Poetry

'Two hours ago I fell in love and trembled, and tremble still, and haven't a clue whom I should tell'From one of the truly singular and beloved poets of contemporary Italy, these are poems of the self, the body, pasta, cats, the city and - always, and above all - love. This volume is the first substantial gathering of the best of Patrizia Cavalli's work from her first six collections, from 1974 to 2006, translated by a selection of renowned poets. By turns thoughtful and sly, sensual and comic, charismatic and profound, these are works perfectly attuned to the pleasures and pains of everyday life and love.'The most intensely ethical poetry in Italian literature of the twentieth century' Giorgio Agamben 'Amazingly fresh and surprising. The world does change, in the telling' John AshberyEdited by Gini Alhadeff

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Over the course of his career, Tomas Tranströmer - a poet who could look on the barren isolation of Sweden's landscapes and seascapes like no other, and find in them something hauntingly transcendent - emerged as one of the 20th century's essential global voices. By the time he won the Nobel Prize in Literature in 2011, his luminous, almost mystical work had been translated into more than 50 languages.Gathering his poems from the early, nature-focused work to the later poetry's widening of the scope to take in painting, travel, urban life, and the impositions of technology on the natural world, and stirred throughout by the poet's profound love of music, The Half-Finished Heaven is a unique selection from Tranströmer's work. It is also, in its way, a deeply intimate one: the poems hand-picked here are not only the most beloved, but also those which were translated in the course of Tranströmer's nearly thirty-year correspondence with his close friend and collaborator, the American poet Robert Bly. Few names are more strongly associated with Tranströmer's; and few people have understood not only his poetry, but the processes behind it, more profoundly. The result is perhaps the best English-language introduction to this great and strange poet's work that there could be.

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THE NEW YORK TIMES BESTSELLERWINNER OF THE BOOKS ARE MY BAG READERS AWARD FOR POETRYTHESE POEMS AND NOTEBOOKS ARE THE LAST WORD FROM THE LATE, GREAT LEONARD COHENThe Flame is a stunning collection of Leonard Cohen's last poems and writings, selected and ordered by Cohen in the final months of his life. The book contains an extensive selection from Cohen's notebooks, featuring lyrics, prose pieces and illustrations, which he kept in poetic form throughout his life, and offers an unprecedentedly intimate look inside the life and mind of a singular artist and thinker.An enormously powerful final chapter in Cohen's storied literary career, The Flame showcases the full range of Leonard Cohen's lyricism, from the exquisitely transcendent to the darkly funny. By turns devastatingly sad and winningly strange, these are the works of a poet and lyricist who has plumbed the depths of our darkest questions and come up wanting, yearning for more.

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Blackout poetry is simply the act of removing or “blacking out” existing text to create a new piece of work. It’s fun and rewarding for word-puzzle lovers, writers, visual artists, designers—really anyone! Make Blackout Poetry is a collection of texts that you can repurpose for your own poems. Make your own ingenious remix of words by Shakespeare, Jane Austen, Oscar Wilde, and Victor Hugo. Find hidden gems in vintage etiquette manuals, slang dictionaries, newspapers, and more. The book begins with an introduction by John Carroll, founder of Make Blackout Poetry, an Instagram community for blackout poets. Carroll includes tips for approaching this genre editorially and visually, and provides examples of finished pieces that range from simple to sublime. If you’re looking for a way to tap your subconscious for new ideas—or to simply feel present in a creative activity—take a pen to this book and transform it page by page into a personal collection of poetry.

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In Parenthesis is one of the greatest works to emerge from the First World War. 'The holy book of twentieth-century visionary modernism. Ancient and brand-new, In Parenthesis is this island's book of all books, an incomparable and ever-intensifying masterpiece. It is radical, beautiful, humane and mysterious. It is a book about war that has the power to defeat death. It is a living breathing mythic miracle of a book.' Max Porter

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The finest ghazals of Mir Taqi Mir, the most accomplished of Urdu poets.Mir Muhammad Taqi Mir (1723–1810) is widely regarded as the most accomplished poet in the Urdu language. His massive output—six divans—was produced in Delhi and Lucknow during the high tide of Urdu literary culture.Selected Ghazals and Other Poems offers a comprehensive collection of Mir’s finest ghazals, extended lyrics composed of couplets, and of his masnavis, narrative works of a romantic or didactic character. The ghazals celebrate earthly and mystical love through subtle wordplay, vivid descriptions of the beloved, and a powerful individual voice. The sometimes satirical masnavis highlight everyday subjects: domestic pets, monsoon rains, the rigors of travel. They also include two astonishing love stories: one about young men whose relationship is shattered when one marries; the other about a queen, her peacock lover, and the jealous king who seeks to drive them apart.The Urdu text, presented here in the Nastaliq script, accompanies new translations of Mir’s poems, some appearing in English for the first time.

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I'm a song, changing. I'm a light rain falling through a vast darkness toward a different darkness. Carl Phillips has aptly described his work as an "ongoing quest"; Then the War is the next step in that meaningful process of self-discovery for both the poet and his reader. The new poems, written in a time of rising racial conflict in the United States, with its attendant violence and uncertainty, find Phillips entering deeper into the landscape he has made his own: a forest of intimacy, queerness, and moral inquiry, where the farther we go, the more difficult it is to remember why or where we started. Then the War includes a generous selection of Phillips's work from the previous thirteen years, as well as his recent lyric prose memoir, "Among the Trees," and his chapbook, Star Map with Action Figures. Ultimately, Phillips refuses pessimism, arguing for tenderness and human connection as profound forces for revolution and conjuring a spell against indifference and the easy escapes of nostalgia. Then the War is luminous testimony to the power of self-reckoning and to Carl Phillips as an ever-changing, necessary voice in contemporary poetry.

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Winner of the John Pollard Foundation International Poetry Prize Winner of the Christopher Ewart-Biggs Memorial Prize The Sun is Open sifts through a boxed archive of public and private materials related to the life and death of the author's father, who was murdered by the IRA outside their Belfast home in 1984. Moving between child and adult voices, past and present, this startlingly innovative debut attempts to decode the fragments left behind and, with them, piece together a history and a life. 'Each page of The Sun Is Open is rich with exquisite and surprising language, pain, and wisdom.' - Maggie Nelson 'The Sun is Open employs a grammar in which everything is significant, from Wendy Houses, to the very hairs of your head, to the poetry of First Aid instructions, to slaters. This is meticulous and painstaking - sometimes pain-making work - making the words fit the columns, be they inches of newsprint or entries in an Account Book, negotiating or nudging the meanings into alternative senses. A series of ethical considerations and transactions, credits and debits that sometimes demand to be accounted for, or judged, or at least spoken of in the light of whatever the forensics might or might never unfold.' - Ciaran Carson Poetry book of the month - the Observer A TLS book of the year

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An Irish Times Best Poetry Books of 2021. The poetry of Miles Burrows was discovered in 1966 when Tom Maschler, already an editor at Cape, heard him give a public reading in London. Cape published him. After that, Burrows continued his life in many walks, most of them medical. Having studied Greats at Oxford, he determined to become an intellectual and learned to smoke black Russian cigarettes, reviewing occasionally for the New Statesman. He worked as a GP and then as a psychiatrist. He was briefly a trawlerman, then a doctor in the New Guinea Highlands, in the American Hospital for Hmong tribe refugees on the Thai-Laos border, in a Catholic mission Hospital in Eastern Taiwan, in the Middle East and in Suffolk. This Collected Poems is a rich harvest from the decades between 1966 and 2021. The poems are primarily conversational. The poet is keen to get into exclusive places he has no right to be - clubs, social strata, religions. Much of the adventure, the disrupted narrative, has to do with being out of place. Its long narratives - work as a trawlerman in Iceland, a traditional funeral in Taiwan - open on worlds that are made vertiginously real.

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The five sections in Kim Stafford’s Singer Come from Afar hold poems that summon war and peace, pandemic struggles, Earth imperatives, a seeker’s spirit, and forge kinship. The former poet laureate of Oregon, Stafford has shared poems from this book in libraries, prisons, on reservations, with veterans, immigrants, homeless families, legislators, and students in schools. He writes for hidden heroes, resonant places, and for our chance to converge in spite of differences. Poems like “Practicing the Complex Yes” and “The Fact of Forgiveness” engineer tools for connection with the self, the community, and the Earth: “It is a given you have failed . . . [but] the world can’t keep its treasures from you.” For the early months of the pandemic, Stafford wrote and posted a poem for challenge and comfort each day on Instagram and published a series of chapbooks that traveled hand to hand to far places—to Norway, Egypt, and India. He views the writing and sharing of poetry as an essential act of testimony to sustain tikkun olam, the healing of the world. May this book be the hidden spring you seek.

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In The Many-Minded Man, Joel Christensen explores the content, character, and structure of the Homeric Odyssey through a modern psychological lens, focusing on how the epic both represents the workings of the human mind and provides for its audiences—both ancient and modern—a therapeutic model for coping with the exigencies of chance and fate. By reading the Odyssey as an exploration of the constitutive elements of human identity, the function of narrative in defining the self, and the interaction between the individual and their social context, The Many-Minded Man addresses enduring questions about the poem, such as the importance of Telemachus's role, why Odysseus must tell his own tale, and the epic's sudden and unexpected closure. Through these dynamics, Christensen reasons, the Odyssey not only instructs readers about how narrative shapes a sense of agency but also offers solutions for avoiding dangerous stories and destructive patterns of thought.

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SHORTLISTED FOR THE TS ELIOT PRIZE FOR POETRY 2020 WINNER OF THE SCOTTISH BOOK AWARDS' POETRY BOOK OF THE YEAR A POETRY BOOK SOCIETY RECOMMENDATION SHORTLISTED FOR THE JOHN POLLARD FOUNDATION INTERNATIONAL POETRY PRIZE "Whip-smart, sonically gorgeous" - Rae Armantrout, author of the Pulitzer Prize winning Versed When Louis Pasteur observed the process of fermentation, he noted that, while most organisms perished from lack of oxygen, some were able to thrive as 'life without air'. In this capricious, dreamlike collection, characters and scenes traverse states of airlessness, from suffocating relationships and institutions, to toxic environments and ecstatic asphyxiations. Both compassionate and ecologically nuanced, this innovative collection bridges poetry and prose to interrogate the conditions necessary for survival.

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Titled from lyrics of the song “Nobody Home” by Pink Floyd, this well-thought poetry collection touches on the subjects of loss, love, pain, happiness, depression, abandonment, war, good vs. evil, alcoholism, religion, and complicated family relationships.Written mostly in metered, rhyming stanzas, Black Book of Poems provides a non-threatening platform for reflection and meditation on life’s most difficult challenges. This collection offers a refreshingly honest approach to life and love that feels realistic and relatable to everyone.

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Ribwort is a space to sit down with your pain and listen. You may think it's not helpful, like a leaf of ribwort on a bleeding wound. The pain will probably be growing more and more acute, but if you face it, if you hold space for it. Eventually it will shrink to the size of a scratch which a leaf of ribwort can help to heal. When we have healed, we become leaves of ribwort for others, so we can sit down with their pain and listen. Listen with compassion and without fear, without getting defensive or running away. This is what keeps us going. In the summer of 2021, Hanna Komar brought the script for this book to a publisher in Belarus. He told her his business was going to be shut down for her protest poems. He couldn't publish them. Since then, almost all independent publishers of Belarusian books in the Belarusian language have had their business suspended or liquidated. Books have been labelled 'extremist' and people have been imprisoned for selling or owning them, while writers ha

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In this remarkable second collection, Seán Hewitt describes a journey haunted by love, loss and estrangement - from one of the Sunday Times 30 under 30 in Ireland'Hewitt’s words penetrate with Nerudian passion and force' GUARDIAN'An exquisitely calm and insightful lyric poet' MAX PORTERAs the mind wanders and becomes spectral, these poems forge their own unique path through the landscape. The road Hewitt takes us on is a sleepwalk into the nightwoods, a dream-state where nature is by turns regenerated and broken, and where the split self of the speaker is interrupted by a series of ghosts, memories and encounters.Following the reciprocal relationship between queer sexuality and the natural world that he explored in Tongues of Fire, the poet conjures us here into a trance: a deep delirium of hypnotic, hectic rapture where everything is called into question, until a union is finally achieved – a union in nature, with nature.A threnody for what is lost, a dance of apocalypse and rebirth, Rapture’s Road draws us through what is hidden, secret, often forbidden, to a state of ecstasy. It leads into the humid night, through lethal love and grief, and glimpses, at the end of the journey, a place of tenderness and reawakening.

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Few contemporary writers ask the questions about faith, morality, and God that Christian Wiman does, and even fewer - perhaps none - do so with his urgency and eloquence. Wiman, the author of My Bright Abyss and an award-winning poet, lays the motion of his mind on the page in this genre-defying work, an indivisible blend of poetry, criticism, theology, and searing memoir. As Marilynne Robinson wrote, “[Wiman's] poetry and his scholarship have a purifying urgency that is rare in this world . . . It enables him to say new things in timeless language, so that the reader’s surprise and assent are one and the same.” Zero at the Bone begins with Wiman’s preoccupation with despair, and through fifty brief pieces, framed by two more, he unravels its seductive appeal. The book is studded with the poetry and prose of writers who inhabit Wiman’s thoughts, and the voices of Wallace Stevens, Lucille Clifton, Emily Dickinson, and more join his own. At its heart and Wiman’s, however, are his family - his young children (who ask their own invaluable questions, like “Why are you a poet? I mean why?”), his wife, and those he grew up with in West Texas. Wiman is the rare thinker who takes up the mantle of our greatest mystics and does so with an honest, profound, and contemporary sensibility. Zero at the Bone is a revelation.

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Immerse yourself in the sublime language of Shakespeare every night of the year with this whimsical and accessible anthology.

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2021 LAMBDA LITERARY AWARD FINALIST Finalist for the Publishing Triangle Award for Trans and Gender-Variant Literature Editors Andrea Abi-Karam and Kay Gabriel offer We Want it All: An Anthology of Radical Trans Poetics as an experiment into how far literature, written from an identitarian standpoint, can go as a fellow traveler with social movements and revolutionary demands. Writing in dialogue with emancipatory political movements, the intergenerational writers assembled here imagine an altogether overturned world in poems that pursue the particular and multiple trans relationships to desire, embodiment, housing, sex, ecology, history, pop culture, and the working day.

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In late 2013, preeminent Hebrew poet Tuvia Ruebner published his fifteenth poetry collection, which he titled Last Ones. But it was not his last; he continued writing and publishing, even into the summer of his death in 2019. The translated poems in Now at the Threshold: The Late Poems of Tuvia Ruebner are from Ruebner's final three collections, poems all written from 2014 onward, after the poet's 90th birthday. Translated into English by award-winning translator Rachel Tzvia Back, these late and last poems both celebrate life's enduring small graces and converse quietly-even negotiate- with death. With love and loss ever intertwined, and a protesting voice still fierce, this collection offers the reader illuminating and beautiful poetry from a great humanist and a great poet.

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Poems of the Sea is an anthology of classic poetry that celebrates the sea; from the power of a stormy ocean to ships and sailors and beaches strewn with shells. Part of the Macmillan Collector’s Library; a series of stunning, pocket-sized classics with ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition features an introduction by author Adam Nicolson.For generations, poets have taken inspiration from ocean mists and rugged coastlines to conjure up adventures on the high seas and joyous days at the seaside. From Emily Dickinson’s morning dog walks by the shore, to the river running through Sara Teasdale’s sunny valley, and from Walt Whitman’s fish-filled forests, to the silent ships passing in Paul Laurence Dunbar’s dark ocean, there are poems here for every reader to enjoy.

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The highly anticipated new collection from a poet whose previous book was a finalist for the Los Angeles Times Book PrizeRain in Plural is the much-anticipated fourth collection of poetry by Fiona Sze-Lorrain, who has been praised by The Rumpus as "a master of musicality and enlightening allusions." In the wholly original world of these new poems, Sze-Lorrain addresses both private narratives and the overexposed discourse of the polis, using silence and montage, lyric and antilyric, to envision what she calls "creating between liberties." With a moral precision embracing us without eschewing I, she rethinks questions of citizenship, the selections of sensory memory, and, by extension, the tether of word and image to the actual. She writes, "I accept the truth in newspapers / by holding the murder of my friends against my chest. // To each weather forecast I give thanks: / merci for every outdated // dusk/dawn." Agrippina the Younger, Franz Kafka, Bob Dylan, a butoh performance, an unnamed Raku tea bowl—each has a place here. Made whole by time and its alteration in timelessness, synchrony, coincidences, and accidents, Rain in Plural beautifully reveals an elegiac yet ever-evolving inner life.

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WINNER OF THE DESMOND ELLIOTT PRIZE 2020___________________________________'A singular achievement.'Michael Donkor, Guardian'Heartbreaking, important and original.' Christie Watson, author of THE LANGUAGE OF KINDNESS'Derek Owusu's writing is honest, moving, delicate, but tough. Once you lock on to his words, it is hard to break eye contact. A beautiful meditation on childhood, coming of age, the now, and the media. This work is heartfelt.' Benjamin Zephaniah 'Honest and beautiful.' Guy Gunaratne, author of IN OUR MAD AND FURIOUS CITY 'When writing is this honest, it soars. What an incredible use of language and truth.' Yrsa Daley-Ward___________________________________Anansi, your four gifts raised to nyame granted you no power over the stories I tell...This is the story of K.K is sent into care before a year marks his birth. He grows up in fields and woods, and he is happy, he thinks. When K is eleven, the city reclaims him. He returns to an unknown mother and a part-time father, trading the fields for flats and a community that is alien to him. Slowly, he finds friends. Eventually, he finds love. He learns how to navigate the city. But as he grows, he begins to realise that he needs more than the city can provide. He is a man made of pieces. Pieces that are slowly breaking apartThat Reminds Me is the story of one young man, from birth to adulthood, told in fragments of memory. It explores questions of identity, belonging, addiction, sexuality, violence, family and religion. It is a deeply moving and completely original work of literature from one of the brightest British writers of today.

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Widely considered to be among the most important Italian poets of the twentieth century, Sandro Penna was born and raised in Perugia but spent most of his life in Rome. Openly gay, Penna wrote verses celebrating homosexual love with lyrical elegance. His writing alternates between whimsy and melancholia, but it is always full of light. Juggling traditional Italian prosody and subject matter with their gritty urban opposites in taut, highly concentrated poems, Penna’s lyrics revel in love and the eruption of Eros together with the extraordinary that can be found within simple everyday life. There is something ancient in Penna’s poetry, and something Etruscan or Greek about the poems, though the landscape is most often of Rome: sensual yet severe, sinuous yet solid, inscrutable, intangible, and languorous, with a Sphinx-like and sun-soaked smile. Penna’s city is eternal—a mythically decadent Rome that brings to mind Paris or Alexandria. And though the echoes resound—from Rimbaud, Verlaine, and Baudelaire to Leopardi, D’Annunzio, and Cavafy—the voice is always undeniably and wonderfully Penna’s own.

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Selected Poems collects the work of one of our foremost lyric poets, John Glenday. The elemental themes long associated with Glenday’s name are strongly represented here: the sea, the sky; light and its absence; the spirit in the secular age; our natural and human ecologies, how they interact, and how they might survive the encounter; the transcendent states that arise from the simple contemplation of the earth; the hidden dimensions that lie behind familiar objects – and the hells, heavens and secret lives that hide within their very names. But new readers will also find a wonderful poet of familial and romantic love, as well as a sly humourist and satirist; as the book also features work from long-out-of-print early collections, they will also discover that Glenday's voice has always been uniquely his own.Glenday shares with W.S. Graham and Denise Riley an obsession with speech, silence, and limits of knowledge, and with what form the energies that flicker along the border might take. John Glenday is poet who constantly blindsides and moves us, whose direct and pure lyric brings us, again and again, face-to-face with the mystery of our being here.

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“Boy Thing is a thing of wonder. These are poems that negotiate anew the tender, hurt territory of a boy abruptly unfathered with every fresh reading; and that travel into the wonderment of becoming a father of boys. We are given a boy’s-eye-view of 1970s Cornwall with a music and detail so meticulous that we yearn with Clarke for its lost territories. But these are not just poems of archive or archaeology; they are revelatory, dynamic and raw. Clarke is crucially attuned to the secret messages received in boyhood – its preoccupations and awakenings, epiphanies and abuses, and its shames. This book is unmissable: human and humane, grimy and sublime.” - Fiona Benson “Boy Thing is a beautiful book – sensual, atmospheric, full of nature and ritual. These poems while formally precise, possess a rawness that is startling and utterly compelling.” - Ella Frears

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This inspiring collection, curated by the host of the Poetry Unbound, presents fifty poems about what it means to be alive in the world today. Each poem is paired with Pádraig''s illuminating commentary that offers personal anecdotes and generous insights into the content of the poem.Engaging, accessible and inviting, Poetry Unbound is the perfect companion for everyone who loves poetry and for anyone who wants to go deeper into poetry but doesn''t necessarily know how to do so.Contributors include Hanif Abdurraqib, Patience Agbabi, Raymond Antrobus, Margaret Atwood, Ada Limón, Kei Miller, Roger Robinson, Lemn Sissay, Layli Long Soldier and more.

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love comes in many colors.this is a storyof breaking and healing,of forgiving but not forgetting,of understanding and balance.it is not only something to enjoy,but something to learn from.here are the things i did right,and the many things i did wrong.i give them to you,so that when love comes knocking,you will have a sense of what to dowhen you open the door.Explore the experience of six different relationships in this moving collection that dives into the highs and lows of love.Shades of Lovers is a BookTok favorite, and fans are saying "amazing", "beautiful", "love it" and "a MUST READ for all poetry lovers"Find Catarine's other book, sometimes I fall asleep thinking about you -- a story of heartbreak and finding solace, even when it feels you won't ever find it.

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Jane Hirshfield is a visionary American writer whose poems ask nothing less than what it is to be human. Both sensual meditations and passionate investigations of our shared and borrowed lives, they reveal complex truths in language luminous and precise. The Asking supersedes her earlier retrospective Each Happiness Ringed by Lions (2005).

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Running Upon The Wires is Kae Tempest’s first book of free-standing poetry since the acclaimed Hold Your Own. In a beautifully varied series of formal poems, spoken songs, fragments, vignettes and ballads, Tempest charts the heartbreak at the end of one relationship and the joy at the beginning of a new love; but also tells us what happens in between, when the heart is pulled both ways at once.Running Upon The Wires is, in a sense, a departure from their previous work, and unashamedly personal and intimate in its address – but will also confirm Tempest’s role as one of our most important poetic truth–tellers: it will be no surprise to readers to discover that she’s no less a direct and unflinching observer of matters of the heart than they are of social and political change. Running Upon The Wires is a heartbreaking, moving and joyous book about love, in its endings and in its beginnings.

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The dramatic, eccentric, startling poetry of V.R. 'Bunny' Lang, rediscovered and in print for the first time since 1975.

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Spanning more than six decades of Sudan’s post-independence history, this collection features work by some of Sudan’s most renowned modern poets, largely unknown in the United States. Adil Babikir’s extensive introduction provides a conceptual framework to help the English reader understand the cultural context. Translated from Arabic, the collection addresses a wide range of themes—identity, love, politics, Sufism, patriotism, war, and philosophy—capturing the evolution of Sudan’s modern history and cultural intersections.Modern Sudanese Poetry features voices as diverse as the country’s ethnic, cultural, and natural composition. By bringing these voices together, Babikir provides a glimpse of Sudan’s poetry scene as well as the country’s modern history and post-independence trajectory.

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One hundred of the most evocative modern poems on joy, selected by an award-winning contemporary poet“Bursting with energy and surprising locutions. . . . Even the most familiar poets seem somehow new within the context of Joy.”—David Skeel, Wall Street Journal “Wiman takes readers through the ostensible ordinariness of life and reveals the extraordinary.”—Adrianna Smith, The Atlantic Christian Wiman, a poet known for his meditations on mortality, has long been fascinated by joy and by its relative absence in modern literature. Why is joy so resistant to language? How has it become so suspect in our times? Manipulated by advertisers, religious leaders, and politicians, joy can seem disquieting, even offensive. How does one speak of joy amid such ubiquitous injustice and suffering in the world? In this revelatory anthology, Wiman takes readers on a profound and surprising journey through some of the most underexplored terrain in contemporary life. Rather than define joy for readers, he wants them to experience it. Ranging from Emily Dickinson to Mahmoud Darwish and from Sylvia Plath to Wendell Berry, he brings together diverse and provocative works as a kind of counter to the old, modernist maxim “light writes white”—no agony, no art. His rich selections awaken us to the essential role joy plays in human life.

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