Poetry anthologies (various poets)
Merchant Books Pipe And Pouch: The Smokers Own Book Of Poetry
£12.82
Kent State University Press I Hear the World Sing (Sento cantare il mondo):
Book SynopsisShared joys and concerns across cultures and language, expressed in the poetry of children.When school children from Kent, Ohio and Florence, Italy, were invited to express their thoughts about "Where I'm From" in poetry, the connections that emerged between these students from different continents were remarkable. Their responses to this prompt—"lo vengo da" in Italian—demonstrate the underlying importance of home, families, the natural world, and the creative identities that children harbour within them.The 40 poems in I Hear the World Sing, printed in both English and Italian, presents these poems in three sections—"The Chirp of Little Birds," "Witness the River," and "I Write to Grow a World"—which explore and celebrate the commonalities between us. Anyone can be a poet, no matter the language one speaks or writes. And by presenting each poem in two languages, this collection emphasises how successfully poetry transcends both physical and linguistic boundaries, no matter the age of the poet.Originally composed in workshops facilitated by the Wick Poetry Center's Traveling Stanzas project and translated by students in Kent State University's Italian translation program, I Hear the World Sing is an invitation for students of poetry, of Italian, and readers of any age to reflect on language and how it shapes our lives.
£19.76
Kent State University Press Dear Vaccine: Global Voices Speak to the Pandemic
Book SynopsisPeople from around the world reflect on the COVID-19 pandemic and vaccine through poetryWhen so much in our lives ground to a halt in the spring of 2020, no one knew how long the COVID-19 pandemic would last. After long months of shutdowns, social distancing, and worry, the first coronavirus vaccines were released in December 2020. In March 2021, the Wick Poetry Center at Kent State University and the University of Arizona Poetry Center launched the website for the Global Vaccine Poem project, inviting anyone to share experiences of the pandemic and vaccination through poetry. Dear Vaccine features selections from over 2,000 poetry submissions to the project, which come from all 50 states and 118 different countries. Internationally acclaimed author Naomi Shihab Nye, in her introduction, highlights the human dimensions found across the responses. Richard Carmona, the 17th Surgeon General of the United States, provides a foreword that contextualizes the global scope of the problem, as well as the political and public health dimensions. Making use of poetry's powerful tools to connect us across division, Dear Vaccine reminds us that medical advances alone are not enough to solve the vexing challenges of the pandemic; the arts—and poetry—have a profound and critical role to play.Trade Review"In the midst of all this division around the world, something to bring us together." —PBS NewsHour "Dear Vaccine offers a snapshot in time so that readers of the future can glimpse what it was like to anticipate and receive protection from a killer virus during a global pandemic." —Mike DeWine, governor of Ohio "What would you say to the vaccine if it could hear you? Dear Vaccine is an absolute treasure trove of personal, poetic responses. We are living through history, I've said to my children. People in the future will read about this time in books. Lucky for us, and lucky for them, one of those books will be this one. May the hope inside these pages be contagious." —Maggie Smith, author of Goldenrod and Keep Moving "Dear Vaccine, the genius of David Hassler, Tyler Meier, and Naomi Shihab Nye, gave us permission to put into words that which weighed on our hearts during the global pandemic. The messages of grief, endurance, and hope from all around the world can be found in this timely book of poetry written by the people who lived it and have poems to tell." —Donna S. Collins, executive director, Ohio Arts Council "Dear Vaccine is both address and adoration for the medical breakthrough that has liberated much of the world from unending lockdowns. Its bittersweet and sincere letter-poems personalize the notion that, regardless of age, condition, or location, that which makes us human also makes us vulnerable. It is as if the virus knows where to find us: classrooms, coffee shops, theaters, even our own living rooms. Even the briefest of lines reflects how far many had drifted from life's small pleasures only to pine for them once they were taken away. The frustration of airport security. The silence of museums. Broken into six sections—based on isolation, gratitude, grief, vaccine clinic, nostalgia, and possibility—this anthology encompasses the range of emotions we all experienced as the pandemic swept across the planet in waves. In Dear Vaccine, we are unified by loss yet comforted by both science and art." —Arlan Hess, City Books, Pittsburgh
£20.21
University of New Orleans Press On a Wednesday Night: Poems from the Creative
Book Synopsis
£19.96
University of New Orleans Press Blossoms in Snow: Austrian Refugee Poets in
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£19.96
University of New Orleans Press I Am New Orleans: 36 Poets Revisit Marcus
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£14.41
Bloomsbury Publishing Plc The Art of Losing: Poems of Grief and Healing
Book Synopsis Kevin Young has thoughtfully gathered many of these sorrowful perambulations and grievous plummets. Billy CollinsThe Art of Losing is the first anthology of its kind, delivering poetry with a purpose. Editor Kevin Young has introduced and selected 150 devastatingly beautiful poems that embrace the pain and heartbreak of mourning. Divided into five sections (Reckoning, Remembrance, Rituals, Recovery, and Redemption), with poems by some of our most beloved poets as well as the best of the current generation of poets, The Art of Losing is the ideal gift for a loved one in a time of need and for use by therapists, ministers, rabbis, and palliative care workers who tend to those who are experiencing loss. Among the poets included: Elizabeth Alexander, W. H. Auden, Amy Clampitt, Billy Collins, Emily Dickinson, Louise Gluck, Ted Hughes, Galway Kinnell, Kenneth Koch, Philip Larkin, Li-Young Lee, Philip Levine, Marianne Moore, Sharon Olds, Mary Oliver, Robert Pinsky, Adrienne Rich, Theodore Roethke, Anne Sexton, Wallace Stevens, Dylan Thomas, Derek Walcott, and James Wright.
£11.69
Haymarket Books The BreakBeat Poets Vol. 3: Halal If You Hear Me
Book SynopsisThe collected poems dispel the notion that there is one correct way to be a Muslim by holding space for multiple, intersecting identities while celebrating and protecting those identities. Halal If You Hear Me features poems by Safia Elhillo, Fatimah Asghar, Warsan Shire, Tarfia Faizullah, Angel Nafis, Beyza Ozer, and many others. Fatimah Asghar is the creator of the Emmy-Nominated web series Brown Girls, now in development for HBO. She is the author of If They Come For Us and a recipient of a 2017 Ruth Lilly and Dorothy Sargent Rosenberg Fellowship. She is a member of the Dark Noise Collective and a Kundiman fellow. In 2017, she was listed on Forbes’s 30 Under 30 list. Safia Elhillo is the author of The January Children. Sudanese by way of Washington, DC and a Cave Canem fellow, she holds an MFA from the New School. In 2018, she was awarded a Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation.
£14.24
Haymarket Books The Breakbeat Poets Vol. 2: Black Girl Magic
Book SynopsisBlack Girl Magic continues and deepens the work of the first BreakBeat Poets anthology by focusing on some of the most exciting Black women writing today. This anthology breaks up the myth of hip-hop as a boys' club, and asserts the truth that the cypher is a feminine form.Trade Review“The poems in the collection, influenced by the rhythms, lyricism, and expressiveness of hip-hop music and culture, speak to the many dimensions of black womanhood.” —Poets & Writers “This anthology celebrates the works of Black women from all corners of the diaspora, exploring themes of beauty, unapologetic blackness, intersectionality, self-definition, and more.” —Teen Vogue “Black Girl Magic features more than 60 writers using vivid imagery and crackling language to embrace their vulnerabilities and push against stereotypes that erase Black women’s lived experiences, instead honoring the richly variant forms and stories of Black womanhood… In a world that seems hell bent on the degradation of Black women and girls, hope can often seem like an unattainable luxury. Yet the beauty of Black Girl Magic lies in its defiance of that narrative pushed by patriarchal white supremacy.” —Broadly “These dense, entrancing, necessary works by more than 60 black women poets create a black-girl-centric world of their own. The BreakBeat Poets Vol. 2: Black Girl Magic is a well-rounded look at what it means to be a black woman and in the process serves as a platform for our voices and bodies, revealing our maneuvers through the world as deeply relevant to and deserving of literary space.” —Chicago Reader “An enthralling, deep, beautiful and heartbreaking dive into the world of Black women. Black Girl Magic offers an insightful and necessary look at what it means to be black, resolute and have a platform to share it loud and proudly.” —Okayplayer “One of the most important volumes of poetry in recent years.” —Dazed “Written by and for black women, these poems disrupt myths and stereotypes and present expansive perspectives on black womanhood.” —Newcity
£14.24
New World Library Mala of Love: 108 Luminous Poems
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£16.14
Michigan State University Press The Forbidden: Poems from Iran and its Exiles
Book SynopsisDuring the 1979 revolution, Iranians from all walks of life, whether Muslim, Jewish, Christian, socialist, or atheist, fought side-by-side to end one tyrannical regime, only to find themselves in the clutches of another. When Khomeini came to power, freedom of the press was eliminated, religious tolerance disappeared, women's rights narrowed to fit within a conservative interpretation of the Quran, and non-Islamic music and literature were banned. Poets, writers, and artists were driven deep underground and, in many cases, out of the country altogether. This moving anthology is a testament to both the centuries-old tradition of Persian poetry and the enduring will of the Iranian people to resist injustice. The poems selected for this collection represent the young, the old, and the ancient. They are written by poets who call or have called Iran home, many of whom have become part of a diverse and thriving diaspora.
£15.26
Michigan State University Press Undocumented: Great Lakes Poets Laureate on
Book SynopsisFocusing on contemporary issues, this text showcases a large collection of regional poets laureate writing on subjects critical to understanding social justice as it relates to the Great Lakes region.Undocumented: Great Lakes Poets Laureate on Social Justice includes writing by seventy-eight poets who truly represent the diversity of the Great Lakes region, including Rita Dove, Marvin Bell, Crystal Valentine, Kimberly Blaeser, Mary Weems, Karen Kovacik, Wendy Vardaman, Zora Howard, Carla Christopher, Meredith Holmes, Karla Huston, Joyce Sutphen, and Laren McClung, among others.City, state, and national poets laureate with ties to Illinois, Indiana, Michigan, Minnesota, New York, Ohio, Ontario, Pennsylvania, and Wisconsin appear in these pages, organized around themes from the Southern Poverty Law Center’s “Ten Ways to Fight Hate: A Community Response Guide”, calling on readers to act on behalf of victims of social injustice.
£8.95
Michigan State University Press Respect: The Poetry of Detroit Music
Book SynopsisWhile there have been countless books written about Detroit, none have captured its incredible musical history like this one. This collection of poems and lyrics covers numerous genres including jazz, blues, doo-wop, Motown, classic rock, punk, hip-hop, and techno. Detroit artists have forged the paths in many of these genres, producing waves of creative energy that continue to reverberate across the country and around the world.While documenting and celebrating this part of Detroit’s history, this book captures the emotions that the music inspired in its creators and in its listeners. The range of contributors speaks to the global impact of Detroit’s music scene - Grammy winners, Pulitzer Prize winners, Rock and Roll Hall of Fame inductees, and poet laureates all come together in this rich and varied anthology, including such icons as Eminem, June Jordan, Fred “Sonic” Smith, Rita Dove, Jack White, Robbie Robertson, Paul Simon, Nikki Giovanni, Philip Levine, Sasha Frere-Jones, Patricia Smith, Billy Bragg, Andrei Codrescu, Toi Derricotte, and Cornelius Eady.
£23.36
New Village Press That's a Pretty Thing to Call It: Prose and
Book SynopsisFrank, eye-opening writing by "arts in corrections" educators Poetry and prose by artists, writers, and activists who’ve taught workshops in U.S. criminal legal institutions, including acclaimed writers Ellen Bass, Joshua Bennett, Jill McDounough, E. Ethelbert Miller, Idra Novey, Joy Priest, Paisley Rekdal, Christopher Soto, and Michael Torres; the late arts in corrections pioneers Buzz Alexander and Judith Tannenbaum; and Guggenheim Award-winning choreographer Pat Graney. These educators demonstrate a diverse range of experiences. Among the questions they ask: Does our work support the continuation or deconstruction of a mass incarcerating society? What led me to teach in prison? How do I resist the “savior” or “helper” narrative? A book for anyone seeking to understand the prison industrial complex from a human perspective. All author royalties from this book will be donated to Dances for Solidarity, a project that brings arts opportunities to people incarcerated in solitary confinement.Trade Review“That’s a Pretty Thing shows us that it is possible to seek beauty from hell; that it is possible to cultivate sweetness and honesty in the face of brutality and betrayal. We learn that buried deep in the American carceral system are people. People who love and hurt and think and grow. People who have something to say if only we would listen.” -- Cynthia W. Roseberry * Acting Director, ACLU Justice Division; project manager of President Obama’s Clemency Initiative; founding board member of Georgia Innocence Project. *“Sugar and the collected writers contend with the emotional upheavals and moral hazards of teaching in prisons. Here, in knife-edged detail, is prison’s mundane hell: the “ceremonies” of entry and exit, the arbitrary rules, the pointless cruelties. Here, too, are careful portraits of incarcerated students and writers, who challenge their would-be teachers and write with an urgency that most of us will never possess.” -- Marshall Thomas * attorney, public defender, writer *“This book has translated the ancient and forgotten language of the dead into the organic syllable of the living. As the Prince in Hamlet identifies “the undiscovered country from whose bourn no traveller returns,” the prose and poetry warriors in That's a Pretty Thing to Call It go where the dead white poets feared to tread – beyond the silk veil that separates the living from the civilly dead.” -- Michael Rhynes * author of Guerrillas in the Mist, Pushcart Prize nominee, poet, playwright, and solo performance artist. *Brilliantly illuminates truths about incarceration ... Prisons are built to separate the incarcerated from the rest of the community, to silence their voices ... Works like That’s a Pretty Thing to Call It expose the cruelty and absurdity of that intention. * Arts Fuse *
£19.79
New Village Press That's a Pretty Thing to Call It: Prose and
Book SynopsisFrank, eye-opening writing by "arts in corrections" educators Poetry and prose by artists, writers, and activists who’ve taught workshops in U.S. criminal legal institutions, including acclaimed writers Ellen Bass, Joshua Bennett, Jill McDounough, E. Ethelbert Miller, Idra Novey, Joy Priest, Paisley Rekdal, Christopher Soto, and Michael Torres; the late arts in corrections pioneers Buzz Alexander and Judith Tannenbaum; and Guggenheim Award-winning choreographer Pat Graney. These educators demonstrate a diverse range of experiences. Among the questions they ask: Does our work support the continuation or deconstruction of a mass incarcerating society? What led me to teach in prison? How do I resist the “savior” or “helper” narrative? A book for anyone seeking to understand the prison industrial complex from a human perspective. All author royalties from this book will be donated to Dances for Solidarity, a project that brings arts opportunities to people incarcerated in solitary confinement.Trade Review“That’s a Pretty Thing shows us that it is possible to seek beauty from hell; that it is possible to cultivate sweetness and honesty in the face of brutality and betrayal. We learn that buried deep in the American carceral system are people. People who love and hurt and think and grow. People who have something to say if only we would listen.” -- Cynthia W. Roseberry * Acting Director, ACLU Justice Division; project manager of President Obama’s Clemency Initiative; founding board member of Georgia Innocence Project. *“Sugar and the collected writers contend with the emotional upheavals and moral hazards of teaching in prisons. Here, in knife-edged detail, is prison’s mundane hell: the “ceremonies” of entry and exit, the arbitrary rules, the pointless cruelties. Here, too, are careful portraits of incarcerated students and writers, who challenge their would-be teachers and write with an urgency that most of us will never possess.” -- Marshall Thomas * attorney, public defender, writer *“This book has translated the ancient and forgotten language of the dead into the organic syllable of the living. As the Prince in Hamlet identifies “the undiscovered country from whose bourn no traveller returns,” the prose and poetry warriors in That's a Pretty Thing to Call It go where the dead white poets feared to tread – beyond the silk veil that separates the living from the civilly dead.” -- Michael Rhynes * author of Guerrillas in the Mist, Pushcart Prize nominee, poet, playwright, and solo performance artist. *Brilliantly illuminates truths about incarceration ... Prisons are built to separate the incarcerated from the rest of the community, to silence their voices ... Works like That’s a Pretty Thing to Call It expose the cruelty and absurdity of that intention. * Arts Fuse *
£64.00
Modern History Press U.P. Reader -- Volume #5: Bringing Upper Michigan
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£19.16
SMK Books Spoon River Anthology
£10.37
Akashic Books, Ltd. NewGeneration African Poets A Chapbook Box Set
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£25.46
Academic Studies Press Words for War: New Poems from Ukraine
Book SynopsisThe armed conflict in the east of Ukraine brought about an emergence of a distinctive trend in contemporary Ukrainian poetry: the poetry of war. Directly and indirectly, the poems collected in this volume engage with the events and experiences of war, reflecting on the themes of alienation, loss, dislocation, and disability; as well as justice, heroism, courage, resilience, generosity, and forgiveness. In addressing these themes, the poems also raise questions about art, politics, citizenship, and moral responsibility. The anthology brings together some of the most compelling poetic voices from different regions of Ukraine. Young and old, female and male, somber and ironic, tragic and playful, filled with extraordinary terror and ordinary human delights, the voices recreate the human sounds of war in its tragic complexity.Trade ReviewFeatured in the TLS (June 22 2018)"Maksymchuk and Rosochinsky note in their introduction that poetry has often been used in the service of political power.""...Through their collection, they "sought to patch together the pieces of this disintegrating world".""The kind of poetry included in these collections is the antithesis of propaganda; these poetic dialogues are a valuable reminder that there is nothing immutable about Russian-Ukrainian enmity." "The words and images create an impression of a shimmering landscape that keeps shifting and changing. It is these moments that move us most – the moments when things no longer make sense, but are about to start making sense again. Meanings change, old words acquire new connotations, language itself wrings out of the usual course and meanders. In principle, there is nothing strange about language evolving to describe the changing reality. What’s uncanny is how quickly this happens. It’s like watching a blossom burst out of a bud, open and close rapidly a dozen of times, wilt away, and disappear, all in a matter of seconds. War puts language change in fast-forward." - Poetry International Online“These are poems in which the spirit of creative imagination, free expression, emotional clarity, and ethical courage reigns supreme.” – Stephanie Sandler, Harvard UniversityTable of Contents Preface Oksana Maksymchuk and Max Rosochinsky Introduction: “Barometers” Ilya Kaminsky ANASTASIA AFANASIEVA she says we don’t have the right kind of basement in our building You whose inner void from Cold She Speaks On TV the news showed from The Plain Sense of Things Untitled Can there be poetry after VASYL HOLOBORODKO No Return I Fly Away in the Shape of a Dandelion Seed The Dragon Hillforts I Pick up my Footprints BORYS HUMENYUK Our platoon commander is a strange fellow These seagulls over the battlefield When HAIL rocket launchers are firing Not a poem in forty days An old mulberry tree near Mariupol When you clean your weapon A Testament YURI IZDRYK Darkness Invisible Make Love ALEKSANDR KABANOV This is a post on Facebook, and this, a block post in the East How I love — out of harm’s way A Former Dictator He came first wearing a t-shirt inscribed “Je suis Christ” In the garden of Gethsemane on the Dnieper river A Russian tourist is on vacation Fear is a form of the good Once upon a time, a Jew says to his prisoner, his Hellenic foe KATERYNA KALYTKO They won’t compose any songs, because the children of their children April 6 This loneliness could have a name, an Esther or a Miriam Home is still possible there, where they hang laundry out to dry He Writes Can great things happen to ordinary people? LYUDMYLA KHERSONSKA Did you know that if you hide under a blanket and pull it over your head How to describe a human other than he’s alone The whole soldier doesn’t suffer A country in the shape of a puddle, on the map Buried in a human neck, a bullet looks like a eye, sewn in that’s it: you yourself choose how you live I planted a camellia in the yard One night, a humanitarian convoy arrived in her dream When a country of — overall — nice people Leave me alone, I’m crying. I’m crying, let me be the enemy never ends every seventh child of ten — he’s a shame you really don’t remember Grandpa — but let’s say you do BORIS KHERSONSKY explosions are the new normal, you grow used to them all for the battlefront which doesn’t really exist people carry explosives around the city way too long the artillery and the tanks stayed silent in their hangars when wars are over we just collapse modern warfare is too large for the streets my brother brought war to our crippled home Bessarabia, Galicia, 1913–1939 Pronouncements MARIANNA KIYANOVSKA I believed before in a tent like in a nest we swallowed an air like earth I wake up, sigh, and head off to war The eye, a bulb that maps its own bed Their tissue is coarse, like veins in a petal Things swell closed. It’s delicious to feel how fully Naked agony begets a poison of poisons HALYNA KRUK A Woman Named Hope like a blood clot, something catches him in the rye someone stands between you and death like a bullet, the Lord saves those who save themselves OKSANA LUTSYSHYNA eastern europe is a pit of death and decaying plums don’t touch live flesh he asks — don’t help me I Dream of Explosions VASYL MAKHNO February Elegy War Generation On War On Apollinaire MARJANA SAVKA We wrote poems Forgive me, darling, I’m not a fighter january pulled him apart OSTAP SLYVYNSKY Lovers on a Bicycle Lieutenant Alina 1918 Kicking the Ball in the Dark Story (2) Latifa A Scene from 2014 Orpheus LYUBA YAKIMCHUK Died of Old Age How I Killed Caterpillar Decomposition He Says Everything Will Be Fine Eyebrows Funeral Services Crow, Wheels Knife SERHIY ZHADAN from Stones“We speak of the cities we lived in . . .” “Now we remember: janitors and the night-sellers of bread . . .” from Why I’m not on Social MediaNeedleHeadphonesSectRhinocerosThey buried him last winter Three Years Now We’ve Been Talking about the War“A guy I know volunteered . . .”“Three years now we’ve been talking about the war . . .” “So that’s what their family is like now . . .” “Sun, terrace, lots of green . . .”“The street. A woman zigzags the street . . .” “Village street – gas line’s broken . . .”“At least now, my friend says . . .” Thirty-Two Days Without Alcohol Take Only What Is Most Important A city where she ended up hiding Afterword: “On Decomposition and Rotten Plums: Language of War in Contemporary Ukrainian Poetry” Polina Barskova Authors Translators Glossary Geographical Locations and Places of Significance Notes to Poems Acknowledgements Acknowledgement of Prior Publications
£16.99
Interlink Publishing Group, Inc Making Mirrors: Writing/Righting by Refugees
Book Synopsis
£14.39
Black Lawrence Press In the Tempered Dark: Contemporary Poets
Book Synopsis
£22.95
Wilder Publications Artemis
£17.99
Workman Publishing The Path to Kindness: Poems of Connection and Joy
Book SynopsisFollowing the success and momentum of his anthology How to Love the World (93,000 copies in print), James Crews's new collection, The Path to Kindness, offers more than 100 deeply felt and relatable poems from a diverse range of voices including well-known writers Julia Alvarez, Marie Howe, Ellen Bass, Naomi Shihab Nye, Alberto Ríos, Ross Gay, and Ada Limón, as well as new and emerging voices. Featured Black poets include January Gill O’Neil, Tracy K. Smith, and Cornelius Eady. Native American poets include Kimberly Blaeser, Joy Harjo (current U.S. Poet Laureate), and Linda Hogan. The collection also features international voices, including Canadian poets Lorna Crozier and Susan Musgrave. Presented in the same perfect-in-the-hand format as How to Love the World, the collection includes prompts for journaling and exploration of selected poems, a book group guide, bios of all the contributing poets, and stunning cover art by award-winning artist Dinara Mirtalipova. A foreword by Danusha Laméris, along with her popular poem "Small Kindnesses," is also included.
£10.79
Workman Publishing The Wonder of Small Things: Poems of Peace and
Book SynopsisJames Crews, editor of two best-selling poetry anthologies, How to Love the World and The Path to Kindness, presents an all-new collection of highly accessible poems on the theme of celebrating moments of wonder and peace in everyday life. As Crews writes in the introduction: "[A] deep love for the world is present in every one of the poems gathered in this book. Wonder calls us back to the curiosity we are each born with, and it makes us want to move closer to what sparks our attention. Wonder opens our senses and helps us stay in touch with a humbling sense of our own human smallness in the face of unexpected beauty and the delicious mysteries of life on this planet."The anthology features a foreword by Nikita Gill and a carefully curated selection of poems from a diverse range of authors, including Native American poets Joy Harjo, Linda Hogan, Kimberly Blaeser, and Joseph Bruchac, and BIPOC writers Ross Gay, Julia Alvarez, and Toi Derricotte. Crews features new poems from popular writers such as Natalie Goldberg, Mark Nepo, Ted Kooser, Naomi Shihab Nye, Jane Hirshfield, and Jacqueline Suskin, along with selections from emerging poets. Readers are guided in exploring the meaning and essence of the poems through a series of reflective pauses scattered through the pages and reading group questions in the back. This anthology offers the perfect intersection for the growing number of readers interested in mindful living and bringing poetry into their everyday lives.
£11.69
Workman Publishing A Boxful of Poetry
Book SynopsisJames Crews's three anthologies of contemporary poems celebrating hope, wonder, kindness, and connection packaged in a beautiful gift box set with the addition of four illustrated poem cards suitable for framing. These are the poems our world needs now. Together, the three books include over 300 poems by a diverse selection of leading and emerging contemporary poets, including Amanda Gorman, Ross Gay, Ada Limón, Jane Hirshfield, Tracy K. Smith, Julia Alvarez, Ellen Bass, Danusha Laméris, Li-Young Lee, Naomi Shihab Nye, Joy Harjo, Joseph Bruchac, Nikita Gill, Linda Hogan, Mark Nepo, Alberto Ríos, and others. Special bonus feature: four frameable prints of poems by Rosemerry Wahtola Trommer, Kimberly Blaeser, Paula Gordon Lepp, and a new poem by James Crews.
£32.30
Akashic Books, Ltd. KUMI NewGeneration African Poets
Book Synopsis
£25.98
Haymarket Books Writing Red: An Anthology of American Women
Book SynopsisThis comprehensive collection of fiction, poetry, and reportage by revolutionary women of the 1930s lays to rest the charge that feminism disappeared after 1920. Among the thirty-six writers are Muriel Rukeyser, Margaret Walker, Josephine Herbst, Tillie Olsen, Tess Slesinger, Agnes Smedley, and Meridel Le Sueur. Other voices may be new to readers, including many working-class Black and white women. Topics covered range from sexuality and family relationships, to race, class, and patriarchy, to party politics. Toni Morrison writes that the anthology is “peopled with questioning, caring, socially committed women writers.”Trade Review“This historic volume powerfully captures the vital role revolutionary women played in shaping American radicalism during the Great Depression. It is a must-read for anyone interested in history, gender, and politics.” —Keisha N. Blain, author of Until I Am Free: Fannie Lou Hamer’s Enduring Message to America“This republication of Writing Red comes to us just as we are primed to think deeply about gender, race, and class in a moment that mirrors both the tragedy and creative awakening in the aftermath of the early twentieth century’s capitalist crisis. In the 1930s, in the 1980s, and again today, these women writers attend to our neglected realities and dreams. Hopefully, future generations will learn how not to forget them, and we will all benefit from their wisdom and perspective, moving forward toward the freedom of not just some but all.” —Gina Dent, co-author of Abolition. Feminism. Now.“Thirty-five years ago, Nekola and Rabinowitz produced a labor of love, the path-breaking anthology, Writing Red. Indefatigable researchers, they discovered radical women writers whose work had gone missing from histories of the Thirties and histories of feminism. Theirs was not an academic exercise, but rather an effort to show that radical women of the Thirties, in their desire to tackle capitalism, racism and patriarchy, were there well before us. Now that historians are re-periodizing the women’s movement, suggesting the Thirties rather than the Sixties as its starting point, Writing Red is more essential than ever.” —Alice Echols, Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California“From Meridel Le Sueur’s fiction to Margaret Walker’s poetry, from legendary folk singer Aunt Molly Jackson’s lyrics to Tillie Olsen’s reportage from the West Coast Longshoreman’s Strike of 1934, Writing Red reignites the fires behind the battlelines of women’s struggles in the 1930s for a new generation of readers. Contemporary organizers and activists in abortion rights, trade unions, gender studies, sex work, and other sites of social action will find comrades-in-arms from a century ago in this magnificent volume by Nekola and Rabinowitz.” —Mark Nowak, author of Social Poetics“Writing Red is an indispensable record of the political struggles and intersectional solidarities of 1930s women radicals. With this updated edition, the revolutionary desires of the past are illuminated anew for the next generation of readers, writers, and activists. A testament to feminist collaboration, and a call to meet the challenges of the present, Writing Red is an enduring and necessary book.” —Sarah Ehlers, author of Left of Poetry: Depression America and the Formation of Modern Poetics“In Writing Red, Paula Rabinowitz and Charlotte Nekola introduce twenty-first century readers to remarkable writers from an extraordinary decade. Exquisitely readable and superbly informative, these collected voices bring to life women in fields and factories, kitchens, battlefields, and on the picket lines. By drawing attention to sexuality, domestic labor, motherhood, gender and racial oppression, these radical writers amplified the Left of their time. They remain a vital resource in ours.” —Rosemary Hennessy, author of Profit and Pleasure: Sexual Identities in Late Capitalism“Writing Red is one of those rare books that transformed twentieth century literary history forever. This bold and brilliant anthology, curated with audacity by Charlotte Nekola and Paula Rabinowitz, became the vanguard text of a new direction in the study of United States Literary Radicalism, one that upended the masculinist narrative of the Marxist-led cultural movement of the 1930s. Nearly four decades later, its unparalleled mission of reinvention continues to refresh and inspire scholars, activists, and readers.” —Alan Wald, author of Exiles from a Future Time: The Forging of the Mid-Twentieth Century Literary Left“This superb anthology offers the perfect introduction to the wide range of radical women writers in '30s America. And it documents a key moment in the evolution of the progressive movement in the US. A perfect book for any course touching on the Depression Era or the history of radicalism.” —T.V. Reed, author of The Art of Protest: Culture and Activism from the Civil Rights Movement to the Present“In this time of precarity, pandemic, and protest, we need more than ever to read those women writers of short fiction, poetry, and reportage that Charlotte Nekola and Paula Rabinowitz first anthologized in 1987. Writing Red captures anger at exploitation and longing for a more just world: among both the left authors of the depression decade of 1930-1940 and its feminist editors of the 1980s, when women's studies as a field became institutionalized. We need these fighting words to counter the fascism and financial capitalism of our time.” —Eileen Boris, author of Making the Woman Worker: Precarious Labor and the Fight for Global Standards, 1919-2019“When it was first published in 1987, Writing Red exploded the leftist literary landscape by forcefully demonstrating how Depression-era women writers engaged carefully with gender, sexuality, class, and race in their radical work. Thanks to this timely republication of a classic anthology, an entirely new generation of readers and activists can grapple with the brilliant pieces it contains – even as they ask themselves why so many of the struggles found in this essential volume’s pages continue to feel eerily familiar. Populated with the energetic voices of women who imagined their fiction, poetry, and reportage as essentially connected to on-the-ground protest, Writing Red will inspire, challenge, and provoke all who peruse its pages.” —Aaron Lecklider, author of Love's Next Meeting: The Forgotten History of Homosexuality and the Left in American Culture“This volume excavates the stories, poems, and reportage of women writers whose work originally appeared in now-defunct Left journals. This essential collection should inspire.” ―Library Journal
£17.99
Nightboat Books We Want It All: An Anthology of Radical Trans
Book Synopsis2021 LAMBDA LITERARY AWARD FINALIST Finalist for the Publishing Triangle Award for Trans and Gender-Variant Literature Editors Andrea Abi-Karam and Kay Gabriel offer We Want it All: An Anthology of Radical Trans Poetics as an experiment into how far literature, written from an identitarian standpoint, can go as a fellow traveler with social movements and revolutionary demands. Writing in dialogue with emancipatory political movements, the intergenerational writers assembled here imagine an altogether overturned world in poems that pursue the particular and multiple trans relationships to desire, embodiment, housing, sex, ecology, history, pop culture, and the working day.Trade Review“'shit, what the hell/ have I built,' writes Zavé Gayatri Martohardjono in a poem featured in this exciting and frank anthology of works by trans writers…This anthology imagines poetry as a resource by which the community might stand 'against capital and empire,' using language to reimagine collective struggle."—Publishers Weekly “The revolution may not be televised, but if you ask Andrea Abi-Karam and Kay Gabriel, co-editors of We Want It All: An Anthology of Radical Trans Poetics, it will most definitely be sexy. A hundred times hotter than anything you’re likely to catch on Netflix, Abi-Karam and Gabriel’s anthology demonstrates that trans liberation can be felt through the ecstatic joining of policed bodies…"—them"While this book is for anyone invested in trans literature and (political) literature in general – writers, students, and teachers – in and out of the academy, I believe the primary audience for the anthology is trans poets – searching for lineage and for kin."—Autostraddle"We Want It All: An Anthology of Radical Trans Poetics (Nightboat Books, October 2020), edited by Andrea Abi-Karam and Kay Gabriel, engages and interrogates poetry as a means of trans liberation. Offerings from poets such as Ching-In Chen and Aaron El Sabrout 'pursue the particular and multiple trans relationships to desire, embodiment, housing, sex, ecology, history, pop culture, and the working day.'"—Poets & Writers: The Anthologist “We Want It All is fecund. It is full-to-bursting with sex and intimacy, mischief and wonder. It is fiendish and puckish and sweet and caring and hot and burn-it-to-the-motherfucking-ground. It is, in short, a behemoth of a book dedicated to imagining a collective, genderful world. For me, as a trans writer, it felt like being nestled into a queer bar or knee-to-knee at a Bluestockings reading or arm-in-arm chanting words of protest in Washington Square Park. Which is to say: it felt like being in community.”—Guernica"This collection is impressive in scope, style, and time, including intergenerational poets on everything from work to sex to pop culture. This is the kind of book you can pick up and read a few selections from, and be reminded that trans identity, like all identity, is vast and beautiful."—Shondaland"Anthologies, like canons, often fall apart when looked at with any sincerity. The intention to encapsulate poets of a specific identity often fails in one or more respects due to the multitudes they contain. Andrea Abi-Karam and Kay Gabriel, co-editors of We Want It All: An Anthology of Radical Trans Poetics, take up this problem of representation — specifically of trans lives… These are poems that do not compromise."—Hyperallergic"If there’s one thing I can get behind, it’s more trans voices and/or gender fuckery in literature, always. This stunner of an anthology brings together an intergenerational mix of poets who expertly write/graffiti on that (imaginary) line of the personal and the political by exploring love, work, bodies, social justice movements, rage, tenderness, and pop culture. With creativity and insight, the poems in this collection are truly a rich tapestry that belongs on the shelf next to editor Christopher Soto’s Neplantla: Queer Poets of Color (which was also released by Nightboat, thank you Nightboat!)."—Literary Hub's Bookmarks “Nightboat’s anthology We Want It All: An Anthology of Radical Trans Poetics gave me everything I wanted and more, the perfect supplement as I started my hormone transition journey. The Zoom reading was one of the best virtual events I attended in quarantine—a riotous joy fest with a veritable who’s who of the genderqueer literati.”—Poetry Foundation Harriet Staff"If you’re looking for it, this book is a guide that will teach you the ways in which we continue to fight, that will remind you that the fight is important and that there’s no room for complacency. That there’s a future here that isn’t only ours for the taking, but ours for the making as well, that we are able to reach out and touch each other, sustain each other, until the future that might now only exist on the horizon, is something we can hold in our hands, bringing it to life together."—Tripwire"[Andrea] Abi-Karam and [Kay] Gabriel artfully curate a pioneering assemblage of work to showcase anticapitalist, ecological, and deeply personal verse, as stylistically dynamic and ranging as the trans community itself. Their emphasis on radical trans poetry sets an essential, unwavering stake against the systemic totality of gender oppression, with its too-few protections and even fewer allies across the broader sociopolitical landscape. At once violent and tender, We Want it All breaks open the gender binary with enigmatic force [...]"—Jacket2"Groundbreaking and urgent, this collection features poems that investigate, interrogate and innovate trans relationships, embodiments, ecologies, emotions and expressions. It shines a much-needed light on the power of poetics in care, understanding and resistance."—Ms. Magazine "We Want It All is a big, unwieldy, overflowing book—in this particular moment, there is a need for excess to respond to excess; to the smug American Horror Story of overblown, overglossed oppression and hatred… Whether you love a certain type of delicately opaque lyric, or a litany of facts and/or bodily functions and/or daily minutiae, or typographical experimentation, or heartfelt declarations of self-love and self-loathing, there is something here to linger over, to savor and even to overindulge."—The Anarchist Review of Books"This is an incredible and necessary collection of work that celebrates queerness and queer identity. The editors put it succinctly, stating in the introduction, 'The title of this volume is therefore entirely literal. What we want is nothing other than a world in which everything belongs to everyone.'"—Luna Luna Magazine "This book means so much to so many of us. The choice for the word Radical in the title is why I trusted the editors from the beginning. Radical as in, we care that much to be outside the respectable world. As though there was ever a choice, but still, care is there. I used this book as divination by asking it a question, then opening and closing it 9 times. These poets gave me the weird answers I needed. As Trish Salah told me two days in a row, “Is there a dare, a bid for love, a survival equation / lust for life unburdened of fear’s repetition?”"—CA Conrad"Encompassing not just the United States but English-language writers from a multitude of other countries and backgrounds, this anthology is clearly impressive, and a foundational collection of exactly what it declares itself to be. If you are interested in where writing is going, or what conversations on writing you should be considering, We Want It All: An Anthology of Radical Trans Poetics is a book of endless possibilities."—rob mclennan“Reading Sensoria alongside We Want It All proved fruitful, even at the outset both introductions set up the parameters: Wark wants us to consider the production of theory as an end in itself: ‘a free and self-directed inquiry that takes its own time.’ Contrast this with Abi-Karam and Gabriel’s intro: ‘We believe that poetry can do things that theory can’t, that poetry leaps into what theory tends towards.’ I felt myself rewarding myself with a poem from the anthology after I got through a chapter of Sensoria, and each poem brought with it a direct or indirect correspondence.”—A conversation between Emily Colucci and Jessica Caroline, Filthy Dreams "The editors present this anthology as an experiment: how far can literature written and/or collected from a standpoint of identity. We see a new language and a new form to express the desire to shake the American public out of its lethargy. We see courage here as the writers face suffering. Pain is singular yet it reaches its targets one at a time. We live at a time of indifference and here we are reminded that each one of us is somehow responsible for everything that is done."—Amos LassenTable of ContentsAndrea Abi-Karam, New York City Sam Ace, South Hadley, MA Bahaar Ahsan, Berkeley, CA jasper avery, Philadelphia, PA Ari Banias, Berkeley, CA Jo Barchi, Chicago, IL Joss Barton, St. Louis, MO Levi Bentley, Philadelphia, PA Jessica Bet, Baltimore, MA Rocket Caleshu, Los Angeles, CA Ching-in Chen, Seattle, WA listen chen, Vancouver, BC Faye Chevalier, Philadelphia, PA Cody-Rose Clevidence, Arkansas Miles Collins-Sibley, Easthampton, MA Valentine Conaty, New York City CA Conrad, Philadelphia, PA Jimmy Cooper, Rochester, MI Maxe Crandall, Oakland, CA José Díaz, Boston, MA Aaron El Sabrout, New Mexico Ian Khara Ellasante, Lewiston, ME Caelan Ernest, New York City, NY NM Esc, San Diego, CA joshua jennifer espinoza, Los Angeles, CA Logan February, Ibadan, Nigeria Ray Filar, Brighton, UK Nora Collen Fulton, Montreal, Canada Kay Gabriel, New York City Callie Gardner, Cardiff, Wales Jesi Gaston, Chicago, IL Harry Josephine Giles, Edinburgh, Scotland Aeon Ginsberg, Baltimore, MD Caspar Heinemann, Berlin, Germany Kamden Hilliard, Greenville, SC Stephen Ira, New York City Cyrée Jarelle Johnson, New York City Peach Kander, New York City Jayson Keery, Western, MA Evan Kleekamp, Los Angeles, CA Noah LeBien, New York City Ty Little, Richmond, VA Zavé Martohardjono, New York City Amy Marvin, Philadelphia, PA Natalie Mesnard, New York City Bianca Rae Messinger, Iowa City, IA Liam O'Brien, New York City Xandria Phillips, Madison, WI Rowan Powell, Santa Cruz, CA Nat Raha, Edinburgh, Scotland Holly Raymond, Philadelphia, PA Jackie S, New York City Trish Salah, Toronto, Canada Raquel Salas Rivera, Philadelphia, PA Mai Schwartz, New York City Kashif Sharma-Patel, London, UK Julian Talamantez Brolaski, Oakland, CA Charles Theonia, New York City Jamie Townsend, Oakland, CA Nora Treatbaby Laurel Uziell, London, UK Rachel Franklin Wood, Boulder, CO Clara Zornado Akasha-Mitra xtian w. and Anaïs Duplan, NYC
£16.14
Academic Studies Press Zenithism (1921–1927): A Yugoslav Avant-Garde
Book SynopsisThis is the first-ever English language anthology of zenithism, an eclectic avant-garde movement unique to the Yugoslav region that existed 1921–1927. Zenithism’s founder Ljubomir Micić envisioned the movement as a fusion of futurism, dada, constructivism, expressionism, and proto-surrealism, driven by what he called the “barbarogenius.” A hallmark of the movement was its embrace of cross-genre writing, from Ljubomir Micić’s ciné-poem Rescue Vehicle and Branko Ve Poljanski’s lyric novel 77 Suicides to MID’s lyric philosophic treatise The Sexual Equilibrium of Money. The zenithists promoted their ideas through their journal Zenit and press Biblioteka Zenit. Reaching American readers for the first time, this anthology sheds light on an untapped chapter in European modernism ideal for the general and academic reader alike. Trade Review“The editors and translators of this volume—barbarogeniuses every one—bring to life the zany revolutionary spirit and exuberance of Zenithism. The anthology is a feast of energy and creativity.”– Ellen Elias-Bursać, Literary Translator and Independent Scholar“Bošković’s and Teref’s expertly edited and well-translated anthology will contribute to the creation of a fuller picture of the European avant-garde. By demonstrating how original movements were flourishing outside of the main European languages, this anthology invites us to re-map an important period in literary history.”–Zoran Milutinović, Professor of South Slav Literature and Modern Literary Theory, University College London“The publication of Zenithism (1921–1927)—A Yugoslav Avant-Garde Anthology adds an important piece to the complex picture of interwar avant-garde in Europe. For a long time, zenithism was a missing piece in this history. Centered on the journal Zenit, this movement was the most prominent and internationally active avant-garde formation in Yugoslavia between World Wars. Aleksandar Bošković’s and Steven Teref’s excellent selection and expert translation of texts published in Zenit offer a vivid portrayal of the literary and visual production of this group. Their critical framing of the whole zenithist enterprise is essential. It situates this group within the European avant-garde at its peak, and places it within the dynamic social, cultural, and economic processes in the interwar Yugoslavia. As a result, we finally have a comprehensive, well-researched, and documented portrayal of zenithism in English. This volume will be indispensable for future research of the avant-garde currents in Central Europe, across the continent, and beyond.”– Branislav Jakovljević, Sara Hart Kimball Professor of the Humanities, Department of Theater and Performance Studies, Stanford University“This is the first English translation of almost the entire opus of zenithism (1921–1927), the original Yugoslav contribution to high modernist movements.The zenithist concept of the ‘barbarogenius’ and barbarism challenged the notions of cultural value that, as the collection’s editors state, 'has been created, reproduced, and re-capitalized as a cultural means for colonial oppression and economic domination.'Through carefully done translations and exhaustive introductions, the anthology spans a variety of texts—from poetry to the short novel, to flyers, to critical reviews, constructing a narrative about zenithism as an authentically Balkan utopian cultural project, as well as a socially oriented art. It contextualizes zenithism in a novel way that has not been done in previous studies of this movement, by emphasizing not only the zenithists’ practices of textual hybridity and their relations to film and radio, but also their so-called cultural banditry and conceptual writing, as well as by creating a connection with Yugoslav neo-avant-garde literary and artistic practices from the second half of the twentieth century. This is a definitive collection that should become an essential text for anybody interested in modernism.”– Tatjana Aleksić, Associate Professor of South Slavic and Comparative Literature, University of Michigan, Ann ArborTable of ContentsAcknowledgmentsList of TranslatorsList of IllustrationsPronunciation GuideIntroduction: You Have to Be a ZenithistThe Barbarians are Coming, or a Savage RhythmIntroductionMan and Art (February 1921), Ljubomir MicićThe Manifesto of Zenithism (June 1921), Ljubomir Micić, Yvan Goll, and Boško TokinThe Spirit of Zenithism (September 1921), Ljubomir MicićThe Barbarogenius, the Balkanization of Europe, and Cultural NihilismIntroductionZenith Manifesto 1922 (February 1922), Ljubomir MicićZenithism as the Balkan Totalizer of New Life and New Art (February 1923), Ljubomir MicićEffect on Defect (1923), Marijan Mikacin the name of zenithism [foreword], Ljubomir Micićhere360 ÷ 180 = 0joyous lamentzenith—spectera riot of atomsrush up the ropea poem for the twentieth doga prayer of the blessed cursea fanatic’s nights of lovebachelor taxagainst gossipsman’s tango with a fleathe guard on the rhine predictseffect on defectfrom Archipenko: New Plastics (September 1923)Toward Opticoplastics, Ljubomir MicićNemo propheta in patria (February 1924), Various anonymousZenithosophy: or the Energetics of Creative Zenithism (October 1924), Ljubomir MicićAntisocial Art Needs to be Destroyed (December 1924), Ljubomir MicićThe New Art (December 1924), Ljubomir Micićfrom The Monkey Phenomenon (1925)The New Zenithist Art, Marijan MikacAirplane without an Engine (1925), Ljubomir MicićBarbarism as Culture (November–December 1925), Risto RatkovićAnti-Europe (1926), Ljubomir MicićBeyond-Sense and Anti-Europethe barbarogeniusbarbarian omelethey slavssyphon—soda—bloodradio in the balkansbim bam boommade in englandavala, a tomb in the skyoh, balkan cavavanslender snakes blossomTypogram (April 1926), Ljubomir MicićZenithism through the Prism of Marxism (December 1926), Dr. M. Rasinov (Ljubomir Micić)The First Road of the Barbarogenius: Cinépoetry and the Radio-FilmIntroductionCinema Poems (October 1920), Boško TokinParis Burns (October 1921), Yvan GollFilm and the Future of Humanity (December 1921), Branko Ve PoljanskiShimmy at the Latin Quarter Graveyard (March 1922), Ljubomir MicićDamn Your Hundred Gods (Rescue Car) (October 1922), Ljubomir MicićPrologue by a Madman Before a Legion of Exceptionally Wise FliesCategorical Imperative of the Zenithist School of PoetryZenithism: Second Attack of the BarbariansZenithist Barbarogenics in 30 Actsfrom Radio-Film and the Zenithist Vertical of the Spirit (April 1923), Ljubomir MicićThe Second Road of the Barbarogenius: The Hybrid Novel, Prose Poetry, and the SerpentinellaIntroductionHere I Am! (January 1921), Branko Ve Poljanski (as Virgil Poljanski)Under the Sign of the Circle (February 1921), Branko Ve PoljanskiA Lasso around the Holy Mother’s Neck (March 1922), Branko Ve PoljanskiThe Beauty of a Horse and the Face of Queen Zita (March 1922), Branko Ve PoljanskiDada Causal Dada (May 1922), Branko Ve PoljanskiCodes of the Dada-Jok State (May 1922), Branko Ve Poljanski33 Seconds (May 1922), Branko Ve Poljanski2 ÷ 2 = 1 (July–August 1922), Branko Ve PoljanskiRadiograms (1922), Branko Ve Poljanski77 Suicides (1923), Branko Ve PoljanskiPanic under the Sun (1924), Branko Ve PoljanskiNo!C’mon, Now! [foreword], Ljubomir MicićManifestoAlarmOn Train TracksLongingAt the Hair SalonGraveyard ExpressPoem #13Trip to BrazilTick-Tock like a Crab in a TailcoatBlind Man Number 52AriseTBSing Sing We Ride the HimalayasYou, Belgrade, YouGod BeefsteakJoyous PoemTopsy-Turvy (1926), Branko Ve PoljanskiS.O.S.ManifestoContraidioticonEros300,000 Punches per SecondThe Panopticon Passes through a MirrorThe Laughter of RiflesA Steamboat in the AppendixNihilonWhistling FaceMariner’s BellYou Have Beautiful Eyes, LuciaDuskPoem About HimThe Third Road of the Barbarogenius: Conceptual WritingIntroductionThe Sexual Equilibrium of Money (1925), MIDThe Metaphysics of Nothing (1926), MIDForm Devours the Spirit [I] (April 1926), MIDForm Devours the Spirit [II] (May 1926), MIDA Tobacconist in Literature (November 15, 1925), AnonymousReview of The Sexual Equilibrium of Money (April 1926), AnonymousReview of The Metaphysics of Nothing (May 1926), AnonymousThe Barbarogenius at the Gates: Zenithist Theater, Soirées, and Public InterventionsIntroductionZenithist Theater (Zagreb, December 16, 1922), AnonymousThe First Zenithist Soirée (Belgrade, January 3, 1923), AnonymousThe Second Zenithist Soirée (Zagreb, January 31, 1923), AnonymousA Zenithist Soirée by Marijan Mikac (Petrinja, August 18, 1923), AnonymousA Zenithist Evening of Sensation (April 1925), Branko Ve PoljanskiThe Marinetti and Poljanski Dialogue (November–December 1925), Branko Ve PoljanskiRabindranath Tagore and the Zenithist Protests (December 1926), AnonymousOpen Letter to Rabindranath Tagore (December 1926), Ljubomir Micić, and Branko Ve PoljanskiThe Nadir of ZenithismIntroductionThe Red Rooster (1927), Branko Ve PoljanskiDogs Bark and Poets Sing123456789101112Afterword: The Zenithist LegacyBibliographyIndex
£35.99
Shambhala Publications Inc Twenty Poems to Bless Your Marriage: And One to
Book SynopsisPoems can teach us in ways that surpass other forms of understanding, especially when the subject concerns matters of the heart. When the heart’s whispers are too faint for us to hear in ordinary ways, poetry can speak to us with another kind of eloquence. From the leap of joy that a couple takes on their wedding day to a fiftieth wedding anniversary that acknowledges the deep connection that a life together can bring, marriage takes us on a journey that passes through seasons and stages, peaks and valleys. This book honors that journey through twenty poems that celebrate and illuminate some of these major stages and provides not only inspiration for the journey but also solace and wisdom. Roger Housden, the author of Ten Poems to Change Your Life, provides essential insights into the poems, creating a collection of reflective prose and poetry that makes this an inspirational guidebook as much as a volume of poetry. In Twenty Poems to Bless Your Marriage, Roger Housden offers poems and essays that will give voice to your heart, offering up words and wisdom not just for special occasions but to act as friends and guides to refer to throughout the life of a marriage.
£10.79
Vesuvian Books Under Her Skin: A Women in Horror Poetry
Book SynopsisA showcase of poetry from some of the darkest and most lyrical voices of women in horror.Under Her Skin features the best in never-before-published dark verse and lyrical prose from the voices of Women in Horror. Centered on the innate relationship between body horror and the female experience, this collection features work from Bram-Stoker Award® winning and nominated authors, as well as dozens of poems from women (cis and trans) and non-binary femmes. Edited by Lindy Ryan and Toni Miller, Under Her Skin celebrates women in horror from cover to cover. In addition to poems contributed by seventy poets, the collection also features a foreword penned by Science Fiction Poetry Association (SFPA) Grand Master and recipient of the Horror Writers Association Lifetime Achievement Award, Linda D. Addison; interior illustrations by Science Fiction & Fantasy Poetry Association Grand Master and recipient of the Horror Writers Association Lifetime Achievement Award Marge Simon; and cover art by noted horror artist Lynne Hansen."Not for the faint of heart...Each word and phrase has been structured in such a way that the reader will experience an intense depth of emotion and feelings." —EGuide Magazine"...varied themes, approaches, and poetic structures create a diverse series of horror inspections. Under Her Skin is unparalleled in scope, creativity, and literary strength." —Midwest Book ReviewTrade Review"Not for the faint of heart...Each word and phrase has been structured in such a way that the reader will experience an intense depth of emotion and feelings." Gini Rainey, EGuide Magazine"...varied themes, approaches, and poetic structures create a diverse series of horror inspections. Under Her Skin is unparalleled in scope, creativity, and literary strength. It is highly recommended for any collection strong in women's writings, horror, or literary works." Midwest Book Review
£13.25
Deep Vellum Publishing Verses on the Vanguard: Russian Poetry Today
Book SynopsisSix of the most remarkable contemporary Russian poets present their groundbreaking verse in a bilingual poetry collection published in partnership with PEN America’s Writers in Dialogue project. In 2020, as international travel skidded to a halt, PEN America’s Writers in Dialogue project—which opens the exhilarating world of contemporary Russian poetry to American readers by bridging the American and Russian literary communities—went remote, using online connection to foster collaborations between daring emerging or undertranslated poetic voices and dexterous translators. In this remarkable volume, the Russian poets and American translators who were paired for this initiative present their collaborative work in a bilingual format, along with conversations about the pleasures, challenges, and intimacies of translation. English-reading audiences will have an opportunity to experience the boldness and range, stylistic and thematic, of Russia’s vital poetry scene. Featuring Ainsley Morse, Maria Galina, Catherine Ciepiela, Aleksandra Tsibulia, Anna Halberstadt, Oksana Vasyakina, Elina Alter, Ivan Sokolov, Kevin M.F. Platt, Ekaterina Simonova, Valeriya Yermishova, and Nikita Sungatov.
£12.34
Archway Publishing Alchemy: The Day the World Stood Still
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£12.85
Scribner Book Company The Best American Poetry 2025
Book Synopsis
£24.67
Scribner Book Company The Best American Poetry 2025
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£16.58
Washington Square Press The Peoples Project
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£16.50
Texas Review Press The Southern Poetry Anthology, Volume IX:
Book SynopsisHome to extraordinary writers such as William Styron, Tom Wolfe, and Ellen Glasgow, the state of Virginia’s literary past is among the most prolific in the nation. Indeed, this state, with its beautiful and varied ecosystems—Appalachia, Chesapeake Bay, the Shenandoah Valley, and Virginia’s beautiful beaches, just to name a few—seem to serve as the landscapes from which equally varied and nutritive writers spring, from the lyrical, often ecstatic meditations of Charles Wright to the poignant, dynamic narratives and lyrics of Ellen Bryant Voigt, from the moving narratives of Rita Dove to the formal mastery and wit of R. T. Smith. Series Editor William Wright, along with Volume Editors J. Bruce Fuller, Jesse Graves, and Amy Wright, have collaborated to bring readers a wide-ranging survey in The Southern Poetry Anthology, Volume IX: Virginia. This volume seeks to emphasize the uniqueness of the poetic voices of Virginia. In doing so, the editors have acknowledged and included many celebrated writers from the recent past as well as relatively new, diverse voices that reiterate the literary fecundity of one of the most beautiful, revered, and complicated states in the American South.
£26.96
Texas Review Press The Southern Poetry Anthology, Volume X: Alabama
Book SynopsisAlabama has a storied history: Fewer than ten generations ago, Alabama was owned by the Spanish (who claimed Mobile until 1813), then the British, and then the United States, after failing to secede into a Confederacy. Following the Civil War, Alabama suffered economic collapse and depended on the few crops it could sell or export to exist as a unified state. Today, the state thrives, but its troubled history has left a mark that, with hope, fades with time, compassion, and understanding. Alabama is among the most naturally dynamic states in the nation, its ecosystems ranging from Appalachian mountains, through rolling Piedmont, to the vast Gulf Shore.In this tenth volume of The Southern Poetry Anthology, the editors have achieved a remarkable task; they have revealed another wide variegation that makes Alabama so dynamic: poets in the Yellowhammer State with both established and new voices. They have elucidated the impressive and exciting diversity of poets who consider or have considered Alabama home.
£23.96
The New York Review of Books, Inc Proensa
Book SynopsisIt was out of medieval Provence—Proensa—that the ethos of courtly love emerged, and it was in the poetry of the Provençal troubadours that it found its perfect expression. Their poetry was also a central inspiration for Dante and his Italian contemporaries, propagators of the modern vernacular lyric, and seven centuries later it was no less important to the modernist Ezra Pound. These poems, a source to which poetry has returned again and again in search of renewal, are subtle, startling, earthy, erotic, and supremely musical.The poet Paul Blackburn studied and translated the troubadours for twenty years, and the result of that long commitment is Proensa, an anthology of thirty poets of the eleventh through thirteenth centuries, which has since established itself not only as a powerful and faithful work of translation but as a work of poetry in its own right. Blackburn’s Proensa, George Economou writes, “will take its place among Gavin Douglas’ Aeneid, Golding’s Metamorphoses, the Homer of Chapman, Pope, and Lattimore, Waley’s Japanese, and Pound’s Chinese, Italian, and Old English.”
£15.29
Bucknell University Press,U.S. Testimony: Found Poems from the Special Court for
Book SynopsisIBPA Benjamin Franklin Award™ gold winner, poetry category Sierra Leone’s devastating civil war barely caught the attention of Western media, but it raged on for over a decade, bringing misery to millions of people in West Africa from 1991 to 2002. The atrocities committed in this war and the accounts of its survivors were duly recorded by international organizations, but they run the risk of being consigned to dusty historical archives. Derived from public testimonies at a UN-backed war crimes tribunal in Freetown, this remarkable poetry collection aims to breathe new life into the records of Sierra Leone’s civil war, delicately extracting heartbreaking human stories from the morass of legal jargon. By rendering selected trial transcripts in poetic form, Shanee Stepakoff finds a novel way to communicate not only the suffering of Sierra Leone’s people, but also their courage, dignity, and resilience. Her use of innovative literary techniques helps to ensure that the voices of survivors are not forgotten, but rather heard across the world. This volume also includes an introduction that explores how the genre of “found poetry” can serve as a uniquely powerful means through which writers may bear witness to atrocity. This book’s unforgettable excavation and shaping of survivor testimonies opens new possibilities for speaking about the unspeakable.Trade Review“When politics invades lives in the most brutal of ways, what can be fashioned from the aftermath? In these found poems Shanee Stepakoff has taken the testimonies of those upon whom the violence was committed and turned them into a work of witness, Nadine Gordimer’s ‘inward testimony’ that it is the task of artists to deliver. Outwardly the poems in this collection stand as monument to remembrance and commemoration, a stay against oblivion for the people of Sierra Leone whose lives were marked by the civil conflict of 1991-2002. They are a significant contribution to the literature of that country and of conflict.” -- Aminatta Forna * author of Happiness *“Of the many forms of human suffering, ethical loneliness—the experience of enduring atrocity only to be confronted with the annihilating cruelty and injustice of remaining unheard—sheds a radiant, hurt light on the very nature and power of language itself. In stark, beautifully calibrated lines, Shanee Stepakoff reaches into that silence to serve and bring forth these necessary voices. Here, the plainest words—‘I saw,’ ‘I heard,’ ‘I walked,’—take on an almost shocking and devastating dignity. As the survivors recount their stories, it is as if each syllable, each word, is a bone stripped bare. ‘He was burning,’ ‘I used to be,’ ‘I was born,’ ‘he was cutting the child.’ At once unsparing and informed by a deep tenderness and care, this darkly luminous work implicitly interrogates the nature of authorship and poetic form, and like all seminal works, helps to question, expand, and re-define their boundaries.” -- Laurie Sheck * Pulitzer Prize nominated author of The Willow Grove *“These ‘found poems’ are unquestionably harrowing to read and painful to absorb. Eight survivors of the murderous cruelty and atrocities committed during the civil war in Sierra Leone tell their own stories, and in their own words. Every one of these words is drawn from transcripts of the war crimes tribunals that came with the end of that war. Shanee Stepakoff—a psychologist who has long worked with survivors of torture—brings to these transcript accounts her poet’s sense of lineation, stanzaic structure, pauses, refrains, and repetitions. Thus, she creates a ceremonial space in which we as readers might begin to hear and bear witness to the unbearable degree of violence, suffering, and loss that these women and men endured." -- Fred Marchant * author of Said Not Said: Poems *“With this collection, Shanee Stepakoff finally breaks the veil of silence that surrounds the unspeakable horrors of Sierra Leone’s long civil war. She has recomposed the official accounts to offer us both the intimacy and eternality of survivor stories.” -- Remi Raji * author of A Harvest of Laughers * “The incredible horrors painfully recited herein, including the mutilation of children, mass rapes and torture by rival revolutionary groups makes us wonder whether humans are really human. Shanee Stepakoff’s documented testimonies illustrate the continuing crying need for effective international controls and binding laws to deter such atrocities everywhere.” -- Benjamin Ferencz * investigator of Nazi war crimes after World War II and the last surviving prosecutor at the Nuremberg War Crimes Trials *"At once astonishing and devastating, these poems attest to poetry’s ability to bear witness to atrocity, while the poignant cover image by Liberian American artist and war refugee Papay Solomon reminds us of those whose voices have been silenced for too long." * Poetry Foundation *“When politics invades lives in the most brutal of ways, what can be fashioned from the aftermath? In these found poems Shanee Stepakoff has taken the testimonies of those upon whom the violence was committed and turned them into a work of witness, Nadine Gordimer’s ‘inward testimony’ that it is the task of artists to deliver. Outwardly the poems in this collection stand as monument to remembrance and commemoration, a stay against oblivion for the people of Sierra Leone whose lives were marked by the civil conflict of 1991-2002. They are a significant contribution to the literature of that country and of conflict.” -- Aminatta Forna * author of Happiness *“Of the many forms of human suffering, ethical loneliness—the experience of enduring atrocity only to be confronted with the annihilating cruelty and injustice of remaining unheard—sheds a radiant, hurt light on the very nature and power of language itself. In stark, beautifully calibrated lines, Shanee Stepakoff reaches into that silence to serve and bring forth these necessary voices. Here, the plainest words—‘I saw,’ ‘I heard,’ ‘I walked,’—take on an almost shocking and devastating dignity. As the survivors recount their stories, it is as if each syllable, each word, is a bone stripped bare. ‘He was burning,’ ‘I used to be,’ ‘I was born,’ ‘he was cutting the child.’ At once unsparing and informed by a deep tenderness and care, this darkly luminous work implicitly interrogates the nature of authorship and poetic form, and like all seminal works, helps to question, expand, and re-define their boundaries.” -- Laurie Sheck * Pulitzer Prize nominated author of The Willow Grove *“These ‘found poems’ are unquestionably harrowing to read and painful to absorb. Eight survivors of the murderous cruelty and atrocities committed during the civil war in Sierra Leone tell their own stories, and in their own words. Every one of these words is drawn from transcripts of the war crimes tribunals that came with the end of that war. Shanee Stepakoff—a psychologist who has long worked with survivors of torture—brings to these transcript accounts her poet’s sense of lineation, stanzaic structure, pauses, refrains, and repetitions. Thus, she creates a ceremonial space in which we as readers might begin to hear and bear witness to the unbearable degree of violence, suffering, and loss that these women and men endured." -- Fred Marchant * author of Said Not Said: Poems *“With this collection, Shanee Stepakoff finally breaks the veil of silence that surrounds the unspeakable horrors of Sierra Leone’s long civil war. She has recomposed the official accounts to offer us both the intimacy and eternality of survivor stories.” -- Remi Raji * author of A Harvest of Laughers * “The incredible horrors painfully recited herein, including the mutilation of children, mass rapes and torture by rival revolutionary groups makes us wonder whether humans are really human. Shanee Stepakoff’s documented testimonies illustrate the continuing crying need for effective international controls and binding laws to deter such atrocities everywhere.” -- Benjamin Ferencz * investigator of Nazi war crimes after World War II and the last surviving prosecutor at the Nurember *"At once astonishing and devastating, these poems attest to poetry’s ability to bear witness to atrocity, while the poignant cover image by Liberian American artist and war refugee Papay Solomon reminds us of those whose voices have been silenced for too long." * Poetry Foundation *Table of ContentsForeword by Ernest D. Cole Notes on the Text Introduction: Silence, Language, and the Making of Art The Amputee’s Mother The Child Soldier The Grieving Father The Rape Survivor The Blinded Farmer The Widower The Gravedigger The Beggar The Victim of War Further Resources Acknowledgments About the Cover Artist About the Author
£17.99
Bucknell University Press,U.S. Testimony: Found Poems from the Special Court for
Book SynopsisIBPA Benjamin Franklin Award™ gold winner, poetry category Sierra Leone’s devastating civil war barely caught the attention of Western media, but it raged on for over a decade, bringing misery to millions of people in West Africa from 1991 to 2002. The atrocities committed in this war and the accounts of its survivors were duly recorded by international organizations, but they run the risk of being consigned to dusty historical archives. Derived from public testimonies at a UN-backed war crimes tribunal in Freetown, this remarkable poetry collection aims to breathe new life into the records of Sierra Leone’s civil war, delicately extracting heartbreaking human stories from the morass of legal jargon. By rendering selected trial transcripts in poetic form, Shanee Stepakoff finds a novel way to communicate not only the suffering of Sierra Leone’s people, but also their courage, dignity, and resilience. Her use of innovative literary techniques helps to ensure that the voices of survivors are not forgotten, but rather heard across the world. This volume also includes an introduction that explores how the genre of “found poetry” can serve as a uniquely powerful means through which writers may bear witness to atrocity. This book’s unforgettable excavation and shaping of survivor testimonies opens new possibilities for speaking about the unspeakable.Trade Review“When politics invades lives in the most brutal of ways, what can be fashioned from the aftermath? In these found poems Shanee Stepakoff has taken the testimonies of those upon whom the violence was committed and turned them into a work of witness, Nadine Gordimer’s ‘inward testimony’ that it is the task of artists to deliver. Outwardly the poems in this collection stand as monument to remembrance and commemoration, a stay against oblivion for the people of Sierra Leone whose lives were marked by the civil conflict of 1991-2002. They are a significant contribution to the literature of that country and of conflict.” -- Aminatta Forna * author of Happiness *“Of the many forms of human suffering, ethical loneliness—the experience of enduring atrocity only to be confronted with the annihilating cruelty and injustice of remaining unheard—sheds a radiant, hurt light on the very nature and power of language itself. In stark, beautifully calibrated lines, Shanee Stepakoff reaches into that silence to serve and bring forth these necessary voices. Here, the plainest words—‘I saw,’ ‘I heard,’ ‘I walked,’—take on an almost shocking and devastating dignity. As the survivors recount their stories, it is as if each syllable, each word, is a bone stripped bare. ‘He was burning,’ ‘I used to be,’ ‘I was born,’ ‘he was cutting the child.’ At once unsparing and informed by a deep tenderness and care, this darkly luminous work implicitly interrogates the nature of authorship and poetic form, and like all seminal works, helps to question, expand, and re-define their boundaries.” -- Laurie Sheck * Pulitzer Prize nominated author of The Willow Grove *“These ‘found poems’ are unquestionably harrowing to read and painful to absorb. Eight survivors of the murderous cruelty and atrocities committed during the civil war in Sierra Leone tell their own stories, and in their own words. Every one of these words is drawn from transcripts of the war crimes tribunals that came with the end of that war. Shanee Stepakoff—a psychologist who has long worked with survivors of torture—brings to these transcript accounts her poet’s sense of lineation, stanzaic structure, pauses, refrains, and repetitions. Thus, she creates a ceremonial space in which we as readers might begin to hear and bear witness to the unbearable degree of violence, suffering, and loss that these women and men endured." -- Fred Marchant * author of Said Not Said: Poems *“With this collection, Shanee Stepakoff finally breaks the veil of silence that surrounds the unspeakable horrors of Sierra Leone’s long civil war. She has recomposed the official accounts to offer us both the intimacy and eternality of survivor stories.” -- Remi Raji * author of A Harvest of Laughers * “The incredible horrors painfully recited herein, including the mutilation of children, mass rapes and torture by rival revolutionary groups makes us wonder whether humans are really human. Shanee Stepakoff’s documented testimonies illustrate the continuing crying need for effective international controls and binding laws to deter such atrocities everywhere.” -- Benjamin Ferencz * investigator of Nazi war crimes after World War II and the last surviving prosecutor at the Nuremberg War Crimes Trials *"At once astonishing and devastating, these poems attest to poetry’s ability to bear witness to atrocity, while the poignant cover image by Liberian American artist and war refugee Papay Solomon reminds us of those whose voices have been silenced for too long." * Poetry Foundation *“When politics invades lives in the most brutal of ways, what can be fashioned from the aftermath? In these found poems Shanee Stepakoff has taken the testimonies of those upon whom the violence was committed and turned them into a work of witness, Nadine Gordimer’s ‘inward testimony’ that it is the task of artists to deliver. Outwardly the poems in this collection stand as monument to remembrance and commemoration, a stay against oblivion for the people of Sierra Leone whose lives were marked by the civil conflict of 1991-2002. They are a significant contribution to the literature of that country and of conflict.” -- Aminatta Forna * author of Happiness *“Of the many forms of human suffering, ethical loneliness—the experience of enduring atrocity only to be confronted with the annihilating cruelty and injustice of remaining unheard—sheds a radiant, hurt light on the very nature and power of language itself. In stark, beautifully calibrated lines, Shanee Stepakoff reaches into that silence to serve and bring forth these necessary voices. Here, the plainest words—‘I saw,’ ‘I heard,’ ‘I walked,’—take on an almost shocking and devastating dignity. As the survivors recount their stories, it is as if each syllable, each word, is a bone stripped bare. ‘He was burning,’ ‘I used to be,’ ‘I was born,’ ‘he was cutting the child.’ At once unsparing and informed by a deep tenderness and care, this darkly luminous work implicitly interrogates the nature of authorship and poetic form, and like all seminal works, helps to question, expand, and re-define their boundaries.” -- Laurie Sheck * Pulitzer Prize nominated author of The Willow Grove *“These ‘found poems’ are unquestionably harrowing to read and painful to absorb. Eight survivors of the murderous cruelty and atrocities committed during the civil war in Sierra Leone tell their own stories, and in their own words. Every one of these words is drawn from transcripts of the war crimes tribunals that came with the end of that war. Shanee Stepakoff—a psychologist who has long worked with survivors of torture—brings to these transcript accounts her poet’s sense of lineation, stanzaic structure, pauses, refrains, and repetitions. Thus, she creates a ceremonial space in which we as readers might begin to hear and bear witness to the unbearable degree of violence, suffering, and loss that these women and men endured." -- Fred Marchant * author of Said Not Said: Poems *“With this collection, Shanee Stepakoff finally breaks the veil of silence that surrounds the unspeakable horrors of Sierra Leone’s long civil war. She has recomposed the official accounts to offer us both the intimacy and eternality of survivor stories.” -- Remi Raji * author of A Harvest of Laughers * “The incredible horrors painfully recited herein, including the mutilation of children, mass rapes and torture by rival revolutionary groups makes us wonder whether humans are really human. Shanee Stepakoff’s documented testimonies illustrate the continuing crying need for effective international controls and binding laws to deter such atrocities everywhere.” -- Benjamin Ferencz * investigator of Nazi war crimes after World War II and the last surviving prosecutor at the Nurember *"At once astonishing and devastating, these poems attest to poetry’s ability to bear witness to atrocity, while the poignant cover image by Liberian American artist and war refugee Papay Solomon reminds us of those whose voices have been silenced for too long." * Poetry Foundation *Table of ContentsForeword by Ernest D. Cole Notes on the Text Introduction: Silence, Language, and the Making of Art The Amputee’s Mother The Child Soldier The Grieving Father The Rape Survivor The Blinded Farmer The Widower The Gravedigger The Beggar The Victim of War Further Resources Acknowledgments About the Cover Artist About the Author
£39.95
Brandeis University Press Environmental Futures
Book SynopsisA global anthology, curated by experts from around the world, draws on fiction and poetry to examine environmental challenges and their implications for communities. Featuring short stories, poetry, drama, and creative nonfiction from around the world, this anthology showcases contemporary literature to envision the future of the environment. While environmental literature written in English has been dominated by English and American men who make solo explorations into an unspoiled natural world, Environmental Futures emphasizes local and indigenous writers contending with global landscapes that are far from pristine. Their work opens up decolonial perspectives from Anglophone Africa, South Asia, India, China, South America, the peripheries of Europe, and BIPoC North America. Introducing many writers who will be unfamiliar to English-speaking readers, this collection explores resistance to the oil economy, the impact of storms and natural disasters, extinction, and relations betwee
£26.60
The Old Mill Press A Treasury of Christmas Poems
Book SynopsisEvery year during the Christmas season, holiday themed poems are read aloud or enjoyed silently to help usher in that special time of year. It may be a family tradition passed down from one generation to another or a new one just starting. In this beautifully bound book assembled by The Old Mill Press, readers of all ages will find a delightful collections of Christmas poems to enjoy throughout the season. Some of the poems are familiar classics like A Visit from St. Nicholas, better known as 'Twas the Night Before Christmas, by Clement Clarke Moore and The Road Not Taken, by Robert Frost to lesser known but poignant poems like Wartime Christmas by Joyce Kilmer and the lovely A Nativity by Rudyard Kipling. Poetry is an art-form that has many facets. It is the beauty of words that express feelings, emotions and thoughts through carefully selected words. One poet called a poem "a thought, caught in the act of dawning." Another said a poem is a means of bringing the wind in the grasses into the house. Still another stated, even more simply: "Poetry is a pheasant disappearing in the brush". If you ask many different people what poetry is you'll get many different answers. That's because poetry affects each of us differently with its focus on words, how they sound, the textures, verse patterns, word choice and interpretations. All of that creates a verbal music-a rhythm, a cadence, a beat-that creates an emotional response in each of us, deep within our soul. A Treasury of Christmas Poems is sure to delight and evoke the warm emotions associated with the holiday season.
£16.16
Green Writers Press Healing the Divide: Poems of Kindness and
Book SynopsisThis anthology features poems by Mark Doty, Ross Gay, Donald Hall, Marie Howe, Naomi Shihab Nye and many others. These poets, from all walks of life, and from all over America, prove to us the possibility of creating in our lives what Dr. Martin Luther King called the "beloved community," a place where we see each other as the neighbors we already are. Healing the Divide urges us, at this fraught political time, to move past the negativity that often fills the airwaves, and to embrace the ordinary moments of kindness and connection that fill our days.
£17.05
A Public Space A Public Space No. 30
Book SynopsisAn issue exploring the metropolis through fiction, essays, art, and interviews spanning generations, continents, and languages. For over a decade, A Public Space has published an award-winning literary and arts magazine that seeks out and supports writers working apart from the mainstreamculturally, aesthetically, economically. From debuting writers to celebrating work in translation, to bringing attention to overlooked writing from previous generations, "every issue of A Public Space juxtaposes finely wrought, carefully edited pieces, putting them in dynamic conversation with one another."
£10.44
Franciscan University Press Proteus Bound: Selected Translations, 2008-2020
Book Synopsis
£14.95
Wee Words for Wee Ones 10.10 Poetry Anthology: Celebrating 10 in 10
Book Synopsis
£6.61
Fourteen Publishing fourteen poems issue 13 a queer poetry anthology
Book Synopsis
£8.00
