Photography and photographs Books

Book SynopsisDiscover the art of mindfulness through words, phrases, haikus and photographs that reflect the stillness and meditative nature of Japanese culture.

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Book SynopsisCitizens of Photography explores how photography offers access to forms of citizenship beyond those available through ordinary politics. Through contemporary ethnographic investigations of photographic practice in Nicaragua, Nigeria, Greece, India, Nepal, Sri Lanka, Bangladesh, and Cambodia, the PhotoDemos Collective traces the resonances between political representation and photographic representation. The authors emphasize photography as lived practice and how photography’s performative, transformative, and transgressive possibilities facilitate the articulation of new identities. They analyze photography ranging from family albums and social media to state and public archives, showing how it points to new destinations in the context of social movements, the aftermath of atrocity and civil war, and the legacies of past injustices. By foregrounding photography’s open-ended and contingent nature and its ability to subvert and reconfigure conventional political identiTrade Review“Ambitious in its theoretical and ethnographic reach, this vital volume robustly explores the unruly political potentialities of photography while laying out multiple directions for a future anthropology of photography. Citizens of Photography is a landmark book.” -- Karen Strassler, author of * Demanding Images: Democracy, Mediation, and the Image-Event in Indonesia *Table of ContentsAcknowledgments vii Introduction. Photographing; or, the Future of the Image / Christopher Pinney 1 1. “The Truth Is in the Soil”—The Political Work of Photography in Northern Sri Lanka / Vidhya Buthpitiya 63 2. Visual Citizenship in Cambodia—From Apocalypse to Visual “Political Emancipation” / Sokphea Young 111 3. Photography, Citizenship, and Accusatory Memory in the Greek Crisis / Konstantinos Kalantzis 150 4. Insurgent Archive—The Photographic Making and Unmaking of the Nicaraguan Revolutionary State / Ileana L. Selejan 192 5. “We Are Moving with Technology”—Photographing Voice and Belonging in Nigeria / Naluwembe Binaisa 234 6. Citizenship, Contingency, and Futurity—Photographic Ethnographies from Nepal, India, and Bangladesh / Christopher Pinney 273 Bibliography 319 Contributors 337 Index 339

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Book SynopsisThe life of pioneering photographer Barbara Ker-Seymer''Thoroughly entertaining... Knights expertly evokes this hedonistic period'' The Times''A picturesque portrayal of a world that sounds as thoroughly maniacal as it was modern'' Daily Telegraph''I just called myself Ker-Seymer Photographs,'' Barbara said. ''I didn''t think it was necessary to have your sex displayed on the photographs.'' Vivacious, sassy, out to have fun, Ker-Seymer was committed to independence.One of a handful of outstanding British photographers of her generation, Ker-Seymer''s work defined a talented, forward-looking network of artists, dancers, writers, actors and musicians, all of whom flocked to her Bond Street studio. Among her sitters were Evelyn Waugh, Margot Fonteyn, Cyril Connolly, Jean Cocteau and Vita Sackville-West. Barbara Ker-Seymer (1905-1993) disdained lucrative ''society'' portraits in favour of unfussy ''modern'' imag

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Book SynopsisA new edition of the definitive affordable title for students and teachers in the field of contemporary art photography.Table of ContentsIntroduction • 1. If This Is Art • 2. Once Upon a Time • 3. Deadpan • 4. Something and Nothing • 5. Intimate Life • 6. Moments in History • 7. Revived and Remade 8. Physical and Material

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Book SynopsisThe discovery and of electroplating in Birmingham was founded on the experience in Birminghamâs âtoyâ industry, Elkingtonâs brought together new discoveries and innovation to produce a world-beating business. Elkington products are shown throughout the book.

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Book SynopsisThis seminal photography text, now in its 11th edition, has been revamped, reorganized, and modernized to include the most up-to-date and need-to-know information for photographers. Introducing all the key concepts and fundamentals of photography, this book is a must-have for any photographerâs bookcase.Providing examples and practical information throughout to allow photographers to apply concepts to their own work, the text explains the fundamentals of photography in an accessible way. Fully updated to reflect the dynamic changes in the industry, this 11th edition includes expanded and updated content focusing on advances in camera technology and digital lighting, connecting with the global photography industry and professional networks through social media, updated images throughout, and a new chapter on new digital outputs.Ideal as a foundational text for students of photography as well as a key reference for professionals.

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Book SynopsisA stunning collection of images showcasing Newcastle in all its glory, which capture the essence of the city.

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Book SynopsisA stunning collection of images showcasing Northumberland in all its glory, which capture the essence of the county.

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Book SynopsisA book that will delight every cat lover, full of wise and unforgettable life lessons, each paired with the perfect photo. Cats are the ultimate savants, possessing intelligence, poise, and sass in equal measure. They know when to play it cool, and when to pounce; when to fly solo, and when to cuddle up. Entertaining, unpredictable, and just a bit wild, cats encourage us to explore, take chances, and live on the edge—just as if we too had nine lives. Cynthia L. Copeland, author of the bestselling Really Important Stuff My Dog Has Taught Me and Really Important Stuff My Kids Have Taught Me, now turns her attention to our mysterious feline friends. Every page of this full-color gift book is a joyful reminder of what’s important in life. Like Confidence: “Insist on a seat at the table.” Curiosity: “Have more questions than answers.” Adventure: “Sometimes you have to leap before you look.” Individuality: “You’ll be remembered for what sets you apart.” Kindness: “Recognize the power of your purr.” And Solitude: “Find your own square of sunshine.”

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Book SynopsisCompiled by Magnum photojournalist Susan Meiselas, Eyes Open is a sourcebook of photography ideas for kids—to engage with the world through the camera. Twenty-three enticing projects help inspire a process of discovery and new ways of telling stories and animating ideas. Eyes Open features photographs by young people from around the globe, as well as work by professional artists that demonstrates how a simple idea can be expanded. Playful and meaningful, this book is for young would-be photographers and those interested in expressing themselves creatively.Trade Review“Her brilliant book, Eyes Open: 23 Photography Projects for Curious Kids, should inject fun into the last bit of lockdown – and perhaps inspire the next Susan Meiselas.” —Daily Telegraph “Ideal for any young person from the ages of nine and upwards, the book is grounded in observation and storytelling: two traits that the award-winning Meiselas is well known for.” —It’s Nice That

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Book SynopsisHow have women artists used photography as a tool of resistance? Our Selves explores the connections between photography, feminism, civil rights, Indigenous sovereignty and queer liberationSpanning more than 100 years of photography, the works in Our Selves range from a turn-of-the-century photograph of racially segregated education in the United States, by Frances Benjamin Johnston, to a contemporary portrait celebrating Indigenous art forms, by the Chemehuevi artist Cara Romero.As the title of this volume suggests, Our Selves affirms the creative and political agency of women artists. A critical essay by curator Roxana Marcoci asks the question ?What is a Feminist Picture?? and reconsiders the art-historical canon through works by Claude Cahun, Tina Modotti, Carrie Mae Weems, Catherine Opie and Hulleah J. Tsinhnahjinnie, among others. Twelve focused essays by emerging scholars explore themes such as identity and gender, the relationship between educational systems and power, and the ways in which women artists have reframed our received ideas about womanhood.Published in conjunction with a groundbreaking exhibition of photographs by women artists?drawn exclusively from MoMA''s collection, thanks to a transformative gift of photographs from Helen Kornblum in 2021?this richly illustrated catalog features more than 100 color and black-and-white plates. As we continue to aspire to equity and diversity, Our Selves contributes vital insights into figures too often relegated to the margins of our cultural imagination.

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Book SynopsisDesigned for photographers who haven’t memorized every button, dial, setting, and feature on their Nikon Z6, Rocky Nook’s handy and ultra-portable quick reference Pocket Guide helps you get the shot when you’re out and about.• Confirm that your camera is set up properly with the pre-shoot checklist• Identify every button and dial on your camera• Learn the essential modes and settings you need to know• Dive deeper with additional features of your camera• Execute step-by-step instructions for shooting multiple exposures, in-camera HDR, time-lapse movies, and more• Follow tips and techniques for getting great shots in typical scenarios (portrait, landscape, freezing action, low light, etc.)

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Book SynopsisDesigned for photographers who haven’t memorized every button, dial, setting, and feature on their Canon EOS R, Rocky Nook’s handy and ultra-portable quick reference Pocket Guide helps you get the shot when you’re out and about.This book shows you how to: Confirm that your camera is set up properly with the pre-shoot checklist Identify every button and dial on your camera Learn the essential modes and settings you need to know Dive deeper with additional features of your camera Execute step-by-step instructions for shooting multiple exposures, in-camera HDR, time-lapse movies, and more Follow tips and techniques for getting great shots in typical scenarios (portrait, landscape, freezing action, low light, etc.) Start making the most of your Canon EOS R with the Canon EOS R: Pocket Guide.

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Book SynopsisLearn how to take professional-quality photographs using the same tricks today’s top photographers use (surprisingly, it’s easier than you’d think)!This is a completely, totally updated version of the #1 best-selling digital photography book of all time! It’s the award winning, worldwide smash hit, written by Scott Kelby, that’s been translated into dozens of different languages.Here’s how Scott describes this book’s brilliant premise: “If you and I were out on a shoot, and you asked me, ‘Hey, how do I get this flower to be in focus, with the background out of focus?,’ I wouldn’t stand there and give you a photography lecture. In real life, I’d just say, ‘Put on your zoom lens, set your f-stop to f/2.8, focus on the flower, and fire away.’ That’s what this book is all about: you and I out shooting where I answer questions, give you advice, and share the secrets I’ve learned just like I would with a friend—without all the technical explanations and techie photo speak.”This isn’t a book of theory—full of confusing jargon and detailed concepts. This is a book on which button to push, which setting to use, and when to use it. With over 200 of the most closely guarded photographic “tricks of the trade,” this book gets you shooting dramatically better-looking, sharper, more colorful, more professional-looking photos every time.Each page covers a single concept that makes your photography better. Every time you turn the page, you’ll learn another pro setting, tool, or trick to transform your work from snapshots into gallery prints. If you’re tired of taking shots that look “okay,” and if you’re tired of looking in photography magazines and thinking, “Why don’t my shots look like that?” then this is the book for you. TABLE OF CONTENTS Chapter 1: Pro Tips for Getting Sharp Photos Chapter 2: The Scoop on Lenses Chapter 3: Shooting Landscapes Like a Pro Chapter 4: Shooting Travel Like a Pro Chapter 5: Making Portraits Like a Pro Chapter 6: Making Portraits with Flash Like a Pro Chapter 7: Shooting Weddings Like a Pro Chapter 8: Shooting Sports Like a Pro Chapter 9: Shooting Other Stuff Like a Pro Chapter 10: Pro Tips for Getting Better Photos Chapter 11: How to Print Like a Pro Chapter 12: Photo Recipes to Help You Get the Shot

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Book SynopsisBreathing new life into Ireland's history once again, this carefully restored and colourised collection of wonderful black and white images captures the beauty of the nation's fascinating past. This sequel to the bestselling The Colour of Ireland presents a huge variety of captivating images from the 32 counties, from Dublin to Galway and Antrim to Cork, and inspires a new vision of Ireland's heritage.With incredible attention to detail, author Rob Cross has gained a worldwide following by using cutting-edge technology and careful historical research to accurately depict the colours of Ireland's history and tell the stories within these rich images. It's a collection to treasure, enjoy and reflect on for years to come.Trade ReviewNo matter where you hail from, regardless of your own interests, I guarantee this book will rest with you for many a long day. * Joe Duffy *

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Book SynopsisOver forty million people a year travel to Vegas, more than to Mecca. It is a global celebrity, an improbable oasis, a place offering bank-breaking fortunes and instant gratification, 24/7, with no moral debits. Award-winning writer Timothy O’Grady lived in Vegas for two years. He finally began to understand it when he talked to people who had grown up there, the children of the card dealers and cocktail shakers, the jugglers and the dancers – young people who had been bearing witness to this strange city all their lives. One had her student loans and credit card limits stolen by her father. Another fled a sequence of exploiters until she found herself living in the storm drains under the casinos. There is the boy whose father entered him into a drinking contest when he was eight, the casino owner’s son, the erudite contortionist turned stripper. Each tells their own tale.In Children of Las Vegas, O’Grady renews his partnership with renowned photographer Steve Pyke. Through short essays, Pyke’s portraits and ten witness testimonies, he pierces the city’s glittering façade to reveal the darker reality that lies beneath.Trade Review'These are brave, honest, articulate stories, the children wise beyond their years . . . A modern fairy tale' Martina Evans, Irish Times

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Book SynopsisThe north east of England was the crucible of the railway revolution in the early nineteenth century. The Stockton & Darlington Railway, which opened in 1825, was the world''s first public railway to use steam locomotives. As the national network developed, the East Coast Main Line passed through the region on its way from London to Edinburgh and virtually every part of the area was linked to a large and complex web of lines which were built to serve coal mines and other heavy industries as well as communities across the region. As the century developed, by a process of expansion and amalgamation, the North Eastern Railway came to dominate the area. This became part of the LNER group in 1923 though with the formation of British Railways in 1948, the new North Eastern Region of BR, with its distinctive orange signage, served an area closely comparable to that of the old NER itself. This new colour album explores the railways of the north east from the 1950s through to the 1970s using largely hitherto unpublished images from the files of the Online Transport Archive. These cover steam, diesel and electric traction and whilst focusing on the main line railways, the area''s heavy concentration of industrial lines is also featured in this wonderful nostalgic reflection of the fascinating railway network of this part of the country.

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Book SynopsisA new, ecological approach to images by a renowned philosopher

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Book Synopsis'Wide-ranging and eclectic' TLS'Seductively curious' Observer'A visual and intellectual journey' HeraldSee/Saw is an illuminating history of how photographs frame and change our perspectives. Starting from single images by the world's most important photographers - from Eugène Atget to Alex Webb - Geoff Dyer shows us how to read a photograph, as he takes us through a series of close readings that are by turns moving, funny, prescient and surprising.Trade ReviewIn these seductively curious essays, Dyer scrutinises images and photographers, unearthing hidden truths and a sense of the uncanny * * Observer, Book of the Day * *Fascinating . . . Dyer is not merely a fine prose stylist but a writer of knowingly stylish prose . . . This is both a beautifully written and a beautiful book -- Stuart Kelly * * Scotsman * *The acclaimed essayist and novelist is also one of the world's greatest writers on photography . . . Reading this book is, simply put, a pleasurable experience * * Irish Times * *Fascinating . . . The reader is taken on a visual and intellectual journey, so that once you have read Dyer's words, you return to the photograph he describes, seeing it afresh and in ways that you might never had considered . . . Compelling * * Herald * *A beautifully written book on photography * * Scotland on Sunday * *Wide-ranging and eclectic . . . Dyer is at his best when he stays close to the images, teasing out their meanings with astute observations or poetic readings . . . Fascinating . . . Insightful * * TLS * *Dyer turns his erudite eye on some of the most important photographers of the past 150 years in his latest collection of essays . . . Dyer follows in the footsteps of John Berger and Susan Sontag with this guide on how to "read a photograph", decoding and deciphering images by August Sander, Dayanita Singh, William Eggleston and Vivian Maier, among others * * Art Newspaper * *A marvel . . . There is a great chewy joy to reading Dyer - in See/Saw, cheeky stretched conceits are applied to tasty ideas as he operates surgically on the heart of a concept with an apposite quote from someone relevant or learned. He has a talent for contracting the long and insightful into the short and insightful . . . Fascinating * * Dublin Review of Books * *Dyer is a brilliant writer fascinated by photography and the ideas that pulse through it . . . What makes Dyer's prose so readable is not simply that he is a knowledgeable and astute critic, but that he is able to shape sophisticated ideas into engaging prose . . . Beautifully presented, this is an insightful collection of articles that deepens our understanding of the subtle power of photography * * Black and White Photography Review * *Thoroughly affecting . . . See/Saw is a collection best dipped into and savoured in short bursts . . . [A] diverse catalogue of pathos, humour and intrigue . . . Throughout this collection he proves to be a master weaver of information and stories . . . See/Saw demonstrates that words, much like the photographs they are describing, can lead to elongation and excavation of our own experiences. In Dyer's hands, short glances become deep gazes and snap encounters become lingering memories * * SOURCE Magazine * *

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Book SynopsisBuilt to last, built to impress, built with style and grandeur ? it is all the more remarkable when the most ostentatious of buildings fall into disrepair and become ruins. From imperial residences and aristocratic estates to hotels and urban mansions, Abandoned Palaces tells the stories behind dilapidated structures from all around the world. From ancient Roman villas to the French colonial hill station in Cambodia that was one of the final refuges of the Khmer Rouge, the book charts the fascinating decline of what were once the homes and holiday resorts of the most wealthy. Ranging from crumbling hotels in the Catskill Mountains or in Mozambique to grand mansions in Taiwan, and from an unfinished Elizabethan summerhouse to a modern megalomaniac?s estate too expensive ever to be completed, the reasons for the abandonment of these buildings include politics, bankruptcy, personal tragedies, natural and man-made disasters, as well as changing tastes and fashions. With 150 outstanding colour photographs exploring more than 100 hauntingly beautiful locations, Abandoned Palaces is a brilliant and moving pictorial examination of worlds we have left behind. Over 150 superb colour photographs Expert text explains the stories behind 100 palaces, hotels, estates and mansions Wide selection of grand buildings from all around the world

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Book SynopsisPhotography and Literature in the Twentieth-Century offers an accessible and fresh approach to an object of interdisciplinary research that is currently receiving increased international attention. Providing a broad historical schema, and examining pivotal moments within it, the collection brings together a range of writers and practitioners who help to guide the reader through a historical cross-section of current work in this area. Unlike most existing studies, this volume considers both key literary figures, from Proust to Sebald, and photographic practitioners, from Heartfield to Sekula, in order to give a commanding overview of its subject that is both well-informed and often ground-breaking. With original and accessible essays by acknowledged experts in the field, this is a book that should be of interest not only to students and teachers in departments of literature and photography, but also to those in cultural studies and art history, as well as photographic artists.Trade Review"Although in the 20th century the relation between literature and photography was arguably as significant as literature’s relation to painting in the 19th century, over the past generation the discussion of photography’s multiple intersections and interactions with writing and writers have tended to narrow to a few overly canonised works. This volume reverses this situation through the diversity and originality of the essays it gathers together: it has the potential to reawaken a field that for too long has been allowed to remain dormant." - Norman Bryson, Professor of Art History, Theory and Criticism, University of California, San Diego, and author of Looking at the Overlooked."From Proust to Sebald, photography has occupied a significant place in literature, and visa versa. This book makes an important contribution to engaging with the relationship between the photograph and the text." - Steve Edwards, Open University, and author of The Making of English Photography."Discussion of literature and photography still tends to languish in the realms of image and text, rather than in the literary strategizing of photographers, or in the recurrent placing of the effects of the photographic act in twentieth-century fiction. Photography and Literature in the Twentieth Century remedies this. One of the most significant outcomes of the conjunction it generates is the realisation of how much the two are interrelated in the formation of modernism and after. The collection brings together work by some of the best emerging scholars and artists in the field. I highly recommend it." - John Roberts, University of Wolverhampton, and author of The Art of Interruption: Realism, Photography and the Everyday.

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Book SynopsisJames Ravilious (1939-1999) trained as an artist, like his father Eric, but a Cartier-Bresson exhibition converted him to photography, which he taught himself. In 1972, a move to his wife Robin’s homeland - a very rural, unspoilt part of North Devon - inspired him. It also produced the perfect job: recording daily life in that traditional bit of old England before it was modernised. He devoted himself to this for more than seventeen years. The results, over 75,000 black and white negatives in the Beaford Archive, form what Barry Lane, Secretary General of the Royal Photographic Society, called `a unique body of work, unparalleled at least in this country for its scale and quality’ James was a friendly, modest man with a very unintrusive approach. Because of this, and because of the length of the project, he was able to make a uniquely detailed portrait, intimate and sympathetic, of a whole way of life in one small piece of countryside: its landscapes, its seasons, its people, their hardships and their pleasures. His respect for his subjects is manifest in his work. He never sentimentalised their lives. It was vital to him that his record should be completely honest. But it is not merely social history. It is also the work of someone who composed with the eye of an artist, and who often looked at his world with artists such as Breughel, Claude Lorrain, Thomas Bewick and Samuel Palmer in mind.

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Book SynopsisThe D-Day Landings showcases 50 iconic photographs of the largest amphibious assault ever undertaken in the history of conflict. This insightful collection of photographs commemorates the momentous day that paved the way for the Allied victory in Europe.

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Book SynopsisLondon is Patrick Keiller’s highly imaginative psychogeographic journey through (and history of) London, as undertaken by an unnamed narrator and his companion, Robinson. The unseen pair complete a series of excursions around the city, in an attempt to investigate what Robinson calls ‘the problem of London’, in so doing the palimpsest of the city is revealed. London is a unique take on the essay-film format, with scathing reflections on the recent past, enlivened by offbeat humour and wide-ranging literary anecdotes. The amazing locations reveal the familiar London of the near past: Concorde almost touches suburban houses as it takes off; Union Jacks fly from Wembley Stadium’s Twin Towers and pigeons flock around tourists in Trafalgar Square. These images, in combination with the script, allow us to see beyond the London presented on the page. It is both a fascinating reflection on the diverse histories of Britain’s capital and an illuminating record of 1992, the year of John Major's re-election, IRA bombs and the first crack in the House of Windsor. The book is the first time the film has been fully reproduced in print and contains an introduction from the director.

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Book Synopsis Distillations: Nancy Goldring Drawings and Foto-Projections 1971–2021 surveys 50 years of visual and conceptual explorations by artist and writer Nancy Goldring. Material is arranged according to predominating themes throughout her career: Thresholds, Sites, Sets, Perspectives, Dreams and Visions, and Chiaroscuro. The book reveals her unique process, how she devised her technique of melding graphic and photographic material through projection, and tracks its evolution from the sandwiching of black-and-white graphic and photographic images through to the creation of her "foto-projections" and large installation work. Included are interviews with the artist and an introduction by Jarrett Earnest with essays by writers and curators Paolo Barbaro, David Levi Strauss, Michael Taussig, and Ellen Handy.

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Book SynopsisThe legendary photographer’s quintessential portraits of Paris—including several previously unpublished works—in an affordable new paperback. Robert Doisneau’s ability to infuse images of daily life with poetic nuance has given enduring popular appeal to his work. In this new volume, he leads us on an entrancing tour into Parisian gardens, along the Seine, and through crowds of Parisians. Workers, beggars, lovers, jugglers, children, dancers—Doisneau’s lens captures all, in myriad lights and moods. Sometimes humorous, often ironic, and unfailingly tender, his oeuvre is iconic and reflects the Paris of our dreams. Composed, structured images are featured alongside impromptu snapshots of Parisian life, demonstrating the range of Doisneau’s talent as both artist and photojournalist.

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Book SynopsisFor 40 years, the Cold War dominated the world stage. East and West Germany stood at the frontlines of the global confrontation, symbolized by the infamous Berlin Wall, which separated lovers, friends, families, coworkers, and compatriots. The Wende Museum in Los Angeles, California, is named after the period of change immediately following the wall's destruction. It was established in 2002 to study the visual and material culture of the former Eastern Bloc, and, with physical and psychic distance, to foster multiple perspectives on this multilayered history that continues to shape our world. This encyclopedic volume features around 2,000 items from its extraordinary collections. Based on our XL-sized volume, this edition includes a full spectrum of art, archives, and artifacts from socialist East Germany: official symbols and dissident expressions, the spectacular and the routine, the mass-produced and the handmade, the funny and the tragic. Accompanying these remnants of a now-vanished world are texts from scholars and specialists from across Europe, Canada, and the United States, with themes ranging from the secret police to sexuality, from monuments to mental-mapping. More than 800 pages, featuring around 2,000 objects. A smaller, more accessible version of our XL-sized volume, the most comprehensive overview of GDR visual and material culture to date. Several dozen images of everyday life and public events from the most famous GDR photographers. Special two-language edition featuring texts both in English and German. From November 18, 2017, visit the Wende Musem at its expanded campus in Culver City’s Armory Building, a site originally created in preparation for World War III but re-designed by Michael Boyd, Christian Kienapfel, and Benedikt Taschen to welcome its 100,000+ collection of artifacts.Trade Review“A comprehensive pictorial history.” * The New York Times *“…quite possibly the greatest such collection in the world.” * Steven Heller *“The best-kept collection of Cold War memorabilia.” * Vice *“It’s as mundane and kitsch a view of history as you could imagine, yet captures the daily reality of life behind the Iron Curtain in delightful and sometimes heart-breaking details.” * The Daily Telegraph *

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Book SynopsisIt was on a Malibu beach in 1988 that Peter Lindbergh shot the White Shirts series, images now known the world over. Simple yet seminal, the photographs introduced us to Linda Evangelista, Christy Turlington, Rachel Williams, Karen Alexander, Tatjana Patitz, and Estelle Lefébure. This marked the beginning of an era that redefined beauty, and Lindbergh would go on to alter the landscape of fashion photography for the decades that followed. This book gathers more than 300 images from forty years of Lindbergh’s career. It traces the German photographer’s cinematic inflections and humanist approach, which produced images at once seductive and introspective. In 1980 Rei Kawakubo asked Lindbergh to shoot a Commes des Garçons campaign, one of his earlier forays into commercial photography. Kawakubo gave him carte blanche. The following years brought forth collaborations with the most venerated names in fashion and resulted in a relationship of mutual reverence; Lindbergh’s respect for some of the greatest designers of our time is palpable in his portraits. Among those photographed are Azzedine Alaïa, Giorgio Armani, Alber Elbaz, John Galliano, Jean Paul Gaultier, Karl Lagerfeld, Thierry Mugler, Yves Saint Laurent, Jil Sander, and Yohji Yamamoto. Widely considered a pioneer in his field, Lindbergh shirked the industry standards of beauty and instead celebrated the essence and individuality of his subjects. He was pivotal to the rise of models such as Kate Moss, Naomi Campbell, Linda Evangelista, Cindy Crawford, Mariacarla Boscono, Lara Stone, Claudia Schiffer, Amber Valletta, Nadja Auermann, and Kristen McMenamy. Lindbergh’s reach also extended across Hollywood and beyond: Cate Blanchett, Charlotte Rampling, Richard Gere, Isabelle Huppert, Nicole Kidman, Madonna, Brad Pitt, Catherine Deneuve, and Jeanne Moreau all appear in his works. From the picture chosen by Anna Wintour as the cover of her first Vogue issue to the legendary shot of Tina Turner on the Eiffel Tower, it is never the clothes, celebrity, or glamour that takes center stage in a Lindbergh photograph. Each picture conveys the humanity of its subject with a serene melancholy that is uniquely and unmistakably Lindbergh. From the outset of his career, Lindbergh was well-known in the contemporary art world, where his photographs were exhibited in galleries long before they appeared in magazines. This edition features an updated introduction adapted from an interview in 2016, allowing a glimpse behind Lindbergh’s lens, where the photographer recounts his early collaborations, the tenuous relationship between commercial and fine art, and the power of storytelling.Trade Review“An indispensable volume for every fashionista’s bookshelf.” * Cosmopolitan *“Peter Lindbergh, renowned for his alternately cinematic and naturalistic portraits of models and screen sirens, aimed to demonstrate that there is beauty in age and, more than that, audacity.” * The New York Times *“Throughout the book’s 500-plus pages, the affection Lindbergh has always had for his subjects is constantly apparent. His photos have always favored personality over polish.” * The New York Times *

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Book SynopsisThe poetic, rough, and authentic sequel to Suchodrev's successful debut photo book about Blackpool.

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Book Synopsis100 Japanese Gardens is an ambitious attempt to profile the finest gardens in Japan, while also highlighting lesser known, but equally accomplished landscapes in less-visited parts of the country. A celebration of Japanese landscape design, this book features gardens from Kyoto and Tokyo, as well as from the sub-arctic island of Hokkaido and the semi-tropical islands of Okinawa. Author Stephen Mansfield travelled the length and breadth of Japan on a quest to identify the most impressive gardens in this vast and culturally varied archipelago. His erudition and love of the Japanese garden shines through on every page, making this the perfect primer for travel to Japan or an enjoyable armchair read for gardening enthusiasts. Mansfield's insightful descriptions of each garden examine design concepts and principles, space management, compositional elements, and the iconographic and metaphysical role of Shinto and Buddhist influences. Through his exquisite visuals and engaging stories, we experience Japanese garden designs not merely as landscapes, but as large-scale art installations.Trade Review"Is it a garden book? A travel guide? Pure eye candy? This visual romp across Japan, which explores some of its most serene and green spaces and includes addresses, visiting hours, and other practical details for each, is all of the above. Locales include the grounds at Shisendo (a 17th-century Kyoto hermitage) and Tokyo's Nezu Shrine, site of the Bunkyo Azalea Festival." --Publishers Weekly"…the book is far more than a travel guide. It is an ideal read for all lovers of Japanese gardens. Highly recommended!" --Shakkei Vol. 25 No. 4. Spring 2019"…It would be well worth having if you were going to Japan to view gardens…" -- Washington Gardener Magazine"…if there's [little room] in my suitcase, I can take Tuttle Publishing's pocket sized 100 Japanese Gardens by photojournalist Stephen Mansfield." --Hortus Journal

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Book SynopsisIn the aftermath of Covid-19, the subject of 'empty places' has gained renewed topicality and resonance. Watching, Waiting presents a collection of essays, both photographic and written, that brings emptiness into interdisciplinary focus as an object of study that extends beyond the present. The contributors approach the specific interrelationships of photography and place through emptiness by considering historical and contemporary material in equal measure. Drawing on architecture, anthropology, sociology, and public health, among other fields, they provide insights into geographically and temporally diverse production models of empty places and their corresponding complex and sensitive global and local relations, while also tackling the ethics of behaviour and protests that unfold within them. The book's chapters, both visual and scholarly essays, cover areas that range widely both thematically and geographically, spanning static film footage of Nicosia's buffer zone, protest photographs in the wake of Black Lives Matter demonstrations in Bristol, staged images from the University of Zagreb's ethnological archives, historic landscape and architectural photography, aerial shots of covid-19 mass graves in Brazil, photos of artificially built field hospitals and quarantine rooms during the pandemic, and images of empty airports at night. Through still and moving images, Watching, Waiting examines the photographic aestheticization of emptiness, existing stereotypes of 'empty places', and transformations of human experiences. Free ebook available at OAPEN Library, JSTOR, Project Muse, and Open Research Library Contributors: Ruth Baumeister (Aarhus School of Architecture), Isabelle Catucci da Silva (Federal University of Parana), Stella Fatovic-Ferencic (Croatian Academy of Sciences and Arts), Martin Kuhar (Croatian Academy of Sciences and Arts), Catlin Langford (Centre for Contemporary Photography), Jessie Martin (University of West London), Stuart Moore (University of the West of England), Luca Nostri (Independent Artist Photographer), Kayla Parker (University of Plymouth), Bec Rengel (University of the West of England), Tihana Rubic (University of Zagreb), Klaudija Sabo (University of Klagenfurt), Anna Schober (University of Klagenfurt), Elke Katharina Wittich (Leibniz University Hannover)Trade ReviewThe editors are to be congratulated for this collection, which was conceived at the height of the Covid-19 pandemic. We are reminded of a range of ways in which photography has been used to document separation and seclusion in times of turmoil.Liz Wells, Emeritus Professor in Photographic Culture, University of Plymouth, UKWatching, Waiting: The Photographic Representation of Empty Places offers a timely and engaging selection of essays that addresses the new role of photography during the last years of pandemic lockdown. Importantly, the volume brings forth reflections on how the photographic medium has worked to create lines of connection between people in isolation and crisis. But it also discusses the way photographs are used to encounter and meditate emptiness and desolate urban spaces – in a way that recalls the early works by Niépce and Daguerre. A highly valuable contribution to the ongoing expansion and enrichment of photography studies! Sigrid Lien, University of Bergen“Watching, Waiting: The Photographic Representation of Empty Places” is a timely, interdisciplinary contemplation on what photographs of empty spaces mean and evoke. It is highly recommended to researchers and artists interested in the history, politics, and aesthetics of representing empty spaces. *Theopisti Stylianou-Lambert, Associate Professor, Cyprus University of Technology, Cyprus/ Museum Lab leader, CYENS Centre of Excellence***Table of ContentsAcknowledgementsIntroduction: Watching, Waiting Sandra Križić Roban and Ana ŠverkoThe Politics of EmptinessChapter 1. Separation Anxiety: Filming the Nicosia Buffer Zone Stuart Moore and Kayla ParkerChapter 2. The Empty Plinth and the Politics of Emptiness Bec RengelChapter 3. Occupying Empty Places : Political Protest and Solidarity Among Strangers in Times of Social Distancing Anna SchoberRevisiting EmptinessChapter 4. Staging Isolation: Images of Seclusion and Separation Catlin LangfordChapter 5. Milovan Gavazzi and Ethnographic Photography : Practices and Policies of Croatian Field Research and Archiving in the First Half of the Twentieth Century Tihana RubićChapter 6. Emptiness as a Tool in the Representation of Public Health Monuments in Croatia Stella Fatović-Ferenčić and Martin KuharRethinking EmptinessChapter 7. Silent Ruins: Traditions, Photographs, and the Perception of the Void Elke Katharina WittichChapter 8. A Land of Collective Solitude Isabelle CatucciThe Performance of EmptinessChapter 9. The Power of Emptiness : Arne Jacobsen’s National Bank, Copenhagen, 1961–1978 Ruth BaumeisterChapter 10. Ornament as a Regulatory System : Photographic Representations of Field Hospitals During the Covid-19 Pandemic Klaudija SaboChapter 11. Deconstructing Understandings of Emptiness : An Examination of Representations of Transitory Space and ‘Non-place’ in Photography Jessie MartinA Visual Essay: Documenting EmptinessChapter 12. Distance, Proximity Luca NostriAbout the Contributors

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Book Synopsis

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