Poetry anthologies (various poets)

Book SynopsisThe First World War was one of the deadliest conflicts in modern history and produced horrors undreamed of by the young men who cheerfully volunteered for a war that was supposed to be over by Christmas. Whether in the patriotic enthusiasm of Rupert Brooke, the disillusionment of Charles Hamilton Sorley, or the bitter denunciations of Siegfried Sassoon and Wilfred Owen, the war produced an astonishing outpouring of powerful poetry. Edited by author and editor Marcus Clapham, the major poets are all represented in this beautiful Macmillan Collector’s Library anthology, Poetry of the First World War, alongside many others whose voices are less well known, and their verse is accompanied by contemporary motifs.Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.

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Book Synopsis Poems to celebrate autumn. A companion volume to the successful winter and spring titles, this anthology of poems is as sweet as pumpkin spice and warming as a roaring log fire. With one poem for every autumn evening, it''s the perfect literary companion as the days begin to shorten. Whether you keep it on your nightstand for some evening reading, or in your bag for when you come across the perfect cosy coffee shop, this collection of poems is bound to make you feel ready for big scarves and crunchy leaves. With classics from Katherine Mansfield, Samuel Taylor Coleridge, Percy Shelley, William Blake, William Morris and more, you won''t be sad that summer''s over: you''ll be celebrating because autumn has begun. This beautiful and collectable anthology of poems derives from the popularA Poem for Every Night of the Yearand features poems about every aspect of autumnal nature.

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Book SynopsisThis epoch-marking anthology presents a map of poetry from Britain and Ireland which readers can follow. You will not get lost here as in other anthologies – with their vast lists of poets summoned up to serve a critic’s argument or to illustrate a journalistic overview. Instead, Edna Longley shows you the key poets of the century, and through interlinking commentary points up the connections between them as well as their relationship with the continuing poetic traditions of these islands. Edna Longley draws the poetic line of the century not through culture-defining groups but through the work of the most significant poets of our time. Because her guiding principle is aesthetic precision, the poems themselves answer to their circumstances. Readers will find this book exciting and risk-taking not because her selections are surprising but because of the intensity and critical rigour of her focus, and because the poems themselves are so good. This is a vital anthology because the selection is so pared down. Edna Longley has omitted showy, noisy, ephemeral writers who drown out their contemporaries but leave later or wiser readers unimpressed. Similarly there is no place here for the poet as entertainer, cultural spokesman, feminist mythmaker or political commentator. While anthologies survive, the idea of poetic tradition survives. An anthology as rich as Edna Longley’s houses intricate conversations between poets and between poems, between the living and the dead, between the present and the future. It is a book which will enrich the reader’s experience and understanding of modern poetry. The anthology covers the work of 70 poets: Thomas Hardy, W.B. Yeats, Edward Thomas, D.H. Lawrence, Siegfried Sassoon, Edwin Muir, T.S. Eliot, Ivor Gurney, Isaac Rosenberg, Hugh MacDiarmid, Wilfred Owen, Charles Hamilton Sorley, Robert Graves, Austin Clarke, Basil Bunting, Stevie Smith, Patrick Kavanagh, Norman Cameron, William Empson, W.H. Auden, Louis MacNeice, John Hewitt, Robert Garioch, Norman MacCaig, R.S. Thomas, Henry Reed, Dylan Thomas, Alun Lewis, W.S. Graham, Keith Douglas, Edwin Morgan, Philip Larkin, Ian Hamilton Finlay, John Montague, Thom Gunn, Ted Hughes, Geoffrey Hill, Sylvia Plath, Fleur Adcock, Tony Harrison, Seamus Heaney, Michael Longley, Derek Mahon, Douglas Dunn, Eiléan Ní Chuilleanáin, Paul Durcan, Tom Leonard, Carol Rumens, Selima Hill, Ciaran Carson, James Fenton, Medbh McGuckian, Paul Muldoon, Jo Shapcott, Ian Duhig, Carol Ann Duffy, Kathleen Jamie, Simon Armitage and Don Paterson.

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Book SynopsisAuden, Lewis, MacNeice and other key poets of the 'Thirties' were children of the First World War, obsessed by war and by communalism and by the class-struggle. But from within their strongly defined unity of ideals, a varied body of poetry emerged. This book arranges the poetry to make a 'critical essay' of the period.

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Book SynopsisThis anthology features the work of six of Estonia's most celebrated poets. They write from their oral tradition and folklore, explore new forms of poetry through music, marginalia and note-making.

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Book SynopsisAn Indie Poetry Bestseller! What the world needs now – featuring poems from inaugural poet Amanda Gorman, Ross Gay, Tracy K. Smith and more. More and more people are turning to poetry as an antidote to divisiveness, negativity, anxiety, and the frenetic pace of life. How to Love the World: Poems of Gratitude and Hope offers readers uplifting, deeply felt, and relatable poems by well-known poets from all walks of life and all parts of the US, including inaugural poet Amanda Gorman, Joy Harjo, Naomi Shihab Nye, Ross Gay, Tracy K. Smith, and others. The work of these poets captures the beauty, pleasure, and connection readers hunger for. How to Love the World, which contains new works by Ted Kooser, Mark Nepo, and Jane Hirshfield, invites readers to use poetry as part of their daily gratitude practice to uncover the simple gifts of abundance and joy to be found everywhere. With pauses for stillness and invitations for writing and reflection throughout, as well as reading group questions and topics for discussion in the back, this book can be used to facilitate discussion in a classroom or in any group setting.

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Book SynopsisStill little known in the West, Persian poetry offers extraordinary riches. While celebrating the beauty of the world in poems about love, wine and poetry itself, or telling anecdotes of everyday life, Persian poetry set these themes in the wider religious and philosophical context of Islam. Omar, Rumi, Saadi, Sanai, Attar, Hafez and Jami – the great lyric and didactic poets of medieval Persia – are all represented in this selection of translations spanning almost two hundred and fifty years.

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Book SynopsisAn old pond;a frog jumps in:the sound of water — Basho This comprehensive introduction to Japan's best-loved haiku poets is the perfect book for anyone wanting to learn about haiku. Compiled and with commentary by renowned author and translator William Scott Wilson, the book features 26 poets and 550 haiku, exquisitely translated. Wilson takes the reader on a fascinating journey through the works of the major Japanese poets from the fifteenth century up to the present.The poets include Basho, Shiki, Buson and Issa (the "Great Four") along with other well-known practitioners of the genre such as Ryokan, Kikaku and Chora. Wilson gives his own brand-new renditions of poems that are already known as classics, and also shares with us the delightful work of a number of poets who are rarely found in English translation, such as six female poets including Chiyojo and Hisajo, as well as novelist Natsume Soseki, who, unbeknown to many, also wrote haiku.The book is divided into sections, each starting with a 2-4 page introduction to each poet, followed by a selection of that poet's haiku, in Japanese script and English translation. Online audio files are available with recordings of the poems in both English and Japanese.

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Book SynopsisElegies of Chu (in Chinese, Chuci), one of the two surviving collections of ancient Chinese poetry, is a key source for the whole tradition of Chinese poetry. Because the elegies contain passionate expressions of political protest as well as shamanistic themes of magic spells and wandering spirits, they present an alternative face of early Chinese culture; one that does not align with orthodox Confucianism. This translation employs literary English devices in order to emphasise the original structure of these Chinese poems. It also examines the extraordinarily vivid diction of the source texts, including of onomatopoeia, ornate descriptions, exotic flowers, dramatic landscapes, metaphors and startling similes. This translation will be based on the original anthology compiled in the Han dynasty by Wang Yi (2nd century CE), and contains a selection of poems that were collected from the 3rd century BCE through the Han dynasty. The anthology provides readers with an understanding of Chinese literature and its evolution from free-spirited, mythico-religious songs to the more formal, polished style of the Han court.Trade ReviewThe harmony of erudition and elegance of Williams' renditions will allow his translation to become the standard English version of the Chuci text for years to come. * William H. Nienhauser, Jr., Chinese Literature: Essays, Articles, Reviews *Table of ContentsIntroduction A Note on the Translation Select Bibliography Timeline 1: Sublimating Sorrow (Li sao) 2: Nine Phases 3: Nine Songs 4: Heavenly Questions 5: Nine Avowals 6: Far Roaming 7: Divination 8: Fisherman 9: Summons to the Recluse 10: Summons to the Soul 11: Nine Longings 12: Seven Remonstrances 13: Nine Threnodies 14: Lamenting Time's Fate 15: Rueful Oath 16: Greater Summons 17: Nine Yearnings Explanatory Notes Index

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Book SynopsisExam Board: AQALevel: GCSE Grade 9-1Subject: EnglishSuitable for the 2025 examsComplete coverage of the GCSE grade 9-1 courseRevision that Sticks! Collins AQA GCSE Grade 9-1 Poetry Anthology Love and Relationships Revision Guide uses a revision method that really works: repeated practice throughout.This revision guide contains clear and concise revision notes for every topic covered in the curriculum, plus five practice opportunities to ensure the best results.Includes:quick tests to check understandingend-of-topic practice questionstopic review questions later in the bookmixed practice questions at the end of the bookfree Q&A flashcards to download onlinean ebook version of the revision guide

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Book SynopsisExam Board: AQALevel: GCSE Grade 9-1Subject: English LiteratureSuitable for the 2024 examsTargeted practice questions covering your GCSE grade 9-1 power and conflict anthologyOur Power and Conflict Poetry Anthology GCSE Grade 9-1 workbook has everything you need to put your skills to the test and score top marks on your GCSE Grade 9-1 English Literature exam! Prepare for your exam in a snap with this new GCSE Grade 9-1 Snap Revision Power and Conflict Poetry Anthology Workbook from Collins. Full of questions on language, structure, themes and context in a clear and easy-to-use format with answers included you'll get plenty of practice. With exam-style questions you can plan and write your essay responses to be completely prepared for your AQA exam. Perfect to use alongside the GCSE Grade 9-1 Power and Conflict Poetry Anthology Snap Revision Guide for all the key information you need to practise and pass.

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Book SynopsisSocial convention may have prevented Renaissance women writers from openly taking part in the political and religious debates of their day, but they found varied and innovative ways to intervene. Collecting the work of three great poets-Isabella Whitney, Mary Sidney, and Aemilia Lanyer-this volume repositions women writers of the Renaissance by presenting their poems in the context of their history and culture. Whitney's poems offer the only glimpse into her life, express a concern for women's lack of social and economic power, and powerfully evoke sixteenth-century London. Sidney produced potent translations of Petrarch's works and the Psalms, as well as original verse. Lanyer wrote poems that advocate and praise female virtue and Christian piety, but reflect a desire for an idealized, classless world. The strong and original voices of these three women-each from different social, cultural, and historical strata-demonstrate the emergence of a new female identity during the RenTable of ContentsEdited by Danielle ClarkeAcknowledgmentsIntroductionFurther ReadingTable of DatesA Note on the TextsIsabella Whitneyfrom A SWEET NOSGAYTo the worshipfull and right vertuous yong Gentylman, George Mainwaring Esquier...The Auctor to the ReaderCertain familier Epistles and friendly Letters by the Auctor: with RepliesTo her Brother. G.W.To her Brother. B. W.A modest meane for Maides... to two of her yonger Sisters servinge in LondonTo her Sister Misteris. A.B.To her CosenA carefull complaynt by the unfortunate AuctorIS. W. to C.B. in bewalylynge her mishappesTo my Friend Master T.L. whose good nature I see abusdeIS W. beyng wery of wrtyng, sendeth this for AnswereThe Auchtour (though loth to leave the Citie) upon her Friendes procurement, is constrained to departe...and maketh her Wyll and Testament...A comunication which the Auctor had to London, before she made her WyllThe maner of her Wyll, and what she left to London: and all those in it: at her departing***THE COPY OF A LETTER, lately written in meeter, by a yonge Gentilwoman: to her unconstant Lover...I.W. To her unconstant LoverThe admonition by the Auctor, to all yong Gentilwomen: And to al other Maids being in Love***The lamentation of a Gentilwoman upon the death of her late deceased frend William Gruffith Gent.Mary Sidney, Countess of PembrokeTHE SIDNEY PSALTER"Even now that Care"To the Angell spirit of the most excellent Sir Phillip SidneyThe Psalmes of Mary Sidney, Countess of Pembroke***A Dialogue betweene two shepheards, Thenot, and Piers, in praise of Astrea...***THE TRIUMPH OF DEATH TRANSLATED OUT OF ITALIAN BY THE COUNTESS OF PEMBROOKEThe first chapterThe second chapterAemilia LanyerSALVE DEUS REX JUDAEORUMTo the Queenes most Excellent MajestieTo all vertuous Ladies in generallThe Authors Dreame to the Ladie Marie, the Countesse Dowager of PembrookeTo the Ladie Lucie, Countesse of BedfordTo the Ladie Margaret, Countesse Dowager of CumberlandTo the Ladie Anne, Countesse of DorcetTo the Vertuous ReaderSalve Deus Rex JudaeorumThe Description of Cooke-hamAbbreviations and Short Titles Used in the Notes and Textual ApparatusNotesTextual Apparatus

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Book SynopsisThis ambitious and revelatory collection turns the traditional chronology of anthologies on its head, listing poems according to their first individual appearance in the language rather than by poet.Trade Review'an exceptionally rich collection. Even the best-read will find poets in it who are new to them...' - John Carey, Sunday Times'... assiduously researched, deftly managed and exhilaratingly ramified, [this] is a landmark anthology, perhaps the last great one-volume work of its kind' - TLS'Keegan arranges the poems, rather than the authors, in chronological order; a radical manoeuvre with a startlingly vivifying effect' - John Lanchester, Daily Telegraph'this big book is welcome: serious, wide-ranging and sometimes surprising... a book you should buy, and read, and argue with' - Anthony Thwaite, Sunday Telegraph'Keegan's book is rich with discoveries and reclaimings... [a] very exciting, bold new book.' - James Wood, Guardian'This anthology is a huge joy. [Keegan] shows the scholarship his system requires, and great taste besides.' - Tom Payne, Daily TelegraphTable of ContentsThe Penguin Book of English VersePreface1300-1350(Rawlinson Lyrics)Anonymous 'Ich am of Irlande'Anonymous 'Maiden in the morë lay'Anonymous 'Al night by the rosë, rosë'(Harley Lyrics)Anonymous 'Bitwenë March and Avëril'Anonymous 'Erthë tok of erthe'1350-1400(Grimestone Lyrics)Anonymous 'Gold and al this worldës wyn'Anonymous 'Gloria mundi est'Anonymous 'Love me broughte'Anonymous (The Dragon Speaks)Geoffrey Chaucer from The Parliament of Fowls(Catalogue of the Birds)(Roundel)Geoffrey Chaucer from The Boke of Troilus(Envoi)Anonymous 'When Adam dalf and Eve span'William Langland from The Vision of Piers Plowman(Prologue)(Gluttony in the Ale-house)Geoffrey Chaucer from The Canterbury Talesfrom The General Prologue 'Whan that Aprill with his shoures soote'from The General Prologue (The Prioress)from The Knight's Tale (The Temple of Mars)from The Knight's Tale (Saturn)from The Milleres Tale (Alysoun)from The Wife of Bath's Prologue 'My fourthe housbonde was a revelour'from The Pardoner's Tale 'Thise riotoures thre of whiche I telle'Anonymous from Patience(Jonah and the Whale)Anonymous from Sir Gawain and the Green Knight(Gawain Journeys North)Geoffrey Chaucer Envoy to ScoganJohn Gower from Confessio Amantis(Pygmaleon)(The Rape of Lucrece)1430Thomas Hoccleve from The Complaint of Hoccleve'Aftir that hervest inned had hise sheves'1440Charles of Orleans (Ballade) ('In the forest of Noyous Hevynes')Charles of Orleans (Roundel) ('Take, take this cosse, attonys, atonys, my hert!')Charles of Orleans (Roundel) ('Go forth myn hert wyth my lady')1450(Sloane Lyrics)Anonymous 'Adam lay y-bownden'Anonymous 'I syng of a mayden'Anonymous 'The merthe of alle this londe'Anonymous (Christ Triumphant)Anonymous (Holly against Ivy)Anonymous 'Ther is no rose of swych vertu'1500John Skelton from Phyllyp Sparowe'Whan I remembre agayn'Robert Henryson from The Testament of Cresseid'O ladyis fair of Troy and Greece, attend'William Dunbar Lament, When He Wes Seik1510William Dunbar 'Done is a battell on the dragon blak'William Dunbar 'In to thir dirk and drublie dayis'1515Gavin Douglas/Virgil from The Aeneidfrom Book I (Aeolus Looses the Winds)from The Proloug of the Sevynt Buik of EneadosAnonymous (the Corupus Christi Carol)Anonymous 'Farewell, this world! I take my leve for evere'Anonymous 'Draw me nere, draw me nere'1520Anonymous 'Westron wynde when wyll thow blow'1523John Skelton from A Goodly Garlande or Chapelet of Laurell(The Garden of the Muses: Iopas' Song)To Maystres Isabell PennellJohn Skelton from Speke Parott(Parrot's Complaint)1530William Cornish 'Pleasure it is'1535Myles Coverdale from The BiblePsalm 137: Super flumina1540Sir Thomas Wyatt/Petrarch 'The longe love that in my thought doeth harbar'Sir Thomas Wyatt/Petrarch 'Who so list to hount I knowe where is an hynde'Sir Thomas Wyatt 'They fle from me that sometyme did me seke'Sir Thomas Wyatt 'My lute awake! Perfourme the last'Sir Thomas Wyatt 'Forget not yet the tryde entent'Sir Thomas Wyatt/Alamanni 'Myne owne John Poyntz, sins ye delight to know'1542Henry Howard, Earl of Surrey An Excellent Epitaffe of Syr Thomas Wyat1547Anne Askew The Balade whych Anne Askewe made and sange whan she was in Newgate1557from Tottel's Songes and SonettesSir Thomas Wyatt/Seneca (Chorus from Thyestes) ('Stond who so list upon the Slipper toppe')Henry Howard, Earl of Surrey 'O happy dames, that may embrace'Henry Howard, Earl of Surrey 'Alas, so all thinges nowe doe holde their peace'Henry Howard, Earl of Surrey/Virgil from Certayn bokes of Virgiles Aenaeis(Aeneas searches for his wife)1560from The Geneva Bible, Ecclesiastes 3:1-8 ('To all things there is an appointed time')Robert Weever 'Of Youth He Singeth'1563Barnabe Googe Commynge Home-warde out of SpayneBarnabe Googe An Epytaphe of the Death of Nicolas Grimoald1565Arthur Golding/Ovid from The First Four Books of Ovid(Proserpine and Dis)(Daphne and Apollo)1567Arthur Golding/Ovid from The Fifteen Books of Ovid(Medea's Incantation)1568Alexander Scott 'To luve unluvit it is ane pane'Anonymous 'Christ was the word that spake it'1579Edmund Spenser from The Shepheardes Calender (Roundelay)1580Edmund Spenser Iambicum Trimetrum1581Jasper Heywood/Seneca (Chorus from Hercules Furens)1582Thomas Watson My Love is Past1584Anonymous A New Courtly Sonet, of the Lady Greensleeves1586Chidiock Tichborne 'My prime of youth is but a froste of cares'1588Anonymous 'Constant Penelope, sends to thee carelesse Ulisses'Anonymous/Theocritus from Sixe Idillia . . . chosen out of . . . Theocritus(Adonis)1589Sir Philip Sidney 'My true love hath my hart, and I have his'1590Sir Walter Raleigh 'As you came from the holy land'Mark Alexander Boyd Sonet ('Fra banc to banc fra wod to wod I rin')Sir Henry Lee 'His Golden lockes, Time hath to Silver turn'd'Edmund Spenser from The Faerie Queenefrom Book II, Canto XII (The Bower of Blisse Destroyed)from Book III, Canto VI (The Gardin of Adonis)from Book III, Canto XI (Britomart in the House of the Enchanter Busyrane)1591Sir Philip Sidney from Astrophil and Stella1. 'Loving in truth, and faine in verse my love to show'31. 'With how sad steps, ô Moone, thou climb'st the skies'33. 'I might, unhappie word, ô me, I might'Thomas Campion 'Harke, al you ladies that do sleep'Sir John Harrington/Ariosto from Ariosto's Orlando Furioso (Astolfo flies by Chariot to the Moon)1592John Lyly from Midas'Pan's Syrinx was a Girle indeed'Samuel Daniel from Delia45. 'Care-charmer sleepe, sonne of the Sable night'Henry Constable 'Deere to my soule, then leave me not forsaken'Sir Walter Raleigh The Lie1593from The Phoenix NestAnonymous 'Praisd be Dianas faire and harmles light'Thomas Lodge The Sheepheards Sorrow, Being Disdained in LoveBarnabe Barnes from Parthenophil and Parthenophe (Sestina)('Then, first with lockes disheveled, and bare')Sir Philip Sidney from The Countess of Pembroke's Arcadia'Yee Gote-heard Gods, that love the grassie mountaines'1594William Shakespeare from Love's Labours Lost'When Dasies pied, and Violets blew'Anonymous 'Weare I a Kinge I coude commande content'1595Edmund Spenser from AmorettiSonnet LXVII. ('Lyke as a huntsman after weary chace')Sonnet LXVIII. ('Most glorious Lord of lyfe that on this day')Robert Southwell S. J. Decease ReleaseRobert Southwell S.J. New Heaven, New WarreRobert Southwell S.J. The Burning BabeGeorge Peele from The Old Wives Tale'When as the Rie reach to the chin''Gently dip: but not too deepe'1596Edmund Spenser ProthalamionSir John Davies In CosmumSir John Davies from Orchestra, or a Poeme of Dauncing('The speach of Love persuading men to learn Dancing')1597Anonymous 'Since Bonny-boots was dead, that so divinely'William Alabaster Of the Reed That the Jews Set in Our Saviour's HandWilliam Alabaster Of His ConversionRobert Sidney, Earl of Leicester 'Forsaken woods, trees with sharpe storms opprest'1598Sir Philip Sidney 'When to my deadlie pleasure'Sir Philip Sidney 'Leave me ô Love, which reachest but to dust'Mary Herbert, Countess of Pembroke Psalm 58 ('And call yee this to utter what is just')Mary Herbert, Countess of Pembroke from Psalm 139 ('Each inmost peece in me is thine')Christopher Marlowe from Hero and Leander'His bodie was as straight as Circes wand'Anonymous 'Hark, all ye lovely saints above'Christopher Marlowe/Ovid from All Ovids ElegiesBook I, Elegia 5 ('In summers heat and mid-time of the day')Book III, Elegia 13 ('Seeing thou art faire, I barre not thy false playing')John Donne On His Mistris1599Michael Drayton from Idea5. 'Nothing but No and I, and I and No'Alexander Hume from Of the Day Estivall'O perfite light, quhik schaid away'George Peele from David and Fair Bethsabe'Hot sunne, coole fire, tempered with sweet aire'Samuel Daniel from Musophilus(Stonehenge)1600Fulke Greville, Lord Brooke from CaelicaSonnet XLV. ('Absence, the noble truce')Sonnet LXXXIV. ('Farewell sweet boy, complaine not of my truth')Sonnet LXXXV. ('Love is the Peace, whereto all thoughts doe strive')Sonnet XCIX. ('Downe in the depth of mine iniquity')Sonnet C. ('In Night when colours all to blacke are cast')from Englands HeliconAnonymous The Sheepheeards Description of LoveChristopher Marlowe The Passionate Sheepheard to his LoveSir Walter Ralegh The Nimphs Reply to the SheepheardThomas Nashe from Summers Last Will and Testament'Fayre Summer droops, droope men and beasts therefore''Adieu, farewell earths blisse'Anonymous (A Lament for Our Lady's Shrine at Walsingham)Anonymous 'Fine knacks for ladies, cheape choise brave and new'Anonymous 'Thule, the period of cosmography'1601John Holmes 'Thus Bonny-boots the birthday celebrated'William Shakespeare from Twelfth Night'When that I was and a little tiny boy'William Shakespeare (The Phoenix and Turtle)Thomas Campion/Catulus 'My sweetest Lesbia, let us live and love'Thomas Campion 'Followe thy faire sunne unhappy shaddowe'Thomas Campion/Propertius 'When thou must home to shades of under ground'1602Anonymous 'The lowest trees have tops, the Ant her gall'Thomas Campion 'Rose-cheekt Lawra come'1603Anonymous 'Weepe you no more sad fountaines'1604Anonymous The Passionate Mans PilgrimageNicholas Breton from A Solemne Long Enduring Passion'Wearie thoughts doe waite upon me'1607Ben Jonson/Catullus from Volpone'Come my Celia, let us prove'1608Anonymous 'Ay me, alas, heigh ho, heigh ho!'1609Ben Jonson from Epicoene'Still to be neat, still to be dresst'Edmund Spenser from Two Cantos of Mutabilitie(Nature's Reply to Mutabilitie)William Shakespeare from Sonnets18. 'Shall I compare thee to a Summers day?'55. 'Not marble, nor the guilded monuments'60. 'Like as the waves make towards the pibled shore'66. 'Tyr'd with all these for restfull death I cry'73. 'That time of yeeare thou maist in me behold'94. 'They that have powre to hurt, and will doe none'107. 'Not mine owne feares, nor the prophetick soule'116. 'Let me not to the marriage of true mindes'124. 'Yf my deare love were but the childe of state'129. 'Th'expence of Spirit in a waste of shame'138. 'When my love sweares that she is made of truth'144. 'Two loves I have of comfort and dispaire'William Shakespeare from Cymbeline'Feare no more the heate o'th'Sun'Anonymous (Inscription in Osmington Church, Dorset)Anonymous (Inscription in St. Mary Magdalene Church, Milk Street, London)1610John Davies of Hereford The Author Loving These Homely Meats1611from The Authorized Version of the Bible2 Samuel 1:19-27 David lamenteth the death of JonathanJob 3:3-26 Job curseth the day, and services of his birthEcclesiastes 12:1-8 The Creator is to be remembered in due timeGeorge Chapman/Homer from The Iliads of Homerfrom The Third Booke (Helen and the Elders on the Ramparts)from The Twelfth Booke (Sarpedon's Speech to Glaucus)Anonymous A Belmans SongWilliam Shakespeare from The Winter's Tale'When Daffadils begin to peere''Lawne as white as driven Snow'William Shakespeare from The Tempest'Come unto these yellow sands''Full fadom five they Father lies'1612John Webster from The White Divel'Call for the Robin-Red-brest and the wren'George Chapman/Epictetus Pleasd with thy PlaceThomas Campion 'Never weather-beaten Saile'William Fowler 'Ship-broken men whom stormy seas sore toss'1614John Webster from The Dutchesse of Malfy'Hearke, now every thing is still'1615Sir John Harington Of TreasonAnonymous (Tom o' Bedlam's Song)1616Ben Jonson from EpigrammesXIV. To William CamdenXLV. On My First SonneLIX. On SpiesCSVIII. Inviting a Friend to Supper CI. On GutBen Jonson from The Forrest To HeavenWilliam Drummond of Hawthornden Sonnet ('How many times Nights silent Queene her Face')William Browne from Britannia's Pastorals(The Golden Age: Flower-weaving)Thomas Campion 'There is a Garden in her face'Thomas Campion 'Now winter nights enlarge'1618Sir Walter Ralegh (Sir Walter Ralegh to his Sonne)Sir Walter Ralegh from The Ocean to Scinthia'Butt stay my thoughts, make end, geve fortune way'Sir Walter Ralegh 'Even suche is tyme that takes in trust'1619Michael Drayton from Idea61. 'Since ther's no helpe, Come let us kisse and part'Anonymous 'Sweet Suffolk owl, so trimly dight'1620John Donne The CanonizationJohn Donne A Nocturnall upon S. Lucies DayJohn Donne Loves GrowthJohn Donne A Valediction: Forbidding MourningJohn Donne The ExstasieJohn Donne from Holy SonnetsVII. 'At the round earths imagin'd corners'X. 'Death be not proud, though some have called thee'XIV. 'Batter my heart, three person'd God'John Donne A Hymne to Christ, at the Authors last Going into GermanyJohn Donne A Hymne to God the Father1621Katherine, Lady Dyer (Epitaph on Sir William Dyer)Lady Mary Wroth from Pamphilia to Amphilanthus77. 'In this strang labourinth how shall I turne?96. 'Late in the Forest I did Cupid see'1623William Drummond of Hawthornden (For the Baptiste)William Drummond of Hawthornden (Content and Resolute)William Browne On the Countesse Dowager of Pembroke1624Sir Henry Wotton On his Mistress, the Queen of Bohemia1626George Sandys/Ausonius Echo1627Ben Jonson My Picture left in ScotlandBen Jonson An Ode. To HimselfeMichael Drayton from Nimphidia, The Court of Fayrie(Queen Mab's Chariot)1631Michael Drayton These Verses weare Made by Michaell Drayton('Soe well I love thee, as without thee I')Anonymous Felton's EpitaphAnonymous (Epitaph on the Duke of Buckingham)1633George Herbert from The TempleRedemptionPrayerChurch-monumentsDeniallHopeThe CollarThe FlowerThe AnswerA WreathLove1635Francis Quarles Embleme IV (Canticles 7.10 I am my Beloved's)1637Edward, Lord Herbert of Cherbury Epitaph on Sir Philip SidneyRobert Sempill of Beltrees The Life and Death of Habbie Simson, the Piper of KilbarchanThomas Jordan A Double Acrostich on Mrs Svsanna BlvntJohn Milton from A Mask Presented at Ludlow-Castle, 1634(Comus)'The Star that bids the Shepherd fold'1638Thomas Randolph A Gratulatory to Mr Ben. JohnsonSir John Suckling Song ('Why so pale and wan fond Lover?')John Milton Lycidas1640Ben Jonson from A Celebration of Charis, in Ten Lyrick Peeces (Her Triumph)Ben Jonson (A Fragment of Petronius Arbiter)Sidney Godolphin 'Faire Friend, 'tis true, your beauties move'Sidney Godolphin 'Lord when the wise men came from Farr'Henry King An Exequy to His Matchlesse Never to be Forgotten FreindThomas Carew Song. Celia singingThomas Carew Epitaph on the Lady Mary VillersThomas Carew Maria WentworthThomas Carew A Song ('Aske me no more whither doe stray')Thomas Carew Psalme 91William Habington Nox nocti indicat ScientiamWilliam Habington To Castara, Upon an Embrace1641Anonymous On Francis DrakeSir Henry Wotton/Martial Upon the Death of Sir Albert Morton's Wife1642Sir John Denham from Cooper's Hill'Here should my wonder dwell, and here my praise'1645Edmund Waller Song ('Go lovely Rose')Edmund Waller Of the Marriage of the DwarfsEdmund Waller To a Lady in a GardenJohn Milton from On the Morning of Christs Nativity Compos'd 1629'It was the Winter wilde'1646Richard Crashaw from Divine EpigramsUpon Our Saviours Tombe Wherein Never Man was LaidUpon the Infant MartyrsRichard Crashaw Musicks DuellSir John Suckling (Loves Siege)John Hall An Epicurean OdeJames Shirley Epitaph on the Duke of BuckinghamJames Shirley 'The glories of our blood and state'1647John Cleveland Epitaph on the Earl of Strafford1648Sir Richard Fanshawe/Gongora A Great Favorit BeheadedRobert Herrick from HesperidesThe Argument of His BookUpon Julia's VoiceDelight in DisorderTo the Virgins, to Make Much of TimeThe Comming of Good LuckTo MeddowesThe Departure of the Good DaemonUpon Prew His MaidOn HimselfeRobert Herrick The White Island: Or Place of the Blest1649Richard Lovelace from LucastaSong. To Lucasta, Going to the WarresTo Althea from PrisonThe Grasse-hopperWilliam Drummond/Passerat Song"Shephard loveth thow me vell?'1650James Graham, Marquis of Montrose On Himself, upon Hearing What was His SentenceAnonymous from The Second Scottish PsalterPsalm 124Henry Vaughan from Silex Scintillans, Or Sacred PoemsThe Retreate'Silence, and stealth of dayes! 'tis now'The World1651William Cartwright No Platonique LoveJohn Cleveland The AntiplatonickJohn Cleveland A Song of Marke AnthonyThomas Stanley The Snow-ballThomas Stanley The GrassehopperSir Henry Wotton Upon the Sudden Restraint of the Earle of SomersetSir Richard Fanshawe/Horace Odes. IV, 7 To L. Manlius TorquatusRichard Crashaw from The Flaming Heart. Upon the Book and Picture of the Seraphicall Saint Teresa1653Aurelian Townshend A Dialogue betwixt Time and a PilgrimeMargaret Cavendish, Duchess of Newcastle Of Many Worlds in This World1655Henry Vaughan from Silex Scintillans II'They are all gone into the world of light!'Cock-crowingThe Night1656Abraham Cowley from Anacreontiques Translated Paraphrastically from the GreekII. DrinkingX. The GrashopperAbraham Cowley from Davideis(Lot's Wife)William Strode Song ('I saw faire Cloris walke alone')William Strode On Westwell DownesJohn Taylor and Anonymous Non-senseSir John Suckling 'Out upon it, I have lov'd'1657George Daniel Ode. The Robin1659Richard Lovelace The Snayl1662Samuel Butler from Hudibras(The Presbyterian Knight)1663Abraham Cowley Ode. Upon Dr. HarveyAbraham Cowley/Horace The Country Mouse. A Paraphrase upon Horace Book II, Satire 61665Edward, Lord Herbert of Cherbury Sonnet. Made upon the Groves near Merlou CastleJohn Dryden/Ovid from The First Book of Ovid's Metamorphoses(Deucalion and Pyrrha)1694John Dryden To My Dear Friend Mr. Congreve, on His Comedy, Call'd The Double-Dealer1697John Dryden/Virgil from Virgil's Aeneisfrom The Second Book ('The Death of Priam)from The Fourth Book (Fame)from The Sixth Book (Charon)1700John Dryden/Ovid Of the Pythagorean Philosophy, from Ovid's Metamorphoses, Book FifteenJohn Dryden from The Secular Masque'Chronos, Chronos, mend thy Pace'1701Sir Charles Sedley Song ('Phillis, let's shun the common Fate')Anne Finch, Countess of Winchilsea from The Spleen'O'er me, alas! thou dost too much prevail'1704William Congreve Song ('Pious Celinda goes to Pray'rs')William Congreve A Hue and Cry after Fair Amoret1706Isaac Watts The Day of Judgement. An Ode. Attempted in English Sapphick1707Isaac Watts Crucifixion to the World by the Cross of Christ Gal. vi.141709Anne Finch, Countess of Winchilsea Adam Pos'dMatthew Prior An Ode ('The Merchant, to secure his Treasure')Ambrose Phillips A Winter-Piece1710Jonathan Swift A Description of a City Shower1712Joseph Addison Ode ('The Spacious Firmament on high')1713Anne Finch, Countess of Winchilsea A Nocturnal Reverie1714Samuel Jones The Force of LoveAlexander Pope from The Rape of the Lockfrom Canto Ifrom Canto V1716John Gay from Trivia: Or The Art of Walking the Streets of London(Of the Weather)1717Alexander Pope Epistle to Miss Blount, on Her Leaving the Town, after the Coronation1718Matthew Prior A Better Answer to Cloe JealousMatthew Prior The Lady Who Offers Her Looking-Glass to VenusMatthew Prior A True Maid1719Isaac Watts Man Frail, and God Eternal1720Allan Ramsay Polwart on the GreenJohn Gay My Own Epitaph1722Alexander Pope To Mr. Gay . . . on the Finishing His HouseJonathan Swift A Satirical Elegy. On the Death of a Late Famous GeneralWilliam Diaper/Oppian from Oppian's Halieuticks(The Loves of the Fishes)1724Lady Mary Wortley Montagu Epistle from Mrs. Y(onge) to her Husband1725Edward Young from Love of Fame. Satire V'The languid lady next appears in state'Henry Carey from Namby-Pamby. A Panegyric on the New Versification1726Abel Evans On Sir John Vanbrugh (The Architect). An Epigrammatical EpitaphJohn Dyer from Grongar Hill'Now, I gain the Mountain's Brow'Allan Ramsay/Horace 'What young Raw Muisted Beau Bred at his Glass'James Thomson from Summer('Forenoon. Summer Insects Described')('Night. Summer Meteors. A Comet')1727John Gay from FablesThe Wild Boar and the RamThomas Sheridan Tom Punsibi's Letter to Dean SwiftHenry Carey A Lilliputian Ode on their Majesties' Accession1728John Gay from The Beggar's Opera'Were I laid on Grrenland's Coast'1731Alexander Pope from An Epistle to Burlington'At Timon's Villa let us pass a day'Jonathan Swift The Day of JudgementJonathan Swift An Epigram on Scolding1732Jonathan Swift Mary the Cook-Maid's Letter to Dr. Sheridan1733Lady Mary Wortley Montagu (A Summary of Lord Lyttleton's 'Advice to a lady')Alexander Pope from An Epistle to Bathurst(Sir Balaam)George Farewell Quaerè1734Jonathan Swift A Beautiful Young Nymph Going to Bed1735Alexander Pope from Of the Characters of Women: An Epistle to a Lady'Nothing so true as what you once let fall'Alexander Pope from An Epistle from Mr. Pope, to Dr. Arbuthnot'You think this cruel? take it for a rule'Alexander Pope Epitaph Intended for Sir Isaac NewtonJohn Dyer My Ox Duke1737Matthew Green from The Spleen'To cure the mind's wrong biass, spleen'1738Samuel Johnson/Juvenal from London: A Poem in Imitation of the Third Satire of Juvenal'Tho' grief and fondness in my breast rebel'Alexander Pope from Epilogue to the SatiresAlexander Pope Epitaph for One Who Would Not Be Buried in Westminster Abbey1739Jonathan Swift from Verses on the Death of Dr. Swift'The Time is not remote, when I'1740Alexander Pope On Queen Caroline's Death-bedSamuel Johnson An Epitaph on Claudy Phillips, a MusicianCharles Wesley Morning HymnAlexander Pope from The Dunciad(The Tribe of Fanciers)(The Triumph of Dullness)1744Anonymous On the Death of Mr. Popefrom Tommy Thumb's Pretty Song BookAnonymous Cock RobbinAnonymous London Bridge1745Charles Wesley 'Let Earth and Heaven combine'1746William Collins Ode, Written in the Beginning of the Year 1746William Collins Ode to Evening1747William Shenstone Lines Written on a Window at the Leasowes at a Time of Very Deep Snow1748Lady Mary Wortley Montagu A Receipt to Cure the VapoursMary Leapor Mira's WillChristopher Smart A Morning-Piece, Or, An Hymn for the Hay-Makers1749Samuel Johnson/Juvenal from The Vanity of Human Wishes'When first the College Rolls receive his Name'1751Thomas Gray Elegy Written in a Country Church Yard1755Anonymous This is the House That Jack Built1761Christopher Smart from Jubilate Agno'For the doubling of flowers is the improvement of the gardners talent''For I will consider my Cat Jeoffry'1763Christopher Smart from A Song to David'O David, highest in the list'1764Oliver Goldsmith from The Traveller, Or a Prospect of Society (Britain)Samuel Johnson (Lines contributed to Goldsmith's 'The Traveller')1765from Mother Goose's Melody, or Sonnets for the CradleAnonymous 'High diddle diddle'from Thomas Percy's Reliques of Ancient English PoetryAnonymous Sir Patrick SpenceAnonymous Edward, EdwardAnonymous Lord Thomas and Fair AnnetChristopher Smart Hymn. The Nativity of Our Lord and Saviour Jesus Christ1766Oliver Goldsmith from The Vicar of Wakefield'When lovely woman stoops to folly'1769Thomas Gray On L(or)d H(olland')s Seat near M(argat)e, K(en)t1770Oliver Goldsmith from The Deserted Village'Sweet was the sound when oft at evening's close'1772John Byrom On the Origin of EvilRobert Fergusson The Daft-Days1774William Cowper Light Shining out of DarknessWilliam Cowper 'Hatred and vengeance, my eternal portion'Anonymous (Epitaph for Thomas Johnson, huntsman, Charlton, Sussex)Oliver Goldsmith from Retaliation(Edmund Burke)(David Garrick)(Joshua Reynolds)1777Richard Brinsley Sheridan On Lady Anne HamiltonSamuel Johnson Prologue to Hugh Kelly's 'A Word to the Wise'Samuel Johnson (Lines Contributed to Hawkesworth's 'The Rival)Richard Brinsley Sheridan from The School for Scandal Song and Chorus ('Here's to the maiden of Bashful fifteen')1779William Cowper The Contrite Heart. Isaiah lvii. 15Robert Fergusson/Horace Odes I. II1780Samuel Johnson A Short Song of Congratulation1783Samuel Johnson On the Death of Dr. Robert LevetWilliam Blake To the Evening Star1784William Cowper from The Task(The Winter Evening)(The Winter Walk at Noon)1786Robert Burns To a Mouse, on Turning Her Up in Her Nest, with the Plough, November, 17851787Robert Burns Address to the Unco Guid, Or the Rigidly Righteous1789William Blake from Songs of InnocenceHoly ThursdayCharlotte Smith Sonnet. Written in the Church-yard at Middleton in SussexElizabeth Hands On an Unsociable Family1791Robert Burns Tam o' Shanter. A Tale1792Robert Burns Song ('Ae fond kiss, and then we sever')1793William Blake from Visions of the Daughters of Albion'Then Oothoon waited silent all the day'William Blake 'Never seek to tell thy love'1794William Blake from Songs of Innocence and of ExperienceIntroduction ('Hear the voice of the Bard!')The Clod and the PebbleThe Sick RoseThe TygerAh! Sun-FlowerThe Garden of LoveLondonA Poison Tree1796Samuel Taylor Coleridge The Eolian HarpRobert Burns A Red, Red Rose1797George Canning and John Hookham Frere SapphicsCharlotte Smith Sonnet. On being Cautioned against Walking on a Headland Overlooking the Sea1798from Lyrical BalladsSamuel Taylor Coleridge from The Rime of the Ancyent Marinere, in Seven Parts'It is an ancyent Marinere'William Wordsworth Old Man TravellingWilliam Wordsworth Lines Written a Few Miles above Tintern AbbeySamuel Taylor Coleridge Frost at Midnight1799William Wordsworth from The Two-Part Prelude of 1799'Was it for this?'Robert Burns from Love and Liberty. A Cantara'See the smoking bowl before us'1800William Wordsworth from Lyrical Ballads'A slumber did my spirit seal'Song ('She dwelt among th' untrodden ways')1801Robert Burns 'Oh wert thou in the cauld blast'Robert Burns The Fornicator. A New Song1802Samuel Taylor Coleridge Dejection. An Ode, Written April 4, 1802Sir Walter Scott (editor) from Minstrelsy of the Scottish BorderAnonymous The Wife of Usher's WellAnonymous Thomas RhymerAnonymous Lord RandalAnonymous A Lyke-Wake Dirge1803Anonymous The Twa CorbiesWilliam Cowper The SnailWilliam Cowper The Cast-away1804William Blake from Milton (Preface)'And did those feet in ancient time'William Blake 'Mock on Mock on Voltaire Rousseau'1805William Blake The Crystal CabinetWilliam Blake from Auguries of Innocence'To see a World in a Grain of Sand'1806Anonymous Lamkin1807William Wordsworth Composed upon Westminster BridgeWilliam Wordsworth Elegaic Stanzas Suggested by a Picture of Peele CastleWilliam Wordsworth The Small CelandineWilliam Wordsworth Ode (Intimations of Immortality)1808Thomas Moore 'Oh! blame not the bard, if he fly to the bowers'1810George Crabbe from The Boroughfrom Prisons (The Condemned Man)from Peter Grimes ('Alas! for Peter not an helping Hand')Sir Walter Scott from The Lady of the LakeCoronach1815George Gordon, Lord Byron Stanzas for Music1816Samuel Taylor Coleridge Kubla Khan Or, A Vision in a Dream. A FragmentJohn Keats On First Looking into Chapman's HomerPercy Bysshe Shelley To Wordsworth1817Samuel Taylor Coleridge from The Rime of the Ancient Mariner'I fear thee, ancient Mariner!John Keats 'After dark vapours have oppress'd our plains'1818John Keats from Endymion'But there are Richer entanglements'Percy Bysshe Shelley OzymandiasSir Walter Scott from The Heart of Mid-Lothian'Proud Maisie is in the wood'1819Sir Walter Scott from The Bride of Lammermoor(Lucy Ashton's song)George Crabbe from Tales of the Hallfrom Delay has Danger ('Three weeks had past, and Richard rambles now')William Blake To the Accuser Who is the God of This WorldPercy Bysshe Shelley from The Mask of Anarchy'As I lay asleep in Italy'George Gordon, Lord Byron from Don Juanfrom Canto I (Juan's Puberty)from Canto II (The Shipwreck)John Keats The Eve of St. AgnesJohn Keats Ode to a NightingaleJohn Keats Ode on a Grecian UrnJohn Keats To AutumnJohn Keats Ode on MelancholyJohn Keats 'Bright star! would I were steadfast as thou art -'1820John Keats La Belle Dame sans Merci. A BalladPercy Bysshe Shelley Ode to the West WindPercy Bysshe Shelley from The Sensitive-Plant'Whether the Sensitive-plant, or that'1821Percy Bysshe Shelley from Adonais'The One remains, the many change and pass'1822George Gordon, Lord Byron from The Vision of Judgment'Saint Peter sat by the celestial gate'1823George Gordon, Lord Byron Aristomenes. Canto First1824George Gordon, Lord Byron January 22nd 1824. Messalonghi. On This Day I Complete My Thirty Sixth YearGeorge Gordon, Lord Byron 'Remember Thee, Remember Thee!'Percy Bysshe Shelley To Jane. The InvitationPercy Bysshe Shelley from Julian and Maddalo. A Conversation'I rode one evening with Count Maddalo'Percy Bysshe Shelley from The Triumph of Life'As in that trance of wondrous thought I lay'Caroline Oliphant, Baroness Nairne The Laird o' CockpenCaroline Oliphant, Baroness Nairne The Land o' the Leal1826Anonymous (A Metrical Adage)Anonymous Tweed and TillAnonymous (A Rhyme from Lincolnshire)1827Winthrop Mackworth Praed Good-night to the Season1828Thomas Hood Death in the KitchenSamuel Taylor Coleridge Duty Surviving Self-Love1829Felicia Dorothea Hemans CasabiancaDorothy Wordsworth Floating IslandLaetitia Elizabeth Landon Lines of LifeLaetitia Elizabeth Landon RevengeThomas Love Peacock The War-Song of Dinas VawrWinthrop Mackworth Praed Arrivals at a Watering Place1830George Gordon, Lord Byron 'So, we'll go no more a roving'1831Walter Savage Landor'Past ruin'd Ilion Helen lives'Walter Savage Landor DirceWalter Savage Landor On Seeing a Hair of Lucrezia Borgia1832George Gordon, Lord Byron Lines on Hearing That Lady Byron was Ill1833Hartley Coleridge 'Long time a child, and still a child, when years'1834Samuel Taylor Coleridge The Knight's Tomb1835John Clare The Nightingales NestJohn Clare The Sky LarkJohn Clare Mist in the MeadowsJohn Clare Sand MartinGeorge Darley from Nepenthe'Hurry me Nymphs!'1836John Henry Newman The Pillar of the Cloud1837George Darley The Mermaidens' Vesper-HymnJohn Clare 'I found a ball of grass among the hay'John Clare 'The old pond full of flags and fenced around'John Clare from The Badger'When midnight comes a host of dogs and men'1838Leigh Hunt from The Fish, the Man, and the SpiritTo FishA Fish Answers1839Thomas Hood Sonnet to Vauxhall1842Robert Browning My Last DuchessRobert Browning from Waring'What's become of Waring'Alfred, Lord Tennyson UlyssesElizabeth Barrett Browning Grief1844William Barnes The Clote1845William WordsworthThe Simplon PassThomas Hood Stanzas ('Farewell, Life! My senses swim')Robert Browning The Bishop Orders His Tomb at Saint Praxed's Church1846Edward Lear from A Book of Nonsense'There was an Old Man with a beard''There was an Old Person of Basing''There was an Old Man of Whitehaven'Emily Jane Bronte 'The night is darkening round me'Emily Jane Bronte 'Fall leaves fall die flowers away'Emily Jane Bronte 'All hushed and still within the house'Emily Jane Bronte RemembranceJames Clarence Mangan Siberia1847Alred, Lord Tennyson from The Princess'Now sleeps the crimson petal, now the white''Come down, O maid, from yonder mountain height'1848John Clare 'I am'1849Walter Savage Landor 'I strove with none, for none was worth my strife'Matthew Arnold from Resignation. To Fausta('He sees the gentle stir of birth')1850Emily Jane Bronte and Charlotte Bronte The VisionaryAlfred, Lord Tennyson from In Memoriam A.H.H.II. 'Old Yew, which graspest at the stones'VII. 'Dark house, by which once more I stand'XI. 'Calm is the morn without a sound'LVI. '"So careful of the type?" but no'CXV. 'Now fades the last long streak of snow'Thomas Lovell Beddoes from Death's Jest Book, or the Fool's Tragedy'And what's your tune?'1851Thomas Lovell Beddoes from The Last ManA CrocodileA Lake1852Matthew Arnold To Marguerite - Continued1853Walter Savage Landor 'Our youth was happy: why repine'Walter Savage Landor Separation1854James Henry 'Another and another and another'James Henry 'The son's a poor, wretched, unfortunate creature'1855Robert Browning Love in a LifeRobert Browning How It Strikes a ContemporaryRobert Browning MemorabiliaRobert Browning Two in the Campagna1856Coventry Patmore from Victories of Love, Book 1, 2'He that but once too nearly hears'1858Arthur Hugh Clough from Amours de Voyage (Canto II)V. 'Yes, we are fighting at last, it appears'VII. 'So, I have seen a man killed!'VIII. 'Only think, dearest Louisa'IX. 'It is most curious to see what a power'X. 'I am in love, meantime, you think'1859Edward Fitzgerald from Rubáiyát of Omar Khayyám'Awake! for Morning in the Bowl of Night'William Barnes My Orcha'd in Linden LeaWilliam Barnes False Friends-like1860Alfred, Lord Tennyson Tithonus1861Dante Gabriel Rossetti/Dante Sestina: of the Lady Pietra degli ScrovigniAdelaide Anne Procter Envy1862Christina Rossetti MayChristina Rossetti Song ('When I am dead, my dearest')Christina Rossetti Winter: My SecretElizabeth Barrett Browning Lord Walter's WifeElizabeth Barrett Browning A Musical InstrumentGeorge Meredith from Modern LoveI. 'By this he knew she wept with waking eyes'XVII. 'At dinner she is hostess, I am host'XXXIV. 'Madam would speak with me. So now it comes'L. 'Thus piteously Love closed what he begat'Arthur Hugh Clough The Latest DecalogueAlgernon Charles Swinburne Free ThoughtWilliam Barnes Leaves-a-VallènWilliam Barnes The Turnstile1863Walter Savage Landor MemoryDante Gabriel Rossetti Sudden Light1864Robert Browning Youth and ArtJohn Clare 'The thunder mutters louder and more loud'1865Lewis Carroll from Alice's Adventures in Wonderland'"You are old, Father William," the young man said''They told me you had been to her'George Eliot In a London DrawingroomArthur Hugh Clough from Dipsychus'"There is no God," the wicked saith'1866Algernon Charles Swinburne ItylusAlgernon Charles Swinburne from Sapphics'All the night sleep came not upon my eyelids'Christina Rossetti The Queen of HeartsChristina Rossetti 'What Would I Give'1867Matthew Arnold Dover BeachMatthew Arnold Growing OldDora Greenwell A Scherzo. (A Shy Person's Wishes)1868Charles Turner On a Vase of Gold-FishMortimer Collins Winter in Brighton1869Matthew Arnold 'Below the surface-stream, shallow and light'1870Augusta Webster from A Castaway'Poor little diary, with its simple thoughts'Dante Gabriel Rossetti A Match with the MoonDante Gabriel Rossetti The Woodspurge1871Edward Lear 'There was an old man who screamed out'Edward Lear The Owl and the Pussy-Cat1872Lewis Carroll from Through the Looking-Glass'In winter, when the fields are white'Christina Rossetti from Sing-Song: A Nursery Rhyme Book'Dead in the cold, a song-singing thrush''A city plum is not a plum''If a pig wore a wig''I caught a little ladybird'Robert Browning (Rhyme for a Child Viewing a Naked Venus)1875Christina Rossetti By the Sea1877Coventry Patmore Magna est VeritasGerard Manley Hopkins The Windhover: To Christ our LordGerard Manley Hopkins Pied BeautyGerard Manley Hopkins from The Wreck of the Deutschland'Thou mastering me'1878Algernon Charles Swinburne A Forsaken GardenAlgernon Charles Swinburne A Vision of Spring in Winter1880Alfred, Lord Tennyson RizpahCharles Turner Letty's Globe1881Joseph Skipsey 'Get Up!'Christina Rossetti 'Summer is Ended'Gerard Manley Hopkins InversnaidGerard Manley Hopkins 'As kingfishers catch fire, dragonflies draw flame'Robert Louis Stevenson from Treasure IslandPirate DittyRobert Louis Stevenson 'Last night we had a thunderstorm in style'1882William Allingham 'Everything passes and vanishes'1884Amy Levy Epitaph (On a Commonplace Person Who Died in Bed)1885Alfred, Lord Tennyson To E. FitzGeraldGerard Manley Hopkins Spelt from Sibyl's LeavesGerard Manley Hopkins 'I wake and feel the fell of dark, not day'1886Dante Gabriel Rossetti from A Trip to Paris and BelgiumI. from London to FolkestoneXVI. Antwerp to Ghent1887Anonymous Johnny, I Hardly Knew YeRobert Louis Stevenson To Mrs Will H. LowRobert Louis Stevenson 'My house, I say. But hark to the sunny doves'May Kendall Lay of the Trilobite1888A. Mary F. Robinson NeurastheniaW. E. Henley from In HospitalII. WaitingIII. Interior1889Amy Levy A Ballade of Religion and MarriageW. B. Yeats Down by the Salley Gardens1891William Morris Pomona1892Rudyard Kipling Danny DeeverRudyard Kipling MandalayW. B. Yeats The Sorrow of LoveArthur Symons At the Cavour1894John Davidson Thirty Bob a Week1895Robert Louis Stevenson To S. R. CrockettAlice Meynell Cradle-Song at TwilightAlice Meynell ParentageMay Probyn TrioletsTête-à-TêteMasqueradingA Mésalliance1895Mary E. Coleridge An Insincere Wish Addressed to a BeggarChristina Rossetti Promises like Pie-crustErnest Dowson Vitae summa brevis spem nos vetat incohare longamA. E. Housman from A Shropshire LadXII. 'When I watch the living meet'XL. 'Into my heart an air that kills'LII. 'Far in a western brookland'John Davidson A Northern Suburb1897Arthur Symons White HeliotropeRudyard Kipling Recessional1898Oscar Wilde from The Ballad of Reading Gaol'He did not wear his scarlet coat'W. E. Henley To W. R.Thomas Hardy Neutral TonesThomas Hardy Thoughts of Phena1900Thomas Hardy The Darkling Thrush1906Walter De La Mare The BirthnightWalter De La Mare AutumnWalter De La Mare Napoleon1908Mary E. Coleridge No NewspapersMichael Field (Katherine Bradley and Edith Cooper) The Mummy Invokes His Soul1909John Davidson SnowJ. M. Synge On an Island1910J. M. Synge The 'Mergency Man1911W. H. Davies Sheep1912Thomas Hardy The Convergence of the TwainT. E. Hulme AutumnT. E. Hulme ImageEzra Pound The Return1913Ezra Pound In a Station of the Metro1914H. D. (Hilda Doolittle) OreadThomas Hardy from Poems of 1912-13The WalkThe VoiceAfter a JourneyAt Castle BoterelW. B. Yeats The Cold HeavenW. B. Yeats The MagiCharlotte Mew Fame1915Ezra Pound The GypsyEzra Pound/Rihaku from CathayThe River-Merchant's Wife: A LetterLament of the Frontier GuardRupert Brooke PeaceRupert Brooke Heaven1916D. H. Lawrence SorrowCharles Hamilton Sorley 'When you see millions of the mouthless dead'Edward Thomas Cock-CrowEdward Thomas AspensAnna Wickham The Fired PotCharlotte Mew A quoi bon direCharlotte Mew The Quiet House1917T. S. Eliot The Love Song of J. Alfred PrufrockT. S. Eliot Aunt HelenIsaac Rosenberg Break of Day in the TrenchesIsaac Rosenberg August 1914Isaac Rosenberg 'A worm fed on the heart of Corinth'Thomas Hardy During Wind and RainEdward Thomas Old ManEdward Thomas Tall NettlesEdward Thomas Blenheim OrangesEdward Thomas Rain1918Wilfred Owen FutilityWilfred Owen Anthem for Doomed YouthWilfred Owen The Send-OffWilfed Owen Maundy ThursdaySiegfried Sassoon Base DetailsSiegfried Sassoon The General1919Siegfried Sassoon Everyone SangIvor Gurney To His LoveIvor Gurney The Silent OneRudyard Kipling from Epitaphs of War, 1914-18A ServantA SonThe CowardThe Refined ManCommon FormRudyard Kipling GethsemaneLaurence Binyon For the Fallen (September 1914)W. B. Yeats The Wild Swans at CooleT. S. Eliot Sweeney Among the NightingalesEzra Pound from Homage to Sextus PropertiusVI. 'When, when, and whenever death closes our eyelids'1920Ezra Pound from Hugh Selwyn MauberleyII. 'The age demanded an image'IV. 'These fought in any case'V. 'There died a myriad'W. B. Yeats Easter, 1916T. S. Eliot GerontionA. E. Housman from Last PoemsXII. 'The laws of God, the laws of man'XXXIII. 'When the eye of day is shut'XXXVII. Epitaph on an Army of MercenariesXL. 'Tell me not here, it needs not saying'A. E. Housman 'It is a fearful thing to be'1922T. S. Eliot from The Waste LandI. The Burial of the DeadIV. Death by WaterIvor Gurney PossessionsIvor Gurney The High Hills1923D. H. Lawrence Medlars and Sorb-ApplesD. H. Lawrence The MosquitoD. H. Lawrence The Blue JayHilaire Belloc On a General ElectionHilaire Belloc Ballade of Hell and of Mrs RoebeckW. B. Yeats Leda and the Swan1925Robert Graves Love Without HopeRobert Bridges To Francis JammesEdmund Blunden The Midnight SkatersBasil Bunting from Villon'Remember, imbeciles and wits'Edwin Muir ChildhoodHugh Macdiarmid from SangschawThe WatergawThe Eemis Stane1926Hugh Macdiarmid Empty VesselHugh Macdiarmid from A Drunk Man Looks at the Thistle'O wha's the bride that carries the bunch?'1927James Joyce from Pomes PenyeachBahnhofstrasse1928Thomas Hardy Lying AwakeAustin Clarke The Planter's DaughterW. B. Yeats Sailing to ByzantiumW. B. Yeats from Meditations in Time of Civil WarV. The Road at My DoorVI. The State's Nest by My WindowW. B. Yeats Among School ChildrenW.H. Auden 'Taller to-day, we remember similar evenings'1929D. H. Lawrence The Mosquito KnowsD. H. Lawrence To Women, As Far As I'm ConcernedD. H. Lawrence Innocent EnglandE. C. Bentley (Clerihews)'George the Third''Nell'Edmund Blunden Report on ExperienceRobert Graves Sick LoveRobert Graves Warning to ChildrenRobert Graves It Was All Very Tidy1930W. H. Auden 'This lunar beauty'T. S. Eliot Marina1932Basil Bunting from Chomei at Toyama'I have been noting events forty years'D. H. Lawrence Bavarian Gentians1933Rudyard Kipling The BonfiresW. B. Yeats In Memory of Eva Gore-Booth and Con MarkieviczDylan Thomas The force that through the green fuse1934Hugh Macdiarmid from On a Raised Beach'All is lithogenesis - or lochia'1935William Empson This Last PainWilliam Empson Homage to the British MuseumLouis Macneice SnowWilliam Soutar The Tryst1936W. H. Auden 'Out on the lawn I lie in bed'W. H. Auden 'Now the leaves are falling fast'Elizabeth Daryush Still-LifeLaura Riding The Wind SuffersPatrick Kavanagh Inniskeen Road: July EveningA. E. Housman from More PoemsXXIII. 'Crossing alone the nighted ferry'XXXI. 'Because I liked you better'1937A. E. Housman 'Oh who is that young sinner with the handcuffs on his wrists?'John Betjeman The Arrest of Oscar Wilde at the Cadogan HotelDavid Jones from In Parenthesisfrom Part 3 'And the deepened stillness'from Part 7 'But sweet sister death'1938Austin Clarke The Straying StudentRobert Graves To Evoke PosterityElizabeth Daryush 'Children of wealth in your warm nursery'Louis Macneice The Sunlight on the Garden1939W. B. Yeats Long-legged FlyW. H. Auden In Memory of W. B. YeatsLouis Macneice from Autumn JournalI. 'Close and slow, summer is ending in Hampshire'XV. 'Shelley and jazz and lieder and love and hymn-tunes'1940W. H. Auden Musée des Beaux ArtsJohn Betjeman Pot-Pourri from a Surrey GardenWilliam Empson Missing DatesWilliam Empson Aubade1941Louis Macneice Meeting PointLouis Macneice Autobiography1942T. S. Eliot from Little GiddingII. 'Ash on an old man's sleeve'Alun Lewis Raiders' DawnNorman Cameron Green, Green is El AghirStevie Smith Bog-FaceStevie Smith DirgePatrick Kavanagh from The Great Hungerfrom I. 'Clay is the word and clay is the flesh'III. 'Poor Paddy Maquire, a fourteen-hour day'from XI. 'The cards are shuffled and the deck'from XII. 'The fields were bleached white'1943Henry Reed Judging DistancesDavid Gascoyne Snow in EuropeDavid Gascoyne A Wartime DawnKeith Douglas Desert Flowers1944H. D. (Hilda Doolittle) from The Walls Do Not FallI. 'An incident here and there'Sorley Maclean HallaigLaurence Binyon Winter SunriseLaurence Binyon The Burning of the LeavesKeith Douglas Vergissmeinnicht1945Robert Graves To Juan at the Winter SolsticeDylan Thomas Poem in OctoberW. H. Auden from The Sea and the MirrorMirandaRuth Pitter But for LustWilliam Empson Let It Go1946Samuel Beckett Saint-LôKeith Douglas How to Kill1949Edwin Muir the Interrogation1950Marion Angus Alas! Poor QueenStevie Smith Pad, Pad1951Dylan Thomas Over Sir John's Hill1952Dylan Thomas Do not go gentle into that good nightW. H. Auden The Fall of RomeW. H. Auden The Shield of Achilles1954John Betjeman Devonshire Street W.1Robert Garioch ElegyThom Gunn The WoundPhilip Larkin At Grass1955Norman Maccaig Summer Farm1956Edwin Muir The Horses1957Ted Hughes The Thought-FoxLouis Macneice House on a CliffStevie Smith Not Waving But DrowningStevie Smith Magna est Veritas1959Geoffrey Hill A Pastoral1960Ted Hughes PikePatrick Kavanagh EpicPatrick Kavanagh Come Dance with Kitty StoblingPatrick Kavanagh The Hospital1961R. S. Thomas HereRoy Fisher from Cityfrom By the PondToylandThom Gunn In Santa Maria del PopoloThom Gunn My Sad Captains1962Malcolm Lowry (Strange Type)Christopher Logue/Homer from Patrocleia(Apollo Strikes Patroclus)1963Charles Tomlinson The Picture of J. T. in a Prospect of StoneR. S. Thomas On the FarmLouis Macneice Soap SudsLouis Macneice The TaxisAustin Clarke Martha Blake at Fifty-One1964Philip Larkin Mr BleaneyPhilip Larkin HerePhilip Larkin DaysPhilip Larkin AfternoonsDonald Davie The Hill Field1965Sylvia Plath Sheep in FogSylvia Plath The Arrival of the Bee BoxSylvia Plath Edge1966Basil Bunting from BriggflattsI. 'Brag, sweet tenor bull'R. S. Thomas PietàR. S. Thomas GiftsSeamus Heaney Personal Helicon1967Ted Hughes ThistlesTed Hughes Full Moon and Little FriedaJohn Montague from A Chosen LightII. rue DaguerreGeorge Theiner/Miroslav Holub The Fly1968Geoffrey Hill Ovid in the Third ReichGeoffrey Hill September SongRoy Fisher As He Came Near DeathRoy Fisher The Memorial Fountain1969Michael Longley PersephoneDouglas Dunn A Removal from Terry StreetDouglas Dunn On Roofs of Terry StreetNorman Maccaig Wild OatsIain Crichton Smith Shall Gaelic Die?1970W. S. Graham Malcolm Mooney's LandIan Hamilton The VisitIan Hamilton NewscastTom Leonard from Unrelated Incidents3. 'this is thi'Ted Hughes from CrowA Childish Prank1971Thom Gunn MolyGeoffrey Hill from Mercian HymnsI. 'King of the perennial holly-graves'VI. 'The princes of Mercia were badger and raven'VII. 'Gasholders, russet among fields'XXVII. 'Now when King Offa was alive and dead'George Mackay Brown Kirkyard1972Stevie Smith ScorpionCharles Tomlinson Stone SpeechDerek Mahon An Image from BeckettSeamus Heaney The Tollund ManSeamus Heaney BroaghDouglas Dunn Modern LoveÉilean Ní Chuilleanáin SwineherdÉilean Ní Chuilleanáin The Second Voyage1973Thomas Kinsella Hen WomanThomas Kinsella AncestorMichael Longley WoundsPaul Muldoon Wind and Tree1974Philip Larkin This Be the VersePhilip Larkin MoneyPhilip Larkin from LivingsII. 'Seventy feet down'Philip Larkin The ExplosionPadraic Fallon A Bit of Brass1975Seamus Heaney from Singing School6. ExposureDerek Mahon The Snow PartyDerek Mahon A Disused Shed in Co. WexfordD. J. Enright Remembrance SundayJohn Fuller Wild Raspberries1976Michael Longley Man Lying on a WallElma Mitchell Thoughts after RuskinThom Gunn The Idea of Trust1977Donald Davie from In the Stopping Train'I have got into the slow train'Norman Maccaig Notations of Ten Summer MinutesW. S. Graham Lines on Roger Hilton's WatchRobert Garioch The Maple and the Pine1978Geoffrey Hill from An Apology for the Revival of Christian Architecture in England9. The Laurel Axe12. The Eve of St MarkThomas Kinsella Tao and Unfitness at Inistiogue on the River NoreJames Fenton In a NotebookJeffrey Wainwright 18151979Craig Raine A Martian Sends a Postcard HomeChristopher Reid BaldandersTed Hughes February 17thSeamus Heaney The Strand at Lough BegMichael Longley from WreathsThe Linen Workers1980Tom Paulin Where Art is a MidwifePaul Muldoon Why Brownlee LeftPaul Muldoon AnseoPaul Durcan Tullynoe: Tête-à-Tête in the Parish Priest's ParlourPaul Durcan The Death by Heroin of Sid Vicious1981James Fenton A German RequiemTony Harrison The Earthen LotDerek Mahon Courtyards in Delft1983Paul Muldoon QuoofPaul Muldoon The FrogTom Paulin Desertmartin1984Seamus Heaney WidgeonSeamus Heaney from Station IslandVII. 'I had come to the edge of the water'Douglas Dunn from ElegiesThe Sundial1985Derek Mahon AntarcticaJohn Agard Listen to Mr Oxford don1987Peter Didsbury The HailstonePaul Muldoon Something ElseCiaran Carson DresdenEavan Boland Self-Portrait on a Summer Evening1988Charles Causley Eden RockEdwin Morgan The DowserNorman Maccaig Chauvinist1989Ted Hughes Telegraph Wires1990Ken Smith Writing in PrisonCiaran Carson Belfast ConfettiNuala Níi Dhomhnaill (trans. Paul Muldoon) The Language IssueEavan Boland The Black Lace Fan My Mother Gave Me1991Seamus Heaney from LighteningsVIII. 'The annals say: when the monks of Clonmacnoise'Michael Longley The Butchers1992Denise Riley A Misremembered LyricThom Gunn The HugThom Gunn The Reassurance1994Hugo Williams PrayerHugo Williams Last PoemEiléan Ní Chuilleanáin Studying the LanguageChristopher Reid/Ovid Stories and BonesAcknowledgementsIndex of PoetsIndex of First linesIndex of Titles

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Book SynopsisPaula Burnett was born in 1942 in Chelmsford, and was educated at Oxford University. She is the author of Derek Walcott: Politics and Poetics, among many other publications. Her most recent book presents her international research project to promote minority literatures, produced in collaboration with universities in Belgium, Germany, Italy and Spain. She teaches postcolonial literature and creative writing at Brunel University, London.

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Book SynopsisThe poems of two of China’s most influential classical poets: Tu Fu, called “China’s Shakespeare” (BBC), and Li Po, the subject of Ha Jin’s The Banished Immortal and “China’s most beloved poet” (The New Yorker)   A Penguin ClassicLi Po (AD 701–62) and Tu Fu (AD 712–70) were devoted friends who are traditionally considered to be among China's greatest poets. Li Po, a legendary carouser, was an itinerant poet whose writing, often dream poems or spirit-journeys, soars to sublime heights in its descriptions of natural scenes and powerful emotions. His sheer escapism and joy is balanced by Tu Fu, who expresses the Confucian virtues of humanity and humility in more autobiographical works that are imbued with great compassion and earthy reality, and shot through with humour. Together these two poets of the T'ang dynasty complement each other so well that they often came to be spoken ofTable of ContentsLi Po and Tu FuAcknowledgmentsPronounciation of Chinese Words and NamesNote on the Chinese CalligraphyIntroduction1. "Li-Tu"2. The Background to their Times3. Li Po4. Tu Fu5. The Background to T'ang Poetry: The Beginnings: The 'Book of Odes', the Language and Script6. The Background to T'ang Poetry: The Ch'u Tz'u7. The Background to T'ang Poetry: The Ballads and the Principles of Chinese Syllabic Metre8. A Demonstration by Ballad9. The Approach to Translation in this Book10. The Tones and the 'Chinese Sonnet'11. Reading the Poems in EnglishLi PoTu FuList of TitlesIndex of First Lines

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Book SynopsisRoger McGough is one of Britain''s best loved poets and this collection ''charts [his] passage from youthful exuberance to the wry reflection of his later years. What remains the same throughout the 40 years is the poet''s winning wit, accessibility and abiding readability'' Independent ----------------------------------''Time has confirmed ... that McGough''s talent was much more substantial than many of his long-forgotten detractors suspected. If he was a pop poet it was not in any ephemeral sense. A shy extrovert ... he has given voice to poetry and found a voice of his own which is humourful, introspective, irreverent, easy on the ear, conversational. It is also memorable and enduring and fresh. Age has not withered [his lines] nor diminished their potency. Of how much modern poetry can you say that?'' Sunday Herald

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Book SynopsisPart of a new series Legends from the Ancient North, The Elder Edda is one of the classic books that influenced JRR Tolkien''s The Hobbit and The Lord of the Rings''I was in the East, battling giants,wicked-hearted women, who wandered the fells;great would be the giant-race, if they all lived: mankind would be nothing under, middle-earth. What did you do meantime, Grey-beard?''J.R.R. Tolkien spent much of his life studying, translating and teaching the great epic stories of northern Europe, filled with heroes, dragons, trolls, dwarves and magic. He was hugely influential for his advocacy of Beowulf as a great work of literature and, even if he had never written The Hobbit and The Lord of the Rings, would be recognised today as a significant figure in the rediscovery of these extraordinary tales.Legends from the Ancient North brings together from Penguin Classics five of the key works behi

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Book SynopsisA celebratory 20th anniversary edition of A landmark collection from black writers across the literary spectrum''The fact that IC3, the police identity for Black, is the only collective term that relates to our situation here as residents (''Black British'' is political and refers to Africans, Asians, West Indians, Americans and sometimes even Chinese) is a sad fact of life I could not ignore'' from Courttia Newland''s Introduction, 2000First published twenty years ago into a different literary landscape, IC3 showcases the work of more than 100 black British authors, celebrating their lasting contributions to literature and British culture. It spans a wealth of genres to demonstrate the range and astonishing literary achievements of black writers, including:Poetry from Roger Robinson, Bernardine Evaristo, Jackie Kay and Benjamin Zephaniah. Short stories from Ferdinand Dennis, Diana Evans, Catherine Jonson, E.A. Markham a

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Book SynopsisA timeless collection of poems chosen by a Classic FM listener poll. Includes poems for every occasion by Shakespeare to Byron, Betjeman and Dylan Thomas.

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Book SynopsisHumor buffs and poetry lovers will laugh out loud with this captivating collection of more than 350 limericks featuring limerick legends plus renowned political figures, poets, and writers.

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Book SynopsisDuring the 1920s, Scottish poetry, personified by Hugh MacDiarmid, asserted its independence, denying the claim made by T. S. Eliot that all significant differences between Scottish and English literature had ceased to exist. It was an energetic ''No'' to provincialism, and a vigorous ''Yes'' to nationalism as an enabler of poetry. On its first appearance in 1992, the retrospective and organising vision of Douglas Dunn''s now-classic anthology revealed a profounder level of achievement in modern Scottish poetry - whether in Scots, Gaelic or English - than had been formerly acknowledged, and introduced an entire canon of writing to a wider readership, edited with discrimination and exemplary lucidity.

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Book SynopsisPoems of the Decade 2011-2020 celebrates the thirtieth anniversary of the Forward Prizes for Poetry. Gathering one hundred poems by writers and performers who have drawn new audiences to the artform, it highlights poetry as a space for fresh powerful language, feeling and thought. It includes poems by Raymond Antrobus, Simon Armitage, Fiona Benson, Liz Berry, Caroline Bird, Vahni Capildeo, Alice Oswald and Claudia Rankine.

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Book SynopsisA lavishly-illustrated and embellished collection, which contains songs, verses and prose about unicorns, dragons, centaurs, flying horses and other fabulous creatures of myth and legend.

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Book SynopsisThis anthology of Moroccan poetry by over seventy contemporary poets presents a significant contribution to the field of Moroccan literature in translation and will appeal to readers with an interest in Arabic poetry in general and the Moroccan dialect inTrade ReviewKapchan’s collection brings together a rich and varied tapestry of Morocco’s many poetry traditions, addressing themes as various as desire, political prisons, and spirituality. * Al-Fanar Media *Table of Contents Acknowledgments On Translation and Ethnography Abdelghani, Mahmoud Achaari, Mohammed Adnan, Taha Adnan, Yassin Aissa, Idriss Akhrif, Mehdi Alahyane, Ayad Arouhal, Khadija Ammach, Jamal Azaykou, Ali Sedki Azrhai, Abdelaziz Barakat, Ahmed Bassry, Aicha Benchemsi, Rajae Benjelloun, Abdelmajid Benjelloun, Abdelmajid Ben Jelloun, Tahar Benmoussa, Ouidad Bennis, Mohammed Bentalha, Mohammed Berrada, Omar Bouanani, Ahmed Boudouma, Jamal Bouhlal, Siham Boujbiri, Mohamed Boussrif, Salah Chebchoub, Fatima Chouhad, Moulay Ali El Aoufi, Boujema El Assimi, Malika El Hajjam, Allal El Khassar, Abderrahim El Khayat, Rita El Maïmouni, Mohamed Elmannani, Abdellah El Ouadie, Salah El Ouazzani, Hassan Farid, Mohamed (Zalhoud) Guennouni, Mohammed-Khammar Hamrouch, Abdeddine Hmoudane, Mohamed Houmir, Mostafa Ikbal, Touria Jouahri, Abderrafi Kadiri, Mourad Khatibi, Abdelkébir Khaïr-Eddine, Mohammed Khaless, Rachid Khoudari, Najib Laâlej, Ahmed Tayeb Laâbi, Abdellatif Lahbabi, Mohammed Aziz Lamrani, Wafaa Lemsyeh, Ahmed Loakira, Mohamed Maadaoui, Mostafa Madani, Rachida Majdouline, Touria Mansouri, Zohra Mejjati, Ahmed Meliani, Driss Mesnaoui, Driss Amghar Mesnaoui, Nafiss Morchid, Fatiha Moumni, Rachid Mourad, Khireddine Moussaoui, Abdesselem Moussaoui, Jamal Najmi, Hassan Nissabouri, Mostafa Ouagrar, Mohamed Ouassat, Embarek Oussous, Mohamed Rabbaoui, Mohamed Ali Rajie, Abdellah Salhi, Mohammed Sebbagh, Mohamed Serghini, Mohamed Serhane, Abdelhak Serhani, Mounir Souag, Moha Tebbal, Abdelkrim Zrika, Abdallah

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Book SynopsisA sonnet to science presents an account of six ground-breaking scientists who also wrote poetry, and the effect that this had on their lives and research. How was the universal computer inspired by Lord Byron? Why was the link between malaria and mosquitos first captured in the form of a poem? Who did Humphry Davy consider to be an ‘illiterate pirate’? Written by leading science communicator and scientific poet Dr Sam Illingworth, A sonnet to science presents an aspirational account of how these two disciplines can work together, and in so doing aims to inspire both current and future generations of scientists and poets that these worlds are not mutually exclusive, but rather complementary in nature.Trade Review‘Illingworth offers six beautifully wrought biographies - finding humour, lyricism and humanity in the lives and work of these six scientist-poets.’ Alice Roberts, author of The Incredible Unlikeliness of Being and presenter of Digging for Britain, Coast and Time Team'This excellent book is a creative collision of Hadron-like proportion, scattering fragments of intellectual curiosity, fluency and unpretentiousness across every page. One of my "discoveries" of 2019.’ Lemn Sissay, MBE'Hard to put down! A fascinating book full of comprehensive biographies showing the development of and influences on the poet scientist, illustrated with generous amounts of poetry!' Dame Jocelyn Bell Burnell ‘A wonderfully eclectic and uplifting collection celebrating how some of the most remarkable stories of scientific endeavour are fuelled by poetic imagining, and revealing how the gaps between well-worn facts are often infused with things poetical. Great stuff!’Iain Stewart, Professor of Geoscience Communication, Director, Sustainable Earth Institute, University of Plymouth and Presenter on BBC Science'By focusing on scientists who wrote poetry, A Sonnet To Science dispels the myth that scientists need to be logical and always think scientifically. It shows that poetry was practiced by the first programmer, by the discoverer of electromagnetism, and by a Nobel Prize-winning malaria researcher, so why shouldn’t other scientists dabble in poetry as well?'Eva Amson, Forbes, August 2019'It is a comprehensive work, sensitive to both the sciences and the poetries, and is of itself an exemplar of the importance of science communication.'Public Understanding of Science Blog -- .Table of ContentsIntroduction1 The romantic scientist: Humphry Davy (1778–1829)2 The metaphysical poet: Ada Lovelace (1815–52)3 The lyrical visionary: James Clerk Maxwell (1831–79)4 The medical metrist: Ronald Ross (1857–1932)5 The reluctant poet: Miroslav Holub (1923–98)6 The poetic pioneer: Rebecca Elson (1960–99) EpilogueIndex

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Book SynopsisNational Book Award-winner Arthur Sze presents a one-of-a-kind anthology that vividly traces Chinese poetry from its centuries-old lyrical traditions up to the present day.In The Silk Dragon II, National Book Award-winning poet Arthur Sze presents a sophisticated vision of the vitality, diversity, and power of the Chinese poetic tradition. Traveling over one and a half millennia, Sze guides readers through a luminous history of verse, from the contemplative insights of fifth century poet Tao Qian, through Tang dynasty poets such as Wang Wei and Du Fu, and into subsequent centuries in which lived such innovative artists as Li Qingzhao and Bada Shanren, among many others. Extending the work from the original 2001 volume, The Silk Dragon II then traces classical Chinese poetry’s eruption into the free verse of the modern and contem

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Book SynopsisJames Crews, editor of two best-selling poetry anthologies, How to Love the World and The Path to Kindness, presents an all-new collection of highly accessible poems on the theme of celebrating moments of wonder and peace in everyday life. As Crews writes in the introduction: "[A] deep love for the world is present in every one of the poems gathered in this book. Wonder calls us back to the curiosity we are each born with, and it makes us want to move closer to what sparks our attention. Wonder opens our senses and helps us stay in touch with a humbling sense of our own human smallness in the face of unexpected beauty and the delicious mysteries of life on this planet."The anthology features a foreword by Nikita Gill and a carefully curated selection of poems from a diverse range of authors, including Native American poets Joy Harjo, Linda Hogan, Kimberly Blaeser, and Joseph Bruchac, and BIPOC writers Ross Gay, Julia Alvarez, and Toi Derricotte. Crews features new poems from popular writers such as Natalie Goldberg, Mark Nepo, Ted Kooser, Naomi Shihab Nye, Jane Hirshfield, and Jacqueline Suskin, along with selections from emerging poets. Readers are guided in exploring the meaning and essence of the poems through a series of reflective pauses scattered through the pages and reading group questions in the back. This anthology offers the perfect intersection for the growing number of readers interested in mindful living and bringing poetry into their everyday lives.

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Book SynopsisAn issue exploring the metropolis through fiction, essays, art, and interviews spanning generations, continents, and languages. For over a decade, A Public Space has published an award-winning literary and arts magazine that seeks out and supports writers working apart from the mainstreamculturally, aesthetically, economically. From debuting writers to celebrating work in translation, to bringing attention to overlooked writing from previous generations, "every issue of A Public Space juxtaposes finely wrought, carefully edited pieces, putting them in dynamic conversation with one another."

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Book SynopsisImagine having access to the finest debut poetry from a diverse array of emerging poets, all conveniently compiled in a single volume. The second instalment of The Central Avenue Poetry Prize maintains the exceptional standard set by its inaugural edition.Representing a collaborative effort among poets worldwide and from various backgrounds, this second volume offers a poetry collection unparalleled in its depth and breadth. Within its pages, readers will find a tapestry of emotions—heartache, longing, laughter, and the essence of life itself—each poem capturing the essence of human creativity and experience. From humorous anecdotes to poignant reflections, from tales of beauty to moments of raw truth, this collection celebrates the multifaceted nature of poetry. It serves as both a tribute to the art form and a poignant reminder that writing is an extension of living—an act of self-expression that allows us to both reveal and connect with others.

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Book SynopsisThe perfect desert island book. Adam NicolsonReading a poem gives us a glimpse of past and future possibilities, other worlds and other lives. It makes a gift of unfamiliar words, and refreshes parts of the mind that other art forms cannot reach...Charlotte Moore, a writer and former English teacher, has loved poetry all her life. Keen to be able to read and talk about poems with others, she set up a weekly poetry club for anyone interested to join her round her fireplace.This book brings together a selection of the Tuesday Afternoon Poetry Club''s favourite poems, some well-known, some less so. The poems are grouped into themes - from home and lovers, to war and the planets - each framed with a little context from Charlotte and delightful insights from members of the group.The Magic Hour offers a source of lifelong pleasure and nourishment, with words to delight and console, while reminding us of moments of personal significance.

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Book Synopsis

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Book Synopsis

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Book Synopsis‘It is in very truth a sunny, misty, cloudy, dazzling, howling, omniform Day...’ – Samuel Taylor Coleridge to William Sotheby, 27 September 1802This anthology of poems and prose ranges from literary weather – Homer’s winds, Ovid’s flood – to scientific reportage, whether Pliny on the eruption of Vesuvius or Victorian theories of the death of the sun. It includes imaginary as well as actual responses to what is transitory, and reactions both formal and fleeting – weather rhymes, journals and jottings, diaries and letters – to the drama unfolding above our heads.The entries narrate the weather of a single capricious day, from dawn, through rain, volcanic ash, nuclear dust, snow, light, fog, noon, eclipse, hurricane, flood, dusk, night and back to dawn again. Rather than drawing attention to authors and titles, entries appear bareheaded, exposed to each other’s elements, as a medley of voices. Rather than adding to our image of nature as a suffering solid, the anthology attends to patterns, events and forces: seasonal and endless, invisible, ephemeral, sudden, catastrophic. And by assembling a chorus of responses (ancient and modern, East and West) to air’s manifold appearances, Gigantic Cinema offers a new perspective on what is the oldest conversation of all.Trade ReviewA deliciously playful reminder that the greatest show on the planet is what happens in the skies and all around us. -- Rishi Dastidar * Guardian *Gigantic Cinema is a brilliant anthology...in which finite mortals struggle to express the mysteries of invisible forces that tangle the senses. -- Joanna Kavenna * Literary Review *Superb. -- Hamish Robinson * Oldie *The weather comes at you, page after page, with an almighty and unstoppable roar of terrifying magnificence -- Michael Glover * Tablet *Gigantic Cinema is a brilliant anthology of disturbances and interruptions, in which finite mortals struggle to express the mysteries of invisible forces that tangle the sense. -- Joanna Kavenna * Literary Review *

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Book SynopsisNow available in paperback, Concrete Poetry: A 21st-Century Anthology is the first overview of concrete poetry in many years. Selective yet wide-ranging, this anthology re-evaluates the movement, singling out its most distinctive and influential works, including the little-known Japanese concretists, the Wiener Gruppe, Augusto de Campos, Ian Hamilton Finlay, Eugen Gomringer, Dieter Roth, Henri Chopin, Cia Rinne, Susan Howe and many others. Perloff's anthology presents individual poems, reproduced in their original languages, together with lively commentaries that explicate and contextualize the work, allowing readers to discover the intricacy of poems that some have dismissed as simple, even trivial, texts.Trade Review"Beautifully produced. . . . Whether you leap in and buy it or consult a library copy I think it's well worth your time. A book for poets, readers, and art lovers. Your own formally composed verses, on the still white page, ought to be ruffled, alarmed, and if not fully converted, at least have the 'look' of them excitingly challenged."-- "High Window Review" "Instead of simply reprising 'Concrete Poetry's Greatest Hits, ' Perloff's anthology covers a wide range of formal approaches and aesthetics, and we are introduced to work from throughout Europe and North America, as well as important poetry from Japan, and especially, Brazil, where the poets associated the Noigandres group, among other innovations, made poetry by 'pursuing an analogy between musical instruments and components of language.'"-- "California Review of Books" "Perloff's lively style and tone in this book help to give new life to old forms, conveying something of the sense of adventure felt among those of us still young enough to remember being part of this postwar cultural movement. Written in a highly accessible way, with a fine choice of accompanying poems, it's a book to generate new interest as well as to inform existing initiates."--Hansjoerg Mayer, poet, typographer, and publisher "Perloff's new anthology presents a wide sampling of what is known as concrete poetry. Through the book's rich introduction to the nearly 200 color and black-and-white illustrations and the commentary below each, readers learn much about this postmodernist poetic genre. . . . Recommended."-- "Choice" "This is an exciting and engaging summary of an important and still misunderstood field, the value of which lies in the intelligence and sensitivity of Perloff's close readings."-- "Burlington Contemporary" "This new anthology is to be welcomed. It features a wide range of international poets who contributed to the movement, and displays prime examples of their poetic output in its original setting. Perloff offers personal commentaries on the individual poems, and provides a historical introduction which also conveys her belief in the enduring legacy of the movement."--Stephen Bann CBE, emeritus professor of history of art, University of Bristol, editor of "Concrete Poetry: An International Anthology" "This wonderfully rich anthology reveals the experimentation and internationalism of concrete poetry and its continuing significance. Perloff's fresh selection, including the work of poets from Austria and Japan, offers scholarly insight alongside helpful notes to each poem."--Andrew Nairne OBE, director, Kettle's Yard, University of Cambridge "What is undoubtedly valuable about the book is the way that it carefully arranges, in a beautifully printed hardback, a selection of concrete poetry's keystones. The first half of Perloff's selection triangulates Brazil, Austria and Scotland through the work of three key figures: Augusto de Campos, Gerhard Ruhm, and Ian Hamilton Finlay. For the anglophone reader, she glosses the foreign words involved, prising apart the heavy punning that sparked the concrete imagination."--Jeremy Noel-Tod "Times Literary Supplement" "Most of the poems in Concrete Poetry fill a full page (and sometimes two). Under each is Perloff's critical gloss, never more than a few sentences long, and often brilliant . . . These glosses by Perloff set a new higher standard for the critical reading of avant-garde poetry, whether concrete or visual. The two pioneering critics of avant-garde poetry, Dick Higgins and Bob Grumman, would have loved them, as do I."-- "Rain Taxi Review of Books" "Perloff's Concrete Poetry: A 21st-Century Anthology offers a present-day perspective on the concrete poetry movement of the 1950s through to the 1970s. The curator takes us back to that defining period, which most scholars identify as the heyday of concretism, with the aim of establishing a sort of 'canon' of the most interesting and enduring contributors to the movement. Here is a body of work . . . which deserves a wider audience and greater critical attention."-- "Fortnightly Review" "This groundbreaking book finally legitimizes one of the most important--yet most neglected--strains of contemporary poetic practice. By rigorously framing concrete poetry within a critical discourse, Perloff forcefully positions concrete poetry as essential to understanding our digital world. More than a mere history or a survey, Concrete Poetry's landmark achievement signifies an essential reshuffling of the historical deck."--Kenneth Goldsmith, University of Pennsylvania, founding editor of UbuWebTable of ContentsAUTHOR'S NOTE PREFACE INTRODUCTION AUGUSTO DE CAMPOS GERHARD RUEHM IAN HAMILTON FINLAY BRAZIL AUSTRIA JAPAN UNITED KINGDOM SWITZERLAND GERMANY AND FRANCE UNITED STATES AND CANADA POSTLUDE BIOGRAPHIES REFERENCES ACKNOWLEDGEMENTS PHOTO ACKNOWLEDGEMENTS

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Book SynopsisThe probing essays collected in American Originality scrutinise the terms we use to think about recent American poetry, its antecedents (not just Whitman and Dickinson but Ovid, Rilke, Thomas Mann, Keats) and its future, questioning how we distinguish between work that is unique and work that is original, carefully delineating the allure of both 'shared traditions' and 'the cult of illogic'. Attentive always to risk and danger, Louise Glück illuminates how the poet at work moves between panic and gratitude, agony and resolution. Essays on specific writers and on the larger themes of American literature introduce the terms by which she reads and celebrates ten younger poets whose work she has advocated. Studded with brilliant insights into her own practice and the work of her contemporaries, this is an essential book for any interested reader of new poetry.Trade Review'Gluck speaks to our time in a voice that is onstage, but heard from the wings' - Publishers Weekly

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Book SynopsisThe January-February 2023 issue Horatio Morpurgo revisits Bertrand Russell and Jurassic Marble Lesley Harrison and the whalers' diaries, how a language and culture survive Anthony Vahni Capildeo on Islands Basil Bunting's Letters from two perspectives: Don Share and August Kleinzahler Craig Raine being and not being Whitman Anthony Huen on the Hong Kong Moment New to PN Review this issue: Kate Hendry, Petra White, Diane Mehta and Philip Armstrong and more...Trade Review'The most informative and entertaining poetry journal in the English-speaking world' - John Ashbery; 'The most engaged, challenging and serious-minded of all the UK's poetry magazines' - Simon Armitage

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Book SynopsisThe November-December 2024 issue. Since we started as Poetry Nation, a twice yearly hardback, in 1973, we''ve been publishing new poetry, rediscoveries, commentary, literary essays, interviews and reviews from around the globe.This issue includes the first translation of Dante''s Inferno by a Jamaican poet (Lorna Goodison); the introduction of the Afghan poet Mahbouba Ibrahimi in translations by Parwana Fayyaz of the Forward Prize; Kirsty Gunn on key New Zealand writers; John McAuliffe on Heaney as translator and letter writer; and a letter from Madrid by Anthony Vahni Capildeo. Our vast archive now includes over 270 issues, with contributions from some of the most important writers of our times. Key contributors include Octavio Paz, Laura Riding, John Ashbery, Patricia Beer, W.S. Graham, Eavan Boland, Jorie Graham, Donald Davie, C.H. Sisson, Sinead Morrissey, Sasha Dugdale, Anthony Vahni Capildeo, and many others.

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Book SynopsisThe blues has left an indelible mark on the work of a diverse range of poets: from "The Weary Blues" by Langston Hughes and "Funeral Blues" by W. H. Auden, to "Blues on Yellow" by Marilyn Chin and "Reservation Blues" by Sherman Alexie. Here are blues-influenced and blues--inflected poems from, among others, Gwendolyn Brooks, Allen Ginsberg, June Jordan, Richard Wright, Nikki Giovanni, Charles Wright, Yusef Komunyakaa, and Cornelius Eady. And here, too, are classic song lyrics-poems in their own right-from Bessie Smith, Robert Johnson, Ma Rainey, and Muddy Waters.The rich emotional palette of the blues is fully represented here in verse that pays tribute to the heart and humor of the music, and in poems that swing with its history and hard-bitten hope.

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Book SynopsisTwo contemporary poets turns their attention to poetry as a living, rhythmic, often musical performance. Their wide-ranging selections encompass epic, folk songs, the Romantics, the Victorians, poets of the Harlem Renaissance and contemporary hip hop. For many readers, the most familiar poetic metre is the iambic pentameter of Shakespeare, but this only scratches the surface of the extraordinary diversity of rhythmic patterns that poets have employed over the ages. Measure for Measure has sections on Accentual Metre (Kipling, Bishop, Auden), Trochees (Blake, Dickinson, Dorothy Parker), Anapests (Byron, Frost, Langston Hughes); other sections cover iambs, ballads, and more exotic metres like amphibrachs, dipodics, hendecasyllabics and sapphics

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Book SynopsisFrom Li Bai's 'Bring in the Ale' to Ted Kooser's 'Beer Bottle'; from Robert Burns's' John Barleycorn' to Carol Ann Duffy's 'John Barleycorn' (no, you are not seeing double), the poems collected here attest to humankind's long and joyous (mostly) relationship with the world's most popular alcoholic beverage. A surprising number of authors, and perhaps some surprising authors, have added their tributes to the brew. Here, to name but a few, we find Charles Baudelaire, John Betjamen, William Blake, Bertolt Brecht, Raymond Carver, Amy Clampitt, Emily Dickinson, Benjamin Franklin, Robert Graves, Langston Hughes, Eric Idle, E. Nesbit, Flann O'Brien, Frank O'Hara, Sylvia Plath, Arthur RImbaud, Rumi and Hank WIlliams, all rather less than sober. Unsurprisingly, 'Anon.' is widely represented, in particularly exuberant spirits. There are recipes, and hangovers (inevitably); there's singing ... a hymn to NInkasi, ancient Sumerian goddess of beer, Prohibition protest songs and old English drinking catches; there is philosophy (of a sort), and consolation. Whether pulling up at the celestial bar in Keats's 'Mermaid Tavern' or at the grittier, jazzier one in Carl Sandburg's 'Honky Tonk in Cleveland, Ohio', lovers of beer and poetry are sure to find something to celebrate in these pages.

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Book SynopsisThe variety of subjects is dazzling, from movie stars to bit players, from B-movies to Bollywood, from Clark Gable to Jean Cocteau. More than a hundred poets riff on their movie memories: Langston Hughes and John Updike on the theaters of their youth, Jack Kerouac and Robert Lowell on Harpo Marx, Sharon Olds on Marilyn Monroe, Louise Erdrich on John Wayne, May Swenson on the James Bond films, Terrance Hayes on early Black cinema, Maxine Kumin on Casablanca, and Richard Wilbur on The Prisoner of Zenda. Orson Welles, Leni Riefenstahl, and Ingmar Bergman share the spotlight with Shirley Temple, King Kong, and Carmen Miranda; Bonnie and Clyde and Ridley Scott with Roshomon, Hitchcock, and Bresson. In Picturehouse Poems, one of our oldest art forms pays loving homage to one of our newest—the thrilling art of cinema.

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Book SynopsisThere is a great deal more to Greek poetry than the Iliad or the Odyssey. Shorter masterpieces abound, and the lyrical and elegiac poems, odes, and epigrams in this volume give an unparalleled sampling of them. Included here are selections from the early Greek poets - from Hesiod, Pindar and Bacchylides, Alcaeus and Sappho; from the later Alexandrian poets Theocritus, Bion, Apollonius of Rhodes, and many more. A whole section is devoted to poems from the celebrated Greek Anthology, which spans a thousand years from the Classical to the Byzantine age, and another to the Anacreontea, the delightful collection of odes on the pleasures of drink, love, and beauty which has been popular for centuries both in the original Greek and in English. Excerpts from somewhat longer poems include Percy Bysshe Shelley's 'Homeric Hymn to Mercury' and the hugely entertaining Homeric pastiche 'The Battle of the Frogs and Mice'.Paul Quarrie's selection of English translations draws fruitfully on the work of lesser-known as well as more famous names. In these pages poets jostle with Regius Professors of Greek at Oxbridge, professional writers and translators with enthusiastic amateurs including teachers, librarians, aristocrats, diplomats, civil servants, bankers, soldiers and clergymen. Historically their translations range from anonymous versions produced in Tudor England through the golden age of translation presided over by George Chapman in the seventeenth century, to modern translations by James Michie, Fleur Adcock and Robert Fagles. The editor provides an informative preface, introductions to the Greek Anthology and the Anacreontea, and biographies of translators where bibliographical detail is set off by colourful anecdote.

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Book SynopsisFrom ancient Greece and Rome (Sappho, Marcellus Empiricus) to the current Covid 19 crisis (Eavan Boland's 'Quarantine'), poets have responded with sensitivity and insight to the troubles of the human body and mind. Poems of Healing is a small treasury of their words, illuminating many different experiences of illness, injury and convalescence, from John Donne's 'Hymne to God My God, In My Sicknesse' to Thom Gunn's 'The Man with Night Sweats'; from Anne Finch's 'Spleen' to Jane Kenyon's 'Prognosis'; from Emily Dickinson's 'The Soul has Bandaged moments' to Seamus Heaney's 'Miracle'. Here are poems from around the world, by Baudelaire, Hugo, Rudaki and Cavafy; by Masaoka Shiki, Miroslav Holub and Zbigniew Herbert. Shakespeare and Milton; Tennyson and Emily Bronte; Charlotte Mew, Sylvia Plath, Wallace Stevens, W. H. Auden, Tony Harrison and Carol Ann Duffy are all present at the sickbed. Messages of hope in the midst of pain - in such masterpieces as Adam Zagajewski's 'Try to Praise the Mutilated World', Wislawa Szymborska's 'The End and the Beginning' and Stevie Smith's 'Away, Melancholy' - make this a perfect gift for anyone on the road to healing.

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Book SynopsisDip into this inspired assortment of concise masterpieces, and draw out - a fragment of Sappho from ancient Greece, a perfect haiku from Japan; a brief nature poem by John Clare, Robert Frost, Ted Hughes or Boris Pasternak; a compact love poem by Alexander Pushkin or Anne Bradstreet, Robert Herrick or Carol Ann Duffy; a miniature story by Hardy, Rumi or Roethke; a pithy meditation by Wang Wei, Emily Dickinson, Tennyson or Lorca. Dip again, and discover the compressed wit of Dorothy Parker and Ogden Nash; contemporary poets Simon Armitage and Moniza Alvi at their most succinct; short poems in very odd shapes from Apollinaire and Vaclav Havel ... So few lines, so much variety: epitaphs and epigrams; couplets and quatrains; lyrics, limericks and lullabies - go on, dip again.

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Book SynopsisGerman Romantic poetry is both fluid and formed, and it is full of song: the poems themselves are often intrinsically lyrical, and many of them inspired some of the best-known musical compositions of the nineteenth century. In this collection, we see German Romantic poets confronting life''s greatest moments and greatest challenges - love, loss, death - and producing beautiful, and sometimes witty, works in response. Admiration for nature, in for particular the dramatic forests which still cover large areas of Germany, is also prominent in their work. Characters from myth and folklore abound too, most famously Lorelei, an enchantress who is associated with the River Rhine, and who features in several poems in this volume. Gathered here are favourites such as Goethe''s ''Erl King'', Eichendorff''s ''Night of Moon'', Heine''s ''In May, the magic month of May'', along with works by some of the most famous women writers of the period, Sophie Mereau, Karoline von Günderrode and Annette von

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Book SynopsisThis rich and wide-ranging anthology is the second in a series produced by the Peepal Tree/Inscribe Readers and Writers Group. Edited by Jacob Ross, the book contains work by previously published and debut writers.

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