Non-graphic and electronic art forms Books
Tin House Books The Language of Trees
Book Synopsis
£17.95
£116.38
£15.56
Amazon Digital Services LLC - Kdp Bhakti Mala
£11.19
Amazon Digital Services LLC - Kdp Bhakti Mala
£11.20
Amazon Digital Services LLC - Kdp Curso visual de escultura
£16.62
Amazon Digital Services LLC - Kdp Curso visual de escultura
£14.53
Independently Published Esculturas en Oviedo
£29.15
Amazon Digital Services LLC - Kdp The Complete Zbrush Guide
£26.38
Amazon Digital Services LLC - Kdp Blender 5.0 Mastery
£22.72
Amazon Digital Services LLC - Kdp DaVinci Resolve 20 Voor Beginners
£38.25
Independently Published Book of Totem Poles
£11.35
Amazon Digital Services LLC - Kdp Line and Emotion
£21.94
Independently Published El arte Mexica
£15.49
Independently Published El arte Mexica. Tomo II
£15.63
Rizzoli International Publications Poetic Practical
Book SynopsisPoetic Practical offers the first examination of Chris Burden’s unrealized projects, featuring never-before-seen archival materials and newly commissioned photography of Burden’s studio and property.This extensively illustrated book includes 435 images, featuring never-before-seen archival materials and newly commissioned photography of Burden’s studio and property. Burden’s work, whether realized or unrealized, was fundamentally driven by a speculative approach to artistic production, one that compelled him to interrogate the physical limits of his own body, social mores, institutional capabilities, and scientific forces. Above all, his work repeatedly sought to test the thresholds of presumed impossibility, making his unrealized works the ultimate example of such measures. The sixty-seven artworks included in this publication offer a unique and unprecedented perspective on the life and working proc
£71.25
Philip Wilson Publishers Ltd Art of the Renaissance Bronze 15001650 The Robert
Book SynopsisThis new and extended version of the first edition retains the entries written by Anthony Radcliffe with a few additions or corrections, and an entry that he drafted on the miniature cannon signed by Orazio Antonio Alberghetti has also been incorporated.Trade ReviewAntiques Magazine, 11th June 2005: 'Those who own the first edition will be itching to get their hands on this update.' 'This far reaching and comprehensive survey.' 'Perhaps the highpoint for catalogues of private collections of paintings and works of art was reached in the decades around the turn of the twentieth century... although a very different sort of book, this new catalogue... sits firmly within that tradition.' - Burlington MagazineTable of ContentsForeword Preface Introduction Acknowledgements Part One: Bronze Objects Made for Use Part Two: The Revival of the Antique Bronze Statuette Part Three: New Developments in Venice Part Four: New Developments in Florence and North of the Alps Part Five: Small Bronzes By and After Giambologna Part Six: Barthélemy Prieur Part Seven: Florentine Seventeenth-Century Bronzes Interpreting the Bronzes: A Technical View by Shelley Sturman Bibliography Abbreviations
£76.00
University of Regina Press Art of Immersive Soundscapes
Book Synopsis
£26.60
Museum of Domestic Design & Architecture Sonic Wallpapers
Book Synopsis
£8.83
ACTUALLY ART LTD See What Life Is Like IV
£7.77
Tate Publishing Richard Wilson (Modern Artist)
Book SynopsisRichard Wilson was born in London in 1953. Descended on one side from a line of builders and on the other of artists, his work often comes closer to engineering or even architecture than it does to traditional sculpture. Typically he transforms the viewer's environment into something unsettling and strange by the interventions he makes, whether in the internal space of a gallery, the structure of a building or in one of the ships with which he has a particular affinity. Perhaps his best-known work is 20:50, currently on show at, and probably the most popular exhibit in, the Saatchi Gallery in London. For 20:50, Wilson flooded a gallery space with oil, which has a highly reflective surface. Into the oil is built a kind of narrow pier or promenade down which one person at a time can walk, the oil perilously close to their body. So reflective is the oil that the room induces a strong sense of disorientation. Further along the River Thames, next to the Millennium Dome, is another Wilson piece that provides an unexpected sight. The skeletal ship A Slice of Reality, its sides removed and with the tides moving freely through it, is both a startling sculptural object in its own right and a comment on the vanished shipping industry that was once a mainstay of the river community. In Los Angeles, Wilson was inspired by one of the most ubiquitous symbols of Californian life, the swimming pool, suspending a fibreglass pool shell from a sixty foot-long pipe in MOCA's subterranean gallery (Deep End). In addition to and often in conjunction with these large-scale projects, Wilson makes films and sculpture, takes photographs and stages performance events and has been a formative influence on a generation of British artists. This lavishly illustrated career survey includes a new interview with Wilson and examines six key works in depth.
£11.24
Beam Editions Dear Nature,
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£25.99
Editions Flammarion Hubert Le Gall: Fabula
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£86.25
Fondation Cartier pour l'art contemporain Fabrice Hyber, The Valley
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£40.00
De Gruyter Gestalterinnen: Frauen, Design und Gesellschaft
Book SynopsisGestalterinnen hatten einen entscheidenden Anteil an der Entwicklung der Moderne im Wien der Zwischenkriegszeit. Die Publikation präsentiert neue Forschungen zu Designerinnen, Keramikerinnen, Modeschöpferinnen, Grafikerinnen, Gartenarchitektinnen, Fotografinnen, Kunsthistorikerinnen und Mäzeninnen. An ihrem Beispiel wird gezeigt, wie angestammte Rollenbilder in der Zwischenkriegszeit aufgebrochen wurden und welch eminente Bedeutung diese Frauen für die Wiener Moderne hatten. Sie setzten sich mit bestehenden Vorurteilen auseinander und schufen neue visuelle Sprachen, um erfolgreich Karriere zu machen. Gleichzeitig trugen sie zu einem kritischen Diskurs über die Emanzipation der Frau bei. Zu den Gestalterinnen der Wiener Moderne gehörten u.a. Emilie Flöge, Mathilde Flögl, Jacqueline Groag, Fanny Harlfinger-Zakucka, Yella Hertzka, Else Hofmann, Hilda Jesser, Maria Likarz, Madame d'Ora, Pauline Metternich-Sándor, Bertha Pappenheim, Marie Reidemeister-Neurath, Lisl Weil, Vally Wieselthier, Helene Wolf und Berta Zuckerkandl
£51.78
Bohlau Verlag Schafft euch Schreibraume!: Weibliches Schreiben
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£25.19
König, Walther Josephine Baker Icon in Motion.
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£16.20
König, Walther Broken Music Vol.2. 70 Jahre Schallplatten und
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£38.40
König, Walther Merce Cunninghams Events Key Concepts
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£14.40
Books on Demand Katzen in der Kunst Zeitleiste
£69.68
Hatje Cantz Peter Weibel (Bilingual edition): (Post-)Europa.
Book SynopsisPeter Weibel, the long-standing CEO of the ZKM Zentrum für Kunst und Medien (Center for Art and Media) in Karlsruhe, and the recipient of the Lovis-Corinth-Preis in 2020, has influenced the international scene of media art as an artist as well as a theorist and curator. His artistic oeuvre comprises conceptual art, performance, experimental film, video, and computer art as well as his exploration of music. This publication offers insight into Weibel’s diverse work. One main area consists of works in which the artist takes up core questions about Europe. For example, his computer-video installation Die Vertreibung der Vernunft (The Expulsion of Reason) of 1993 thematizes the forced emigration of artists and intellectuals from Austria between 1933 and 1945. In other works critical of the system, which always question the usual concept of art as well, Weibel addresses migration, expulsion, war, and terrorism as well as economic and ecological catastrophes. Languages: English and German
£30.40
Hatje Cantz Alexandra Bircken: A-Z
Book SynopsisThe title seems to announce a comprehensive encyclopedia: from A to Z, each and every object or material has the potential to become an element in one of Alexandra Bircken’s charged objects and installations. Whether it’s packaging materials, machine parts, or bones, everything finds a use—the organic as well as the inorganic, raw materials and industrially produced goods. The constant reference point in her artistic explorations is the human body and its contradictory relationship to the environment, as defenselessly at its mercy as it is dependent on it. This catalogue is the first to provide a comprehensive overview of Bircken’s sculptural practice from all creative periods, which here enter into a dialogue that explores the artist's multi-layered statements on surface, body, movement, shell, and skin.
£38.40
Hatje Cantz Lygia Pape (Bilingual edition): The Skin of ALL
Book SynopsisAs one of the key figures of Brazil’s Neo-Concrete movement of the late 1950s and early 1960s, Lygia Pape developed a specific understanding of geometric abstraction that resulted in a radical new conception of concrete-constructivist art, challenging an overly rigid rationalism by moving toward more subjective, multi-sensorial modes of expression. Marking Pape’s first solo exhibition in Germany, this richly illustrated book presents the artist’s unusual creative power in all its breadth, drawing on a body of documents that is being published for the first time. Against the backdrop of the tension between Brazil’s vibrant avant-garde and the growing political repression through the military dictatorship (1964–1985), Pape’s work reflects ethical and socio-political issues and harnesses experimental explorations of not just metaphorical geometric but social space to create poetic manifestations of subtle resistance. Emphasizing the primacy of the sensorial experience of the viewers, Pape went as far as to declare them to be the actual creators of her works.
£51.20
Hirmer Verlag Sonya Clark: We Are Each Other
Book SynopsisThis is the first volume to document and contextualize Sonya Clark’s large-scale, collaborative artworks. These projects demonstrate Clark’s career-long commitment to addressing the urgent issue of racial inequality in American society and her philosophy of creatively engaging the viewer in reflection on the nation’s history of slavery and our roles in dismantling systemic racism today. As an extension of her abiding commitment to issues of history, race, and reconciliation in her work, Clark is also distinctive as an artist for her use of textiles and other everyday materials, which she aligns with the intertwined histories of art and craft. For marginalized people (African Americans and women, in particular) handwork has been essential to survival and consequently has functioned, and continues to function, as an important means of creating a group identity. Hence, for Clark, craft is essential to the question of equality.
£33.60
Hauser & Wirth David Smith - Origins & Innovations
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£36.00
Hauser & Wirth Calder: Nonspace
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£33.75
Edition Patrick Frey Claudia Comte: After Nature
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£59.50
Distanz Viewshed
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£37.40
Dr. Cantz'sche Verlagsges Andreas Wegner Wir Fahren Mit Der Schneckenpost Weil Sie Uns Keinen Pfennig Kost
£40.00
Verlag Kettler Laura Gaiser Animal
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£30.60
Skira Christoph Dahlhausen: Lightborn
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£32.00
Skira Nejat Sati: Colour as Psychological Balance
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£24.00
Rab-Rab Press Tenderness Record - The Life of Ilya Zdanevich
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£13.20
Rab-Rab Press Bourgeois with a Heart - The Class Suicide of
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£20.25
Rab-Rab Press Iliazd - Zaum for Strangers - Paris 1921
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£12.60
British Academy Roman Sculpture from the North West Midlands 9
Book SynopsisThis catalogue of the sculptures from this region of Roman Britain covers locally carved sculptures, and provide an index of Romanisation in the far north-west of the Roman Empire - in particular at Devra (Chester), Viroconium (Wroxeter), and at Letcetum (Wall, Staffs).
£66.50
Oxford University Press Corpus of AngloSaxon Stone Sculpture Volume VIII Western Yorkshire
Book SynopsisThe latest volume in the acclaimed Corpus series completes the cataloguing of the stone sculptures of Yorkshire, and boosts our understanding of the artistic development of southern Northumbria in the pre-Viking and Anglo-Scandinavian periods.The monuments in the historic West Riding of Yorkshire include important collections from Dewsbury, Ilkley, Leeds and Otley, containing individual pieces of the highest quality; and there are fine examples of early architectural sculpture at Ledsham and Rothwell.Many of the finest monuments are connected with important ecclesiastical estates, such as Ripon; the iconography of the sculptures tells us about how these estates continued into the Anglo-Scandinavian period.Introductory chapters set the material within an historical, topographical and art-historical context, and there are specialist contributions concerning the inscriptions and geology of the monuments. There is a full photographic record of each monument which includes many new illustraTrade ReviewCoatsworth has presented us with an excellent and invaluable survey. * Early Medieval Europe *This volume is an excellent piece of scholarship. * British Archaeological Association *As one contemplates the frontispiece of this volume, a map of England showing the coverage now achieved by the Corpus, it becomes apparent that completion is now in its sights. This admirably ordered mass of detailed artifactual and intellectual evidence ... to which this painstaking and thoroughly referenced volume contributes significantly, is one which all ecclesiastical historians of this period will want to utilise to the full. * Isabel Henderson, Journal of Ecclesiastical History *What we have is an exemplary cataloguing of material, available, one might note, at what is effectively a bargain price. * I.N. Wood, Northern History *
£95.00
Oxford University Press Corpus of AngloSaxon Stone Sculpture Volume X
Book SynopsisThe stone sculpture of Anglo-Saxon England forms an important source for archaeologists and historians - offering fascinating insights into the thought-world of early medieval people. This volume surveys the western Midland counties of Gloucestershire, Herefordshire, Shropshire, Warwickshire and Worcestershire, and provides an analytical catalogue of the Anglo-Saxon stone sculptures of that region.Introductory chapters set the material within an historical, topographical and art-historical context, and there are specialist contributions concerning the geology of the monuments and the analysis of surviving ninth-century paint. There is a full photographic record of each monument which includes many new illustrations. The monuments include important collections of material from Gloucester, Deerhurst and Shrewsbury, as well as individual sculptures of the highest quality such as the Cropthorne cross-head, cross-shafts from Acton Beauchamp and Wroxeter, and the small but exquisite LechmereTrade ReviewThe British Academy's Corpus of Anglo-Saxon Stone Sculpture is again to be congratulated on completing another milestone in its coverage. ... There is much new information here, particularly on the growth of Mercian art and culture between the 8th and 11th centuries. * David Griffiths, Journal of Medieval Archaeology *This volume will be a well-referenced and long used resource in the years to come. * Joanne Kirton, Early Medieval Europe *There can no be better example of the importance of this Corpus series: in addition to the obvious value of listing and scientifically describing all survivals of Anglo-Saxon sculpture, as the project it makes possible such thematic and synthetic analyses. * David Parsons, Transactions of the Bristol and Gloucestershire Archaeological Society *The volume will bring the material from this area to a wider audience and it provides a comprehensive and insightful record and art-historical analysis. * Meggen M. Gondek, English Historical Review *Table of ContentsCATALOGUE
£95.00
