Poetry Books

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Book SynopsisAn anthology of poetry on Nikkei incarceration, written by descendants of the WWII prisons and campsA tribute to the 150,000 people incarcerated by the United States and Canada during WWII, this anthology is the first of its kind. The poetry expresses a range of experiences and perspectives from the afterlife of this historical yet enduring injustice. With a foreword by acclaimed poet, activist, and concentration camp survivor, Mitsuye Yamada, and an introduction by the editors, poets Brynn Saito and Brandon Shimoda, The Gate of Memory explores intergenerational trauma as the contributors, all of whom are descendants of those who were incarcerated, sift through an intimate record of wartime incarceration. Contributors to this anthology include poets of Japanese American, Japanese Canadian, Okinawan American, Okinawan Canadian, Japanese Hawaiian, Alaska Native, mixed race Nikkei, and Japanese descent. Their poems reimagine, reinhabit, and retell the story of incarceration while embodying its many legacies, through a diversity of modes and themes, creating a panoramic portrait of anti-Asian racism, assimilation, loyalty, resistance, and redemption. The anthology illuminates individual perspectives and reveals collective experience. It insists upon the imperative of poetry in the processes of solidarity and transgenerational healing. With contributions from: Kiik Araki-Kawaguchi, Brittany Arita, Aaron Caycedo-Kimura, Brian Komei Dempster, Miya Folick, Sesshu Foster, Sharon Fujimoto-Johnson, Steve Fujimura, Laura K. Fukumoto, Cathlin Goulding, Rebecca A. Green, Richard Hamasaki, Sharon Hashimoto, Casey Hidekawa Lane/Levinski, Garrett Hongo, Jodi Hottel, Kurt Yokoyama Ikeda, Kevin Irie, Michael Ishii, Erica H. Isomura, Lauren Emiko Ito, Susan Kiyo Ito, Miya Iwataki, Dr. Claire Kageyama-Ramakrishnan, W. Todd Kaneko, Traci Kato-Kiriyama, Amanda Mei Kim, Christine Kitano, Aisuke Kondo, Garrett Kurai, Keiko Lane, Katherine Terumi Laubscher, Alison Lubar, Mia Ayumi Malhotra, Angela Marian May, Ali Meyers-Ohki, Emily Mitamura, Hikari Leilani Miya, Starr Sumie Miyata, James Fujinami Moore, Paulette Tkl Un Yeik Moreno, David Mura, Heather Nagami, Noriko Nakada, Greer Nakadegawa-Lee, Carolyn Nakagawa, Yukiko Nakagura, Ryan Hitoshi Nakano, Tamiko Nimura, Mona Oikawa, Troy Osaki, Michael Prior, Brynn Saito, Rob Sato, Brandon Shimoda, Patrick Shiroishi, Leanne Toshiko Simpson, Dana Swensen, Kenneth Tanemura, Micah Tasaka, George Uba, Amy Uyematsu, Terry Watada, Anne Watanabe, Syd Westley, Sho Yamagushiku, Doug Yamamoto, Traise Yamamoto

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Book SynopsisSo many versions of the Divine Comedy exist in English that a new one might well seem needless. But most of these translations are in verse, and the intellectual temper of our time is impatient of a transmutation in which substance is sacrificed for form's sake, and the new form is itself different from the original No poem in any tongue is more informed with rhythmic life than the Divine Comedy. And yet, such is its extraordinary distinction, no poem has an intellectual and emotional substance more independent of its metrical form. At the age of thirty-five, Dante is lost. Metaphorically by temptation and the turns of life's ever-changing path; and literally, in a dark and ominous wood to which there seems no escape. Attacked by three beasts of Hell, Dante has no recourse but to retreat into the hopeless darkness of the wood, saved only by the light of the Roman poet, Virgil sent forth to guide him through the underworld and to salvation by the Divine Symbol of Love, Beatrice. Journeying through the Nine Circles of Satan's domain, Dante is met by historical figures and acquaintances alikewhose acts of violence, fraud, treachery, and betrayal in life forged chains of nightmares and suffering in death. Hailed as one of the greatest works of literature ever written, The Divine Comedy is a highly influential poem that has dazzled readers for over five centuries, with its' first book, The Inferno, being one of the most recognizable pieces of fiction ever published. Revisit the masterfully crafted story of Dante's descent into Hell, with a beloved translation by revered American scholar Charles Eliot Norton, adapted into prose. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

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Book SynopsisThese paired Arthurian legends suggest that erotic desire and the desire for companionship undergird national politics. The maiden Britomart, Queen Elizabeth''s fictional ancestor, dons armor to search for a man whom she has seen in a crystal ball. While on this quest, she seeks to understand how one can be chaste while pursuing a sexual goal, in love with a man while passionately attached to a woman, a warrior princess yet a wife. As Spenser''s most sensitively developed character, Britomart is capable of heroic deeds but also of teenage self-pity. Her experience is anatomized in the stories of other characters, where versions of love and friendship include physical gratification, torture, mutual aid, competition, spiritual ecstasy, self-sacrifice, genial teasing, jealousy, abduction, wise government, sedition, and the valiant defense of a pig shed.Trade ReviewTeachers of Spenser will also welcome two more installments of the Hackett editions of separate books of The Faerie Queene under the general editorship of Abraham Stoll, this time on books 2 and on books 3 and 4. In my view, these are the most attractive, inexpensive, but also comprehensive editions to date, with far better (and easy to read) notes on mythology and name symbolism (matters increasingly foreign to our undergraduates) than almost all previous versions. --Catherine Gimelli Martin, Studies in English Literature 1500-1900In his introduction, Erik Gray offers a tidy preface to book 2 of The Faerie Queene, providing a brief but provocative discussion of some of Spenser's sources and poetic models. In his introductory subsections, Gray's analysis begins with more basic material and becomes progressively complex in sequential paragraphs, offering compelling points of departure for further study by readers at all levels. In addition, Gray offers a list of some later writers influenced by Spenser's writing, situating Spenser in the broader literary canon and defining some preliminary connections for students for many literary fields. To encourage the reader's further inquiry, Gray highlights a particularly troubling passage from book 2, offering various critical perspectives on the portrayal of Temperance therein, and grounding further interpretation. --Rachel E. Frier, Sixteenth Century JournalTable of ContentsThe Faerie Queene, Book Three; The Faerie Queene, Book Four; The Letter to Raleigh; The Life of Edmund Spenser; Textual Notes; Glossary; Index of Characters; Works Cited.

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Book SynopsisOffers a bilingual text and features a translation of the canticle of "The Divine Comedy" by the translator of Virgil's "Aeneid" and Homer's "Iliad" and "Odyssey". This title includes Introduction and Notes by Anthony Oldcorn.Trade ReviewI deeply admired Lombardo's translations of Iliad and Odyssey, as did my students--they were universally complimentary, loving the way the poetry flowed, and many of them learned the habit of reading the text aloud, much to the astonishment of their classmates from other sections of the courses. But their encounter with his Inferno was of a different order, as was mine. Lombardo's Inferno is so knowledgeable of the translation tradition (which it uses to marvelous effect), so poetically well-crafted, so compelling to read, so well-documented without overwhelming the reader, that I simply did not want to put it down. My students had much the same reaction. Although in the first session they were responsible for only the first third of the book, I quickly noticed that most of them had already read it through. They found it compelling to read and were captivated by a journey to which many of them had the week before said they did not look forward. --Ted Humphrey, Barrett Professor in the Barrett Honors College, Arizona State University"This newest verse translation offered by Stanley Lombardo artfully carries into English the radical vernacularity, both linguistic and cultural, of Dante’s Inferno. Readers and teachers who want a text that will resonate with contemporary and colloquial American English would do well to choose this translation. Lombardo’s translation revels in the street music of Dante’s vernacular poetry and occasional vulgar style in the Inferno. At times the interaction between Dante's stock devils, the Malebranche, sounds like the dialogue in a Scorsese fillm. ""Lombardo performs other poetic feats so that Dante’s poetry might stand out in English with the same vitality with which Dante infused his vernacular poem. Lombardo finishes every canto with a brief interlocked rhymed passage to give the reader a taste of Dante’s terza rima. He also shifts into rhyme for Dante’s diatribes. As Lombardo aptly points out in his preface, style and meaning must cohere if the art of the poet is to resurface in a translation, and the forcefulness of his translation allows Dante’s harsh poetry to carry through." "The volume contains various helpful tools for the reader to understand the Inferno, both as an expression of the medieval intellect and as a cornerstone of the European literary tradition, and provides ample headnotes, prepared by veteran Dante scholar Anthony Oldcorn, to each canto. Neither a simple summary nor a detailed gloss, the notes do provide narrative signposts while giving a feel for the myriad ethical, philosophical, and poetical themes that Dante confronts." "The eminent Dante scholar Steven Botterill provides a masterly introduction to the Inferno that grounds the poem in Dante’s Italy while refraining from dwelling on unnecessary detail. Botterill organizes the introduction into themes rather than offering a vita auctoris. The novice reader of Dante will learn the important facts of Dante’s life without having ever read the word Guelph or Ghibelline. Instead, Botterill, following his translator, emphasizes Dante as a vernacular poet and the radical invention of his poem." "Similarly, the endnotes, by Oldcorn, opt for brevity and elegance over the exhaustive apparatus that accompanies many editions of the Commedia. Reading Oldcorn’s endnotes is like discussing the text over coffee with a remarkably sophisticated friend. He diligently fills in expected gaps in the reader’s literary knowledge while also engaging in an urbane literary conversation. Oldcorn covers Dante’s fundamental literary genealogies while paying attention to his place in the Western tradition. This translation aims to bring Dante to a new audience of readers who are unfamiliar with Dante and the Italian tradition in general." --Jason M. Houston, Speculum

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Book SynopsisSalome is Oscar Wilde’s most experimental—and controversial—play. In its own time, the play, written in French, was described by a reviewer as “an arrangement in blood and ferocity, morbid, bizarre, repulsive.” None, however, could deny the importance of Wilde’s creation. Contemporary audiences and reviewers variously regarded Salome as the symbol of a thrilling modernity, a challenge to patriarchy, a confession of desire, a sign of moral decay, a new form of art, and a revolt against the restraints of Victorian society. Less well known than Wilde’s beloved comedies, Salome is as enduringly modern and relevant.This edition uses the English translation done by Wilde’s lover, Lord Alfred Douglas, and overseen and corrected by Wilde himself. Appendices detail the play’s sources and provide extensive materials on its contemporary reception and dramatic productions.Trade Review“Salome illuminated! This edition presents Salome as a formally complex, richly intertextual, and generative phenomenon of international modernism. Kimberly Stern sets a superbly annotated text between an extensive introduction and several appendices documenting the play’s literary, cultural, and visual sources, its reception, and its translation, illustration, and performance histories. The edition offers copious source materials to augment the text, some requisite and some unexpected. Stern’s adept and unprecedented selection of contextual sources enhances the powerful and recurrent fascination of a play that has continuously spawned adaptations as well as controversy. This is where all students of Salome should start.” — Heidi Hartwig, Central Connecticut State UniversityTable of ContentsAcknowledgementsIntroductionOscar Wilde: A Brief ChronologyA Note on the TextSalomeAppendix A: Sources Matthew 14:1-12, The Bible: Authorized King James Versionwith Apocrypha (2008) “Descent of the Goddess Ishtar into the Lower World,”The Sacred Books and Early Literature of the East (1917) From Heinrich Heine, Atta Troll (1843) From J.C. Heywood, Herodias: A Dramatic Poem (1867) From Oscar Wilde, “Review of J.C. Heywood’s Salome,”Pall Mall Gazette (15 February 1888) From Stéphane Mallarmé, “La scéne: Nourrice—Hérodiade”(1864-67) From Gustave Flaubert, “Hérodias” (1877) William Wilde, “Salome” (1878) From Joris-Karl Huysmans, Á Rebours (1884) From Maurice Maeterlinck, La Princesse Maleine (1889) Appendix B: A Visual History Gustave Moreau, “The Apparition” (1876) Aubrey Beardsley, Design for the Title Page to the English Edition of Salome (1894) Aubrey Beardsley, Final Design for the Title Page (1894) Aubrey Beardsley, “The Woman in the Moon” (1894) Aubrey Beardsley, “The Climax” (1894) Appendix C: Contemporary Responses From Edgar Saltus, Oscar Wilde: An Idler’s Impression (1917) Pierre Louÿs, “Salomé: à Oscar W.” (30 June 1892) Letter from Oscar Wilde to Richard Le Gallienne (22/23 February 1893) From a Letter from Bernard Shaw to Oscar Wilde (28 February 1893) From a Letter from Max Beerbohm to Reginald Turner (February 1893) From “Salomé,” The Times (23 February 1893) From a Review of Salomé, Pall Mall Gazette (27 February 1893) Letter from Stéphane Mallarmé to Oscar Wilde (March 1893) From William Archer, “Mr. Oscar Wilde’s New Play,”Black and White (11 May 1893) From Lord Alfred Douglas, “Salomé: A Critical Overview,” The Spirit Lamp (1893) Appendix D: Translation History Letter from Lord Alfred Douglas to John Lane (30 September 1893) From a Letter from Lord Alfred Douglas to John Lane (16 November 1893) From a Letter from Oscar Wilde to Lord Alfred Douglas (January-March 1897) From a Letter from Robert Ross to Frank Harris (undated) From Lord Alfred Douglas, Autobiography (1929) Translation Chart Appendix E: Performance History From Charles Ricketts, Self-Portrait (1939) From Graham Robertson, Time Was (1931) Photograph of Sarah Bernhardt in Costume as Salome (1891) From a Letter from Oscar Wilde to William Rothenstein (July 1892) “Mr. Oscar Wilde on Salome,” The Times (2 March 1893) From Oscar Wilde, “The Censure and Salome,” Pall Mall Budget (30 June 1892) Bernard Partridge, “A Wilde Idea,” Punch Magazine (9 July 1892) From a Letter from Max Beerbohm to Reginald Turner (June 1892) Oscar Wilde, “Plan de la scene” (1891) From M.J. du Tillet, “Théâtres” [review of the Paris premiere of Salome], Revue bleue politique et littéraire (1896) From Jean de Tinan, “Théâtre de l’oeuvre: Salomé” [review of the Paris premiere], Mercure de France (March 1896) From “Salome,” The Saturday Review (13 May 1905) Photograph of Alice Guszalewicz in Costume as Salome (c. 1910) “The Cult of the Clitoris,” The Vigilante (16 February 1918) From the Verbatim Report of the Trial of Noel Pemberton Billington, MP, on a Charge of Criminal Libel (1918) Select Bibliography

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Book SynopsisOwing to the rich storehouse of information it contains, the poetry of Venantius Fortunatus (c. 535--600) has long been mined as a historical source for Merovingian society, a focus that overshadows an appreciation of the poems' literary value. This volume, offering free-verse translations of Fortunatus' personal poetry, remains faithful to the historical sweep of the poet's lines while paying attention to the literary qualities that make these poems masterpieces of their kind. The volume includes an overview of late antique Gaul, Fortunatus' biography, interpretations of the poems, prosopographical introductions, maps, bibliography, and indices.Trade ReviewA fugitive handprint in a bowl of cream, a bird tangled in the grapevines of a mural, holy women who clap their voices into prayers--this is a world of unexpected beauty, and Pucci as a translator deserves our respect and praise for having clapped these poems into songs. --Joel C. Relihan, Wheaton College, Norton, MAOwing to the rich storehouse of information it contains, the poetry of Venantius Fortunatus (c. 535-600) has long been mined as a historical source for Merovingian society, a focus that overshadows an appreciation of the poems' literary value. This volume, offering free-verse translations of Fortunatus' personal poetry, remains faithful to the historical sweep of the poet's lines while paying attention to the literary qualities that make these poems masterpieces of their kind. The volume includes an overview of late antique Gaul, Fortunatus' biography, interpretations of the poems, prosopographical introductions, maps, bibliography, and indices.

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Book SynopsisIn Mary O'Malley's new collection, the world's at a precarious tipping point; trust in language is breaking down. The poet gives voices to the wolf, the seal and shark, finding new language against peril.

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Book SynopsisBilingual and illustrated edition with verses written by great poets who were born or lived in Lisbon, Portugal's iconic capital city. The globally celebrated Luis de Camoes and Fernando Pessoa, along with the latter's heteronyms, are joined in this collection by three other poets widely praised within the Portuguese speaking world: Cesario Verde, Mario de Sa-Carneiro, and Florbela Espanca. With translations by Martin D'Evelin and Martin Earl, illustrations by Andre Carrilho, and a foreword by Claudia Pazos-Alonso.

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Book SynopsisIn her seventh volume of poetry, Adrienne Rich searches to reclaim—to discover—what has been forgotten, lost, or unexplored.Trade Review"Diving into the Wreck is one of those rare books that force you to decide not just what you think of it, but what you think about yourself. It is a book that takes risks, and forces the reader to take them also... You feel about her best images, her best myths, that nobody else writes quite like this." -- Margaret Atwood "The poet is telling of something now standing before her eyes of which her heart is full... These poems are not loose facts, they are parts of a revelation." -- Richard Howard

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Book SynopsisA collection of new and selected works from a prize-winning poet known to bear compassionate and ruthless witness to the quotidian.

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Book SynopsisA stunning new volume from the first Native American Poet Laureate of the United States, informed by her tribal history and connection to the land.Trade Review"Radiant... [A] profound, brilliantly conceived song cycle celebrating ancestors, present and future generations, historic endurance and fresh beginnings." -- Jane Ciabattari - BBC"Full of celebration, crisis, brokenness, and healing." -- Daisy Fried - The New York Times"While the subject matter of her new poems continuously hits you in the gut, Harjo brings a sense of resilience to that dark history." -- Christian Allaire - Vogue"If you only read one book of poems this summer, make it An American Sunrise... Every step of the journey is deeply moving... Rich and deeply engaging, An American Sunrise creates bridges of understanding while reminding readers to face and remember the past." -- Elizabeth Lund - The Washington Post

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Book SynopsisHans Børli (1918–89) was born and lived in the wooded country of Hedmark in south eastern Norway. His days seem to have been divided into two separate parts: by day, he lived the physically demanding life of a lumberjack, but by night, he turned poet and spent the still, dark hours writing. His days, however, were an enactment of his poetry. Borli's verse is alive with his experiences of the Norwegian forests – with the moods of sky and water, with the creatures that moved in air and woodland, and with the trees themselves. In a series of books beginning in 1945, he wrote more than eleven hundred poems. They form a poetic record of a life reminiscent in spirit, if not in form, of Walt Whitman's 'Leaves of Grass'. This collection can only suggest the scope and richness of the poet's life-in-verse, but it includes many of his most admired poems. Sometimes lonely or even mystical, the finest of these poems bite deep like the blow of an axe. Louis Muinzer worked on translations of Hans Borli's poetry over many years and several of his translations were published in periodicals before this book appeared.In addition to poetry, he is well known as a translator of Norwegian drama, especially Jon Fosse, and fiction, including Finn Carling and the crime writer Kjersti Scheen. This book has parallel Norwegian and English text.

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Book SynopsisA compelling landmark anthology by two of the world's leading scholars of Arabic literature, it will become the key reference text of our age. With translated extracts of works by famous and lesser known but equally significant authors, it will appeal to those with an interest in world literatures and in Arab culture and history.Trade Review'Desert Songs of the Night is a wonderful introduction to fifteen centuries of a literature still largely unknown in the West, without which much of our civilizations would not have developed as they have, from the rediscovery of Aristotle by Arab commentators to the lyric poetry of Europe, from the magical world of the Arabian Nights to the modern revolutionary poets of Palestine. Absolutely essential reading for our troubled times.' Alberto Manguel; 'At a time when the world obsesses over violence and bloodletting in the Arab world, this remarkable anthology, which spans 1,500 years of Arab literary genius, is a stark reminder that there exists an untold story we keep missing about the region.' Hanan al-Shaykh; 'An arresting collection ... Dipping into this enchanting anthology one is struck by the sheer variety of voices that have emerged from the Arab world ... Hopefully, Desert Songs of the Night should inspire more English-speakers to study this wonderful language and render afresh its magnificent literary heritage.' Daily Telegraph, 4 Stars; 'This is a beautiful-looking book and inside the romance and beauty continue ... a valuable volume' Sunday HeraldTable of ContentsIntroduction Part I: The Pre-Islamic Period (Jahiliyya) The Mu'allaqat Ode of Imru al-Qais Ode of Labid Ka'b Bin Zuhair, Su'ad is gone al-Aswad Bin Yafur, Ode from the Mufaddaliyat al-Khansa, Lament for My Brother al-Tirrimah, In the Heart of the Desert Jamil, Oh, That Youth's Flower Anew Might Lift its Head Katari of Mazin, To His Own Soul 'Umar Ibn Abi Rabi'ah, Blame Me No More, O Comrades! Part II: The Islamic Age The Holy Qur'an The Opening Surah XIX: Mary Surah LIX: Exile Surah LXXXIX: The Dawn Hadith, Selected Sayings Shaybani's Siyar, The Islamic Law of Nations Part III: The Ummayad Dynasty al-Akhtal, Youth Departed but Often I Enjoyed It al-Farazdaq, Let all weep for al-Hajjaj Jarir, al-Farazdaq Visited the Folk of Hijaz Abd al-Hamid al-Katib, The Art of Secretaryship Ibn al-Muqaffa, The Rabbit and the Elephant Ibn Ishaq, The Prophet's Mission Bashshar Ibn Burd, Will No Emissary Be Found Part IV: The Abbasid Dynasty Rabia al-Adawiya, O My Joy and My Desire and My Refuge Abu Nuwas Four Things Thou Scolder of Grape and Me The Great Offence Hurry, for the Beergardens are Blooming Abu'l Atahiya Vanity: To Harun al-Rashid Surely Shall Fate Disjoint the Proudest Nose Virtue Cast an Eye at Me Coming al-Jahiz, The Book of Proof: Concerning Asceticism Abu Tammam, In Praise of the Caliph Mu'tasim al-Buhturi, Bodies of Water Like Horses Ibn Qutayba, Extracts from Uyun al-Akhbar Ibn al-Rumi The Chess Champion The Compromise He Defends Himself al-Tabari, The Battle of Badr al-Hallaj, Three Qasidas al-Razi, The Repelling of Grief al-Farabi, The City and the Household al-Mutanabbi Parting Has Just Taught Our Eyelids Separation Shame Kept My Tears Away Couplet How Glows Mine Heart Naught Kills the Noble like Forgiveness My Songs Gave Eyes to the Blind, Ears to the Deaf An Induction Here is the Final Stretch Abu Firas al-Hamdani Thy Fiercest Foe is One Thou Dost Not Fight Grief Amasses, Patience Scatters al-Tawhidi, Arabs and Non-Arabs al-Kalabadhi,The Sufi Doctrine of Vision al-Hamadhani, The Assembly of Qazmin al-Ma'arri From the Diwan From the Lazumiyat 'Tis Said That Spirits Remove by Transmigration In the Casket of the Hours Thou Art Diseased in Understanding and Religion Ibn Sina (Avicenna) Concerning the Temporal Origin of the Soul Epistle of the Soul On Prophecy al-Hariri, The Assembly of Damascus al-Ghazzali The Beginning of Guidance The First Duty of Brotherhood Ibn Rushd (Averroes) The Law Makes Philosophic Studies Obligatory Ibn Tufayl Hayy Admires the Work of the Creator Playing with Fire Ibn Arabi The Wisdom of Virtue in the Word of Luqman Whoso Knoweth Himself - Selections from Tarjuman al-Ashwaq Ibnu'l Farid The Meeting Lo, From Behind the Veil Mysterious Ibn Khallikan, Ja'far and al-Rashid Part V: al-Andalus - Arab Spain 195 Ibn Hazm Of Fidelity Of Betrayal Anxiety Twice Times Then is Now Ibn Zaydun, Poem to Wallada al-Mutamid, The Moon, The Stars, and a King Abu'l Hasan Ali ibn Hisn, The Pigeon Abus Salt, The Incense Burner Ibn al-Faras, Moon of Beauty Ibn Said, The Guardians Ibn Maimon (Moses Maimonides), Guide for the Perplexed Solomon ibn Gabirol, The Ethics of Solomon Gabirol Part VI: The Age of Depression Ibn Battuta, Across North Africa Ibn Khaldun Three Extracts from Muqaddimah A Sign of Royal Authority The Romance of Antar Antar Summoned From Mecca To Rescue Shas 'Abla's Treasure Restored The Arabian Nights The Story of the Envier and the Envied Men in the Judgment of their Wives Adventure of the Caliph Haroon al-Rusheed Part VII: al-Nahda - Renaissance of Arabic Literature Abd al-Rahman al-Kawakibi, The Virtues of the Arabs Ahmad Shawqi From Act I of Majnun Layla The Feast of Time An Andalusian Exile Hafiz Ibrahim, Elegy to Mustafa Kamil Khalil Mutran, The Arab Awakening Ilya Abu Madi Envoi Life and Love Gibran Kahlil Gibran The Poet From a Speech by Khalil the Heretic Ameen Rihani Light 302 Supplication: A Prayer Mikhail Naimy A New Year Comrade! Taha Hussein An Egyptian Childhood From The Stream of Days Abbas al-Aqqad, Drinking Song May Ziadah, Rejoice Mahmud Taymur, The Fare Tewfiq al-Hakim, Song of Death Part VIII: Modern Arabic Literature Abu al-Qasim al-Shabi I Weep for Love To the Tyrant Naguib Mahfouz, An Unnerving Sound Khalil Hawi, The Bridge 'Abd al-Wahhab al-Bayati, Apology for a Short Speech Salah 'Abd al-Sabur, The Tatars Attacked Mahmoud Darwish Pride and Fury Promises from the Storm Adonis, Iram the Many-Columned Badr Shakir al-Sayyab, A City Without Rain Yusuf al-Khal, The Deserted Well Muhammad al-Fayturi, Sorrow of the Black City Nazik al-Mala'ika Who Am I? Five Hymns to Pain Mona Fayad, Whisper Salma al-Khadra al-Jayyusi Without Roots In the Casbah Fudwa Tuqan A Prayer to the New Year In the Flux Mai Sayigh, Departure Nizar Qabbani Bread, Hashish and Moonlight Poems May Rihani, The Wedding of My City Antoine Raad, A Poet's Treasure Henri Zoghaib, This Is The Now Notes About the Authors Acknowledgements About the Editors

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Book SynopsisAs finely worked as a Swiss watch and as funny as the human condition permits ... the zigzag brilliance of the text as the clunky lines of the farce-within-a-farce rub against the sharp dialogue of reality. The GuardianA play-within-a-play following a touring theatre company who are rehearsing and performing a comedy called Nothing On, results in a riotous double-bill of comedic craft and dramatic skill. Hurtling along at breakneck speed it shows the backstage antics as they stumble through the dress-rehearsal at Weston-super-Mare, then on to a disastrous matinee at Ashton-under-Lyne, followed by a total meltdown in Stockton-on-Tees.Michael Frayn''s irresistible, multi-award-winning backstage farce has been enjoyed by millions of people worldwide since it premiered in 1982 and has been hailed as one of the greatest British comedies ever written. Winner of both Olivier and Evening Standard Awards for Best Comedy.This edition features a new introduction by Michael BlTrade ReviewAs finely worked as a Swiss watch and as funny as the human condition permits ... the zigzag brilliance of the text as the clunky lines of the farce-within-a-farce rub against the sharp dialogue of reality * Guardian *A spot on parody ... achieves an almost mathematical elegance as Frayn calculates all the many and varied ways in which it can all go wrong. Noises Off is cunningly structured. * Telegraph *A classic farce and a fiendishly ingenious homage to the form ... raucously delightful * New York Times *

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Book SynopsisZiegler's thoughtful, empathetic play brings home with bitter comedy the unlovely male-domination of this world in the 1950s ... glorious. IndependentLondon 1953. Scientists are on the verge of discovering what they call the secret of life: the DNA double helix. Providing the key is driven young physicist Rosalind Franklin. But if the double helix was the breakthrough of the 20th century, then what kept Franklin out of the history books? A play about ambition, isolation, and the race for greatness. Photograph 51 premiered in the UK in London''s West End in 2015 in a production which starred Nicole Kidman, where it won the WhatsOnStage Award for Best New Play. Published for the first time in Methuen Drama''s Modern Classics series, this edition features a brand-new introduction by Mandy Greenfield.Trade ReviewI'd wager that it won't be too long before Photograph 51 gets the big-screen treatment itself, and Ziegler hints at all sorts of additional stories that seem ripe for expansion... As it is, the playwright's interest lies not just in the hurtling advances of science and the casualties such quests leave in their wake but, equally, in Franklin's dual prescence as a person out of step with her fellow scientists for reasons of both gender and religion. * The Arts Desk *Engrossing * Independent *A perfect science-history play, with all the hurtling momentum of a race towards discovery, all the step-by-step deductions, competition and backhanded betrayals * Variety *

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Book Synopsis20 notecards with envelopes featuring artwork from The Book of Cat Poems illustrated by Sarah Maycock. Features the feline friends inspired by the poems of John Keats, Margaret Atwood and Oscar Wilde among others, alongside short quotations from the works on the back. Beautifully packaged in a presentation box. The cards are blank inside for your personal message.

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Book SynopsisSome sixty beautiful poems to celebrate the wonder of birds, and connect us back to nature. For all birdwatchers and all lovers of nature.

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Book SynopsisIn 1814, Johann Wolfgang von Goethe read the poems of the great fourteenth-century Persian poet Hafiz in a newly published translation by Joseph von Hammer-Purgstall. For Goethe, the book was a revelation. He felt a deep connection with Hafiz and Persian poetic traditions, and was immediately inspired to create his own West-Eastern Divan as a lyrical conversation between the poetry and history of his native Germany and that of Persia. The resulting collection engages with the idea of the other and unearths lyrical connections between cultures. The West-Eastern Divan is one of the world's great works of literature, an inspired masterpiece, and a poetic linking of European and Persian traditions. This new bilingual edition expertly presents the wit, intelligence, humor, and technical mastery of the poetry in Goethe's Divan. In order to preserve the work's original power, Eric Ormsby has created this translation in clear contemporary prose rather than in rhymed verse, which tends to obscure the works sharpness. This edition is also accompanied by explanatory notes of the verse in German and in English and a translation of Goethe's own commentary, the "Notes and Essays for a Better Understanding of the West-Eastern Divan." This edition not only bring this classic collection to English-language readers, but also, at a time of renewed Western unease about the other, to open up the rich cultural world of Islam.Trade Review"...what I really want to say is how exhilarating and enjoyable it is to read a book that combines such strikingly different kinds of artistic excellence and such diverse perspectives with the underlying coherence that comes from the shared reference to Goethe's original cycle."--Marjorie Perloff "Polyphonic Voices" "Ormsby wisely makes no attempt to simulate Goethe's elaborate rhyming stanzas; rather, he provides en face literal prose translations, with helpful explanatory notes at the bottom of each page. Goethe's polyphonic sequence folds lines and phrases from his Persian and Arabic sources into German lyric so as to create an East-West complex at once intimate and theatrical."--Marjorie Perloff "Times Literary Supplement - Books of the Year 2019" "This fine volume -- which also contains a translation of the essays on Eastern culture that Goethe added to make the poems more intelligible -- should make the Divan accessible to many more readers."-- "Times Literary Supplement" "Ormsby's book has the whole Divan + all the short, eccentric, extremely interesting essays that Goethe originally included--more than a hundred pages' worth."--Marjorie Perloff "Rhino Poetry"

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Book SynopsisThe Craft is an indispensable guide to both the ‘how’ and ‘why’ of poetic craft in the 21st century, and essential writing-desk companion for poets at all stages. The book covers practical techniques – the nuts of bolts of putting poems together, mastering poetic forms such as sonnets, sestinas, prose poems and golden shovels, how to choose titles for your poems and the art of long sequences. It also explores the idea of ‘craft’ itself - knowing how pentameters dance is important, but by no way is it the only dimension of ‘craft’ that the poet starting out today has to consider. What about sound and the skills involved in performing your work? What about truth and fabrication, and the ethics of using real life in your work? What about the politics of the word ‘craft’ itself? With essays on poetry from Moniza Alvi, Dean Atta, Liz Berry, Caroline Bird, Malika Booker, Debjani Chatterjee, Jane Commane, Rishi Dastidar, Carrie Etter, Will Harris, Tania Hershman, Peter Kahn, Gregory Leadbetter, Karen McCarthy Woolf, Roy McFarlane, Harry Man, Claire Pollard, Peter Raynard, Roger Robinson, Jacqueline Saphra, Joelle Taylor, Marvin Thompson, Julia Webb, and Antosh Wojcik.

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Book SynopsisTrade Review"Bougdaeva produces a lively, readable text that mimics the compactness and rapidity of the Kalmyk line." * Journal of Folklore Research Reviews *Table of ContentsContents List of Illustrations Introduction JANGAR Prologue Cycle 1. How Shaman Golden Heart Joined Jangar’s Khanate Cycle 2. How Scarlet Lion Khongor Got Married Cycle 3. How Scarlet Lion Khongor Fought with Mighty Hero Jilgan Khan Cycle 4. How Scarlet Lion Khongor Defeated Khan Iron Head Mangna Cycle 5. How Alya Monkhlya Stole Great Khan Jangar’s Eighteen Thousand Golden Palominos Cycle 6. How Mingian, the Finest Man in the Universe, Stole Ten Thousand Pintos from Turk Khan Cycle 7. How Mingian, the Finest Man in the Universe, Captured Mighty Kurmen Khan Cycle 8. How Serious Sanal Defeated the Country of Half-Human Giants Cycle 9. How Savar Heavy Arm Defeated Kilgan Khan Cycle 10. How Three Sons Captured Mighty Badmin Ulan Glossary

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Book SynopsisCris Miller’s volume of Emily Dickinson's complete poems is the only edition to distinguish in easy visual form the poems Dickinson took pains to copy carefully onto folded sheets in fair hand—arguably to preserve them for posterity—from the poems she retained in rougher form or did not retain.Trade ReviewThis book brings us as close as we can get to how [Dickinson] presented her work… Sparing us the task of deciphering the poet’s sometimes challenging handwriting and presenting intriguing variants, this edition demonstrates why generations of writers have been galvanized by Dickinson… This edition brings us that much nearer to what this exceedingly decisive and willful writer wanted. It sweeps away distractions caused by posthumous fame, leaving us with the poems themselves… Closer than previous editions to Dickinson’s wishes, priorities and personality, Emily Dickinson’s Poems: As She Preserved Them calls for no redundant plays, films, novels or warbling. What remains is lightning bolts of language akin to the trouvailles of Arthur Rimbaud and other powerful magicians of verse. -- Benjamin Ivry * Literary Review *[Dickinson’s] ‘fluid’ approach to poetic composition [is] clarified in Cristanne Miller’s painstaking new edition of Dickinson’s poems. -- Christopher Benfey * New York Review of Books *Miller chooses rightly not to number Dickinson’s poems, as previous editors have done, and allows them instead to name themselves in their first lines. More importantly, though, she does make a convincing case for Dickinson’s having wanted to preserve and organize her works as poems, to decide, for the most part, on their finished forms. -- Fiona Green * Times Literary Supplement *Miller’s approach works well, not only to give readers agency, but also to show Dickinson’s thought process… Miller crafts an edition that artfully accommodates Dickinson’s process of continuously reworking poems. -- Meg Schoerke * Hudson Review *Cristanne Miller’s edition of Emily Dickinson’s Poems: As She Preserved Them is surely the best poetry book of all this past year. Who’d have expected such a surprising, new and fruitful way to read the great poet? -- Don Share * Irish Times *Reading the volume straight through, it’s a pleasure to discover and re-discover Dickinson’s odd metaphors and strange sounds in poems that oscillate between whimsical riddle and hard-nosed philosophical meditation… Emily Dickinson’s Poems delivers. -- Micah Mattix * Washington Free Beacon *This new edition of Dickinson’s poems attempts nothing less than to shift the center of gravity and value in present-day Dickinson studies back to the fascicles, the poet’s own ‘manuscript books.’ Miller has done the community of general readers as well as scholars a huge service in compiling this edition. -- Mary Loeffelholz, Northeastern UniversityA remarkable new resource in a wonderfully accessible format. This edition offers readers a print version of the manuscript poems Dickinson retained and that, Miller argues, Dickinson preserved for posterity. -- Paul Crumbley, Utah State UniversityMiller’s edition gives us something like the Collected Poems Dickinson might have published in different circumstances. An invaluable book for Dickinson scholars and general readers alike. -- Bonnie Costello, Boston University

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Book SynopsisAlda Merini is one of Italy's most important, and most beloved, living poets. She has won many of the major national literary prizes and has twice been nominated for the Nobel Prize--by the French Academy in 1996 and by Italian PEN in 2001. In Love Lessons, the distinguished American poet Susan Stewart brings us the largest and most comprehensive sTrade Review"[T]hese lovely translations will enable American readers, many of whom will be encountering these poets for the first time, to see what all the fuss is about."--David Skeel, Books & Culture "Every now and then, poetry is capable of hitting the mark--more simply, accurately and succinctly--than anything else in the world. It can touch, heel, inspire, enquire, and what's more, understand, during periods of extreme pain, peril and anguish; which, if we really, really think about it, is what accounts for poetry's inexorable validity. So when something great comes along, it certainly lightens the load and brightens the day. It's simply wonderful, and as such, ought to be embraced with both open arms and an open heart. Such is the case with Love Lessons, the selected poems of one of Italy's most beloved and important poets, Alda Merini."--David Marx, davidmarx.co.uk "Little translated ... in the English language, [Alda Merini's] work is intelligently presented with an insightful introduction by American translator and poet Susan Stewart."--Greta Aart, Cerise Press "The line-by-line accuracy of Stewart's translations nearly makes of Love Lessons a primer for students of Italian."--Will Schutt, West BranchTable of ContentsAcknowledgments, ix Translator's Introduction, 1 Acknowledgments, ix Translator's Introduction, 1 from FIORE DI POESIA: 1951-1997/POETRY'S FLOWER from La presenza di Orfeo / The Presence of Orpheus (1953) La presenza di Orfeo/The Presence of Orpheus, 18 Saro sola?/Will I Be Alone?, 24 from Paura di Dio/Fear of God (1955) Solo una mano d'angelo/Only an Angel's Hand, 26 Maria Egiziaca (Tintoretto)/Mary of Egypt (Tintoretto), 28 Pax/Peace, 30 from Nozze romane/Roman Wedding (1955) Nozze romane/Roman Wedding, 34 La Pieta/The Pieta, 36 La Sibilla Cumana/The Cumaean Sibyl, 38 Quando l'angoscia/When the Anguish, 40 from Tu sei Pietro/You Are Pietro (1961) from Parte prima/The First Part Missione di Pietro/Peter's Mission , 42 from Parte seconda/The Second Part Sogno/Dream, 44 Lirica antica/Antique Lyric, 46 E piu facile ancora/And It Would Be Even Easier, 48 from La Terra Santa/The Holy Land (1984) Io ero un uccello/As for me, I used to be a bird, 50 Tangenziale dell'ovest/Western Ring Road, 52 La luna s'apre nei giardini del manicomio/The moon unveils itself in the madhouse gardens, 54 Il mio primo trafugamento di madre/My first mothertheft, 56 from Per Michele Pierri/For Michele Pierri (unpublished until 1991) Il canto dello sposo/The Song of the Groom, 58 Elegia/Elegy, 60 from La gazza ladra. Venti ritratti/The Thieving Magpie: Twenty Portraits (unpublished until 1991) Saffo/Sappho, 62 Emily Dickinson/Emily Dickinson, 64 Plath/Plath, 66 Alda Merini/Alda Merini, 68 Il pastrano/The Overcoat, 70 Il grembiule/The Apron, 72 L'ospite/The Guest, 74 from Le satire della Ripa/Ripa's Satires (1983) Cesare amo Cleopatra/Caesar loved Cleopatra, 76 from La palude di Manganelli o Il monarca del re/Manganelli's Quagmire or The King's Reign (1992) Otello/Othello, 78 from Titano amori interno/Colossal Inner Loves (1993) La sottoveste/The Slip, 80 from Ballate non pagate/Penniless ballads (1995) Tornai allora a quella neve chiara/Then I went back to that bright snow, 82 from La volpe e il sipario/The Fox and the Curtain (1997) Che insostenibile chiaroscuro/What unbearable chiaroscuro, 84 from Aforismi/Aphorisms (1997), 86 from SUPERBA E LA NOTTE/SUPERB IS THE NIGHT (2000) Sulla noce di un'albicocca/On the pit of an apricot, 92 La cosa piu superba e la notte/The most superb thing is the night, 94 La notte se non e rapida/Night, if it is not swift, 96 C'era una fontana che dava albe/There was a fountain that offered dawns, 98 Naviglio che soccorri la mia carne/Naviglio that succors my fl esh, 100 Ci sono i paradisi artifi ciali/There are artificial paradises, 102 Resti un ardente ulivo/Stay steady burning olive tree, 104 In morte di mia sorella/On the Death of My Sister, 106 O canto della neve chiuso dentro la fossa/Oh song of the snow stuck inside the ditch, 108 Guerra/War, 110 Il Corvo/The Raven, 112 Il grido della morte/The Cry of Death, 116 Unpublished (composed 2001) Nella terra di Scozia/In the land of Scotland, 122 Notes, 125

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Book SynopsisTrade Review"A Seminary Co-Op Notable Book of the Year""Provocative. . . .A brilliant book."---Shadi Barsch, Times Literary Supplement

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Book SynopsisTrade Review"A deeply informed, academic work, but highly readable."---Steven Carroll, Sydney Morning Herald"The Man of the Crowd is a thoroughly engaging book about the legendary writer and his complex relationship with the urban environment. Peeples is to be commended for deploying a unique lens for further examining the tortured genius of the great Edgar Allan Poe."---Leonora Cravotta, American Spectator"[A] superb new biograph[y] of Poe. . . . The Man of the Crowd . . . give[s] us a clearer view of Poe as a man and an artist, while at the same time showing how the myth mill about him was busy from the start, forming and deforming his choices, and creating the brand of Poe we know today."---Jonathan Elmer, Public Books"Engaging. . . . [The Man of the Crowd] succeeds admirably in bringing us closer to a man we can now better appreciate as part of the crowd rather than a remote and inexplicable monad."---Ian Finseth, Edgar Allan Poe Review"The Man of the Crowd, by Scott Peeples, has something for everyone. It should be equally attractive to Edgar Allan Poe scholars, aficionados, and those who simply want to read more of Poe’s stories, poems, and essays."---Henry T. Edmonson III, Law & Liberty"What sets Scott Peeples’s ‘compact biography’ apart from other recent work is that it also concerns cities, specifically Richmond, Baltimore, Philadelphia, and New York, where Poe spent much of his life and which stirred his imagination. Peeples’s aim is to re-contextualize the image of Poe as a campy ‘nowhere man,’. . . . In detailing Poe’s moves from city to city, Peeples presents an ambitious young man seeking to support his family and to establish himself as a writer, critic, and editor."---Katherine J. Kim, The Metropole"A welcome, engaging introduction to Poe’s life. . . . This compact biography is an affable ramble, a genial journey, with Poe through the years. It knowledgeably and accessibly recounts Poe’s urban contexts and relates his relevant texts. . . . The whole is interestingly complemented by archival images of contemporary maps and periodicals and by archival photographs, blended photographs, and recent photographs by Michelle Van Parys of various Poe sites and locales. This volume is a useful vade mecum for our armchair Poe peregrinations."---Richard Kopley, Poe Studies"Peeples convincingly demonstrates that Poe remained “in transit” throughout his life, despite his literary successes, and was never in full control of his career. This accessible book will interest casual readers and Poe scholars alike." * Choice *"Well-researched . . . [and] deeply informed. . . . Scott Peeples's streamlined account of Poe's journeys . . . grounds itself determinedly in the arc of his life's movement through various urban social realities. . . . This biography achieves its freshness through framing Poe's life as a series of chapters related to the cities in which he took up primary residence."---Stephen Rachman, Poe Studies"A highly absorbing, important, and superbly crafted study that deserves a place on the top shelf of Poe biographies."---Jason Richards, American Literary History

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