. Hold tight. Let go. And let this book take you there.” -- Elizabeth Donaldson * Disability Studies Quarterly *"How to Go Mad is a love story, a potent reflection on a few of the many Black creative minds who have innovated art forms and fashioned the trajectory of history, while having their 'sanity' called into question by normative, white, anti-Black, anti-Mad audiences and institutions." -- Liz Miller * Lateral *“How to Go Mad will undoubtedly influence conversations in black studies, science and technology studies, disability studies, and other fields. It is a lyrical, nuanced model of how radical care produces new approaches beyond the rehearsal of pathology.” -- Jacob Hood * Catalyst *"If we imagine Black studies to be a space of creativity where Black scholars break from disciplinary strictures and form, then this text is an exemplary practice...The writing is evocative and accessible for any of us who have felt searing rage and those whose waking hours are haunted by madness." -- Hugo ka Canham * The Black Scholar *"One cannot read this work without also assembling its madness with the mad blue notes of Buddy Bolden, the crazy blues of Bessie Smith, the 'good at' madness of Ntozake Shange’s Hyacinthe, the maddening black genius of Ms. Lauryn Hill, the unruly madness of Kanye West, or the 'mad real world' of Dave Chappelle. Bruce is not simply using these creative artists as case studies of madness dipped in black, but is presenting a terrain where the expanse of madness and blackness can only be read together—in this push and push, the fracture of Reason is revealed." -- Dana Francisco Miranda * Blog of the APA *Table of ContentsAcknowledgments ix 1. Mad Is a Place 1 2. "He Blew His Brains Out through the Trumpet": Buddy Bolden and the Impossible Sound of Madness 36 Interlude. "No Wiggles in the Dark of Her Soul": Black Madness, Metaphor, and "Murder!" 71 3. The Blood-Stained Bed 79 4. A Portrait of the Artist as a Mad Black Woman 110 5. "The People inside My Head, Too": Ms. Lauryn Hill Sings Truth to Power in the Key of Madness 139 6. The Joker's Wild but That Nigga's Crazy: Dave Chappelle Laughs until It Hurts 172 7. Songs in Madtime: Black Music, Madness, and Metaphysical Syncopation 201 Afterword. The Nutty Professor (A Confession) 231 Notes 239 Bibliography 303 Index 333

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Book SynopsisThis is the remarkable memoir of the small girl (5 foot 1 inch tall) with the huge voice. At the age of 15, in 1964, Lulu - born Marie Lawrie in Glasgow - was already a star with her international hit song ''Shout''. At 18 she stole hearts as an English schoolgirl to Sidney Poitier''s teacher with the movie hit ''To Sir With Love''. At 21, she married a Bee Gee, Maurice Gibb, and tied as winner of the Eurovision Song Contest with ''Boom-Bang-a-Bang''. Yet in 1993 she reached No.1 with ''Relight My Fire'' (with Take That). Nearly forty years at the top of the showbiz tree, Lulu has never been afraid to experiment with new trends, and her book reflects the daring that took a girl from a Glasgow tenement to international stardom - as ''To Sir With Love'' says, ''from crayons to perfume''.I DON''T WANT TO FIGHT (the title of a song Lulu wrote and Tina Turner recorded) is the devastatingly candid autobiography of a singer who has never shirked from facing anything.

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Book SynopsisWaging Heavy Peace is the remarkable memoir of rock icon Neil YoungNeil Young is a singular figure in the history of rock and pop culture in the last four decades, inducted not once but twice into the Rock and Roll Hall of Fame.Reflective, insightful and disarmingly honest, Waging Heavy Peace is his long-awaited memoir. From his youth in Canada to his crazy journey out to California, through Buffalo Springfield and Crosby, Stills & Nash, to his massively successful solo career and his re-emergence as the patron saint of grunge on to his role today as one of the last uncompromised and uncompromising survivors of rock ''n'' roll - this is Neil''s story told in his own words.Young presents a kaleidoscopic view of personal life and musical creativity; it''s a journey that spans the snows of Ontario to the LSD-laden boulevards of 1966 Los Angeles to the contemplative paradise of Hawaii today. Along the way he writes about the music, the victim

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Book SynopsisThe classic biography which explores the shocking drama of Kurt Cobain's troubled life

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Book Synopsis

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