Poetry anthologies (various poets)

Book SynopsisThe era between the accession of Henry VIII and the crisis of the English republic in 1659 formed one of the most fertile epochs in world literature. This anthology offers a broad selection of its poetry, and includes a wide range of works by the great poets of the age—notably Sir Philip Sidney, Edmund Sepnser, John Donne, William Shakespeare and John Milton. Poems by less well-known writers also feature prominently—among them significant female poets such as Lady Mary Wroth and Katherine Philips. Compelling and exhilarating, this landmark collection illuminates a time of astonishing innovation, imagination and diversity.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by intrTable of ContentsSelected and with an Introduction by David Norbrook - Edited by H.R. Woudhuysen Abbreviations Used in the TextPrefaceAcknowledgmentsIntroductionNote on the Text and AnnotationI. The Public World1. JOHN SKELTON: [from A Lawde and Prayse Made for Our Sovereigne Lord the Kyng]2. SIR THOMAS MORE: De Principe Bono Et Malo3. Quis Optimus Reipublicae Status4. SIR DAVID LINDSAY: [from The Dreme] The Complaynt of the Comoun weill of Scotland5. SIR THOMAS WYATT: [Who lyst his welth and eas Retayne]6. In Spayn7. [The piller pearisht is whearto I Lent]8. HENRY HOWARD, EARLY OF SURREY: [Thassyryans king in peas with fowle desyre]9. ANONYMOUS: John Arm-strongs last good night10. ROBERT CROWLEY: Of unsaciable purchasers11. JOHN HEYWOOD: [from A Ballad on the Marriage of Philip and Mary]12. WILLIAM BIRCH: [from A songe betwene the Quenes majestie and Englande]13. QUEEN ELIZABETH I: [The dowbt off future foes exiles my present joye]14. SIR PHILIP SIDNEY: [from The Countesse of Pembrokes Arcadia]15. ANONYMOUS: Of Sir Frauncis Walsingham Sir Phillipp Sydney, and Sir Christopher Hatton, Lord Chancelor16. GEORGE PUTTENHAM: Her Majestie resembled to the crowned piller17. ANNE DOWRICHE: [from The French Historie]18. SIR WALTER RALEGH: [Praisd be Dianas faire and harmles light]19. [from Fortune hath taken the away my love]20. QUEEN ELIZABETH I: [Ah silly pugge wert thou so sore afraid]21. SIR WALTER RALEGH: The 21th: and last booke of the Ocean to Scinthia22. The Lie23. ALEXANDER MONTGOMERIE: [Remembers thou in Aesope of a taill]24. SIR JOHN HARINGTON: A Tragicall Epigram25. Of Treason26. FULKE GREVILLE, LORD BROOKE: [from Caelica] Sonnet 7827. GEORGE PEELE: [from Anglorum Feriae]28. JOHN DONNE: The Calme29. [from Satire 4]30. ROBERT DEVEREUX, EARL OF ESSEX: [Change thy minde since she doth change]31. MARY SIDNEY, COUNTESS OF PEMBROKE: [To Queen Elizabeth]32. EDMUND SPENSER: [from The Faerie Queene Book 5]33. EOCHAIDH Ó HEÓGHUSA: [On Maguire's Winter Campaign]34. BEN JONSON: On the Union35. SIR ARTHUR GORGES: Written upon the death of the most Noble Prince Henrie36. SIR HENRY WOTTON: Upon the sudden Restraint of the Earle of Somerset, then falling from favor37. WILLIAM BROWNE: [from Brittania's Pastorals Book 2]38. ANONYMOUS: Feltons Epitaph39. ANONYMOUS: [Epitaph on the Duke of Buckingham]40. SIR RICHARD FANSHAWE: [from An Ode Upon occasion of His Majesties Proclamation in the yeare 1630]41. JOHN CLEVELAND: Epitaph on the Earl of Strafford42. SIR JOHN DENHAM: Coopers Hill43. MARTIN PARKER: Upon defacing of White-hall44. ROBERT HERRICK: A King and no King45. ANDREW MARVELL: An Horatian Ode upon Cromwel's Return from Ireland46. SIR WILLIAM MURE: [from The Cry of Blood, and of a Broken Covenant]47. KATHERINE PHILIPS: On the 3. of September, 165148. JOHN MILTON: To the Lord Generall Cromwell May 165249. To Sir Henry Vane the younger50. ANDREW MARVELL: [from The First Anniversary of the Government under O.C.]51. ALEXANDER BROME: On Sir G.B. his defeatII. Images of Love52. ANONYMOUS: [Westron wynde when wylle thow blow]53. SIR THOMAS WYATT: [They fle from me that sometyme did me seke]54. [Who so list to hount I knowe where is an hynde]55. [It may be good like it who list]56. [My lute awake perfourme the last]57. HENRY HOWARD, EARL OF SURREY: [The soote season, that bud and blome furth bringes]58. ALEXANDER SCOTT: [To luve unluvit it is ane pane]59. GEORGE TURBERVILLE: To his Love that sent him a Ring wherein was gravde, Let Reason rule60. ISABELLA WHITNEY: I.W. To her unconstant Lover61. GEORGES GASCOIGNE: [A Sonet written in prayse of the brown beautie]62. ANONYMOUS: A new Courtly Sonet, of the Lady Greensleeves63. SIR PHILIP SIDNEY: [from Certain Sonnets: 4]64. [from The Countesse of Pembrokes Arcadia]65. [from Astrophil and Stella] 166. [from Astrophil and Stella] 267. [from Astrophil and Stella] 968. [from Astrophil and Stella] 7269. [from Astrophil and Stella] 8170. [from Astrophil and Stella] 8371. [from Astrophil and Stella] Eight song72. [from Astrophil and Stella] Eleventh song73. FULKE GREVILLE, LORD BROOKE: [from Caelica] Sonnet 2274. [from Caelica] Sonnet 2775. [from Caelica] Sonnet 3976. [from Caelica] Sonnet 4477. [from Caelica] Sonnet 8478. MARK ALEXANDER BOYD: Sonet79. ROBERT GREENE: Dorons description of Samela80. EDMUND SPENSER: [from The Faerie Queene Book 2]81. [from The Faerie Queene Book 3]82. [from The Faerie Queene Book 3]83. [from Amoretti] Sonnet 2384. [from Amoretti] Sonnet 6485. [from Amoretti] Sonnet 6786. [from Amoretti] Sonnet 7087. [from Amoretti] Sonnet 7188. Epithalamion89. SIR WALTER RALEGH: [As you came from the holy land]90. SAMUEL DANIEL: [from Delia] Sonnet 1391. [from Delia] Sonnet 3992. [from Delia] Sonnet 5293. SIR JOHN DAVIES: [from Gullinge Sonnets]94. [Faith (wench) I cannot court thy sprightly eyes]95. THOMAS NASHE: The choise of valentines96. JOHN DONNE: To his Mistress going to bed97. BARNABE BARNES: [from Parthenophil and Parthenophe] Sonnet 2799. CHRISTOPHER MARLOWE: The passionate Sheepheard to his love99. Hero and Leander100. WILLIAM SHAKESPEARE: [from Venus and Adonis]101. [from Lucrece]102. RICHARD BARNFIELD: [from Cynthia] Sonnet 8103. [from Cynthia] Sonnet 11104. WILLIAM SHAKESPEARE: [from Sonnets] 19105. [from Sonnets] 20106. [from Sonnets] 29107. [from Sonnets] 35108. [from Sonnets] 36109. [from Sonnets] 55110. [from Sonnets] 56111. [from Sonnets] 66112. [from Sonnets] 74113. [from Sonnets] 94114. [from Sonnets] 121115. [from Sonnets] 124116. [from Sonnets] 129117. [from Sonnets] 135118. [from Sonnets] 138119. [from Sonnets] 144120. ROBERT SIDNEY, EARL OF LEICESTER: Sonnet 21121. Sonnet 25122. Sonnet 31123. Songe 17124. GEORGE CHAPMAN: [from Hero and Leander Sestiad 3]125. JOHN MARSTON: [from The Metamorphosis of Pigmalions Image]126. THOMAS DELONEY: [Long have I lov'd this bonny Lasse]127. ANONYMOUS: [from The wanton Wife of Bath]128. [JOHN DOWLAND]: [Fine knacks for ladies, cheape choise brave and new]129. THOMAS CAMPION: [Followe thy faire sunne unhappy shaddowe]130. [Rose-cheekt Lawra come]131. [There is a Garden in her face]132. JOHN DONNE: His Picture133. The Sunne Rising134. The Canonization135. Loves growth136. A Valediction of weeping137. A Valediction forbidding mourning138. MICHAEL DRAYTON: [from Idea] 10139. [from Idea] 61140. To His Coy Love, A Canzonet141. BEN JONSON: Why I Write Not of Love142. My Picture left in Scotland143. LADY MARY WROTH: [from Pamphilia to Amphilanthus] 23144. [from Pamphilia to Amphilanthus] 34145. [from Pamphilia to Amphilanthus] A crowne of Sonetts dedicated to Love146. [from Pamphilia to Amphilanthus]147. [from The Countesse of Mountgomeries Urania] 7148. ROBERT HERRICK: Delight in Disorder149. The Vision150. The silken Snake151. Her Bed152. Upon Julia's haire fil'd with Dew153. Upon Sibilla154. THOMAS CAREW: The Spring155. Ingratefull beauty threatned156. [from A Rapture]157. MARTIN PARKER: [from Cupid's Wrongs Vindicated]158. [from Well met Neighbour]159. EDMUND WALLER: The story of Phoebus and Daphne appli'd160. Song161. The Budd162. SIR JOHN SUCKLING: [Out upon it, I have lov'd]163. JOHN CLEVELAND: The Antiplatonick164. RICHARD LOVELACE: Song. To Lucasta, Going to the Warres165. Gratiana dauncing and singing166. To Althea, From Prison167. Her Muffe168. [from On Sanazar's being honoured with six hundred Duckets by the Clarissimi of Venice, for composing an Elegiack Hexastick of the City. A Satyre]169. ANDREW MARVELL: To his Coy Mistress170. The Gallery171. The Definition of Love172. JAMES HARRINGTON: Inconstancy173. KATHERINE PHILIPS: An Answer to another perswading a Lady to MarriageIII. Topographies174. ALEXANDER BARCLAY: [from Certayne Egloges 5]175. GEORGE BUCHANAN: Calendae Maiae176. ANONYMOUS: [from Vox populi vox Dei]177. ANONYMOUS: [from Jack of the North]178. ANONYMOUS: The Jolly Pinder of Wakefield179. BARNABE GOOGE: Goyng towardes Spayne180. SIÔON PHYLIP: [from Yr Wylan]181. SIR PHILIP SIDNEY: [from The Countesse of Pembrokes Arcadia]182. EDMUND SPENSER: [from The Shepheardes Calender] Maye183. ALEXANDER HUME: [from Of the day Estivall]184. JOHN DAVIES: [from Epigrammes] In Cosmum 17185. JOSEPH HALL: [from Virgidemiarum Book 5]186. EVERARD GUILPIN: [from Skialetheia Satire 5]187. ANONYMOUS: A Songe bewailinge the tyme of Christmas, So much decayed in Englande188. JOHN DONNE: A nocturnall upon S. Lucies day, Being the shortest day189. AEMILIA LANYER: The Description of Cooke-ham190. BEN JONSON: To Penshurst191. MICHAEL DRAYTON: [from Pastorals] The Ninth Eglogue192. [from Poly-Olbion Song 6]193. To the Virginian Voyage194. SAMUEL DANIEL: [from Epistle. To Prince Henrie]195. ANONYMOUS: On Francis Drake196. W. TURNER: [from Turners dish of Lentten stuffe, or a Galymaufery]197. JOHN TAYLOR: [from The Sculler] Epigram 22198. WILLIAM BROWNE: [from Britannia's Pastorals Book 2]199. EDWARD HERBERT, LORD HERBERT OF CHERBURY: Sonnet200. RICHARD CORBETT: A Proper New Ballad Intituled the Faeryes Farewell: Or God-A-Mercy Will201. SIR WILLIAM DAVENANT: The Countess of Anglesey lead Captive by the Rebels, at the Disforresting of Pewsam202. GEORGE WITHER: [from Britain's Remembrancer Canto 4]203. JOHN MILTON: Song on May morning 204. L'Allegro205. ROBERT HERRICK: To Dean-bourn, a rude River in Devon, by which sometimes he lived206. Corinna's going a Maying207. To Meddowes208. The Wassaile209. RICHARD CRASHAW: [from Bulla]210. ABRAHAM COWLEY: The Wish211. ANONYMOUS: [The Diggers' Song]212. HENRY VAUGHAN: [from To his retired friend, an Invitation to Brecknock]213. RICHARD LOVELACE: The Snayl214. ANDREW MARVELL: Bermudas215. The Mower to the Glo-Worms216. The Mower against Gardens217. The Garden218. [from Upon Appleton House, to my Lord Fairfax]219. MARGARET CAVENDISH, DUCHESS OF NEWCASTLE: Of many Worlds in this World220. A Dialogue betwixt Man, and Nature221. Similizing the Sea to Meadowes, and Pastures, the Marriners to Shepheards, the Mast to a May-pole, Fishes to Beasts222. KATHERINE PHILIPS: Upon the graving of her Name upon a Tree in Barnelmes WalksIV. Friends, Patrons and the Good Life223. SIR THOMAS WYATT: [Myn owne John poyntz sins ye delight to know]224. GEORGE GASCOIGNE: [Upon the theme: Magnum vectigal parcimonia]225. [Gascoignes wodmanship]226. EDWARD DE VERE, EARL OF OXFORD: [Weare I a Kinge I coulde commande content]227. THOMAS LODGE: [from Scillaes Metamorphosis]228. JOHN DONNE: To Sir Henry Wotton229. THOMAS DELONEY: The Weavers Song230. THOMAS DEKKER: [Art thou poore yet hast thou golden Slumbers]231. SAMUEL DANIEL: To Lucy, Countesse of Bedford, with Mr. Donnes Satyres233. Inviting a Friend to Supper234. [THOMAS RAVENSCROFT]: [Hey hoe what shall I say]235. [Sing we now merily]236. A Belmans song237. THOMAS CAMPION: [Now winter nights enlarge]238. ANONYMOUS: The Mode of France239. MICAHEL DRAYTON: These verses weare made By Michaell Drayton Esquier Poett Lawreatt the night before hee dyed240. EDMUND WALLER: At Pens-hurst241. RICHARD LOVELACE: The Grasse-hopper. To my Noble Friend, Mr. Charles Cotton. Ode242. ALEXANDER BROME: [from The Prisoners] Written when O.C. attempted to be King243. JOHN MILTON: [To Edward Lawrence]244. KATHERINE PHILIPS: Friendship's Mystery, To My Dearest Lucasia245. Friendship in Embleme, or the Seal. To my dearest Lucasia246. To my Excellent Lucasia, on our FriendshipV. Church, State and Belief247. JOHN SKELTON: [from Collyn Clout]248. ANNE ASKEW: The Balade whych Anne Askewe made and sange whan she was in Newgate249. LUKE SHEPHERD: [from The Upcheringe of the Messe]250. ANONYMOUS: [A Lament for our Lady's Shrine at Walsingham]251. JOHN HEYWOOD: [from Epygrams] Of turnyng.252. GEORGE PUTTENHAM: [from Partheniades] Partheniad 11 Urania253. ROBERT SOUTHWELL: The burning Babe254. HENRY CONSTABLE: To St. Mary Magdalen255. SIR JOHN HARINGTON: A Groome of the Chambers religion in King Henry the eights time256. JOHN DONNE: Satyre 3257. Goodfriday, 1613. Riding Westward258. Hymne to God my God, in my sicknesse259. [from Holy Sonnets]260. [Since she whome I lovd, hath payd her last debt]261. [Show me deare Christ, thy spouse, so bright and cleare]262. FULKE GREVILLE, LORD BROOKE: [from Caelica] Sonnet 89263. [from Caelica] Sonnet 99264. [from Caelica] Sonnet 109265. GILES FLETCHER: [from Christs Victorie, and Triumph in Heaven, and Earth, over, and after death]266. AEMILIA LANYER: [from Salve Deus Rex Judaeorum]267. WILLIAM DRUMMOND: [For the Baptiste]268. [Content and Resolute]269. PHINEAS FLETCHER: [Vast Ocean of light, whose rayes surround]270. JOHN MILTON: On the morning of Christs Nativity271. FRANCIS QUARLES: [from Pentelogia] Fraud Mundi272. [from Divine Fancies] On the contingencie of Actions273. [from Divine Fancies] On the Needle of a Sun-diall274. [from Divine Fancies] On the Booke of Common Prayer275. [from Divine Fancies] On Christ and our selves276. GEORGE HERBERT: Perseverance277. Redemption278. Easter wings279. Prayer280. Deniall281. Jordan282. The Collar283. The Flower284. The Forerunners285. Love286. [from The Church Militant]287. ANONYMOUS: [Yet if his Majestie our Sovareigne lord]288. SIDNEY GODOLPHIN: [Lord when the wise men came from Farr]289. JOHN TAYLOR: [from Here followeth the unfashionable fashion, or the too too homely Worshipping of God]290. EDMUND WALLER: Upon His Majesties repairing of Pauls291. RICHARD CRASHAW: A Hymne of the Nativity, sung by the Shepheards292. To the Noblest and best of Ladyes, the Countesse of Denbigh293. [from The Flaming Heart]294. ANONYMOUS: Upon Arch-bishop Laud, Prisoner in the Tower. 1641295. ROBERT WILD: [from Alas poore Scholler, whither wilt thou goe]296. JOHN MILTON: On the new forcers of Conscience under the Long Parliament297. MORGAN LLWYD: [from The Summer]298. LAURENCE CLARKSON: [from A Single Eye All Light, no Darkness]299. HENRY VAUGHAN: The Retreate300. The World301. Cock-crowing302. The Water-fall303. SIR WILLIAM DAVENANT: [from Gondibert Book 2]304. ANNA TRAPNEL: [from The Cry of a Stone]305. AN COLLINS: Another Song exciting to spirituall Mirth306. ANDREW MARVELL: The CoronetVI. Elegy and Epitaph307. JOHN SKELTON: [from Phyllyp Sparowe]308. HENRY HOWARD, EARL OF SURREY: [Norfolk sprang thee, Lambeth holds thee dead]309. [W. resteth here, that quick could never rest]310. NICHOLAS GRIMALD: [from A funerall song, upon the deceas of Annes his moother]311. CHIDIOCK TICHBORNE: [My prime of youth is but a froste of cares]312. WILLIAM SHAKESPEARE: [The Phoenix and Turtle]313. JOHN DONNE: [from The Second Anniversarie] Of the Progres of the Soule314. BEN JONSON: On My First Sonne315. To the immortalle memorie, and friendship of that noble paire, Sir Lucius Cary, and Sir H. Morison316. SIR WALTER RALEGH: [Even suche is tyme that takes in trust]317. WILLIAM BROWNE: On the Countesse Dowager of Pembrooke318. HENRY KING: An Exequy To his matchlesse never to be forgotten Freind318. GEORGE HERBERT: [from Memoriae Matris Sacrum]320. THOMAS CAREW: Epitaph on the Lady Mary Villers321. SIR HENRY WOTTON: Upon the death of Sir Albert Morton's Wife322. ROBERT HERRICK: To the reverend shade of his religious Father323. Upon himselfe being buried324. Upon a child325. JOHN MILTON: Lycidas326. [Methought I saw my late espoused Saint]327. 'ELIZA': To my Husband328. HENRY VAUGHAN: [They are all gone into the world of light]329. KATHERINE PHILIPS: Epitaph. On her Son H.P. at St. Syth's Church where her body also lies Interred330. Orinda upon little Hector Philips331. JAMES SHIRLEY: [The glories of our blood and state]VII. Translation332. HENRY HOWARD, EARL OF SURREY: [from Virgil's Aeneid Book 4]333. RICHARD STANYHURST: [from Virgil's Aeneid Book 4]334. ARTHUR GOLDING: [from Ovid's Metamorphoses Book 6]335. EDMUND SPENSER: [from Ruines of Rome: by Bellay] 5336. MARY SIDNEY, COUNTESS OF PEMBROKE: Quid gloriaris? Psalm 52337. [from Psalm 89 Misericordias]338. Voce mea ad Dominum Psalm 142339. CHRISTOPHER MARLOWE: [from Ovides Elegies Book 1] Elegia. 13. Ad Auroram ne properet340. [from Lucan's Pharsalia Book 1]341. SIR JOHN HARINGTON: [from Ariosto's Orlando Furioso Book 34]342. EDWARD FAIRFAX: [from Tasso's Godfrey of Bulloigne Book 4]343. JOSUAH SYLVESTER: [from Saluste du Bartas' Devine Weekes]344. GEORGE CHAPMAN: [from Homer's Iliad Book 12]345. JOHN MILTON: The Fifth Ode of Horace. Lib. 1VIII. Writer, Language and Public346. JOHN SKELTON: [from A Replycacion]347. THOMAS CHURCHYARD: [from A Musicall Consort]348. SIR JOHN HARINGTON: Of honest Theft. To my good friend Master Samuel Daniel350. JOHN DONNE: The triple Foole351. WILLIAM SHAKESPEARE: [from Sonnets]352. JOHN MARSTON: [from The Scourge of Villanie] In Lectores prorsus indignos353. SAMUEL DANIEL: [from Musophilus]354. BEN JONSON: A Fit of Rime against Rime355. An Ode. To himselfe356. GEORGE CHAPMAN: [from Homer's Iliad, To the Reader]357. SIR WALTER RALEGH: To the Translator358. WILLIAM BROWNE: [from Britannia's Pastorals Book 2]359. RACHEL SPEGHT: [from The Dreame]360. MICHAEL DRAYTON: [from Idea]361. To my most dearely-loved friend Henery Reynolds Esquire, of Poets and Poesie362. [from The Muses Elizium] The Description of Elizium363. JOHN MILTON: [from At a Vacation Exercise]364. JOHN TAYLOR: [from A comparison betwixt a Whore and a Booke]365. THOMAS CAREW: An Elegie upon the death of the Deane of Pauls, Dr. John Donne366. A Fancy367. ROBERT HERRICK: To the Detracter368. Posting to Printing369. GEORGE WITHER: [from Vox Pacifica]370. SIR WILLIAM DAVENANT: [from Gondibert Book 2]371. MARGARET CAVENDISH, DUCHESS OF NEWCASTLE: The Claspe372. [The Common Fate of Books]373. ABRAHAM COWLEY: The Muse374. HENRY VAUGHAN: The BookNotes to the TextAppendix 1: Index of GenresAppendix 2: Index of Metrical and Stanzaic FormsAppendix 3: Glossary of Classical NamesAppendix 4: Biographical Notes on AuthorsAppendix 5: Index of AuthorsIndex of First LinesIndex of Titles

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Book SynopsisEnglish Romantic poetry from its beginnings and its flowering to the first signs of its decadenceNearly all the famous piéces de résistance will be found here—Intimations of Immortality, The Ancient Mariner, The Tyger, excerpts from Don Juan—s well as some less familiar poems. As muchas possible, the poets are arranged in chronological order, and their poems in order of composition, beginning with eighteenth-century precursors such as Gray, Cowper, Burns, and Chatterton. Naturally, most space has been given over to the major Romantics—Blake, Wordsworth, Coleridge, Byron, Shelley, Clare, and Keats—although their successors, poets such as Beddoes and Poe, are included, too, as well as early poems by Tennyson and Browning. In an excellent introduction, David Wright discusses the Romantics as a historical phenomenon, and points out their central ideals and themes.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

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Book SynopsisOne of the three seminal works of Japanese literature—a beautiful collection of poems and tales that offers an unparalleled insight into ancient JapanAlong with the Tale of Genji and One Hundred Poets, One Poem Each, the Tales of Ise is considered one of the three most important works of Japanese literature. A poem-tale collection from the early Heian period, it contains many stories of amorous adventures, faithful friendship, and travels in exile, framing the exquisite poems at the work's heart.The Tales of Ise has influenced waka, Noh, tales, and diaries since the time it was written, and is still the source of endless inspiration in novels, poetry, manga, and cartoons. This volume has been translated by Peter MacMillan and includes a preface by the renowned Japanologist Donald Keene.For more than seventy years, Penguin has been the leading publisher of claTrade ReviewMacMillan's Tales of Ise adds to the treasures of Japanese literature that can now be enjoyed in English translation. It is the most poetic translation of this work to date and establishes MacMillan as an outstanding translator of Japanese poetry -- Donald Keene

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Book SynopsisAuden, Lewis, MacNeice and other key poets of the 'Thirties' were children of the First World War, obsessed by war and by communalism and by the class-struggle. But from within their strongly defined unity of ideals, a varied body of poetry emerged. This book arranges the poetry to make a 'critical essay' of the period.

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Book SynopsisTrade ReviewThis books fulfills at least three needs and fulfills them at a very high standard... it expands the body of Ch'an poetry available in English... it provides an account of the Ch'an religious tradition... the translations are graceful. Journal of Chinese ReligionsTable of ContentsDynastic Timeline A Note on Pinyin Romanization List of Illustrations Acknowledgments Introduction Poems Introductions to the Poets and Explanatory Notes Glossary Bibliography Index

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Book SynopsisWith its roots in the devotional verse of the early Christian church and the long lyric poems of the Irish bards, Irish poetry has a rich and robust tradition both of engagement and self-reflection. It has grappled long with politics and has provided the most eloquent response to Ireland's turbulent history, mediating and mitigating histories of loyalty and loss; it has soaked itself in the Irish landscape and Celtic myth; it has encompassed religion, so much a part of Ireland's cultural heritage. At the same time Irish poets have given their own original slant to everyday experience and affairs of the heart.Thematically organized and spanning many centuries, this selection also features a section of Gaelic poetry in translation, notably excerpts from the 18th-century epic masterpiece, Brian Merriman's The Midnight Court.

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Book SynopsisHere is an opportunity to discover some of the best new, unpublished poets from the Caribbean. Coming Up Hot is the second publication of Peekash Press, an imprint of Akashic Books and Peepal Tree Press committed to supporting the emergence of new Caribbean writing, and as part of CaribLit project.With a generous sample from each poet, there are new writers from Jamaica, Trinidad, St Lucia, St Vincent and Guyana. Meet Danielle Boodoo-Fortune and her richly gothic take on love and its complications; Danielle Jennings’ exuberant narratives of family history and the struggles for respect between men and women; Ruel Johnson’s often witty attempts to confront the insanity of contemporary Guyana’s race wars and political corruption through the formal coolness of poetry; Monica Minott’s frank celebrations of women’s sexuality and her attempt to re-enter the world of spirit possession and trance; Debra Providence’s spare womanist reflections that pack a more devastating punch by saying more with less; Shivanee Ramlochan’s confidently experimental poems that explore the threatening uncertainties of the present through the imagery of speculative fictions set in some post-disaster world; Colin Robinson’s polyphonic, modernist reflections on the queer Caribbean and its joys and sorrows; and Sassy Ross’s tightly structured explorations of memory between the here and there of St Lucia and New York. Here is a generation that has absorbed Walcott, Brathwaite, Carter and Lorna Goodison, but has found its own distinctive voices, themes and formal models. Each of the contributors is well on the way to having their own first collections.Coming Up Hot is the second publication of Peekash Press, a joint imprint of Akashic Books and Peepal Tree Press committed to supporting the emergence of new Caribbean writing, as part of CaribLit project.Table of ContentsDanielle Boodoo-FortuneDanielle JenningsRuel JohnsonMonica MinottDebra ProvidenceShivanee RamlochanColin RobinsonSassy Ross

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Book SynopsisThis anthology features the work of six of Estonia's most celebrated poets. They write from their oral tradition and folklore, explore new forms of poetry through music, marginalia and note-making.

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Book SynopsisArc New Voices from Europe and Beyond: 2Six Basque Poets is the second volume in a new series of bilingual anthologies which brings the work of contemporary poets from Europe and beyond to a wider English-language readership, a series which aims to keep a finger on the 'here and now' of international contemporary poetry.The six poets included in this collection have played a defining role in the development of Basque-language poetry in the last thirty years, since the arrival of what we have come to refer to as the 'democratic age' in Spain and the Basque Country. They represent the diversity of voices and poetic schools that populate the contemporary Basque literary scene, where a variety of tendencies has emerged in the recent decades: a range of different poetics, use of various narrative styles, a preference for a non-aesthetic approach that dwells within the quotidian and an emergence of female voices that reclaim other codes and other universes.Direct, moving and thought-provoking, the poetry in the present volume gives us insight into the preoccupations of a literary milieu which may be marginalized by its use of an ancient language not spoken outside its territory but which is as powerful and original in its production as any of the literary centres in today's Europe.The featured poets: Rikardo Arregi, Bernardo Atxaga, Felipe Juaristi, Miren Agur Meabe, Kirmen Uribe, Joseba Sarrionandia.Table of ContentsSeries Editor's Preface/9, Introduction/10, Translator's note/27. Bernado Atxaga: Biography/31, The hedgehog/33, Adam and Life/35, Elegy/37, Death and the Zebras/37, The Days go by/41, Life/43, Life is Life/45, Silly Song/47, A Finnish Day/51. Felipe Juaristi: Biography/57, "It makes no difference, mixing West with East..."/59, Smoothy/59, Metropolis 2/61, The Isthmus of Panama/63, Vanity of Vanities/65, Nevsky Propsect/67, Auschwitz/69, Gardener/69, Geography/71, Rembrandt wants to paint infinity/73. Joseba Sarrionandia: Biography/79, Nautical Logbook/81, The Organist is Dead/81, Return Home/83, A Long Train/85, A Pile of Broken Shoes/85, The Ex-Prisoner's Mind/85, Literature and Revolution/87, A Runaway's Luggage/87, The Minotaur speaks/89, Poetic Proposal/91. Rikardo Arregi: Biography/97, Papers on the Pavement/99, The Sleeping Land III/99, 66 Lines from the City under Siege/103, The Moon Anywhere/107, Onassis Tavern/111, Territories of Music II/113, Telephone Promises/115, Love Poem I/117, Like Gilen of Aquitaine/119. Miren Agur Meabe: Biography/125, Code/125, Notes on How to avoid Memory Loss (2)/127, Brief Notes (1)/129, "Scoop the pale flow of my frozen half-moon..."/129, /131, Wild roses have gobbled up..."/131, Concrete Things/133, The Ant (II)/135, Water Dreams (III)/135, Aeolia (III)/137. Kirmen Uribe: Biography/141, The River/143, The Island/145, The Visit/145, Mahmud/147, The Cuckoo/151, Birds in Winter/153, Perfect Things/155, The Unsayable/155, Way Beyond/157, May/159. About the translator/161. About the editors/162

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Book SynopsisAn anthology of three collections bringing three poets together around the subjects of birth and war. The styles of these poets differ, but their imagery and intensity echo each other.

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Book SynopsisRich selection of 123 poems by 6 great English Romantic poets: William Blake (24 poems), William Wordsworth (27 poems), Samuel Taylor Coleridge (10 poems), Lord Byron (16 poems), Percy Bysshe Shelley (24 poems) and John Keats (22 poems). Introduction and brief commentaries on the poets.

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Book Synopsis"Earth Shattering" lines up a chorus of over two hundred poems addressing environmental destruction. Whether the subject - or target - is the whole earth (global warming, climate change, extinction of species, planetary catastrophe)or landscapes, homelands and cities (polluting rivers and seas, fouling the air, felling trees and forests), there are poems here to alert and alarm anyone willing to read or listen. Other poems celebrate the rapidly vanishing natural world, or lament what has already been lost, or even find a glimmer of hope through efforts to conserve, recycle and rethink. Earth Shattering's words of warning include contributions from many great writers of the past as well as leading contemporary poets from around the world, ranging from Wordsworth, Clare, Hopkins, Hardy, Rilke and Charlotte Mew to Wendell Berry, Helen Dunmore, Joy Harjo, Denise Levertov, W. S. Merwin and Gary Snyder. This is the first anthology to show the full range of ecopoetry, from the wilderness poetry of ancient China to 21st-century native American poetry, with postcolonial and feminist perspectives represented by writers such as Derek Walcott, Ernesto Cardinal,Oodgeroo and Susan Griffin. Ecopoetry goes beyond traditional nature poetry to take on distinctly contemporary issues, recognising the interdependence of all life on earth, the wildness and otherness of nature, and the irresponsibility of our attempts to tame and plunder nature. The poems dramatise the dangers and poverty of a modern world perilously cut off from nature and ruled by technology, self-interest and economic power. As the world's politicians and corporations orchestrate our headlong rush towards Eco- Armageddon, poetry may seem like a hopeless gesture. But its power is in the detail, in the force of each individual poem, in every poem's effect on every reader. And anyone whose resolve is stirred will strengthen the collective call for change.Trade ReviewAny poetry anthology, in any field, inevitably owes something to those anthologies that have gone before it. But with Earth Shattering, Neil Astley has set out to do something rather different – not just moving us well beyond the canon of "nature poetry" (which a number of other anthologies have also sought to do over the last few years), but by digging much deeper into the complexities of the historical relationship between humankind and the living Earth that sustains us, reflected in a highly contemporaneous and politically aware way. That will certainly appeal to environmental activists who will already be familiar with many of the poets featured in Earth Shattering. But they will discover a whole lot more than this in this astonishingly eclectic and wide-ranging anthology. -- Jonathon Porritt * Sofia *

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Book SynopsisThe poetry of the seventh to the fifth centuries BC that the Greeks called iambic is primarily invective.Trade ReviewThese two additions to the Loeb Classical Library [Greek Iambic Poetry and Greek Elegiac Poetry] will be welcomed by readers at all levels. Archolicus, Hipponax, Solon, the Theognidea, and many others are now accessible as never before...The translations, into prose, are wonderfully clear and readable. All traces of translationese have been removed, or more likely were never there. While the revisions are plain, they are always instructive and can be elegant. It will repay students to read these versions not just as a crib, but to compare them carefully with the Greek. There are surprises and delights for the attentive...Gerber has a gift for finding English that shows how the Greek works...The notes are marvels of condensed information...Gerber throughout the notes writes in a clear, concise, and scrupulous style. In effect he had summarized for his readers a great deal of information about current interpretations and problems of dozens and dozens of fragments...Gerber has distilled an impressive amount of scholarship. That feat, together with the excellence of his translations, makes these volumes among the most distinguished of those recently issued. -- H.G. Edinger * Phoenix *The contemporary literalness of Gerber's translations will fo much to make these poems appealing and accessible to undergraduates...Gerber successfully transmits both the letter and the spirit of the Greek, and his eloquent directness will be welcome to both scholars and students. -- Emily Katz Anhalt * Bryn Mawr Classical Review *

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Book SynopsisExtant works by Sidonius Apollinaris are three long panegyrics in verse, poems addressed to or concerned with friends, and nine books of letters.

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Book Synopsis''The Forward Prizes have turned a spotlight on contemporary poetry which is both searching and glamorous''Carol Ann Duffy100 Prized Poems brings together the best of the poems published over a quarter century in twenty-five editions of the Forward books of poetry, a series highlighting the works commended annually for the prestigious Forward Prizes.The roll-call of poets included is a Who's Who of poetry excellence and includes both familiar names Simon Armitage, Jackie Kay, Derek Walcott - and fresh voices Kae Tempest, Kei Miller and Emily Berry. This anthology of anthologies is a great way of encountering the richness that new poetry has to offer.

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Book SynopsisFeatures translations of poems of Giacomo Leopardi (1798 - 1837) that render into modern English verse - the work of a writer who is regarded as one of the greatest lyric poet in the Italian literary tradition.Trade ReviewWinner of the 1998 Poetry in Translation Award, PEN American Center "[Leopardi's] contribution to 19th-century European poetry second only to Baudelaire's ... there's plenty to be grateful for in this lucidly translated selection... "--Boston ReviewTable of ContentsAcknowledgmentsIntroduction to Giacomo LeopardiTranslator's Introduction: "Attempts and Preludes"Infinitive3Sunday Evening5To the Moon9Dream11The Life of Solitude17Sappho's Last Song23Chorus of the Dead27To Silvia31The Solitary Thrush35Memories39The Clam after the Storm49Saturday in the Village53Night Song of a Nomadic Shepherd in Asia57To Himself67The Setting Moon69Broom or The Flower of the Desert73

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Book SynopsisThis collection of beautiful Persian love poetry is richly illustrated with images from the British Museumâ s world-famous collection.

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Book SynopsisWinner • Modern Language Association’s Scaglione Prize for Translation Bawdier than The Canterbury Tales, The Fabliaux is the first major English translation of the most scandalous and irreverent poetry in Western literature.Trade Review"Like Seamus Heaney’s translation of Beowulf,…Dubin reproduces the world and the feeling of the medieval tale…that travel joyfully from the Middle Ages to the present." -- R. Howard Bloch, from the introduction to The Fabliaux"Devilishly bawdy and irreverent…The 69 fabliaux presented here in their original French and translated into rascally, buoyant English by Nathaniel E. Dubin, are relentlessly scabrous, egregiously misogynistic, and exuberantly oppositional to ‘bourgeois respectability’ and the church…. Vivid, funny, robustly grotesque, and drolly outrageous, these satirical tales of lust, revenge, and folly feature lecherous peasants, fornicating priests, scoundrels, fools, and women wily and tough, castigated and abused…. An historic literary achievement bound to arouse vociferous discussion." -- Booklist"Pure, unadulterated fun…. A golden bough of erotic imagination and folk humor, peopled by randy wives, cuckolded husbands, fornicating priests, and priapic knights…. Ultimately, what’s so potent and profound about these risqué yarns is not their unbridled expressions of sexuality and vulgarity per se, but their unusual ability to provoke a carnivalesque laughter in all. Through denuding, debauchery, and bodily degradation, the fabliaux create a common denominator for humanity, an earthy, holistic world in which, to quote Bakhtin again, ‘he who is laughing also belongs to it.’ Flaunting unabashed obscenity in delightful verse, The Fabliaux is a book that would entertain the fans of Dr. Freud and Dr. Seuss alike." -- Yunte Huang - The Daily Beast"Fabliaux are comic tales, in verse, composed between the twelfth and fourteenth centuries…. The words used…have not been adjusted to conform to modern immodesty; the translation is literal…[This is the] first substantial collection of fabliaux, in any language, for today’s general reader." -- Joan Acocella - The New Yorker"The fabliaux, then, is a short story that is a tall story. It combines a burly blurting of dirty words with a reveling in humiliations that are good unclean fun. A popular venture that is keen to paste—épater—everybody (not just the bourgeoisie), it is the art of the single entendre. Highly staged low life, it guffaws at the pious, the prudish, and the priggish. High cockalorum versus high decorum…. The introduction here, like the translator’s note, tells well the story of the comic tales, anonymous for the most part, usually two or three hundred lines long, of which about 160 exist." -- Christopher Ricks - New York Review of Books"The fabliaux are important not only for their approach to humor, but for their focus on sex, class and wealth, and bodily functions like eating and defecating—all elements quite absent from more highbrow, courtly, or Church-sanctioned religious texts. Liveright’s edition serves as the largest and most complete collection of fabliaux, in English or French, ever published “for the general reader…" The Fabliaux is a reminder that medieval texts can remain engaging, lively, and, above all, funny." -- Charlotte Bhaskar - Zyzzyva

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Book SynopsisDavid A. Campbell is Emeritus Professor of Greek and Roman Studies at the University of Victoria, Canada.Table of ContentsPreface Introduction Abbreviations Archilochus Cal linus Tyrtaeus Semonides Alcman Mimnermus Solon Stesichorus Sappho Alcaeus Ibycus Anacreon Xenophanes Phocylides Demodocus Theognis Hipponax Simon ides Pratinas Timocreon Corinna Bacchylides Praxilla Carmina popularia Scolia Appendix on Metre Index

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Book SynopsisNo one captures the graces and idiosyncrasies of cats quite like the painters, printmakers, and haiku masters of Japan. From the Edo to the Showa period, many artists turned their gaze toward an unlikely subject: their small feline companions. Closely observed portraits in words and ink elevate the everyday adventures of cats: taking a nap on a Buddha statue's lap, daintily eating a rice ball, courting the neighbor's cat. This curated collection of poems, prints, and paintings will leave you inspired to cultivate the serenity and wonder embodied by these creators - and by the cats themselves. Presented as a sweet, jacketed paperback with thoughtful design touches, this volume includes each poem in both English and Japanese.

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Book SynopsisA sister volume to the poetry collection She is Fierce this is a stunning gift book featuring 130 poems written by women. With poems from classic, well loved poets as well as innovative and bold modern voices, She Will Soar is a stunning collection and an essential addition to any bookshelf.From the ancient world right up to the present day, it includes poems on wanderlust, travel, daydreams, flights of fancy, escaping into books, tranquillity, courage, hope and resilience. From frustrated housewives to passionate activists, from servants and suffragettes to some of today’s most gifted writers, here is a bold choir of voices demanding independence and celebrating their hard-won power.Compiled by Ana Sampson, immerse yourself in poems by Carol Ann Duffy, Christina Rossetti, Stevie Smith, Sarah Crossan, Emily Dickinson, Salena Godden, Mary Jean Chan, Charly Cox, Nikita Gill, Fiona Benson, Hollie McNish and Grace Nichols to name but a few.Trade ReviewThis glorious, exhilarating anthology makes the perfect choice for any woman you know, of any age * Daily Mail *A wonderfully wide range of poems by female poets . . . the perfect gift for a thoughtful teen who loves words. * Irish Independent *It's no surprise that She Will Soar featured in the YA selection of Great New Recommended Reads for National Poetry Day this year. * ReadingZone *This is a collection to stir the blood and resonate in the bones. * Guardian, on She is Fierce *

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Book SynopsisIn the Nahda, or Arab Renaissance, from the early nineteenth to the early twentieth century, Arab culture and politics for the first time responded to European modernity and face the challenges to Arab power, tradition, and identity posed by the industrial, colonial nations of the West. In the process, Arab society both imitated and innovated, translating contemporary foreign texts, adopting new genres, developing journalism, creating a new publishing industry, and building new educational systems as it changed under conflicting forces: nationalism, secularism, Islamic revival, and language reforms. Collected in this anthology are texts by intellectuals, writers, clergy, and political figures that deal with authority, social norms, conventions and practices both secular and religious, gender roles, class, travel, and technology. Presented in the original Arabic and in English translation, they will be of interest of students of Arabic language and culture, history, cultural studies, gender studies, and other disciplines.

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Book SynopsisCarmina Burana, the largest surviving collection of secular Medieval Latin verse, features poems on subjects ranging from sex and gambling to crusades and corruption. This new, two-volume presentation of the medieval classic makes the anthology accessible in its entirety to Latin lovers and English readers alike.Trade Review[Traill] brings to this ambitious project deep knowledge of medieval Latin poetry and the Carmina Burana manuscript…These are, indeed, translations worth having…The DOML Carmina Burana is a wonderful resource. -- Thomas C. Moser, Jr. * Speculum *

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Book SynopsisAn Indie Poetry Bestseller! What the world needs now – featuring poems from inaugural poet Amanda Gorman, Ross Gay, Tracy K. Smith and more. More and more people are turning to poetry as an antidote to divisiveness, negativity, anxiety, and the frenetic pace of life. How to Love the World: Poems of Gratitude and Hope offers readers uplifting, deeply felt, and relatable poems by well-known poets from all walks of life and all parts of the US, including inaugural poet Amanda Gorman, Joy Harjo, Naomi Shihab Nye, Ross Gay, Tracy K. Smith, and others. The work of these poets captures the beauty, pleasure, and connection readers hunger for. How to Love the World, which contains new works by Ted Kooser, Mark Nepo, and Jane Hirshfield, invites readers to use poetry as part of their daily gratitude practice to uncover the simple gifts of abundance and joy to be found everywhere. With pauses for stillness and invitations for writing and reflection throughout, as well as reading group questions and topics for discussion in the back, this book can be used to facilitate discussion in a classroom or in any group setting.

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Book SynopsisThe Golden Shovel Anthology celebrates the life and work of poet and civil rights icon Gwendolyn Brooks through a dynamic new poetic form, the Golden Shovel, created by National Book Award–winner Terrance Hayes.An array of writers—including winners of the Pulitzer Prize, the T. S. Eliot Prize, and the National Book Award, as well as a couple of National Poets Laureate—have written poems for this exciting new anthology: Rita Dove, Billy Collins, Danez Smith, Nikki Giovanni, Sharon Olds, Tracy K. Smith, Mark Doty, Sharon Draper, Richard Powers, and Julia Glass are just a few of the contributing poets.This second edition includes Golden Shovel poems by two winners and six runners-up from an international student poetry competition judged by Nora Brooks Blakely, Gwendolyn Brooks’s daughter. The poems by these eight talented high school students add to Ms. Brooks’s legacy and contribute to the depth and breadth of this anthology.

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Book SynopsisPoetry by Sebastiano Aglieco Annelisa Alleva Elisa Biagini Elisa Davoglio Alessandro De Francesco Sonia Gentili Giuliano Mesa Luigi Nacci Elio Pecora Maria Luisa Spaziani Andrea Zanzotto Federico Zuliani Edited by Brunella Antomarini Berenice Cocciolillo Rosa Filardi On the occasion of John Cabot University’s fortieth anniversary, we are proud to present the fifth edition of the InVerse poetry anthology. In publishing InVerse, the University is true to its deepest mission and commitment: to bring together Anglo-American and Italian cultures. Franco Pavoncello PresidentTable of ContentsIntroduction The Task of the Translator Today Translators Credits Andrea Zanzotto Giuliano Mesa Frederico Zuliani Elisa Biagini Luigi Nacci Alessandro De Francesco Elisa Davoglio Maria Luisa Spaziani Elio Pecora Annelisa Alleva Sebastiano Aglieco Sonia Gentili Biographies

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Book SynopsisThis first major gathering of the younger poets of Hungary witnesses to the poetics of a new post-1989 Europe. The poetics are still in the making but important poets appear and develop. They are writers whose mature work has been produced in the new social, psychological and political circumstances. They include major women poets such as Anna T. Szabo, and Krisztina Toth as well as highly acclaimed figures like Janos Terey and Andras Gerevich. The translators are chiefly poets of the same generation - Owen Sheers, Antony Dunn, Clare Pollard, Matthew Hollis and Agnes Lehoczky, whose work sits alongside writers long associated with the translation of Hungarian poetry: George Gomori, Clive Wilmer, Peter Zollman and the editor, George Szirtes.Table of ContentsIntroduction ISTVAN KEMENY: Biography / Grand Monologue / Some Words on Blood / Hide and Seek / Elves' Morning Song / My Father's Friends / The Bee-keeper / Dream with Several Unknown Factors / The Silent H SZILARD BORBELY: Biography / [Allegory I] / [Allegory IV] / [Epilogue II] / [Fragment II] / [Fragment VIII] / [Fragment X] / [Letter I] / [Letter II] [Letter VI] ANDRAS IMREH: Biography / Sunday Morning / Light Bedding / Trees with White Trunks / Lullaby / The Blackbird / Languages We don't speak / Compost / The Bright Boys / Afternoon / Set to go / Sonnet MONIKA MESTERHAZI: Biography / Time and Space / Assuming / Gravity / In Sunlight / Sandstone / Wild Chestnut / Wind / Journal / Once upon a Time / Sors Bona KRISZTINA TOTH: Biography / The Year of Snows / The Experiment / On the Nature of Love / On the Nature of Pain / Metro Trains in Contrary Directions / File / Tram Depot / East-Europe Triptych / Dog / After a Mouse / Map / Shadowgrass / Full Moon VIR G ERDOS: Biography / Portrait / The Sky above Josephstadt / Aliens / A Lying Tale / Vision (Game Over) / JANOS TEREY: Biography / Canaletto's Glimpse / What would have happened, if / The Circus / The Encyclopaedia of Motherland / Regret / Hungarian Bride / Interview with Anthea / Table Music(excerpt) / G. ISTVAN LASZLO: Biography / Chronos / Burger King / The Jungle / Fishmonger / Headwaiter / In the Cukraszda / Feast / The Lake / Abraham / The Cat / The Road to Autumn ANNA T. SZABO: Biography / Winter Diary / Fire, We say / This Day / The Labour Ward / She leaves Me / Autofocus / Adolescents / Hospital Window / Cold Light / Cruising Altitude TAMAS JONAS: Biography / Experimentation / Master Raven / Ballad of the Tortured / The One / Slowly It comes to Light ORSOLYA KARAFIATH - Biography / Blood / Earth / Two Flagstones / Lotte Lenya's Secret Song / Blind Map / Meadow Land / Portrait of a Woman / Sky ANDRAS GEREVICH: Biography / Desire / Waking Up / Family Chronometer / Christmas Shopping / In the Storybook - / Marmaris / Mediterranean / Odysseus / A Thursday / Cemetery / Provincetown / Let the Hand of Fate strike You About the translators

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Book SynopsisStill little known in the West, Persian poetry offers extraordinary riches. While celebrating the beauty of the world in poems about love, wine and poetry itself, or telling anecdotes of everyday life, Persian poetry set these themes in the wider religious and philosophical context of Islam. Omar, Rumi, Saadi, Sanai, Attar, Hafez and Jami – the great lyric and didactic poets of medieval Persia – are all represented in this selection of translations spanning almost two hundred and fifty years.

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Shortlisted for the Scottish Poetry Book of the Year 2021. This first anthology of 'Apocalyptic' or neo-romantic poetry since the nineteen-forties includes over 150 poets, many well known (Dylan Thomas, W.S. Graham), and others quite forgotten (Ernest Frost, Paul Potts). Over forty of the poets are women, of whom Edith Sitwell is among the most exuberant. Much of the contents has never previously been anthologised; many poems are reprinted for the first time since the 1940s. The poetry of the Second World War appears in a new context, as do early Tomlisnon and Hill. Here readers can enjoy an overview of the visionary-modernist British and Irish poetry of the mid-century, its antecedents and its aftermath. As a period style and as a body of work, Apocalyptic poetry will come as a revelation to most readers.

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Book SynopsisVivid, enjoyable and comprehensible, the poet and pre-eminent translator Stephen Mitchell makes the oldest epic poem in the world accessible for the first time. Gilgamesh is a born leader, but in an attempt to control his growing arrogance, the Gods create Enkidu, a wild man, his equal in strength and courage. Enkidu is trapped by a temple prostitute, civilised through sexual experience and brought to Gilgamesh. They become best friends and battle evil together. After Enkidu's death the distraught Gilgamesh sets out on a journey to find Utnapishtim, the survivor of the Great Flood, made immortal by the Gods to ask him the secret of life and death. Gilgamesh is the first and remains one of the most important works of world literature. Written in ancient Mesopotamia in the second millennium B.C., it predates the Iliad by roughly 1,000 years. Gilgamesh is extraordinarily modern in its emotional power but also provides an insight into the values of an ancient culture and civilisation.Trade ReviewStephen Mitchell's Gilgamesh is a wonderful version. It is as eloquent and nuanced as his translations of Rilke. This is certainly the best that I have seen in English. * Harold Bloom *Stephen Mitchell's fresh new rendition of mankind's oldest recorded myth is quite wonderful in its limpidity and the immediacy of its live emotions. * Peter Mathiessen *Very readable. -- James Fenton * The Guardian *This is the most pellucid version of the epic yet to have been written in English, but what is most startling and admirable about it is the fact that Mitchell has not sacrificed a sense of the weird on the altar of readability. -- Tom Holland * Daily Telegraph *Mitchell produces what should become recognised as the standard text. Read it and sense all the wisdom and complexity of the original before film-makers now planning a screen version get their hands on it. Let it settle down into your imaginative depths. -- Rachel Campbell-Johnston * The Times *It was a revelation. The translation is superb. * Harold Pinter *As narrative verse, this Gilgamesh entrances and enthrals. Its liquid, intimate four-stressed lines negotiate the rapid shifts between everyday pleasures, heroic feats and blazing visions in this mythic world where the sensual and spiritual always intersect. Mitchell manages to slip the mesmerising incantations of the verse into his reader's bloodstream as if they flowed through some poetic intravenous drip. -- Boyd Tonkin * Independent *Reading Stephen Mitchell's marvellously clear and vivid rendering of Gilgamesh makes me feel that I am encountering this ancient poem for the first time. * Elaine Pagels *Beautifully retold and a page-turner in the bargain. Like Seamus Heaney's recent retelling of Beowulf, this book proves that in the right hands, no great story ever grows stale. -- Malcolm Jones * Newsweek *This is the most pellucid version of the epic yet to have been written in English, but what is most startling and admirable about it is the fact that Mitchell has not sacrificed a sense of the weird on the altar of readability ... a powerful translation. * The Times *Stephen Mitchell's Gilgamesh is a wonderful version. It is as eloquent and nuanced as his translations of Rilke. This is certainly the best that I have seen in English. -- Harold Bloom

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Book SynopsisIn forms as various as the melodramas of old Scottish ballads and the hard-boiled poems of twentieth-century noir, here are assembled the most colourful villains and victims ever to be immortalized in verse, from Cain and Abel and Bluebeard to Jack the Ripper, Lizzie Borden and Mafia hit-men. Browning, Hardy, Auden, Mark Doty, Thom Gunn, Simon Armitage and Stevie Smith are only a few of the wide range of poets, old and new, whose comic, chilling and occasionally profound poetic musings on murder are gathered in this uniquely - and irresistibly - heart-racing volume.

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Book SynopsisPoet and scholar team Dora Malech and Laura T. Smith collect and foreground an impressive range of sonnets, including formal and formally subversive sonnets by established and emerging poets, highlighting connections across literary moments and movements. Poets include Phillis Wheatley, Fredrick Goddard Tuckerman, Emma Lazarus, Paul Laurence Dunbar, Gertrude Stein, Fradel Shtok, Claude McKay, Edna St. Vincent Millay, Ruth Muskrat Bronson, Langston Hughes, Muriel Rukeyser, Gwendolyn Brooks, Dunstan Thompson, Rhina P. Espaillat, Lucille Clifton, Marilyn Hacker, Wanda Coleman, Patricia Smith, Jericho Brown, and Diane Seuss. The sonnets are accompanied by critical essays that likewise draw together diverse voices, methodologies, and historical and theoretical perspectives that represent the burgeoning field of American sonnet studies.Trade Review“With keen observation and rigorous inquiry, The American Sonnet documents and celebrates American poets’ vital contributions to an ancient, global verse form. The poems and essays collected here situate the ‘American sonnet’ within a centuries-long conversation about how poetry happens on the page and in the mind. By centering diverse, living American poets for whom the sonnet is a way to think deeply about social and political questions, this work offers a timely snapshot of our urgent literary moment. The American Sonnet is a feast of discovery for all readers.”—Kiki Petrosino, author, White Blood: A Lyric of Virginia “The American Sonnet will be embraced by all who’ve noted the lack of diverse scholarship on the sonnet, particularly regarding historically underrepresented sonneteers. Malech and Smith have deepened and expanded the range of our thinking on this form. I can’t wait to teach this book—and be taught by it.”—Beth Ann Fennelly, author, Heating & Cooling: 52 Micro-Memoirs “I can’t imagine a group of people with whom I would be more excited to talk with about the sonnet than the essayists herein, nor talk more illuminating than their essays. And the sonnets themselves cover whatever the essays don’t (more Dunstan Thompson in anthologies, please). This is an ideal anthology.”—Shane McCrae, author, Cain Named the Animal “’We shall not always plant while others reap,’ promised Countee Cullen; the robust tradition of sonnets he represented is just one of several in this memorable, thoughtful, useful, and sometimes stellar collection’s deeply American braid, reflecting both a panoply of sonnets from U.S.-based writers (and translators!) and a splendid variety of contemporary writings on the form, a modern—but not too modern—pattern designed to make ‘the soul swing open’ (as Mona Van Duyn puts it) ‘on its hinges.’ Sonnets themselves train up to the present day and then introduce up-to-date reflections on the form, from major critics’ takes to up-and-coming poets’ thoughts: Jahan Ramazani on this ‘tightly wound global form,’ Meg Day's ‘Deaf and disabled existence,’ Timo Muller on Harlem Renaissance translation, arguments about neuroqueerness and autism in (wait for it) Robert Frost, and about where on Earth this form is going beyond the pentameter, beyond—or is it back to?—the past. ‘A sonnet is a mother,’ as the great Diane Seuss writes: here are its children.”—Stephanie Burt

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Book SynopsisA handsome anthology of 366 poems from around the world and throughout history, all especially selected for reading aloud, with one glorious poem for every day of the year. Everyone benefits from reading aloud, whether it's a bedtime story with Dad or Granny, an intimate moment with a loved one, or a performance to a group of people. When spoken, the poet’s words hit us more powerfully and meaningfully, and what's more, it's good for our health: mindfully reading aloud helps with relaxation, improves working memory and aids vocabulary acquisition. With a wide and diverse range of poets including the 14th-century Persian poet Hafiz and Mary Oliver in the 21st century, old favourites such as Emily Dickinson and more recent voices such as Lemn Sissay, the obvious classics such as Wordsworth’s Daffodils and slightly more offbeat fare like Spike Milligan, there's something for everyone in this book: poems that are funny, sad, consoling, uplifting and everything in between. Whether you're a teacher enthralling a class of children or a carer entertaining a group of pensioners, if you're looking for a reading for a special occasion or a powerful piece for a performance, you'll find everything you need here. It's the perfect book to dip into daily to share a poem with anyone, to hear the true beauty and rhythm of words and the magic they can weave.

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Book SynopsisTen poem. Ten poets. Ten earth-shattering encounters.

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Book SynopsisSelected by editor Bardia Sinaee, the 2024 edition of Best Canadian Poetry showcases the best Canadian poetry writing published in 2022.Featuring:David Barrick • Nina Berkhout • Nicholas Bradley • Alison Braid • Louise Carson • Hilary Clark • Erin Conway-Smith • Nancy Jo Cullen • Kayla Czaga • Rocco de Giacomo • Jean Eng • Joel Robert Ferguson • Susan Gillis • Luke Hathaway • Beatriz Hausner • Robert Hogg • Evan Jones • Meghan Kemp-Gee • Joseph Kidney • Matthew King • Sarah Lachmansingh • T. Liem • Seth MacGregor • Sadie McCarney • Erin McGregor • Anna Moore • Rhiannon Ng Cheng Hin • Barbara Nickel • Peter Norman • Tolu Oloruntoba • Michael Ondaatje • Jana Prikryl • Matt Rader • Monty Reid • Lisa Richter • Meaghan Rondeau •

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Book SynopsisA beautiful anthology featuring some of the brightest voices in contemporary American poetry who challenge, expand, and illuminate the meaning of the label Asian American and Pacific Islander in today's world.In this thoughtfully curated, intergenerational collection, poets of multiple languages, lands, and waters write against and through the contested terrain of AAPI identity. Too often, Pacific Islanders and Asian Americans are squeezed into the same story. The poets gathered here, and the lineages they represent, exceed this sameness. May this anthology uplift complexities and incite transformation and joy.Contributors include Marilyn Chin, Joshua Nguyen, Teresia Teaiwa, Haunani-Kay Trask, and many more writers, both established and emerging.

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