Photography and photographs Books

Book SynopsisA rigorous new thinking of the photograph in its relation to science, philosophy, and art, so as to discover an essence of photography that precedes its historical, technological, and aesthetic conditions.If philosophy has always understood its relation to the world according to the model of the instantaneous flash of a photographic shot, how can there be a “philosophy of photography” that is not viciously self-reflexive?Challenging the assumptions made by any theory of photography that leaves its own “onto-photo-logical” conditions uninterrogated, Laruelle thinks the photograph non-philosophically, so as to discover an essence of photography that precedes its historical, technological and aesthetic conditions.The Concept of Non-Photography develops a rigorous new thinking of the photograph in its relation to science, philosophy, and art, and introduces the reader to all of the key concepts of Laruelle's “non-philosophy.”

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Book SynopsisShining in Absence, the twelfth issue of the journal AMC2, addresses the disappearance of photography both as an idea and as a material object. Images of torn, vacant photo albums, empty frames and mounting corners fill this poignant volume, allowing viewers to consider the absence of such vestiges in their own lives.

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Book SynopsisThe contribution of women to the first century of photography has been overlooked across the world, including in New Zealand. Through superb images and fascinating individual stories, this important book tilts the balance, unearthing a large and hitherto unknown number of women photographers who operated in New Zealand from the 1860s to 1960.Trade ReviewLandfall, reviewed by Mary Macpherson. “A lavishly-illustrated blockbuster of a book that reveals a whole world of women active at every level of photography … At a deeper level, these images … give us part of the history of our country across the centuries. It’s difficult not to be moved by this, and the book deserves to fly high at the next Ockham New Zealand Book Awards.”; Aotearoa New Zealand Review of Books, reviewed by Hamish Coney. “Mitchell’s decade of research has unearthed a wealth of wonderful images created by women in Aotearoa, and provided a powerful narrative that reveals their creators’ lives and motivations. Through Shaded Glass is both a corrective and a celebration, and will no doubt create a legacy in its own right, as a point of departure for future scholarship.”; NZ Booklovers, reviewed by Lyn Potter. “Lissa Mitchell has skilfully and successfully filled a gap in the history of women’s participation in photography in the Western world. She has amply succeeded in her aim of showing that in New Zealand, women from 1860-1960 did have access to photographic equipment and used it in all sorts of ways. … She is a very erudite photography historian but has written Through Shaded Glass in a very engaging and accessible way for the general reader. I found it unputdownable.”; The Post, reviewed by Mark Amery. “Through Shaded Glass impresses in providing a different window on our past than the other photographic history books on my shelves.”; Kete Books, reviewed by Jessica Agoston Cleary. “As one of Aotearoa’s most knowledgeable and experienced photographic historians, there is no one better than Lissa Mitchell to research, distill and re-contextualise the photographic history of our country … It is a whirlwind tour and it is well worth it.”; New Zealand Geographic, reviewed by Catherine Woulfe. “Mitchell’s text validates the various ways women participated in photography … her own mastery is clear on each page.”; Gisborne Herald, review by Wynsley Wrigley of the chapter on Gisborne photographers. “Gloriously illustrated publication … fascinating book.”

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Book SynopsisDrawing on more than 100 unpublished photographs, including unseen images of some of the most famous and infamous Berlin clubs of the 1920s, Party! Party!! Party!!! depicts the Weimar Republic through the people who partied and the places they partied infrom living rooms and bedrooms to the underground and tourist-filled clubs and music halls of Berlin.The defeat of the German Empire in World War I meant that the newly formed Weimar Republic was all but bankrupt, facing impossible debt and prey to violent revolution from both left and right. The poor were particularly vulnerable. Any new day could bring disease, unemployment or crime. This precariousness of existence gave rise, in some, to a frantic desire to live in the momentto celebrate, or escape reality. An exploration of decadence, sexuality and indulgence went alongside an innocence of the consequences of fascism or communism. Life, for many, became a kind of feast during a time of plague as Germany in the 1920s

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Book SynopsisI love great books about records: ripping yarns about everything that happened on the way to my stereo, with no minutiae too small to matter. The Blue Series: The Story Behind the Coloris the tale, in depth, behind every Blue single. David Fricke, Rolling Stone The Blue Series: The Story Behind the Color is 282 pages of behind-the-scenes stories, information, and interviews about the Jack White produced Blue Series singles. This hardcover book also includes a 7 single of unreleased Blue Series session songs by First Aid Kit and Gibby Haynes (Butthole Surfers) on black vinyl, a ten song sampler of Blue Series music curated by the book''s editor Ben Blackwell, Foreword by award-winning Rolling Stone music journalist David Fricke, and exclusive interviews with Beck, Courtney Barnett, Stepehn Colbert, Insane Clown Posse, Wanda Jackson, Kate Pierson, Dexter Romweber, Jack White, Dwight Yoakam, and more.As the brainchild of Jack White, the Blue Series started in tandem with Third Man Records, White's Nashville-based record label founded in 2009. Built on the simple premise of 7 45rpm singles all recorded in the same studio, with the same producer (White), with photos taken in the same locale (Third Man Records' onsite Blue Room) and manufactured at the same pressing plant (United Record Pressing), a stone's throw from TMR's offices) the resultant 40 singles impressively run the gamut of artists and styles. Whether it's the wildly popular like Beck, the classic veteran Tom Jones, the character Stephen Colbert, the polarizing Insane Clown Posse, or previously unknown performers making their debut releases, the Blue Series is the perfect snapshot of what Third Man, and by extension Jack White, have focused on and championed for the past seven years.

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Book SynopsisCyanotype: The Blueprint in Contemporary Practice is a two part book on the much admired blue print process. Part One is a comprehensive how-to on the cyanotype process for both beginner and advanced practitioners, with lots of photographs and clear, step-by-step directions and formulas. Part Two highlights contemporary artists who are using cyanotype, making work that ranges from the photographic to the abstract, from the traditional to the conceptual, with tips on their personal cyanotype methods alongside their work. These artists illustrate cyanotype's widespread use in contemporary photography today, probably the most of any alternative process.Book features include: A brief discussion of the practice of the process with some key historical points How to set up the cyanotype ÒdimroomÓ The most extensive discussion of suitable papers to date, with data from 100+ papers Step-by-step digitalTrade Review‘This text is a phenomenal guidebook for the beginner or seasoned cyanotypist, providing a comprehensive overview of the process, its history, numerous creative applications and innovative techniques, along with valuable trouble-shooting tips and contemporary examples of inspiring artwork.’ Amy Holmes George, Fine Art Photographer ‘Christina Z Anderson has again excelled herself with this the third book in the 'Contemporary Practices in Alternative Process Photography' she has written. This two-part book is both educational for the beginner to the advanced practitioner as well as being inspirational with images from some of the best contemporary cyanotype artists.’ John Brewer, Alternative Photographic Process Artist ‘A wonderful explanation and invitation to enter alternative photo with cyanotype. Information for the novice, advanced amateur, and professional alike. Contemporary examples inspire one to give it a try.’ Jim Patterson, Photochemist and Alternative Photo Experimenter ‘This text is a phenomenal guidebook for the beginner or seasoned cyanotypist, providing a comprehensive overview of the process, its history, numerous creative applications and innovative techniques, along with valuable trouble-shooting tips and contemporary examples of inspiring artwork.’ Amy Holmes George, Fine Art Photographer ‘Christina Z Anderson has again excelled herself with this the third book in the 'Contemporary Practices in Alternative Process Photography' she has written. This two-part book is both educational for the beginner to the advanced practitioner as well as being inspirational with images from some of the best contemporary cyanotype artists.’ John Brewer, Alternative Photographic Process Artist ‘A wonderful explanation and invitation to enter alternative photo with cyanotype. Information for the novice, advanced amateur, and professional alike. Contemporary examples inspire one to give it a try.’ Jim Patterson, Photochemist and Alternative Photo Experimenter Table of ContentsPreface Chapter 1 - Cyanotype - History and Practice Part 1 - Cyanotype Step-by-Step Chapter 2 - Setting up the Cyanotype Dimroom Chapter 3 - Papers for Cyanotype Chapter 4 - Digital Negatives for Cyanotype Chapter 5 - Classic Cyanotype Chapter 6 - New Cyanotype Chapter 7 - Further Formula Exploration Chapter 8 - Making the Cyanotype Print Chapter 9 - Toning Cyanotype Chapter 10 - Printing Cyanotype Over Palladium Chapter 11 - Printing Cyanotype on Alternate Surfaces Chapter 12 - More Creative Ideas for Cyanotype Chapter 13 - Troubleshooting Cyanotype Chapter 14 - Finishing, Framing, and Storing Cyanotype Part 2 - Contemporary Cyanotype Artists Chapter 15 - Contemporary Cyanotype Artists Bibliography Index

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Book SynopsisDiscover the great advantages and benefits of working in the medium film format or with the large digital sensor units in Hasselblad digital cameras and digital backs. Presented in an easily accessible format, this book shows the working and manipulation of the various cameras. Detailed illustrations dissect the equipment and provide insight into the ways in which these superb cameras and lenses are best utilized to create professional quality images. This edition of the Manual will bring you up to date with the latest features available within the popular Hasselblad camera systems emphasizing that camera and lens are the most important tools for creating exciting images whether you work digitally or with film. The complete Hasselblad camera system is discussed by renowned author and Hasselblad insider, Ernst Wildi, who provides a solid foundation of both traditional photography and digital capture techniques. Inside you''ll also find inspiring photographs fromTable of ContentsHasselblad from Film to Digital; Image Size, Format and Image Quality; Digital Imaging with Hasselblad; The Hasselblad H Camera System; Creating the Digital Image; The Hasselblad 503 and Other V System Cameras and Components; Viewfinders and Focusing Screens; Selection and Use of Film Magazines; Operating 503 and Other V System Cameras; Operating the EL Cameras for Digital and Film Photography; The Superwide Cameras; Operating the 200 Cameras for Digital Imaging and Film Photography; Flexbody, Arcbody and PC Mutar for Digital or Film Photography; Lens Characteristics and Specifications; Achieving Perfect Exposures in Digital Imaging and Film Photography; Controls for Creating Effective Images on Film or Digitally; Understanding Light and Filters; Electronic Flash in Digital and Film Photography; Close-up Photography; The Hasselblad XPan Cameras; Projecting Medium-Format and XPan Transparencies

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Book SynopsisContemporary Photography and Theory offers an essential overview of some of the key critical debates in fine art photography today. Building on a foundational understanding of photography, it offers an in-depth discussion of five topic areas: identity, landscape and place, the politics of representation, psychoanalysis and the event. Written in an accessible style, it introduces the critical literature relevant to photography that has emerged over recent decades. Moving beyond seminal works by writers such as Walter Benjamin, Roland Barthes, and Susan Sontag, it enables readers to explore an extended canon of theorists including Jacques Lacan, Judith Butler and Giorgio Agamben. The book is illustrated throughout and analyses a range of works by established and emergent artists in order to show how these theoretical concepts are central to understanding contemporary photography. These 15 short essays encourage readers to apply critical thinking to both their own work and that of others.Table of ContentsContents List of IllustrationsAcknowledgements Introduction Part One: Photography and Identity 1. The Honorific and the Subjugated Portrait 2. The Blank portrait and the Intimate Record 3. The Portrait and the Contemporary Self Part Two: Photography, Landscape and Place 4. The Politics of Place 5. Non-Place and New Topologies 6. Ruins and the Anthropocene Part Three: Photography, Performance & the Politics of Representation 7. Gender and the Selfie 8. Race, Culture and Time 9. Performativity and Disability Part Four: Photography and Psychoanalysis 10. Psychoanalysis, representation and desire 11. Psychoanalysis, Spectatorship and the Gaze 12. The Politics of Enjoyment Part Five: Photography and the Event 13. Photography, Memory, History 14. Post-photojournalism and Contemporary Images of Conflict 15. Photography, Empathy and Responsibility Notes Bibliography

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Book SynopsisA stunning collection of photographs celebrating Gloucestershire, which capture the life of the county.

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Book SynopsisA slick, smart, stylish - and shocking - thriller from one of the most exciting new voices in crime fiction.On a remote farm, an elderly woman takes a fall outside and, unable to move, is consumed overnight by two of her pigs.The victim was the renowned and reclusive photographer Sophie Bertilak - and the first photo she ever took remains her most infamous: a missing girl who was never seen again. Most strangely, inside the house, all the photos have been removed from their frames... Forensic veterinarian Cooper Allen is called in for the post-mortem - and becomes obsessed with the victim, her family, and the crimes she brought to light decades ago. As Cooper pulls on a dark thread of deception and double-lives, she begins to unravel the case - as well as herself...****PRAISE FOR BUCHANAN:''Dark, daring and deeply unnerving. Greg Buchanan is hugely talented, and Consumed will s

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Book SynopsisNew York City Yesterday and Today: The Tax Photographs features the little-known, but utterly fascinating tax photographs from The City of New York's Hall of Records and how those areas look today. The photographs are an interesting page in the history of the city's municipal workings alone, but are a fascinating look into daily city life in the 1940's. They were taken to help figure out property tax assessments. Incredibly, city officials employed a team of photographers to go out to all five boroughs and photograph literally every building in the city. The result is tens of thousands of photos of practically every nook and cranny of the streets of New York. Readers will marvel at the changes some neighborhoods have undergone, whereas some parts of the city have remained remarkably unchanged. It's a remarkable look at the city's past and present.

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Book SynopsisWith the introduction of the two-pickup 4001 model in 1961 the Rickenbacker bass became a phenomenon. The Beatles''s use of Rickenbacker instruments was pivotal: teen groups everywhere wanted to have the same instruments the Beatles used so they could achieve the right sound. With its ultra-modern design that made the classic Fender precision bass look downright old-fashioned the Rick quickly became a darling of progressive bands that loved its look as much as its different sound.ÞÊThe Rickenbacker Electric Bass: 50 Years as Rock''s BottomÊ is the first book to trace the history of the iconic guitar from its protoypes through its explosion of popularity in such bands as the Beatles Yes Deep Purple and Motêrhead to name but a few. Lavishly illustrated with archival shots this is a must-have book not only for anyone who plays the Rick but also for anyone who plays the bass guitar. This second edition features 16 bonus pages with up-to-date information on Rickenbacker''s latest

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Book SynopsisBorn into a civil service family in India in 1907, Helen Muspratt was a lifelong communist, a member of the Cambridge intellectual milieu of the 1930s, and a working mother at a time when such a role was unusual for women of her class. She was also a pioneering photographer, creating an extraordinary body of work in many different styles and genres. In partnership with Lettice Ramsey she made portraits of many notable figures of the 1930s in the fields of science and culture. Her experimental photography, using techniques such as solarisation and multiple exposure, bears comparison with the innovations of Man Ray and Lee Miller. This book reproduces some of Helen Muspratt's most important photographic images, including documentary records of the Soviet Union and the Welsh valleys. The accompanying text by Jessica Sutcliffe is an intimate and revealing memoir of her mother that offers a fascinating insight into her life, work and politics.Trade Review'Jessica Sutcliffe's book, painstakingly researched and wonderfully written, will supply yet one more piece in the photo-historical jigsaw which is the history of women's photography.'Val Williams, author of Women Photographers, The Other Observers -- .

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Book SynopsisIn Chicago, the Bears’s grip on the city spans generations and cultures, endures disappointments, and impels celebration of triumphs great and small. From the team’s humble beginnings to its century-long status as the flagship NFL franchise, the Chicago Tribune has documented every season. The Chicago Tribune Book of the Chicago Bears is an impressive testament to Bears tradition, compiling photography, original box scores, and entertaining essays from Hall of Fame reporters. This expanded second edition will include updated writing from the past five years, and will be released to coincide with the 100-year anniversary of the NFL—and the Chicago Bears. The Chicago Tribune Book of the Chicago Bears is a decade-by-decade look at the team, beginning with George Halas moving the team to Chicago in 1921. The Bears soon became known as the Monsters of the Midway, dominating the sport with four NFL titles in the 1940s, seven winning campaigns in the 1950s, and a final title with Halas as coach in 1963. Their 1985 Super Bowl championship transformed the city's passion into a full-blown love affair that continues today. Professional football was practically born in Chicago, nurtured by Halas through the Depression and a world war. The NFL game was made for Chicago, in Chicago, by a Chicagoan. Now the award-winning journalists, photographers, and editors of the Chicago Tribune have produced a comprehensive collector’s item that every Bears fan will love.

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Book SynopsisFind Your Way to the Most Beautiful Waterfalls Waterfalls create a feeling of serenity, a sense of restrained power. Their grandeur takes our breath away. Their gentle sounds complement periods of meditation. Let professional photographer and West Virginia resident Randall Sanger guide you to the top-ranked waterfalls of Virginia and West Virginia. Your bucket list should include these 174 gorgeous locales that decorate the landscape. The informative guidebook pairs professional photographs of every waterfall with all the information you need, including directions, distance, hike difficulty, and more. The waterfalls are organized geographically and ranked by beauty. Start with the ones nearby, then get away to discover those further afield. These natural wonders prove that Virginia and West Virginia are home to some of the most picturesque waterfalls in America. From Dark Hollow Falls in Shenandoah National Park to the Falls of Hills Creek in the Monongahela National Forest, experience them all with Waterfalls of Virginia & West Virginia!Table of ContentsDedication Acknowledgments Preface Introduction How to Use This Book The Waterfalls of the Two Virginias About the Regions Photographing Waterfalls Waterfall Safety Waterfall Names Virginia Waterfalls Map of Virginia’s Waterfalls Southwest Virginia The Devil’s Bathtub The Falls of Little Stony The Falls of Tumbling Creek Crab Orchard Branch Falls Corder Hollow Falls Falls of Logan Creek Big Falls Big Rock Falls (Whitetop Laurel Falls) Straight Branch Falls The Chute Cabin Creek Cascade Lower Cabin Creek Falls Middle Cabin Creek Falls Upper Cabin Creek Falls Wilson Creek Falls Fox Creek Falls Comers Creek Falls Chestnut Creek Falls Falls of Dismal Valley and Ridge The Cascades The Upper Cascades Falling Spring Falls Stiles Falls Roaring Run Falls Roaring Run Slide Double Falls on Roaring Run Waterfall at Falls Ridge Mill Creek Falls Lace Falls McGuirt Falls Folly Mills Falls Mill Creek Falls Blue Ridge Parkway and Vicinity St. Mary’s Falls Crabtree Falls Apple Orchard Falls White Rock Falls Box Spring Falls Wigwam Falls Panther Creek Falls Upper Statons Creek Falls Lower Statons Creek Falls Fallingwater Cascades Bent Mountain Falls Shenandoah National Park Overall Run Falls The Falls of Whiteoak Canyon Dark Hollow Falls Waterfalls on Cedar Run Lands Run Falls Hazel Falls Upper Rose River Falls Lower Rose River Falls Lewis Falls (Lewis Spring Falls) South River Falls Upper Doyles River Falls Lower Doyles River Falls Jones Run Falls Big Branch Falls Piedmont Region Falls of the Nottoway Falls of the James Northern Virginia Great Falls of the Potomac Scott’s Run Falls Piney Run Falls 12 More Virginia Waterfalls to Explore West Virginia Waterfalls Map of West Virginia’s Waterfalls Upper New River Gorge and Bluestone River Tributaries Sandstone Falls Brush Creek Falls Kate’s Falls Lower Glade Creek Falls Claypool Falls Harvey Falls Big Branch Falls Homestead Falls Fall Branch Falls #1 Fall Branch Falls #3 Little Wolf Creek Falls Pipestem Falls White Oak Creek Falls Wolf Creek Falls Campbell Falls Mash Fork Falls Central New River Gorge Dunloup Creek Falls Wolf Creek Falls Marr Branch Falls Upper Fern Creek Falls Upper Falls of Craig Branch Upper Falls of Arbuckle Creek Double Falls The Little Brother Glade Creek Falls Keeneys Creek Falls Westerly Falls Marsh Fork Falls Black Fork Falls Lower New River Gorge and Gauley River Tributaries Mill Creek Falls Laurel Creek Falls (Cotton Hill) Cathedral Falls Ramsey Branch Falls Laurel Creek Falls Upper Turkey Creek Falls Lower Turkey Creek Falls Panther Creek Falls Bucklick Branch Falls Mountain Lakes Upper Falls of Holly River Lower Falls of Holly River Wildcat Falls Falls Mill Falls Arlington Falls at Fidlers Mill Little Run Falls Whitaker Falls Left Fork Falls Lincamp Branch Falls Blackwater Falls State Park Blackwater Falls Blackwater Falls: Gentle Trail Overlook Blackwater Falls: Lower Viewing Platform Elakala Falls #1 Elakala Falls #2 Upper Falls of Falls Run Lower Falls of Falls Run Pendleton Run #2 Pendleton Run #3 Pendleton Run #4 Pendleton Run #5 Potomac Highlands Lower Falls of Hills Creek Upper Falls of Hills Creek Middle Falls of Hills Creek Douglas Falls High Falls of the Cheat Kennedy Falls Upper Falls of Big Run Lower Red Creek Falls Red Creek Falls Mountaineer Country Valley Falls Twin Falls Big Cove Run Arden Falls (Moats Falls) Matador Falls Lower Falls of Deckers Creek 12 More West Virginia Waterfalls to Explore 10 More Tips Waterfalls Checklist About the Author

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Book SynopsisWhy did Henri Cartier-Bresson nearly have a posthumous exhibition while still alive? What led Stephen Shore to work with color? Why was Sophie Calle accused of stealing Vermeer’s The Concert ? And what is Susan Meiselas’s take on Instagram and the future of online storytelling? Aperture Conversations presents a selection of interviews pulled from Aperture’s publishing history, highlighting critical dialogue between photographers, esteemed critics, curators, editors, and artists from 1985 to the present day. Emerging talent along with well-established photographers discuss their work openly and examine the future of the medium. Through the history of Aperture’s booklist, online platform, and Aperture magazine, Aperture Conversations celebrates the artist’s voice, collaborations, and the photography community at large.

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Book SynopsisEnvisioning the intersections of photography and performance. This issue, a collaboration between Aperture and Performa, the nonprofit organization dedicated to exploring the critical role of live performance in visual art, takes a capacious approach to considering the intersections of photography and performance. In the Words section, Tate curator Simon Baker traces the impulse to perform for the camera throughout photographic history; New Museum curator Lauren Cornell looks at how artists such as K8 Hardy, Juliana Huxtable, and Amalia Ulman use social media to calculated effect; Performa founder RoseLee Goldberg and MoMA curator Roxana Marcoci discuss performance, documentation, and the ways in which performances are crafted for the camera; and Kaelen Wilson-Goldie explores the lecture-performance form in the work of Lebanese artists Walid Raad, Rabih Mroué, Lina Saneh, and Joana Hadjithomas and Khalil Joreige. In the Pictures section, Delfim Sardo considers the Portuguese artist Helena Almeida’s Inhabited Painting(s) and other works; Brian Sholis on the disquieting appeal of Torbjørn Rødland’s images; James Welling introduces his new series Dance Project; Olu Oguibe on Samuel Fosso’s recent Mao Zedong series; Brian Dillon on Dru Donovan’s recreations; Performa curator Adrienne Edwards on how Carrie Mae Weems animates minimalism; a look at the role of image research in the Hong Kong-based duo Zheng Mahler’s Performa 15 debut performance; and Kristin Poor explores two approaches to photographing dance, by looking at Barbara Morgan’s enduring images of Martha Graham, and Babette Mangolte’s photographs of Trisha Brown’s dance performances.

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Book SynopsisAn economic and cultural revolution has shaken the photobook world in the last five years: self-publishing. An army of photographers operating as publishers have had an instrumental role in today’s photobook renaissance. This book offers a do-it-yourself manual and a survey of key examples of self-published success stories, as well as a self-publishing manifesto and list of resources. The manual portion of this volume offers insight, advice, and rudimentary how-tos for the photographer interested in self-publishing. The survey offers an overview of the contemporary self-publishing landscape and includes a contribution by the Museum of Modern Art’s art librarian and bibliographer David Senior, which grounds today’s activities in a legacy of artists’ books and collectives. The case studies themselves will each illustrate a particular theme and genre of self-publishing (such as diary, documentary, or conceptual object), and will be accompanied by personal testimonies from the artists who created them. Author Bruno Ceschel, founder of the Self Publish, Be Happy organization, provides a rallying cry for all those involved in the contemporary photobook revolution—a moment in which the photobook, in all its infinitesimal manifestations, has never before been so omnipresent in our cultural landscape, nor so critical to the photographer’s practice. Self Publish, Be Happy, founded by Bruno Ceschel in 2010, collects, studies, and celebrates self-published photobooks through an ongoing program of workshops, live events, and on/ offline projects. Its London-based collection contains more than two thousand publications. Self Publish, Be Happy is the physical manifestation of a worldwide online community formed of a new, ever-evolving generation of young artists, who experiment, stretch, and play with the medium of photography.Trade Review[Self publishing] has always been an act of defiance against oppression (religious, political, economic, sexual, etc). DIY culture is, by its nature, an ethic in opposition to society’s rules at large. It flourishes in environments of communitarian support, collaboration, and even informal barter economies. –Bruno Ceshel in Time

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Book SynopsisIn the late 1970s, the George Eastman House approached a group of photographers to ask for their favorite recipes and food-related photographs to go with them, in pursuit of publishing a cookbook. Playing off George Eastman’s own famous recipe for lemon meringue pie, as well as former director Beaumont Newhall’s love of food, the cookbook grew from the idea that photographers’ talent in the darkroom must also translate into special skills in the kitchen. The recipes do not disappoint, with Robert Adams’s Big Sugar Cookies, Ansel Adams’s Poached Eggs in Beer, Richard Avedon’s Royal Pot Roast, Imogen Cunningham’s Borscht, William Eggleston’s Cheese Grits Casserole, Stephen Shore’s Key Lime Pie Supreme, and Ed Ruscha’s Cactus Omelet, to name a few. The book was never published, and the materials have remained in George Eastman House’s collection ever since. Now, forty years later, this extensive and distinctive archive of untouched recipes and photographs are published in The Photographer’s Cookbook for the first time. The book provides a time capsule of contemporary photographers of the 1970s—many before they made a name for themselves—as well as a fascinating look at how they depicted food, family, and home, taking readers behind the camera and into the hearts, and stomachs of some of photography’s most important practitioners.Trade Review[The Photographer's Cookbook] raises all kinds of questions about consumption, desire, pleasure, and domesticity, and it whets the appetite for a very much larger work about food and photography… I’ve been left hungry for more. –LA Review of BooksThe Photographer’s Cookbook constructs its own vintage picture of the literal and visual tastes of the era, mixing with the contributors’ striking images recipes both esoteric and generic and utterly of their times. –Vogue.comBut should you keep this book on your coffee table or in your kitchen? Get a copy for each room. –Food 52

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Book SynopsisSuits that pop with loud colors and dazzling patterns, complete with a nearly ubiquitous bowtie, define the style of the new “dandy.” Described as “high-styled rebels” by author Shantrelle P. Lewis, black men with a penchant for color and refined fashion, both new and vintage, have gained popular attention in recent years, influencing mainstream fashion. But black dandyism itself is not new; originating in Enlightenment England’s slave culture, it has continued for generations in black cultures around the world. Now, set against the backdrop of hip-hop culture, this iteration of dandies is redefining what it means to be black, masculine, and fashionable. Dandy Lion presents and celebrates individual dandy personalities, designers and tailors, movements and events that define contemporary dandyism. Throughout the book, self-expression is communicated through personal style, clothing, shoes, hats, and swagger. Lewis’s carefully curated selection of contemporary photographs surveys the movement across the globe in spectacular form, with all of the vibrant patterns, electrifying colors, and fanciful poses of this brilliant style subculture.

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Book SynopsisAs the United States navigates a political moment defined by the close of the Obama era and the rise of #BlackLivesMatter activism, Aperture magazine releases “Vision & Justice,” a special issue guest edited by Sarah Lewis, the distinguished author and art historian, addressing the role of photography in the African American experience. "Vision & Justice” includes a wide span of photographic projects by such luminaries as Lyle Ashton Harris, Annie Leibovitz, Sally Mann, Jamel Shabazz, Lorna Simpson, Carrie Mae Weems and Deborah Willis, as well as the brilliant voices of an emerging generation - Devin Allen, Awol Erizku, LaToya Ruby Frazier, Deana Lawson and Hank Willis Thomas, among many others. These portfolios are complemented by essays from some of the most influential voices in American culture including contributions by celebrated writers, historians, and artists such as Vince Aletti, Teju Cole, Henry Louis Gates, Jr., Margo Jefferson, Wynton Marsalis and Claudia Rankine. "Vision & Justice” features two covers. This issue comes with an image by Awol Erizku, Untitled (Forces of Nature #1), 2014.

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Book SynopsisVoyages, journeys, and the captivating spell of wanderlust. This edition of Aperture magazine, “Odyssey,” features photography about voyages, journeys, and the captivating spell of wanderlust. In the Words section, Tacita Dean discusses her personal quests with writer Travis A. Diehl; Eric Banks traces the midcentury journeys of famed travel writer Wilfred Thesiger; Alexander Stille looks at Italian mountain-photography pioneer Vittorio Sella; writer Sean O’Toole profiles the documentary projects of the Invisible Borders Trans-African Photographers Organisation, a West African photography collective; and multidisciplinary artist Taryn Simon speaks with Kate Fowle, of Moscow’s Garage Museum of Contemporary Art, about an artwork set for completion in the year 3015.

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Book SynopsisThe Many Lives of Erik Kessels presents the highly anticipated first illustrated survey of this pioneering and influential curator, editor, and artist whose varied experiments with photography and photographic archives have allowed us to reconsider the medium’s vernacular and narrative possibilities in today’s inundated image landscape. “People consume photographs,” says Kessels, “they don’t look at them anymore.” This volume is a primer on how to look—and how to better understand the hybrid practice of this artist who defies categorization. Including more than twenty of the artist’s series and features essays by Simon Baker, Hans Aarsman, and curator Francesco Zanot, The Many Lives of Erik Kessels is published in conjunction with a major mid- career retrospective at Camera: Italian Centre for Photography in Turin, Italy.

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Book SynopsisThis Is Mars offers a thrilling visual experience of the surface of the red planet. The multi-award-winning French editor and designer Xavier Barral has chosen and composed photographic frames, drawn from the comprehensive photographic map of Mars made by the U.S. observation satellite MRO (Mars Reconnaissance Orbiter), to revel in the wonder of Mars. What Yann Arthus-Bertrand did with a light aircraft for The Earth from the Air , Barral does for Mars—by scouring tens of thousands of gigabytes of satellite photographs available from NASA, seeking out the most distinct images of the planet’s surface. The result is visionary—a great science book, a unique artist’s book, and a stunning object. The photographs are accompanied by an introduction from research scientist Alfred S. McEwen, principle investigator of the HiRISE telescope; an essay by astrophysicist Francis Rocard, who explains the story of Mars’s origins and its evolution; and a timeline by geophysicist Nicolas Mangold, who demystifies some of Mars’s geological history. Now available as a mid-sized, accessibly priced edition, This Is Mars will excite lovers of great photobooks, and everyone curious about the universe and beyond.

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Book SynopsisTo mark Aperture ’s return to a US-based printer, we present an issue that reflects on the image of American manufacturing, from the automobile as a symbol of the rise and fall of domestic industry, to how the worker, as subject, has fascinated photographers, from Lewis Hine to Lee Friedlander. A series of portfolios by contemporary photographers portray daily life in regional cities and communities, such as Pittsburgh and Buffalo. As debates continue about the country’s economic future and the outsourcing of jobs, this issue offers an urgent reflection on life, work, and pursuit of happiness, in the USA today. Aperture magazine is an essential guide to the art and phenomenon of photography, that combines the smartest writing with beautifully reproduced portfolios. Published quarterly, each issue focuses on a major theme in contemporary photography, serving as a book about its subject, for everyone interested in understanding where photography is heading. With fresh perspectives on the medium by leading writers and thinkers, and beautifully designed and produced, Aperture magazine makes new ideas in photography accessible to the photographer, student, and the culturally- curious alike.

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Book SynopsisA detailed look at the dynamic spaces that have shaped conversations about photography in Africa for the last twenty-five years—the biennials, experimental art spaces, and educational workshops in which artists and audiences interact with photography. Platform: Africa presents a new generation of powerful artists, and is produced in collaboration with guest editors Bisi Silva, Founder and Artistic Director of the Centre for Contemporary Art in Lagos, Nigeria; John Fleetwood, director of the South Africa-based platform Photo and former head of the Market Photo Workshop in Johannesburg; and Aicha Diallo, Associate Editor of Contemporary And.

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Book SynopsisElements of Style investigates the role of style, dress, and beauty in the formation of individual identity. From the stunning studio work of Kwame Brathwaite, the Harlem-based photographer who advanced the potent political slogan “Black Is Beautiful,” to Collier Schorr’s representations of the queer community in fashion contexts, to Pieter Hugo’s portraits of young students at a Beijing art school, this issue reveals, across time and geographies, how fashion and style help us to see who we are and who we might become. Aperture magazine is an essential guide to the art and phenomenon of photography, that combines the smartest writing with beautifully reproduced portfolios. Published quarterly, each issue focuses on a major theme in contemporary photography, serving as a book about its subject, for everyone interested in understanding where photography is heading. With fresh perspectives on the medium by leading writers and thinkers, and beautifully designed and produced, Aperture magazine makes new ideas in photography accessible to the photographer, student, and the culturally curious alike.

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Book Synopsis“Family” delves into the ways photographers have chronicled their relationships with those closest to them, be it immediate family or their community of friends. Aperture magazine is an essential guide to the art and phenomenon of photography, that combines the smartest writing with beautifully reproduced portfolios. Published quarterly, each issue focuses on a major theme in contemporary photography, serving as a book about its subject, for everyone interested in understanding where photography is heading. With fresh perspectives on the medium by leading writers and thinkers, and beautifully designed and produced, Aperture magazine makes new ideas in photography accessible to the photographer, student, and the culturally curious alike.

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Book SynopsisLooking Again is as much about photography as it is about the specific photographs reproduced within it. It is designed to provide the reader with a glimpse into both the collection at the New Orleans Museum of Art and into photography’s complexity. Through 132 objects and essays, Russell Lord explores the many histories of photography, addressing long-held beliefs and offering new ways of thinking about, and looking at, photographs. As the world moves increasingly toward an image-dependent style of communication, there has never been a better time to seriously examine our belief in or apprehension toward the photographic image. Standing on the threshold of what might be a turning point in humanity’s relationship to the photograph, this volume encourages the reader to dig deeply into photography: to look, and then look again. This book is published on the centennial of the first photography exhibition presented at the New Orleans Museum of Art, in 1918.

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Book SynopsisSeeing Science offers an insightful and reader-friendly collection of essays and pictures about photography’s role in visualizing science and building human knowledge—from micro to macro levels and everything in between. Photography and science have long been intertwined, helping to shape the way we look at the world. Scientists use photography as a way to gather information, explore, and learn, but just as important, photography is also used to promote scientific advances and has long served as an interface between the sciences and the public. Our understanding of outer space depends on images sent to Earth from the Hubble Space Telescope, just as our understanding of our own bodies depends on X-rays. Images make visible what lies beyond human perception. Science is less an edifice of facts than a process of discovery and inquiry. In this way, it is not dissimilar to art; artists have engaged with some of the same scientific principles, using photography to imagine the world differently and present us with new experiences and ways of seeing. This volume presents both perspectives exploring how science is made perceptible, featuring over three hundred images and sixty short texts. Together they engage readers in a timely exploration of the extent to which our knowledge is formed and transformed through our interactions with photographic imagery.Trade Review“Science is such a cornucopia that a book of visuals on its history could take up thousands of pages. Such is curator Marvin Heiferman’s prowess, however, that Seeing Science somehow covers everything in just 224. Heiferman takes us from ornithology, astronomy and genomics to ecology, chemistry and physics, on a dizzying tour of disciplines through lenses of the likes of Felice Frankel, James Balog, Rosalind Franklin and David Doubilet.” —Nature

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Book SynopsisThe extraordinary experiences of ordinary people—their suffering and their unimaginable bravery—are the subject of Judy Glickman Lauder’s remarkable photographs. Beyond the Shadows responds to the world’s looking the other way as the Nazis took power and their hate-fueled nationalism steadily turned to mass murder. In the context of the horror of the Holocaust, it also tells the uplifting story of how the citizens and leadership of Denmark, under occupation and at tremendous risk to themselves, defied the Third Reich to transport the country’s Jews to safety in Sweden. Over the past thirty years, Glickman Lauder has captured the intensity of death camps in Germany, Poland, and Czechoslovakia, in dark and expressive photographs, telling of a world turned upside down, and, in contrast, the redemptive and uplifting story of the “Danish exception.” Including texts by Holocaust scholars Michael Berenbaum and Judith S. Goldstein, and a previously unpublished original text by survivor Elie Wiesel, Beyond the Shadows demonstrates passionately what hate can lead to, and what can be done to stand in its path. “This is photography and storytelling for our times, about what hate leads to, and how we can stand up to it. Beyond the Shadows is powerful and revealing, and sharply relevant to all of us who believe in the human family.” — Sir Elton John

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Book SynopsisTo celebrate the centennial of America’s National Park Service, Picturing America’s National Parks brings together some of the finest landscape photography in the history of the medium, from America’s most magnificent and sacred environments. Photography has played an integral role in both the formation of the National Parks and in the depiction of America itself, through this natural resource. From Yosemite to the most recent 2013 addition of Pinnacles National Park in California, America’s National Parks have been enjoyed through photographs for over 150 years. This book traces that his - tory and delights readers with stunning photographs of the best American landscapes. An informative essay from curator Jamie M. Allen unfolds the role of photography in promoting America’s national heritage, land conservation, and wildlife preservation. Featuring the historic work of masters such as Ansel Adams, Imogen Cunningham, William Henry Jackson, Edward Weston, and Minor White, as well as contemporary greats such as Lee Friedlander, Stephen Shore, and Joel Sternfeld, this volume offers a powerful look at America’s National Parks and pays homage to a practice that has defined the way we see America, particularly the American West.

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Book SynopsisVirginia Woolf ’s prescient 1928 novel Orlando tells the story of a young nobleman who, during the era of Elizabeth I, mysteriously shifts gender, and lives on for three centuries without aging. Today, Orlando remains startlingly fresh for its playful imagining of gender fluidity. In 1992, filmmaker Sally Potter released an adaptation of the book with Tilda Swinton carrying the film as Orlando. Woolf ’s tale has continued to hold sway over Swinton, who describes the book’s ability “to change like a magic mirror. Where I once assumed it was a book about eternal youth, I now see it as a book about growing up, about learning to live.”This special issue of Aperture magazine, guest edited by Swinton, will draw upon the themes of the novel—gender, indeterminate space, and the passage of time—and offer readers a collection of images and writings that celebrate openness and curiosity, in contrast to a contemporary political moment of insurgent parochialism and divisiveness. “Woolf wrote Orlando,” Swinton notes, “in an attitude of celebration of the oscillating nature of existence. She believed the creative mind to be androgynous. I have come to see Orlando far less as being about gender than about the flexibility of the fully awake and sensate spirit: as Orlando him/herself so memorably remarks at the critical moment of transformation: ‘Same person, different sex: no difference at all.’ The issue of Aperture, then, will be a salute to indetermination. Peopled by voices and visions of artists and writers who are kaleidoscopically wired.”

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Book SynopsisThis issue of Aperture considers the natural world in the age of climate change, extreme weather, and dramatically politicized landscapes. Earth focuses on our relationship with the natural world, during a moment of continued debate about global warming and extreme weather, and as the vulnerability of our natural environment is underscored each day. As we enter the anthropocene, the term used by scientists to describe an age when human activity has the greatest impact on the earth, what is the role of the artist and culture in addressing this crisis? How do photographers honor and draw inspiration from the natural world? How do aesthetics shape our understanding of ecological concerns? This issue features contributions by writers and photographers including Charlotte Cotton, T.J. Demos, Carolyn Drake, William Finnegan, Bill McKibben, Gideon Mendel, Aveek Sen, David Benjamin Sherry, Lieko Shiga, Thomas Struth, Bruno V. Roels, and Vasantha Yogananthan.

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Book SynopsisIn a time of hyperactive communication, unending consumerism, and political confusion, Wolfgang Tillmans guest-edits an issue of Aperture on the subject of spirituality and its connection to solidarity. “People are touched and moved by experiences of genuine solidarity,” Tillmans notes. “Solidarity describes a degree of selflessness, or experiences that remind people of values higher than the pure mate-rialistic culture we’re in.” This issue, featuring contributions by leading artists, scientists, novelists,and philosophers, will look at different ways of considering humanity’s longing for spiritual connection—from the shared sense of purpose behind global mass protests, to the collective spirit of the dance floor, to how image-makers have strived to visualize the intangible and the inexplicable. Key features include: a look at the role of spiritualism in the work of Minor White, Aperture’s founding editor; esteemed physicist Peter Galison on the recent landmark image of a black hole; David Swindells’s chronicle of underground rave culture in London; Siddhartha Mitter on images of protests in Hong Kong, Cairo, and Standing Rock; a collaborative project by Olivia Laing and Mary Manning; Sean O’Toole on Santu Mofokeng and South Africa’s spiritual landscapes; plus portfolios by Susan Hiller, Mare Nero, Harit Srikhao, and more

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Book SynopsisThe latest in a series of city-based issues, Mexico City profiles the dynamic photographic culture of Mexico’s capital, home to a thriving contemporary art scene, revered photography institutions, and world-class museums. From icons Lola Álvarez Bravo, Tina Modotti, and Graciela Iturbide to the most exciting figures at work today, the issue presents a range of photography as well as Mexican and Latin American writers—both veterans and newcomers—to an international audience.

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Book SynopsisThrough Positive Eyes is a collaborative photo-storytelling project by 130 people living with HIV and AIDS around the world. This global photographic collaboration with Gideon Mendel and the UCLA Art & Global Health Center chronicles a very particular moment in the epidemic, when effective treatment is available but far from universal, and the enduring stigma associated with HIV and AIDS has become entrenched. Through Positive Eyes addresses this stigma, social inequality, and limited access to medication through the voices of those experiencing it. The participants in the project have volunteered to tell their stories and create their own artistic statements, empowering themselves in order to banish stigma.Trade Review“Over 10 years, more than 130 HIV-positive people across five continents have taken part [in the Through Positive Eyes project], many of whom picked up cameras for the first time in their lives.” —The Guardian “Since 2007, the Through Positive Eyes workshops have put cameras in the hands of people living with HIV and taught them to express their lives and fight stigma through photography.” —Trenton Straube, POZ

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