Photojournalism Books

Book SynopsisPublished over 40 years ago, Photography/Politics: One has been long sought-after and long out of print. This new edition reproduces the full text, images and advertisements, plus new updates from some of the original authors, in a contemporary format, and introduces its contemporary importance and relevance to a new audience.

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Book SynopsisThis new book presents a typology of 100 portraits of households in Newcastle, New South Walestaken in 2020 during some of the strictest COVID-19 lockdowns in the world. The restrictionsallowed photographer Luke David Kellett a unique opportunity compile a visual representation ofarchitecture and inhabitants of Newcastle.

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Book SynopsisThe Gurkhas are an elite fighting force from Nepal who have served the British Crown since 1815. They occupy a unique place in the public's imagination, and are renowned for their loyalty, professionalism and resolve. Through stunning photography, Arc of the Gurkha explores the span of the Gurkha career from recruitment through to training and deployment up to post-military employment and retirement. Alex Schlacher has accompanied the Gurkhas on operations in Afghanistan, on exercises in the Brunei jungle and Australia, and has visited all the units in the Brigade as well as retired and medically discharged Gurkhas. She has taken intimate portraits of hundreds of soldiers and heard their stories, many of which are recounted in this book. There have been other books on the Gurkhas, but none has portrayed the individual soldiers and focused about their backgrounds, lives and thoughts. This unique and insightful publication is the first to explore what it really means for a Gurkha to be a Gurkha.Trade Review"Everything about this project is extraordinary... The book Arc of the Gurkha - From Nepal to the British Army is the ultimate portrait of this cast of warriors." --Special Operations Forces Report "a vivid book of images." --The Washington PostTable of ContentsIntroduction by Brigadier Ian Rigden 8 A short history of the Brigade of Gurkhas 10 chapter 1: RECRUITMENT 17 chapter 2: BASIC TRAINING 67 chapter 3: SERVICE 107 Training and Development 110 Band of the Brigade of Gurkhas 128 Gurkha Staff and Personnel Support Company 134 Training Support Companies 140 Queen's Gurkha Engineers 148 Queen's Gurkha Signals 162 Queen's Own Gurkha Logistic Regiment 176 Royal Gurkha Rifles 188 Exercises and Operations 204 chapter 4: RETIREMENT 255 Acknowledgements 282 Index 284

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Book SynopsisJIMI is the ultimate tribute to the greatest guitar player in rock and roll history, celebrating what would have been Jimi Hendrix's 80th birthday on November 27, 2022. This comprehensive visual celebration is an official collaboration with Jimi's sister, Janie Hendrix, and John McDermott of Experience Hendrix L.L.C. JIMI significantly expands on the authors' previously published titles, including An Illustrated Experience, and features a new introduction by Janie, extensive biographical texts, and a trove of lesser known and never-before-published photographs, personal memorabilia, lyrics, and more. Additionally, JIMI includes quotations by legendary musicians, such as Paul McCartney, Ron Wood, Jeff Beck, Lenny Kravitz, Drake, Dave Grohl, and others who have spoken about Hendrix's lasting influence. In the four years before his untimely death at age 27, Jimi Hendrix created a groundbreaking musical legacy, one that includes revered classics such as "Purple Haze" and "Voodoo Child." His signature guitar playing, provocative songwriting, and charismatic performances have continued to inspire legions of musicians and fans alike.

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Book SynopsisThe Bang-Bang Club was a group of four young war photographers, friends and colleagues: Ken Oosterbroek, Kevin Carter, Greg Marinovich and Joao Silva, war correspondants during the last years of apartheid, who took many of the photographs that encapsulate the final violent years of racist white South Africa.Trade ReviewThis is the most honest account I have read of what it feels like to be a war photographer and what drives such brave, some would say reckless, individuals to risk their lives. * Daily Mail *A splendid book, devastating in what it reveals -- Archbishop Desmond TutuWhat distinguishes this account is its honesty-. A gripping book where emotions are laid bare- [Marinovich and Silva] confront the basic ethical and moral issues which most of us rarely have to think about as we glide along in our conformable Western lives. * Yorkshire Post *a compelling account of what it is like to be a war correspondent in one's own country... [a] superbly told story * Independent on Sunday *a device of searing pain- as painful a loss of innocence as any I have read anywhere- powerful and heartbreaking- Not for the faint-hearted, and not for the beach, The Bang-Bang Club is a must, though. * The Times *

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Book SynopsisRolling Stone photographer Baron Wolman's stunning photographs from the most famous music festival of all time, hundreds of which are previously unseen.

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Book Synopsis'Cuba Cars and Cigars' is full of glorious colour images of the rare and varied Cuban-owned 1950s American and European automobiles, trucks, and station wagons that were imported before 1961. Among the famous Marques that feature are Cadillacs, Chevies, Buick, Dodge, Oldsmobile, Ford, Packard, De Soto, Pontiac, Plymouth, Edsel, Mercury and Metropolitan, Hillman, Singer and Austin, Nash Sedans, a Lloyd 600 German 2-cylinder/4-stroke 596cc car, Ramblers and SAABs, Mercs, Humber, Standard Vanguard, Ford Consul/Zephyr, Hillman Husky and Minx, Singer Gazelle and Austin. Most of these vehicles are still in running order, and are passed down from generation to generation. Trucks include Fords, a Fargo, Dodges and Chevys, not forgetting cigars, street urchins, and the lovely ladies of Havana. All of these are uniquely photographed, written and compiled by 'our man in Havana'.

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Book SynopsisMichael Katakis has spent his life travelling with a camera and writing a journal. This is the resulting book. For the past 25 years he has collaborated with the social anthropologist Kris Hardin in work spanning continents and cultures. With an introduction by Michael Palin.

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Book SynopsisIn his distinguished career as a Hollywood photographer, Bob Willoughby captured Marilyn Monroe, Elizabeth Taylor and Jane Fonda, but remains unequivocal about his favorite subject: Audrey Kathleen Ruston, later Edda van Heemstra Hepburn-Ruston, best known as Audrey Hepburn. Willoughby was called in to shoot the new starlet one morning shortly after she arrived in Hollywood in 1953. It was a humdrum commission for the portraitist often credited with having perfected the photojournalistic movie still, but when he met the Belgian-born beauty, Willoughby was enraptured. “She took my hand like… well a princess, and dazzled me with that smile that God designed to melt mortal men’s hearts,” he recalled. As Hepburn’s career soared following her Oscar-winning US debut in Roman Holiday, Willoughby became a trusted friend, framing her working and home life. His historic, perfectionist, tender photographs seek out the many facets of Hepburn’s beauty and elegance, as she progresses from her debut to her career high of My Fair Lady in 1963. Willoughby’s studies, showing her on set, preparing for a scene, interacting with actors and directors, and returning to her private life, comprise one of photography’s great platonic love affairs and an unrivalled record of one of the 20th century’s touchstone beauties.Trade ReviewWith one of Hollywood's greatest studio photographers behind the camera-and its most beautiful actress in front of it-Bob Willoughby's picture-perfect Audrey Hepburn book is a real collector's item. * Sunday Express *

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Book SynopsisTrade ReviewRea has a keen and amused eye for the ubiquity of Hollywood’s favorite stimulating beverage…. Did you really think the factory ran on dreams alone? -- Dana Stevens, movie critic, SlateAs this charming collection of rare photos shows, the stars are just like you and me: THEY NEED THEIR COFFEE! A wonderful pick-me-up. -- Shawn Levy, author of Paul Newman: A Life and Rat Pack ConfidentialWhat a combo—Hollywood glamour, classic movies, and caffeine! -- Murray Carpenter, author of CaffeinatedA remarkably curated, wittily arranged book to savor again and again, with appreciation…of stardom, studio photography and, of course, coffee. It’s a delight! -- Mick LaSalle, author of Complicated Women: Sex and Power in Pre-Code HollywoodHollywood's finest stars drinking coffee. A treasure trove of photographs and delicious insights. -- Zachary Carlsen, co-founder, Sprudge

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Book Synopsis“Through these travels and the photographs, I got to love the United States more than I could have in any other way.” — Jack Delano Amid the ravages of the Great Depression, the United States Farm Security Administration (FSA) was first founded in 1935 to address the country’s rural poverty. Its efforts focused on improving the lives of sharecroppers, tenants, and very poor landowning farmers, with resettlement and collectivization programs, as well as modernized farming methods. In a parallel documentation program, the FSA hired a number of photographers and writers to record the lives of the rural poor and “introduce America to Americans.” This book records the full reach of the FSA program from 1935 to 1943, honoring its vigor and commitment across subjects, states, and stylistic preferences. The photographs are arranged into four broad regional sections but otherwise allowed to speak for themselves—to provide individual impressions as much as they cumulatively build an indelible survey of a nation. The images are both color and black-and-white, and span the complete spetrum of American rural life. They show us convicts, cotton workers, kids, and relocated workers on the road. We see subjects victim to the elements of nature as much as to the vagaries of the global economic market. We find the work of such perceptive, sensitive photographers as Marion Post Wolcott, Jack Delano, Russell Lee, Walker Evans, Ben Shahn, and Dorothea Lange, and read their own testimonies to the FSA project and their encounters with their subjects, including Lange’s worn, weather-beaten and iconic Migrant Mother. What unites all of the pictures is a commitment to the individuality and dignity of each subject, as much as to the witness they bear to this particular period of the American past. The subjects are entrenched in the hardships of their historical lot as much as they are caught in universal cycles of growing, playing, eating, aging, and dying. Yet they face the viewer with what is utterly their own: a unique, irreplaceable, often unforgettable presence.Trade Review“…a comprehensive survey of the work done by the FSA, including that more rarely seen color work. From street scenes to pictures of field laborers and train yards, these images show us what the United States looked like in a bygone era, one rife with economic struggle.” * washingtonpost.com *

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Book SynopsisA flâneur and photographer at once, Eugène Atget (1857–1927) was obsessed with walking the streets. After trying his hand at painting and acting, the native of Libourne turned to photography and moved to Paris. He supplied studies for painters, architects, and stage designers, but became enraptured by what he called “documents” of the city and its environs. His scenes rarely included people, but rather the architecture, landscape, and artifacts that made up the societal and cultural stage. Atget was not particularly renowned during his lifetime but in the 1920s came to the attention of the Dada and Surrealist avant-garde through Man Ray. Four of his images, with their particular fusion of mimesis and mystery, appeared in the surrealist journal, La Révolution Surréaliste, while Ray and much of his artistic circle purchased Atget prints. Atget’s fame grew after his death, with several articles and a monograph by Berenice Abbott. Several leading photographers, including Walker Evans and Bill Brandt, have since acknowledged their debt to Atget. This fresh TASCHEN edition gathers some 500 photographs from the Atget archives at Musée Carnavalet and the Bibliothèque Historique de la Ville de Paris to celebrate his outstanding eye for the urban environment and evocation of a Paris gone by. Down main streets and side streets, past shops and churches, through courtyards and arcades and the 20 arrondissements, we find a unique portrait of a beloved city and the making of a modern photographic master.

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Book SynopsisFollowing her success with Lost Charleston, local author and city tour guide Leigh Jones Handal brings a fresh approach to one of the key titles in Pavilion Books' trademark series.Charleston, South Carolina is one of the most popular East Coast tourist destinations. The flashpoint of the Civil War, what remains of Fort Sumter in Charleston is still a much-visited attraction, and despite bombardment by the Federal Navy, earthquakes and many hurricanes, the South Carolina city has retained its 19th-century charm.City guide Leigh Jones Handal tells the story of the Charleston she loves through archive photos matched with their modern viewpoint, including the Jenkins Orphanage whose band were the likely originators of the Charleston dance. There are vintage photos of the great plantation houses, plus the grand buildings on Meeting Street, and the soaring spires of Charleston's many churches.Downtown many of the classic mansions, such as the Miles Brewton House, have been retained, along with the Market Hall and the Customs House, and though the trolleys no longer run along Broad Street, it is still recognizable from a century before.Leigh Jones Handal has uncovered a treasury of vintages images which have been matched with modern photos to show new aspects of this enduringly fascinating city.

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Book SynopsisPhotographer, writer, publisher, and curator Alfred Stieglitz (1864–1946) was a visionary far ahead of his time. Around the turn of the 20th century, he founded the Photo-Secession, a progressive movement concerned with advancing the creative possibilities of photography, and by 1903 began publishing Camera Work, an avant-garde magazine devoted to voicing the ideas, both in images and words, of the Photo-Secession. Camera Work was the first photo journal whose focus was visual, rather than technical, and its illustrations were of the highest quality hand-pulled photogravure printed on Japanese tissue. This book brings together all photographs from the journal’s 50 issues.Trade Review“Anyone interested in photographic history should have this book.” * Image Magazine *

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Book SynopsisIn every crisis situation, children are the greatest victims. Physically weak, they are often the first to succumb to hunger, disease, and dehydration. Innocent to the workings and failings of the world, they are unable to understand why there is danger, why there are people who want to hurt them, or why they must leave, perhaps quite suddenly, and abandon their schools, their friends, and their home. In this companion series to Exodus, Sebastião Salgado presents 90 portraits of the youngest exiles, migrants, and refugees. His subjects are from different countries, victims to different crises, but they are all on the move, and all under the age of 15. Through his extensive refugee project, what struck Salgado about these boys and girls was not only the implicit innocence in their suffering but also their radiant reserves of energy and enthusiasm, even in the most miserable of circumstances. From roadside refuges in Angola and Burundi to city slums in Brazil and sprawling camps in Lebanon and Iraq, the children remained children: they were quick to laugh as much as to cry, they played soccer, splashed in dirty water, got up to mischief with friends, and were typically ecstatic at the prospect of being photographed. For Salgado, the exuberance presented a curious paradox. How can a smiling child represent circumstances of deprivation and despair? What he noticed, though, was that when he asked the children to line up, and took their portraits one by one, the group giddiness would fade. Face to face with his camera, each child would become much more serious. They would look at him not as part of a noisy crowd, but as an individual. Their poses would become earnest. They looked into the lens with a sudden intensity, as if abruptly taking stock of themselves and their situation. And in the expression of their eyes, or the nervous fidget of small hands, or the way frayed clothes hung off painfully thin frames, Salgado found he had a refugee portfolio that deserved a forum of its own. The photographs do not try to make a statement about their subjects’ feelings, or to spell out the particulars of their health, educational, and housing deficits. Rather, the collection allows 90 children to look out at the viewer with all the candor of youth and all the uncertainty of their future. Beautiful, proud, pensive, and sad, they stand before the camera for a moment in their lives, but ask questions that haunt for years to come. Will they remain in exile? Will they always know an enemy? Will they grow up to forgive or seek revenge? Will they grow up at all?

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Book Synopsis“We must remember that in the brutality of battle another such apocalypse is always just around the corner.” —Sebastião Salgado In January and February 1991, as the United States-led coalition drove Iraqi forces out of Kuwait, Saddam Hussein’s troops retaliated with an inferno. At some 700 oil wells and an unspecified number of oil-filled low-lying areas they ignited vast, raging fires, creating one of the worst environmental disasters in living memory. As the desperate efforts to contain and extinguish the conflagration progressed, Sebastião Salgado traveled to Kuwait to witness the crisis firsthand. The conditions were excruciating. The heat was so vicious that Salgado’s smallest lens warped. A journalist and another photographer were killed when a slick ignited as they crossed it. Sticking close to the firefighters, and with characteristic sensitivity to both human and environmental impact, Salgado captured the terrifying scale of this “huge theater the size of the planet”: the ravaged landscape; the sweltering temperatures; the air choking on charred sand and soot; the blistered remains of camels; the sand still littered with cluster bombs; and the flames and smoke soaring to the skies, blocking out the sunlight, dwarfing the oil-coated firefighters. Salgado’s epic pictures first appeared in the New York Times Magazine in June 1991 and were subsequently awarded the Oskar Barnack Award, recognizing outstanding images on the relationship between man and the environment. Kuwait: A Desert on Fire is the first monograph of this astonishing series. Like Genesis, Exodus, and The Children, it is as much a major document of modern history as an extraordinary body of photographic work.Trade Review“A collection of 83 hauntingly beautiful black-and-white photographs taken at some risk to Salgado himself.” * Morning Star *

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Book SynopsisChris Bonington Mountaineer is a photographic autobiography, documenting over sixty years of climbing the world’s most beautiful and challenging mountains. Few climbers can match Bonington’s climbing achievements. He is one of the most accomplished and respected climbers in the world.In this 2016 revised edition, which features over 500 photographs, we are given a frank perspective into the surreal, majestic and occasionally tragic corners of his incredible mountaineering career. Whether in the Arctic, the jungle or on an 8,000-metre peak, Bonington’s stunning photography and engaging conversational prose take us through the detail of daily life on expedition, the action of the climbing and the grandeur of the mountains.From his foundations – climbing in Snowdonia, the English Lake District, and the Highlands of Scotland – Bonington takes us to the Alps and on his expedition apprenticeship in 1960s Nepal. This quickly leads to trips to Patagonia, the Karakoram, the Amazon, Baffin Island and the River Nile, before the meat of his career on the big walls and 8,000-metre peaks of the Himalaya – with his leadership of the expeditions that made the first ascents of the south face of Annapurna in 1970 and the south-west face of Everest in 1975, and culminating in his own ascent of Everest in 1985. The greatest challenge and survival story of all is his first ascent and epic descent of The Ogre in Pakistan with Doug Scott. Bonington’s undying hunger for adventure leads to later exploratory trips to Greenland, India and Morocco, and a return to the scene of one of his defining first ascents, the Old Man of Hoy, with world-class adventure climber Leo Houlding.The result is a penetrating insight into the motivations and fears of a driven climber who set out year after year from a life of comfort and success to test himself amongst the world’s most savage mountains. Chris Bonington Mountaineer is a must for anyone with a passion for exploration, mountains or climbing.Trade Review'A gem, both in terms of climbing history and pure scenic mountain photographic art.' (review of the first edition by The New York Times).Table of ContentsForeword by Leo HouldingIntroduction to the 1989 first edition by Ken Wilson1 Foundations2 The Alpine Experience3 Expedition Apprenticeship4 Adventure Journalist5 Himalayan Big Walls6 Small Teams, Fine Peaks7 K2: End of an Era8 Climbs from China9 Snatched Opportunities10 Everest: A Fulfilment11 Adventures in Greenland12 Tibet's Secret Mountain13 Joint Expeditions in India14 Treks and Family Climbs15 Young Men of HoyClimbing RecordAcknowledgements

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Book SynopsisMost of us have a smartphone camera but very few of us know how to really make the most of it. Here are 50 projects and ideas that maximise the incredible capabilities of your smartphone camera, teaching you how to take better photos and indulge your creative spark at the same time.Table of ContentsIntroduction Understanding your phone’s camera Phone camera apps Accessories Do-it-yourself equipment Light and lighting Editing your images Printing Inside your cameraphone 1. Freelensing 2. Light writing 3. Coloured light 4. Rainbow light portrait 5. Rembrandt lighting 6. Rim lighting 7. Camera inversion 8. Fireworks 9 Light painting with people 10. Vertical panoramas 11. Panning 12. Burst and stack 13. Fairground 14. Intentional camera movement 15. Misty light 16. Pinholes 17. RGB light shadows 18. Slow shutter portrait 19. Product 20. Rainbow 21. Ray of light 22. Snowy day 23. Smoke bomb 24. Night sky Finding inspiration 25. Flat lays 26. Object repetition 27. Reuse and recycle 28. Collecting colour 29. Negative space 30. Poured puddle 31. Triangles 32. Collecting lines 33. Mirror portal 34. Architecture 35. Bird's-eye view 36. Familiar/unfamiliar 37. Through the looking glass 38. Optical abstraction 39. Shadow seflie 40. Window reflection 41. Close up details 42. Food Building images 43. Landscape collage 44. Colour grading 45. Repeated patterns 46. Inkjet transfer 47. Multiple viewpoints 48. Painted photograph 49. Stacking art 50. Triptych 51. Woven portrait 52. Compositing Further reading and resources

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Book SynopsisThe M42 Duster was a tracked antiaircraft vehicle developed by Cadillac for the US Army in the early 1950s. The vehicle adapted the Bofors 40 mm AA gun to a modified M41/T41 tank chassis. Although never particularly prolific in the intended air defense role, the Duster did find a niche during the Vietnam War. The M42 was relatively small and agile, and the high rate of fire and loud report from its guns were quite intimidating. These traits, along with simple availability, resulted in the type being pressed into ground combat against infantry and light vehicles, for which it received moderate acclaim. This volume includes over 300 photos of this quirky vehicle. Every nook and cranny of the interior and exterior is shown, along with many fascinating combat photos.

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Book SynopsisUsing both photographs and written narratives, The Bitter Landscapes of Palestine provides a depiction of the lives and struggles faced by Palestinians living in the occupied Palestinian territories on the West Bank, in particular the South Hebron Hills and the Jordan Valley. It sheds light on issues including house demolitions, conflicts between Palestinian shepherds or farmers and Israeli settlers, soldiers, and police, the daily struggles brought about by the occupation's efforts to displace Palestinians from their land, and the resilience and bravery required to endure these conditions. This moving book conveys the beauty of the landscape, the essence of the language, the value of friendships, and the richness of a threatened way of life. Voices of activists, both Palestinian and Jewish, are brought into focus. The historical context that generated present realities in Palestine is outlined briefly, as well as the history of the authors' partnership.Their perspective mirrors exte

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Book SynopsisElaine Mayes was a young photographer living in San Francisco’s lively Haight-Ashbury District during the 1960s. She had photographed the Monterey Pop Festival in 1967 and, later that year, during the waning days of the Summer of Love, embarked on a set of portraits of youth culture in her neighborhood. By that time, the hippie movement had turned from euphoria to harder drugs, and the Haight had become less of a blissed-out haven for young people seeking a better way of life than a halfway house to runaway teens. Realizing the gravity of the cultural moment, Mayes shifted from the photojournalistic approach she had applied to musicians and concert-goers in Monterey to making formal portraits of people she met on the street. Choosing casual and familiar settings, such as stoops, doorways, parks, and interiors, Mayes instructed her subjects to look into her square-format camera, to concentrate and be still: she made her exposures as they exhaled. Mayes’ familiarity with her subjects helped her to evade mediatized stereotypes of hippies as radically utopian and casually tragic, presenting instead an understated and unsentimental group portrait of the individual inventors of a fleeting cultural moment. Elaine Mayes: The Haight-Ashbury Portraits 1967-1968 is the first monograph on one of the decade’s most important bodies of work, presenting more than forty images from Mayes’ extensive series. An essay by art historian Kevin Moore elaborates an important chapter in the history of West Coast photography during this critical cultural and artistic period.

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Book SynopsisRewind back to the midcentury, before the age of Instagram and Snapchat, where people were using 35mm cameras loaded with color film to document both monumental and mundane moments in their lives. They took pictures of their loved ones, their vacations, their celebrations. They memorialized the births of babies; a child in a cowboy outfit; a new color television set; sightseeing in National Parks; fishing trips; lazing on the beach; weddings; office parties; family reunions; holding hands, kissing and dancing. Imagining these lives and the possible stories that lie behind the images is what makes The Anonymous Project such a compelling journey into our past. The passing of time is enhanced by the book’s narrative that begins with scenes of early childhood and ends with seniors, with all the stages of life in between.It all started with an innocent purchase on eBay. Filmmaker Lee Shulman bought a set of 35mm Kodachrome slides—anonymous family photos—and was so taken with what he calls “the emotional value of these slices of life” that he knew he had to have more. He launched The Anonymous Project in 2017 and has since acquired around 700,000 images either by donation or via vintage sellers. As noted photography critic Richard B. Woodward writes in the introduction: “It is significant—and fascinating—that in virtually every image here, photographer and subject seem to know one another. In this embracing album of humanity, no one exists in isolation. There are no strangers here.”This curated collection of around 150 images taken between the 1940s and ’70s offers an intimate glimpse into the lives of these anonymous subjects. The locations, dates, and the subjects may be unknown—but these shots taken by skilled amateur photographers, and the fascinating stories they contain, are universally familiar.

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Book SynopsisFrom the front lines of the war in Ukraine comes this compelling collection of images from world-class photographers that captures the humanity, perseverance, and determination of the nation's fight for freedom and independence against all odds. “What happened to Ukraine after Moscow’s invasion? Look no further. The photographs in this book are by some of the world’s best photographers and provide an unflinching look at the hell wrought by Russia. This is extraordinary and vital work.” - Pulitzer Prize-winning journalist David Hume Kennerly Stunning collection of images from some of the most respected photojournalists of our time: Carol Guzy, four-time Pulitzer Prize-winning photojournalist Lynsey Addario, Pulitzer Prize-winning photojournalist andNew York Times bestselling author Paula Bronstein, award-winning photojournalist, and Pulitzer Prize finalist Justyna Mielnikiewicz, award-winning photojournalist Svet Jacqueline, award-winning photojournalist and 20+ other world-renowned photojournalists Moving essays, published in both English and Ukrainian, by: Foreword by the Ukrainian ambassador to the United States, Oksana Markarova. Markarova provides an overview of how this war has shaken her country and what democracy and freedom mean to her people. Award-winning Ukrainian author Andrey Kurkov. Ukraine's most famous living writer, Kurkov provides an emotional, heartfelt reflection on what's happening to his country in relation to the pictures displayed in the book. Pulitzer Prize winner and personal photographer to President Gerald Ford, David Hume Kennerly. Kennerly speaks to the emotional and physical risk photojournalists take in covering war alongside their mission to show truth. As Ukrainian President Volodymr Zelenskyy said in his address to U.S. Congress, Russia “went on a brutal offensive against our values, basic human values. It threw tanks and planes against our freedom, against our right to live freely in our own country, choosing our own future, against our desire for happiness, against our national dreams, just like the same dreams you have, you Americans.” Relentless Courage delivers a gripping, visual portfolio of images that remind us of our shared humanity, what is right, and what’s at stake when independence and freedom come under attack.Trade Review"What happened to Ukraine after Moscow's invasion? Look no further. The photographs in this book are by some of the world's best photographers and provide an unflinching look at the hell wrought by Russia. This is extraordinary and vital work." Pulitzer Prize-winning journalist David Hume Kennerly;"Chronicled by photojournalists on the front lines of history, this stunning collection of images reverberates with the devastation, suffering and loss wrought by war. This book reminds us of humankind's capacity for intolerable cruelty and infinite compassion. It speaks to our shared humanity-and what's at stake when free people come under attack." Kent Kobersteen, former director of photography, National Geographic magazine;"Now, a highly-anticipated book is offering a reminder: Don't forget about the war or the Ukrainian people." theSkimm

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Book SynopsisFranz Höllering, editor of the influential workers' paper Arbeiter Illustrierte Zeitung, once advised photographers: "focus on the simple key facts". This photographic essay does exactly that.

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Book SynopsisAn exclusive look behind the scenes of the Academy Awards as top stars and filmmakers discuss their Oscar wins and tell never-before-told tales of Hollywood''s biggest night, in a collection of original interviews with Turner Classic Movies host and entertainment media journalist Dave Karger. For almost a century, movie fans have been riveted by the Academy Awards and the stars who have won Oscars. 50 Oscar Nights takes readers behind the scenes of Hollywood?s most storied awards show through new and exclusive interviews with dozens of A-list actors, filmmakers, and craftspeople spanning sixty years of the Oscars. Here these artists reflect on their winning work and recount all the details of how they got ready, how they felt when they heard their name and got up on stage to accept their award, what they wore, how the entire experience impacted their life, and more. Some interviews bring to light fun stories like why Hilary Swank decided to celebrate her Academy Award at the Astro Burger in West Hollywood, or insight into the work as Elton John explains why he was convinced he won his Best Original Song award for the wrong tune. Other interviews illuminate why for some honorees, such as Julia Roberts, John Legend, and Octavia Spencer, the day remains a life highlight to be treasured, while for Marlee Matlin, Mira Sorvino, and Barry Jenkins, complex emotions cloud what most think would be a purely celebratory moment. Filled with more than 150 photos of red-carpet moments, emotional acceptances, and after-party play, 50 Oscar Nights is both a stunning record of cinema glamour and a must-read for any movie lover. Full list of interviewees: Nicole Kidman, Elton John, Jennifer Hudson, Steven Spielberg, Jane Fonda, Barry Jenkins, Halle Berry, J. K. Simmons, Julia Roberts, John Legend, Rita Moreno, Martin Scorsese, Marlee Matlin, Dustin Hoffman, Hannah Beachler, Cameron Crowe, Mira Sorvino, Kevin O?Connell, Sally Field, Kristen Anderson-Lopez and Robert Lopez, Eddie Redmayne, Lee Grant, Louis Gossett Jr., Hilary Swank, Clint Eastwood, Jessica Yu, Michael Douglas, Catherine Martin, Francis Ford Coppola, Allison Janney, Mel Brooks, Emma Thompson, Peter Jackson, Marcia Gay Harden, Mark Bridges, Sofia Coppola, Joel Grey, Glen Hansard and Markéta Irglová, Olivia Colman, Rob Epstein, Whoopi Goldberg, Alan Menken, Melissa Etheridge, Sissy Spacek, Keith Carradine, Estelle Parsons, Geoffrey Fletcher, Octavia Spencer, Aaron Sorkin, Meryl Streep

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Book SynopsisThirteen words, thirteen protagonists, thirteen stories. This special journey crosses different regions and tells of mastery, know-how, emotions, and characters that honor ancient Italian traditions. Gaggia, the brand that invented espresso machines for bars and homes, wanted to represent Italian creativity in 13 stories. To achieve this, it selected the same number of contemporary artisans, including a blacksmith, a motorcycle restorer, a ceramist, a hatter, a tailor, and a creator of floral sets, and depicted them in the pages of the book through the images of Stefania Giorgi and the words of Laura Maggi. In this tale, coffee is an often invisible link; it represents the irreplaceable value of reflection, of time rediscovered, of having a break.

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Book SynopsisThe Grumman F8F was a fast, agile, carrier-borne fighter aircraft developed as the ultimate dogfighter for the Pacific Theater. This is the most complete collection of Bearcat photography in print.

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Book SynopsisThis new book on the SR-71 provides a excellent compliment to Schiffer Military's "Lockheed SR-71 Blackbird: The Illustrated History of America's Legendary Mach 3 Spy Plane" by James Goodall, which is a much larger, more expensive book; this also serves as a replacement for the strong-selling book on the aircraft by Bill Holder, which was released in 2002 and is now out of print.

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Book SynopsisA searing, diaristic portrayal of a city and society in revolution by Magnum nominee Myriam Boulos In her debut monograph, Myriam Boulos casts an unflinching eye on the revolution that began in Lebanon in 2019 with protests against government corruption and austerity—culminating with the aftermath of the devastating Beirut port explosion of August 2020. She portrays her friends and family with startling energy and intimacy, in states of pleasure and protest. Boulos renders the body in public space as a powerful motif, both visceral and vulnerable in the face of state neglect and violence. Of her approach to photography, Boulos states: “It’s more of a need than a choice. I obsess about things and I don’t know how to deal with these obsessions in any other way but photography.” Featuring a contextual essay by noted writer Mona Eltahawy, What’s Ours showcases Boulos’s strident and urgent vision.

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Book SynopsisPhotographs looking at the realities of pregnancy and having young children

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Book SynopsisWhat does it take to become a road racing legend and compete in the toughest sport in the world? Go behind the scenes with the teams and riders at all the major tours and classics through the lens of world-class pro-cycling photographer, Kristof Ramon.The Art of Suffering is about the human story of road racing, what it takes to go deep and be the best, and the awe-inspiring feats of endurance that make road cycling one of the most challenging, most legendary, most inspirational sports in the world. From battling the elements and the terrain to epic climbs, crashes, injuries and recovery; personal sacrifices, pushing the body to the limit, training, winning, losing and long seasons on the road; featuring the domestiques, the star riders, the new talent and the legends - this book captures all the reasons why cycling fans passionately love their sport, taking them closer to the action and their favorite riders than any other book. Carefully cur

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Book SynopsisCapture a reflection, play with layers, blatantly blur, or just try and ''shoot nothing''. The Street Photography Challenge is a boxed set of 50 cards, each giving keen photographers a simple prompt or idea for snapping great images in everyday environments. Flip the card over for an example image, and turn to the enclosed booklet when you need more detail. Also includes 10 bonus cards of inspirational quotes and key tips from some of the legends of street photography, from Daido Moriyama to Joel Meyerowitz. Forget about lenses, shutter speeds and apertures - just grab your camera or phone, pull a card, and get out there!

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Book SynopsisAn illuminating portrait of young LGBTQ people in China, the latest addition to the acclaimed photobook series celebrating LGBTQ communities around the world Same-sex relationships have been an accepted part of Chinese culture for centuries. It was only in the eighteenth and nineteenth centuries, under the influence of the West, that homophobia became more prevalent; and under Mao, homosexuality was criminalized. By the turn of the last millennium, same-sex relationships were once again legal, and by 2001, homosexuality had been declassified as a mental disorder. Polling suggests that the younger generation embraces sexual diversity and LGBTQ rights. But the stigma against queer people still remains. Recent reports from China have noted government attempts to clamp down on LGBTQ media and events, and numerous citizens are still being sent by family members to conversion therapy. Photographer Sarah Mei Herman first started photographing young queer people and their personal relationships during an artist residency in Xiamen in Fujian Province on China’s southeastern coast. As she explored what drew these people together, she herself built up close friendships with her subjects and, even after her residency had ended, returned to Xiamen to photograph them, capturing the way they have changed over the course of a number of years. The sixteenth entry in The New Press’s worldwide LGBTQ photobook series, Solace is a stunning collection of full-color photos in a beautiful, affordable volume. It provides a portrait of young people navigating the ambiguities of friendship and sexuality as they enter adulthood and grapple with what it means to be queer in modern-day China. Solace was designed by Emerson, Wajdowicz Studios (EWS).Trade ReviewPraise for Solace:“Solace brings to light people who live too often hidden from our view. Her photography allows us to open up to them and allows them to open up to us.”—Nathalie Herschdorfer, director of Photo Elysée

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Book SynopsisAn outstanding photography book documenting a movement that rocked the world. Syd Shelton: Rock Against Racism is a body of photographs that Syd Shelton produced for and about the British Rock Against Racism movement (RAR) of 1976–1981. For Shelton, this work was a socialist act, what he calls a “graphic argument,” on behalf of marginalized lives. His practice of photographic activism began in 1973 when he was driven to document the socio cultural and political dynamics expressed on the streets of Sydney by urban Australian Aboriginal communities, the working class, and the architectural landscapes of these groups. Shelton’s first solo show in 1975, “Working Class Heroes” at the Sydney Film-makers Cooperative, established his distinct activist eye.Shelton joined RAR in early 1977 on his return to England from Australia. He did so because he found his birthplace a more racist country than it had been when he left. This was marked by the increased political presence of the National Front, notably its gain of some 119,000 votes in the Greater London Council Elections of May 1977. Shelton, like millions of others, feared for the future of multi-cultural Britain. His contribution to RAR was to be on the London committee, to create graphic material with other RAR members such as the RAR publication “Temporary Hoarding,” posters’ badges and his photography—RAR did not have an official photographer. Shelton’s instinctive need to document RAR—its events, contributors, and supporters—has resulted in the largest collection of images on the movement. Alongside his documentation of RAR, Shelton took photographs of what he calls “the contextual images,” the lives and landscapes that were defined by others as “different,” and that often fueled racist acts of violence by simply being.What is presented here are Shelton’s authoritative visual statements as participant-photographer on the social tempo in Britain at this time and the activist potency of RAR. As collective activism, RAR’s success was dependent on individual contributions to fuel the movement’s activities across the country. This unique national, and eventually international, charge incorporated the visual dynamic of how Black and white RAR contributors and participants styled their bodies as another antagonistic tool against racism. These were acts of style activism—the making of an activist identity through the considered composition of clothes, accessories, hairstyles, makeup, and body language. Shelton’s images prompt us to remember that the individuals at RAR carnivals, gigs, and demonstrations were the event—they were RAR.There are many versions of what RAR was and its legacy. Syd Shelton: Rock Against Racism provides an auto/biographical telling of that historical moment. It reflects on how Shelton’s work as a photographer contributed towards social change at a critical moment of political and racial tension in Britain.

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Book Synopsis

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Book Synopsis''His photographs have their own powers oftransformation. Towers of almonds, covered haphazardly with plastic sheetingand held down by car tires, become a misty valley; a rainbow ends not in a potof gold but at an opal-mine junk yard. Kids at the top of the stairs on aplayground slide call to mind brushtail possums caught in the beam of aflashlight. A man lies face down on his horse, and a hat has fallen to theground?it is the horse, not the man, who seems likeliest to have lost it.''Helen Sullivan The NewYorkerAdam Ferguson began photographing Australia?s interior in 2013 in an attempt to dispel sentimental and outdated narratives around the ?Outback??a place central to the identity and development of modern day Australia.His photographic survey, made over a 10-year period, depicts fading traditional events, shrinking small towns, Aboriginal connection to Country, the impacts of globalisation and the adversity of climate change to illustrate the complex realities of contemporary life in the ?Outback?.

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Book SynopsisPhotographs taken in New York over 50 years ago by Mark Cohen will be published for the firsttime in Tall Socks.

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Book Synopsis

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