Other graphic or visual art forms Books
Uniformbooks Another Book
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£11.78
Tangent Books Street Art And Graffiti: A Dissertation By Street
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£13.30
D Giles Ltd Forces of Nature: Renwick Invitational 2020
Book SynopsisAll of the artists use the topic of Nature as a means of asking what it is to be human in a world increasingly chaotic and divorced from our physical landscape. Forces of Nature: Renwick Invitational 2020 features artists Lauren Fensterstock, Timothy Horn, Debora Moore, and Rowland Ricketts. Nature provides a way for these invited artists to ask what it means to be human in a world increasingly chaotic and divorced from our physical landscape. Representing craft media from fiber to mosaic to glass and metals, these artists approach the long history of art's engagement with the natural world through unconventional and highly personal perspectives. Forces of Nature: Renwick Invitational 2020 is the ninth installment of the Renwick Invitational. Established in 2000, this biennial showcase highlights midcareer and emerging makers who are deserving of wider national recognition. The featured artists work in a wide variety of media, from Lauren Fensterstock, who creates detailed, large-scale installations using intensive modes of making drawn from the decorative arts, including paper quilling and mosaic, and from whom SAAM has commissioned a site-specific work - inspired in part by the illustrated renaissance German manuscript The Book of Miracles - that will transform an entire gallery at the Renwick, to Timothy Horn, who creates exaggerated adornments that combine natural and constructed worlds, taking inspiration from objects as varied as baroque jewellery patterns and Victorian era detailed studies of lichen, coral, and seaweed, from bronze and glass, as well as unusual materials like crystalized rock sugar, to evoke the extravagant Amber Room in the Catherine the Great's palace of Tsarskoye Selo; and from Debora Moore, known for her exquisitely detailed glass renderings of orchids, and who is represented in this volume in her new series, Arboria (2018), in which Moore focuses less on realism and more on capturing an intensely personal experience of beauty and wonder, to Rowland Ricketts who creates immersive installations using handwoven and hand-dyed cloth, starting on his farm, where he cultivates the indigo plants he uses to colour his artwork, fully linking his material and process with the finished product. Participatory engagement from non-artists, forms a major part of Rickett's work, emphasising the relationship between nature, culture, the passage of time, and everyday life. AUTHOR: Nora Atkinson is the Lloyd Herman Curator of Craft Renwick Gallery, Smithsonian American Art Museum Washington, DC. 74 colour illustrations
£21.21
Beam Editions Sounds Like Her: Gender, Sound Art & Sonic
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£25.99
Fillip Image Index
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£38.00
Michel albin SA Tour Paris 13: Street Art
Book SynopsisPerhaps the largest exhibition of street art ever attempted, Tour Paris 13 is the culmination of a movement that always strives for new forms of involvement from the viewer. Housed in a now-demolished 1950s-era nine-story apartment block near the Seine, 105 artists of 18 different nationalities created unique works in the interior as well as on the exterior of the building, allowing visitors access for only thirty days. The result was a pure, immersive experience that allowed artists free reign to indulge their creativity in an environment of open-mindedness and non-commodification.
£36.79
Shelter Press The Whisper
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£17.10
Editions Skira Paris Tilt (Bilingual edition): Future Primitive
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£40.00
Editions Skira Paris Charles Molina
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£27.00
Christoph Merian Verlag Algorithmic Imaginary - Art on the Blockchain and
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£25.50
Merian, Christoph Verlag Cuisine Mondiale
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£24.65
De Gruyter Emil Orlik: Das druckgraphische Werk
Book SynopsisVier Bände im Schuber Emil Orlik (1870–1932) war Maler, Grafiker, Fotograf, Exlibris-Künstler, Medailleur und Kunsthandwerker: ein Allround-Talent. Entscheidend für seine künstlerische Entwicklung wurde eine Reise nach Japan 1900/1901, wo er bei japanischen Meistern die Kunst des Holzschneidens erlernte. In Wien war er Mitglied der Secession. 1904 erhielt er einen Ruf als Professor nach Berlin, wo er für Max Reinhardt Bühnenbild- und Kostümentwürfe schuf. In Berlin war Orlik eine feste gesellschaftliche Größe. Seine Porträts von Persönlichkeiten aus Kunst, Theater, Musik, Literatur, Film, Kabarett und Politik sind ein Kaleidoskop des geistigen, kulturellen und Wirtschaftslebens der Weimarer Republik. Orlik unternahm zahlreiche Reisen, die ihn neben Europa und der USA nach China, Korea, Ägypten, Nubien und erneut nach Japan führten. Sein Werk spiegelt seine Neugier auf die Welt und die Vielfältigkeit dieses Ausnahmekünstlers. Sein umfangreiches druckgrafisches Werk – Holzschnitte, Radierungen und Lithografien – wird nun erstmals ausführlich dokumentiert und im vorliegenden Werkverzeichnis präsentiert. Das erste Werkverzeichnis des umfangreichen druckgrafischen Werks (ca. 2.300 Arbeiten) von Emil Orlik Bibliophile Ausgabe – 4 Bände, Leinenumschlag mit Prägung, im bezogenen Schuber Blick ins BuchBand IBand IIBand IIIBand IV
£153.00
£25.42
Kerber Christof Verlag Dirk Salz
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£19.80
Kerber Christof Verlag Christina Dimitriadis
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£21.25
König, Walther Stedelijk AZ
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£19.80
König, Walther On the Absurd Drama That Is Also Life
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£14.25
Verlag der Buchhandlung Walther Konig The World in Colors Slovenian Painting 18481918
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£27.00
König, Walther Raising Flags Signale der Kunst in offentlichen
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£30.40
König, Walther 4 Museen 1 Moderne 4 Museums 1 Modernism
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£18.00
König, Walther Crip Time eng.
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£32.30
König, Walther Utopia. The Right to Hope
£31.20
König, Walther Cold as Ice Coldness in Art and Society
£25.50
Hatje Cantz The Picasso Connection: The Artist and his
Book SynopsisWithout a doubt, Picasso is one of the most important and versatile artistic personalities of the twentieth century. But how does a body of work become so successful, and how does it wind up in major collections, museums, and exhibitions? Not infrequently, it is the courage of individuals who recognize genius in the works and advocate for them in the face of conservatism and criticism. In Picasso’s case, this role in Germany fell to the Bremen art dealer Michael Hertz. His commitment in the post-war period is not only due to Picasso's exhibition at the documenta 3 in 1964, but also to the Kunsthalle Bremen, which has one of the most extensive collections of the artist’s prints. This volume brings together the outstanding printworks, including lithographs, linocuts, and artist’s books. Picasso’s oeuvre of prints can be regarded as a fascinating collection, in which can be read the triumph of the affordable medium in post-war Germany, as well as the dealer's strong commitment.
£35.20
Schirmer /Mosel Verlag Gm Five Friends John Cage Merce Cunningham Jasper
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£48.00
Kehrer Verlag The Art Of Writing
Book SynopsisA global survey of writing based artistic practices from Asia, the Arab World and Europe which demonstrates its power, origins and development.
£33.99
Parkett Verlag Parkett No. 70 Christian Marclay, Wilhelm Sasnal,
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£23.75
Parkett Verlag Parkett: 20 Years of Artists' Collaborations
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£23.75
Strzelecki Books Verwurzelt und verzweigt
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£29.75
Edition Reuss Black & Grey Tattoo: Volume 2: Dark / Horror
Book SynopsisText in English, German & Spanish. This volume delves into personal demons relayed on skin. Paul Booth, often described as the Dark Lord of Tattooing, reveals some of the reasons why people get these tattoos as well as how his own demons have driven his art. Other tattoos pay homage to horror in pop culture. Artist Xu Zhicheng of Tianzhilong Tattoo in Beijing says in his interview that he finds inspiration for his large-scale dark work in vampire films, not personal angst. In this chapter, you will find everything from shrunken heads to Frankensteins to even famous tattoo artists rendered as zombies.
£66.74
Kehrer Verlag Fresh Air Smells Funny: An Exhibition with
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£8.07
Ruby Press Terrestrial Tales 100+ Takes on Earth
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£15.30
Spector Books Sebastian Riemer: Press Paintings
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£32.30
At Last Books Mining Rigs
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£10.98
Here Press More Mining Rigs
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£10.98
Skira Scripts and Calligraphy (Arabic edition): Path to
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£31.50
Skira Cecco Bonanotte Purgatorio
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£21.25
Skira Cecco Bonanotte Paradiso
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£21.25
Humboldt Nello Stesso Momento
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£19.00
Idea Books Pleasant Place 1 - Enclosures
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£14.99
Idea Books Pleasant Place 2 - Nasturtiums (Tropaeolum majus)
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£14.99
Dokument Forlag Rubin: New York / Scandinavia
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£21.24
Zeitouna Wall Talk: Graffiti of the Egyptian Revolution
Book SynopsisAn epic journey through the street art and graffiti of the January 2011 Egyptian revolutionThe Egyptian Revolution of 2011 gave birth to an unprecedented explosion of popular political and social expression in the form of bold, defiant, and often unforgettable street art and graffiti. This acted as both the revolution's chronicle, its commentary and response to the headlong rush of events, and as a driver of the revolution, a powerful means of influencing and directing what people felt, thought, and did during the heady days and months that followed from the 25 January 2011 uprising. Wall Talk takes us on an epic journey through the street art and graffiti that filled Egypt's streets between the twenty-fifth of January 2011 and the thirtieth of June 2012. Matched with a corresponding timeline of the key events of those eighteen months, it presents an enthralling and invaluable record of a moment in time that changed the course of Egyptian history forever.
£18.74
The University of Chicago Press Going All City Struggle and Survival in LAs
Book SynopsisTrade Review"Going All City is an amazing read that is impossible to put down. A cutting-edge geographical exploration of under-examined Los Angeles landscapes, this poignant, insightful book is unique within graffiti scholarship and expansive in our understanding of the city. Depicting the pain of a childhood spent in poverty, the ambiguity of race, and the subjective experience of policing and gangs, this is the remarkable story of just one of thousands of young people who have found power in the clandestine practice of graffiti."--Susan Phillips, author of Wallbangin' Gangs and Graffiti in L.A.
£19.00
The University of Chicago Press Conflict Graffiti
Book SynopsisThis study examines the waves of graffiti that occur before, during, and after a conflictimportant tools of political resistance that make protest visible and material. Graffiti makes for messy politics. In film and television, it is often used to create a sense of danger or lawlessness. In bathroom stalls, it is the disembodied expression of gossip, lewdness, or confession. But it is also a resistive tool of protest, making visible the disparate voices and interests that come together to make a movement. In Conflict Graffiti, John Lennon dives into the many permutations of graffiti in conflict zonesranging from the protest graffiti of the Black Lives Matter movement in Ferguson and the Tahrir Square demonstrations in Egypt, to the tourist-attraction murals on the Israeli Separation Wall and the street art that has rebranded Detroit and post-Katrina New Orleans. Graffiti has played a crucial role in the revolutionary movements of these locales, but as the conflict subsides a newTrade Review“Conflict Graffiti strengthens our understanding of the role graffiti plays in place making and in social lives embroiled in conflict. Lennon shows that walls, and the writing on them, are formative elements of our world—they create and supersede conflict, and they represent not only human suffering but creativity and resilience. This book provides a fascinating glimpse into unknown places, movements, genres, and histories of graffiti.” * Susan A. Phillips, Pitzer College *“Deeply researched and beautifully written, Conflict Graffiti reveals the ways in which street graffiti both detonates and documents global battles over public space, politics, property, and cultural belonging. Indecipherable to some, invitational to others, such graffiti provides a potent resistance to established authorities by hiding in the light of its own illicit visibility. Yet these same authorities in turn use their own forms of graffiti and street art to signal not resistance, but pacification and privilege. Attuned to such complexity, Conflict Graffiti brilliantly theorizes graffiti and its place in contemporary global dynamics.” * Jeff Ferrell, Texas Christian University *“From Ferguson to Palestine, this elegantly crafted and vividly detailed text takes graffiti, an under-theorized form of political action and expression, and locates it firmly in the arsenal of resistance to oppression. Closely articulated to forms of state violence and the specificity of time and place, graffiti is a ‘tool of dissent’—speaking back and speaking to—in its demands for radical change. While never losing sight of the creative and political impulse, Lennon does not mince words in his critique of the commodification and appropriation of street art.” * Julie Peteet, University of Louisville *“Conflict Graffiti is a thoughtful, comprehensive and engaging analysis of graffiti and the people who participate in this activity in the context of contemporary political conflicts throughout the world. It should be of interest to scholars, practitioners, and students for years to come.” * Jeffrey Ian Ross, University of Baltimore *"As [Lennon] shows in this accessible and expertly researched monograph, graffiti has the power to educate those who take the time to read the writing on the walls. In addition to the romantic view of graffiti as artistic expression, graffiti is a window on to what the everyday inhabitants of a particular place have to say, what they think, what they desire and what they rally against, free from the pressures of profit-motivated actors and government censors... [A] much-needed lesson for a whole new audience." * Times Higher Education *Table of ContentsPreface an introduction to conflict graffiti 1. walls, streets, and public spaces 2. the messy politics of conflict graffiti: desire, graffiti, and assembling a revolution 3. erasing people and land: banksy, the separation wall, and international graffiti tourists 4. framing hurricane katrina: graffiti and the “new” new orleans 5. “for more than profit”: graffiti, street art, and the gentrification of detroit conclusion Acknowledgments Notes Index
£27.00
Columbia University Press Taking the Train
Book SynopsisTraces the history of graffiti in New York City against the backdrop of the struggle that developed between the city and the writers.Trade ReviewAustin argues that the graffiti epidemic was really a smokescreen for poor civic management, and that graffiti itself was the inevitable result of a whole outpouring of structural social factors. New York Times Book Review Although solidly academic, this book is enlivened by its fascinating topic. Booklist A meticulous history. Booklist Austin's precise, witty, and genial style perfectly meshes with his rigorous research and analysis... This exemplary study makes important contributions to understanding contemporary art, urban sociology, and the culture wars. Publishers Weekly (starred review) Lets the graf writers talk back to the haters, while offering a nuanced reassessment of New York City's graffiti scene. Village Voice Austin does full justice simultaneously to New York as a symbolic, although never more than partially representable, city; to changes in the city's economy which create nationally unusual shifts in the relative distribution of wealth and in the ethnic make-up of poverty...ranges widely and with rich detail, yet always anchored in the central narrative focus. Urban StudiesTable of ContentsPrologue 1. A Tale of Two Cities 2. Taking the Trains: The Formation and Structure of "Writing Culture" in the Early 1970s 3. Writing "Graffiti" in the Public Sphere: The Construction of Writing as an Urban Problem 4. Repainting the Trains: The New York School of the 1970s 5. The State of the Subways: The Transit Crisis, the Aesthetics of Fear, and the Second "War on Graffiti" 6. Writing Histories 7. Retaking the Trains 8. The Walls and the World: Writing Culture, 1982-1990 Conclusion: A Spot on the Wall Appendix: Sources from Writers Notes Selected Bibliography Acknowledgments Index
£29.75
MU - University of Texas Press Terry Allen
Book SynopsisThe essential retrospective of the work of acclaimed visual artist and singer-songwriter Terry Allen, with essays, including one previously unpublished, by leading cultural critic Dave Hickey and more than 200 superb illustrations.Table of Contents Introduction (2009) by Dave Hickey JUAREZ (1970-present) Born in a Trailer: Borne Forth upon the Perfect Ship (1992) by Dave Hickey RING (1976-1980) RING: "A story which swallows its own tale" (1981) by Marcia Tucker YOUTH IN ASIA (1982-1992) Terry Allen's YOUTH IN ASIA: An Interview by Dave Hickey (1991) Terry Allen's Big Witness: A Less Perfect Union (1989) by Dave Hickey Installations (1976-present) A Few People Dead (1983) by Dave Hickey Public Works and Bronzes Sculpture and Works on Paper Music (1968-present) This Ain't No Top '40s Song: The Music of Terry Allen (2009) by Michael Ventura Discography Select Music Performances and Recordings Plates Biography Select Exhibitions, Installations, and Collections Select Theater and Radio Performances and Scripts Select Catalogues and Books
£48.60
University of Washington Press Bioart and the Vitality of Media
Book SynopsisBioart, art that uses either living materials (such as bacteria or transgenic organisms) or more traditional materials to comment on, or even transform, biotechnological practice. This book offers a theoretical account of the art form, situating it in the contexts of art history, laboratory practice, and media theory.Trade Review"In this concise, clearly written work, Mitchell explores bioengineered life as an artistic medium creating flows between the sciences and the humanities. Recommended." * Choice *Table of ContentsAcknowledgments Introduction: Living Art 1. Defining Bioart: Representation and Vitality 2. The Three Eras of Vitalist Bioart 3. Bioart and the Folding of Social Space 4. Affect, Framing, and Mediacy 5. The Strange Vitality of Media 6. Bioart and the "Newness" of Media Notes Works Cited Index
£110.48
