Paintings and painting Books

Book SynopsisNew title in the Flame Tree Blank Notebook collection, combining beautiful art with high-quality production, and featuring blank pages, a pocket at the back and two ribbon bookmarks. Perfect as a gift, or an essential personal choice for writers, note takers, travellers, students, and poets.A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are embossed and foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table.P

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Book SynopsisA new title in the Flame Tree Slimline Journal collection, combining beautiful art with high-quality production, and featuring lined pages, a pocket at the back and two ribbon bookmarks. Perfect as a gift, or an essential personal choice for writers, notetakers, travellers, students, and poets.A FLAME TREE NOTEBOOK. Beautiful and luxurious, the Slimline Journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table.PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list and robust ivory text paper, printed with lines.THE ARTIST. Lucy Innes Williams is a painter and illustrator with an artistic interest in highly ornate textiles, patterns, and the decorative arts of the early-mid twentieth century. She uses a combination of gouache, watercolour and printmaking. THE FINAL WORD. As William Morris said, Have nothing in your houses that you do not know to be useful, or believe to be beautiful.

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Book SynopsisSold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradable cellobag, and are themed with our art calendars, foiled notebooks and illustrated art books.Charles Caryl Coleman was an American artist who studied in Paris before returning home to participate in the American Civil War. He later returned to Europe and it was whilst in Italy that he developed a style of large-scale still lifes, of which Apple Blossoms is an example. It shows his ability to mix elements from different styles and cultures.

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Book SynopsisSold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradable cellobag, and are themed with our art calendars, foiled notebooks and illustrated art books.Catrin Welz-Stein's work is characterised by a sense of whimsy and wonder, as can be seen in this moonlit vision. The fantasy landscape illuminated by twinkling stars shows a fresh, green world from which the moon can be pulled closer. The image evokes a feeling of nostalgia for bedtime stories, full of characters who could make anything possible.

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Book SynopsisSold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradable cellobag, and are themed with our art calendars, foiled notebooks and illustrated art books. This example features Gustav Klimt's Poppy Field. With a high horizon, the foreground dominates this oil painting, creating a sense of a vast expanse of poppies. Although this subject was explored by Claude Monet (1840–1926) and Auguste Renoir (1841–1919), stylistically it is extremely different from Impressionism. The tightly packed poppies provide detail, while the elevated view displays the whole landscape.

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Book SynopsisSold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradeable cellobag, and are themed with our art calendars, foiled notebooks and illustrated art books. This example features Turkish Wall Tiles.

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Book SynopsisSold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradable cellobag, and are themed with our art calendars, foiled notebooks and illustrated art books.Born in Kent, Annie Soudain spent her early childhood years in Truro, Cornwall, where her interest in plants and nature began. Now settled by the sea in Sussex, much of her work continues to be inspired by the beautiful landscapes surrounding her. This colourful linoprint was created using the reduction method, which involves progressively cutting, inking up, and printing from the same block.

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Book SynopsisKeep the page in your book with this gorgeous pack of 10 foiled bookmarks, printed on both sides, with a silky ribbon and featuring artwork by Vincent van Gogh. In a letter to his sister Wilhemina, Van Gogh wrote: 'Often it seems to me night is even more richly coloured than day.' In this night painting, the sky is Prussian blue, ultramarine and cobalt, with sparkling yellow gaslights and stars. The spot depicted is in Arles, close to the Yellow House he famously rented.

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Book SynopsisKeep the page in your book with this gorgeous pack of 10 foiled bookmarks, printed on both sides, with a silky ribbon and featuring artwork by Vincent van Gogh. Demonstrating influence from Impressionism and Japanese prints, Almond Blossom was painted in response to the birth of Vincent van Gogh’s nephew. Motivated by the occasion and moved by his brother Theo naming the child after him, Van Gogh painted Almond Blossom as a gift in celebration of the event. He had previously been greatly inspired by flowering trees, and appreciated their power as symbols of rebirth.

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Book SynopsisKeep the page in your book with this gorgeous pack of 10 foiled bookmarks, printed on both sides, with a silky ribbon and featuring artwork by Vincent van Gogh. Van Gogh painted a series of pictures depicting sunflowers, having first been inspired by the yellow flowers in Paris when he saw them growing in the gardens of Montmartre. Sunflowers were symbolic of life and hope to the artist, and could also be associated with his concept of the sun – glowing, yellow and hopeful.

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Book SynopsisKeep the page in your book with this gorgeous pack of 10 foiled bookmarks, printed on both sides, with a silky ribbon and featuring artwork by Vincent van Gogh. In this painting the brightly lit café radiates with warmth and inviting light, becoming a beacon of yellow set against the rich, dark blue of a night sky, which in turn is illuminated by myriad bright stars. Van Gogh attached the colour yellow to feelings of religious inspiration, light and happiness.

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Book SynopsisKeep the page in your book with this gorgeous pack of 10 foiled bookmarks, printed on both sides, with a silky ribbon and featuring artwork by Edvard Munch. Munch's most famous painting exemplifies Norwegian Expressionism. The angst-ridden human condition has never been so superbly and unassailably conveyed as by the figure emitting a cry from the heart. Life, love and death are the themes which Munch endlessly explored in his paintings.

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Book SynopsisKeep the page in your book with this gorgeous pack of 10 foiled bookmarks, printed on both sides, with a silky ribbon and featuring artwork by Claude Monet All of a sudden,’ Monet would one day recall, ‘I had the revelation of the enchantment of my pond. I took up my palette…’ And the rest is art-history. Again and again – well over 200 times, and often working on an enormous scale – Claude Monet would return to water lilies as his subject.

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Book SynopsisHans Holbein's famous portrayal of Sir Thomas More is one of the artist's greatest and most popular portraits. In the opening piece of this appealing new volume, "A Letter to Thomas More, Knight", award-winning author Hilary Mantel vividly imagines the background to the creation of this extraordinary portrait, giving it both historical perspective and immediacy. An insightful, concise, scholarly essay by Xavier Salomon grounds it in the art-historical world. Hans Holbein (1497/98-1543) painted Sir Thomas More in 1527, having been a guest in More's house when he first arrived in England. He brilliantly renders his sitter's rich fabrics and unshaven face with sympathy and perception. Frick Diptychs, a new series of small books to be co-published by GILES with The Frick Collection, New York, pairs masterworks from the Frick with critical and literary essays. The novelist Hilary Mantel will be followed by the filmmaker James Ivory on Vermeer's "Mistress and Maid" and the artist and author Edmund de Waal on a pair of porcelain and bronze candlesticks by the 18th-century French metalworker Pierre Gouthiere.Trade ReviewTasty Twosomes. The Frick Collection in association with the publishing house D Giles Ltd will be launching a series of books in April 2018 called Frick Diptychs. Each book will be a 56-page paperback that presents a single work from the collection accompanied by an essay by its curator and a reflection by a well-known contemporary writer. The first volume will present Hans Holbein's portrait of Sir Thomas More (1527), with an essay by Xavier Salomon, the Frick's chief curator, and an article by Hilary Mantel, the novelist whose books, Wolf Hall and Bring Up the Bodies, won the Booker Prize in 2009 and 2012 respectively. Future titles will include Johannes Vermeer's Mistress and Maid (1666-67) by the Frick's associate research curator Peggy Iacono in conjunction with James Ivory, the film director, writer and producer. Another will be a pair of porcelain and gilt-bronze candlesticks (1782) by Pierre de Gouthiere discussed by Charlotte Vignon, the museum's decorative arts curator, and Edmund de Waal, author of The Hare with Amber Eyes and The White Road. Donald Lee, The Art NewspaperTable of ContentsDirector's Foreword; Acknowledgments; A Letter to Thomas More, Knight by Hilary Mantel; Holbein's Sir Thomas More by Xavier F. Salomon; Bibliography; Index

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Book SynopsisA collection of dialogues, talks, and writings by Philip Guston (1913-1980), one of the most intellectually adventurous and poetically gifted of modern painters. It lets us hear Guston's voice - as the artist delivers a lecture on Renaissance painting, instructs students in a classroom setting, and discusses various artists and writers.Trade Review"Lovingly compiled" Artforum "This hefty volume is 344 pages of smart art takes (Clark Coolidge, ed.) by the largely self-taught painter who, with pal Jackson Pollock, got expelled from L.A.'s Manual Arts High School in 1929." -- Christopher Knight Los Angeles Times, Culture Watch Blog "This is a book of wisdom, not only for artists but for anyone seeking to learn something from art." The Nation "Expansive" San Francisco Bay Guardian "Until now his influence has been through his art rather than his words. This collection gathers together interviews and studio discussions and commits the artist's words to print. -- Alexander Adams Art Newspaper "[Guston's] voice at its effusive best." Jewish ExponentTable of ContentsPreface Acknowledgments Introduction by Dore Ashton Statement in Art News Annual (1944) Statement in Twelve Americans (1956) Notes on Bradley Walker Tomlin (1957) Interview with Sam Hunter (1957) From the Chicago Panel (1958) Statement in Nature in Abstraction (1958) Statement in It Is (1958) Statement in The New American Painting (1957–58/1959) Interview with David Sylvester (1960). From Panel at the Philadelphia Museum School of Art (1960) Conversation with Bill Berkson (1964) Interview with Joseph S. Trovato (1965) Piero della Francesca: The Impossibility of Painting (1965) Philip Guston’s Object: Conversation with Harold Rosenberg (1965) Faith, Hope, and Impossibility (1965/66) Conversation with Joseph Ablow (1966) Interview with Karl Fortess (1966) On Morton Feldman (1967) Conversation with Morton Feldman (1968) The Image (1969) On Piero della Francesca (1971) Talk at Yale Summer School of Music and Art (1972) Conversation with Louis Finkelstein (1972) Conversation with Clark Coolidge (1972) Talk at Yale Summer School of Music and Art (1973) On the Nixon Drawings (1973) Ten Drawings (1973) On Survival (1974) On Drawing (1974) Conversation with Harold Rosenberg (1974) Talk at “Art/Not Art?” Conference (1978) From Panel at “Art/Not Art?” Conference (1978) Interview with Jan Butterfield (1979) Interview with Mark Stevens (1980) Interview with Joanne Dickson (1980) Studio Notes (1970–78) Bibliography List of Illustrations Index

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Book SynopsisDemonstrates that the rapidly evolving creative processes and pictorial solutions Martin developed between 1940 and 1967 define all her subsequent art. This title offers descriptions of the networks of art, artists, and information that moved between New Mexico and the creative centers of New York and California in the postwar period.

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Book SynopsisJuliane Noth shows how art and discussions about the future of ink painting were linked to the reshaping of the country, leading to the creation of a uniquely modern Chinese landscape imagery. Noth offers a new understanding of these experiments by studying them as transmedial practice, at once shaped by and integral to the modern global art world.Trade Review[An] important new volume…It will be necessary reading for all scholars of Republican China’s cultural politics. -- Craig Clunas * Journal of Chinese History *A comprehensive and insightful series of analyses on the problems of landscape painting and its practitioners at the junction of intermediation via photography, and on the need to proclaim and reinforce the continuity of ‘Chinese landscape painting’. Because of its detail and precise analysis this text will be an important reference for some time. -- John Clark * 21: Inquiries into Art, History, and the Visual *

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Book SynopsisPresents an English translation of the famous Chinese handbook, the "Chieh Tzu Yuan Hua Chuan" (original, 1679-1701). This title includes annotations of the texts of instructions, discussions of the fundamentals of painting, notes on the preparation of colors, and chief editorial prefaces.Trade Review"The Mustard Seed Garden will always be one of the greatest manuals of the most marvellous painting the world has ever known, and one cannot be too grateful for having it, with its commentary, available in English."--Journal of the Royal Central Asian SocietyTable of Contents*Frontmatter, pg. i*Publisher's Note, pg. v*Contents, pg. vii*Traditional Chronology, pg. viii*Introduction, pg. ix*Preface to the Shanghai (1887-88) Edition, pg. 1*Preface to the First (1679) Edition, pg. 11*The Fundamentals of Painting, pg. 15*Book of Trees, pg. 51*Book of Rocks, pg. 127*Book of Jen-wu, pg. 219*Preface to Parts II and III of the First Complete Edition (1701), pg. 317*Book of the Orchid, pg. 321*Book of the Bamboo, pg. 359*Book of the Plum, pg. 397*Book of the Chrysanthemum, pg. 433*Book of Grasses, Insects, and Flowering Plants, pg. 465*Book of Feathers-and-Fur and Flowering Plants, pg. 523*Concluding Notes on the Preparation of Colors, pg. 579*Summary of the Chieh TAUzu Yuan Hua Chuan, pg. 589*Appendix: Analysis of Basic Terms, pg. 609*Index, pg. 623

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Book SynopsisGeorge Stubbs: ‘all done from Nature’ presents the first significant overview of Stubbs’s work in Britain for more than 30 years and brings together 80 paintings, drawings and publications from the National Gallery’s Whistlejacket to pieces never previously seen in public.Stubbs produced exceptional images of animals and people throughout his career. These were a product of his keen scientific eye and uncommon sense of compassion. Rather than trust to history and the untested example of his precursors, he championed doing as a way of thinking and deployed picture-making in pursuit of reality.On the title page of The Anatomy of the Horse, his groundbreaking publication that rewrote our understanding of equine biology, Stubbs confirmed that everything that followed was ‘all done from Nature’ – meaning that it all derived from his own painstaking analysis of the subject in front of him.George Stubbs: ‘all done from Nature’ accompanies the major exhibition at MK Gallery in Milton Keynes and the Mauritshuis in The Hague and includes new writing on the artist by Nicholas Clee, Martin Myrone, Martin Postle, Roger Robinson, Jenny Uglow and Alison E. Wright.

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Book SynopsisDiana Armfield RA Hon RWS NEAC has a highly personal attachment to subject and a subtly distinctive affinity with the rhythms of form and tone. These qualities make her an important, influential figure in modern British art - and a very popular one. Flower paintings have brought her wide acclaim, but this book - created to mark her 100th birthday - also richly represents Diana's feeling for landscape and place. Including an inspiring number of more recent works, it brings her fascinating artistic and life story up to date.'I think I was born making things', Diana comments to Andrew Lambirth, whose absorbing interview with her forms the narrative thread of Diana Armfi eld: A Lyrical Eye. Diana's was a creative childhood steeped in experiments with drawing, pottery and embroidery, played out against the backdrop of a picture-fi lled house, a lovely garden and an artistic family. She studied at Bournemouth, Slade and Central art schools, starting out as a talented textile designer - a legacy that lent her a unique approach to the geometry, cadences and colour qualities of a painting. After organising cultural activities for workers and troops in World War II, Diana became one half of a successful partnership designing textiles and wallpaper, whose work featured in the Festival of Britain in 1951. The 1960s brought a turn to painting and from 1966 Diana has been a regular exhibitor at the prestigious Royal Academy Summer Exhibition. She has continued to paint and draw throughout her life and, as this book clearly demonstrates, always thinks afresh about each subject she tackles in order to respond to it with a close,warm sincerity.Diana Armfi eld: A Lyrical Eye charts Diana's personal and artistic journey with over 200 beautiful reproductions of her work, tracing favourite subjects and events - from a Welsh landscape to an informal fl ower display or the much-loved location of a painting trip in Italy or France. Andrew Lambirth's interview also explores the unique bond with her husband, painter Bernard Dunstan, who died in 2017, looking at how two leading artists interwove their personal and creative lives over a marriage of almost 70 years. As well as this interview, Andrew has contributed an essay on Diana's work to the book. Diana's standing and popularity have led to regular exhibitions, especially at prominent London gallery Browse& Darby. Her work is held in private and public collections worldwide, from London's V&Ato the Yale Center for British Art.Trade Review"Beautiful new book. . . . A treat for the senses." * Leisure Painter *"Armfield's work is well served by this generous testimonial to art." * The Jackdaw *

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Book SynopsisThis fascinating book presents the first biography of Helen Coombe, a woman admired not only for her artistic skill, but also for her intellect, personality and wit. It reveals her family background and education, her place in the Arts and Crafts Movement and her outstanding artistic output.

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Book SynopsisExpressive Sketchbooks shares a host of creative ideas and prompts, tools and techniques, methods for working around obstacles and barriers, and tons of visual inspiration to help you grow in your sketchbooking practice. An expressive sketchbook is a place for you to explore, express, and enjoy your own innate creativity on your own terms. It is a safe playground for the imagination—a place to mess about, play, and experiment—and to gain confidence in your abilities as you develop your skills.Expressive Sketchbooks offers techniques and creative exercises that incorporate mark making, watercolor, mixed media, collage, words and text, and more. It unpacks some of the obstacles and barriers that you may face along the way and offers wisdom and encouragement to help you decide why and how to start your sketchbook and how to develop and expand your artistic practice. This book is packed with ideas and exercises, including: Exploratory drawing exercises How to utilize color in your sketchbook How to create dynamic and varied sketchbook pages How to find inspiration in nature and in your everyday life Ways to mix media and art supplies Ways to kickstart your creativity How to find and develop a process that feels personal to you Through this book, you'll find out what lights you up, what makes you curious and fascinated, and what makes you expansive. Discover how to magnify your creativity and enliven your art skills by using an expressive sketchbook as your daily companion.Trade Review"An especially useful, thoroughly art student friendly, and unreservedly recommended addition to personal, professional, art school, community libraries." * Midwest Book Review *Table of ContentsCONTENTS INTRODUCTION: What Is an Expressive Sketchbook? CHAPTER 1: MAGIC AND MOTIVATION CHAPTER 2: GETTING GOING CHAPTER 3: TECHNIQUES FOR EXPLORING AND EXPERIMENTING CHAPTER 4: GROWING YOUR IDEAS CHAPTER 5: PRACTICE AND PROGRESS Acknowledgments About the Author

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Book SynopsisExquisite Dreams is the first full account of Dorothea Tanning's art and life. Rather than only focusing on her well-known surrealist paintings, this book gives equal weight to Tanning's lesser-known but equally powerful sculptures, abstract paintings and films. Setting Tanning's writings, biography and art into the contexts of advertising, fashion, popular culture and art in New York and Paris, Lyford brings Tanning's ideas and feelings to life. Using new archival sources and analyses of Tanning's work in a variety of media, Lyford broadens our understanding of the artist. This amply illustrated book is an important contribution to the history of women artists, gender and sexuality studies, as well as the history of Surrealism. It will appeal to art historians and art lovers alike.Trade Review'Amy Lyford has shaped a plethora of archival information into a story of Dorothea Tanning's life and works. Exquisite Dreams is a highly readable page turner that engages fully with Tanning's canny critiques of gender and sexuality and illuminates the complexities of Tanning's life showing Tanning to be one of the most intriguing artists of the twentieth century.' - Jennifer Shaw, Sonoma State University, author of Exist OtherwiseTable of ContentsIntroduction Chapter 1: Refashioning Surrealism Chapter 2: Screening Female Desire Chapter 3: Miseducated Girls Chapter 4: Aux environs de Paris and Historical Memory Chapter 5: Sculpture and Narrative: Body Hauntings Chapter 6: No Exit: Tanning's Cinematic Vision Epilogue References Bibliography Acknowledgements Photo Acknowledgements Index

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Book SynopsisClaudia Nice shows you how to turn ink and watercolors into the coarse-barked trunk of an oak, or the burnished smoothness of brass, or the verdant velvet of moss. Or any of many other things. She shows you how to use dots, fine lines, brushstrokes, black and white, color a mixture of mediums and techniques to suggest: * glass * cast iron * adobe and brick * sunrise and sunset * driftwood * leaf textures * basketry * surf and ocean waves * enamelware * rainbows * wood grain * distant trees * eggs and onions * animal hair * and dozens of other textures! You'll learn how to use materials, from technical pens to paint brushes, colored inks to liquid acrylics. You'll discover ways to blot, spatter, stamp and otherwise alter and combine ink and watercolor for exciting texturing effects.

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Book SynopsisAcrylic Revolution is your essential, all-in-one guide for acrylic painting techniques and more. Use any of the over 101 strategies to break through the boundaries of conventional painting and redefine your creative potential with the world's most versatile medium. Every page is packed with insights into using acrylic paint in ways you never thought possible to create stunning visual effects and textures. A gallery of finished art at the back of the book will show you how to combine different tricks to use in their artwork offering you real-life applications for acrylic techniques.

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Book SynopsisGet nose to bloom with one of the most beloved subjects of painters for generations of artists with Expressive Flower Painting and master pedals, stems, colors, and more. It's almost always one of the first things someone tries to paint--center, petals, stem, voila! Expressive Flower Painting's exercises have a loose, free, contemporary style the likes of which you'd see in galleries, in shops, and even on clothing and home design goods. It's not intimidating, and yet the paintings are colorful, immediate, and joyful and speak to the artist's desire to play, be loose, and to create freely. Lynn Whipple paints wildly and in small to large formats with a combination of acrylic paint, charcoal, and colorful soft pastel. Expressive Flower Painting presents a range of creative painting exercises that help readers develop vibrant nature paintings. This exciting book is an in-depth expansion of Lynn's class called Big Bold Bloom Wild Painting, with additional content.Expressive Flower Painting covers mark making, layering techniques, how to do "spin drawings," color methods, painted backgrounds, working from life, and how to successfully combine a wide variety of media for the maximum effect.Trade ReviewWhipple's enthusiasm and optimism infuse the book...All levels will enjoy this unique approach to a popular subject. * Cloth, Paper, Scissors *

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Book SynopsisAndersson’s works embody a new genre of landscape painting that recalls late nineteenth-century romanticism while also embracing a contemporary interest in layered, psychological compositions. Her panoramic scenes draw inspiration from a wide range of archival photographic source materials, filmic imagery, theater sets, and period interiors, as well as the sparse topography of northern Sweden, where she grew up. The paintings utilize a selection of motifs from throughout her career: barren branches and thick-barked pine trees, domestic interiors, horses, and young women. Resembling still lifes, they further a tradition of quiet, dreamlike domestic scenes by Scandinavian artists such as Vilhelm Hammershøi (1864–1916) and Edvard Munch (1863–1944). Part of a self-conscious effort to capture an experience rather than a specific event, the compositions are freer and more abstract. Splendid color reproductions bring the textured brushstrokes, loose washes, and stark graphic lines to life on the page. The book also features a new essay by critically acclaimed author Karl Ove Knausgaard. The Lost Paradise is published on the occasion of an eponymous exhibition presented at David Zwirner, New York, in 2020.

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Book SynopsisA richly illustrated exploration of the impact of South Asian Miniature painting on contemporary art. This book tells the dynamic story of contemporary art’s engagement with the miniature painting traditions of South Asia from the sixteenth century onwards, and the role of Britain in these developments. This is the first publication to address this remarkable painting tradition on a transhistorical and transnational scale. Readers are invited to admire the formal, technical and conceptual innovations of some of the most exciting historic and contemporary artists from South Asia, while reflecting on questions of culture and power in the entangled histories of empire and globalization. Many of the greatest collections of South Asian paintings are held in Britain, and some of the pivotal encounters that shaped this story happened in London. The process of these acquisitions and their central role within British and South Asian art histories are explored in this book. The book also demonstrates how the traditions of South Asian miniature painting have been reclaimed and reinvented by modern and contemporary artists, exploding beyond the pages of illuminated manuscripts to experimental forms that include installation, sculpture and film. While miniature painting represented a strand of cultural resistance to colonial rule in the early twentieth century, artists continue to find contemporary relevance in the possibilities offered by this tradition. Beyond the Page is richly illustrated with historic works from the Victoria & Albert Museum, the British Library, the British Museum, the Ashmolean, the Bodleian Library and the Royal Collection Trust. It also features work by artists from different generations working in dialogue with the miniature tradition, including Hamra Abbas, David Alesworth, Nandalal Bose, Noor Ali Chagani, Lubna Chowdhary, Adbur Rahman Chughtai, Samuel Fyzee-Rahamin, N.S. Harsha, Howard Hodgkin, Ali Kazim, Bhupen Khakhar, Jess MacNeil, Imran Qureshi, Nusra Latif Qureshi, Mohan Samant, Nilima Sheikh, the Singh Twins, Shahzia Sikander and Abanindranath Tagore.Table of ContentsIntroduction Historic Works Miniature Paintings in British Collections by Emily Hannam Catalogue 1595–1938 by Emily Hannam Contemporary Works From Rooted Modernism to Global Contemporary by Hammad Nasar Catalogue 1970–2023 by Cleo Roberts-Komireddi with Elizabeth Brown Notes Image Credits Index of Works

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Book Synopsis“There is no substitute for the happiness which colours give me.” After a long break, Heinz Mack has been focusing intensively on painting again for over thirty years. A cross-section of his "Chromatische Konstellationen" from 1991 until the present day shows how he translates the greatest possible purity of colour, light and immateriality into a broad spectrum of colour sequences and structures. Texts by Heinz Mack and Robert Fleck illuminate the essence of these colour worlds. Colour as light and light as colour – this represents, as it were, the nucleus of Mack’s painting. Within this premise he offers us a wide variety: chapters on, for example, the primacy of colour, atmosphere and nature, space, movement and geometric forms show the fascinating bandwidth of his work. The volume closes with an unusual undertaking: in a personal juxtaposition with works from art history from Duccio to Barnett Newman, the artist grants us an insight into his collective pictorial memory.

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Book SynopsisJulian Schnabel makes art out of life, finding his materials in the fabric of the everyday. He uses broken plates as an improbable picture ground; he paints on velvet, market stall covers, army tarps, kabuki theater backdrops, and boxing ring floors, found surfaces that lend their own rich history to the artist’s exploration. A figurehead for the return of painting after his overnight success with a first New York solo show in 1979, he has since worked in a wide variety of media: making sculptures that transpose his pictorial forms into space as raw, seemingly time-worn artifacts; directing award-winning movies that paint portraits of artists and other subtly heroic figures; and even building his own dream of a Venetian palace in New York. “I want my life to be in my work, crushed into my painting like a pressed car. If it’s not, my work is just some stuff,” Schnabel has said, and this urgency permeates his oeuvre no matter what means or media the artist chooses.Now available in a popular edition, the complete range of Schnabel’s work is portrayed in unprecedented depth in this TASCHEN monograph, made in dialog with the artist. The texts were contributed by friends and collaborators: Laurie Anderson draws an intimate portrait of Schnabel; in three essays by curators and art historians, Éric de Chassey discusses the paintings, Bonnie Clearwater the sculpture, and Max Hollein the site-specific work; Donatien Grau writes on the Palazzo Chupi, the artist’s extravagant home in New York’s West Village; while the novelist Daniel Kehlmann explores his cinematic oeuvre. This edition allows you to study the surfaces and artistic gestures and actions, offering the most generous opportunity to experience Schnabel’s art outside of meeting it in person.Trade Review“His greatest book, and yes, it is his book, because it was edited in close collaboration with the artist. It, too, is “larger than life”... Schnabel’s paintings celebrate painting, they are a feast of colors, connections, and references, and above all of freedom.” * Neue Zürcher Zeitung *

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Book SynopsisF.C.B. Cadell was born in Edinburgh, where he lived for most of his life, and studied in Paris and Munich. This book illustrates many of the works for which Cadell is celebrated, including stylish portrayals of Edinburgh New Town interiors, vibrantly coloured, daringly simplified still lives of the 1920s, and evocative landscapes of the Scottish west coast and the south of France. Based on new research, a special section concentrates on Cadell's relationship with Iona, where he painted nearly every year from 1912 until 1935. The book accompanies a major exhibition at the Scottish National Gallery of Modern Art, the first retrospective exhibition of Cadell's work held at a public gallery since 1942.Table of ContentsSponsor's Foreword Director's Foreword Introduction The Birth of an Artist A Colourist in Venice Private Cadell 6 Ainslie Place The Later Years and Cadell's Legacy Warmed by the sun, blown by the wind: Cadell and Iona Chronology People in Cadell's Life

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Book SynopsisThe incomparable play of light and color in Paul Cezanne’s work was the foundation of his reputation as a forerunner of modernism. From the start he went his own way, and his paintings initially evoked a lack of understanding in art critics of the time, as well as ridicule. Despite his romantic, baroque, impressionist, and finally classical influences, it is still difficult to ascribe Cezanne to any particular art movement. Still, which specific places left lasting impressions on the scion of a provincial banker’s family? What and who were major influences supporting and advancing his innovative oeuvre? James H. Rubin traces Cezanne’s life and work from A to Z in this brief volume, creating an image of a painter who wanted to transform painting itself. The author—and established connoisseur—succeeds in closely approaching the artist while at the same time maintaining the necessary distance to his inimitable paintings.

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Book SynopsisIn 1505, Michelangelo began planning the magnificent tomb for Pope Julius II, which would dominate the next forty years of his career. Repeated failures to complete the monument were characterized by Condivi, Michelangelo's authorized biographer, as "the tragedy of the tomb." This definitive book thoroughly documents the art of the tomb and each stage of its complicated evolution. Edited by Christoph Luitpold Frommel, who also acted as the lead consultant on tge recent restoration campaign, this volume offers new post-restoration photography that reveal the beauty of the tomb overall, its individual statues, and its myriad details. This book traces Michelangelo's stylistic evolution; documents the dialogue between the artist and his great friend and exacting patron, Pope Julius II (who died long before the work was completed); unravels the complicated relationship between the master and his assistants, who executed large parts of the design; and sheds new light on the importance of Neo-Platonism in Michelangelo's thinking, which gave shape to the tomb's most famous statue, the Moses, and the work as a whole. A rich trove of documents in the original Latin and archaic Italian-many unpublished-relates the story firsthand through letters, contracts, and other records covering Michelangelo's travels, the purchase of the marble, the concerns that arose as work progressed, and numerous disagreements and negotiations. The book also includes catalogues of fifteen sculptures designed for the tomb and more than 80 related drawings, as well as an extensive and up-to-date bibliography.Trade Review"An indispensable reference work, rich in documentation and interpretation." --Renaissance Quarterly "A superbly illustrated and meticulously documented volume."--Spectator

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Book SynopsisThe National Gallery in London houses one of the richest collections of Western European paintings in the world, ranging from the 13th to the 20th century. In this beautiful book, one hundred of the greatest works from the collection, each by a different artist, are presented in chronological order, and accompanied by a lively, informative text and full-page color reproductions. From the earliest—a remnant of an Italian altarpiece dating from around 1265—to the most recent—Paul Cézanne’s great Bathers, of about 1894–1905—each painting has been carefully chosen for the unique significance it holds; whether representing a particular artist, place or time, or simply for its beauty and the pleasure it provides to the viewer. The painters featured here include some of the most famous names in European art—Duccio, Giotto, Dürer, Holbein, van Eyck, Botticelli, Leonardo, Michelangelo, Raphael, Titian, Rubens, Rembrandt, El Greco, Velázquez, Zurbarán, Goya, Caravaggio, Claude, Poussin, Hogarth, Gainsborough, Reynolds, Constable, Turner, Courbet, Manet, Monet, Renoir, Degas, Rousseau, and Van Gogh—and some of the most iconic paintings in the world—The Wilton Diptych, The Arnolfini Portrait, The Ambassadors, and Sunflowers. These selected highlights introduce some of the most inspiring paintings ever made. The reader can dip in to explore individual paintings, or read from cover to cover for a full survey.Published by the National Gallery Company/Distributed by Yale University Press

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Book SynopsisDomitille d'Orgeval is an art historian, specializing in abstract art from the 1950s and 1960s and the relationship between art and architecture in the twentieth century. As an exhibition curator, she has contributed to numerous exhibition catalogues, including François Morellet, réinstallations (Centre Pompidou, 2011), Georges Vantongerloo 1886-1965. A pioneer of modern sculpture (Matisse Departmental Museum, Le Cateau-Cambrésis, 2007).

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Book SynopsisThis volume in the 21st Century Oxford Authors series offers students an authoritative, comprehensive selection of the work of William Blake (1757-1827). The edition features a selection of Blake's poetry, illuminated poetry, and prose, and includes an Introduction, Chronology, and full commentary notes.Trade ReviewThe latest edition of Blakes selected works rich with both textual and explanatory annotations and 120 black-and-white images. * Wayne C. Ripley, An Illustrated Quarterly *Peter Otto's William Blake (Oxford, 2018) presents the latest edition of Blake's selected works. Part of the 21st-Centu-ry Oxford Authors series, the book runs over 800 pages, and is rich with both textual and explanatory annotations and 120 black-and-white images. The works are arranged chronologically rather than generically, even to the point of offering Songs of Innocence alone and again with Songs of Experience. * Wayne C. Ripley, Blake/An Illustrated Quarterly *Table of ContentsList of Illustrations Acknowledgements Introduction Chronology From Poetical Sketches (1783) [An Island in the Moon] (c.1785) From Annotations to Lavater's Aphorisms on Man (1788) All Religions Are One (1788) There Is No Natural Religion (1788) From Annotations to Swedenborg's Heaven and Hell (1784; notes c.1789) Songs of Innocence (1789) The Book of Thel (1789) From Annotations to Swedenborg's Divine Love and Divine Wisdom (1788; notes c.1790) From Annotations to Swedenborg's Divine Providence (1790; notes c.1790) The Marriage of Heaven and Hell (1790) From The Notebook (c.1791-93) Visions of the Daughters of Albion (1793) America a Prophecy (1793) To the Public [Prospectus] (1793) From The Notebook (c.1793) For Children: The Gates of Paradise (1793) Songs of Innocence and of Experience (1794) Europe a Prophecy (1794) The First Book of Urizen (1794) The Song of Los (1795) The Book of Ahania (1795) The Book of Los (1795) From Vala or The Four Zoas (1797-c.1807) From The Notebook (c.1797-99) From Annotations to Watson's An Apology for the Bible (1797; notes 1798) From Annotations to Bacon's Essays (1798; notes c.1798) From Annotations to The Works of Sir Joshua Reynolds (1798; notes c.1798-1809) Letters [1799-1800] From Annotations to Boyd's Translation of the Inferno (1785; notes c.1800) Letters [1802-3] Memorandum in Refutation of the . . . Complaint of John Scolfield (August 1803] Letters [1803-4] From The Notebook (c.1803-04) Milton a Poem (c.1804-1811) [The Pickering Manuscript] (c.1805-07) From The Notebook (c.1807-09) Blake's Exhibition (1809) From Jerusalem: The Emanation of the Giant Albion (1804-c.1820) From [A Vision of the Last Judgment] (1810) From [A Public Address to the Chalcographic Society] (c.1810) Europe, Title page (late revisions, c.1815-20) From Annotations to Spurzheim's Observations (1817; notes c.1818) Letters [1818] The Everlasting Gospel (c.1818) For the Sexes: The Gates of Paradise (1820) Annotations to Berkeley's Siris (1744; notes c.1820) From Annotations to Wordsworth's Preface to The Excursion (1814; notes 1826) From Annotations to Wordsworth's Poems (1815; notes 1826) From Annotations to Thornton's The Lord's Prayer (1827) Letter [1827] On Homers Poetry and On Virgil (c.1820) The Ghost of Abel (1822) [Jehovah]& his two Sons Satan & Adam [The Laocoön] (c.1826-27) List of Abbreviations Notes Index of Titles and First Lines

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Book SynopsisWith this widely acclaimed work, Fried revised the way in which eighteenth-century French painting and criticism were viewed and understood."A reinterpretation supported by immense learning and by a series of brilliantly perceptive readings of paintings and criticism alike. . . . An exhilarating book."--John Barrell, "London Review of Books"

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Book SynopsisTrade Review“In this extraordinarily illuminating book, Klinger builds on a painstaking consideration of Richter’s artistic practice to derive a pragmatist theory of artistic form and of form’s ultimate purpose. In addition to its exciting philosophical and art historical interventions, Klinger’s analysis delineates a practical ethics of art-making that deserves to be read by anyone interested in the theory and practice of art in today’s crisis of world-sharing.” -- Whitney Davis, University of California at Berkeley “Theory of Form is a twofold triumph: it presents the most original study of Richter’s aesthetics in recent years, and it is also a groundbreaking contribution to theorizing contemporary art. Remarkably linking form to reaction, judgment, and transformation, it is essential reading for anyone interested in art’s capacity to profoundly touch us and to partake in shaping our world.” -- Amir Eshel, author of Poetic Thinking Today“Klinger’s Theory of Form combines astute philosophical thought with a fascinating close analysis of Richter’s practice, yielding a new understanding of historical time and contemporaneity. It raises the theory of form to another level – indeed, it makes one see how form in art ought to be thought today.” -- Rahel Villinger, author of Kant und die Imagination der Tiere (Kant and the Imagination of Animals)Table of ContentsI Response to a Contemporary Challenge II Morphological Question: Form as Reaction III Poetological Question: Form as Judgment IV Eschatological Question: Form as Transformation V Form as Paradigm? Acknowledgments Notes Index

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Book SynopsisIn this ambitious and imaginative study, Margaretta M. Lovell analyzes the large body of accomplished, sometimes startling, often brilliant work of American artists drawn to Venice's ragged splendor in the last century. Including major works by such diverse and talented painters as James McNeill Whistler, John Singer Sargent, and Maurice Prendergast, these richly varied paintings portray sleepy canals, architectural monuments, and scenes of picturesque everyday life while they also reveal surprising aspects of American culture.

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Book SynopsisThis text, first published in France in 1977, presents cultural critic Louis Marin's theories about the aims of painting in Europe in the 16th and 17th centuries. It explores a number of notions implied by theories of painting and offers insight into the aims and effects of visual representaion.Table of ContentsAcknowledgments Postscript in the Guise of an Introduction Key Texts Allegory: The Golden Bough or the Theory of Mimesis Questions, Hypotheses, Discourse Readings Denegation The Arcadian Landscape On Nominal Sentences, Fragments, Epitaphs, and Epigraphs A Letter, a Shadow, and an Interpretive Key Theoretical and Methodological Introduction An Analytic Strategy and a Mythical Ruse The Portrait in the Convex Mirror The Medusa Head as Historical Painting Psychoanalytic Interlude Of Light, Shadows, and Narrative Et in arca hoc Notes Works Cited Index

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Book SynopsisTrade Review“Despite her many notebooks, she left behind no personal diaries, and we know little about her thoughts beyond her art and spiritualist interests. Voss does a good job of filling in the gaps with detective work and speculation, although in places the conditional does a lot of heavy lifting. Her biggest achievement is to establish a context for af Klint’s work, upending popular assumptions that she was a mystical outsider who floated free of her historical and social milieu.” * London Review of Books *“Voss has produced an extraordinarily rich portrait of a radically unusual, but not eccentric, modern artist. . . . Voss’s biography makes af Klint so much more than an artist simply to be inserted into a more gender-inclusive canon of ‘abstract art’. It saves af Klint from art history while sending us deeper into her world. Reading it was a revelation, and it has changed my understanding of the artist, the woman, and her times.” * Literary Review *"It would be easy, in our rationalist times, to think of af Klint as a kook. One of the many praiseworthy things about Julia Voss’s excellent new biography of her is that it does not even entertain the thought." * Times Literary Supplement *"The woman who emerges in Voss's exacting portrait is strong-willed, purposeful, and confident—ahead of her time and perhaps ours too. What's interesting, the author suggests, isn't that af Klint, in a century awash with spiritual fads, heard voices. It's that, as far as her genius was concerned, those voices weren't wrong." * Observer (UK) *"Julia Voss’s biography of Af Klint is the first full life of the painter and shows her growth from working in the traditional genres of portraiture and landscape into far more radical fields. She explains not just Af Klint’s beliefs, but her relations with the occultist and reformer Rudolf Steiner and her efforts to exhibit some of her work to fellow spiritualists. Af Klint thought of her paintings as dictations from the astral plane. Voss’s scholarship shows how remarkable the woman was who transcribed them." * New Statesman *"[A] pioneering biography. . . . Voss marshals as much of the personal detail as the painter’s surviving notes would divulge and has filled out an account that will surely remain the standard for years to come." * Art Newspaper *"Julia Voss’s dazzling and timely biography of Hilma af Klint explores not only the life of this extraordinary artist but highlights the important contributions of both mysticism and women artists—so long excluded from the art-historical canon—to the story of modern art. I couldn’t put it down." -- Jennifer Higgie"Julia Voss’s biography is the indispensable resource for anyone interested in pioneering artist Hilma af Klint. With her thousands of pages of notebooks in Swedish, af Klint remained beyond the reach of scholars without the ability to read Swedish. By mastering Swedish and doing superb archival research on af Klint and the women around her, Voss reveals a Hilma we did not know, including a gender fluidity that underlies many of her motifs. Voss has also recovered the cosmopolitan culture of Stockholm in this period—from art exhibitions and science expositions to the robust interest in spiritualism that parallels that in Berlin. Written in lively prose, Voss’s book is a pleasure to read in the translation by Anne Posten." -- Linda Henderson, University of Texas at Austin"A fascinating book on the exhilarating life and work of Hilma af Klint. Julia Voss has been instrumental in bringing her story to the forefront and tells her life with such sensitivity, generosity, and insight. A must read!" -- Katy Hessel, author of The Story of Art without Men"As well as shining a light on an exceptional talent, this book provides a rare window on the struggle of a woman artist to find a new language in a world where idealism was fading fast." * World of Interiors *"A rich and illuminating portrait of the artist." * Air Mail *Table of ContentsA Note from the Translator Chronology Introduction Part I. Family, Childhood, and Youth in Stockholm 1. Mary Wollstonecraft Visits Sweden and Is Upset 2. Birth 3. School and Religion 4. An Exhibition in London 5. Bertha Valerius and the Dead 6. Kerstin Cardon’s Painting School 7. Hermina’s Death Part II. Study at the Academy and Independent Work 1. The Academy 2. Guardian Spirit 3. The Prize 4. Anna Cassel 5. “My First Experience with Mediumship” 6. The Young Artist 7. Dr. Helleday and Love 8. The Five 9. Art from the Orient 10. Rose and Cross 11. At the Veterinary Institute 12. Children’s Books and Decorative Art 13. Italy 14. Genius Part III. Paintings for the Temple 1. Old Images 2. Revolution 3. Primordial Chaos 4. Eros 5. Medium 6. The Ten Largest 7. “I Was the Instrument of Ecstasy” 8. Rudolf Steiner Visits Sweden 9. The Young Ones 10. Sigrid Lancén 11. The Association of Swedish Women Artists 12. Frank Heyman 13. Island Kingdom in Mälaren 14. First Exhibition with the Theosophists 15. Tree of Knowledge 16. The Kiss 17. Singoalla 18. The Baltic Exhibition 19. War 20. Saint George 21. Kandinsky in Stockholm 22. Parsifal and Atom 23. The Studio on Munsö 24. Thomasine Anderson Part IV. Dornach, Amsterdam, and London 1. The Suitcase Museum 2. Flowers, Mosses, and Lichens 3. First Visit to the Goetheanum 4. “Belongs to the Astral World According to Doctor Steiner” 5. The Fire and the Letter 6. Amsterdam 7. London Part V. Temple and Later Years 1. The Temple and the Spiral 2. +x 3. A Temple in New York 4. The London Blitz 5. Future Woman 6. National Socialism 7. Lecture in Stockholm 8. “Degenerate” Art in Germany and Abstract Art in New York 9. Tyra Kleen and the Plan for a Museum 10 Last Months 11. Conclusion Afterword by Johan af Klint Afterword by Ulrika af Klint Appendix 1. Hilma af Klint’s Travels and Places of Residence Appendix 2. The Library of Hilma af Klint Acknowledgments Illustration Sources Notes Bibliography Index

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Book SynopsisJohannes Vermeer, one of the greatest Dutch painters and for some the single greatest painter of all, produced a remarkably small corpus of work. In Vermeer''s Family Secrets, Benjamin Binstock revolutionizes how we think about Vermeer''s work and life. Vermeer, The Sphinx of Delft, is famously a mystery in art: despite the common claim that little is known of his biography, there is actually an abundance of fascinating information about Vermeer's life that Binstock brings to bear on Vermeer's art for the first time; he also offers new interpretations of several key documents pertaining to Vermeer that have been misunderstood. Lavishly illustrated with more than 180 black and white images and more than sixty color plates, the book also includes a remarkable color two-page spread that presents the entirety of Vermeer''s oeuvre arranged in chronological order in 1/20 scale, demonstrating his gradual formal and conceptual development. No book on Vermeer has ever done Trade Review"Binstock resembles the detective Hercule Poirot in his methodical disentangling of the historical Vermeer from the accretion of too generous attributions and from the multiplicity of critical views, all directed to the uncovering of the artist whose autobiographical immersion in Delft, in home, and in family so fully constituted his art."—Richard Brilliant, Columbia University, author of Portraiture and My Laocoön: Alternative Claims in the Interpretation of Artworks"Impassioned and fascinating, this novel account of the intimate links between Vermeer’s art and life bristles with intelligence. It offers not only sympathetic and imaginative readings of the paintings, but questions some basic assumptions in art history. Anyone interested in Vermeer will be struck by Binstock’s audacity, erudition, and deep love of art."—Martha Hollander, Hofstra University, author of An Entrance for the Eyes: Space and Meaning in Seventeenth-Century Dutch Art"Vermeer's Family Secrets is a highly original and searching account of one of the most elusive of painters. Written with delightful verve, visual subtlety, and the courage to upend the platitudes and received wisdom of certain forms of art history, Binstock's book promises a revolution in the study of Vermeer, his circule, and his milieu."—Jonathan Gilmore, Yale University, author of The Life of a Style: Beginnings and Endings in the Narrative of Art History"This book offers strong, informed opinions, bold claims, and precise chronology about one of art history’s favorite painters. While Binstock’s forceful arguments are sure to be controversial, they will inevitably provoke fresh scholarly discussion and rekindle close examination of Vermeer’s luminous pictures (and those of Carel Fabritius)."—Larry Silver, University of Pennsylvania, author of Hieronymus Bosch and Rembrandt’s Faith (co-authored with Shelley Perlove)Table of ContentsIllustrations Preface and Acknowledgments Introduction: It’s a Vermeer! 1. In Search of Vermeer 2. Origins and Originality 3. Fabritius's Phoenix 4. An Art of Women 5. Painting and Procreation 6. The Fat Lady Sings 7. The Apprenticeship of Maria Vermeer Appendices

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Book SynopsisAn interpretation of the history of mural painting from ancient Egypt to the twentieth century by one of most eminent art historians of all time, who wielded huge influence over both his professional peers and a vast popular readership. Surprising, questioning, challenging, enriching: the Pocket Perspectives series celebrates writers and thinkers who have helped shape the conversation across the arts. Mixing classic and contemporary texts, reissues and abridgements, these are bite-sized, fully illustrated reads in an attractive, affordable and highly collectable package.

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