Nature in the arts Books

Book SynopsisWhat is the responsibility, or the task of the arts as we face environmental crisis?Ecologies in Practice is an edited collection of dynamic and multi-formatted contributions that explore the ways in which cultural production informs perceptions, communications, and knowledge of environmental distress in a Canadian context, pointing to the significance of the arts in the creation and sharing of crucial counter narratives and alternative possibilities. Ecologies in Practice identifies the arts as an important mode of inquiry for reimagining, and for public engagement and understanding of pressing environmental and social concerns, while acknowledging the ways in which it contributes important work to the growing interdisciplinary field of Environmental Humanities.Bringing together artistic perspectives from a range of lenses and voices, including artists, writers, scholars, activists, curators, theorists, and makers, Ecologies in Practice offers important tools for artists, scholars, students, and research-creators invested in arts and the environment. Contributors present artistic methods as alternative sites of understanding that contribute significant and affective work to environmental scholarship, while thinking outside of the disciplinary borders and confines of the artworld. Ecologies in Practice aims to initiate vital conversations among practitioners, and together with readers, consider what environmentally engaged arts lend differently to these conversations.Table of ContentsAn Introduction to Making Ecological, Elysia French and Amanda White INTERRUPT: Making as Intervention Notes from a Garden Wedged into the City, Camille Georgeson-Usher Dirty Nature: Pedagogy, Performance, Politics, David Huebert and Tom Cull I Believe in Living: an intertextual curatorial approach to environmental (inter)relations, Ellyn Walker WITNESS: Picturing the Invisible seeds are meant to disperse [to get to the future, a return to the past], Christina Battle Of Passengers and Lost Relations, Lisa Hirmer Carbon Study: Walking in the Dark, Genevieve Robertson(RE)PLACE: Offering Alternative Experiences of Place into steps and breath, leah decter Coney Island MTL: Re-Mediating the Greatest Show on Earth, Natalie Doonan After The Fire, Andreas Rutkauskas Listening in Place, Emma Morgan-Thorp REFLECT: Considerations of a Material Practice Can Ceramics Ever be a Sustainable Cultural Practice? Mary Ann Steggles Mapping Narratives: Methods and Entanglements of Social Practice, Maria Michails 1:10000, Dana Prieto Field Work: Rural Residencies and Environmental Arts, Emily McGiffin Conclusion, Elysia French and Amanda White BibliographyContributor Biographies

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Book SynopsisThis dazzling collection showcases the very best of the British Wildlife Photography Awards, presenting over 150 of the winning, commended and shortlisted images from the 2017 competition. Featuring a range of photography from world-leading professionals as well as inspired amateurs, it is a book that captures the magnificent diversity of the British Isles. British Wildiife Photography Awards is divided into the competition's fifteen categories, from Animal Portraits through to the Young People's Awards. Every photograph is beautifully reproduced in a large format, with detailed technical information alongside the photographer's personal account, to appeal to both photographers and natural historians.Trade Review"Each year the British Wildlife Photography Awards generates an incredible catalogue of splendid, exciting, imaginative and artistic images, proving beyond doubt that we have the richest palette of life to celebrate in our own backyard. Anyone passionate about protecting and preserving wildlife will be inspired by the British Wildlife Photography Awards, which has done more than any other award to raise the profile of British wildlife." --Chris Packham, TV Presenter and Naturalist

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Book SynopsisCelebrating the 10th anniversary of the British Wildlife Photography Awards, this stunning collection showcases 150 of the winning and shortlisted images from the 2019 competition. Curating the year's finest work from world-leading professionals and inspired amateurs, it celebrates the extraordinary diversity of British wildlife while inspiring readers of all ages to engage with nature and conservation. Every photograph is beautifully reproduced in a large format, with detailed technical information alongside the photographer's personal account. Featuring a fresh new design, and supported by a touring exhibition and major media campaign, this is both an essential reference and an irresistible gift. It will bring every reader closer to the often unseen and always surprising world of British nature.

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Book SynopsisThe story of the canine has been fundamentally entwined with that of humanity since the earliest times, and this ancient and fascinating story is told in Susan McHugh’s Dog, now available in B-format. The book unravels the debate about whether dogs are descended from wolves, and moves on to deal with canines in mythology, religion and health, dog cults in ancient and medieval civilizations as disparate as Alaska, Greece, Peru and Persia, and traces correspondences between the histories of dogs in the Far East, Europe, Africa and the Americas. Dog also examines the relatively recent phenomenon of dog breeding and the invention of species, as well as the canine’s role in science fact and fiction; from Laika, the first astronaut, and Pavlov’s famous conditioned dogs, through to science fiction novels and cult films such as A Boy and his Dog. Susan McHugh shows how dogs today contribute to human lives in a huge number of ways, not only as pets and guide dogs but also as sources of food in Asia, entertainment workers, and scientific and religious objects. Dog reveals how we have shaped these animals over the millennia, and in turn, how dogs have shaped us.Trade Review'Next time your pet pooch rolls over to have his tummy tickled, you might pause to consider whether he could really have wolf relatives. This is just one of the debates that Susan McHugh unravels in her enchanting book Dog, which draws on mythology, religion and dog-cults to show how we and our best animal buddies have shaped each other over centuries.'-You Magazine; 'a well-informed and wide-ranging guide to the cultural history of the dog . . . it is lavishly and eclectically illustrated. It surveys the whole gamut of human-dog relations, in religion and myth, literature, science, art, and entertainment. If I, who am largely indifferent to the species charms, found it an enjoyable and stimulating read, it can presumably be safely recommended to all real dog enthusiasts.'-International Zoo News; 'Unusually and surprisingly for books on dogs, McHugh has produced a work in which the facts are correct and the scope is balanced, broad, and fascinating to read.'-Archives of Natural History

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Book SynopsisSir George Beaumont is a key figure in the history of British art. As well as being a respected amateur landscape painter, he was a prominent patron, a collector, and co-founder of the National Gallery. William Wordsworth described Beaumont’s friendship as one of the chief blessings of his life, and this edition reveals that the two men became collaborators as well as companions. In addition to documenting unique perspectives on social, political, and cultural events of the early nineteenth century (providing new contexts for reading Wordsworth’s mature poetry), the letters collected here chart the progress of an increasingly intimate inter-familial relationship. The picture that emerges is of a coterie that – in influence, creativity, and affection – rivals Wordsworth’s more famous exchange with Coleridge at Nether Stowey in the 1790s. The edition includes an extended study of how Wordsworth and Beaumont helped shape one another’s work, tracing processes of mutual artistic development that involved not only a meeting of aristocratic refinement and rural simplicity, of a socialite and a lover of retirement, of a painter and a poet, but also an aesthetic rapprochement between neoclassical and romantic values, between the impulse to idealize and the desire to particularize. Trade Review'Jessica Fay's edition of the letters of the Beaumonts to the Wordsworths now makes possible a two-way understanding of their personal relationship as well as a new perspective on the creative relationship Wordsworth and Beaumont experienced. [...] Beaumont has left us an abundance of epistolary evidence to assess his impact on Wordsworth. In the words of Magnuson, these letters let us hear both sides of their conversation.' Richard Matlak, Review 19‘This archive of letters has not been unfamiliar to biographers, but no one has been willing to take on the labor of editing them in their entirety. We must be grateful that Jessica Fay has done so and that she has done it so splendidly. The annotation is exemplary… however; it is really two books in one. The volume appears in the Romantic Reconfigurations series from Liverpool University Press and reconfiguration is what Fay achieves. An introduction that is so substantial it could almost have appeared as a monograph on its own presents the most nuanced account yet of the Wordsworth-Beaumont relationship… [The Collected Letters] is another comparably significant contribution to Wordsworthian scholarship.’ Stephen Gill, The Wordsworth Circle‘[E]xemplary foundational scholarship… Fay’s volume also opens these intersections of aesthetics and politics to women’s voices… In Lady Beaumont’s thirteen letters to William and her many postscripts to her husband’s letters, we hear a voice that would stand her ground against some of Wordsworth’s most intransigent positions, such as his long opposition to Catholic emancipation.’ Eric C. Walker, European Romantic ReviewTable of ContentsList of IllustrationsList of LettersThe Creative Exchange between Wordsworth and BeaumontThe LettersPart I: 1803–1806Part II: 1807–1813Part III: 1814–1818Part IV: 1819–1827Part V: 1827–1829Appendix I: Lady Beaumont’s Reading: Thomas Barnard’s ‘Account of an English Hermit’Appendix II: Paintings Hung at Coleorton Hall

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Book SynopsisSir George Beaumont is a key figure in the history of British art. As well as being a respected amateur landscape painter, he was a prominent patron, a collector, and co-founder of the National Gallery. William Wordsworth described Beaumont’s friendship as one of the chief blessings of his life, and this edition reveals that the two men became collaborators as well as companions. In addition to documenting unique perspectives on social, political, and cultural events of the early nineteenth century (providing new contexts for reading Wordsworth’s mature poetry), the letters collected here chart the progress of an increasingly intimate inter-familial relationship. The picture that emerges is of a coterie that – in influence, creativity, and affection – rivals Wordsworth’s more famous exchange with Coleridge at Nether Stowey in the 1790s. The edition includes an extended study of how Wordsworth and Beaumont helped shape one another’s work, tracing processes of mutual artistic development that involved not only a meeting of aristocratic refinement and rural simplicity, of a socialite and a lover of retirement, of a painter and a poet, but also an aesthetic rapprochement between neoclassical and romantic values, between the impulse to idealize and the desire to particularize. Trade Review'Jessica Fay's edition of the letters of the Beaumonts to the Wordsworths now makes possible a two-way understanding of their personal relationship as well as a new perspective on the creative relationship Wordsworth and Beaumont experienced. [...] Beaumont has left us an abundance of epistolary evidence to assess his impact on Wordsworth. In the words of Magnuson, these letters let us hear both sides of their conversation.' Richard Matlak, Review 19‘This archive of letters has not been unfamiliar to biographers, but no one has been willing to take on the labor of editing them in their entirety. We must be grateful that Jessica Fay has done so and that she has done it so splendidly. The annotation is exemplary… however; it is really two books in one. The volume appears in the Romantic Reconfigurations series from Liverpool University Press and reconfiguration is what Fay achieves. An introduction that is so substantial it could almost have appeared as a monograph on its own presents the most nuanced account yet of the Wordsworth-Beaumont relationship… [The Collected Letters] is another comparably significant contribution to Wordsworthian scholarship.’ Stephen Gill, The Wordsworth Circle‘[E]xemplary foundational scholarship… Fay’s volume also opens these intersections of aesthetics and politics to women’s voices… In Lady Beaumont’s thirteen letters to William and her many postscripts to her husband’s letters, we hear a voice that would stand her ground against some of Wordsworth’s most intransigent positions, such as his long opposition to Catholic emancipation.’ Eric C. Walker, European Romantic ReviewTable of ContentsList of IllustrationsList of LettersThe Creative Exchange between Wordsworth and BeaumontThe LettersPart I: 1803–1806Part II: 1807–1813Part III: 1814–1818Part IV: 1819–1827Part V: 1827–1829Appendix I: Lady Beaumont’s Reading: Thomas Barnard’s ‘Account of an English Hermit’Appendix II: Paintings Hung at Coleorton Hall

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Book SynopsisUnderstories: Plants and Culture in the American Tropics establishes the central importance of plants to the histories and cultures of the extended tropical region stretching from the U.S. South to Argentina. Through close examination of a number of significant plants – cacao, mate, agave, the hevea brasilensis, kudzu, the breadfruit, soy, and the ceiba pentandra, among others – this volume shows that vegetal life has played a fundamental role in shaping societies and in formulating cultural and environmental imaginaries in and beyond the region. Drawing on a wide range of cultural traditions and forms across literature, popular music, art, and film, the essays included in this volume transcend regional and linguistic boundaries to bring together multiple plant-centred histories or ‘understories’ – narratives that until now have been marginalized or gone unnoticed. Attending not only to the significant influence of humans on plants, but also of plants on humans, this book offers new understandings of how colonization, globalization, and power were, and continue to be, imbricated with nature in the American tropics.Trade Review‘A timely exploration of plant studies in the hemispheric Americas, Understories showcases diverse methodologies for uncovering the imbrications of plant and human world-making across the two continents. Each chapter uniquely challenges the place of plants—from trees to succulents, breadfruit to transgenic soy—in the popular imaginary by charting dynamic histories of growth, transplantation, contamination, and adaptation in a variety of human-plant entanglements.’ Amanda M. Smith‘What impresses the reader of, specially, Latin American literature is the ways in which the fitting title of the collection – Understories also brings to mind plant stories/histories that have passed before our eyes unseen – among other production of its contributors, and in particular its editor, Lesley Wylie, has changed the ways in which we read canonical fictions about plants.’ Felipe Martinez-PinzonTable of ContentsAcknowledgments Figures Introduction. Green Power: Plants and Culture in the American Tropics Lesley Wylie The Dark Twin: Cacao from Mesoamerican Cosmology to the Contemporary Neotropics Bruce Dean Willis “A Good Thing Spring Up”: The Breadfruit Story in the Caribbean Elaine Savory Ceiba pentandra: Axis of the Mesoamerican World / Mirror of Climate Change in the Caribbean Lizabeth Paravisini-Gebert The Politics of Yerba Mate Nina Gerassi-Navarro Transgenic Soy in Argentina: Arts of the Toxic Zone Sebastián Figueroa “A Home of Cactus and Maguey”: Dwelling and Cultural Representation of Succulents of the Americas Odile Cisneros From Tropical Pathology to Tropical Plantation: the Hevea brasiliensis, 1839 to 1945 Lesley Wylie The Vine at the End of the World: Reimagining Kudzu in the U.S. South Jessica Martell and Zackary Vernon Bibliography Contributors

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Book SynopsisSince the Renaissance, art in Belgium and the Netherlands has been known for its innovations in realistic representation and its fluency in symbolism. New market forces and artistic concerns fueled the development of landscape as an independent genre in Belgium in the sixteenth century, and landscape emerged as a major focus for nineteenth-century realist and symbolist artists. Nature's Mirror, and the exhibition it accompanies, traces these landmark developments with a rich array of seldom-seen works. Nature's Mirror presents its collection of prints and drawings in chronological order, exploring the evolving dialogue between subjective experience and the external world from the Renaissance through the First World War. Essays by American and Belgian specialists examine artists within the regional, political, and industrial contexts that strongly influenced them. Featuring more than one hundred works, many from the leading private collection of Belgian art in America, the Hearn Family Trust, Nature's Mirror explores the evolution of Belgian art in this fruitful period with remarkable lucidity and detail.

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Book SynopsisThis book tells the fascinating story of the rhinoceros Miss Clara, the most famous animal of the eighteenth century. It accompanies the fi rst ever major loan exhibition devoted to Clara and celebrity pachyderms in the UK and will off er a signifi cant contribution to scholarship on the subject. The latest in the Barber’s acclaimed objectin-focus series, Miss Clara focuses on a small bronze sculpture of a rhinoceros, and also considers other celebrity beasts, the emergence of menageries and zoos, and the significance of the capture and captivity of these big beasts within wider academic discussions of colonialism and empire.'Miss Clara' arrived in Europe from the Dutch East Indies in 1741, brought by a retired Dutch East India Company captain, Douwe Mout van der Meer, who then toured her round Europe (including England) to huge acclaim and excitement. Jungfer Clara (so christened while visiting Würzburg in 1748) was the fi rst rhino to be seen on mainland Europe since 1579 and the object of great wonder and aff ection. Her fame generated a massive industry in souvenirs and imagery from life-scale paintings by major masters to cheap popular prints; there were even Clara-inspired clocks and hairstyles. This book will look at the phenomenon of Clara but, unlike previous studies of the subject, will focus primarily on sculptural/3D representations of her, within the context of other celebrity pachyderms represented by artists between the 16th and 19th centuries.Miss Clara is one of the most remarkable and best-loved sculptures in the Barber and was praised by the great German art historian and museum director Wilhelm von Bode as 'the fi nest animal bronze of Renaissance' - a telling tribute to its quality, even if he misunderstood its date. The Barber’s cast is one of only two known, the other being at the V&A. There are also closely related marble versions. Other celebrity beasts featured will include the elephants Hansken, Chunee and Jumbo; Dürer’s and various London rhinos; and the hippo Obaysch, star of London Zoo in the 1850s, and the fi rst to be seen in Europe since the fall of the Roman Empire.The publication will consist of entries for the thirty exhibits - included extended texts by Dr Helen Cowie (York University) on images of Chunee and Obaysch - preceded by three essays. Robert Wenley, Deputy Director of the Barber Institute, and the curator of the exhibition, will relate the story of Miss Clara (and of other celebrity rhinos), and explore the sculptural representations of her, presenting new research into their attribution and dating. The eminent sculptural historian, Dr Charles Avery, formerly of the V&AMuseum and Christie’s, will write a complementary essay about celebrity elephants in Europe between 1500 and 1700. Dr Sam Shaw (Open University), will discuss private menageries and public zoos between about 1760 and 1860 in the UK, and consider celebrity pachyderms as emblems of empire and colonialism.Trade Review[O]ffers an excellent introduction to the subject – accessible but academically rigorous ... The book is exquisitely illustrated. * Archives of Natural History *visually rich and thought-provoking catalogue" * The Art Newspaper *Perfectly curated ... fills the visitor with wonderment at every turn ... it’s just so delightful." * The Guardian *Gorgeous ... poignant" * World of Interiors *

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Book SynopsisA highly-illustrated monograph on the life and work of Arthur Singer, an American wildlife artist specializing in birds. His work in reference books and U.S. stamps is internationally acclaimed. Arthur B. Singer was an American wildlife artist specializing in bird illustration. In a career spanning five decades, he illustrated more than 20 books, including his masterpiece, Birds of the World, as well as classic bird guides: Birds of North America, Birds of Europe, and The Hamlyn Guide to Birds of Britain and Europe. Singer joined the U.S. Army in 1942 and was assigned to Company C of the 603rd Camouflage Engineers.As a member of unit, known as the "Ghost Army," Singer along with other artists, created camouflage and other forms of deception on the battlefields of Europe. Upon his return to the U.S., he worked briefly in an advertising agency and became a full-time illustrator and artist in 1955. During the 1980s, assisted by his son, Alan, Singer's paintings of state birds were seen by millions when the U.S. Postal Service issued the State Birds & Flowerspostage stamps. The stamps became one of the largest selling commemoratives in U.S. Postal history. He received the Hal Borland Award in 1985 from the National Audubon Society. His paintings are represented in several public and private collections in the United States and Europe. Since his death in 1990, retrospectives of Singer's artwork have been presented in several museums and art galleries across the U.S. PAUL SINGER has focused on designs for zoos, museums, and botanic gardens. He has worked as an interpretive sign designer for the National Park Service and his illustrations are included inThe Knopf Nature Guide series for Audubon, The Audubon MasterGuides to Birding, The Knopf Collector Guides to American Antiques and other publications. ALAN SINGER is a graduate of The Cooper Union School of Art and worked with his father, Arthur, on painting revisions to both of Singer's field guides to birds, and helped illustrate the State Bird & Flower Stamps for the U.S. Postal Service. Since 1989, he has been a tenured professor at the Rochester Institute of Technology. A prolific printmaker, painter, andauthor, he has had 27 solo exhibits.Trade Review[This book] is a well-ordered and fluent work outlining Singer's life and many achievements. . . . beautifully designed and produced. * BRITISH BIRDS *This book compiled by two of his sons, is a wonderful tribute. * NATUUR.ORIOLUS *

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Book SynopsisIn 1875, after being acquitted for the murder of his wife’s lover, Eadweard Muybridge spent a year photographing along the Central American Pacific Coast, particularly in Guatemala and Panamá. Upon his return to California in 1876, he published a very limited number of albums of the photographs (11 are known), each of which was unique in size and scope. In 2007, photographer Byron Wolfe (born 1967) tracked down and cataloged every known Muybridge Central American photograph. Then, with cultural geographer Scott Brady, he traveled to many of Muybridge’s sites to rephotograph them. Through photographic collage, interpretive rephotography, illustrations and essays, this book examines an exceptionally rare series by Muybridge. Also included is a catalogue of every known Muybridge Central American picture.

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Book SynopsisNew Jersey has roughly one hundred and thirty miles of coastline, including a wide array of habitats from marshes to ocean beaches, each hosting a unique ecosystem. Yet these coastal landscapes are quite dynamic, changing rapidly as a result of commercial development, environmental protection movements, and of course climate change. Now more than ever, it is vital to document these landscapes before they disappear. Based on numerous aerial images from helicopter and drone flights between 2015 and 2021, this book provides extensive photographs and maps of the New Jersey coast, from the Pine Barrens to the ocean beaches. The text associated with each exceptional image describes it in detail, including its location, ecological setting, and relative position within the larger landscape. Author Kenneth Able, director of the Rutgers University Marine Field Station for over thirty years, has thoroughly ground-truthed each image by observations made through kayaks, boats, and wading through marshes. Calling upon his decades of expertise, Able paints a compelling portrait of coastal New Jersey’s stunning natural features, resources, history, and possible futures in an era of rising sea levels. Trade Review“Dr. Able is truly an expert on Southern New Jersey with decades of personal knowledge. Coastal Landscapes is a vivid and powerful way to use unique imagery to help share his experiences and perspective–a must-have book on the region.” -- David Tulloch * professor of landscape architecture, Rutgers University *“Coastal Landscapes provides new and intriguing views of landscapes readers might already be familiar with from the ground. There are few people that combine Dr. Able’s academic expertise along with his boots-on-the ground perspective on these coastal ecosystems.” -- Richard G. Lathrop Jr. * editor of The Highlands: Critical Resources, Treasured Landscapes *“The Jersey Shore is one of the nation’s great natural and scenic resources, with the great forests of the Pine Barrens feeding extensive marshes and estuaries formed by beautiful barrier islands. With his scientific expertise and vast knowledge of the region, Ken Able is an ideal guide to showcase this extraordinary systems of interconnected ecosystems.” -- Carleton Montgomery * Executive Director, Pinelands Preservation Alliance *Table of Contents1 Introduction 1 2 Nature Revealed 3 3 Relics of the Past 41 4 Recent Human Footprints 73 5 Connecting People, Places, and Resources 125 6 Sea Level Rising 161 Acknowledgements 191 General References 193 Index 000

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Book SynopsisAcross Ground comprises two new books by the Swiss-born, San-Francisco-based photographer Lukas Felzmann, who for nearly thirty years has been making poetic images that explore the intersection of nature and culture in California's landscape. Developed in tandem between 2017and 2024, the two volumes take us on an allusive journey through the Golden State's fifty-eight counties, revealing seemingly liminal zones located in between cities, national parks and landmarks. Using a large format view camera, Felzmann follows the border of the continent to the edges of small towns to create a conceptual atlas of the Californian hinterland.In Across Felzmann roams the territory freely, collecting signs of human activity in the natural environment, from foothills to felled cypress trees, in windows and reflections, across floodplains and focal planes. Across is not only a journey across land, but also across time and the processof photography, which Felzmann treats like a sculptural activity anch

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Book SynopsisEsta nueva obra de la colección "Excellence. Razas de hoy" proporciona la más actual y completa información sobre los orígenes, estándar, temperamento y características del Golden Retriever. Junto a un texto altamente informativo, escrito con claridad y precisión se presentan innumerables fotografías a todo color, así como un gran número de tablas y cuadros resaltados para una fácil y ráoida consulta.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisIn the era of the Anthropocene, artists and scientists are facing a new paradigm in their attempts to represent nature. Seven chapters, which focus on art from 1780 to the present that engages with Nordic landscapes, argue that a number of artists in this period work in the intersection between art, science, and media technologies to examine the human impact on these landscapes and question the blurred boundaries between nature and the human. Canadian artists such as Lawren Harris and Geronimo Inutiq are considered alongside artists from Scandinavia and Iceland such as J.C. Dahl, Eija-Liisa Ahtila, Toril Johannessen, and BjÃrk. Table of ContentsList of Color Plates List of FiguresList of ContributorsIntroduction: Artistic Visions of the Anthropocene North: ClimateChange and Nature in Art GRY HEDIN & ANN-SOFIE N. GREMAUDPART IInteraction between Art and Science 1 Anthropocene Beginnings: Entanglements of Art and Science in Danish Art and Archaeology 1780– 1840 GRY HEDIN2 A Montage of Notes from Svalbard: Mediating the Arctic throughArtistic Research EVA LA COURPART IIChanging Narratives of the Anthropocene and the North 3 Northern Landscape and the Anthropocene: A Long View MARK A. CHEETHAM4 "We All Have to Live By What We Know": Activating Memoryscapes in the North Baffin Inuit Drawing Collection to Understand Arctic Environmental Change NORMAN VORANOPART IIIMedia and Blurred Boundaries between Nature and the Human 5 Conversations between Body, Tree and Camera in the work of Eija-Liisa Ahtila KATARINA WADSTEIN MACLEOD6 Toril Johannessen’s In Search of Iceland Spar: Truth and Illusion in the Anthropocene SYNNØVE MARIE VIK7 From within the Porous Body: Modes of Engagement in Björk’s Biophilia Album ANN-SOFIE N. GREMAUDBibliography 156Index 169

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Book SynopsisMost people believe that we should help others in need. This book argues that we should also help starving, wounded and sick wild animals. It will be of interest to scholars of philosophy, as well as to a non-specialist audience, including policy-makers and members of environmental and animal charities.Trade Review'Animal Ethics in the Wild makes a powerful case for helping wild animals. It also provides the most comprehensive treatment to date of the incredibly important, and yet incredibly neglected, problem of wild animal suffering. This book is essential reading for anyone interested in combating speciesism.' Kyle Johannsen, Trent University'Catia Faria has for some years been a pioneer in the effort to make both moral philosophers and members of the wider public think seriously about the appalling suffering that many billions of animals endure in the wild every day. In this book, she states the case for beneficent human intervention and then meticulously analyses and rebuts a large variety of objections that have been or might be made to her proposal. This book is thus a carefully argued and timely discussion of a highly serious moral problem that remains tragically underappreciated.' Jeff McMahan, Sekyra and White's Professor of Moral Philosophy, University of Oxford'Catia Faria does several important things in Animal Ethics in the Wild. First, she provides a detailed yet accessible account of commonly deployed moral arguments for protecting animals from harm, and then shows why those arguments also apply to free-living or wild animals. Further, Faria encourages people - like me - to think more carefully about who our ethical values applies to, and then to rethink what our ethical commitment to wild animals requires of us. This book has the power to change readers' behaviour as its implications are at once radical and simultaneously self-evidently logical.' Siobhan O'Sullivan, UNSW Sydney'Catia Faria's book develops a powerful, thought-provoking and comprehensive defence of the controversial argument that there's an obligation to help suffering wild animals, whatever the cause of their suffering. Faria makes an important intervention into current ethical debates about animals, and her book is strongly recommended for scholars of animal and environmental ethics.' Clare Palmer, Texas A&M University'This book is devoted to an ethical issue that has the particularity of being largely neglected by moral philosophers, even though it concerns those individuals who are the most numerous and who suffer the most. Its author succeeds in completely reversing the usual burden of proof: those who, after reading the book, wish to continue denying our moral duty to reduce the suffering of animals living in the wild will have to find a mistake in Catia Faria's simple, effective, and rigorous demonstration to the contrary. No doubt a little shaken by this read, the rest of us will most likely see these ideas settle in slowly. As our immediate reaction wears off, our perplexity will likely give way to acquiescing to the author's very ambitious yet seemingly inescapable conclusions.' Valéry Giroux, Associate director of the Centre de Recherche en Éthique (CRE), University of Montreal'Brilliant and eloquent. Animal Ethics in the Wild is a strong and firmly grounded call to us all to consider the need for helping animals in nature. Catia Faria makes an extremely compelling case for the reasons we have to intervene in nature to reduce animal suffering, while she thoroughly dismantles the major anti-interventionists arguments. A definitive work. A major contribution to animal defence from a superbly lucid thinker.' Núria Almiron, Co-director of the UPF-Centre for Animal Ethics'Impeccably analytical and elegantly structured around Albert Hirschman's distinction between appeals to futility, jeopardy, and perversity, I know of no more thorough defense of intervening in nature to reduce animal suffering than Catia Faria's lucid book.' Paula Casal, ICREA Research Professor, Pompeu Fabra University'Faria has written a wonderfully clear, rigorous and compelling book in defence of intervening to alleviate wild animal suffering. This is the book that everyone interested in wild animal ethics must read. And it is also the book with which those seeking to defend the widespread intuition to 'leave nature alone' must grapple.' Alasdair Cochrane, University of Sheffield'From now on, the starting point of discussions of the suffering of wild animals, and of what we should do about that suffering, will be Catia Faria's superb account of these issues in Animal Ethics in the Wild.' Peter Singer, author of Animal Liberation and Professor of Bioethics, Princeton University'In recent years, interest in wild animal suffering has increased significantly, but long before that Catia Faria was already a pioneer on this topic. Her long-awaited book, Animal Ethics in the Wild, is a groundbreaking contribution that makes a compelling case for why this is a very important, yet often overlooked, problem. The book explores in careful detail the normative underpinnings of our reasons for helping wild animals to prevent the natural harms they suffer. I hope this book will be widely read, as anyone interested in what we owe animals would benefit greatly from it.' Oscar Horta, Professor of Moral Philosophy, University of Santiago de CompostelaTable of Contents1. Moral considerability; 2. Speciesism; 3. Wild animal suffering; 4. Perversity and futility; 5. Jeopardy; 6. Relationality; 7. Priority; 8. Tractability.

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Book SynopsisTrade Review“A visual diary of Kim’s Sistine Chapel-like endeavor.” — Outside “A masterwork.” — Lulu Garcia-Navarro, NPR “A richly detailed book.” — Fast Company “This is a beautiful, inspiring and informative book about an astonishing and bold project.” — BBC Wildlife Magazine “It creates its own space and purpose that dazzles with the color and life of its paintings and intrigues with the story it tells.” — LA Review of Books “This book is highly recommended to fans of art, birds, or, especially, both.” — The Birder’s Library, Best Bird Books of 2018

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Book SynopsisA delightful photographic journey into a year in the life of a team of sled dogs, based on Braverman’s wildly popular Twitter feed.When Blair Braverman started posting pictures of her dog team on Twitter, she had no idea the response she would get. Being a musher, after all, isn’t just about racing—raising dogs from puppyhood to retirement (and beyond) is a full-time job. She and her husband, musher Quince Mountain, wanted to share stories about life with their dog team. And not just the big stuff, like expeditions and wild animal encounters, but also the everyday things: the challenge of storing a thousand pounds of raw meat, scouting new trails with the dogs, the decisions that go into putting a team together, how she trains puppies to be brave. These were goofy stories, scary stories, heartfelt stories, stories that clearly connected with people and kept going viral.Inspired by those connections, Dogs on the

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Book SynopsisA brilliant and hilarious collection of photographs, featuring 50 pairs of gorgeous men and candid canines When the world has you down, there's no better way to instant happiness than handsome men paired with cute puppies. In this new book from the creators of the popular blog Des Hommes et des Chatons, you'll find an original collection of 100 clever photo match-ups, with a heartthrob human on one page and a pooch in a similar pose or with a similar expression on the next.Taking a walk.Playing catch.Basking in sunshine.Toweling off after a bath.Can't decide between man or man's best friend? Well, with Men & Dogs, you don't have to choose.

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Trade Review"Book of the year."--Richard Fortey, author of Horseshoe Crabs and Velvet Worms "Blackwell's Bookshop" (5/15/2013 12:00:00 AM) "Magnificent, bravura, beautiful and astoundingly interesting."--Richard Fortey, author of Horseshoe Crabs and Velvet Worms "Sunday Times" (5/15/2013 12:00:00 AM) "Spell-binding, brilliantly executed, extraordinary."--Richard Fortey, author of Horseshoe Crabs and Velvet Worms "Guardian" (5/15/2013 12:00:00 AM) "A rich mixture of science, mythology, and literature, whose plethora of entertaining digressions left me impressed."--Richard Fortey, author of Horseshoe Crabs and Velvet Worms "A sublime rumination on existence. In twenty-seven exquisitely crafted cameos, Caspar Henderson reveals the hidden wonders of life in all its exuberant strangeness, at the same time illuminating our own place in the world. Simply stunning."--Callum Roberts, author of Ocean of Life "A wonderful book! With the precision of a scientist, the elegance of an artist, and the minatory power of an Old Testament prophet, Caspar Henderson exhorts us to pay attention to the other species on our endangered planet and learn from them before it is too late."--Richard Holloway "An utterly extraordinary book: a glorious and genre-bending grimoire; a spell-book of species that entranced me from its first page. Wonderful in the richest senses of the word, as well as witty, moving, urgent, and beautiful."--Robert Macfarlane, author of The Wild Places and The Old Ways "Caspar Henderson is a zoological Borges, taking us on a fascinating and exhilarating journey through the labyrinth of natural history. This book is a brilliant and original meditation on what the animal world can teach us about who we are and who we want to be. It weaves an unforgettable spell."--Roman Krznaric, author of The Wonderbox "If you're interested, as I am, in weird details about weird animals, this is the book for you. Caspar Henderson takes us on an eye-opening tour of real animals that no sane human could ever have invented."--Frans de Waal, author of The Age of Empathy "Wondrous, capacious and strange."--Simon Critchley, author of The Book of Dead Philosophers "The Book of Barely Imagined Beings is one that Pliny would have envied, Darwin applauded, and Borges relished. It celebrates the playful imagination of the universe, capable of dreaming up the zebrafish and the yeti crab; it also celebrates our delight in reading in claws and feathers lessons about our own miraculous self. In these days of doom and gloom, I can think of nothing more rejoicing than Caspar Henderson's magical book."--Alberto Manguel, author of The Library at Night "With illumination-style flourishes, hand-drawn illustrations, and in-margin notes, from a purely aesthetic and bibliophilic point of view, The Book of Barely Imagined Beings is as magical as its name suggests. . . . Both aesthetically pleasing and scientifically intriguing, it would make an inspiring addition to any natural history collection."--Richard Fortey, author of Horseshoe Crabs and Velvet Worms "Evolve Magazine, Natural History Museum" (8/1/2013 12:00:00 AM) "When it comes to nature, the truth is often stranger and more wondrous than fiction, especially in Caspar Henderson's Book of Barely Imagined Beings. The book illustrates the weird and wild histories of unusual--but real--species, including human beings, offering the reader elaborate illustrations, annotations, and much lore. And lurking in the margins is Henderson's suggestion that just as a medieval bestiary's mythical monsters reveal the values of a bygone era, the creatures that fascinate us today reveal much about us."--Richard Fortey, author of Horseshoe Crabs and Velvet Worms "Nature Conservancy" (6/1/2013 12:00:00 AM) "This readable volume will appeal to the serious reader with broad interests in science, mythology, folklore, and speculation on questions of the human condition." --Richard Fortey, author of Horseshoe Crabs and Velvet Worms "Library Journal" (5/15/2013 12:00:00 AM) "Tangentially inspired by Jorge Luis Borges's Book of Imaginary Beings, and assembled like a cabinet of curiosities, journalist Caspar Henderson's first book highlights what nonhuman species reveal about being human. The disarmingly human face of the Axolotl salamander introduces a reflection on evolution, which wanders into the history of the Spanish conquest of Mexico, before landing on the question of what the Axolotl's ability to regenerate limbs can reveal about stem cells. It's an oddly anthropomorphic argument to abandon anthropomorphism, but as exotic salamanders and transparent octopi give way to miniscule water bears, whiskered owlets, and the honey badger, Henderson's contagious awe of life effortlessly advances his argument. The captivating habits of these beings are given significant scientific backbone, before digressing into a free-flowing discourse." --Richard Fortey, author of Horseshoe Crabs and Velvet Worms "Publishers Weekly" "Present knowledge, together with environmental trouble, make it a natural time to update the bestiary in writing, and to tour nature's brilliance in light of honest science. That's exactly what the English author Caspar Henderson has done with his The Book of Barely Imagined Beings: A 21st Century Bestiary."--Richard Fortey, author of Horseshoe Crabs and Velvet Worms "New Yorker" (5/16/2013 12:00:00 AM) "As humanity begins to grapple with the likelihood of extraterrestrial life, we're also reaching a fuller understanding of just how alien organisms can be right here on Earth. It is against this backdrop that Caspar Henderson offers The Book of Barely Imagined Beings, an illustrated, alphabetical compendium of some of the weirdest, wildest forms of life on Earth. . . . Henderson approaches his material with a deep respect for evolutionary science and a sophisticated understanding of the ways humans have tried to make sense of the natural world and our place in it." --Richard Fortey, author of Horseshoe Crabs and Velvet Worms "Bookforum" (7/15/2013 12:00:00 AM) "A beautiful work that celebrates Earth's extraordinary species, with the look and feel of a Victorian treatise." --Richard Fortey, author of Horseshoe Crabs and Velvet Worms "Nature" (7/15/2013 12:00:00 AM)

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Book SynopsisTrade Review"A sumptuous coffee table book, stunningly beautiful in its many full-page reproductions. . . . Here is a book that will put readers in a celebratory mood and, with the rustling of each page, stir a sense of wonder."-- "Enterprise-Record" "Beginning in the seventeenth century with the Flemish baroque period and continuing to the present, this book is a treasure trove of beautiful artwork and beautiful birds. . . . Full-color reproductions (many full page), mostly of paintings, lead readers through a history of art and artwork and of how the Western world has viewed birds since the 1600s. The artists are grouped mostly by time period but also by theme, as exploration and the scientific age changed the nature of illustration and spurred public interest in the environment and bird watching. Most of the artists are British or American, with a handful of Continental Europeans and artists working in the colonial realms of the time. Several women artists are included, from Lady Elizabeth Symonds Gwillim (1763-1807) to Elizabeth Butterworth (1949-). . . . Recommended."-- "Choice" "Exquisite. . . . Ornithological gems such as Joseph Wolf's gorgeous Crimson-bellied Tragopan, Roger Tory Peterson's flock of flamingos in the Andes, and James Fenwick Lansdowne's rainbow-plumed Chinese pheasant reveal not only the sophistication of avian art, but the extravagant global variety of avian species."--Laurence A. Marschall "Natural History" "People have been trying to depict birds for 40,000 years, but Lederer suggests that their efforts really took flight some four-hundred years ago, in the work of Flemish artists such as Frans Snyders (Concert of Birds) and Carel Fabritius (The Goldfinch)."-- "Apollo" "Art history and the history of science intertwine in this beautiful tribute to the scientific illustration of birds."-- "American Scientist" (12/11/2019 12:00:00 AM) "[There is] a growing subgenre of books about birds and art. This a rather catchall category of how-to's, art/gift books, and scholarly titles such as the recently published The Art of the Bird. . . . But, it is an important one, since birding could not exist without art. It allows us to identify birds, appreciate finer details of their beauty and anatomical construction that we might otherwise overlook, respect their specific and adaptive habitats, and communicate their beauty and value to others."-- "10,000 Birds" "The Art of the Bird makes any bird painting aficionado yearn for more."-- "Wall Street Journal"

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisA richly illustrated exploration of the astonishing diversity in sexual characteristics and behaviors of plants from the fig-tree to the sacred lotus.Why do some plants flower while others do not? What happens during pollination? How can the Haleakalā silversword reproduce all alone? In Sexus Botanicus, artist and writer Joanne Anton sheds light on the fertilization process of plants and relates their origins and their spectacular diversity. While sexuality has long been a source of interest for us humans, we sometimes forget to consider its primordial role in evolution. Without sexuality and the genetic union it enables, life would not assume the biodiversity it displays. Sexus Botanicus introduces us to a wide range of extraordinary specimens, some very ancient and still with us, and some their descendants by millions of years: time-traveling plants (from the wedding of a mushroom and an alga 450 million years ago to the amorous mosses that help maint

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Book SynopsisTrade Review"Hall has consistently managed to capture patterns, textures and colors . . . as if they were created on an easel. David Hall is an inspirational master who clearly hasn't yet gotten all of the recognition that he deserves." -- Peter Symes * X-ray Magazine *"This book is a work of art from every possible angle - from the exquisite photographs, to the book's design, to its flawless printing and production process. . . . Hall has everything right in this book. There is nothing extraneous, and nothing missing. This is a complete and moving immersion in the breathtaking underwater world of the Pacific Northwest." -- National Outdoor Book Award Foundation, winner for Design and Artistic Merit"Dispelling the myth that cold, murky waters equal boring waters, Hall has captured the staggering beauty and variety of marine life found in the Pacific Northwest. Although the animals themselves are truly amazing, it is Hall's creative eye and masterful photographic technique that really sets this book apart." -- Jemima Greaves * Outdoor Photography Magazine *"Hall's images - which, at times, appear to be photographs of life on another planet - reflect not just the amazing diversity of sea life in local waters, but also the spectacular carnival of colors hidden just below the surface." -- Brangien Davis * Seattle Magazine *"He depicts our underwater world in a way that will amaze scuba divers and art lovers alike." -- Tracey Sherlock * Vancouver Sun *"The level of consistency and standard of imagery is quite exceptional and it captures the wild spirit of this corner of the planet page after page. . . . It is difficult to imagine that there will ever be a better collection of photographs to come out of this area." -- Peter Rowlands * Underwater Photography *"This book offers a fascinating view of the cold-water ecosystem of the Pacific Northwest and artistically illuminates the intriguing underwater world. Hall's images celebrate and explore the amazing diversity found in this valuable and vulnerable ecosystem." -- Jenny Montgomery * Photo Life *"Using state-of-the-art equipment, innovative techniques and electronic strobes, David Hall shows up an underwater world surprising to those who think color and diversity belong to the tropics." -- Marilyn Dahl * ShelfAwareness *"You will never look at the slate-gray waters of Puget Sound with the same eyes after perusing these photos." -- Mary Ann Gwinn * Seattle Times *"An exuberant celebration of northwest coast marine life said to be the most diverse and spectacular of any coldwater ecosystem on the planet." * Diver *"David Hall’s superb images come from one of the most unlikely underwater venues, the Pacific Northwest, where the waters are frigid and often clouded with phytoplankton. . . . Yet these photographs are filled with subtle coloration, and so uniquely composed that you are often left wondering how he did it." -- Laurence A. Marschall * Natural History *"Oh, what photos! . . . Hall showcases the arrays of magnificent nudibranches, intricately patterned chitons and colorful sea stars. At the other end of the spectrum, he reveals the remarkable camouflage of octopi and other creatures." -- Barbara Lloyd McMichael * The Bellingham Herald *"A visual delight." -- Janice Williams * Tri-City News *"A visual feast of Pacific Northwest sea life served with a science lesson on the side. Hall captures personality and emotion where you least expect it." -- Brian Colella * Seattle Met *"An incredible photographic showcase of marine life of the Pacific Northwest, Beneath Cold Seas offers spectacular imagery of the undersea world in our region. Numerous amazing images are accompanied by interesting text that explains the images and the challenges of high-end photography in the frigid waters of the Pacific Northwest." -- Peter G. Williams * Out There Monthly *"Cayman Islands, pffft. Hall’s stunning photographs of life beneath the waters of the Pacific Northwest show that cold waters are every bit as luridly colorful as their more temperate counterparts." -- Steve Casmiro * Adventure Journal *"One of the most impressive photography books we've seen in a long time." -- Ask_Kelly's Blog * OhRanger.com *"Rarely photographed underwater creatures can appear alien-their cloudlike, luminous bodies more heavenly than earthly. The cold, dark waters of the Pacific Northwest teem with these otherworldly animals. Renowned photograph David Hall's book documents this delicate ecosystem." -- Della Watson * Sierra Magazine *"The images are evocative, sensuous, tactile." -- Abby Luby * Westchester Guardian *"What's most striking about the book is the color and vibrance that photographer David Hall was able to capture. It's a bit mind-blowing to imagine that hooded nudibranches and grasping octopi found in the book live in the inky depths abutting our very own rocky shores." -- Mirissa Neff * San Francisco Bay Guardian *"Hall's writing is as eloquent as his full-color photos, with touching vignettes about his curiosity for and experiences shooting crabs, jellyfish, nudibranchs and octopi, and why he goes to such physical extremes to get these cold-water critters on camera." * Undercurrent *"From brilliant anemones to illuminated squid to rococo sea slugs, Hall has documented an Aladdin's Cave worth of visual wonders." * Bensozia *"With Beneath Cold Seas, David Hall highlights his work in the frigid waters of the Pacific Northwest, home of the diverse and visually spectacular marine life of this cold-water ecosystem. From tiny, candy-striped shrimp to giant Pacific octopus, rockfish schooling among kelp to orchid sea stars, Hall’s stunning photographs reveal both the symbiotic and predatory relationships that can be found in these waters." * e-Morfes *Table of ContentsForeword / Christopher Newbert Preface / David Hall Introduction / Sarika Cullis-Suzuki Photographs and Vignettes Crabs Hooded Nudibranchs and Jellyfish Sockeye Salmon Steller Sea Lions Wolf-eels and Harbor Seals The Warbonnet and the Octopus Notes on the Photographs About the Photography

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Book Synopsis

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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Book Synopsis

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