Philosophy: aesthetics Books

Book SynopsisOffers insights into both the disciplines of music and philosophy.Trade ReviewLike Hanslick, Professor Payzant is both musician and philosopher; and he has brought the knowledge and insights of both disciplines to this large undertaking. --Gordon Epperson, Journal of Aesthetics and Art Criticism

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Book SynopsisBlack is Beautiful identifies and explores the most significant philosophical issues that emerge from the aesthetic dimensions of black life, providing a long-overdue synthesis and the first extended philosophical treatment of this crucial subject. The first extended philosophical treatment of an important subject that has been almost entirely neglected by philosophical aesthetics and philosophy of art Takes an important step in assembling black aesthetics as an object of philosophical study Unites two areas of scholarship for the first time philosophical aesthetics and black cultural theory, dissolving the dilemma of either studying philosophy, or studying black expressive culture Brings a wide range of fields into conversation with one another from visual culture studies and art history to analytic philosophy to musicology producing mutually illuminating approaches that challenge some of the basic suppositions of each Well-bTrade Review"The greatest contribution of the book to analytic aesthetics is that by examining the black aesthetic tradition, Taylor invites us to rethink how aestheticians and philosophers of art have approached the aesthetic tradition in general." - Adriana Clavel-Vazquez, University of Hull - The British Journal of Aesthetics, Volume 59, Issue 2, April 2019 Table of ContentsPreface and Acknowledgments vii 1 Assembly, Not Birth 1 1 Introduction 1 2 Inquiry and Assembly 3 3 On Blackness 6 4 On the Black Aesthetic Tradition 12 5 Black Aesthetics as/and Philosophy 19 6 Conclusion 26 2 No Negroes in Connecticut: Seers, Seen 32 1 Introduction 33 2 Setting the Stage: Blacking Up Zoe 35 3 Theorizing the (In)visible 36 4 Theorizing Visuality 43 5 Two Varieties of Black Invisibility: Presence and Personhood 48 6 From Persons to Characters: A Detour 51 7 Two More Varieties of Black Invisibility: Perspectives and Plurality 58 8 Unseeing Nina Simone 63 9 Conclusion: Phronesis and Power 69 3 Beauty to Set the World Right: The Politics of Black Aesthetics 77 1 Introduction 77 2 Blackness and the Political 80 3 Politics and Aesthetics 83 4 The Politics–Aesthetics Nexus in Black; or, “The Black Nation: A Garvey Production” 85 5 Autonomy and Separatism 87 6 Propaganda, Truth, and Art 88 7 What is Life but Life? Reading Du Bois 91 8 Apostles of Truth and Right 94 9 On “Propaganda” 98 10 Conclusion 99 4 Dark Lovely Yet And; Or, How To Love Black Bodies While Hating Black People 104 1 Introduction 105 2 Circumscribing the Topic: Definitions and Distinctions 107 3 Circumscribing the Topic, cont’d: Context and Scope 109 4 The Cases 110 5 Reading the Cases 115 6 Conclusion 129 5 Roots and Routes: Disarming Authenticity 132 1 Introduction 132 2 An Easy Case: The Germans in Yorubaland 134 3 A Harder Case: Kente Capers 136 4 Varieties of Authenticity 138 5 From Exegesis to Ethics 144 6 The Kente Case, Revisited 151 6 Make It Funky; Or, Music’s Cognitive Travels and the Despotism of Rhythm 155 1 Introduction 156 2 Beyond the How‐Possible: Kivy’s Questions 157 3 Stimulus, Culture, Race 159 4 Preliminaries: Rhythm, Brains, and Race Music 162 5 The Flaw in the Funk 168 6 (Soul) Power to the People 172 7 Funky White Boys and Honorary Soul Sisters 174 8 Conclusion 177 7 Conclusion: “It Sucks That I Robbed You”; Or, Ambivalence, Appropriation, Joy, Pain 182 Index 186

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Book SynopsisIn Anteaesthetics, Rizvana Bradley begins from the proposition that blackness cannot be represented in modernity's aesthetic regime, but is nevertheless foundational to every representation. Troubling the idea that the aesthetic is sheltered from the antiblack terror that lies just beyond its sanctuary, Bradley insists that blackness cannot make a home within the aesthetic, yet is held as its threshold and aporia. The book problematizes the phenomenological and ontological conceits that underwrite the visual, sensual, and abstract logics of modernity. Moving across multiple histories and geographies, artistic mediums and forms, from nineteenth-century painting and early cinema, to the contemporary text-based works, video installations, and digital art of Glenn Ligon, Mickalene Thomas, and Sondra Perry, Bradley inaugurates a new method for interpretation—an ante-formalism which demonstrates how black art engages in the recursive deconstruction of the aesthetic forms that remain foundational to modernity. Foregrounding the negativity of black art, Bradley shows how each of these artists disclose the racialized contours of the body, form, and medium, even interrogating the form that is the world itself. Drawing from black critical theory, Continental philosophy, film and media studies, art history, and black feminist thought, Bradley explores artistic practices that inhabit the negative underside of form. Ultimately, Anteaesthetics asks us to think philosophically with black art, and with the philosophical invention black art necessarily undertakes.Trade Review"Anteaesthetics is the study of black aesthetics I didn't know I sorely needed. Bradley offers a razor-sharp and sumptuous meditation on black aesthetics in, through, and vestibular to an anti-black world."—Alexander Ghedi Weheliye, Brown University"Rizvana Bradley's searching theory of black aesthesis traces black art's recursions through the violent origins of the aesthetic. Anteaesthetics opens a mode of reading for black art's non-instrumental exploration of abyssal descent. An incisive and energizing book through and through."—Rei Terada, University of California, Irvine"In this brilliantly conceived and exquisitely rendered study, Bradley offers a path-breaking analysis that will revolutionize how we approach, contest, and undo the Western visual field. Anteaesthetics offers an indispensable and undisciplined new frame for black feminist theorizing."—Huey Copeland, University of Pennsylvania"Incisive and compelling, Bradley's Anteaesthetics restores to thought and feeling a capacious sense of the aesthetic, revealing its tremendous and violent power as nothing less than foundational to a racially typified modern world."—Shane Denson, Stanford University"Anteaesthetics limns the depths of aesthetic and semiotic violence, refocusing our theoretical vision. This is an indispensable text—a tour de force."—Calvin Warren, Emory UniversityTable of ContentsIntroduction 1. Toward a Theory of Anteaesthetics 2. The Corporeal Division of the World, or Aesthetic Ruination 3. Before the Nude, or Exorbitant Figuration 4. The Black Residuum, or That Which Remains 5. Unworlding, or the Involution of Value

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Book SynopsisAidan explores the ways in which Nietzsche's warning that 'the desert grows' has been taken up by Heidegger, Derrida and Deleuze in their critiques of modernity, and the desert in literature ranging from T.S Eliot to Don DeLillo; from imperial travel writing to postmodernism; and from the Old Testament to salvagepunk.

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Book SynopsisObject Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.Who ponders the sock? This common object is something people tug on and take off daily with hardly a thought. Unraveling the garment's history, construction, and use, Kim Adrian's Sock reintroduces us to our own bodies vulnerable, bipedal, and flawed. Sock reminds us that extraordinary secrets live in mundane material realities, and shows how this floppy, often smelly, sometimes holey piece of clothing, whether machine-made or hand-knit, can also serve as an anatomy lesson, a physics primer, a love letter, a weapon, a fetish, and a fashion statement.Object Lessons is published in partnership with an essay series in The Atlantic.Trade ReviewKim Adrian's Sock is the darndest thing. Witty and sly, written with the highest tactile precision, it is at the same time stacked with erudite asides and unexpected perspectives. Adrian reminds us where the ground lies and how we move upon it—and what miraculous things we have encasing our feet as we do so. * Sven Birkerts, author of Changing the Subject: Art and Attention in the Internet Age *Fun, focused, and footloose! * Nicholson Baker, author of The Way the World Works: Essays *[This book] serves to entertain in its erudite approach to yet another unexpected subject. * The Bookbag *Through a discussion of the footwear's material, social and cultural evolution, Sock reflects on the brilliance present in the minutiae of our lives. With piercing wit, idiosyncratic humor and sharply insightful moments of personal examination, Adrian uses the most domestic of items as a lens through which to view the inelegance and wondrousness of humanity. Encompassing the utility of protecting an essentially vulnerable, uncomfortable body and the bonds mothers form with the objects that cover the delicate toes of their babies, Adrian's warm, insightful investigation will give this common object new prominence in any reader's mind. Sock delivers a detailed exploration of human nature through whimsically astute commentary on a common, closely held object. * Shelf Awareness *An utterly engaging investigation — not so much of [the sock], per se, as of human evolution, anatomy, physics, sexuality, fashion, painting, consumerism, manufacturing, and motherhood … illuminating, erudite, deeply intelligent. * Los Angeles Review of Books *If a book called Sock makes you think, 'Twenty-five-thousand words on socks? Uh, no,' then you’re unclear on the concept. You’re also missing out on a thoroughly delightful discussion. * Washington Independent Review of Books *A remarkable read, a perfectly satisfying balance of fact and quirk and charm. * Knitty *Table of ContentsIntroduction 1. Socks & Evolution 2. Socks & Desire 3. Socks & Industry Coda: Instructions for Darning a Sock Notes Index

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Book SynopsisFeatures a dialogue between two of the most interesting thinkers working in philosophy and architecture. This work covers fundamental problems of politics, identity, and aesthetics as their exchange becomes an imaginative exploration of the possibilities of modern architecture and the future of modern life.Trade Review"A remarkable installment in Baudrillard's longstanding polemic about the modern object." - Semiotic Review of Books "Enormously suggestive... [The interviews] will leave those willing to wrestle with what is said here with a deeper understanding of the world we live in." - modernism/modernity"

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Book SynopsisDidacticism, romanticism, and classicism are the possible schemata for the knotting of art and philosophy, the third term in this knot being the education of subjects, youth in particular. What characterizes the century that has just come to a close is that, while it underwent the saturation of these three schemata, it failed to introduce a new one. Today, this predicament tends to produce a kind of unknotting of terms, a desperate dis-relation between art and philosophy, together with the pure and simple collapse of what circulated between them: the theme of education.Whence the thesis of which this book is nothing but a series of variations: faced with such a situation of saturation and closure, we must attempt to propose a new schema, a fourth type of knot between philosophy and art.Among these inaesthetic variations, the reader will encounter a sustained debate with contemporary philosophical uses of the poem, bold articulations of the specificity and prospects of Table of Contents@fmct:Contents @toc4:Translator's Note iii @toc2:1 Art and Philosophy 0 2 What is a Poem?, or, Philosophy and Poetry at the Point of the Unnamable 00 3 A French Philosopher Responds to a Polish Poet 00 4 A Philosophical Task: To be Contemporaries of Pessoa 000 5 A Poetic Dialectics: Labid ben Rabi'a and Mallarme 000 6 Dance as a Metaphor for Thought 000 7 Theses on Theater 000 8 The False Movements of Cinema 000 9 Being, Existence, Thought: Prose and Concept 000 10 Philosophy of the Faun 000 @toc4:Source Materials 000 Library of Congress Subject Headings for this publication: Aesthetics

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Book SynopsisIn premodern China, elite painters used imagery not to mirror the world around them, but to evoke unfathomable experience. Considering their art alongside the philosophical traditions that inform it, this book explores the "nonobject" - a notion exemplified by paintings that do not seek to represent observable surroundings.Trade Review"This is one of those rare, precious, and necessary books that, once you have completed a first reading, you realize you have only just begun." (Magazine Litteraire)"

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Book SynopsisStephen K. Levine's new book explores the nature of traumatic experience and the therapeutic role of the arts and arts therapies in responding to it. It suggests that by re-imagining painful and tragic experiences through art-making, we may release their fixity and negative hold on our lives and resist the temptation to assume the role of the victim. Among the many concerns that the book addresses is the damage done by the tendency to adopt stock methods of understanding and superficial explanations for the depths, complexities, wonders, and exasperations of human experience. The book explores the chaos and fragmentation inherent in both art and human existence and the ways in which memory and imagination can find meaning by acknowledging this chaos and embodying it in appropriate forms. The book builds on the important theories of Stephen K. Levine's previous book, Poiesis: The Language of Psychology and the Speech of the Soul, also published by Jessica Kingsley Publishers. It challenges dominant psychological perspectives on trauma and provides a new framework for arts therapists, psychotherapists, psychologists and social scientists to understand the effectiveness of the arts therapies in responding to human suffering.Trade ReviewThis is a brilliant book...those who love to search for meaning in a meaningleess world will find much to ponder on in this book. -- The Independent PractitionerStephen K. Levine's TRAUMA, TRAGEDY, THERAPY: THE ARTS AND HUMAN SUFFERING provides a powerful exploration of the nature of trauma and how the arts and arts therapies can help...His challeneges popular psychological perspectives on trauma and provides a different framework for arts therapists and psychologists to understand its course and effectiveness. Health libraries strong in psychology will find this a fine pick. -- The Midwest Book ReviesDeeply prychological, Stephen Levine goes over being at the bottom of life, chaos, healing, and the human body. Trauma, Tragedy, Therapy is a top pick for addition to arts and psychology collections for community and college libraries. -- The Midwest Book ReviewsOn the whole, Levine makes an important contribution to the field of trauma study by identifying philosophical problems within the current field of trauma study. He then shows how a new discourse, a new imagination of the problem and of new possibilities, can be created through the expressive arts therapies...What Levine has done with Trauma, Tragedy, Therapy is an enormous gift to the literature on the psychology of trauma, and it lays the foundation for careful and productive new studies. -- PsycCRITIQUESThis is a stimulating and challenging book which deserves careful reading by all types of psychological therapist. It will augment the more familiar psychological literature and, perhaps, prompt re-evaluation of clinical practice. -- Clinical Psychology ForumTable of ContentsAcknowledgments. Foreword. Introduction. Part I. From Trauma to Tragedy. 1.. Going to the Ground: Reflections on the Foundations of Expressive Arts Therapy. 2. Mimetic Wounds: From Trauma to Tragedy. 3. Trauma, Therapy and the Arts: Towards a Dionysian Poiesis. Part II. Chaos Into Form. 4. Order and Chaos in Therapy and the Arts: An Encounter. 5. Is Order Enough? Is Chaos too Much? Art, Therapy and the Search for Wholeness - A Dialogue. 6. The Expressive Body: A Fragmented Totality. 7. The Second Coming: Beauty, Chaos and the Arts. 8. The Art of Despair: Therapy After Godot. Chapter 9. Researching Information - Imagining Research. 10. A Fragmented Totality? An Interview. Part III. Poiesis After Post-Modernism. 11. Poiesis and Praxis: Between Art and Action. 12. Be Like Jacques: Mimesis with a Difference. 13. What Can I Say Dear After I've Said Sorry? Poiesis After Post-Modernism. References.

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Book SynopsisIn light of current discourses on AI and robotics, what do the various experiences of art contribute to the rethinking of technology today?Art and Cosmotechnics addresses the challenge of technology to the existence of art and traditional thought, especially in light of current discourses on artificial intelligence and robotics. It carries out an attempt on the cosmotechnics of Chinese landscape painting in order to address this question, and further asks: What is the significance of shanshui (mountain and water) in face of the new challenges brought about by the current technological transformation? Thinking art and cosmotechnics together is an attempt to look into the varieties of experiences of art and to ask what these experiences might contribute to the rethinking of technology today.Trade Review "This book opens the way to rethinking technology beyond Gestell, by exploring the obscure paths of the experience of art."—Augustin Berque, author of Thinking Through Landscape "Art and Cosmotechnics is a must-read, especially for Westerners, to unlock the transformative potential of art vis-à-vis technologies."—Neural "Yuk Hui has played a key role in creating a framework within which current art-historical discourse regarding this vital subject can thrive."—Leonardo Reviews

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Book SynopsisPresents the last major work of Gilles Deleuze, translated into English.

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Book SynopsisIf art and science have one thing in common, it's a hunger for the new - new ideas and innovations, new ways of seeing and depicting the world. The author takes us on a tour of more than two millennia of thinking about the problem of the new, from the puzzles of the pre-Socratics all the way up to the art world of the 1960s and '70s.Trade Review"Novelty is an indispensable account of the extraordinary persistence and power of ideas about novelty and the new in our culture. It is very well researched, clearly written, and above all sustains a compelling narrative. Michael North surveys a wide field of intellectual and cultural history, and provides pithy, often witty, summaries of complex ideas. The result is a book that is bold in its claims, and sure to stimulate discussion." -Peter Middleton, University of Southampton"

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Book SynopsisTrade ReviewAesthetics as Phenomenology is an important and potentially major contribution to the philosophy of art. * Phenomenological Reviews *Table of ContentsTranslator's ForewordIntroductionChapter One: Art, Philosophically1. Why Art?2. Which Art?3. Philosophy of Art and AestheticsChapter Two: Beauty4. Free Play5. Appearances and Things6. Showing and Self-ShowingChapter Three: Art Forms7. Arts8. Essential Determinations9. MixturesChapter Four: Nature10. Oppositions11. Limits and Inclusions12. Primordial AppearanceChapter Five: Space13. Places14. Emptiness15. HereBibliographyIndex of Names and SubjectsIndex of Terms

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Book SynopsisDeath-Devoted Heart explodes the established interpretation of Wagner's Tristan and Isolde, proving the drama to be more than just a sublimation of the composer's love for Wesendonck or a wistful romantic dream. Scruton boldly attests that Tristan and Isolde has profound religious meaning and remains as relevant today as it was to Wagner's contemporaries.Trade Reviewsuperb book....can still teach much even to those who think they long ago grasped the secret of this masterpiece. * Simon Heffer, Literary Review *(Roger Scruton's book is a deep and daunting) 'study of the most important single composition in Western music ... Scruton's examination is highly original and delves into aspects which have seldom been explored so rigorously' * Peter Porter, The Independent Books, *a very, very, scholarly work... * Tony Hall, Royal Opera House CEO in FT Magazine *superb analysis... * Michael Portillo, New Statesman *Table of Contents1. Wagner and Religion ; 2. The Story of Tristan ; 3. Wagner's Treatment of the Story ; 4. The Music of Tristan ; 5. The Philosophy of Love ; 6. Tragedy and Sacrifice ; 7. Love, Death, and Redemption ; EPILOGUE From Romance to Ritual ; APPENDIX Table of Motives ; NOTES ; SELECTED BIBLIOGRAPHY ; INDEX

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Book SynopsisPeter Kivy mounts a philosophical inquiry into the desirability of using or re-creating historical practices in musical performance.Trade ReviewAuthenticities is an important book, and anyone interested in philosophy of music should read it. Anyone can profit from it as a model of careful and informed conceptual analysis. -- James O. Young, University of Victoria * The Journal of Aesthetics and Art Criticism *The consistent theme running through Kivy's book is the need for interpretation as the personal authenticity and authority of the performer against the ideology both of the composer as genius and of the puritanical devotion to the authority of the text of the early music devotees.... This is a most valuable book, one which constantly surprises and delights through its philosophical insights and informed musical understanding. * British Journal of Aesthetics *In his latest book on the aesthetics of music, Peter Kivy presents an argument not for authenticity but for authenticities of performance, including authenticities of intention, sound, practice, and the authenticity of personal interpretation in performance.... As usual, Kivy's work is beautifully written, well argued, and provocative. * Notes *Kivy has provided a sorely needed framework for all future discussion of the authenticity matter. This is his best book, a major contribution to performance studies and to musical aesthetics; likely it will be studied and cited for generations. * Choice *Kivy's book is written in its author's characteristic engaging manner and is full of valuable insights into the hermeneutics and aesthetics of performing music of the past. * Philosophical Review *Written in lively prose, with a keen sense of reality, this volume ought to be of interest not only to philosophers and musicologists, but to all serious lovers of music. -- Roger Scruton * Times Literary Supplement *

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Book SynopsisRediscovering Aesthetics brings together prominent international voices from art history, philosophy and artistic practice who reflect on current notions, functions, and applications of aesthetics in their distinctive fields.Trade Review"Rediscovering Aesthetics is an impressive collection that lives up to the mission outlined in its subtitle...this book is to be highly recommended to both experts and merely curious readers."—Vladimir D. Thomas, Philosophy in Review"Rediscovering Aesthetics collects the essays of a number of the most distinguished and articulate intellectuals and artists of our day, all of whom have original and challenging things to say about important issues. This powerful book, which focuses mostly on the visual arts, has ramifications for the reconsideration of the aesthetic in many different areas of artistic practice."—Martin Jay, University of California, Berkeley"Rediscovering Aesthetics is a valuable contribution that begins with the premise that recent developments in art history and practice have engendered a recovery of the place and role of aesthetics. It refreshingly dispenses with questions of aesthetics' origins and instead inserts itself in the midst of modern histories of art."—Tom Huhn, School of Visual ArtsTable of Contents@fmh1: Contents @toc4: List of Contributors @toc4: (Re)Discovering Aesthetics: An Introduction @toc1: I. Aesthetics in Art History and Art Theory @toc2: 1. Kunstwissenschaft versus Asthetik: The Historians' Revolt Against Aesthetics @tocca: Richard Woodfield @toc2: 2. Aesthetics and the Two Cultures: Why Art and Science Should Be Allowed to Go Their Separate Ways @tocca: James Elkins @toc2: 3. Stones of Solace @tocca: Michael Ann Holly @toc2: 4. The Dogma of Conviction @tocca: David Raskin @toc2: 5. Sensation in the Wild: On Not Naming Newman, Judd, Riley, and Serra @tocca: Richard Shiff @toc2: 6. Kant's "Free-Play" in the Light of Minimal Art @tocca: Thierry de Duve @toc1: II. Aesthetics in Philosophy @toc2: 7. The Future of Aesthetics @tocca: Arthur C. Danto @toc2: 8. Retrieving Kant's Aesthetics for Art Theory After Greenberg @tocca: Diarmuid Costello @toc2: 9. Artistic Creativity: Illusions, Realities, Futures @tocca: Paul Crowther @toc2: 10. Gadamer and the Ambiguity of Appearance @tocca: Nicholas Davey @toc2: 11. Modernisms and Mediations @tocca: Peter Osborne @toc2: 12. Aesthetics Beyond Aesthetics @tocca: Wolfgang Welsch @toc2: 13. Intuition and Concrete Particularity in Kant's Transcendental Aesthetic @tocca: Adrian Piper @toc1: III. Aesthetics in Artistic and Curatorial Practice @toc2: 14. Seasonal Fractional Political Idiosyncratic Aesthetics @tocca: Carolee Schneemann @toc2: 15. Toward an Ophthalmology of the Aesthetic and an Orthopedics of Seeing @tocca: Robert Morris @toc2: 16. The Social Turn: Collaboration and Its Discontents @tocca: Claire Bishop @toc2: 17. The Richter Effect on the Regeneration of Aesthetics @tocca: Michael Kelly @toc4: Notes @toc4: Index

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Book SynopsisJulian Young presents Richard Wagner as an important philosopher of art and life, first as a utopian anarchist-communist and later as a Schopenhauerian pessimist. Understanding Wagnerâs philosophy is crucial to understanding his operas, as it is to understanding Nietzsche, Schopenhauer, and Heidegger. Trade ReviewKeenly attuned to Wagner’s intimations of impersonal immortality, Julian Young explains Wagner’s evolving views on the redemptive power of musical drama, an artistic salvation that remains possible even after the death of God. By critically examining Wagner’s philosophical transformation from a Feuerbachian anarcho-revolutionary to a Schopenhauerian world-renunciate, Young uncovers the enduring spiritual quest at the heart of Wagner’s work: Our deep and enduring philosophical need to learn how to die well. -- Iain Thomson, University of New MexicoIn deft, elegant prose, Young convincingly reconstructs two distinct Wagnerian philosophical positions, especially as concerns the relationship between art and society: an early revolutionary and a later Schopenhauerian position. In doing so, Young casts considerable light on the meanings of Wagner's musical dramas, and presents an array of fascinating positions on the proper relations between art and society for contemporary reflection. This is an important book for anyone interested in late-nineteenth-century philosophy of music and art. -- Sandra Shapshay, Indiana University, BloomingtonYoung here presents the results of extensive research into Wagner's philosophical writings. Perhaps the most surprising thing one learns is that Wagner had a relatively clear and coherent philosophy. In fact, Wagner’s philosophy evolved over time, and he always saw himself as more than a composer of operas. Early on, Wagner, influenced by Hegel, maintained that art and music could play a key role in changing the world for the better. Later, his philosophical intuitions and artistic aims would be molded by Schopenhauer’s pessimistic but redemptive views of music. Today, Wagner would be saddened, though perhaps not surprised, to find that most of his operas are heard only by the affluent—a situation that is the antithesis of what he was trying to do. Young’s straightforward writing style is more than welcome in explaining 19th-century German philosophical concepts, which can get very complex very fast. This book is beautifully written, clear, and concise. Summing Up: Highly recommended. Upper-level undergraduates and above. * CHOICE *Table of ContentsPart I: Early Wagner Chapter 1: The Way We are Now Chapter 2: The Greek Ideal Chapter 3: The Death of Art Chapter 4: The Artwork of the Future: Exploratory Questions Part II Later Wagner Chapter 5: Schopenhauer Chapter 6: Wagner’s Appropriation of Schopenhauer Chapter 7: Wagner’s Final Thoughts Epilogue: Wagner and Nietzsche

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Book SynopsisTrade Review"The Challenge of Surrealism is an important intellectual and personal document that not only illuminates some of Adorno’s major philosophical concerns from an unexpected perspective, but also presents the record of a deeply personal and complex relationship characterized by attraction and repulsion, desire and distance, immediacy and deferral."—Gerhard Richter, Brown UniversityTable of ContentsContentsEditor’s Note Introduction. Departures: Critical Theory and SurrealismRita BischofSurrealism: Last Snapshot of the European IntelligentsiaWalter BenjaminSurrealism ReconsideredTheodor W. AdornoCritical Theory and Surreal PracticeElisabeth LenkCorrespondence between Theodor W. Adorno and Elisabeth Lenk, 1962–1969Introduction to the CorrespondenceElisabeth LenkSense and Sensibility: Afterword to Louis Aragon’s Paris PeasantElisabeth LenkIntroduction to the German Edition of Charles Fourier’s The Theory of the Four Movements and the General DestiniesElisabeth LenkSurrealist ReadingsCastor Zwieback (Theodor W. Adorno and Carl Dreyfus)NotesPublication HistoryIndex

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Book SynopsisFor his 2007 critically acclaimed 33 1/3 series title, Let's Talk About Love, Carl Wilson went on a quest to find his inner Céline Dion fan and explore how we define ourselves by what we call good and bad, what we love and what we hate. At once among the most widely beloved and most reviled and lampooned pop stars of the past few decades, Céline Dion's critics call her mawkish and overblown while millions of fans around the world adore her huge pipes and even bigger feelings. How can anyone say which side is right? This new, expanded edition goes even further, calling on thirteen prominent writers and musicians to respond to themes ranging from sentiment and kitsch to cultural capital and musical snobbery. The original text is followed by lively arguments and stories from Nick Hornby, Krist Novoselic, Ann Powers, Mary Gaitskill, James Franco, Sheila Heti and others. In a new afterword, Carl Wilson examines recent cultural changes in love and hate, including the impact of technTrade ReviewLike the whole world, I'm a fan of Carl Wilson's Celine Dion book. * Jonathan Lethem *An evergreen classic of music criticism--a love letter from a cerebral pop aesthete to the music he sincerely, almost sentimentally hates. * Rob Sheffield *Carl Wilson is a profound listener and an extraordinary writer. Along with being a tremendously important piece of criticism, Let’s Talk About Love is an agile, moving, and generous exploration of the music that accompanies us, welcome or not, on the travels we all need to make on our own. It is a beautiful, funny, unerringly concise book that invites repeated readings, new conversations, and a thoughtful engagement with the culture of our time. * John K. Samson *The book is laugh-out-loud funny, whip-smart about contemporary thought, and fascinating in its many voices, but, readers, beware—you may wind up humming that song for days afterward. -- Eloise Kinney * Booklist *[I]t’s a conversation worth having: as a dialogue between Wilson and his 13 disciples, with peers in social circles, and ultimately with oneself. Why we like what we like is always a fun topic to discuss, but it’s often more challenging and more enlightening to discuss the converse: why we don’t like what we don’t like… Any investigation into cool is incomplete without due consideration of too-cool-for. Wilson has provided a primer for that discourse. -- Kurtt Gottshalk * Brooklyn Rail *…the recently updated Let's Talk About Love—cheekily re-subtitled Why Other People Have Such Bad Taste and bundled with a host of excellent accompanying essays from the book's admirers including Krist Novoselic, Nick Hornby, Ann Powers, and James Franco—is a welcome excuse to revisit the main text in light of our current state of hyperspeed discourse. It's also a good excuse to catch up with Wilson, who continues to be an essential voice in the rock writer community while serving as Slate's music critic. -- Ryan Dombal * Pitchfork *Let’s Talk About Love…is not just a critical study of one Céline Dion album, but an engaging discussion of pop criticism itself. -- Elias Leight * LA Review of Books *In this gnostic context, Carl Wilson’s Let’s Talk About Love: A Journey to the End of Taste, first published in 2007, was a counter-intuitive masterstroke. Wilson’s gamble—that even people who hate Céline Dion would be curious to read an entire book about why they hate her, and what that hatred might mean—paid off handsomely: Let’s Talk About Love was widely and enthusiastically reviewed outside the usual music-geek circles, Wilson appeared on NPR and The Colbert Report, and last year he was hired as Slate’s chief music critic, as plum a gig as a pop critic can expect in today’s collapsing media economy. -- Ellis Avery * Public Books *Freaking brilliant. -- Will Hermes * Hippies and Hipsters *Voted a Best Music Book 2014 * The Guardian *Carl Wilson’s 2007 entry in the 33 1/3 library of pocket-sized books about classic albums is one of the most celebrated in the series. The author goes against the critical grain, not because he defends the music of this much-maligned international phenomenon. Wilson spends most of the book putting Dion into social and cultural context that in the end does not win him over to her kind of music. Wilson’s book, unlike most criticism, openly invites dialogue, even providing an email contact for readers to beat their own breasts for and against Céline Dion. -- Pat Padua * Spectrum Culture *The 33 1/3 series lets writers write (mini) book length tomes based on or inspired by an individual album. It's produced some intriguing experiments, like John Darnielle's novella inspired by Black Sabbath's Masters of Reality (a precursor to this year's debut novel, Wolf In White Van), but in 2007 Carl Wilson exploded the entire premise. He picked an album he hated - Celine Dion's Let's Talk About Love - and used it to enter a discourse on what determines good and bad taste. Seven years later, "poptimism" is practically standard practice, and Wilson's tome is a massively influential text in pop criticism. This year, Bloomsbury separated it from 33 1/3 and let it stand on its own in an expanded editions with a whackload of new material. Wilson's original work seemed like it examined Celine from every possible angle, but the 13 new essays, from writers like Nick Hornby, Owen Pallett and Nirvana's Krist Novoselic, show that he may have left a few stones unturned. -- Richard Trapunski * Chart Attack *An expanded version of Wilson's 2007 book for the 33 1/3 series with additional thoughts from 13 writers including James Franco, Ann Powers, Nick Hornby and others. An incredible look at pop culture -- and Celine Dion. -- The Ten Best Books of 2014 * Papermag *Table of ContentsA NOTE FROM THE PUBLISHER PART I Let’s Talk About Love: A Journey to the End of Taste Carl Wilson 1. Let’s Talk About Hate 2. Let’s Talk About Pop (and Its Critics) 3. Let’s Talk in French 4. Let’s Talk About World Conquest 5. Let’s Talk About Schmaltz 6. Let’s Sing Really Loud 7. Let’s Talk About Taste 8. Let’s Talk About Who’s Got Bad Taste 9. Let’s Talk with Some Fans 10. Let’s Do a Punk Version of “My Heart Will Go On” (or, Let’s Talk About Our Feelings) 11. Let’s Talk About Let’s Talk About Love 12. Let’s Talk About Love PART II Essays: What We Talk About When We Talk About Love Carl Wilson, “Introduction” Nick Hornby, “The Artists We Deserve” Krist Novoselic, “With the Lights On, It’s Less Useless” Ann Powers, “If the Girls Were All Transported” Mary Gaitskill, “The Most Obvious Thing” Jason King, “Compared to What?” Daphne Brooks, “Let’s Talk About Diana Ross (In Memory of Trayvon Martin)” Drew Daniel, “Deep in the Game” Sukhdev Sandhu, “Children of the Corn” James Franco, “Acting In and Out of Context” Marco Roth and the Editors of n+1, “Too Much Sociology” Jonathan Sterne, “Giving Up on Giving Up on Good Taste” Owen Pallett, “When I Come Home” Sheila Heti, “Playlist: Let’s Listen to Love” PART III Afterword Carl Wilson, “Let’s Talk Later” ACKNOWLEDGEMENTS NOTES ON CONTRIBUTORS

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Book SynopsisThe volume The Many Faces of Beauty joins the rich debate on beauty and aesthetic theory by presenting an ambitious, interdisciplinary examination of various facets of beauty in nature and human society. The contributors ask such questions as, Is there beauty in mathematical theories? What is the function of arts in the economy of cultures? What are the main steps in the historical evolution of aesthetic theories from ancient civilizations to the present? What is the function of the ugly in enhancing the expressivity of art? and What constitutes beauty in film? The sixteen essays, by eminent scientists, critics, scholars, and artists, are divided into five parts. In the first, a mathematician, physicist, and two philosophers address beauty in mathematics and nature. In the second, an anthropologist, psychologist, historian of law, and economist address the place of beauty in the human mind and in society. Explicit philosophical reflections on notoriously vexing issues,Trade Review“In 2012, the Notre Dame Institute for Advanced Study (NDIAS) sponsored “The Many Faces of Beauty” conference, which offered a deep dive into the debate on beauty and aesthetic theory. This collection of 16 essays from prominent artists, scientists, mathematicians and critics features three Notre Dame scholars: The Huisking Professor of Theology Cyril O’Regan, the Rev. Joyce Professor of German Language and Literature Mark Roche, and J. Dudley Andrew ’67.” —Notre Dame Magazine

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Book SynopsisWhen originally published in 1960, this was the first complete English translation since 1799 of Kant's early work on aesthetics. More literary than philosophical, "Observations" shows Kant as a man of feeling rather than the dry thinker he often seemed to readers of the three "Critiques".Table of ContentsTRANSLATOR'S INTRODUCTION NOTE ON THE TRANSLATION OBSERVATIONS ON THE FEELING OF THE BEAUTIFUL AND SUBLIME SECTION ONE: Of the Distinct Objects of the Feeling of the Beautiful and Sublime SECTION Two: Of the Attributes of the Beautiful and Sublime in Man in General SECTION THREE : Of the Distinction of the Beautiful and Sublime in the Interrelations of the Two Sexes SECTION FOUR: Of National Characteristics, so far as They Depend upon the Distinct Feeling of the Beautiful and Sublime TRANSLATOR'S NOTES

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Book SynopsisCamera Lucida, Roland Barthes''s personal, wide-ranging, and contemplative volume--and the last book he published--finds the author applying his influential perceptiveness and associative insight to the subject of photography.Commenting on artists such as Avedon, Clifford, Mapplethorpe, and Nadar, Barthes presents photography as being outside the codes of language or culture, acting on the body as much as on the mind, and rendering death and loss more acutely than any other medium. This groundbreaking approach established Camera Lucida as one of the most important books of theory on the subject, along with Susan Sontag''s On Photography.

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Book SynopsisObject Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. For as long as people have traveled to distant lands, they have brought home objects to certify the journey. More than mere merchandise, these travel souvenirs take on a personal and cultural meaning that goes beyond the object itself. Drawing on several millennia of examplesfrom the relic-driven quests of early Christians, to the mass-produced tchotchkes that line the shelves of a Disney gift shoptravel writer Rolf Potts delves into a complicated history that explores issues of authenticity, cultural obligation, market forces, human suffering, and self-presentation. Souvenirs are shown for what they really are: not just objects, but personalized forms of folk storytelling that enable people to make sense of the world and their place in it.''Object Lessons is published in partnership with an essay series in The Atlantic.Souvenir features illustTrade ReviewSouvenir, a sweet new book by Rolf Potts, is a little gem (easily tucked into a jacket pocket) filled with big insights … Souvenir explores our passions for such possessions and why we are compelled to transport items from one spot to another … Souvenir's introduction, titled "An Embarrassment of Eiffel Towers," is a delight to ponder. * Forbes *Potts guides readers through a philosophical, anthropological, and historical study of the objects we collect. Why do we buy souvenirs? What historical roots ground this ritual? Is one way of collecting souvenirs better than others? Potts shares stories behind his personal souvenirs, showing that uniquely personal emotions imbue our collected objects with meaning. Collecting souvenirs has been a way to mythologize his life, to externalize memories in a narrative form and maintain recollection of distant worlds. * The Rumpus *Few of us would call ourselves collectors, but most travelers have, at some point or other, bought a keychain, pocketed a seashell, or saved a ticket stub from a vacation. Turns out, as Mr. Potts notes in a new little book called Souvenir, there’s more to this seemingly simple (perhaps frivolous to some) practice than meets the eye … Souvenir offers ideas about what may be in play when we seek mementos … In the end, Souvenir suggests that the meaning of a keepsake is not fixed (its importance to the owner can change over time) and that its significance is bound up in the traveler’s identity. * The New York Times *This book takes a deep, thorough interest in the kitschy keychains you casually picked up at the airport, or the seashell you tucked in your pocket during a walk on the beach, or the carefully chosen scarf you found for your mother-in-law while shopping in Paris … It is a fascinating journey that covers a lot of ground, and the author muses upon it with an engaging and charming curiosity. Readers of this little treatise will never look at souvenirs the same way again. Five stars. * San Francisco Book Review *Rolf Potts writes with the soul of an explorer and a scholar’s love of research. Much like the objects that we bestow with meaning, this book carries a rich, lingering resonance. A gem. * Andrew McCarthy, actor, director and author of The Longest Way Home (2013) *In this slender but engrossing study of the phenomenology of souvenirs, Rolf Potts pinpoints the strange duality of travel, for where you 'go' is rarely identical to where you go. After reading it, I'll never be able to look at a Statue of Liberty key chain, Grand Canyon postcard, or Eiffel Tower ashtray in quite the same way again. If you love to travel, this book is essential. * Tom Bissell, journalist and author of Apostle: Travels Among the Tombs of the Twelve (2016) *This book is a journey through time, a history lesson and a look into the human psyche all in one. An educational book from a series, for anyone looking to learn a little about everyday objects in our lives and their significances to us. * This Girl Reads Blog *Potts takes us on a meditative sojourn across several millennia as he describes the evolution of travel from the early nomadic migrations to religious pilgrimages to modern tourism … With a natural fluency, Potts also weaves in personal stories and epiphanic moments related to his own souvenir hunting and gathering during his many, varied quests around the globe. Through it all, he shows us how, far from the superficial and mindless consumerism it may seem, the souvenir ritual is closely connected to our core sense of self even as the souvenir itself is no longer as fully rooted in its actual place. 8 stars. * PopMatters *A treasure trove of … fascinating deep dives into the history of travel keepsakes … Potts walks us through the origins of some of the most popular vacation memorabilia, including postcards and the still confoundedly ubiquitous souvenir spoons. He also examines the history of the more somber side of mementos, those depicting crimes and tragedies. Overall, the book, as do souvenirs themselves, speaks to the broader issues of time, memory, adventure, and nostalgia. * The Boston Globe *Table of ContentsPreface 1: Introduction: An Embarrassment of Eiffel Towers 2: Souvenirs in the Age of Pilgrimage 3: Souvenirs in the Age of Enlightenment Interlude: Museums of the Personal 4: Souvenirs in the Age of Mechanical Reproduction 5: Souvenirs and Human Suffering 6: Souvenirs and (the Complicated Notion of) Authenticity 7: Souvenirs, Memory, and the Shortness of Life Notes Index

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Book SynopsisObject Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.It's happening all the time, all around us. We cover it up. We ignore it. Rust takes on the many meanings of this oxidized substance, showing how technology bleeds into biology and ecology. Jean-Michel Rabate combines art, science, and autobiography to share his fascination with peeling paints and rusty metal sheets. Rust, he concludes, is a place where things living, built, and remembered commingle.Object Lessons is published in partnership with an essay series in The Atlantic.Trade ReviewRabate counters our instinctively negative view of rust with a surprisingly wide variety of examples drawn from philosophy as well as the arts and sciences for a strikingly and broadly convincing argument as to the merits of rust … Rabate presents rust as an imperfection with unlimited possibilities. He clarifies its role in our lives and complicates how we value its role. He brings readers his family rouille recipe and the news that someday soon, science may give us a green rust capable of cleaning our water and soil … He provides plenty of food for thought as we run into these references across daily life. * PopMatters *This is a witty, delightfully eclectic fantasy and fugue on the theme of rust, which, it turns out, is a perfect metaphor for an aesthetics of metamorphosis in and after modernism. Rust has the ruddy glow of active thinking in the process of self-transformation. Rust not only doesn’t sleep, it never stops giving off sparks. * Charles Bernstein, Donald T. Regan Professor of English and Comparative Literature, University of Pennsylvania, USA *Through his elegant alchemical associations, Rabaté spins Rust to gold. * Vanessa Place, artist and criminal defense attorney *Rust has its fascinating moments, those deeply poetic instants where metaphor becomes real and you get a tiny glimpse of the wonder that can reside inside seemingly ordinary items. * San Francisco Book Review *Table of ContentsIntroduction 1. How to Live with Global Rust 2. Hegel and Ruskin, from the Inorganic to the Organic 3. Interlude: Blood-work 4. Rats and Jackals, Kafka after von Hofmannsthal 5. Aesthetics of Rust Conclusion: Fougères to Marseilles: Green Rust or Edible Rouille? Acknowledgments Notes Index

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Book SynopsisSince its publication in 1936, Walter Benjamin's Artwork essay has become a canonical text about the status and place of the fine arts in modern mass culture. Benjamin was especially concerned with the ability of new technologiesnotably film, sound recording, and photographyto reproduce works of art in great number. Benjamin could not have foreseen the explosion of imagery and media that has occurred during the past fifty years. Does Benjamin's famous essay still speak to this new situation? That is the question posed by the editors of this book to a wide range of leading scholars and thinkers across a spectrum of disciplines in the humanities. The essays gathered here do not hazard a univocal reply to that question; rather they offer a rich, wide-ranging critique of Benjamin's position that refracts and reflects contemporary thinking about the ethical, political, and aesthetic implications of life in the digital age.Trade Review"Mapping Benjamin not only distinguishes itself in format, scope, and tone from the mass of Benjamin books published each year, it provides an up-to-date snapshot of the humanities. This lucidly written book uses Benjamin to chart the parameters of a force field of contemporary intellectual efforts, across disciplines and other divides." -Eva Geulen,New York UniversityTable of ContentsContents BAECKER DIRK BOLZ NORBERT SIEGERT BERNHARD BARCK KARLHEINZ GILGEN PETER SHIFF RICHARD MOSER WALTER SCHMIDT SIEGFRIED J. HENNION ANTOINE LATOUR BRUNO LINK JURGEN CHARTIER ROGER LINK-HEER URSULA WATERS LINDSAY ZUMTHOR PAUL ASSMANN ALEIDA ASSMANN JAN HULLOT-KENTOR ROBERT BEHNKE KERSTIN WEIMAR KLAUS RITTER HENNING WENZEL HORST LEWIS PERICLES WERBER NIELS DE CASTRO ROCHA JOAO CEZAR NICHOLS STEPHEN G. NEVILLE BRIAN READINGS BILL FEINSTEIN JOSHUA MENOCAL MARIA ROSA SARLO BEATRIZ HARRISON ROBERT P. BANN STEPHEN

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Book SynopsisThis book weaves together Reiner Schürmann’s work on art and politics, drawing on a range of the most important thinkers and poets of the twentieth century and beyond.The Place of the Symbolic gathers Reiner Schürmann’s essays on the nexus of art and politics. In keeping with his translation of the destruction of metaphysics into an an-archic philosophy of practice, Schürmann develops a radical theory of the place of symbols, irreducible either to idealist theories of symbols or structuralist accounts of the symbolic. Symbols, Schürmann argues, may provide a bridge between ontological difference and politics. They resist being grasped metaphysically, in terms of representation. Instead, their understanding requires a specific way of existence: attending to the coming-to-presence of phenomena. As such, the understanding of symbols discloses a form of praxis that abandons ultimate grounds and opens onto the manifold. Alongside Schürmann’s theory of symbols, the collection includes essays on the relation between metaphysics, tragedy, and technology; on the “there is” in poetry; as well as on judgment. Throughout these characteristically lucid interventions, Schürmann’s most urgent concern remains a consideration of singular and finite practices that enact a release from universal principles. Art and politics appear here as the unworking of ultimate grounds; that is, as practices attuned to a truly groundless form of life.

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Book SynopsisFailures to listen or mishearings can be a matter of life and death. Shattering Biopolitics elaborates the intimate and complex relation between life and sound in philosophy, political theory, and sound-art.Table of ContentsList of Abbreviations | ix Prologue | 1 1 Shatter | 7 Excursus 1: Calculation and Stricture in Mendi + Keith Obadike’s Numbers Station | 38 2 The Rhythm of Life | 49 Excursus 2: Lawrence Abu Hamdan’s Phonetic Border-Crossings | 91 3 Mouth(piece) | 100 Excursus 3: Sharon Hayes’s Addresses | 145 4 A Use of Ears | 158 Excursus 4: The Drive to Listen in Ultra-red’s Militant Sound Investigations | 191 Acknowledgments | 207 Notes | 209 Selected Bibliography | 233 Index | 243

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Book SynopsisProviding a clear, systematic account of the evolution of Bellour's thought on the nature of cinematic representation, the impact of digital technology and the response of the spectator, this is an essential guide to the work of a major contemporary thinker.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisIn this synthetic introduction to the history of the philosophy of art, Noël Carroll elucidates and analyzes selected writings on art by Plato, Aristotle, Hutcheson, Hume, Kant, Hegel, Schopenhauer, Tolstoy, and Bell. Carroll’s narrative tracks developments between major positions in philosophy of art, ranging from the idea that art is unavoidably embedded in society to the evolution of the notion that art is autonomous ("art for art’s sake"), thereby setting the stage for continuing debates in the philosophy of art.Presupposing no prior background, and useful on its own or accompanying the reading of primary works, Classics in Western Philosophy of Art is ideal as a text for introductory undergraduate and graduate courses in philosophy of art and aesthetics, or for anyone interested in learning about the origin of some of our most fundamental conceptions of art in the Western tradition.Trade Review"Indispensable turn-by-turn directions for those navigating the ideas of nine philosophers who set the stage for thinking about art and society. Clear and comprehensive, Noël Carroll is the perfect guide to the history of aesthetics."—Dominic McIver Lopes, University of British Columbia"Carroll’s Classics in Western Philosophy of Art is a masterful series of commentaries on nine classical writings on art by philosophers in the Western tradition—learned and penetrating in exegesis, equally penetrating in critique. It’s not just one philosopher after another. Carroll takes note of what later writers say, explicitly or implicitly, about earlier writers, and imagines what those earlier writers might have said in response. He is host to a conversation. How I wish these commentaries had been available when I was still teaching philosophy of art! I would have been spared my own exegetical labors over these often-difficult texts, and my teaching would have been immeasurably improved."—Nicholas Wolterstorff, Noah Porter Professor Emeritus of Philosophical Theology, Yale University

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Book SynopsisObject Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Public enemy. Crucial macronutrient. Health risk. Punchline. Moneymaker. Epidemic. Sexual fetish. Moral failing. Necessary bodily organ. Conveyor of flavor. Freak-show spectacle. Never mind the stereotype, fat is never sedentary: its definitions, identities, and meanings are manifold and in constant motion. Demonized in medicine and public policy, adored by chefs and nutritional faddists (and let's face it, most of us who eat), simultaneously desired and abhorred when it comes to sex, and continually courted by a multi-billion-dollar fitness and weight-loss industry, for so many people fat is ironically nothing more than an insult or a state of despair. In Hanne Blank''s Fat we find fat as state, as possession, as metaphor, as symptom, as object of desire, intellectual and carnal. Here, feeling fat and literal fat merge, blurring the boundaries and infusing one anotherTrade ReviewThroughout Fat, Blank beautifully disrupts and destabilizes the notion of fat and, in doing so, challenged me to think deeper about the category as a whole. * Fat Studies *Hanne Blank's characteristically honest, creative, wickedly funny, and sharply insightful voice comes through on every page of this eminently readable book. Blank reveals fat as polysemic, at once mundane and hidden, sexually charged, and socially vexed. Fat is a scholarly ethnography of an everyday object that manages to be a genuine page-turner. * Quill Rebecca Kukla, Professor of Philosophy and Senior Research Scholar at the Kennedy Institute of Ethics, Georgetown University, USA *Table of ContentsFrontispiece 1. Fact 2. Friend 3. Foe 4. Fetish 5. Figure Index

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Book SynopsisEugen Fink (1905-1975) was Professor of Philosophy at the University of Freiburg, Germany.Stefano Marino is Associate Professor of Aesthetics at the University of Bologna, Italy.Giovanni Matteucci is Full Professor of Aesthetics at the University of Bologna, Italy.Trade ReviewThrough a detailed and in-depth contextualization of Fink’s thought, [Marino and Matteucci] succeed in highlighting its topicality by comprehensively outlining his discourse on fashion as a philosophical question, being highly controversial today. * Phenomenological Reviews *An important historical document of fashion theory, revealing the deep ambiguities and dialectics that the allegedly superficial phenomenon of fashion shares with our fundamental human condition. * Richard Shusterman, author of Thinking through the Body: Essays in Somaesthetics *Essential reading for anyone interested in recovering the philosophical depth of appearances. This compelling work, beautifully translated alongside a superb new Introduction, is here rediscovered in its first English edition. * Gwen Grewal, The New School, USA *Table of ContentsIntroduction, by Stefano Marino and Giovanni Matteucci …So That the Meaning is Evident (Introduction), by Walter Spengler 1. The Magical Powers of Fashion 2. The Social Phenomenon of Fashion 3. Fashion – The Wish to Be Always Different 4. Appeal and Performance of Fashion 5. Fashion Has Many Faces 6. Leadership or Seduction in Fashion 7. Is Fashion Existentially Justified? Glossary Index of names

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Book Synopsis"Why so few women on the street at night is another brilliant offering from the87press." –Bhanu KapilA searing and multi-form debut from Palestinian human rights activist and theorist Sarona Abuaker. Complete with images from performance pieces, essays, fragments of theory and notebooks, these are poems that engage the reader in thinking about liberation.For Fans of: Anna Mendelssohn, Ghassan Kanafani, Mira Mattar, Adania Shibli.

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Book SynopsisThis radical new evaluation of music making in the past and future will be essential reading for students of aesthetics, the philosophy of music, as well as musicologists and performance specialists.Table of ContentsIntroduction PART I Central aspects of performance 1 A model of musical performance 2 Skills and Guilds PART II Challenges to the model 3 Performances and musical works 4 Computers, ready-mades, and artistic agency 5 Experiments with musical agency 6 Artists, programs, and performance

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Book SynopsisIn The Madness of Vision, Buci-Glucksmann asserts the important of embodied vision in nine studies of paintings, sculptures, and images. She integrates the work of Merleau-Ponty with Lacanian psychoanalysis, Renaissance studies in optics, and twentieth-century mathematics to make the case for the pervasive influence of the baroque.

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Book SynopsisA collection of eleven essays on the moral philosophy of the American Polymath Charles S. Peirce (1839–1914). The essays cover the three normative sciences that Peirce distinguishes (esthetics, ethics, and logic), and their relation to metaphysics.Trade Review"The volume makes a timely contribution to current Peirce scholarship." -- -Shannon Dea University of Waterloo "This is an outstanding work of scholarship, an important contribution to the now significant body of secondary literature devoted to the philosophy of Charles S. Peirce. The intellectual range of the book is truly impressive, and yet the attention to Peirce's realism throughout supplies an important thread of continuity." -- -Michael L. Raposa Lehigh University "These are all sophisticated philosophical essays devoted, some primarily to the interpretation and others to the extension of, the ideas of one of America's most difficult thinkers." -- -Michael L. Raposa Lehigh University

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Book SynopsisOffers insights into both the disciplines of music and philosophy.Trade ReviewLike Hanslick, Professor Payzant is both musician and philosopher; and he has brought the knowledge and insights of both disciplines to this large undertaking. --Gordon Epperson, Journal of Aesthetics and Art Criticism

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Book SynopsisAwarded the 1986 Johnsonian Prize in Philosophy. This work on colour features a chapter, 'Further Thoughts: 1993', in which the author revisits the dispute between colour objectivists and subjectivists from the perspective of the ecology, genetics, and evolution of colour vision.Trade ReviewMuch the best philosophically orientated book about colour that has been written. . . . It has none of the philosophical crudity which mars scientific accounts of colour, and none of the scientific ignorance which makes so many philosophical accounts of colour worthless or worse. . . . Time and again I found myself unexpectedly convinced at a point whose opposite I had believed. I have in mind particularly the later sections on ‘Other colours, other minds’, language foci, and ‘boundaries and indeterminacy’. It is annoying, but also exhilarating, to be relieved of some stubborn and treasured opinions. --Jonathan Westphal, Mind

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Book SynopsisTrade Review"Covering such diverse topics as architecture, epistemology, art, literature, and music, the book is firmly held together by a unique vision. . . a brilliant work of destruction. All certainty seems to disappear under Goodman and Elgin's rigorous scrutiny. Rightness, adoption, and understanding are substituted for truth, certainty, and knowledge, without yielding to terminal scepticism or irresponsible relativism. The students of Goodman and Elgin know less but understand more." --Carl Rudbeck, Svenska Dagbladt"The idea that knowledge and truth are not as absolutely crucial as we have thought is absolutely crucial: it is right." --Alexander Nehamas, Princeton University

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Book SynopsisPresents the defense of the intuitive nature of art in Western philosophical thought.

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Book Synopsis A reprint of the Library of Liberal Arts edition of 1965. Croce's Guide presents one of the clearest and strongest defenses of the intuitive nature of art in Western philosophical thought.

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Book SynopsisThis second edition features a new 48-page Afterword--1980 updating Professor Beardsley's classic work.

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Book SynopsisThe psychology of aesthetics and the arts is dedicated to the study of our experiences of the visual arts, music, literature, film, performances, architecture and design; our experiences of beauty and ugliness; our preferences and dislikes; and our everyday perceptions of things in our world. The Cambridge Handbook of the Psychology of Aesthetics and the Arts is a foundational volume presenting an overview of the key concepts and theories of the discipline where readers can learn about the questions that are being asked and become acquainted with the perspectives and methodologies used to address them. The psychology of aesthetics and the arts is one of the oldest areas of psychology but it is also one of the fastest growing and most exciting areas. This is a comprehensive and authoritative handbook featuring essays from some of the most respected scholars in the field.Trade Review'This book is a significant contribution to furthering our understanding about the importance and value of aesthetics within different art forms and contexts. It has cross-disciplinary appeal and helps to promote both theoretical development and applied research, while opening the study of aesthetics to a broader audience.' Paul M. Camic, Salomons Centre for Applied Psychology, Canterbury Christ Church University, Kent'This volume is impressive in both its breadth and depth. I work in this area, yet I learned something from each and every chapter about the psychology of aesthetics and art, and - perhaps more importantly - how aesthetics and art contribute to the human condition. This book will be kept on my desk so I can have easy access to it!' Jonathan Plucker, Raymond Neag Professor of Education, University of Connecticut'This volume brings together important scholarship and groundbreaking methodological approaches for understanding the fundamental question of how and why art moves us. Although an individual's experience of art is inherently subjective, these collected essays draw on research in psychology and aesthetics to bring new insights to a topic that historically many scholars in the field had considered too indefinable to analyze or quantify.' Kathryn Potts, Helena Rubinstein Chair of Education, Whitney Museum of American ArtTable of ContentsPart I. Concepts, Theories and Methods: 1. Introduction by the editors Jeffrey K. Smith and Pablo P. L. Tinio; 2. Empirical aesthetics: hindsight and foresight Oshin Vartanian; 3. Philosophy of art and empirical aesthetics: resistance and rapprochement William P. Seeley; 4. Theoretical foundations for an empirical aesthetics Gerald C. Cupchik; 5. Aesthetics assessment Aaron Kozbelt and James C. Kaufman; Part II. Perspectives and Approaches to Art and Aesthetics: 6. Beyond perception: information processing approaches to art appreciation Helmut Leder; 7. Psychodynamics and the arts Pavel Machotka; 8. Evolutionary approaches to art and aesthetics Marcos Nadal and Gerardo Gómez-Puerto; 9. The walls do speak: psychological aesthetics and the museum experience Pablo P. L. Tinio, Jeffrey K. Smith and Lisa F. Smith; Part III. Objects and Media: 10. Empirical investigation of the elements of composition in paintings: a painting as stimulus Paul J. Locher; 11. 'Mute, motionless, variegated rectangles': aesthetics and photography I. C. McManus and Katharina Stöver; 12. Aesthetic responses to design: a battle of impulses Paul Hekkert; 13. From music perception to an integrative framework for the psychology of aesthetics Stefan Koelsch; 14. Theater and dance: another pathway to understanding human nature Thalia R. Goldstein and Rebecca Yasskin; 15. Arts education, academic achievement and cognitive ability Swathi Swaminathan and E. Glenn Schellenberg; 16. Aesthetics and the built environment: no painting or musical piece can compare Andréa Livi Smith; 17. Mirror, mirror on the wall, who's the fairest one of all? Influencing factors and effects of facial attractiveness Gernot Gerger and Helmut Leder; 18. An aesthetics of literary fiction David Carr; Part IV. Contemporary Issues and Debates: 19. Neuroaesthetics: descriptive and experimental approaches Anjan Chatterjee; 20. How emotions shape aesthetic experiences Stefano Mastandrea; 21. Unusual aesthetic states Emily C. Nusbaum and Paul J. Silvia; 22. Personality and aesthetic experiences Viren Swami and Adrian Furnham; 23. Hokusai and Fuji: cognition, convention and pictorial invention in Japanese pictorial arts David Bell; Part V. Pulling it All Together: 24. And all that jazz: rigour and relevance in the psychology of aesthetics and the arts Pablo P. L. Tinio and Jeffrey K. Smith.

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