Performance art Books
Taylor & Francis Ltd ORLAN
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Taylor & Francis Understanding Disability Studies and Performance Studies
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Taylor & Francis Ltd Performance Theatre and the Poetics of Failure
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Taylor & Francis Performance in the Twentyfirst Century Theatres of Engagement
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Taylor & Francis The Theatre of the Bauhaus
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Taylor & Francis Replaying Shakespeare in Asia
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Taylor & Francis The Improvisation Studies Reader
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Taylor & Francis The Improvisation Studies Reader
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Taylor & Francis Understanding Disability Studies and Performance Studies
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Taylor & Francis Humor in the Classroom
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Taylor & Francis Humor in the Classroom
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Taylor & Francis Ltd Thriving in the Face of Childhood Adversity
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Taylor & Francis Neil LaBute
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Taylor & Francis Ltd The Routledge Companion to Dramaturgy Routledge Companions
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Taylor & Francis Ltd Critical Live Art Contemporary Histories of Performance in the UK
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Taylor & Francis Handbook on Sexual Violence
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Taylor & Francis Ltd Shakespeare Performance and the Archive
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Taylor & Francis Ltd Shakespeare Performance and the Archive
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Taylor & Francis Ltd Live Art in LA
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Taylor & Francis The Japanese Adult Video Industry
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Taylor & Francis Ltd International Politics and Performance Critical Aesthetics and Creative Practice Interventions
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Taylor & Francis International Politics and Performance Critical Aesthetics and Creative Practice Interventions
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Taylor & Francis The Grammar of Politics and Performance Interventions
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Taylor & Francis Ltd Creating Solo Performance
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Taylor & Francis Alchemists of the Stage
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Taylor & Francis Eurasian Theatre
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Taylor & Francis Ltd Towards a Theory of Mime
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Taylor & Francis Ltd Towards a Theory of Mime
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Taylor & Francis Political Aesthetics
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Taylor & Francis Jasmin Vardimons Dance Theatre Movement memory and metaphor
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Taylor & Francis Ltd The Illuminated Theatre
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Taylor & Francis Ltd The Illuminated Theatre
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Taylor & Francis Acting with Grotowski
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Taylor & Francis Acting with Grotowski
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Taylor & Francis The Method Acting Exercises Handbook
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Taylor & Francis Shakespeare
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Taylor & Francis Ltd Patterns in Shakespearian Tragedy
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Taylor & Francis Ltd Performing Home Routledge Advances in Theatre Performance Studies
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Taylor & Francis Ltd (Sales) Pervasive Animation AFI Film Readers
Table of ContentsPervasive Animation. An Introduction Suzanne Buchan SECTION 1: Preludes and Innovations 1. Expanded Animation: A Small Genealogy of the Idea and Praxis that Breathe a Soul into Dead Things Siegfried Zielinski 2. The Transforming Image: The Roots of Animation in Metamorphosis and Motion Tom Gunning SECTION 2: Material Culture 3. Animation’s Petrified Unrest Esther Leslie 4. Ecocritique and the Materialities of Animation Sean Cubitt SECTION 3: Life and Non-Life 5. Coming to Life: Cartoon Animals and Natural Philosophy Thomas Lamarre 6. A Cinema of Apprehension: A Third Entelechy of the Vitalist Machine Suzanne Buchan 7. The East Asian Post-human Prometheus: Animated Mechanical 'Others' Joon Yang Kim SECTION 4: History, Documentary and Truth 8. Socialimagestics and Cinemasymbiosis: The Materiality of A-Realism Mark Bartlett 9. ReAnimator: Embodied History, and the Post-Cinema Trace in Ken Jacobs' 'Temporal Composites' Jeffrey Skoller 10. Animated Documentaries: Aesthetics, Politics and Viewer Engagement Nea Ehrlich SECTION 5: Display, Process and Practice 11. Take the B Train: Reconstructing the Proto-cinematic Apparatus George Griffin 12. Spaces of Wonder: Animation and Museology Edwin Carels 13. Animation Studies as an Interdisciplinary Teaching Field Paul Ward
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Taylor & Francis Sex and War on the American Stage Lysistrata in performance 19302012
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Taylor & Francis Theatre for Womens Participation in Sustainable Development
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Taylor & Francis Haptic Allegories
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Taylor & Francis Ltd The Actor Training Reader
Book SynopsisThe Actor Training Reader is an invaluable resource for students and teachers of acting, offering access to a wide range of key texts that identify, explore, illuminate and interrogate the challenges, practices and processes involved in training the modern actor. A companion volume to the highly-acclaimed Actor Training (Hodge 2010), this book collects key writings by influential actor training practitioners of the twentieth century, introduced with essays from leading academics in the field of actor training. Key practitioners included are: Eugenio Barba;Anne Bogart;Bertolt Brecht;Peter Brook;Michael Chekhov; andKonstantin Stanislavsky. The book sets established, widely used texts alongside less well-known ones in order to trace the development of actor training from the pioneering advances of Eastern Europe to the acting games of Augusto Boal. The texts are grouped into thematic sections rather tTrade Review'There’s plenty here for any serious student needing to get to grips with the theory and would make an excellent accessible starting point for anyone hungry for information but as yet not quite ready for any single practitioner’s complete oeuvre.' - Susan Elkin, The StageTable of ContentsIntroduction Mark Evans, Coventry University, UK.PrologueJacques Copeau: Rudlin, J. & Paul, N. (eds.) (1990) Copeau: Texts on TheatreKonstantin Stanislavsky: Stanislavski, C. (1980) My Life in ArtPurposeThe Purpose of Actor TrainingIan Watson, Rutgers University, USA.Extracts:Mike Alfreds: Alfreds, M. (2007) Different Every Night: Freeing the ActorEugenio Barba: Barba, E. (1979) The Floating IslandsAugusto Boal: Boal, A. (1995) The Rainbow of Desire: The Boal method of theatre and therapyMichael Chekhov: Chekhov, M. (1985) Lessons for the Professional ActorEdward Gordon Craig: Craig, E. G. (1983) Craig On TheatreJerzy Grotowski: Grotowski, J. (1997) 'Performer', in Schechner, R. & Wolford, L. (eds.) (1997) The Grotowski Sourcebook,Jacques Lecoq: Lecoq, J. (2000) The Moving Body: Teaching creative theatreYoshi Oida: Oida, Y. & Marshall, L. (1997) The Invisible ActorKonstantin Stanislavsky: Stanislavski, K. (2008) An Actor’s Work TechniqueTraining the Actor’s Voice and BodyJonathan Pitches, University of Leeds, UK.Extracts:Antonin Artaud: Artaud, A. (1970) The Theatre and its DoubleEugenio Barba: Barba, B. (1986) Beyond the Floating IslandsAugusto Boal: Boal, A. (2002) Games for Actors and Non-ActorsMoshe Feldenkrais: Feldenkrais, M. & Schechner, R. (1966) ‘Image, Movement, and Actor: Restoration of Potentiality - A discussion of the Feldenkrais Method and Acting, Self-Expression and the Theater’Dario Fo and Franca Rame: Fo, D. & Rame, F. (1983) Theatre Workshops at the Riverside StudiosJerzy Grotowski: Grotowski, J. (1969) Towards a Poor TheatreRudolf Laban: McCaw, D. (ed.) The Laban SourcebookJacques Lecoq: Lecoq, J. (2006) Theatre of movement and gestureKristin Linklater: Linklater, K. (1976) Freeing the Natural VoiceVsevolod Meyerhold: Bruan, E. (1969) Meyerhold on TheatreMichel Saint-Denis: Saint-Denis, M. (1982) Training for the TheatreTadashi Suzuki: Suzuki, T. (1986) The Way of Acting: The theatre writings of Tadashi SuzukiYevgeny Vakhtangov: Malaev-Babel, A. (ed.) (2011) The Vakhtangov SourcebookPhillip Zarrilli: Zarrilli, P. (2009) Psychophysical Acting: An Intercultural approach after StanislavskiCharacter and CompositionThe Self and the Fictive Other in Creation, Rehearsal and PerformanceBella Merlin, University of California, Riverside, USA.Extracts:Stella Adler: Adler, S. The Art of Acting (2000) Eugenio Barba: Barba, E. (2010) On Directing and Dramaturgy: Burning the HouseAnne Bogart and Tina Landau: Bogart, A. & Landau, T. (2005) The Viewpoints BookBertolt Brecht: Willett, J. (ed.) (1978) Brecht on Theatre: The Development of an AestheticMichael Chekhov: Chekhov, M. (2002) To The ActorDario Fo: Fo, D. (1991) The Tricks of the TradeJacques Lecoq: Lecoq, J. (2000) The Moving BodySanford Meisner: Meisner, S. & Longwell, D. (1987) Sanford Meisner on ActingOdin: Christoffersen, E. E. (1993) The Actor’s Way,Open Theatre: Pasolli, R. (1972) A book on the Open TheatreKonstantion Stanislavsky: Stanislavski, K. (2008) An Actor’s WorkPresencePresence, Physicality, Play and CommunionDick McCaw, Royal Holloway University, UK.Extracts:Peter Brook: Brook, P. (1993) There Are No Secrets: Thoughts on Acting and TheatreJoseph Chaikin: Chaikin, J. (1991) The Presence of the ActorJacques Copeau: Rudlin, J. & Paul, N. (eds.) (1990) Copeau: Texts on TheatrePhilippe Gaulier: Gaulier, P. (2006) The Tormentor: le jeu, light, theatreKeith Johnstone: Johnstone, K. (1981) Impro: Improvisation and the TheatreJacques Lecoq: Lecoq, J. (2006) Theatre of Movement and GestureJoan Littlewood: 'Working with Joan: Theatre Workshop actors talking to Tom Milne and Clive Goodwin' Ariane Mnouchkine: extracts from: Féral, J., Mnouchkine, A. & Husemoller, A. (1989) ‘Building up the Muscle: An Interview with Ariane Mnouchkine’Wlodzimierz Staniewski: Staniewski, W. with Hodge, A. (2004) Hidden Territories: the theatre of gardzieniceRuth Zaporah: Zaporah, R. (1995) Action Theater: The improvisation of presenceEpilogueYoshi Oida: Oida, Y. & Marshall, L. (1997) The Invisible ActorAfterword Mark Evans, Coventry University, UK
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Taylor & Francis Ltd The Actor Training Reader
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£48.99
Taylor & Francis Aesthetics of Absence Texts on Theatre
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Taylor & Francis Aesthetics of Absence Texts on Theatre
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Taylor & Francis Ltd European Dance since 1989
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Taylor & Francis Ltd European Dance since 1989
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