Performing arts Books
Legare Street Press Three Short Plays Rococo
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£22.75
Legare Street Press The The Numismatic Chronicle and Journal of the Numismatic Society Volume XIV
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£26.55
Legare Street Press Journal of George Fox Volume I
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£28.45
Legare Street Press The Gentlemans Magazine
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£37.00
Legare Street Press Manual of Play
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£26.55
Legare Street Press Millers Modern Acting Drama
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£25.60
Legare Street Press German Industrial Education and Its Lessons for the United States
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£23.70
Legare Street Press Burlesque Plays and Poems
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£25.60
Legare Street Press The The Plays of Thomas Love Peacock Published for the First Time
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£23.70
Legare Street Press Writing for the Magazines
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£25.60
Legare Street Press A A Book of Plays
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£25.60
Legare Street Press Four Plays
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£22.75
Legare Street Press Chamberss New Reciter
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£30.35
Legare Street Press Die Die Weiber Von Schorndorf
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£26.55
Legare Street Press Unterhaltende Probleme Und Spiele in Mathematischer Beleuchtung
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£25.60
Legare Street Press Die Die Schauspiele
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£999.99
Legare Street Press Giov. Bat. Guarinis Treuer Schäfer
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£26.55
Legare Street Press Gluck Und Die Oper Erster Theil
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£29.40
Blurb, Inc. Just Deal With It
£999.99
Blurb, Inc. Iann Dior Preme Magazine Broken Hearts Issue 35
£999.99
Blurb, Inc. Making Masks
£999.99
Michael Pascoe Channing Pollock
£97.72
Palgrave MacMillan Us Staging China New Theatres in the TwentyFirst Century Chinese Literature and Culture in the World
Book SynopsisAn insightful analysis of more than a dozen Chinese stage productions, Staging China illustrates how Chinese society is reflected by and even constructed through theatre. Scholars from around the globe explore wide-ranging topics including recent approaches to classical theatre, propaganda theatre, and the challenges of independent theatres.Trade Review"Originating as a foreign import, the Chinese spoken drama huaju has become in the twenty-first century not only a major Chinese dramatic form, but an important part of modern world drama. Staging China provides the reader with an important insight into this form through a detailed analysis of a series of key productions; it also discusses both the dynamics of these productions and their reflection of and placement within their social and cultural milieu. This is a ground-breaking and much needed project." - Marvin Carlson, Sidney E. Cohn Distinguished Professor of Theatre, The Graduate Center, City University of New York, USA "Drama studies has not been popular with scholars of modern Chinese literature, despite the fact the genre exerted tremendous impact on Chinese culture and politics, from the May Fourth period through the Cultural Revolution. Gao Xingjian, the Nobel Prize winner for 2000 and the first Chinese ever to win the Prize, is best known for his career as a playwright. Ruru Li's new edited book Staging China is the first comprehensive English-language study of Chinese drama in the new Millennium. Through rich historical surveys and case studies, the book maps out the complex of trajectories in which Chinese drama re-modernized itself amid political dynamics, artistic innovations, and intellectual debates. Historically engaged and theoretically provocative, Staging China will become a required reader for anyone interested in Chinese performing arts, cultural politics, and theatre studies. I give the volume my strongest recommendation." - David Wang, Edward C. Henderson Professor of Chinese and Comparative Literature, Harvard University, USA "In Staging China, leading international scholars of Chinese theatre introduce the work of the most important contemporary Chinese playwrights, directors, and theatre companies. This outstanding volume considers together in English for the first time significant theatre productions of the past fifteen years in mainland China, Hong Kong, and Taiwan. Through performance reconstruction and historiography, these essays track the economic, social, and political conditions that have prompted seismic shifts in the Chinese theatre industry, making this collection compulsory reading for anyone seeking to understand Chinese culture in the twenty-first century." - Claire Conceison, Professor of Theatre Studies, Duke University, USATable of ContentsGeneral Introduction; Li RuruPART I: CLASSICAL PLAYS; NEW APPROACHES1. After Seventy Years, A Production That Redefines A Huaju Classic - Wang Yansong's New Interpretation Of The Savage Land; Siyuan Liu2. Lin Zhaohua's Innovation Of Huaju Acting In The Master Builder; Lin Wei-YuPART II: "MAIN MELODY"; A NEW IMAGE OF PROPAGANDA THEATRE3. Shang Yang And The Performance Of Historical Drama In Reform China; Rosemary Roberts4. Breaking Out Of The "Main Melody": Meng Bing And His "Monumental Theatre"; Xiaomei Chen5. Romancing Home: Sweet & Sour Hong Kong; Gilbert C.F. Fong, & Shelby K.Y. ChanPART III: CONTEMPORARY CONSUMERISM; A NEW RELATIONSHIP BETWEEN THEATRE, MARKET, AND SOCIETY6. Performing Poetry On The Intermedial Stage: Flowers In The Mirror, Moon On The Water, And Beijing Avant-Garde Theatre In The New Millennium; Rossella Ferrari7. Survival Through Laughter - A Fun Gongfu: The Story Of The Deer And The Cauldron; Ma Haili8. Staging A New Venture: Tian Qinxin's The Yellow Storm And The Policy Change On The Huaju Industry In China; Katherine Huiling ChouPART IV: INDEPENDENT THEATRE; ALTERNATIVE SPACE9. Taiwan's Little Theatre Grows Up - Reviving Peking Opera: The Revelation Into A Classic; John B. Weinstein10. Constructing The Alternative: Grass Stage And The Little Society; Pu Bo & Yang Zi11. For The People, By The People: Penghao Theatre And The Story Of Gong And Drum Lane; Tarryn Li-Min ChunConclusion; Li Ruru
£94.99
£19.69
£19.69
Palgrave MacMillan Us Transatlantic Stage Stars in Vaudeville and Variety Celebrity Turns Palgrave Studies in Theatre and Performance History
Book SynopsisThis book shows eminent actors performing under stringent conditions in vaudeville. It was a strange notion in 1900 that leading lights of the legitimate stage would ever join a bill of 'turns', with everything from song-and-dance to criminals regaling crowds with their exploits. It chronicles renowned actors showing rough fare in rough times.Trade Review'Woods shows how international performers in American vaudeville and British music hall wrought new understandings of celebrity, gender, patriotism and empire. This lively storyilluminates an era in global culture that bears important lessons for our own time.' - Robert W. Snyder, Rutgers-Newark; Author of The Voice of the City: Vaudeville and Popular CultureTable of ContentsAcknowledgements Introduction Patronizing, 1890-1901 Precious Brits, 1904-1912 Growing Pains, 1910-1913 Suffer the Women, 1910-1914 War and Peace, 1914-1918 Parting, 1921-1934 Afterthoughts Notes Bibliography Index
£40.49
Wiley-Blackwell The Cryosphere and Global Environmental Change
Book Synopsis* Considers all six aspects of the cryosphere - ice sheets, glacier ice, permafrost, river and lake ice, sea ice and snow - in the context of global environmental change driven by human activity and climate.Trade Review"An interesting book with some new and fresh perspectives from which to view cryospheric change. There are seven well-illustrated chapters in total.... The book is very well written, well illustrated and contains a valuable synthesis of cryospheric change in some of the dominant regions of the global cryosphere." (Area, March 2009) “The major concepts, illustrated, are clear and accessible even for the non-specialist…the coverage and synthesis work well and are quite informative.”(Choice)Table of ContentsPreface. 1. The Evidence for Cryospheric Change. 2. The Monitoring of Cryospheric Change. 3. Processes of Cryospheric Change. 4. Patterns of the Contemporary Cryosphere at Local to Global Scales. 5. The Evidence for Past Cryospheric Changes. 6. The Transience of the Cryosphere and Transitional Landscapes. 7. Cryospheric Change and Vulnerability at Quaternary, Holocene, and Anthropocene Timescales. References. Index
£67.40
Rowman & Littlefield The Complete Book of 1960s Broadway Musicals
Book SynopsisWhile the 1960s may have been a decade of significant upheaval in America, it was also one of the richest periods in musical theatre history. Shows produced on Broadway during this time include such classics as Bye, Bye Birdie; Cabaret; Camelot; Hello Dolly!; Fiddler on the Roof; How to Succeed in Business without Really Trying; Oliver!; and Man of La Mancha. Performers such as Dick Van Dyke, Anthony Newley, Jerry Orbach, and Barbara Streisand made their marks, and other talentssuch as Bob Fosse, John Kander, Fred Ebb, Alan Jay Lerner, Frederick Loewe, Jerome Robbins, and Stephen Sondheimalso contributed to shows. In The Complete Book of 1960s Broadway Musicals, Dan Dietz examines every musical and revue that opened on Broadway during the 1960s. In addition to providing details on every hit and flop, Dietz includes revivals and one-man and one-woman shows that centered on stars like Jack Benny, Maurice Chevalier, Marlene Dietrich, Danny Kaye, Yves Montand, and Lena Horne. Each entry coTrade ReviewBetween the forgotten Beg, Borrow or Steal (February 1960) and Meredith Willson's 1491 (which closed pre-Broadway in October 1969), 271 musicals opened or tried to open on Broadway. Dietz, author of Off-Broadway Musicals, here discusses all book musicals with new music, revivals, revues, imports, and other works that appeared in New York venues (plus 29 pre-Broadway closings). Each chronologically arranged entry includes opening and closing dates, number of performances, crew, cast (with character names), setting, musical numbers (and performers), a two-page plot summary and critical reception, awards, book availability, and recording history. If a performer's name was billed above the title, it is presented in italics. Entries are well written, with subjectivity kept to a minimum (the critics do the talking), and the commentary is well informed. Included in the 12 appendixes are a discography and a filmography. More detailed than Thomas Hischak's Broadway Plays and Musicals, and more comprehensive than Stanley Green's Broadway Musicals: Show by Show (7th ed., rev. and updated, or Ethan Mordden's Open a New Window: The Broadway Musical in the 1960s, this is a valuable resource for all theater collections. Summing Up: Highly recommended. Lower-level undergraduates through researchers/faculty; general readers. * CHOICE *This hefty volume examines all 271 musicals that opened on Broadway from 1960 through 1969, from the familiar (Camelot, Fiddler on the Roof, Funny Girl, and Hello, Dolly!) to the obscure (Holly Golightly and 1491). As author Dietz notes in the introduction to this book, the 1960s saw the last hurrah of the traditional book musical. In this decade, there were 98 new musicals (with original music) produced on Broadway. (Compare this to the years 2000 to 2009, which saw 38 new musicals and 42 revivals.) This reference covers those musicals, as well as a number of musical revues, imports from London’s West End, revivals, and pre-Broadway closings.The technical details for each production include opening and closing dates; number of performances; names of the writers, composers, directors, and casts; and a brief description. This is followed by a full listing of the musical numbers and a narrative (ranging one to three pages) about the show. The narrative portions of the entries consist of facts and figures, quotes, and interesting details—and Dietz does a wonderful job of remaining objective, not allowing personal bias or preference to show. There are 12 appendixes, including an alphabetical listing of shows, a chronology by season, a chronology by classification (i.e., 'Revues' and 'Institutional Revivals'), and a list of shows by Broadway theater. There are a number of books about Broadway musicals, but this one—set to be the first in a new series examining musicals by decade—stands out as a rich and readable resource. General theater enthusiasts will enjoy perusing this book, and students or researchers in the field will find this to be a great starting point. Recommended for medium and large public-library reference collections as well as academic libraries supporting performing-arts programs. * Booklist *Numerous and notable musicals made their initial runs in the 1960s. . . .[The author] compiles plot summaries, cast members, composers, writers, directors, producers, and information about the musical, for shows produced from 1960 to 1969, encompassing the 1959-1960 through the 1969-1970 seasons. Additional information in each entry includes the number of performances, specific songs, opening and closing dates, and reception history. Dietz adds his own critical commentary, as he calls the 1960s the 'last hurrah of the traditional book musical.' In that decade, 98 new book musicals with new music appeared on Broadway. This is compared to the recent decade of 2000-2009, which saw only 38 premiere with new musical content. However, there were several more revivals. The book presents 271 musicals that opened on Broadway during the 1960s; this includes 98 with new music, 3 with pre-existing music, 22 revues, 16 personality revues, 58 revivals, and several imports. Several appendixes add data. . . .The first, an alphabetic list of musicals, designates the years only when another musical of that title was produced. Others appendixes present chronologies (one by season, another by classification), discography, filmography, the operettas of Gilbert and Sullivan, three lists by the theater producing the musical (e.g., New York City Center Light Opera Company, New York City Opera Company, Lincoln Center), published scripts, and theaters (with the musicals they presented). The author uses italics to display cast members who were billed above the musical’s title. * American Reference Books Annual *Table of ContentsAcknowledgments Introduction Broadway Musicals of the 1960s 1959–1960 Season 1960–1961 Season 1961–1962 Season 1962–1963 Season 1963–1964 Season 1964–1965 Season 1965–1966 Season 1966–1967 Season 1967–1968 Season 1968–1969 Season 1969–1970 Season Appendixes A. Alphabetical Listing B. Chronology (By Season) C. Chronology (By Classification) D. Discography E. Filmography F. Gilbert and Sullivan Operetta Productions G. New York City Center Light Opera Company Productions H. New York City Opera Company Productions I. Music Theatre of Lincoln Center Productions J. Other Operetta Productions K. Published Scripts L. Theatres Bibliography Index About the Author
£133.00
Rowman & Littlefield The Encyclopedia of Film Composers
Book SynopsisFor more than a century, original music has been composed for the cinema. From the early days when live music accompanied silent films to the present in which a composer can draw upon a full orchestra or a lone synthesizer to embody a composition, music has been an integral element of most films. By the late 1930s, movie studios had established music departments, and some of the greatest names in film music emerged during Hollywood's Golden Age, including Alfred Newman, Max Steiner, Dimitri Tiomkin, and Bernard Herrmann. Over the decades, other creators of screen music offered additional memorable scores, and some composerssuch as Henry Mancini, Randy Newman, and John Williamshave become household names. The Encyclopedia of Film Composers features entries on more than 250 movie composers from around the world. It not only provides facts about these artists but also explains what makes each composer notable and discusses his or her music in detail. Each entry includesBiographical materiTrade ReviewHischak offers a unique combination of opinion and painstaking research. The author asserts that film composers deserve further recognition for their influence and contributions. His objective is to fill a gap, covering hundreds of lesser-known composers. Included are 252 individuals who either created a significant number of film scores or who mainly composed in other genres but also had notable film score success. Each entry includes a biography; a discussion of the subject's work that includes Hischak's perspective on, for example, which piece was most memorable; feature film credits, including Academy Award, British Academy of Film and Television Arts, and the Golden Globe Award nominations and wins; the director; and country where the movie was produced. It's critical to read the book's introduction to understand that if an artist created the score with three or more composers, for example, it was not included on the list. Closing the volume are comprehensive name and title indexes, necessary for a book with so much detail. Verdict: Hischak's offering presents a wide scope of composers, and anyone who loves film and has previous knowledge of music and/or film will be delighted by its content. * Library Journal *This hefty volume focuses solely on the creators of movie music. From the early silent films to today's blockbusters, accompanying music often draws as much attention as the films themselves and sometimes outlives the pictures in both popular culture and film history. Herein are more than 250 alphabetically arranged entries on composers from all over the world, covering the entire spectrum of cinema history. Entries are generally a few pages in length and contain biographical information, chronological career highlights, and an analysis of the musical style of the composer, and they end with a comprehensive list of film scores. This list is also valuable for indicating the director(s) and country of production for each film as well as any awards won by the composer or nominations for awards. Alternative or English titles are given for foreign films, if any. Although a smattering of composers here will be recognizable to the general user - Henry Mancini, Marvin Hamlisch, and Randy Newman, perhaps - most will likely be unknown. For example, who was responsible for the memorable music in The Wizard of Oz, Psycho, Gone with the Wind, and Lawrence of Arabia? This tome provides the detailed answers: Herbert Stohart, Bernand Herrmann, Max Steiner, and Maurice Jarre, respectively. A user can quickly see what other film scores these composers are responsible for and examine the arc of their careers. Other features include some black-and-white pictures and both a name and title index for quickly locating a particular film or person. . . .The Encyclopedia of FIlm Composers is recommended as an interesting addition to the reference collection of academic and public libraries and anywhere film is being studied. * Booklist *This sizeable volume is another well-executed encyclopedia compiled by Hischak, author of many notable works, such as American Literature on Stage and Screen and Broadway Plays and Musicals. Often overlooked, film composers are a crucial part of cinema even during the era of silent films. Only a handful are well known, however, with name recognition usually occurring only when a film produces a hit song (as with Goldfinger or Born Free). Hischak pays both the famous and little-known homage by including over 250 composers from the US and abroad. Entries provide poignant bibliographical details and point out important chronological and contextual information along with musical influences. An added bonus is an analysis of each composer's musical style and work outside film. Each listing focuses on an individual who is the sole composer (or one of a pair) of a film score. The author highlights strong associations between major film directors and composers, including only full-length films or documentaries released in major theaters. A complete list of a composer's film credits follows each entry, and a title-name index and bibliography complete the volume. Hischak has produced a fine reference work for all interested in film composers and their music. Summing Up: Highly recommended. Undergraduates and above; general readers; professionals/practitioners. * CHOICE *Paying homage to those often-forgotten composers whose music serves as the backdrop of film, this encyclopedia focuses on 252 composers who have contributed significantly to movie music. Some entries feature artists who composed songs, but this is predominantly a collection of composers of film scores. Major film composers are covered, but this work attempts to give attention to Hollywood and foreign film composers often left out of other treatments on the subject. Entries provide biographical information, descriptions of the composer’s career and musical style, and a complete list of film score credits. Only films in which the individual is listed as the primary composer or one of two composers are listed. For the common reader, the encyclopedia provides a few surprises such as an entry on Charlie Chaplin, who scored some of his own films decades after their release. Familiar names in jazz appear as entries as well. Featured in this work is more than a century of composers who have provided original music for silent films to contemporary movies. * American Reference Books Annual *Having seen many of the encyclopedias and dictionaries of film music and their composers over the past several years, I must say that this stands out for its volume and detail. The film title and name indices themselves are priceless; I highly recommend this tome as an essential addition to any music and movie print reference collection. * s *The Encyclopedia of Film Composers remains a success for both its author and its readers. Hischak succeeds in his stated purpose of drawing much needed attention to the work of film composers, and the reader is left with a highly readable reference text, teeming with insight into the composition of many major and minor film scores. * Film Matters *Table of ContentsAcknowledgments Introduction Format for Entries Abbreviations Film Composers Bibliography Title Index Name Index About the Author
£105.00
Rowman & Littlefield Publishers Get the Callback The Art of Auditioning for
Book SynopsisTrade ReviewIn this second edition of Get the Callback, Flom not only updates the first edition but shifts the focus from ‘getting the job’ to ‘getting the callback,’ which is something the prepared actor can actually control. A great guide for young actors in high schools and colleges who are embarking on their careers—but also offering good reminders for those already out in the profession—the book covers all aspects of the audition process: preparation, pulling in new material, the actual audition, how to talk to the accompanist, how to interact with the audition panel, the callback. Flom even covers aspects of the process that are often overlooked—how to read audition announcements properly, the best head-shot styles and résumé layouts—and includes an updated list of repertoire styles and genres. Finally, Flom provides sound advice about how to negotiate a job offer. In other words, this one little volume is an invaluable resource for anyone who plans to audition for a musical theater production—whether in high school, college, or professional theater. Summing Up: Highly recommended. Lower- and upper-division undergraduates; graduate students; professionals. * CHOICE *
£999.99
£22.28
Createspace Independent Publishing Platform The Canterbury Tales: The Play
£8.90
Independently Published Entertainment Industry: The Business of Music, Books, Movies, Tv, Radio, Internet, Video Games, Theater, Fashion, Sports, Art, Merchandising, Copyright, Trademarks & Contracts: Revised Edition
£13.40
Michael Phillips Quite Quite Fantastic! The Avengers for Modern Viewers
£26.57
Createspace Independent Publishing Platform The Canterville Ghost: The Play
£8.90
Createspace Independent Publishing Platform Hustle Mama
£13.39
Hal Leonard Corporation Who's Who in Animated Cartoons: An International
Book Synopsis
£17.95
Ivan R Dee, Inc The Bourgeois Gentleman
Book SynopsisMolière's beloved comedy features a rising member of the middle class who lusts for social status and higher learning. The strength of the play lies in its rich comic invention and its sure delineation of character. Its underlying themes of social striving, financial greed, and love's ingenuity still resonate. Bernard Sahlins's new adaptation is wonderfully playable.
£11.64
Ivan R Dee, Inc Notes to an Actor
Book Synopsis"Do you have any notes for me?" Actors always ask for notes on their performance, and they will take them from just about anyone. Ron Marasco's Notes to an Actor grew out of the actor's profession. In his years as an actor, scholar, and teacher of acting, Mr. Marasco found that most acting books were either outdated classics that were rarely read, or quasi-textbooks that actors only "skimmed." So he developed Notes to an Actor, a compact, user-friendly book geared specifically to the way actors work. The book is based on the innovative idea that notes, given one on one, are the essential tool of creative learning.Trade ReviewIt is, hands down, the best book I have ever read on the art of acting...the writing is direct, smart, brief, and practical. -- Kelly Younger * Kellyyounger.net *I think this is the best book on acting I've ever read. -- Kirk DouglasRon's advice and tools on acting are incredibly astute, thought provoking, refreshing, and inspiring. I wish I'd had this book in my back pocket before many an audition. -- Neve Campbell, star of The CompanyNotes to an Actor is inspiring, transforming and absolutely fun. This brilliant book will be a cherished favorite of actors and artists until the last star falls from the sky. -- Beth Henley, Pullitzer Prize-winning playwrightFinally, the definitive book on acting. Ron Marasco will make you a better actor! -- Patricia Clarkson, two-time Emmy Award Winner and Academy Award NomineeNotes to an Actor is a conversation with an actor about his art, filled with insight and great stories. It is the best summary of notes for someone looking to be a truly 'complete' actor. -- Colin Hanks, star of Orange County and King KongHands down, the best book I have ever read on the art of acting and actually gave me a lot to think about as a playwright. The writing is direct, smart, brief, and practical. Even better, there are no long stories about the author's acting career or personal anecdotes that read like an autobiography rather than a guidebook. It's organized by topics actors (and writers) really want to understand. Can't recommend it highly enough. -- Kelly Younger, award-winning playwright, author of I Think You Think I Love You, and member of the Ensemble Studio Theatre and DramatistsThis is a helpful book for both actors and directors at every skill level. It tells them where to go and, most importantly, how to get there. -- Bernard Sahlins, author of Days and Nights at The Second CityRon Marasco is everything a young actor could want in a coach, a director, or a guru. His advice is practical and broad-ranging, his experience is extensive, and his stories about the business are often very funny. Notes to an Actor is a smart, useful, and even wise guide for living the actor's life. -- Curt Columbus, Artistic director of the Trinity Repertory CompanyTruly unique among acting resources...an insightful, invaluable, and definitive work....Essential. * CHOICE *There certainly is no shortage of books on acting, but Ron Marasco's Notes to an Actor takes a different approach than most. Notes to an Actor reads like a conversation between a director and actor, making it a more enjoyable read than most acting books. Highly recommended. * Stage-Direction.Com *The most practical book about acting that I have ever read....while it looks to be very useful to an actor, it is also fascinating for anyone who attends the theater...a great, simple read. -- Maria Knapp * About.Com *Useful both to those seeking to further their development as actors and to those for whom acting has long been a profession, this is an insightful, invaluable, and definitive work. * CHOICE *A witty, easy-to-read compilation of all the essential acting tips and tools that every actor should carry in his or her back pocket. * Instantcast Blog *
£18.99
BearManor Media Poster Art from the Classic Monster Films
£34.88
White Falcon Publishing Sanchita's Bollywood Song Notation: Book 1 (English)
£12.64
Murphy & Moore Publishing Careers in Performing Arts
Book Synopsis
£107.89
Cypress Hills Press Kolchak-The Night Stalker-The Series
£28.99
Cypress Hills Press Longstreet-The Series
£31.99
Independently Published Untimely and Tragic Deaths of: The Renowned the Celebrated the Iconic: Featuring Ordinary Individuals Who Died in Bizarre Circumstances
£19.99
Lulu.com Strange City Digest (Spring 2020)
Book Synopsis
£10.60
Academica Press Anything But Dull: The Life & Art of Jeff Nuttall
Book SynopsisAnything But Dull: the Life and Art of Jeff Nuttall reveals the life lived and the art created by a visionary polymath whose generosity of spirit defined his character. From childhood traumas to revolutionary acts, through triumphs, defeats and resurrections Jeff Nuttall’s story is told here for the first time in all its richness and singularity. Based on over eighty interviews and meticulous archive research Anything But Dull shows just what made Jeff Nuttall such pivotal, provocative and important figure in twentieth century life and culture.Performer, poet, artist, writer, musician, teacher, film actor, bon vivant and hell raiser. Throughout his life Jeff Nuttall was always getting into scrapes, provoking outrage, drinking, fighting, falling in and out of love. Those intense experiences became the inspiration for his art. Almost no form of creative expression was foreign to him and within these nothing was forbidden – except, of course, to be dull.
£48.60
Level Best Books Murder in Fourth Position: An On Pointe Mystery
£13.29