Oral history Books

Book SynopsisThis is a wide-ranging analysis of the internal dynamics of Irish republicanism between the outbreak of ‘the Troubles’ in 1969 and the Good Friday Agreement of 1998. Engaging a vast array of hitherto unused primary sources alongside original and re-used oral history interviews, ‘The Age-Old Struggle’ draws upon the words and writings of more than 250 Irish republicans. This book scrutinises the movement's historical and contemporary complexity, the variety of influences within Irish republicanism, and divergent republican responses at pivotal moments in the conflict. Yet it also assesses the centripetal forces which connected republican organisations through decades of struggle.Across five thematic chapters, ‘The Age-Old Struggle’ offers new insights into republicanism’s multi-layered interactions with the global ’68, tactical and strategic change, revolutionary socialism, feminism, and religion. Drawing on political periodicals, ephemera, and interviews with activists throughout the ranks of several republican groups, the book roots its analysis in republicanism’s temporal and spatial complexity. It contends that the cultural significance of place, interactions with class and revolutionary politics, and shifting intra-movement networks are essential to understanding the movement’s dynamics since 1969.Trade Review'Jack Hepworth has produced one of the great books on Provisional Irish republicanism. Forensically researched, it provides unique and fresh insights into how rank-and-file volunteers responded to seismic events in local, national and international politics from the start of the Troubles to the signing of the Good Friday Agreement.'Dr Paddy Hoey, Edge Hill University'This book is a fresh and significant addition to the literature on modern Irish republicanism. Hepworth illustrates the diversity of ideas within the republican movement by discussing the influence of feminism, socialism and religion, while also noting the impact of global events on activists. An important and nuanced book.'Dr Brian Hanley, Trinity College DublinTable of Contents‘The Age-Old Struggle’: Introduction1. The Global ’68 and its Afterlives2. Shifting Strategies3. ‘We Believed We Were on the Verge of World Revolution’: Irish Republicanism and the Revolutionary Left4. Feminism and Women’s Activism5. Catholicism‘The Age-Old Struggle’: Conclusion

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Book SynopsisSHORTLISTED FOR THE PEN HESSELL-TILTMAN PRIZE*****'There have been many books written about the events of Bloody Sunday, however, none has wrenched the reader as violently back to those CS gas-choked streets, dumping them right in the heart of the screaming, running, shooting and crying, as Julieann Campbell's On Bloody Sunday. A powerful chronicle of one of the darkest episodes of modern times.' - Sunday Times'Powerful and moving ... The strength of this important new book lies in the artistry the author brings to the tasks of portraying both the community upon which the massacre was perpetrated, and the individuals within it.' - Irish Times'Meticulous.... On Bloody Sunday possesses a veracity and cumulative power that sets it apart from previous accounts' - Observer'A momentous chronicle, timely and vital, which highlights that the burden of change rests, as always, upon the shoulders of those who suffered and yet, have nurtured the desire that lessons be learned.' - Michael Mansfield QC, who represented a number of families during the Bloody Sunday Inquiry.'It is a vital record of the time, the city, and its people, and more impressive still it does so almost entirely in their own words, their heartbreak, their anger, their resilience, their humour. Julieann Campbell has given their voices, so long silenced, the dignity they deserve. It is a staggering achievement.' - Séamas O'Reilly'It's a wonderful book. The technique used - multiple voices speaking directly to us - is very simple but it has a profound effect. It puts us into the middle of the chaos of Bloody Sunday and keeps us there throughout the grief and anger that follow. A wonderful, wonderful book.' - Jimmy McGovern, BAFTA winning screenwriter, creator of 'Sunday' (2002)In January 1972, a peaceful civil rights march in Northern Ireland ended in bloodshed. Troops from Britain's 1st Battalion Parachute Regiment opened fire on marchers, leaving 13 dead and 15 wounded. Seven of those killed were teenage boys. The day became known as 'Bloody Sunday'.The events occurred in broad daylight and in the full glare of the press. Within hours, the British military informed the world that they had won an 'IRA gun battle'. This became the official narrative for decades until a family-led campaign instigated one of the most complex inquiries in history. In 2010, the victims of Bloody Sunday were fully exonerated when Lord Saville found that the majority of the victims were either shot in the back as they ran away or were helping someone in need. The report made headlines all over the world. While many buried the trauma of that day, historian and campaigner Juliann Campbell - whose teenage uncle was the first to be killed that day - felt the need to keep recording these interviews, and collecting rare and unpublished accounts, aware of just how precious they were. Fifty years on, in this book, survivors, relatives, eyewitnesses and politicians, shine a light on the events of Bloody Sunday, together, for the first time.As they tell their stories, the tension, confusion and anger build with an awful power. ON BLOODY SUNDAY unfolds before us an extraordinary human drama, as we experience one of the darkest moments in modern history - and witness the true human cost of conflict.Trade ReviewRaw, meticulous and deeply personal, On Bloody Sunday is a remarkable act of public memory. The book gathers hundreds of different voices in testimony and reflection, retelling the unresolved story of the massacre of unarmed civilians in 1972. In doing so, it expands the possibilities of oral history as a resource for truth and justice. -- Dan HicksThrough multiple voices, Campbell puts us in the thick of history and humanity in this chronicle that throbs with grief, anger and frustration. It also frames the legacy of that tragic day in the context of the greater historical picture, how the people of Derry's efforts to get justice lay down a benchmark for similar campaigns across the world to this day. -- Donal O'Donoghue * RTE *Bloody Sunday was a pivotal moment in Irish history. Julieann Campbell places it perfectly in its time and place. The dominant notes are of anger and grief, and admiration for the indomitable spirit of the families and other campaigners who strove against daunting odds to vindicate the memory of the murdered. -- Eamonn McCann, journalist, author and Irish civil rights leaderA momentous chronicle, timely and vital, which highlights that the burden of change rests, as always, upon the shoulders of those who suffered and yet, have nurtured the desire that lessons be learned. -- Michael Mansfield QC, who represented a number of families during the Bloody Sunday InquiryThe technique used - multiple voices speaking directly to us - is very simple but it has a profound effect. It puts us into the middle of the chaos of Bloody Sunday and keeps us there throughout the grief and anger that follow. A wonderful, wonderful book. -- Jimmy McGovern, BAFTA-winning screenwriterSo many people - judges, politicians, generals, journalists - have had their say on Bloody Sunday. his book allows the voices of the people of Derry to be heard. Their accounts are exciting, tragic, infuriating, but, above all, authentic. The fear, anger and grief leap off the pages. -- Anne Cadwallader, journalist and authorHeartbreaking, poignant, powerful. -- Joe Duffy, broadcaster and authorThis was a day like no other in my lifetime ... a day that affected the lives of countless thousands on this Island. -- Christy Moore, Irish folk songwriter and musicianPowerful and moving ... The strength of this important new book lies in the artistry the author brings to the tasks of portraying both the community upon which the massacre was perpetrated, and the individuals within it... Campbell takes the voices of marchers, leaders, family members, doctors, priests and others and works her material like a woman knitting an Aran jumper, using a complicated pattern to create something that looks in the end simply beautiful. The book is animated by nothing less than love. The people of Derry are Campbells's people. She is from one of the Bloody Sunday families - her uncle, Jackie Duddy, was the first of the 12 people who were murdered that day. He was just 17. -- Susan Mckay * Irish Times *

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Book SynopsisA sweeping and comprehensive new oral history of the atomic bomb's creation and deployment, on the 80th anniversary of Hiroshima and Nagasaki.

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Book SynopsisSinging the Law is about the legal lives and afterlives of oral cultures in East Africa, particularly as they appear within the pages of written literatures during the colonial and postcolonial periods. In examining these cultures, this book begins with an analysis of the cultural narratives of time and modernity that formed the foundations of British colonial law. Recognizing the contradictory nature of these narratives (i.e., both promoting and retreating from the Euro-centric ideal of temporal progress) enables us to make sense of the many representations of and experiments with non-linear, open-ended, and otherwise experimental temporalities that we find in works of East African literature that take colonial law as a subject or point of critique. Many of these works, furthermore, consciously appropriate orature as an expressive form with legal authority. This affords them the capacity to challenge the narrative foundations of colonial law and its postcolonial residues and offer alternative models of temporality and modernity that give rise, in turn, to alternative forms of legality. East Africa’s “oral jurisprudence” ultimately has implications not only for our understanding of law and literature in colonial and postcolonial contexts, but more broadly for our understanding of how the global south has shaped modern law as we know and experience it today.Trade ReviewReviews'Singing the Law is an exemplary contribution to the burgeoning field of postcolonial literature and law scholarship. Leman makes a compelling case for why we should pay attention to the relationship between a specific literary form—memoir, drama, dictator fiction, dialogical epic poetry—and oral and written law.'Anne W. Gulick, University of South CarolinaTable of ContentsIntroductionTemp/orality in Law and East African LiteratureChapter 1Catching History by the Tail: Colonial Non-Fiction, Aristocratic Atavism, and the Crisis of Modernity in KenyaChapter 2A Song Whose Time Has Come: Northern Uganda, Apocalyptic Futures, and the Oral Jurisprudence of Okot p’BitekChapter 3Between Formal and Infinite Time: Labor Law and Revolutionary Futures in Kenyan Popular PerformanceChapter 4Time Heals All Regimes: Temporality, Somali Oral Law, and the Illegality of African DictatorshipsConclusionTemp/orality and Law in the End TimesBibliography

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Book SynopsisAn Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. Steel City Readers* makes available, and interprets in detail, a large body of new evidence about past cultures and communities of reading. Its distinctive method is to listen to readers' own voices, rather than theorising about them as an undifferentiated group. Its cogent and engaging structure traces reading journeys from childhood into education and adulthood, and attends to settings from home to school to library. It has a distinctive focus on reading for pleasure and its framework of argument situates that type of reading in relation to dimensions of gender and class. It is grounded in place, and particularly in the context of a specific industrial city: Sheffield. The men and women featured in the book, coming to adulthood in the 1930s and 1940s, rarely regarded reading as a means of self-improvement. It was more usually a compulsive and intensely pleasurable private activity.Trade Review\‘This is a fascinating and important study. It will be a rich and rare resource. Mary Grover has done a superb job illuminating the meaning of reading in individual lives as well as giving us insights into the local and national contexts.\’ - Alison Light, author of Common People: The History of an English Family ‘Steel City Readers provides an excellent opportunity to appreciate the power of reading and the changes reading for pleasure brings to a community and its literary legacies.’ - The Sheffield TelegraphTable of ContentsIntroduction: Reading, ‘I saw no living in it’1. At Home with Books2. Running up Eyre Street: Independent Young Readers and the Public Libraries3. Hefty Books and Tuppenny Weeklies4. Reading Scenes: Cultural Networks and Reading5. ‘Getting them Learned’: Books in the Classroom6. The 1937 ‘Confession’ Book of Mary Wilkinson: Reading and the Second World War7. ‘You can read and dance’: Marriage, Work and Play8. ‘Anna Karenina, you know, and all the normal things’: Sheffield Readers, Classics and the ContemporaryThe Last Word

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Book SynopsisA powerful account of the decline of the Cuban Revolution, told through the lives of five ordinary Cuban citizens. 'Masterful... Dore uses oral history to tell a history of Cuba from the bottom up' Professor Linda Gordon 'A vital addition to Cuba's rich oral tradition' Will Grant, BBC Cuba Correspondent 'Opens wide a window on the last forty years of Cuban history' Professor Gerald Martin 'To have gathered these life stories together with such grace, eloquence and trust is a towering achievement' Professor Ruth Behar Cuba is not the country it used to be. The regime is disintegrating, and unprecedented protest marches are challenging the gerontocratic Communist Party leadership. How Things Fall Apart reveals the decay of this political system through the lives of five ordinary Cuban citizens. Born in the 1970s and 80s, these men and women recount how their lives changed over a tumultuous stretch of thirty-five years: first when Fidel opened the country to tourism following the fall of the Soviet bloc; then when Raúl Castro allowed market forces to operate, thinking it would stop the country's economic slide; and finally when President Trump's tightening of the US embargo combined with the Covid-19 pandemic to cause economic collapse. With warmth and humanity, they describe learning to survive in an environment where a tiny minority has grown rich by local standards, the great majority has been left behind, and inequality has destroyed the very things that used to give meaning to Cubans' lives. Born out of the first oral history project authorized by the Cuban government in forty years, Professor Elizabeth Dore gathers these stories to illuminate the slow and agonizing decline of the Cuban Revolution over the past four decades. For over sixty years the government controlled the historical narrative. In this book, Cubans tell their own stories.Trade ReviewMasterful... Dore uses oral history to tell a history of Cuba from the bottom up, accompanied by her own astute commentary. How Things Fall Apart reads like a set of vivid short stories -- Professor Linda GordonAn elegant account of the evolution of a revolution. Writing on a topic which still has the power to provoke the most visceral responses across the political spectrum, Dore has done a rare thing: she has let the Cuban people speak for themselves. Dore handles their stories of triumph and hardship with honesty, compassion and respect, and in the process has held up a mirror to the state of the Cuban Revolution in the twenty-first century. How Things Fall Apart is a vital addition to Cuba's rich oral tradition -- Will Grant, BBC Mexico, Central America and Cuba CorrespondentThese life stories of Cubans are so raw, so honest, so moving, that you feel as if you know each of them personally. To have gathered them together with such grace, eloquence and trust is a towering achievement... This book serves as a testament to the audacity and sorrow Cubans experienced in seeking to change not only their own history but the history of the world -- Professor Ruth Behar, author of Letters from CubaElizabeth Dore's book opens wide a window on the last forty years of Cuban history and allows us to listen, uniquely, to the always vivid memories and conclusions of ordinary Cubans as they look back on the lives they lived during the most arduous and troubled years of the Revolution -- Professor Gerald MartinCuba through human lenses. Dore's impressive book sadly portrays the unraveling of the revolutionary utopian dream -- Professor Susan EcksteinThe chronicle of a death foretold * Spectator *

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Book SynopsisA powerful account of the decline of the Cuban Revolution, told through the lives of five ordinary Cuban citizens. 'Masterful... Dore uses oral history to tell a history of Cuba from the bottom up' Professor Linda Gordon 'A vital addition to Cuba's rich oral tradition' Will Grant, BBC Cuba Correspondent 'Opens wide a window on the last forty years of Cuban history' Professor Gerald Martin 'To have gathered these life stories together with such grace, eloquence and trust is a towering achievement' Professor Ruth Behar Cuba is not the country it used to be. The regime is disintegrating, and unprecedented protest marches are challenging the gerontocratic Communist Party leadership. How Things Fall Apart reveals the decay of this political system through the lives of five ordinary Cuban citizens. Born in the 1970s and 80s, these men and women recount how their lives changed over a tumultuous stretch of thirty-five years: first when Fidel opened the country to tourism following the fall of the Soviet bloc; then when Raúl Castro allowed market forces to operate, thinking it would stop the country's economic slide; and finally when President Trump's tightening of the US embargo combined with the Covid-19 pandemic to cause economic collapse. With warmth and humanity, they describe learning to survive in an environment where a tiny minority has grown rich by local standards, the great majority has been left behind, and inequality has destroyed the very things that used to give meaning to Cubans' lives. Born out of the first oral history project authorized by the Cuban government in forty years, Professor Elizabeth Dore gathers these stories to illuminate the slow and agonizing decline of the Cuban Revolution over the past four decades. For over sixty years the government controlled the historical narrative. In this book, Cubans tell their own stories.Trade ReviewMasterful... Dore uses oral history to tell a history of Cuba from the bottom up, accompanied by her own astute commentary. How Things Fall Apart reads like a set of vivid short stories -- Professor Linda GordonAn elegant account of the evolution of a revolution. Writing on a topic which still has the power to provoke the most visceral responses across the political spectrum, Dore has done a rare thing: she has let the Cuban people speak for themselves. Dore handles their stories of triumph and hardship with honesty, compassion and respect, and in the process has held up a mirror to the state of the Cuban Revolution in the twenty-first century. How Things Fall Apart is a vital addition to Cuba's rich oral tradition -- Will Grant, BBC Mexico, Central America and Cuba CorrespondentThese life stories of Cubans are so raw, so honest, so moving, that you feel as if you know each of them personally. To have gathered them together with such grace, eloquence and trust is a towering achievement... This book serves as a testament to the audacity and sorrow Cubans experienced in seeking to change not only their own history but the history of the world -- Professor Ruth Behar, author of Letters from CubaElizabeth Dore's book opens wide a window on the last forty years of Cuban history and allows us to listen, uniquely, to the always vivid memories and conclusions of ordinary Cubans as they look back on the lives they lived during the most arduous and troubled years of the Revolution -- Professor Gerald MartinCuba through human lenses. Dore's impressive book sadly portrays the unraveling of the revolutionary utopian dream -- Professor Susan EcksteinThe chronicle of a death foretold * Spectator *

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Book SynopsisThe 1970s were the era of the three-day week, the Troubles in Northern Ireland, the winter of discontent, trade union Bolshevism and wildcat strikes. Through sitcoms, Raising Laughter provides a fresh look at one of our most divisive and controversial decades. Aside from providing entertainment to millions of people, the sitcom is a window into the culture of the day.Many of these sitcoms tapped into the decade’s sense of cynicism, failure and alienation, providing much-needed laughter for the masses. Shows like Rising Damp and Fawlty Towers were classic encapsulations of worn-out, run-down Britain, while the likes of Dad’s Army looked back sentimentally at a romanticised English past.For the first time, the stories behind the making of every sitcom from the 1970s are told by the actors, writers, directors and producers who made them all happen. This is nostalgia with a capital N, an oral history, the last word, and an affectionate salute to the kind of comedy programme that just isn’t made anymore.

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Book SynopsisIn 2015, a year after it started, Bushra al-Maqtari decided to document the suffering of civilians in the Yemeni Civil War, which has killed over 350,000 people according to the UN. Inspired by the work of Svetlana Alexievich, she spent two years visiting different parts of the country, putting her life at risk by speaking with her compatriots, and gathered over 400 testimonies, a selection of which appear in What Have You Left Behind? Purposefully alternating between accounts from the victims of the Houthi militia and those of the Saudi-led coalition, al-Maqtari highlights the disillusionment and anguish felt by those trapped in a war outside of their own making. As difficult to read as it is to put down, this unvarnished chronicle of the conflict serves as a vital reminder of the scale of the human tragedy behind the headlines, and offers a searing condemnation of the international community’s complicity in the war’s continuation.Trade Review‘This is an extraordinary collection of testimonies. It’s almost unbearable to read, but averting your eyes from the suffering to which the book bears witness feels craven. Brave, painful, necessary and harrowing, Bushra al-Maqtari’s work confronts the reader with the devastation of the war in Yemen and gives a voice to those whose lives have been destroyed by it.’ — Marcel Theroux, author of Strange Bodies‘Bushra al-Maqtari’s boundlessly humane project of collecting firsthand accounts to document the nearly decade-long Yemeni Civil War – and the West’s complicity in it – is unblinking in its moral gaze. Every single voice collected in these pages is a blow to the heart. By the time I finished this book, I was consumed by sorrow and rage. This is an act of witnessing, and of making us engage in the witnessing of a disgraceful, criminal war that will shake your soul.’ — Neel Mukherjee, author of A State of Freedom‘An oral history of war’s folly in the tradition of Svetlana Alexievich, as devastating as Goya or Picasso. Al-Maqtari summons us to witness the innocent lives lost, and the love that survives in their wake.’ — Matthieu Aikins, author of The Naked Don’t Fear the Water‘Journalists covering war regularly claim their reporting gives “a voice to the voiceless ”. What Have You Left Behind? demonstrates that survivors of Yemen’s conflict are not voiceless, they are unheard. Bushra al-Maqtari brings a cacophony of voices from one of the world’s most under-reported conflicts; voices that compel us to hear what war does to civilians living through it. What Have You Left Behind? is a disturbing, often evocative and emotional oral record of a war that most of us know little if anything about. This is not the sanitized, politicized version of the conflict debated in the power houses of far-off capitals. If you want to understand the true impact of war, brace yourself to hear these voices from Yemen.’ — Iona Craig, winner of the Orwell Prize for Journalism‘Bushra al-Maqtari’s book is like a cry from those buried beneath rubble, those the world has forgotten, nobody hears, and nobody helps.’ — Ulf Kalkreuth, Das Erste‘For a conflict that has caused arguably the world’s worst humanitarian crisis, the war in Yemen is often described in the most inhuman ways…Bushra al-Maqtari, a journalist, adds a human element to the conflict.’ — The Economist ‘The book’s cumulative effect is terse, angry and devastating. Its images will not leave you easily. Nor should they.’ — Daniel Trilling, TLS‘What Have You Left Behind? reveals the tangled thickets of its local schisms, sectarian ties, and fluid loyalties, all complicated by messy international meddling…. Al-Maqtari’s ambition is to remind us of the only thing we really need to know: facing the war’s unpredictable savagery, bearing its extreme suffering, are real people. Their fate is all that should matter.’ — Samanth Subramanian, New York Review of Books‘When the fire of this war dies down, and the regional conflicting parties agree to a truce, and foreign entities are invited to rebuild the country, in those moments we will still have these heartrending stories, as a reminder of the sheer folly, empty grandeur and cold-blooded cruelty embodied by the war in Yemen.’ — Qantara‘Bushra al-Maqtari writes against forgetting... Her reports get under our skin, horrify, move us to tears. Free of theatricality, the writing simple and compassionate, they make clear what war really means.’ — Susanne El Khafif, Deutschland Radio‘Al-Maqtari’s portraits are unsettling in their urgency, their need to make the world understand that the war in Yemen must not be forgotten... I would even dare to speak of a kind of dark poetry in al-Maqtari. Her language is nuanced and empathetic.’ — Spiesser‘What sets this book apart is its narrative style, without being a novel, and its means of recording and documentation, without actually being a written record or document. ... What we read is painful, but our knowledge is enriched by the facts presented, as well as our literary experience with its language, marked by the pulse of life and death.’ — Al Quds‘It is an attempt to put in words the way cluster bombs kill, and how it feels when your own children, siblings, or parents are torn apart by grenades, shredded by machine gun fire, crushed or buried beneath falling rubble.’ — Florian Keisinger, Der Tagesspiegel‘What Have You Left Behind? is a memento mori for those trapped in a cynical theo-political system that works to deliberately perpetuate misery in the name of power.’ — Tom Bowden, The Book Beat

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Book SynopsisWhat are the questions you'd regret not asking when they're gone?In Your Family Story, anthropologist Elizabeth Keating helps you to uncover the unique memories of your parents and grandparents and to create lasting connections with them in the process.By asking questions that make the familiar strange, anthropologists are able to see entirely different perspectives and understand new cultures. Drawing on her lifelong work in this field, Keating has developed a set of questions that treat your parents and grandparents not just as the people who raised you, but as individuals of a certain society and time, and as the children, teenagers, and young adults they once were.Your Family Story helps you to learn about the history of your closest family members and to help you understand their perspective on the world.If you've ever thought of asking a parent or elderly relative about their past, read [Your Family Story] first. After asking the questions Keating suggests, you'll better understand not only your relatives and your heritage, but also your world and yourself' Deborah Tannen, New York Times bestselling author of You Just Don''t UnderstandIf you've ever heard anyone say, I wish I'd asked my mom about that,' then this is the book for you' Sarah Bird, author of Daughter of a Daughter of a QueenDown-to-earth and easy to use, it's a wonderful guide' Michael Erard, author of Babel No MoreIt has been a long time since I read a book that felt as urgent, timely, necessary, and utterly relatable throughout' Alexandra Georgakopoulou-Nunes, professor of discourse analysis and sociolinguistics at Kings College London

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Book SynopsisHan Meilin is a titan of contemporary Chinese art, from Olympic mascots to the tails of planes, his works have drawn worldwide recognition. But behind the fame, he was forged in the crucible of China’s Cultural Revolution.In an uncertain political landscape where suspicion itself was as good as proof, the very thing that gave him purpose - his passion for art - doomed him to an indefinite Purgatory behind bars in No. 100 Dongshan detention centre. Branded a traitor to the revolution, he faced a decade of despair, but at its cruel depths, he discovered the values which would shape him as an artist. Now in conversation with the premier storyteller on China’s turbulent 1960s, Meilin recounts his turbulent path to Paradise. Filled with first-hand accounts of his complex relationship with the suffering he endured, and the many ways it continues to reverberate in the hyper-commercial today of the Middle Kingdom.Trade ReviewReview one: Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.

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Book SynopsisAfter a decade away from her ancestral family village, during which she became a writer and literary scholar in Beijing, Liang Hong started visiting her rural hometown in landlocked Hebei province. What she found was an extended family torn apart by the seismic changes in Chinese society, and a village hollowed-out by emigration, neglect, and environmental despoliation. Combining family memoir, literary observation, and social commentary, Liang's by turns moving and shocking account became a bestselling book in China and brought her fame. Across China, many saw in Liang's remarkable and vivid interviews with family members and childhood acquaintances a mirror of their own families, and her observations about the way the greatest rural-to-urban migration of modern times has twisted the country resonated deeply. China in One Village tells the story of contemporary China through one clear-eyed observer, one family, and one village.Trade ReviewAn engaging read, with lively first-person narratives . it is in these stories that the universality of people's hopes, fears and frustrations really shines through. * New Internationalist *A lucid, accessible account of rural Chinese life, its stories worth far more than the statistics usually invoked in accounts of the pro­found change that has swept China. -- Jonathan Chatwin * South China Morning Post *A true literary sensation ... [Liang] pulls no punches. -- Ian Johnson * New York Times *Stunningly insightful ... What makes Liang's study so compelling is the way in which it offers a glimpse of a world in which personal problems ... exist on the same level as broader social and political problems -- Mark Rappolt * ArtReview *Overburdened grandparents, children who don't see their parents, workers straining to make a living in unwelcoming cities: Liang Hong's book, "China in One Village" (tr. Emily Goedde), gives a platform for these voices from the countryside. -- Mike Cormack * SupChina *The immediacy of China in One Village brings to life how China is changing in a way that more academic works cannot do. * rs21 *Fair-minded and sanguine ... one of the clearest narrative accounts of China's countryside available in English. -- Amy Hawkins * Times Literary Supplement *

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Book SynopsisThe ground-breaking and bestselling group portrait of London today: a book as rich, dynamic, lively, and diverse as the city itself 'Epic' David Nicholls 'Electrifying' The Times 'This is a book to deepen your relationship with London and make you fall in - or out - of love with it all over again... I can't tell you how much I enjoyed it' Evening Standard Here are the voices of London - rich and poor, native and immigrant, women and men - witnessed by acclaimed journalist, playwright and writer Craig Taylor, who spent five years exploring the city and listening to its residents. From the woman whose voice announces the stations on the London Underground to the man who plants the trees along Oxford Street; from a Pakistani currency trader to a Guardsman at Buckingham Palace - together, these voices and many more, paint a vivid, epic and wholly fresh portrait of twenty-first century London. '[A] splendid oral history of the city... A remarkable volume' Guardian 'A substantial account, not just of our imaginary riverside capital, but, more vividly, of himself: as inquirer, investigator, part of a long and valuable lineage' Iain Sinclair, Observer 'Memorable, funny and occasionally melancholy... A rich, satisfying tapestry of metropolitan life' Sunday TimesTrade Review[A] splendid oral history of the city... On occasions Londoners attains a level of eloquence as beautiful and blue as anything to be found in the works of Jean Rhys or Samuel Selvon ... A remarkable volume * Guardian *Craig Taylor tunes in to the multi-tongued, self-justifying noise of the streets. And he leaves us with a substantial account, not just of our imaginary riverside capital, but, more vividly, of himself: as inquirer, investigator, part of a long and valuable lineage -- Iain Sinclair * Observer *I am crazy about Craig Taylor's Londoners ... I wanted it to go on and on, and I can't imagine any lucky recipient not enjoying it -- Diana AthillIts brilliance lies not in the way Taylor frames the concept but in the way he lets people talk without obvious motive or direction. Five stars. * Time Out *Londoners must be 2011's most ambitious and creative book about London ... This is a book to deepen your relationship with London and make you fall in - or out - of love with it all over again ... I can't tell you how much I enjoyed it * Evening Standard *An epic portrait in eighty voices that shows the city to be just as ... well ... Dickensian as it has ever been -- David NichollsTaylor set out to understand London by talking to people about their lives there. It's not an original idea but Taylor has been astonishingly enterprising in the way he has gone about it ... it is to his credit that he has the inspired people he has met to speak so thoroughly about the city and what it means to them ... Often inspiring, occasionally infuriating, always interesting, Craig Taylor has given us something of a Mayhew's London for our own times -- Jerry White * Times Literary Supplement *Londoners will tell you more about the multiform life of the capital than a lifetime reading the Evening Standard -- Joe Moran * Guardian.co.uk *Taylor's superb book does full justice to London and its people, and should be enjoyed by everyone, whether they love the place or regret ever having set foot there -- Alexander Larman * Observer *Memorable, funny and occasionally melancholy... a rich, satisfying tapestry of metropolitan life -- Nick Rennison * Sunday Times *A cacophonous testimony to the multiple lives of the capital... all life is here in all its dirty, exuberant glory -- Claire Allfree * Metro *A cracking read * London Life blog *What I'm really enjoying about the book is the richness of language used by its huge variety of characters * City Read London blog *Fascinating -- William Leith * Evening Standard *Stimulating -- Alastair Mabbott * Herald *Ranging from the shocking to the poignant, 80 London voices produce a vivid collage of this impossible city -- Christopher Hirst * Independent *Captures the resilient but inclusive attitude that characterises its residents * LiteraryLondon.org *

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Book SynopsisStarting from its original conception and design by the owners and naval architects at the White Star Line through construction at Harland and Wolff's shipyards in Belfast, Nick Barratt explores the pre-history of the Titanic. He examines the aspirations of the owners, the realities of construction and the anticipation of the first sea-tests, revealing that the seeds of disaster were sown by the failure to implement sealed bulkheads - for which the original plans are now available. Barratt then looks at what it was like to embark on the Titanic's maiden voyage in April 1912. The lives of various passengers are examined in more detail, from the first class aristocrats enjoying all the trappings of privilege, to the families in third-class and steerage who simply sought to leave Britain for a better life in America. Similarly, the stories of representatives from the White Star Line who were present, as well as members of the crew, are told in their own words to give a very different perspective of the voyage.Finally, the book examines the disaster itself, when Titanic struck the iceberg on 14 April and sunk hours later. Survivors from passengers and crew explain what happened, taking you back in time to the full horror of that freezing Atlantic night when up to 1,520 people perished. The tragedy is also examined from the official boards of enquiry, and its aftermath placed in a historic context - the damage to British prestige and pride, and the changes to maritime law to ensure such an event never took place again. The book concludes by looking at the impact on those who escaped, and what became of them in the ensuing years; and includes the words of the last living survivor, Millvina Dean.Trade ReviewA splendid collection of eye-witness accounts by those who built, sailed and survived the Titanic. Fascinating and heart-rending * Saul David *

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Book Synopsis2012 marks the 63rd anniversary of the Nakba - the most traumatic catastrophe that ever befell Palestinians. This book explores new ways of remembering and commemorating the Nakba. In the context of Palestinian oral history, it explores 'social history from below', subaltern narratives of memory and the formation of collective identity. Masalha argues that to write more truthfully about the Nakba is not just to practise a professional historiography but an ethical imperative. The struggles of ordinary refugees to recover and publicly assert the truth about the Nakba is a vital way of protecting their rights and keeping the hope for peace with justice alive. This book is essential for understanding the place of the Palestine Nakba at the heart of the Israel-Palestine conflict and the vital role of memory in narratives of truth and reconciliation.Trade ReviewNur Masalha has a distiguished and deserved reputation for scholarship on the Nakba and Palestinian refugees. Now, with his latest book, his searching analysis of past and present makes for a powerful combination of remembrance and resistance. * Ben White, journalist and author of Israeli Apartheid: A Beginner's Guide *As a meticulous scholar, historian and above all Palestinian, Nur Masalha is eminently suited to write this excellent book. He has produced a marvellous history of the Nakba which should be essential reading for all those concerned with the origins of the conflict over Palestine. * Ghada Karmi, author of Married to Another Man: Israel's Dilemma in Palestine *This book is the most comprehensive and penetrating analysis available of the catastophe that befell Arab Palestine and its people in 1948, known as the Nakba. It shows how the expulsion and physical obliteration of the material traces of a people was followed by what Masalha calls 'memoricide': the effacement of their history, their archives, and their place-names, and a denial that they had ever existed. * Rashid Khalidi, Edward Said Professor of Arab Studies Department of History, Columbia University *Nur Masalha's 'The Palestinian Nakba' is a tour de force examining the process of transformation of Palestine over the last century. One outstanding feature of this study is the systematic manner in which it investigates the accumulated scholarship on the erasure of Palestinian society and culture, including a critical assessment of the work of the new historians. In what he calls 'reclaiming the memory' he goes on to survey and build on a an emergent narrative. Masalha's work is essential and crucial for any scholar seeking this alternate narrative. * Salim Tamari, Visiting Professor of History, Georgetown University *Table of ContentsIntroduction 1. Zionism and European Settler-Colonialism 2. The Memoricide of the Nakba: Zionist-Hebrew Toponymy and the De-Arabisation of Palestine 3. Fashioning a European Landscape, Erasure and Amnesia: The Jewish National Fund, Afforestation, and Green-washing the Nakba 4. Appropriating History: The Looting of Palestinian Records, Archives and Library Collections (1948-2011) 5. New History, Post-Zionism, the Liberal Coloniser and Hegemonic Narratives: A Critique of the Israeli 'New Historians' 6. Decolonising History and Narrating the Subaltern: Palestinian Oral History, Indigenous and Gendered Memories 7. Resisting Memoricide and Reclaiming Memory: The Politics of Nakba Commemoration among Palestinians inside Israel Epilogue: The Continuity of Trauma

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Book SynopsisThe country is bankrupt, the gap between rich and poor is widening, the church has retreated from the inner cities, and even in the more affluent suburbs, many young people see the church as irrelevant - out of touch.

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Book SynopsisCounty Kerry saw many of the most vicious episodes in both the War of Independence and the Civil War. Many Republican survivors of these events were reluctant to speak about their experiences, even to their own family. However, they were willing to talk to Ernie O’Malley, who was the senior surviving Republican military commander from the period of those struggles. By transcribing O’Malley’s notebooks, where he recorded these interviews, Cormac O’Malley and Tim Horgan have made available previously unpublished first-hand accounts of Kerry’s role in the fight for independence. The interviews provide an unrivalled insight into this important period of Irish history, including controversial incidents such as the Ballyseedy massacre, the battle at Headford Junction and executions by the Free State forces.Trade Review'O'Malley's book provides a rare and illuminating window into the struggle as it happened on the ground.' -- Cahir O'Doherty

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Book SynopsisShows how the cultural, political, socio-economic and intellectual evolutions that gave birth to South Africa affect the oral history process. This book seeks to help practitioners to reflect critically on their practice and find better ways of handling the interview process.

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Book SynopsisThis book contains the life stories of ten Ukrainian-Canadian women who survived the turbulent events of twentieth-century Europe. The older women were shaped by their experiences during the First World War and the revolutionary years of 191721, while the younger ones were profoundly affected, if not traumatized, by the trials and tribulations of interwar Polish or Soviet rule, the Soviet and Nazi occupations of Western Ukraine during the Second World War, or their deportation and forced labour in the Third Reich. Some of the women were politically active in Ukraine during the war; some experienced Soviet and Nazi persecution and even imprisonment. All ten women found refuge in the displaced persons camps in postwar Allied-occupied Germany or Austria. From there they immigrated to Canada, where they were active in the life and organizations of the Ukrainian émigré community. One became a published poet and writer. These life stories were selected from among the interviews of 250 Ukrainian émigré women conducted by the Ukrainian Canadian Research and Documentation Centre in Toronto and the Institute of Historical Research at Lviv National University. They are valuable contributions to the oral history of Ukrainian women, twentieth-century Ukraine, and Ukrainians in Canada.

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Book SynopsisPerhaps more than any other war in the twentieth century, the Spanish Civil War was seen as a 'writers' war' - names such as Hemingway and Orwell spring to mind. But the women who went to Spain and wrote about it have often been forgotten. This anthology is part of efforts to redress the balance. It includes writing by women from Britain, the United States, Australia and New Zealand - and from unsung nurses and relief workers as well as internationally celebrated writers. Bringing together extracts from memoirs, letters, diaries and poems, this collection provides a moving overview of the Spanish Civil War from the perspective of women participants. Contributors include Emma Goldman, Lillian Hellman, Jessica Mitford and Sylvia Townsend Warner.Trade Review'the power of human reciprocity and a profound spiritual rejection of fascism shine through'Sheila Rowbotham'I was absorbed by the book A... its publication is a tribute to the noble role of many women in the Spanish war' Jack Jones

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Book SynopsisAn introduction about the Women's Land Army in the First and Second World Wars is followed by reminiscences, recorded recently by the editor, of ten ex-Land Girls. It is co-published by NMS Enterprises Limited - Publishing and the European Ethnological Research Centre (EERC) an independent unit within Celtic & Scottish Studies at the University of Edinburgh.Trade Review' ... The text combines first hand accounts with interviews held with the editor. The collection vividly brings to life the girls' personal experiences and highlights their daily work ... They also recalled their social lives, whist drives and dances ... The centre of the book has a lovely photographic section.' Scottish Farmer ' ... The introduction to the book draws together many of the key issues faced by the women ... A good amount of background material is provided, making it easy to picture the young women and their lives during the war. Were this not sufficient, two dozen images are also included from the Land Girls' own photograph collections showing them at work and relaxing in their off hours. ... an entertaining and information read that will appeal to a wide audience.' History Scotland 'National Museums Scotland have a happy knack of publishing books on subjects that have probably never crossed your mind before, yet which turn out to be captivating and thought provoking. Scotland's Land Girls: Breeches, Bombers and Backaches, to give its full title, fits this pattern very well indeed.' Undiscovered Scotland (website) ' ... I found this book totally absorbing. The ladies' reminiscences reveal a great deal of information about an aspect of the war effort which is often overlooked.' Scottish Home and County ' ... full of lively accounts of working and living on farms and how the experience shaped the girls' subsequent lives. ...' Ayrshire Notes ' ... Edwards has undertaken an important role in preserving the history and experiences of these women and their vital part in the war effort.' Northern ScotlandTable of ContentsAcknowledgements List of illustrations Editorial Note Foreword SCOTLAND'S LAND GIRLS Introduction Written Recollections Spoken Memories Notes Glossary

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Book SynopsisTravelling showfolk have been entertaining Scots for centuries and a visit to 'the shows' was a highlight of the year until recent memory. The Codonas are one of the longest and most established show families, having arrived from the continent in the late eighteenth century. The book is based almost entirely on original research and draws on interviews with three generations to give a vivid and richly anecdotal account of this ever-changing world. Illustrations, mostly previously unpublished, enhance the text. The interviews have been kept intact as much as possible, to keep the flow of overlapping individual life stories but are organised chronologically from the 1890s, when it enters living memory, up to the present. The hundred years from 1790 are described in a lively introduction including many first-hand accounts and following the family fortunes in the United Kingdom, the United States where members reached the top of the circus profession and as far afield as Hawaii.Trade Review' ... a fascinating book ... a very worthy addition to the library of fairground books.' Fairground Mercury ' ... a rare insider's view of fairground life in Scotland.' Romany Routes ' ... oral testimonies that recall their remarkable family story across the last two centuries ... The book is structured around the interviews, which have been kept largely intact, but still manages to progress the family story in chronological order ... All the fun of the fair and more.' Discover My Past Scotland ' ... Bruce's volume illustrates the world of the showfolk, and shows that this was a business that required constant innovation and a careful juggling, within a closely knit community, between competition and co-operation.' Ayrshire Notes ' ... this book is a valiant effort to capture and record the lives of those who might be on the periphery of local lives, but played an important part in local leisure activities.' The Local HistorianTable of ContentsThe fair familiar faces Geggies, gallopers and the ghost show The fun city Four brothers and thirteen cousins The rides, the people and the winter ground Family and fairground community Travelling and Settling Appendix 1 Appendix 2 Appendix 3 Codona family tree Glossary Bibliography

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Book SynopsisNineteenth and early twentieth century Reading prospered from the canal, the railway, brewing and biscuit making, but massive population growth in the middle years of the nineteenth century brought with it many problems. Coley Talking lifts the lid on a dark aspect of Reading’s, and England’s, history. Memories, photographs, maps and archives, tell the story of how life was lived in one of its poorest communities. All the symptoms of extreme poverty – workhouses, chronic disease, insanitary back-to-back housing – are revealed in shocking, ‘this is what life was like’ detail. But change was on the way: ragged schools, sanitation, the work of socialist councillors Harry and Lorenzo Quelch, and the early days of the local Labour party, together with a strong and resilient community spirit all played their parts. Through the microcosm of Coley we are shown the transformations brought about by slum clearance, the NHS, state education and the work of trade unions, and can appreciate the initiatives which make life better today.

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Book SynopsisTopics discussed in these recorded oral interviews with residents of Stranraer and district, in south-west Scotland, include tattie howking, war, the capsizing of the Larne-Stranraer ferry and the stormy winter of 1947. The interviews took place over a period of time, the first being with Helen Davies who was 87 when recorded in 1997.This is the first book based on research carried out by the European Ethnological Research Centre (EERC) as part of their current research programme: Dumfries and Galloway: A Regional Ethnology - part of a wider research programme, The Regional Ethnology of Scotland Project.Co-published by NMS Enterprises Ltd - Publishing and the EERC.Trade Review'This volume is a welcome addition to the regional Flashbacks series … All the same elements of war, travel, and travellers feature in this regional history, but woven into the everyday rhythms of Stranraer and the surrounding district from the early twentieth to the early twenty-first century. … ' Oral History Society ReviewTable of ContentsTattie Howkers / Tramps and Travellers / Agriculture and Farming / Rural and Urban Living Conditions / Shops and Businesses / Community Life / Education / Health / Travel and Transport / War / Princess Victoria Disaster / The Storm in the Winter of 1947-48 / Ghostly Happenings / Exploring the Photograph Archive Collection held by the Stranraer and District Local History Trust / Appendix: Stranraer and District Local History Trust and List of Interviewees

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Book SynopsisWhithorn: An Economy of People is an exploration of a unique face-to-face society in Galloway in the south west of Scotland. It paints a picture of a largely cashless economy based on trust, frugality and the skilled labour and strategies of its residents to remain independent of the rest of the world while keeping closely connected to each other. Between 2012 and 2013 Julia Muir Watt interviewed twenty-nine individuals from Whithorn and the Machars about their memories. From those interviewed we learn what it was like to grow up, to go to school, and to work and to play in Whithorn in the twentieth century, before and after the Second World War. A great strength of oral history is that it can provide a direct insight into a lived life. In this collection, we have many such insights into life in and around the burgh of Whithorn. In telling of their experiences, those interviewed also provide an understanding into what it felt like to live those lives. Co-published with the European Ethnological Research Centre based on the research undertaken by them in their programme Dumfries and Galloway:A Regional Ethnology – part of a wider research programme the Regional Ethnology of Scotland Project (RESP).Trade Review' … presents a fascinating picture of life in a particular part of Scotland, and the transcripts and extracts from oral testimonies included offer insight into a number of themes and issues about the experiences of the inhabitants of the area, relevant to a range of existing academic work … a welcome addition to the body of research examining 20th-century Scotland.' Scottish ArchivesTable of ContentsWhithorn Manse by Alistair Reid Acknowledgements Preface Editorial note Lost of Illustrations Introduction WHITHORN: AN ECONOMY OF PEOPLE, 1920-1960 1. Leaving and Returning: Nostalgia of the Writers 2. Outside-In: the Rural Town 3. Outside: the Farms 4. Work and rest: The Timing of Pleasures 5. Up and Down: Wealth and Poverty 6. Here and There 7. Here and Hereafter 8. Incursion and Dispersion: Second World War Index

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Book SynopsisPickers came from near and far year after year – and from a variety of backgrounds – for the berry-picking season. For local people, adults and children, it was an opportunity to supplement the family income; Glasgow folk combined it with a holiday. For the Scottish Traveller community it was an annual opportunity to meet up with friends and family, and forge new relationships. Roger Leitch encouraged many of those local berry pickers to share their recollections for this book – which is published at a time of political change with challenges for the soft fruit cultivation business. He also interviewed workers in other seasonal employments such as potato picking and ghillieing.Trade Review' … Fascinating material is presented throughout … The focus on the wide range of oral testimonies presented, mostly from a particular region of Scotland that has thus far not received in-depth attention in the wider historiography, means that the book offers important insights for the historical agenda.' Scottish Archives Table of ContentsAcknowledgements List of Illustrations Introduction: Caroline Milligan 1. Fieldwork and the Ethnologist 2. Seasonal Rural Employment 3. Life at the Tatties 4. Berryopolis 5. The Growth of the Raspberry Industry in Scotland by G. M. Hodge 6. Life Away From Home 7. At Home Notes Glossary Contributors Bibliography Index

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Book SynopsisA full, detailed and global portrait of a life lived in service. Lieutenant Commander Michael Parker, then equerry-in-waiting to Princess Elizabeth and the Duke of Edinburgh, speaking about the death of King George VI: 'The Queen was really bowled over. Forlorn. Fully conscious of the fact that she was Queen, and that she must tend to affairs immediately, but at the same time carrying the load of this new, awful news. A brave person. Gosh! If I loved her before, boy did I love her after that!' Queen Elizabeth II paints a spirited, global portrait of a life lived in service. It is packed full of fascinating eye-witness accounts; from the early years of Queen Elizabeth II's reign - the shocking death of her father and the adjustment required of a newly married couple - through to the children's marriages, the death of Princess Diana, and Prince Harry and Meghan's move to the United States. It features interviews from diverse sources: staff (recognisable from their portrayals in The Crown), family and friends, such as Lady Pamela Hicks, and public figures including Rabbi Julia Neuberger, Michael Heseltine and Andy Burnham. Originally published in 2002, it also contains memories from crucial figures now lost to us, such as Winston Spencer Churchill and Nelson Mandela. This extraordinary oral history presents revealing view into the workings of Buckingham Palace and the strengths and weaknesses of the Royal Family, asking questions about conflict and change, and the monarchy's journey as colonial institution. With a broad spectrum of views on Queen Elizabeth II - from her role as leader of the Commonwealth to her personality in private - this unique book offers a remarkable insight into our Monarch. 'Both of us having dogs, mine being my seeing eye dog, Her Majesty and I had something in common and we always used to talk about ours. During Vladimir Putin's state visit to the United Kingdom, my dog barked at the Russian visitor and Her Majesty patted him, as if to say: ""Good dog! Good dog!""' David Blunkett

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Book SynopsisUsing archival primary material such as photographs, yearbooks, artwork, and first-person written accounts, A Captive Audience gives an inside look at the experiences of young people at the Rohwer and Jerome Relocation Centers in Arkansas during the forced incarceration of Japanese Americans during World War II. Many young internees at the camps saw their families lose their homes, businesses, and possessions on the West Coast when the U.S. government rounded up people of Japanese descent after the bombing of Pearl Harbor. Yet through all the chaos and heartbreak of the internment experience, young people often brought a unique perspective of hope and resiliency. Intended for young-adult readers, this book explores important dimensions of Arkansas and U.S. history, including human rights and what it means to be an American.

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Book SynopsisThis book explores a central methodological issue at the heart of studies of the histories of children and childhood. It questions how we understand the perspectives of children in the past, and not just those of the adults who often defined and constrained the parameters of youthful lives. Drawing on a range of different sources, including institutional records, interviews, artwork, diaries, letters, memoirs, and objects, this interdisciplinary volume uncovers the voices of historical children, and discusses the challenges of situating these voices, and interpreting juvenile agency and desire. Divided into four sections, the book considers children's voices in different types of historical records, examining children's letters and correspondence, as well as multimedia texts such as film, advertising and art, along with oral histories, and institutional archives.Table of ContentsChapter 1 – Hearing Children’s Voices: Conceptual and Methodological Challenges by Nell Musgrove, Carla Pascoe Leahy and Kristine Moruzi.- Part I: Children’s Letters and Correspondence.- Chapter 2 – Children’s Voices in the Boy’s Own Paper and the Girl’s Own Paper, 1800-1900 by Shih-Wen Sue Chen and Kristine Moruzi.- Chapter 3 – Where ‘Taniwha’ met ‘Colonial Girl’: The Social Uses of the Nom de Plume in New Zealand Youth Correspondence Pages, 1880-1920 by Anna Gilderdale.- Chapter 4 – “Dear Monsieur Administrator”: Student Writing and the Question of ‘Voice’ in Early Colonial Senegal by Kelly Duke Bryant.- Chapter 5 – “Str[a]ight from My Heart”: Black Lives, Affective Citizenship, and 1960s American Politics by Susan Eckelmann Berghel.- Part II: Images of the Self.- Chapter 6 – Children’s Art: Histories and Cultural Meanings of Creative Expression by Displaced Children by Mary Tomsic.- Chapter 7 – Karen B., and Indigenous Girlhood on the Prairies: Disrupting the Images of Indigenous Children in Adoption Advertising in North America by Allyson Stevenson.- Chapter 8 – ‘Share the Shame’: Curating the Child’s Voice in Mortified Nation! by Kate Douglas.- Part III: Remembered Voices.- Chapter 9 – Oral Histories and Enlightened Witnessing by Deidre Michell.- Chapter 10 – “Basically you were either a mainstream sort of person or you went to the Leadmill and the Limit”: Understanding Post-War Youth Culture through Oral History by Sarah Kenny.- Part IV: Speaking Back to Institutions.- Chapter 11 – Muffled Voices: Recovering Children’s Voices from England’s Social Margins by Greg T. Smith.- Chapter 12 – Revolutionary Successors: Deviant Children and Youth in the People’s Republic of China, 1956-1966 by Melissa Brzycki.- Chapter 13 – Lost and Found: Counter-Narratives of Dis/Located Children by Frank Golding and Jacqueline Z. Wilson.

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