Performance art Books
Bloomsbury Publishing PLC Alice in Wonderland and Through the Looking Glass
Book SynopsisHe was born in Cheshire, and educated in Oxford, where he lectured in mathematics.
£13.39
Bloomsbury Publishing PLC Hansel and Gretel
Book SynopsisCarl Grose is a member of the UK's acclaimed Cornish company Kneehigh Theatre and has performed and written a number of shows.Kneehigh are celebrated as one of the UK's most exciting theatre companies. They have a unique approach to making theatre, developing scripts through a collaborative devising process. Previous work includes: Tristan & Yseult, The Bacchae, The Wooden Frock and The Red Shoes.Trade ReviewKneehigh are a company who have always taken a sideways look at classic tales, as they create they're own ramshackle myth and magic... A madcap pleasure. -- Lyn Gardner * The Guardian *Table of ContentsKneehigh Introduction Characters Act One Act Two
£10.99
Worms Publishing Catgut
Book Synopsis
£28.50
Bloomsbury Publishing PLC An Introduction to Theatre Performance and the
Book SynopsisDr John Lutterbie is a professor at Stony Brook University, New York, USA, where he teaches performance theory in the Department of Theatre Arts. He is co-founder of the Center for Embodied Cognition, a consortium of scholars in the arts, humanities and neurosciences that does experimental as well as humanist research. He is co-editor (with Nicola Shaughnessy) of Bloomsbury Methuen Drama's Performance and Science series, and author of Toward and General Theory of Acting: Cognitive Science and Performance (2011). Trade ReviewPractical exercises throughout the book … highlight intersections between the body and its environment and present an array of sensory investigations and means to develop a fuller consciousness of inner and outer spaces. * Drama Research *Table of ContentsList of Illustrations Introduction: Intersections Chapter 1: Landscapes Chapter 2: Culture and the Petri Dish Chapter 3: The Worlds of Performance Chapter 4: Temporality Chapter 5: The Text Chapter 6: Aesthetics Epilogue Notes References Further Reading Index
£24.99
Edinburgh University Press A Philosophy of Practising
Book SynopsisProvides an account of 'practising', its mechanisms and implications, in conversation with Deleuze's Difference and Repetition.Trade Review"Antonia Pont's achievement in this book is difficult to quickly summarise. This is a thinking-through practicing, displaying an extremely sensitivity to its manifold complexities; a meticulous, illuminating and fresh working-through of Gilles Deleuze's baroque philosophy of time; a consideration of rest and posture, injury and pain in their proper texture Pont does not simply reconstruct that familiar bridge between the clich of blind practice and sovereign, panoptic philosophy. In place of application, this astonishing book instead presents a weaving, an intertwining, in the course of which the discrete places of philosophy and practice are themselves undone and redone over and over again, their original names lost in the difficult joy of their ceaseless transformation." -Jon Roffe, Melbourne School of Continental Philosophy
£19.94
Bloomsbury Publishing (UK) The Bloomsbury Handbook of Sound Art
Book SynopsisSanne Krogh Groth is Associate Professor of Musicology at Lund University, Sweden. She is Office Director of the Sound Environment Centre, Lund University, and Co-Editor-in-Chief of the online journal Seismograf. She is author of the book Politics and Aesthetics in Electronic Music (2014) and is currently conducting field-based research on experimental music and de-colonial aesthetics in Indonesia. Holger Schulze is Professor of Musicology at the University of Copenhagen, Denmark, and Principal Investigator at the Sound Studies Lab. He is the author of numerous books including Sound as Popular Culture (2016), The Sonic Persona (Bloomsbury, 2018), and Sound Works (Bloomsbury, 2019).Trade Review[This book] deserves a wide and engaged readership, for this is an important collection of curated essays that drives the debates around sound art into new territories. Its focus on sound as an operative force that might hold power to account makes it that rare thing, a most timely textbook. * The Wire *Sanne Krogh Groth and Holger Schulze have edited a volume of almost 600 pages that consists of very interesting texts that explain how social perspectives and art historical theory can fruitfully be applied to sound art and yield insights not easily developed through the traditional focus on sound and space. The book makes a very good case for why it is necessary to expand the reading and understanding of sound art’s many sub-genres in order to grasp the contemporary developments, in particular socially engaged works with political intentionality. * Jøran Rudi in Organised Sound, December 2020 *An innovative, comprehensive and timely volume that I cannot recommend enough. * SoundEffects *A welcome and important book that greatly enriches the scope of the sound art domain and should be of considerable interest to both theorists and practitioners. * Journal of Sonic Studies *Table of ContentsSound Art. The First 100 Years of an Aggressively Expanding Art Form (Sanne Krogh Groth, Lund University, Sweden, and Holger Schulze, University of Copenhagen, Denmark) Part I After the Apocalypse. The Desert of the Real as Sound Art 1. The Sonic Aftermath. The Anthropocene and Interdisciplinarity after the Apocalypse (Anette Vandsø, Aarhus University, Denmark) 2. Composing Sociality. Toward an Aesthetics of Transition Design (Jeremy Woodruff, Istanbul Technical University, Turkey) 3. Dealing with Disaster. Notes toward a Decolonizing, Aesthetico-Relational Sound Art (Pedro J. S. Vieira de Oliveira, Sound Artist and Independent Scholar, Germany) 4. Vocalizing Dystopian and Utopian Impulses. The End of Eating Everything (Stina Marie Hasse Jørgensen, University of Copenhagen, Denmark) Part II Journeys Across the Grid. Postcolonial Transformations as Sound Art 5. “Diam!” (Be Quiet!). Noisy Sound Art from the Global South (Sanne Krogh Groth, Lund University, Sweden) 6. Curating Potential. Migration and Sonic Artistic Practices in Berlin (Juliana Hodkinson, Royal Academy of Music, Denmark, in Conversation with Elke Moltrecht, Academy of the Art of the World, Germany, and Julia Gerlach, Freie Universität Berlin, Germany) 7. Four Artistic Journeys i. Pockets of Communities (Holger Schulze, University of Copenhagen, Denmark, in Conversation with Emeka Ogboh, Columbia’s Institute for Ideas and Imagination, France) ii. Cairo Baby-Doll. Some Remarks on a Cairo Sound Art Scene (Søren Møller Sørensen, University of Copenhagen, Denmark) iii. When I Close My Eyes Everything Is So Damn Pretty (Can’t Do the Thing You Want, Can’t Do the Thing You Want, Can’t Do the Thing You Want) (Samson Young, Composer and Artist, Hong Kong) iv. Sound in Covert Places. Indonesian Sound Art Development through Bandung Perspectives (Bob Edrian, Institut Teknologi Bandung, Indonesia) 8. Sound Art in East and Southeast Asia. Historical and Political Considerations (Cedrik Fermont, Musician and Independent Scholar, Berlin, Germany, and Dimitri della Faille, University of Quebec, Canada) Part III Come Closer ... Intimate Encounters as Sound Art 9. Kiss, Lick, Suck. Micro-Orality of Intimate Intensities (Brandon LaBelle, University of Bergen, Norway) 10. Gender, Intimacy, and Voices in Sound Art. Encouragements, Self-portraits, and Shadow Walks (Cathy Lane, University of the Arts, London, UK) 11. Sonic Intimacies. The Sensory Status of Intimate Encounters in 3-D Sound Art (Sabine Feisst and Garth Paine, Arizona State University, USA) 12. Intruders Touching You. Intimate Encounters in Audio (Holger Schulze, University of Copenhagen, Denmark) Part IV De-Institutionalize! Institutional Critique as Sound Art 13. Inquiring into the Hack. New Sonic and Institutional Practices by Paulina Oliveros, Pussy Riot, and Goodiepal (Sharon Stewart, Utrecht University, the Netherlands) 14. Outside and Around Institutions. Two Artistic Positions i. Working in the Sounding Field (Annea Lockwood, Vassar College, USA) ii. Conversations and Utopias (Holger Schulze, University of Copenhagen, Denmark, in Conversation with Mendi Obadike, Pratt Institute, USA, and Keith Obadike, William Patterson University, USA) 15. Audiogrammi of a Collective Intelligence. The Composers-Researchers of S2FM, SMET, NPS, and Other Mavericks (Laura Zattra, Francesco Venezze Conservatory of Music, Italy) 16. Sounding in Paths, Hearing through Cracks. Sonic Art Practices and Urban Institutions (Elen Flügge, Queen’s University Belfast, Northern Ireland) Part V The Sonic Imagination. Sonic Thinking as Sound Art 17. The Sonic Fiction of Sound Art. A Background to the Theory-Fiction of Sound (Macon Holt, Goldsmiths, University of London, UK) 18. Women Sonic Thinkers. The Histories of Seeing, Touching, and Embodying Sound (Sandra Kazlauskaite, Goldsmiths, University of London, UK) 19. "Specific Dissonances." A Geopolitics of Frequency (Alastair Cameron, Independent Scholar, UK, and Eleni Ikoniadou, Royal College of Art, UK) 20. A Universe in a Grain of Sound. The Production of Time and Fiction in Machinic Sound Art (Tobias Ewé, University of British Columbia, Canada) Part VI Making Sound. Building Media Instruments as Sound Art 21. The Instrument as Theater. Instrumental Reworkings in Contemporary Sound Art (Sanne Krogh Groth, Lund University, Sweden, and Ulrik Schmidt, Roskilde University, Denmark) 22. From Turntable to Neural Net. Sound Art, Technoscience, Craft, and the Instrument (Chris Salter and Alexandre Saunier, Concordia University, Canada) 23. The Instrument as Medium. Phonographic Work (Rolf Großmann, Leuphana University of Lünenberg, Germany) 24. How to Build an Instrument? Three Artistic Positions--Articles and Interviews i. Membrane. Materialities and Intensities of Sound (Carla J. Maier, Humboldt University of Berlin, Germany, in Conversation with Marianthi Papalexandri-Alexandri, Cornell University, USA) ii. Pickups and Strings. On Experimental Preparation and Magnetic Amplification (Yuri Landman, Academy for Pop Culture, the Netherlands) iii. Mechanics. From Physicality over Symbolism through Malfunction and Back Again (Morten Riis, The Royal Academy of Music, Aarhus, Denmark) Notes References Contributors Index
£39.89
Cornerstone Art Cure
£14.34
Museum of Modern Art Club 57: Film, Performance, and Art in the East
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£29.75
Rivers Oram Press A Split Second of Paradise: Live Art,
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£14.20
Just Press Taking on the Empire: How We Saved the Hackney
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£14.25
Maney Publishing The Tradition of the Actor-author in Italian
Book SynopsisThis book brings together critical essays on the role of the actor-author, spanning the period from the Renaissance to the present. It surveys the works of Dario Fo, De Filippo, and Bene, and casts light on a tradition which continues into Neapolitan and Sicilian theatre today.Table of ContentsIntroduction 1. The Actor-Author in Castiglione's 'Il Cortegiano': 'lo esser travestito porta seco una certa libertà e licenzia' 2. Perché molte cose stanno ben nella penna che nella scena starebben male' Reading Between the Lines of the Surviving Ruzante Texts 3. Isabella Andreini's Stage Repertoire: The 'Lettere' and 'Fragmenti' 4. Commedie fortunate…’: 'Le due comedie in comedia' di Giovan Battista Andreini 5. The Actor and the Author: Renaissance Theatre in England and Italy 6. Goldoni, Gozzi, e il lavoro con l'attore 7. Napoli tra Ottocento e Novecento: dalla drammaturgia dell'attore alla drammaturgia dell'autore e ritorno 8. Il dilemma del teatro: 'La parte di Amleto' di Eduardo De Filippo 9. Characters in an English Adaptation of 'Napoli milionaria!' 10. La scrittura 'sul pubblico': The Fo-Rame Method 11. Franca Rame's Dowry How the Rame Family Tradition Lives On in the Theatre of Dario Fo and Franca Rame 12. Il 'funerale dell'orale'. Carmelo Bene: la scena e la scena della pagina 13. The Actor-Narrator 14. Marco Baliani's Theatrical Storytelling of Wonderment 15. Sguardi su una Napoli contemporanea attraverso il teatro di Annibale Ruccello 16. Il buio in fondo al sacco Parole in fuga e corpi senza scampo nel teatro di Spiro Scimone
£75.00
HENI Publishing What Is Gilbert & George?
Book SynopsisIn answering the question posed by its title, and drawing on his twenty year relationship with the artists, Michael Bracewell is the first writer to engage directly with Gilbert & George to understand why they have devoted their lives exclusively and continuously - to the vision of art they conceived within months of first meeting. What emerges piece by piece is a portrait of Gilbert & George as two men who are infinitely more intense, strange, determined and alone than their longstanding public image suggests.
£9.45
Occasional Papers Répondeur
£20.90
Ugly Duckling Presse Quartet
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£11.78
De Gruyter Kunst, Musik und Peter Brötzmann: Free Music Art
Book SynopsisSince the mid-1960s, Peter Brötzmann has made a decisive impact on the international free jazz and improvized music scene; parallel to his musical activity, he also practices as a visual artist. This volume takes a look at the outstanding “double talent” from various scholarly perspectives. It is dedicated to the artistic crossing of boundaries, asking how the art and music genres influence each other, and what parallels or differences can be identified in terms of artistic concepts and expressive forms. The focus is on the word “free” – as an element in the name of the music genre free jazz and the record label FMP, co-founded by Peter Brötzmann. This points to a social dimension, but also to a creative musical or artistic principle in relation to the “free arts”. The book contains one of the last interviews with the artist. Interdisciplinary contribution on reciprocal influences between musical and artistic genres New academic research on Peter Brötzmann
£22.05
Hatje Cantz Eric Hattan (Bilingual edition): Five O'Clock
Book SynopsisEric Hattan is known for his canny interventions in public places and causing surprise by thwarting the familiar order. This is also the case at the Museum Langmatt, which invited the Swiss artist to playfully intervene on its premises. The historic villa with its mahogany parquet flooring, fine carpets, chandeliers, and manicured garden provides a contrasting foil for Hattan’s installations, composed of worn clothing, metal parts, and other less exquisite materials. Five o’clock Shadow documents the ensuing dialogue that spans from the rich contrast between the present and the Belle Epoque, and shows how the venerable building is being tangibly enlivened.
£23.80
Hatje Cantz Willi Dorner Bilingual edition
Book SynopsisFollowing bodies in urban spaces, Willi Dorner's urban drifting is a retrospective on a series of selected projects that were set up and executed in various urban situations - both in- and outdoor. They complete the picture of his artistic work beneath from the stage. The projects are accompanied by relflections covering a period from the end of the 1980s to the present day. The selection gives an insight into his thinking, describes events and experiences on his travels and provides a glimpse behind the scenes of the projects. A photo series with a focus on the city complement his personally held remarks and show his view of Vienna.
£51.00
Hatje Cantz Heaven Baek: Platforms of Reality (Bilingual
Book SynopsisPlatforms of Reality examines the oeuvre of a multi-layered analysis and interpretation of Heaven Baek's work, which resonates through the composition of people and society in both reality and on stage. The main content of the book ranges from the artist's early works to her recent practice, where she questions the reality of video timelines and instant realities with a strong sense of immediacy, collective memories, and staged realities. And through these well-scripted performances, she is thus representing the flood of real information that has somehow lost its purpose and meaning. The book is divided into four different chapters, each exploring a different sense of reality. The “platform” is used for both as a stage or, where trains leave from different tracks with different destinations, crossing paths while encountering each other continuously. These platforms may be imagined as stages for her work—bringing together her artistic approaches where Baek attempts to permeate social collectives with her research and artistic methodologies—from drawing to video to installation.
£30.40
Hatje Cantz Verlag Marina Abramovic. Free Interdisciplinary
Book SynopsisThe outstanding performance artist Marina Abramović was the first holder of the new Pina Bausch Professorship at the Folkwang University of the Arts in Essen in 2022/23. She focused on transdisciplinarity, artistic daring and social awareness. In her Free Interdisciplinary Performance Laboratory (FIPL), Abramović brought together over twenty students from the fields of music, dance, design, photography, (physical) theater and directing. Over two semesters, they realized artistic-performative projects that dealt with agency, resilience and body awareness and explored physical and mental boundaries.
£40.50
Hirmer Verlag 125th Street: Photography in Harlem
Book SynopsisHarlem’s 125th Street is a marker of 20th century urban experience, a thoroughfare that encapsulates powerful stories of business and consumption, real estate and gentrification, glamour and entertainment, and political uprising. The book explores works and themes from a large roster of photographers and performance artists who have engaged with the constant mutation of this street-life. The photographs in this book represent narratives of resilience and poems of survival against a rapid and sweeping movement of history across 125th street, where buildings and communities are periodically destroyed and built anew. The works shape a sense of belonging and identity that goes against the stereotyping and mystification of this neighborhood. It contributes to the writing of a new history of photography that is collective and collaborative. Among the artists featured are Dawoud Bey, Khalik Allah, Kwame Brathwaite, Jamel Shabazz, Hiram Maristany, Ming Smith, Ruben Natal San Miguel, Isaac Diggs & Edward Hillel, Lorraine O’Grady, and William Pope.L. Artists include: Berenice Abbott, Khalik Allah, Alice Attie, Dawoud Bey, Kwame Brathwaite Isaac Diggs & Edward Hillel, Lola Flash, Hiram Maristany, Ozier Muhammad, Katsu Naito Marilyn Nance, Ruben Natal-San Miguel, Lorraine O’Grady, Gordon Parks, Pope.L, Jamel Shabazz, Coreen Simpson, Beuford Smith, Ming Smith, Morgan and Marvin Smith, Shawn Walker Hai Zhang.
£23.96
Archive Books Body Luggage: Migration of Gestures. Migration
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£19.00
EDIZIONI C/O BARDI RUSHES
£52.20
DISTANZ Verlag GmbH Images in Mind Bodies in Space
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£35.20
Steidl Publishers Henry Leutwyler: Misty Copeland
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£36.00
Spector Books Things That Go Through Your Mind When Falling.
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£30.60
Louisiana Museum of Modern Art Marina Abramovic Ulay No Predicted End
Book SynopsisKasper Bech Dyg is a director and writer based in Denmark.
£31.50
Skira Last Days of the Opera
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£28.00
Skira Katalin Ladik: Ooooooooo-pus
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£32.00
Skira Maria Madeira
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£24.00
Produzioni Nero The Painter
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£23.75
Produzioni Nero Rosas Lounge
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£17.10
Valiz Moving Together: Making and Theorizing
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£19.00
Set Margins' Publications Is This the Way the Universe Works?: (555 Verses
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£17.10
MER Paper Kunsthalle Performance as Archive: Archive as Performance
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£13.50
Valiz What is This Thing Called Polaroid?
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£19.00
Kontejner Extravagant Bodies: Extravagant Age Reader:
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£20.90
Kontejner Touch Me Festival: Outinopen
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£19.00
Kontejner Device Art: 3.009
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£15.00
Kontejner Extravagant Bodies: Extravagant Minds
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£15.00
Kontejner Kontejner: Curatorial Perspectives on the Body,
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£28.50
Kontejner Touch Me Festival: Energy Ab/Use
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£19.00
Kontejner Device Art: 4.012
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£19.00
Indiana University Press Masquerading Politics Kinship Gender and
Book SynopsisTrade Review[This] book as a whole stands as a major achievement not only in Yoruba history and historical anthropology, but in recent historiographic trends using ritual institutions and performances as primary historical sources. It will have a major impact in Yoruba studies, and in the study of West African history more generally. Willis should be commended for penetrating a complex and socially guarded ritual resource to glean the hidden histories manifested therein. * African Studies Review *Willis's work should be a must-read for students and established scholars alike. * Africa *Table of ContentsAcknowledgementsIntroduction1. The Early History of Otta and the Origins of Egungun and Gelede2. "Children" and "Wives" in the Politics of the Oyo Empire during the Era of the Atlantic Slave Trade3. The Emergence of New Warriors, Wards, and Masquerades: The Otta Kingdom during the Era of Imperial Collapse4. "A Thing to Govern the Town": Gendered Masquerades and the Politics of the Chiefs and the Monarchy in the Rebuilding of a Town, 1848–18595. Wives, Warriors, and Masks: Kinship, Gender, and Ethnicity in Otta, 1871–1928Conclusion: Egungun and Gelede at Otta TodayBibliographyIndex
£63.00
Indiana University Press Masquerading Politics
Book SynopsisTrade Review[This] book as a whole stands as a major achievement not only in Yoruba history and historical anthropology, but in recent historiographic trends using ritual institutions and performances as primary historical sources. It will have a major impact in Yoruba studies, and in the study of West African history more generally. Willis should be commended for penetrating a complex and socially guarded ritual resource to glean the hidden histories manifested therein. * African Studies Review *Willis's work should be a must-read for students and established scholars alike. * Africa *Table of ContentsAcknowledgementsIntroduction1. The Early History of Otta and the Origins of Egungun and Gelede2. "Children" and "Wives" in the Politics of the Oyo Empire during the Era of the Atlantic Slave Trade3. The Emergence of New Warriors, Wards, and Masquerades: The Otta Kingdom during the Era of Imperial Collapse4. "A Thing to Govern the Town": Gendered Masquerades and the Politics of the Chiefs and the Monarchy in the Rebuilding of a Town, 1848–18595. Wives, Warriors, and Masks: Kinship, Gender, and Ethnicity in Otta, 1871–1928Conclusion: Egungun and Gelede at Otta TodayBibliographyIndex
£25.19
Indiana University Press The Politics of Musical Time
Book SynopsisTrade ReviewScholarship has established that arts exist through complex networks with historical time; aesthetic forms have distinctive rhythmic-temporal lives; and devotional meditations are based on diurnal, mythical and other time-based imaginings. Yet, The Politics of Musical Time brings these dimensions together in a most original manner, throwing sharp analytical light on synchronic and diachronic relations between musical and social temporalities in Bengal. It does so by analyzing the materiality of sonic time as a highly nuanced expansion of relations between affect and economy, meaning and rhythm, the past and the contemporary, devotion and context, and aesthetics and everyday life. It is a unique and significant contribution to studies of South Asian religions, aesthetics, and historical and contemporary time. -- Sukanya Sarbadhikary, author of The Place of Devotion: Siting and Experiencing Divinity in Bengal-VaishnavismTable of ContentsAccessing Audiovisual MaterialsAcknowledgmentsNotes on Spelling and TransliterationNotes on Representing Musical SoundNotes on Dating SystemsIntroduction: Kīrtan's Influence Derives from TimePart I: Genealogies of Kīrtan1. Temporality and Devotional Performance in Bengal2. The Seeds of Kīrtan: Histories and Imaginaries of Devotional Song in Early Modern Bengal3. Devotional Song Arrives in the City: Histories of Patronage and Images of the Devout Musician in the Colonial Period4. Institutional Pasts and Professional Futures: Temporalities of Instruction and Performance in Contemporary West BengalPart II: The Devotional Aesthetics of Musical Expansion5. Word-Pictures: Expansions of Mood and Meaning in Kīrtan Song Texts6. Sonic Synchronies of Tāl Theory7. The Divine Play of the Tax Collector: Musical Expansion, Embodied Response, and Didactic Storytelling in a Līlā KīrtanPart III: The Shrinking Markets for Expanding Songs8. The Marketplace of Music Festivals: Modern Social Time and Musical Labor9. Media Markets: Visualization and the Abstraction of Musical Time10. Conclusion: Kīrtan OnlineGlossaryBibliographyIndex
£59.50
Yale University Press Sharon Hayes
Book SynopsisIn her performances, videos, and installations, Sharon Hayes (b 1970) explores the nexus between politics, history, speech, and desire. This book provides an insight into the complex motivations and development of Hayes' projects.
£17.10
Yale University Press Rituals of Rented Island Object Theater Loft
Book SynopsisExplores three performance art practices of the 1970s and early 1980s: object theater; loft performance; and new psychodrama. By tracing the paths of such artists as Stuart Sherman, Julia Heyward, Jared Bark and Jill Kroesen, this title makes visible a critical period in the development of performance art.
£999.99
Yale University Press Jan Fabre TroubleynLaboratorium Agrarian Studies
Book SynopsisThis handsome book peers into Troubleyn/Laboratorium, the workspace, collective art space, and creative incubator of Belgian multidisciplinary artist Jan Fabre (b. 1958), whose performances, staged since the 1980s, have brought him international acclaim and recognition. Expressing the collective aims of Fabreâs theatre company, Troubleyn/Laboratorium functions as his workspace as well as a nurturing environment for the activities of his theater company and young artists alike, in which artists are free to develop and materialize their creative impulses. The building, situated in a progressive multicultural neighborhood in northern Antwerp, houses a uniquely integrated collection of art works from international visual artists, writers, theatre makers, and philosophers, with whom Jan Fabre feels a close affinity and whose works represent the overall cooperative spirit of the space itself. Fostering an environment that is as progressive as the artistâs varied oeuvre, Troubleyn/Laboratoriu
£33.25
