Philosophy: aesthetics Books
Taylor & Francis Ltd Social Aesthetics and Moral Judgment
Book SynopsisThis edited collection sets forth a new understanding of aesthetic-moral judgment organized around three key concepts: pleasure, reflection, and accountability. The overarching theme is that art is not merely a representation or expression like any other, but that it promotes shared moral understanding and helps us engage in meaning-making. This volume offers an alternative to brain-centric and realist approaches to aesthetics. It features original essays from a number of leading philosophers of art, aesthetics, ethics, and perception, including Elizabeth Burns Coleman, Garrett Cullity, Cynthia A. Freeland, Ivan Gaskell, Paul Guyer, Jane Kneller, Keith Lehrer, Mohan Matthen, Jennifer A. McMahon, Bence Nanay, Nancy Sherman, and Robert Sinnerbrink.Part I of the book analyses the elements of aesthetic experiencepleasure, preference, and imaginationwith the individual conceived as part of a particular cultural context and network of other minds. The&nbsTable of ContentsIntroduction: From Pleasures to Principles Jennifer A. McMahon Part I: Aesthetic Elements: Pleasure, Preference, and Imagination 1. New Prospects for Aesthetic Hedonism Mohan Matthen 2. From Colour to Meaning in Contemporary Art Cynthia A. Freeland 3. Against Aesthetic Judgments Bence Nanay 4. Imagination Jennifer A. McMahon Part II: Aesthetic Experience: Critique, Expression, and Reflection 5. Art, Exemplars and Consensus Keith Lehrer 6. Objectivity and Shared Experience: Art and Morality Garrett Cullity 7. Dancers and Soldiers Sharing the Dance Floor: Emotional Expression in Dance Nancy Sherman 8. Twofoldness, Threefoldness and Aesthetic Pluralism Paul Guyer Part III: Aesthetic Judgment: Dissonance, Difference, and Diversity 9. Aesthetic Judgment and the Transcultural Apprehension of Material Things Ivan Gaskell 10. Cross-Cultural Aesthetics and Etiquette Elizabeth Burns Coleman 11. Emotional Engagement and Moral Evaluation: Exploring Cinematic Ethics Robert Sinnerbrink 12. Aesthetics and Communication Jane Kneller
£128.25
Taylor & Francis Ltd The Routledge Handbook of the Philosophy of Evil
Book SynopsisWhy ought we concern ourselves with understanding a concept of evil? It is an elusive and politically charged concept which critics argue has no explanatory power and is a relic of a superstitious and primitive religious past. Yet its widespread use persists today: we find it invoked by politicians, judges, journalists, and many others to express the view that certain actions, persons, institutions, or ideologies are not just morally problematic but require a special signifier to mark them out from the ordinary and commonplace. Therefore, the question of what a concept of evil could mean and how it fits into our moral vocabulary remains an important and pressing concern.The Routledge Handbook of the Philosophy of Evil provides an outstanding overview and exploration of these issues and more, bringing together an international team of scholars working on the concept of evil. Its 27 chapters cover the crucial discussions and arguments, both historical and contempoTable of ContentsIntroduction Thomas Nys and Stephen de Wijze Part 1: Historical explorations of Evil 1. Plato on Evil Alina Scudieri 2. Augustine on Evil Philip Cary 3. Aquinas on Evil W. Matthews Grant 4. Machiavelli: The Drama of Politics and Its Inherent Evil Giovanni Giorgini 5. Hobbes on Evil Laurens van Apeldoorn 6. Leibniz On Evil: God’s Justice in the Best of All Possible Worlds Agustín Echavarría 7. Jean-Jacques Rousseau on the Origin and Nature of Evil Jason Neidleman 8. Kant: The Evil in All of Us Matthé Scholten 9. Sade: Mushroom Clouds and Silver Linings Thomas Nys 10. Nietzsche’s Critique of Morality and His Effort to Create an Evaluation ‘Beyond Good and Evil’ Paul van Tongeren 11. Hannah Arendt’s Double Account of Evil: Political Superfluousness and Moral Thoughtlessness Peg Birmingham 12. After the Fall: Camus on Evil Matthew Sharpe Part 2: Recent Secular Explorations of Evil 13. Deliver us from Evil: The Case for Scepticism Phillip Cole 14. Does the term ‘evil’ have any explanatory power? Eve Garrard 15. Defining the concept of evil: Insights from our pre-cognitive responses Stephen de Wijze 16. Evil and Wrongdoing Todd Calder 17. Evil Characters Peter Brian Barry 18. Defining evil actions: Different approaches Luke Russell 19. Different Substantive Conceptions of Evil Actions Paul Formosa Part 3: Evil and other Issues 20. Evil and Punishment Leo Zaibert 21. Evil and Forgiveness Kathryn J. Norlock 22. Evil and Freedom Lars Fr. H. Svendsen 23. Evil and Power Simona Forti 24. Evil and Childhood Gideon Calder 25. Evil’s Diachronic Characteristics Zachary J. Goldberg 26. Evil, Genocide, and Mass Atrocities Jonathan Leader Maynard 27. Evil: A Comparative Overview Michiel Leezenberg
£204.25
Taylor & Francis Ltd Love
Book SynopsisWhat is love? What is it to be loved? Can we trust love? Is it overrated? These are just some of the questions Tony Milligan pursues in his novel exploration of a subject that has occupied philosophers since the time of Plato. Tackling the mood of pessimism about the nature of love that reaches back through Schopenhauer and Kierkegaard, he examines the links between love and grief, love and nature, and between love of others and loving oneself. We love too few things in the world, Milligan concludes, adding that we need to be loved too, to appreciate our own value and the worth of life itself.Table of Contents1. Introduction 2. Doubts about love 3. Th e depth of love 4. A sense of worth 5. Togetherness and loss 6. Irreplaceability 7. What can we love?
£35.99
Taylor & Francis Ltd The Žižek Dictionary
Book SynopsisSlavoj Žižek is the most popular and discussed philosopher in the world today. His prolific writings – across philosophy, psychoanalysis, political and social theory, film, music and religion – always engage and provoke. The power of his ideas, the breadth of his references, his capacity for playfulness and confrontation, his willingness to change his mind and his refusal fundamentally to alter his argument – all have worked to build an extraordinary international readership as well as to elicit much critical reaction. The Žižek Dictionary brings together leading Žižek commentators from across the world to present a companion and guide to Žižekian thought. Each of the 60 short essays examines a key term and, crucially, explores its development across Žižek’s work and how it fits in with other concepts and concerns. The dictionary will prove invaluable both to readers coming to Žižek for the first time and to those already embarked on the Žižekian journey.Trade Review"This is an extremely useful resource: the advantage of a "dictionary," or a concise encyclopedia, in this case, is that readers may hop around at will. For instance, one could begin with Žižek's entry on himself, found at the end of the book. This volume provides assistance to this approach by providing, at the end of each individual entry, recommendations for other entries…Overall…the quality of the offerings is uniformly high. This volume will appeal to a wide range of readers. Summing Up: Highly recommended." - D. W. Sullivan, Metropolitan State University of Denver, in CHOICETable of ContentsIntroduction, Rex Butler 1. Act, Sheila Kunkle 2. Althusser, Geoffrey Pfeifer 3. Badiou, Lucy A. Bell 4. Biopolitics, Fabio Vighi 5. Bureaucracy, Eero Laine 6. Butler, Judith, Kristine Klement 7. Capitalism, Chris McMillan 8. Class/Antagonism, Ceren Özselçuk and Yahya Madra 9. Cognitivism/Neuroscience, Adrian Johnston 10. Communism, Matthew Flisfeder 11. Concrete Universality, Wendell Kisner 12. Deleuze, Emmanuelle Wessels 13. Democracy, Matthew Sharpe 13. Derrida, Andrea Hurst 14. Descartes, Jonathan Murphy 15. Desire/Drive, Henrik Jøker Bjerre 16. Ecology, Daniel Hourigan 17. Economics, Chris Cowley 18. Enjoyment, Glyn Daly 19. Ethics, James Penney 20. Fantasy, Adam Cottrel 21. Fetish/Fetishistic Disavowal, Paul Taylor 22. Four Discourses, Yen-Ying Lai 23. Freud, Tony Thwaites 24. Hegel, Robert Sinnerbrink 25. Heidegger, Thomas Brockelman 26. Historicism/Historicity, Kirk Boyle 27. Hitchcock, Laurence Simmons 28. Ideology, Geoff Boucher 29. Inherent Transgression, Christine Evans 30. Interpellation/Identification, Robert Pfaller 31. Jew, Gabriel Tupinambá 32. Judaism/Christianity, Frederick Depoortere 33. Kant, Kelsey Wood 34. Lacan, Sean Homer 35. Laclau/Hegemony, Jan de Vos 36. Law, Jodi Dean 37. Lenin, Paul Kellogg 38. Liberalism/Multiculturalism, Antonio Garcia 39. Lynch, David, Ravindran Gopalan 40. Marx, Min Yang 41. Master-Signifier, David Gunkel 42. Milbank, John, Adam Kotsko 43. Nazism/Stalinism, Yong Wang 44. Negativity, George Garcia 45. Objet petit a/Sublime Object, Christopher W. Haley 46. Other/Big Other, Cindy Zeiher 47. Parallax, George Elerick 48. Real, Symbolic, Imaginary, Duane Rousselle 49. Schelling, Joseph Carew 50. September 11, Marc Acherman 51. Sexual Difference/Formulae of Sexuation, Kirsten Hyldgaard 52. Speculative Realism, Carlos Gomez 53. Subject, Rex Butler 54. Symptom, Todd McGowan 55. Truth, Marc de Kesel 56. Theology, Marcus Pound 57. Unconscious, Daniel Bristow 58. Universal/Particular, Randall Terada 59. Vanishing Mediator, Ian Buchanan 60. Wagner, James Little 61. Yugoslavia/Nationalism, Katerina Kolozova 62. Žižek, Slavoj Žižek. Index
£36.99
Cambridge University Press The Music and Thought of Michael Tippett
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Cambridge University Press The Aesthetics and Politics of the Crowd in American Literature
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£41.79
Cambridge University Press Richard Wollheim on the Art of Painting
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Cambridge University Press Adornos Positive Dialectic
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Cambridge University Press Schopenhauer Philosophy and the Arts
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Cambridge University Press Image and Mind
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Cambridge University Press Music and Conceptualization
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Cambridge University Press Fiction and Metaphysics Cambridge Studies in Philosophy
Book SynopsisThis challenging study places fiction squarely at the centre of the discussion of metaphysics. Philosophers have traditionally treated fiction as involving a set of narrow problems in logic or the philosophy of language. By contrast Amie Thomasson argues that fiction has far-reaching implications for central problems of metaphysics. The book develops an 'artifactual' theory of fiction, whereby fictional characters are abstract artifacts as ordinary as laws or symphonies or works of literature. By understanding fictional characters we come to understand how other cultural and social objects are established on the basis of the independent physical world and the mental states of human beings.Table of ContentsIntroduction: from fiction into metaphysics; Part I. The Artifactual Theory of Fiction: Foreword; 1. If we postulated fictional objects, what would they be?; 2. The nature and varieties of existential dependence; 3. Fictional characters as abstract artifacts; 4. Reference to fictional characters; 5. Identity conditions for fictional characters; Part II. Ontological Decisions: Foreword; 6. Fiction and experience; 7. Fiction and language; 8. Ontology and categorization; 9. The perils of false parsimony; 10. An ontology for a varied world; Notes; Bibliography.
£36.09
Cambridge University Press Hegels Art History and the Critique of Modernity
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£38.94
Cambridge University Press Lessings Laocoon Semiotics and Aesthetics in the Age of Reason Anglica Germanica Series 2
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Cambridge University Press Deeper into Pictures An Essay on Pictorial Representation Cambridge Studies in Philosophy
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£29.44
Cambridge University Press Picture Image and Experience A Philosophical Inquiry
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£37.99
Cambridge University Press LeviStrauss Anthropology and Aesthetics 85 Ideas in Context Series Number 85
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£33.24
Cambridge University Press Designing in Ethics
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£31.90
Cambridge University Press Notes and Fragments The Cambridge Edition of the Works of Immanuel Kant
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£37.99
Cambridge University Press The Question of Style in Philosophy and the Arts
Book SynopsisThe essays in this book examine the historical transition in our perception of the arts and philosophy which occurred during the eighteenth and nineteenth centuries, as the foundationalism of Descartes and Spinoza gave way to the idea that alternative styles of enquiry are possible.Trade Review"...this book reminds us that style has always played a role in philosophical writing despite claims to the contrary. Not only does it show that philosophy has influenced the arts, but that the arts might hold the key to understanding style in philosophical writing." Jeffrey R. DiLeo, Philosophy and LiteratureTable of Contents1. The style of method: repression and representation in the genealogy of philosophy B. Lang; 2. Style in painting R. Wollheim; 3. Stylistic strategies in William Hogarth's theatrical satires M. K. Lindberg; 4. Style in architecture J. Mordaunt Crook; 5. Par le style on atteint au sublime: the meaning of the term style in French architectural theory of the late eighteenth century C. A. Van Eck; 6. Aesthetic forms of philosophising L. Wiesing; 7. Style and community S. Kemal; 8. Metaphor and paradox in Toqueville's analysis of democracy F. R. Ankersmit; 9. The formation of styles: science and the applied arts J. W. McAllister; 10. Beyond the mannered: the question of style in philosophy or questionable styles of philosophy N. Davey; 11. Style and subjective agency C. Altieri; 12. Style and innocence: lost, regained, and lost again? D. Franck; Appendix; Index.
£32.29
Cambridge University Press Ancient Philosophical Poetics Key Themes in Ancient Philosophy
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£19.99
Cambridge University Press Kant on Beauty and Biology
Book SynopsisKant's Critique of Judgment has often been interpreted by scholars as comprising separate treatments of three uneasily connected topics: beauty, biology, and empirical knowledge. Rachel Zuckert's book interprets the Critique as a unified argument concerning all three domains.Trade ReviewReview of the hardback: '… impressive in its intellectual scope, its clearly-written quality, its well-informed, considerable citation of the secondary literature in Kant scholarship and its manner of arguing for a variety of nuanced positions that arise within the text's many subthemes. It is a contribution that stands solidly on the shoulders of the presently leading Kant scholarship and that integrates itself well into it.' British Journal for the History of PhilosophyTable of ContentsIntroduction; 1. The problem: unity of the diverse; 2. Reflective judgment and its principle: preliminary remarks; Part I. Teleological Judgment: 3. The critique of teleological judgment: purposiveness is the 'highest formal unity'; 4. A merely subjective principle: time and the 'peculiarities of our intellects'; Part II. Aesthetic Judgment: Introduction; 5. Beautiful objects: subjectively purposive form; 6. Aesthetic pleasure: the feeling of subjective, projective temporality; 7. The free harmony of the faculties: purposiveness as the principle of aesthetic Beurteilung; 8. The justification of aesthetic judgment: purposiveness as the principle of reflective judging; Conclusion.
£35.14
Cambridge University Press Ancient Philosophical Poetics Key Themes in Ancient Philosophy
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£61.00
Cambridge University Press Aesthetics and the Art of Musical Composition in the German Enlightenment Selected Writings of Johann Georg Sulzer and Heinrich Christoph Koch 7 Music Theory and Analysis Series Number 7
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£99.75
Cambridge University Press The PostModern and the PostIndustrial A Critical Analysis
Book SynopsisThis book offers an historical and critical guide to the concepts of the post-modern and the post-industrial. It brings admirable clarity and thoroughness to a discussion of the many different uses made of the term post-modern across a number of different disciplines (including literature, architecture, art history, philosophy, anthropology and geography). It also analyses the concept of the post-industrial society to which the concept of the post-modern has often been related. Dr Rose discusses the work of many theorists in the area, including Hassan, Lyotard, Jameson and the architectural historian Charles Jencks, and also looks at analyses and uses of the concepts of the post-modern and post-industrial by Frampton, Portoghesi, Peter Fuller and others.Trade Review'Rarely can one say of a scholarly work that it is so good as to advance the discourse on a subject - but here I can. Margaret Rose has studied and understood all sides of the debate on post-modernism, which is more than one can say of the debaters, and she has represented the arguments with sympathy. Anyone who wants to understand post-modernism - especially now that confused books are appearing on the subject monthly - need look no further than this summary and criticism.' Charles JencksTable of ContentsPreface; Introduction; 1. Defining the post-modern; 2. Defining the post-industrial; 3. Deconstructionist theories; 4. Double-coded theories; 5. Alternative theories; 6. Conclusion and summary; Bibliography; Index.
£29.44
Cambridge University Press Explanation and Value in the Arts
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£94.04
Cambridge University Press Explanation and Value in the Arts Cambridge Studies in Philosophy and the Arts
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Cambridge University Press Image and Mind
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Cambridge University Press Schopenhauer Philosophy and the Arts
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Cambridge University Press In Defense of Humanism
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Cambridge University Press Beyond Representation
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Cambridge University Press The Kantian Sublime and the Revelation of Freedom
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Cambridge University Press Nietzsche Philosophy and the Arts Cambridge Studies in Philosophy and the Arts
Book SynopsisNietzsche's writings have shaped much contemporary reflection on the relation between philosophy and art. This book brings together a number of distinguished contributors to examine his aesthetic account of the origins and ends of philosophy. They discuss the transformative power which Nietzsche ascribes to aesthetic activity, including his aesthetic justification of existence and its fusion of social and personal existence, and they investigate his experiments with an 'aesthetic politics' and a politicisation of aesthetics. Together their essays set out the ground for future debate about the inter-relation between art, philosophy, and value.Trade Review"Emphasizing the various senses of experiment, temptation, and seduction wrapped up in this German word, Conway sees Nietzche as a thinker of eros, concerned to articulate the possibility of exceptional figures--philosophers, artists,, or saints--who are strong enough to squander their strength and resources in legislating (literally or metaphorically) for the rest of us...Conway's reading should actually help in giving a fresh analysis of these themes that shows how they can be made intelligible without implicating them in such disasters." - Gary Shapiro, University of RichmondTable of ContentsIntroduction: Nietzsche and art Salim Kemal, Ivan Gaskell and Daniel W. Conway; 1. Nietzsche's conception of irony Ernst Behler; 2. The transfiguration of intoxication: Nietzsche, Schopenhauer, and Dionysus Martha Nussbaum; 3. Nietzschean self-transformation and the transformation of the Dionysian Adrian Del Caro; 4. Socratism and the question of aesthetic justification Randall Havas; 5. What is the meaning of Aesthetic ideals? Aaron Ridley; 6. The splitting of historical consciousness Stephen Bann; 7. Gustav Klimt's Beethoven Frieze, truth, and The Birth of Tragedy Timothy W. Hiles; 8. Improvisations, on Nietzsche/on jazz John Carvalho; 9. Unstable identities: Nietzsche on the force of art and language Fiona Jenkins; 10. Dionysus lost and found: literary genres in Nietzsche and Lukács Henry Staten; 11. Nietzsche's politics of aesthetic genius Salim Kemal; 12. Love's labour's lost: the philosopher's Versucherkunst Daniel W. Conway; 13. Nietzsche's Dionysian arts: dance, song, and silence Claudia Crawford.
£42.74
Cambridge University Press Faure and French Musical Aesthetics 13 Music in the Twentieth Century Series Number 13
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Cambridge University Press Notes and Fragments
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Cambridge University Press Landscape Natural Beauty and the Arts
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Cambridge University Press Picture Image and Experience
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Cambridge University Press Hegels Art History and the Critique of Modernity
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Cambridge University Press Values of Beauty
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Cambridge University Press Nietzsche The Birth of Tragedy and Other Writings
Book SynopsisThis edition of The Birth of Tragedy, one of the seminal philosophical works of the modern period, presents a new translation by Ronald Speirs and an introduction by Raymond Geuss that sets the work in its historical and philosophical context.Trade Review'The main purpose of the book was to challenge nineteenth-century idealisations of classical Greece: ancient tragedy at its greatest, Nietzsche argued, was animated not by orderliness and quite decorum but by an inebriated frenzy of music, dnace and rollicking enormity.' New HumanistTable of Contents1. The birth of tragedy; 2. The dionysiac world view; 3. On truth and lying in a non-moral sense.
£47.49
Cambridge University Press Fiction and Metaphysics
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£92.14
Cambridge University Press The Cambridge Companion to Adorno
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Cambridge University Press The Cambridge Companion to Adorno
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Cambridge University Press The German Aesthetic Tradition
Book SynopsisThis book, first published in 2002, is a systematic overview of German aesthetics from 1750 to the present. It begins with the work of Baumgarten and covers all the major writers on German aesthetics that follow. It offers a clear, non-technical exposition of ideas, placing these in a wider philosophical context where necessary.Trade Review'… will serve as a valuable introduction to central aspects of nineteenth-century art and thought.' Art NewspaperTable of ContentsPreface; Part I. The Age of Paradigms: 1. Baumgarten, Mendelssohn; 2. Kant; 3. Schiller; 4. Schelling; 5. Hegel; Part II. Challenging the Paradigms: 6. Schopenhauer; 7. Kierkegaard, Nietzsche; Part III. Renewing the Paradigms: 8. Cassirer, Lukács; 9. Heidegger, Gadamer; 10. Adorno; Conclusion; Notes; Bibliography; Index.
£71.25
Cambridge University Press The German Aesthetic Tradition
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£25.64
Cambridge University Press Aesthetics and Ethics Essays at the Intersection Cambridge Studies in Philosophy and the Arts By Levinson January 2008
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£33.24
Cambridge University Press Kants Theory of Taste
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Cambridge University Press Kants Theory of Taste A Reading of the Critique of Aesthetic Judgment Modern European Philosophy
Book SynopsisThis book constitutes one of the most important contributions to recent Kant scholarship. In it, one of the pre-eminent interpreters of Kant, Henry Allison, offers a comprehensive, systematic, and philosophically astute account of all aspects of Kant's views on aesthetics. The first part of the book analyses Kant's conception of reflective judgment and its connections with both empirical knowledge and judgments of taste. The second and third parts treat two questions that Allison insists must be kept distinct: the normativity of pure judgments of taste, and the moral and systematic significance of taste. The fourth part considers two important topics often neglected in the study of Kant's aesthetics: his conceptions of fine art, and the sublime.Trade Review'Kant's Theory of Taste is a well produced volume usefully equipped at the end with a compendious bibliography.' MindTable of ContentsAcknowledgments; Note on sources and key to abbreviations and translations; Introduction; Part I. Kant's Conception of Reflective Judgment: 1. Reflective judgment and the purposiveness of nature; 2. Reflection and taste in the introductions; Part II. Te Quid Facti and the Quid Juris in the Domain of Taste: 3. The analytic of the beautiful and the quid facti: an overview; 4. The disinterestedness of the pure judgment of taste; 5. Subjective universality, the universal voice, and the harmony of the faculties; 6. Beauty, purposiveness, and form; 7. The modality of taste and the sensus communis; 8. The deduction of pure judgments of taste; Part III. The Moral and Systematic Significance of Taste: 9. Reflective judgment and the transition from nature to freedom; 10. Beauty, duty, and interest: the moral significance of natural beauty; 11. The antinomy of taste and beauty as a symbol of morality; Part IV. Parerga to the Theory of Taste: 12. Fine art and genius; 13. The sublime; Notes; Bibliography; Index.
£33.24
