Popular culture Books
Rutgers University Press Litcomix: Literary Theory and the Graphic Novel
Book SynopsisCritical studies of the graphic novel have often employed methodologies taken from film theory and art criticism. Yet, as graphic novels from Maus to Watchmen have entered the literary canon, perhaps the time has come to develop theories for interpreting and evaluating graphic novels that are drawn from classic models of literary theory and criticism. Using the methodology of Georg Lukács and his detailed defense of literary realism as a socially embedded practice, Litcomix tackles difficult questions about reading graphic novels as literature. What critical standards should we use to measure the quality of a graphic novel? How does the genre contribute to our understanding of ourselves and the world? What qualities distinguish it from other forms of literature? LitComix hones its theoretical approach through case studies taken from across the diverse world of comics, from Yoshihiro Tatsumi’s groundbreaking manga to the Hernandez Brothers’ influential alt-comix. Whether looking at graphic novel adaptations of Proust or considering how Jack Kirby’s use of intertextuality makes him the Balzac of comics, this study offers fresh perspectives on how we might appreciate graphic novels as literature. Trade Review"Litcomix, an original, extremely interesting book, argues that we should treat graphic novels as serious literature, applying to them the theories that are usually reserved for discussion of ‘serious’ literature. In a most timely account, Geczy and McBurnie present fascinating and instructive examples." -- David Carrier * author of Philosophical Skepticism as the Subject of Art: Maria Bussmann’s Drawings *"Growing up in the UK during the 1960s, to me, Kirby was "The Comics." Kirby created his own genre whose influence is felt to this very day. It's rare to read something so well thought out on my pet subject. Litcomix is a great read!" -- Shaky Kane * comic artist, 2000 AD, The Bulletproof Coffin, The Beef *"As a fellow true believer in comics as a high voltage energy conductor, I recommend Geczy and McBurnie's book, one which highlights and categorizes some of the vibrant new methods and genres of cartooning-art power with a well-researched and passionate curation of contemporary gems as examples. May the kaleidoscopic galaxy of comics continue to unfurl!" -- Lale Westvind * cartoonist *"The authors want comics to 'be treated with the seriousness of so-called proper literature.' In this spirit, their book introduces readers to comics makers who should be celebrated for their significant contributions to expanding the horizons of the pleasures of reading." -- Shiamin Kwa * author of Perfect Copies: Reproduction and the Contemporary Comic *"Litcomix frames the notion that comics are long overdue for serious attention, and then delivers that attention in the most informed possible manner. For too long, comics have had the boot of cultural bias on its neck. This book supplants that boot and puts the graphic novel on even footing with the best of literature." -- Christopher Sperandio * cartoonist and academic *"Reflecting upon central elements of Marxist literary theorist and philosopher Georg Lukács, this admirable volume adds momentum to the speed at which we are recognizing the proper value of the comics art form. Insightful and provocative, once I finished reading this book I wanted to pick it up again and start over.” -- Jeff McLaughlin * editor of Comics as Philosophy *Table of ContentsIntroduction Introduction Part I Theories 1 Literary Theory: The Relevant and the Real 2 Recuperating Realism: Lukács 3 Classic Novels, Classic Comics 4 Was Wertham Right? Comics as Antisocial and Subversive 5 The Balzac of Comics: Jack Kirby, World Building, and the Kirbyesque 6 Figurative Pseudonyms: Biography and Confession Part II Case Studies 7 Josh Bayer 8 Nina Bunjevac 9 Simon Hanselmann 10 The Hernandez Brothers 11 Tommi Parrish 12 Yos hihiro Tatsumi Conclusion: Our New Urizens Acknowledgments Notes Index
£999.99
Rutgers University Press Rockin' in the Ivory Tower: Rock Music on Campus
Book SynopsisHistories of American rock music and the 1960s counterculture typically focus on the same few places: Woodstock, Monterey, Altamont. Yet there was also a very active college circuit that brought edgy acts like the Jefferson Airplane and the Velvet Underground to different metropolitan regions and smaller towns all over the country. These campus concerts were often programmed, promoted, and reviewed by students themselves, and their diverse tastes challenged narrow definitions of rock music. Rockin’ in the Ivory Tower takes a close look at two smaller universities, Drew in New Jersey and Stony Brook on Long Island, to see how the culture of rock music played an integral role in student life in the late 1960s. Analyzing campus archives and college newspapers, historian James Carter traces connections between rock fandom and the civil rights protests, free speech activism, radical ideas, lifestyle transformations, and anti-war movements that revolutionized universities in the 1960s. Furthermore, he finds that these progressive students refused to segregate genres like folk, R&B, hard rock, and pop. Rockin’ in the Ivory Tower gives readers a front-row seat to a dynamic time for the music industry, countercultural politics, and youth culture.Trade Review“Rockin’ in the Ivory Tower offers a welcome entry into a field of study that is only just beginning to flower.” — Kenneth Womack, author of Living the Beatles Legend: The Untold Story of Mal Evans “The research and writing are exciting; Rockin’ in the Ivory Tower fills an important gap in the historiography of rock music and the sixties.” — Dewar MacLeod, author of Making the Scene in the Garden State: Popular Music in New Jersey from Edison to SpringsteTable of ContentsPreface and Acknowledgments Introduction 1 Postwar America, the Revolution in Higher Education, and Popular Music 2 “The Sound of the Sixties”: Popular Music and College Campuses 3 “I Blundered My Way Through”: The College Impresario, Fall 1965–Fall 1967 4 “They’re Rockin’ in the Ivory Tower”: Fall 1967–Fall 1968 5 The “Americanization of Rock”: Spring 1969–Fall 1970 Conclusion Appendix A: Bands/Artists at Drew University, 1967–1971 Appendix B: Bands/Artists at Stony Brook University, 1967–1971 Notes Bibliography Index
£999.99
Rutgers University Press Branding Black Womanhood: Media Citizenship from
Book SynopsisCaShawn Thompson crafted Black Girls Are Magic as a proclamation of Black women’s resilience in 2013. Less than five years later, it had been repurposed as a gateway to an attractive niche market. Branding Black Womanhood: Media Citizenship from Black Power to Black Girl Magic examines the commercial infrastructure that absorbed Thompson’s mantra. While the terminology may have changed over the years, mainstream brands and mass media companies have consistently sought to acknowledge Black women’s possession of a distinct magic or power when it suits their profit agendas. Beginning with the inception of the Essence brand in the late 1960s, Timeka N. Tounsel examines the individuals and institutions that have reconfigured Black women’s empowerment as a business enterprise. Ultimately, these commercial gatekeepers have constructed an image economy that operates as both a sacred space for Black women and an easy hunting ground for their dollars. Trade Review“Branding Black Womanhood unearths the untold histories of the now-ubiquitous, commercial concept of 'Black Girl Magic.' With clear and compelling prose, Timeka Tounsel thoughtfully tells the story of how representations of Black women as 'magic' both provides Black women with empowerment and delivers a sparkly image that can seriously undercut Black women’s need for care.”— Ralina L. Joseph, author of Generation Mixed Goes to School: Listening to Multiracial KidsTable of ContentsPrologue Introduction: Black Women and the Twenty-First Century Image Economy Chapter 1: The Black Woman that Essence Built Chapter 2: Self-Branding Black Womanhood: The Magic of Susan L. Taylor Chapter 3: Marketing Dignity: The Commercial Grammar of Black Female Empowerment Chapter 4: Beyond Magic: Black Women Content Creators and Productive Vulnerability Epilogue Acknowledgements Notes Selected Bibliography Index
£999.99
Rutgers University Press Just Like Us: Digital Debates on Feminism and
Book SynopsisIn Just Like Us: Digital Debates on Feminism and Fame, Caitlin E. Lawson examines the rise of celebrity feminism, its intersections with digital culture, and its complicated relationships with race, sexuality, capitalism, and misogyny. Through in-depth analyses of debates across social media and news platforms, Lawson maps the processes by which celebrity culture, digital platforms, and feminism transform one another. As she analyzes celebrity-centered stories ranging from “The Fappening” and the digital attack on actress Leslie Jones to stars’ activism in response to #MeToo, Lawson demonstrates how celebrity culture functions as a hypervisible space in which networked publics confront white feminism, assert the value of productive anger in feminist politics, and seek remedies for women’s vulnerabilities in digital spaces and beyond. Just Like Us asserts that, together, celebrity culture and digital platforms form a crucial discursive arena where postfeminist logics are unsettled, opening up more public, collective modes of holding individuals and groups accountable for their actions. Trade Review"An incisive look at the role of technology and celebrity culture during the #MeToo moment and beyond. In key case studies, Lawson shows how 21st-century strides for women have been confronted by misogynistic backlash, enabled by digital platforms. A critical read at this pivotal moment for women’s rights." -- Andrea McDonnell * co-author of Celebrity: A History of Fame *Table of ContentsIntroduction: The Rise of Celebrity Feminism 1 Hacking Celebrity: Sexuality, Privacy, and Networked Misogyny in the Celebrity Nude Photo Hack 2 Staging Feminism: Negotiating Labor and Calling Out Racism at the 2015 Academy Awards 3 Nasty Women, Silly Girls: Feminist Generation Gaps and Hillary Clinton’s 2016 Presidential Campaign 4 Platform Vulnerabilities: Fighting Harassment and Misogynoir in the Digital Attack on Leslie Jones 5 TIME’S UP: Celebrity Feminism after #MeToo Conclusion: Celebrity Feminist Futures Acknowledgments Notes References Index
£999.99
Rutgers University Press 1980: America's Pivotal Year
Book Synopsis1980 was a turning point in American history. When the year began, it was still very much the 1970s, with Jimmy Carter in the White House, a sluggish economy marked by high inflation, and the disco still riding the airwaves. When it ended, Ronald Reagan won the presidency in a landslide, inaugurating a rightward turn in American politics and culture. We still feel the effects of this tectonic shift today, as even subsequent Democratic administrations have offered neoliberal economic and social policies that owe more to Reagan than to FDR or LBJ. To understand what the American public was thinking during this pivotal year, we need to examine what they were reading, listening to, and watching. 1980: America's Pivotal Year puts the news events of the era—everything from the Iran hostage crisis to the rise of televangelism—into conversation with the year’s popular culture. Separate chapters focus on the movies, television shows, songs, and books that Americans were talking about that year, including both the biggest hits and some notable flops that failed to capture the shifting zeitgeist. As he looks at the events that had Americans glued to their screens, from the Miracle on Ice to the mystery of Who Shot J.R., cultural historian Jim Cullen garners surprising insights about how Americans’ attitudes were changing as they entered the 1980s. Praise for Jim Cullen's previous Rutgers University Press books: "Informed and perceptive" —Norman Lear on Those Were the Days: Why All in the Family Still Matters "Jim Cullen is one of the most acute cultural historians writing today." —Louis P. Masur, author of The Sum of Our Dreams on Martin Scorsese and the American Dream "This is a terrific book, fun and learned and provocative....Cullen provides an entertaining and thoughtful account of the ways that we remember and how this is influenced and directed by what we watch." —Jerome de Groot, author of Consuming History on From Memory to HistoryTrade Review"That 1980 was a pivotal year in American politics is well-established. But just as important were cultural shifts and media evolutions emerging in the same period; leaving the 1970s behind, 1980's popular culture pointed to a distinct and discernible future. When viewed through the lens of popular culture Ronald Reagan's political success in 1980 and events occurring in the ensuing decade become more clearly explainable. Jim Cullen's 1980: American Culture in Transition offers a well-written, engaging, and thoughtful review of the era." — Michael J. Socolow, Author of Six Minutes in Berlin: Broadcast Spectacle and Rowing Gold at the Nazi Olympics "With 1980: American Culture in Transition, Jim Cullen has provided important context on the relationship between American political theater in the late 1970s, its correlating representational texts, and concurrent movements in the development of contemporary media industries."— Josh Shepperd, Assistant Professor of Media Studies at the University of Colorado BoulderTable of ContentsIntroduction: Facing Janus Chapter 1 / On the Cusp: American Politics and Culture in 1979 Chapter 2 / Wind Shear: The Political Cultures of 1980 Chapter 3 / The Closing of Heaven’s Gate: Hollywood in Transition Chapter 4 / Starting Over: Pop Music’s Future Goes Back to the Past Chapter 5 / Ebb and Flow: Tidal Shifts in Broadcast Television Chapter 6 / Turning the Page: The Publishing Industry in 1980 Chapter 7 / Inflection Point: Autumn, 1980 Conclusion: Inaugurating the Eighties Acknowledgments Notes About the author Index
£23.39
Rutgers University Press Intoxication: An Ethnography of Effervescent
Book SynopsisFor two decades, Sébastien Tutenges has conducted research in bars, nightclubs, festivals, drug dens, nightlife resorts, and underground dance parties in a quest to answer a fundamental question: Why do people across cultures gather regularly to intoxicate themselves? Vivid and at times deeply personal, this book offers new insights into a wide variety of intoxicating experiences, from the intimate feeling of connection among concertgoers to the adrenaline-fueled rush of a fight, to the thrill of jumping off a balcony into a swimming pool. Tutenges shows what it means and feels to move beyond the ordinary into altered states in which the transgressive, spectacular, and unexpected take place. He argues that the primary aim of group intoxication is the religious experience that Émile Durkheim calls collective effervescence, the essence of which is a sense of connecting with other people and being part of a larger whole. This experience is empowering and emboldening and may lead to crime and deviance, but it is at the same time vital to our humanity because it strengthens social bonds and solidarity. The book fills important gaps in Durkheim’s social theory and contributes to current debates in micro-sociology as well as cultural criminology and cultural sociology. Here, for the first time, readers will discover a detailed account of collective effervescence in contemporary society that includes: an explanation of what collective effervescence is; a description of the conditions that generate collective effervescence; a typology of the varieties of collective effervescence; a discussion of how collective effervescence manifests in the realm of nightlife, politics, sports, and religion; and an analysis of how commercial forces amplify and capitalize on the universal human need for intoxication. This book is also freely available online as an open access digital edition. Download the open access ebook here.Trade Review"Intoxication is a remarkable and ambitious book. Rarely is ethnography connected to classical social theory with such productive results. Tutenges offers a significant extension of the concept of collective effervescence. We learn that Durkheim, Mauss, and Bataille are essential resources for understanding the self, the sacred, and the collectivity in modernity."— Philip Smith, Professor of Sociology, Yale University "Tutenges’s study of collective effervescence is commanding, thoughtful, and thought-provoking. Intoxication is a stunning example of ethnographically informed social theory."— Lois Presser, author of Why We Harm "From sports to religion to party venues, effervescence is as much a blind spot of research as it is a phenomenon fundamental to society’s very make-up. Intoxication introduces us to the party practices of today’s youth in vivid fashion and with a remarkable interpretative sensitivity. Far from being the wastelands of meaning they appear to be, these drunken landscapes are existential theaters for the abandonment of the self to social forces and the experience of other ways of being and feeling. A long-awaited book which could well become a campus classic."— François Gauthier, author of Religion, Modernity, Globalisation. Nation-State to Market "Tutenges’s study of collective effervescence is commanding, thoughtful, and thought-provoking. Intoxication is a stunning example of ethnographically informed social theory."— Lois Presser, author of Why We Harm "From sports to religion to party venues, effervescence is as much a blind spot of research as it is a phenomenon fundamental to society’s very make-up. Intoxication introduces us to the party practices of today’s youth in vivid fashion and with a remarkable interpretative sensitivity. Far from being the wastelands of meaning they appear to be, these drunken landscapes are existential theaters for the abandonment of the self to social forces and the experience of other ways of being and feeling. A long-awaited book which could well become a campus classic."— François Gauthier, author of Religion, Modernity, Globalisation. Nation-State to Market "Intoxication is a remarkable and ambitious book. Rarely is ethnography connected to classical social theory with such productive results. Tutenges offers a significant extension of the concept of collective effervescence. We learn that Durkheim, Mauss, and Bataille are essential resources for understanding the self, the sacred, and the collectivity in modernity."— Philip Smith, Professor of Sociology, Yale UniversityTable of ContentsAcknowledgements 1 Introduction 2 Ways to Effervescence 3 Unity 4 Intensity 5 Transgression 6 Symbolization 7 Revitalization 8 Afterword Notes References Index
£999.99
Rutgers University Press Dead Funny: The Humor of American Horror
Book SynopsisHorror films strive to make audiences scream, but they also garner plenty of laughs. In fact, there is a long tradition of horror directors who are fluent in humor, from James Whale to John Landis to Jordan Peele. So how might horror and humor overlap more than we would expect? Dead Funny locates humor as a key element in the American horror film, one that is not merely used for extraneous “comic relief” moments but often serves to underscore major themes, intensify suspense, and disorient viewers. Each chapter focuses on a different comic style or device, from the use of funny monsters and scary clowns in movies like A Nightmare on Elm Street to the physical humor and slapstick in movies ranging from The Evil Dead to Final Destination. Along the way, humor scholar David Gillota explores how horror films employ parody, satire, and camp to comment on gender, sexuality, and racial politics. Covering everything from the grotesque body in Freaks to the comedy of awkwardness in Midsommar, this book shows how integral humor has been to the development of the American horror film over the past century. Trade Review"Dead Funny offers a brilliant rethinking of the horror genre as profoundly comic. Exploring parody, the comic monster, body humor, queer camp, cringe comedy, and satire, Dead Funny serves up a comprehensive look at humor’s centrality to the structure and tone of U.S. horror film since the 1930s. You’ll be surprised at some of the films that come up in David Gillota’s provocative book—but I guarantee you’ll also be convinced."— Dawn Keetley, author of Making a Monster: Jesse Pomeroy, the Boy Murderer of 1870s Boston “Historically, horror scholarship has often displayed an almost phobic disregard for horror-comedies and the comedy in horror. You almost would not know that horror is often intricately enmeshed with comedy. David Gillota's Dead Funny corrects this omission, taking on comedic horror from the silent era to Jordan Peele with care and rigor. And the best part: it is even funny.”— Murray Leeder, author of Horror Film: A Critical IntroductionTable of ContentsIntroduction: Approaching Horror through Humor 1. Parodying Horror, Horror as Parody 2. Clowns, Fools, and Dummies: Horror’s Comic Monsters 3. Painfully Funny: The Humor of Body Horror 4. Camping Out: Horror’s Queer Humor and Gender Play 5. Cringes and Creeps: Exploring Awkward Horror 6. Horror, Humor, and Critique: Satire in Horror Acknowledgments Notes Bibliography Index
£999.99
Rutgers University Press Dead Funny: The Humor of American Horror
Book SynopsisHorror films strive to make audiences scream, but they also garner plenty of laughs. In fact, there is a long tradition of horror directors who are fluent in humor, from James Whale to John Landis to Jordan Peele. So how might horror and humor overlap more than we would expect? Dead Funny locates humor as a key element in the American horror film, one that is not merely used for extraneous “comic relief” moments but often serves to underscore major themes, intensify suspense, and disorient viewers. Each chapter focuses on a different comic style or device, from the use of funny monsters and scary clowns in movies like A Nightmare on Elm Street to the physical humor and slapstick in movies ranging from The Evil Dead to Final Destination. Along the way, humor scholar David Gillota explores how horror films employ parody, satire, and camp to comment on gender, sexuality, and racial politics. Covering everything from the grotesque body in Freaks to the comedy of awkwardness in Midsommar, this book shows how integral humor has been to the development of the American horror film over the past century. Trade Review"Dead Funny offers a brilliant rethinking of the horror genre as profoundly comic. Exploring parody, the comic monster, body humor, queer camp, cringe comedy, and satire, Dead Funny serves up a comprehensive look at humor’s centrality to the structure and tone of U.S. horror film since the 1930s. You’ll be surprised at some of the films that come up in David Gillota’s provocative book—but I guarantee you’ll also be convinced."— Dawn Keetley, author of Making a Monster: Jesse Pomeroy, the Boy Murderer of 1870s Boston “Historically, horror scholarship has often displayed an almost phobic disregard for horror-comedies and the comedy in horror. You almost would not know that horror is often intricately enmeshed with comedy. David Gillota's Dead Funny corrects this omission, taking on comedic horror from the silent era to Jordan Peele with care and rigor. And the best part: it is even funny.”— Murray Leeder, author of Horror Film: A Critical IntroductionTable of ContentsIntroduction: Approaching Horror through Humor 1. Parodying Horror, Horror as Parody 2. Clowns, Fools, and Dummies: Horror’s Comic Monsters 3. Painfully Funny: The Humor of Body Horror 4. Camping Out: Horror’s Queer Humor and Gender Play 5. Cringes and Creeps: Exploring Awkward Horror 6. Horror, Humor, and Critique: Satire in Horror Acknowledgments Notes Bibliography Index
£999.99
Random House USA Inc The Come Up: An Oral History of the Rise of
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£18.00
Potter/Ten Speed/Harmony/Rodale Marvel's Box of Super Heroes: The 80th
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£20.39
Potter/Ten Speed/Harmony/Rodale Pop Science: Serious Answers to Deep Questions
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£12.15
Penguin Putnam Inc Unreliable Narrator: Me, Myself, and Impostor
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£22.40
Penguin Life Professional Troublemaker: The Fear-Fighter
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£22.40
Third Editions The Works of Fumito Ueda
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£22.90
Third Editions Sekiro: The Second Life Of Souls: The Second Life
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£999.99
Third Editions The Impact Of Akira
Book SynopsisAn in-depth anaylsis of the iconic and best-selling cyberpunk manga.
£22.90
Classiques Garnier Culture Godot: En Attendant Godot de Samuel
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£50.03
Classiques Garnier Saison. La Revue Des Series
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£18.57
Bohlau Verlag Achtzehntes Jahrhundert popular: Eighteenth
Book SynopsisAnlässlich ihres 40-jährigen Jubiläums widmet die Österreichische Gesellschaft zur Erforschung des 18. Jahrhunderts ihr Jahrbuch 2022 Repräsentationen von Aufklärung und dem 18. Jahrhundert in Comics und Graphic Novels. Zwar ist die Rezeption historischer Inhalte in der Populärkultur ein etabliertes Forschungsfeld, doch haben die Text-Bild-Narrationen dieses Mediums verglichen etwa mit Computerspielen bislang kaum Aufmerksamkeit gefunden.Neben den fachwissenschaftlichen Aufsätzen zu diesem Themenkomplex beinhaltet das Jahrbuch auch weitere Beiträge zur Aufklärungsforschung im öffentlichen Diskurs sowie Projekt- und Tagungsberichte, Miszellen und Rezensionen.
£60.49
Bohlau Verlag Die Phänomenologie der Flugreise: Wahrnehmung und
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£54.79
Schwabe Verlagsgruppe AG Panorama Des Unbewussten: Die Schicksalsanalyse
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£999.99
Brill Fink Realismus Des Kapitals: Marxistische
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£999.99
Gebruder Mann Verlag Kultur Unterwegs: Relevanz Einer Instanz:
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£51.68
Prestel Weed: Everything You Want To Know But Are Always
Book SynopsisNot too long ago, it might have seemed impossible that cannabis would step out of the shadows into the mainstream. But now, as legalization sweeps the globe, a new weed culture is evolving with its own set of rules—and thousands of new devotees eager to learn them. Journalist Michelle Lhooq lives in Los Angeles and is at the forefront of this revolution. Through her own expertise as well as interviews with stars from the weed scene, she presents a captivating glimpse into the wild new frontier of cannabis. This witty, insightful guidebook offers useful tips on how to smoke joints, vapes, and concentrates; make edibles and infused cocktails; grow the plant at home; and find the best cannabis stores. It imparts the wisdom of renowned potheads such as pioneering dub music producer Lee “Scratch” Perry and includes interviews with the cannabis industry’s most exciting and innovative figures, from a lauded chef who puts on a gourmet weed dinner series, to the editors of a weed-centric magazine, to a “cannasexual” sex educator, and more. Complete with vibrant new hand-drawn illustrations by the artist Thu Tran, Weed is cutting-edge, comprehensive, and brimming with sparkling personalities—an essential introduction to pot for both newbies and die-hards alike.Trade ReviewNamed one of the Year’s Most Giftable Coffee-Table Books by New York Magazine"We've got the perfect 2019 addition to your stoner's library. Weed—Everything You Want to Know But Are Always Too Stoned to Ask by Michelle Lhooq is a fresh, fun, boldly illustrated new guide to the modern age of cannabis, including tips on smoking, growing, making edibles, as well as interviews with weed scene celebrities and cannabis innovators." —Weedmaps"There’s a lowdown on how to grow, micro-dose, make Rosin and choose the right strain. Lhooq (a cannabis consumer and writer) has expertise and experience on all things marijuana, while Tran’s playful illustrations make the book undeniably accessible. Ideal for those newer to the world of cannabis, this book is full of useful information." —Cool Hunting"Michelle Lhooq is, without a doubt, one of the best weed writers out there. In fact, girl has a weed bible (illustrated by the fabulous Thu Tran) on the way, and it's filled to brim with tips, tricks, and insights from some of the cannabis industry's top minds." —Paper Magazine
£14.99
Universitatsverlag Winter Ireland: Literature, Culture, Politics
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£25.03
Universitatsverlag Winter The Construction and Contestation of American
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£999.99
Universitatsverlag Winter Making America: The Cultural Work of Literature
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£50.00
Universitatsverlag Winter The Sixties Revisited: Culture - Society -
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£79.80
Universitatsverlag Winter Faces of Fiction: Essays on American Literature
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£999.99
Universitatsverlag Winter Millennial Perspectives: Lifeworlds and Utopias
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£51.30
Universitatsverlag Winter Cultures of Economy - Economics of Culture
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£46.00
Universitatsverlag Winter Ambivalent Desires: The 'new Woman' Between
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£999.99
Universitatsverlag Winter Media Cultures
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£46.00
Universitatsverlag Winter U.S. American Culture as Popular Culture
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£92.63
Universitatsverlag Winter Transcultural Localisms: Responding to Ethnicity
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£50.00
Universitatsverlag Winter Toward a New Metropolitanism: Reconstituting
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£61.00
Universitatsverlag Winter The Power and Politics of the Aesthetic in
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£43.00
Universitatsverlag Winter The Culture of Corporeality: Aesthetic Experience
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£69.35
Universitatsverlag Winter Intercultural America
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£50.00
Universitatsverlag Winter Conformism, Non-Conformism and Anti-Conformism in
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£999.99
Universitatsverlag Winter All Others Pay Cash: Dollar Bills and Their
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£69.00
Universitatsverlag Winter Civilizing America: Manners and Civility in
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£62.70
Universitatsverlag Winter Religion, Secularity and Cultural Agency
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£24.92
Universitatsverlag Winter Comedy - Avant-Garde - Scandal: Remembering the
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£999.99
Universitatsverlag Winter 'e Pluribus Unum' or 'e Pluribus Plura'?: Unity
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£999.99
Universitatsverlag Winter Ideology in American Sports: A Corpus-Assisted
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£46.00
Universitatsverlag Winter Reshaping the Maze - Rewriting the Minotaur:
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£33.00
Universitatsverlag Winter Treasure in Literature and Culture
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£41.00
