Narrative theme: interior life / psychological fiction
Chalky Dog Publishing Dead End
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£12.34
Black Rose Writing Whippoorwill Chronicles
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£14.95
Oliver-Heber Books A Righteous Kill
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£22.95
Strategic Book Publishing Random Summer Storms: Book Three - Family
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£13.62
Lineage Independent Publishing The Liquorice Tree
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£13.32
A. Grieme Books Paging Dr. Freedman
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£19.94
Schreibwerk Dessa para melhor
Book SynopsisE, no fim, a morte. Mas por quê?As circunstâncias são misteriosas e ninguém é capaz de trazer luz à escuridão. Se é que alguém tenta... ou quer.Três contos especulativos em que os leitores são mais sagazes do que todos os envolvidos.Um banqueiro que se sente assombrado ... um marido que não conhece a natureza humana ... e um banqueiro que fez um negócio a mais.
£6.91
Prodinnova Un Homme qui savait
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£12.30
Prodinnova La jeune fille emmurée
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£999.99
Prodinnova Le candélabre du temple
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£12.30
Prodinnova Notre-Dame des mers mortes
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£12.30
Next Chapter Search for Maylee
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£16.14
Next Chapter Reunion
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£17.09
Next Chapter Red Herrings Can't Swim
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£24.83
Next Chapter Memory Of A Falcon
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£20.15
Next Chapter Memory Of A Falcon
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£12.06
Next Chapter Memory Makers
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£12.72
Next Chapter Saucy Jacky: The Whitechapel Murders As Told By
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£14.53
Next Chapter The Haunted House From Hell: Large Print
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£999.99
Next Chapter The Cabin Sessions
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£12.91
Next Chapter Tokens Of My Confection
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£21.59
Next Chapter Catching Butterflies
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£20.33
Lector House The Portrait Of A Lady (Volume I)
£12.80
Writat Oak Dreams
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£18.90
Double 9 Booksllp Alexander's Bridge
Book SynopsisThe first book written by American novelist Willa Cather is named Alexander's Bridge. Bartley Alexander is a well-known bridge builder and construction engineer going through a midlife crisis. After being marriedto Winifred, Bartley brings back his relationship with an old flame in London, Hilda Burgoyne. Bartley's sense of propriety and honor is wounded by the situation. While some of the chapters are interesting an amazing, others can create thrill and panic among the readers. With so much of twists and turn the story creates excitement among the readers. In Alexander's Bridge, Willa Cather's attempts to compile many of her classic thoughts into a single draft at an affordable price so everyone can read it. The narrative was a black and white western, but its main themes were truth and ethics.
£10.46
Independently Published Tempest in a Teacup: My Homage to Milan Kundera
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£10.86
Cornerstone Normal People: A Novel
Book SynopsisNOW AN EMMY-NOMINATED HULU ORIGINAL SERIES • NEW YORK TIMES BESTSELLER • “A stunning novel about the transformative power of relationships” (People) from the author of Conversations with Friends, “a master of the literary page-turner” (J. Courtney Sullivan). ONE OF THE TEN BEST NOVELS OF THE DECADE—Entertainment WeeklyTEN BEST BOOKS OF THE YEAR—People, Slate, The New York Public Library, Harvard CrimsonAND BEST BOOKS OF THE YEAR—The New York Times, The New York Times Book Review, O: The Oprah Magazine, Time, NPR, The Washington Post, Vogue, Esquire, Glamour, Elle, Marie Claire, Vox, The Paris Review, Good Housekeeping, Town & Country Connell and Marianne grew up in the same small town, but the similarities end there. At school, Connell is popular and well liked, while Marianne is a loner. But when the two strike up a conversation—awkward but electrifying—something life changing begins.A year later, they’re both studying at Trinity College in Dublin. Marianne has found her feet in a new social world while Connell hangs at the sidelines, shy and uncertain. Throughout their years at university, Marianne and Connell circle one another, straying toward other people and possibilities but always magnetically, irresistibly drawn back together. And as she veers into self-destruction and he begins to search for meaning elsewhere, each must confront how far they are willing to go to save the other.Normal People is the story of mutual fascination, friendship and love. It takes us from that first conversation to the years beyond, in the company of two people who try to stay apart but find that they can’t. Praise for Normal People “[A] novel that demands to be read compulsively, in one sitting.”—The Washington Post “Arguably the buzziest novel of the season, Sally Rooney’s elegant sophomore effort . . . is a worthy successor to Conversations with Friends. Here, again, she unflinchingly explores class dynamics and young love with wit and nuance.”—The Wall Street Journal “[Rooney] has been hailed as the first great millennial novelist for her stories of love and late capitalism. . . . [She writes] some of the best dialogue I’ve read.”—The New YorkerTrade Review“[Rooney] has invented a sensibility entirely of her own: sunny and sharp, free of artifice but overflowing with wisdom and intensity. . . . The novel touches on class, politics, and power dynamics and brims with the sparky, witty conversation that Rooney’s fans will recognize.”—Vogue “A future classic.”—The Guardian“Rooney is a tough girl; her papercut-sharp sensibility is much more akin to writers like Rachel Kushner, Mary Gaitskill, and the pre–Manhattan Beach Jennifer Egan. . . . Normal People is a nuanced and flinty love story about two young people who ‘get’ each other, despite class differences and the interference of their own vigorous personal demons. But honestly, Sally Rooney could write a novel about bath mats and I’d still read it. She’s that good and that singular a writer.”—Maureen Corrigan, NPR’s Fresh Air “[Rooney] has written two fresh and accessible novels. . . . There is so much to say about Rooney’s fiction—in my experience, when people who’ve read her meet they tend to peel off into corners to talk.”—Dwight Garner, The New York Times“[Rooney’s] two carefully observed and gentle comedies of manners . . . are tender portraits of Irish college students. . . . Remarkably precise—she captures meticulously the way a generation raised on social data thinks and talks.”—New York Review of Books“Normal People tackles millennial concerns with nineteenth-century wit . . . the millennial generation would no doubt be happy to accept her as its spokesperson were she so inclined.”—Elle“I’m transfixed by the way Rooney works, and I’m hardly the only one . . . like any confident couturier, she’s slicing the free flow of words into the perfect shape. . . . She writes about tricky commonplace things (text messages, sex) with a familiarity no one else has.”—The Paris Review“Funny and intellectually agile . . . [combines] deft social observation—especially of shifts of power between individuals and groups—with acute feeling . . . [Rooney is] a master of the kind of millennial deadpan that appears to skewer a whole life and personality in a sentence or two.”—Harper’s Magazine“Beautifully observed . . . crackles with vivid insight into what it means to be young and in love today.”—Esquire“I went into a tunnel with this book and didn’t want to come out. Absolutely engrossing and surprisingly heart-breaking with more depth, subtlety, and insight than any one novel deserves. Young love is a subject of much scorn, but Rooney understands the cataclysmic effects our youth has on the people we become. She has restored not only love’s dignity, but also its significance.”—Stephanie Danler, author of Sweetbitter“Masterfully done. The quality of Rooney’s writing, particularly in the psychologically wrought sex scenes, cannot be understated as she brilliantly provides a window into her protagonists’ true selves.”—BookPage (starred review)
£15.30
Atlantic Books The Cookbook of Common Prayer
Book Synopsis'One to savour long after you have turned the last page.' Prima'Gripping ... an extraordinary concept, and it is so sensitively executed. Beautifully written ... her depiction of grief is really convincing. ... A terrific, terrific piece of writing.' Annabel CrabbWhen Gill and Gabe's elder son drowns overseas, they decide they must hide the truth from their desperately unwell teenaged daughter. But as Gill begins to send letters from her dead son to his sister, the increasingly elaborate lie threatens to prove more dangerous than the truth. A novel about family, food, grief, and hope, this gripping, lyrical story moves between Tasmania and London, exploring the many ways that a family can break down - and the unexpected ways that it can be put back together.Trade ReviewSometimes, books come along that have such an unassuming elegance about them, and this is one. Told from multiple voices following a family tragedy, the different viewpoints make this such an interesting read. One to savour long after you have turned the last page. -- Nina Pottell * Prima *Gill Jordan is at home in Tasmania, writing recipes, because that is what she does. Gabe is in England for the inquest into the death of their son, Dougie, drowned in a flooded cave. Daughter Sylvie is anorexic, fragile, so can't be told, and lies are spinning out of control. Read with a box of Kleenex. * Saga Magazine *What a devastatingly honest - and brilliant - book this is. Its portrayal of grief and the absurdity of death - the bizarre, unfathomable fact that someone just isn't there anymore - are simply incredible. Earth-shatteringly raw and resonant, it's a book that will break your heart and heal it. [...] The story reels and swerves to a truly edge-of-your-seat, hold-your-breath conclusion. While the family's pain and grief are always tangible, the buds of healing are too. What a book. * Love Reading *
£8.54
Penguin Putnam Inc The Haunting of Hill House
Book SynopsisPart of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro’s favorites, from Mary Shelley’s Frankenstein and Ray Russell’s short story “Sardonicus,” considered by Stephen King to be “perhaps the finest example of the modern Gothic ever written,” to Shirley Jackson’s The Haunting of Hill House and stories by Ray Bradbury, Joyce Carol Oates, Ted Klein, and Robert E. Howard. Featuring original cover art by Penguin Art Director Paul Buckley, these stunningly creepy deluxe hardcovers will be perfect additions to the shelves of horror, sci-fi, fantasy, and paranormal aficionados everywhere.The Haunting of Hill HouseThe classic supernatural thriller by an author who helped define the genre. First published in 1959, Shirley Jackson''s The Haunting of Hill House has been hailed as a perfect work of unnerving terror. It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a “haunting;'' Theodora, his lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers—and soon it will choose one of them to make its own.
£9.49
The New York Review of Books, Inc Berlin Alexanderplatz
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£16.00
HarperCollins These Violent Delights
Book SynopsisTrade Review"As unsettling as it is enthralling, These Violent Delights will engulf you: first in the intoxication of obsession, then in its toxic consequences. Micah Nemerever's debut is a beautiful portrait of intimacy, desperation, and the damage that damaged hearts can cause. It shattered me." — Robin Wasserman, author of Girls on Fire and Mother Daughter Widow Wife “Nemerever does a crafty job of slowly ratcheting up the tension.... A clever novel of manners.” — New York Times “These Violent Delights is an utterly captivating fever dream of a novel whose tone and atmosphere will haunt you long after you finish. More haunting still is the skill with which Micah Nemerever reveals to us the lengths we will go to in order to be known, to be seen, to be understood. A thrilling first novel.” — Brandon Taylor, author of Real Life "A startling debut by a heady talent." — Michael Upchurch, Seattle Times “It’s only a matter of time before things start to explode in this enthralling, unpredictable thriller.” — Patrick Rapa, Philadelphia Inquirer "Nemerever's darkly shrewd debut exists in that hazy liminal space between desire and obsession, where the vagaries of a relationship come shaded with the constant threat of cruelty." — Michelle Hart, O Magazine.com “Few novelists make an impression as quickly and effectively as Micah Nemerever does in his stirring debut, an explosively erotic and erudite thriller. Kicking off with an electrifying prologue… readers will keep turning pages in desperate pursuit of the tension-breaking relief that can only come from seeing the story to its conclusion.” — Stephenie Harrison, BookPage “Nemerever’s debut tackles obsession, destruction, sex, and the intersection of all three…. Nemerever’s prose is haunting and beautiful, powerful, and twisted… it will keep you up at night, turning page after page.” — Jen St. Jude, Chicago Review of Books “[An]intense and beautiful thriller.” — Literary Hub “A gorgeous and wickedly smart novel. I was so seduced by the dazzling love story of these two vulnerable young men I became an unwitting accomplice in their swerve toward violence. Nemerever has created a rich, engrossing, and morally complex book filled with dark truths and dangerous delights.” — Christopher Bollen, author of A Beautiful Crime “Readers who need some thrill in their life will find this page-turner very binge-able. Micah Nemerever showcases a lot of skills on the pages, but it is the intricate plotting that propels this novel forward.” — Adam Vitcavage, Electric Lit “Nemerever has done something extraordinary in his debut novel. He’s mixed eloquent and vivid writing with psychological depth and an addictive plot…. Akin to Bronte’s Wuthering Heights… the intensity of Paul and Julian’s climatic moment at the novel’s end [is] a moment worthy of Emily Bronte herself.” — Mikey Byrd, Lambda Literary “[A] dark, inspired debut…. Fans of Patricia Highsmith will definitely want to take note of this promising writer.” — Publishers Weekly “Visceral, intimate, and all-consuming, this gutsy debut is both intellectual and fiercely animal. A chilling exploration into desire and infatuation that questions how well we ever really know our lovers—or ourselves. Nemerever’s propulsive, crystalline language and gutting insights make the pages fly by, hurtling you toward the inevitable, astounding ending.” — Julia Fine, author of What Should Be Wild “An impressive, ambitious debut that raises the right questions about what we talk about when we talk about love between men... Nemerever’s novel does difficult, critical work in confronting the ritualized violence that so often characterizes male relationships.” — Mel Magazine “These Violent Delights is a captivating portrait of alienation and loneliness with the cool gaze of a Highsmith novel. Punctuated by arpeggios of violence and rage, Micah Nemerever has crafted a thrilling page-turner anchored in an examination of desire, love, and moral inquiry.” — Patrick Cottrell, author of Sorry to Disrupt the Peace "Intense and beautiful." — Crime Reads “Nemerever’s ability to precisely dissect… complex states of mind makes him an author worth watching.” — Passport Magazine
£10.99
Unnamed Press A Certain Hunger
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£12.65
Penguin Books Ltd A Breath of Life
Book SynopsisA Breath of Life is Clarice Lispector''s final novel, ''written in agony'', which she did not live to see published. Sensual and mysterious, it is a mystical dialogue between a god-like author and the creation he breathes life into: the speaking, shifting, indefinable Angela Pralini. As he has created Angela, so, eventually, he must let her die, for life is merely ''a kind of madness that death makes.'' This is a unique, elegiac meditation on the creation of life, and of art.Trade ReviewA text that resonates endlessly ... her images dazzle * The Times Literary Supplement *Lispector had an ability to write as though no one had ever written before * Colm Tóibín *A thrilling book * Pedro Almodóvar *
£9.49
Penguin Random House Grupo Editorial Cadáver exquisito (Premio Clarín 2017) / Tender
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£15.56
Random House USA Inc Stella Maris
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£11.48
Transworld Publishers Ltd Piglet
Book SynopsisLottie Hazell is a writer, contemporary literature scholar, and board game designer living in Warwickshire. She holds a PhD in Creative Writing from Loughborough University and her research considers food writing in twenty-first century fiction. Piglet is her first novel.Trade ReviewVery wise, and so wonderful on food and cooking it should probably come with a hunger trigger-warning. I loved it. * Daily Mail *A best debut novel of 2024 * Stylist *A cunning critique of the expectations that society continues to heap on young women. * Financial Times *A deliciously dark tour de force * Red *Some novels just get food right ... Hazell understands just how connected culinary and literary pleasures are ... [There is] much to devour in Piglet: set scenes of stomach-churning awkwardness, razor-sharp analysis of class, even an unforgettable description of food on the verge of rot. * Sunday Times *An insightful, stomach-churning debut novel about the corrosive power of secrets. * Mail on Sunday *Sublime descriptions of food... a quirky story of class, appetite and body image * Good Housekeeping *A debut that needs to be on your radar... A rich, vibrant, visceral book, that is brimming with acerbic wit and mouth-watering food, this is dark, witty and explores societal pressure and body image in an unforgettable way. * Glamour *A dark, weird, satisfying tale about greed and desire. * i News *Lottie Hazell has managed to create a style, and a character, instantly relatable and readable—while being stunningly original and fully-formed * Foyles, Top Ten Reads for January *Piglet is a darkly compelling exploration of what makes a delicious life, and the vitality of hungering for more. * Sophie Mackintosh, author of The Water Cure *This book! Visceral, brilliantly dark, and so smart. An object lesson in how our relentless pursuit of a tickbox life will never make us happy. Characters that pop, writing you could eat. * Fran Littlewood, author of Amazing Grace Adams *Intriguing, propulsive, delicious and ultimately satisfying: I devoured it in two days, and suffice to say, it’s a book you’ll want on your 2024 reading list. * Claire Daverley, author of Talking at Night *Piglet is luscious and disturbing and propulsive, and I completely devoured it. It's a book about hunger and secrecy and women made small by convention. And it's a book that tears at the surface of things to reveal the vast, messy truth of a body with a beating heart. * Catherine Newman, author of We All Want Impossible Things *It takes audacity and all kinds of courage to produce a novel as ferocious and weird as Piglet. The narrative accelerates like nothing else I've read, opening onto dead-end domestic conformity and then driving us all the way out into the wildernesses, where the possibility for liberation, the fulfilment of desires might be discovered. It made me so hungry. * Lamorna Ash, author of Dark, Salt, Clear *Piglet is a compelling, entertaining novel about wanting - and deserving, and learning to deserve - more. I was particularly taken with the way in which Hazell writes about food, which is described in luxurious and dynamic detail throughout the novel, as central to the story as Piglet herself, and its place in shaping women's inner lives and identities. * Cathy Thomas, author of Islanders *Appropriately, I inhaled it. Piglet is an engrossing novel about who and what we crave in life. Rich and tender, moving and rousing, hunger-inducing and inspired. A high-wire exploration of control, pleasure and desire that left me feeling well and truly satisfied. * Chloë Ashby, author of Wet Paint *I read this book in a single gulp, thrilling and horrifying at once. Lottie Hazell takes a butcher’s knife to the pleasure principle, and serves up a deliriously amusing, wanton portrait of self-destruction. A visceral insight into the damage a patriarchal class society can wreak on the stomach. A tale without redemption, but with many troubled pleasures. * Amber Husain, author of Meat Love *Ambitious prose Nora Ephron would be proud of. Hazell captures the subtle class divide in contemporary British life with precision—all while serving the reader a bacchanal of delicious food writing that will have you craving more * Marlowe Granados, author of Happy Hour *Such an interesting, clever read. * Belfast Telegraph *[A] sharp, dark, must-read story about appetite, ambition, secrecy and shame * Daily Mail *A food-filled debut of class and ambition * Guardian *Compulsively readable... Delicious, in every sense of the word. * Elle US *Dark and disturbing * Heat *Satirical and funny… Hazell has much to say about our food-obsessed snobbery and she plates up a deliciously-written narrative, generously peppered with lethal ground glass. * Irish Independent *Hazell’s deft characterisation has enough light and shade to bring Piglet into high definition. The same is true for the side characters, which are commendably vivid for a debut * Irish Times *This smart, unique debut about class and the hunger we all feel for a perfect life is so good. * Fabulous *One of the most hotly anticipated books of 2024... Delicious, dark and thought-provoking. * Hello! *This a doozy of a debut. It oozes dark humour, appetites, anger and read-it-through-your-fingers self destruction. -- Natasha Poliszczuk * Book(ish) *A dark story of insecurity and control * Best *
£16.14
Picador Last Summer in the City
Book SynopsisThe first novel from award-winning author Gianfranco Calligarich to be published in English, Last Summer in the City is a witty and despairing classic of Italian literature. Biting, tragic, and endlessly quotable, this translated edition features an introductory appreciation from longtime fan New York Times bestselling author André Aciman.In a city smothering under the summer sun and an overdose of la dolce vita, Leo Gazarra spends his time in an alcoholic haze, bouncing between run-down hotels and the homes of his rich and well-educated friends, without whom he would probably starve. At thirty, he's still drifting: between jobs that mean nothing to him, between human relationships both ephemeral and frayed. Everyone he knows wants to graduate, get married, get richbut not him. He has no ambitions whatsoever. Rather than toil and spin, isn't it better to submit to the alienation of the Eternal City, Rome, sometimes a cruel and indifferent mistress, somet
£15.30
Penguin Putnam Inc One Flew Over the Cuckoos Nest
Book SynopsisAn international bestseller and the basis for the hugely successful film, Ken Kesey's One Flew Over the Cuckoo's Nest is one of the defining works of the 1960s.In this classic novel, Ken Kesey’s hero is Randle Patrick McMurphy, a boisterous, brawling, fun-loving rebel who swaggers into the world of a mental hospital and takes over. A lusty, life-affirming fighter, McMurphy rallies the other patients around him by challenging the dictatorship of Nurse Ratched. He promotes gambling in the ward, smuggles in wine and women, and openly defies the rules at every turn. But this defiance, which starts as a sport, soon develops into a grim struggle, an all-out war between two relentless opponents: Nurse Ratched, backed by the full power of authority, and McMurphy, who has only his own indomitable will. What happens when Nurse Ratched uses her ultimate weapon against McMurphy provides the story’s shocking climax.“BRILLIANT!”—Time<
£9.89
The New York Review of Books, Inc Nada
Book Synopsis
£11.96
Pan Macmillan How to Be a Good Wife
Book SynopsisA literary psychological thriller about the 'perfect' marriage.Trade Review‘On the surface the book is a highly competent, creepy little chiller, but beneath, like a silent, bolted and half-dark room, there’s a much bigger, equally disconcerting story about the nature of feminine experience.' Hilary Mantel, Man Booker Prize winning author of Wolf Hall‘Taut, elegant and pitch-perfect. As soon as you've read it you'll want to talk about it’. Evie Wyld, author of After the Fire, A Still Small Voice‘Compelling, edgy and dark – I read How To Be a Good Wife in one sitting’. Jane Rusbridge, author of Rook and The Devil's Music‘An impressive debut novel. Here’s hoping there’ll be more from Emma Chapman’ M. J. Hyland, Man Booker prize shortlisted author of Carry Me Down and This is How‘A tense, unnerving debut, told with precision and control. As unsettling as any ghost story’ Simon Lelic, author of Rupture and The Child Who‘A compelling debut: tightly plotted, tensely written, and subtle in its explorations of motive. Emma Chapman is very accomplished and a bright hope for the future’. Sir Andrew Motion‘Claustrophobic, startling and hauntingly beautiful. It’s that amazing, awful kind of book that will stay with you long after you wish it would let you go’ Liza Klaussmann, author of Tigers in Red Weather ‘This taut debut will have you rooting for Marta as she rediscovers who she was before her marriage. A must-read for fans of S.J.Watson’. Easy Living‘The after-effects of the dark and uncomfortable story linger long after the last page . . . a gripping piece of writing where everything is not quite as it seems’. Psychologies‘An intensifying mood of menace pervades this mesmerising debut. Is the fragile Marta slipping into paranoia? Or glimpsing agonising insights into a devastating nightmare about herself and her “perfect” marriage…?’ David Hewson, author of The Killing‘A compelling, twisty tale of deception and distrust. Beautifully written, and very clever indeed’. Elizabeth Haynes, author of Into the Darkest Corner‘Fans of Before I Go To Sleep will love this chilling debut from Emma Chapman’. Grazia‘In her first novel, Emma Chapman has managed to walk a delicate, terrifying line. How To Be a Good Wife is at once claustrophobic, startling and hauntingly beautiful. It’s that amazing, awful kind of book that will stay with you long after you wish it would let you go’. Liza Klaussmann, author of Tigers in Red Weather‘A chilling study of paranoia and doubt… Chapman builds the tension, as Marta’s behaviour becomes more erratic and her seemingly benign husband begins to appear in a sinister light. An unnerving tale, where nothing is as it seems.’ Marie Claire‘Compelling and complex, this brave novel offers no safety nets… Not just a gripping read but an essential one. It will provoke questions long after the cover is closed’. Ruth Dugdall, author of The Woman Before Me, winner of the CWA debut dagger award.‘Chilling and original with plenty of tense moments to keep the pages turning'. Simple Things‘Mesmerising. A beautiful and disturbing novel. I loved it’. Susanna Jones, author of When Nights Were Cold‘There is something about the pared-down prose, the increasingly ominous isolation and the sense of unease that our narrator feels that saves the story from melodrama – instead the reader, trapped with a sympathetic yet unreliable narrator, begins to align themselves ever more closely to Marta’s position. This is a tremendous book’. The Huffington Post‘Chapman mines this vein of claustrophobic creepiness to great effect’. The Lady‘Wonderfully assured… This is a tale of the tricks repression, denial and memory can play on us… Set in an eerie, purposefully undefined part of Scandinavia, this is an unnerving, clever read. It’s one of those novels (think Gone Girl) with a big twist. Recommended for fans of S J Watson, Rosamund Lupton and Zoe Heller’. Viv Groskop, Red‘A powerful, original and haunting debut… hard to put down and impossible to forget.’Daily Examiner, Australia‘Something of the hit TV drama The Killing pervades this absorbing and multi-layered debut novel. On one level a chilling tale of suspense among the Norwegian fjords, it offers the reader so much more… You might like to set aside a long winter afternoon for this one. The chances are that one you open it, you’ll want to finish it all in one go.' Daily Mail‘Chapman’s debut can be read both as a taut thriller and an allegory of the female experience in an unhappy marriage, the waning sense of self felt by the woman who attends to the needs of her family before her own… Marta’s gradual slide into madness is brilliantly convincing. As with Sylvia Plath’s The Bell Jar, the narrator’s psychological torment contrasts disconcertingly with the detached language in which it is described. It makes for a darkly fascinating debut’ Financial Times‘So tense. Brilliantly written and utterly gripping. I loved it.’ Hannah Richell, author of Secrets of the Tides‘It is, on the one hand, a taut, economically written and expertly woven thriller – deceptive in its simplicity and chilling in the claustrophobia that builds with each successive page. It is also a deeply unsettling exploration of a fragile mind unravelling, either through the weight of its own paranoid delusions or painful memories too-long suppressed… How To Be a Good Wife is a highly assured, powerful and thought-provoking offering from an author whose best work is surely yet to come. It will stay with you long after you turn the final page.’ Style etc magazine‘An impressive debut’ Sun-Herald, Sydney‘Chapman’s carefully constructed plot slowly but expertly builds the tension…Chapman’s writing is so assured it is difficult to believe this is her first novel… How To Be A Good Wife is not just enthralling fiction, but also social commentary, a combination that provokes the reader to reflect on the fraught and complicated nature of human existence. Chapman has written a book as chilling as a Scandinavian fjord in winter, but also as clear, clean and compelling’The Australian‘Replete with interesting topics and there are twists aplenty. Marta’s voice is compelling and convincing and the prose often Hemingway-esque in style… There’s a narrative bravery to this debut that is rare in contemporary fiction of any genre’ The Big Issue Australia ‘The unnamed Scandinavian setting has all the familiar elements of contemporary northern lights noir, yet its claustrophobic, interior-driven narrative harks back to Charlotte Perkins Gilman’s disturbing feminist classic The Yellow Wallpaper, or even Ibsen's A Doll's House… The novel is Chapman's debut, and is eerily well-handled... Chapman shows real empathy for loneliness and the cruelty of ageing… A plausible tale of trauma, a ruthless examination of the many layers of marriage, and a woman's opaque role with it.’ Guardian
£7.19
Pan Macmillan The Year of the Runaways
Book SynopsisShortlisted for the Man Booker Prize.Sweeping between India and England, from childhood and the present day. Sunjeev Sahota's unforgettable novel about illegal immigrants is a story of dignity in the face of adversity. For fans of Rohinton Mistry's A Fine Balance.'The Grapes of Wrath for the 21st century' – Washington PostThe Year of the Runaways tells of the bold dreams and daily struggles of an unlikely family thrown together by circumstance.Thirteen young men live in a house in Sheffield, each in flight from India and in desperate search of a new life. Tarlochan, a former rickshaw driver, will say nothing about his past in Bihar. Avtar has a secret that binds him to protect the chaotic Randeep. Randeep, in turn, has a visa-wife in a flat on the other side of town: a clever, devout woman whose cupboards are full of her husband's clothes, in case the immigration men surprise hTrade ReviewSahota is a writer who knows how to turn a phrase, how to light up a scene, how to make you stay up late at night to learn what happens next. The Year of the Runaways is a brilliant and beautiful novel. -- Kamila Shamsie * Guardian *Writing with unsentimental candor, Mr. Sahota has created a cast of characters whose lives are so richly imagined that this deeply affecting novel calls out for a sequel or follow-up that might recount the next installment of their lives. * New York Times *An ideal antidote to a year of reductive discussions of immigration, Sunjeev Sahota's novel takes you deep into the lives of a group of Indian labourers thrown together in Sheffield . . . its lyrical prose and ability to immerse the reader in the experiences of a hidden community in Britain -- Emily Dugan * Independent on Sunday *The Grapes of Wrath for the 21st century . . . the great marvel of this book is its absolute refusal to grasp at anything larger than the hopes and humiliations of these few marginal people. * Washington Post *Wryly humorous . . . The Year of the Runaways needs no affectations to announce its timeliness. As the sheer number of displaced peoples in Europe threatens to overwhelm any capacity for empathy, Mr. Sahota's superb novel helps to make the reality of migrants a little less unimaginable and a little more human. * Wall Street Journal *Novels of such scope and invention are all too rare; unusual, too, are those of real heart, whose characters you grow to love and truly care for. The Year of the Runaways has it all. You cry because of the terribleness of it, but also because you just don't want this book to end. I doubt if I'll read a better novel this year. -- Cressida Connolly * Spectator *This massive book, stuffed with compelling stories, rich in characters and resoundingly authentic in its detailing of life in the harsh underbelly of this country, should be compulsory reading. A magnificent achievement. * Daily Mail *The Year of the Runaways takes place in a parallel England, a near-invisible world that rarely intersects with our own. It is familiar territory from news reports, but only in outline. Sahota has a lot to say and he says it calmly, with great moral intelligence . . . deeply impressive. * Sunday Times *A wonderfully evocative storyteller. * Independent *A sensitive and searing novel. -- Marian Ryan * Mail on Sunday *This is a rich, intricate, beautifully written novel, bursting and seething with energy. * The Times *Nothing short of an asteroid impact would have made me put the book down * Irish Times *The Year of the Runaways is never explicitly polemical, but is steered instead by humane morality. [. . .] Without flights of fancy, neither sensationalising nor preachy, its greatest asset is that it doesn't oversimplify. [. . .] Thoroughly believable, irresistibly humane and often funny. -- Lucy Daniel * Daily Telegraph *Sahota's funny, humane second novel is certainly a book for our times. * Sunday Telegraph *Richly authentic and teeming with incident . . . totally compelling. -- John Harding, 'The year's best novels', 2015 * Daily Mail *Tolstoy and Steinbeck are not exaggerated comparisons for the sweep and power of Sahota’s second novel about five immigrant men living in England illegally and what they went through to get there * Boston Globe *If you think literature is at its best when it combines the political with the personal, this is the perfect book for you. Sunjeev Sahota humanizes harrowing news headlines in the most intimate way; stories about migrant workers and so-called "Untouchables" are carefully captured with painterly details and empathy . . . an important story about duty and love, beautifully told * NPR *
£10.44
Penguin Random House Group Drifts
Book Synopsis
£15.29
Amazon Publishing The Summer Children
Book SynopsisThis FBI agent has come to expect almost anything—just not this… When Agent Mercedes Ramirez finds an abused young boy on her porch, covered in blood and clutching a teddy bear, she has no idea that this is just the beginning. He tells her a chilling tale: an angel killed his parents and then brought him here so Mercedes could keep him safe. His parents weren’t just murdered. It was a slaughter—a rage kill like no one on the Crimes Against Children team had seen before. But they’re going to see it again. An avenging angel is meting out savage justice, and she’s far from through. One by one, more children arrive at Mercedes’s door with the same horror story. Each one a traumatized survivor of an abusive home. Each one chafing at Mercedes’s own scars from the past. And each one taking its toll on her life and career. Now, as the investigation draws her deeper into the dark, Mercedes is beginning to fear that if this case doesn’t destroy her, her memories might.
£13.38
Penguin Putnam Inc Ghachar Ghochar Roughtcut Model
Book SynopsisONE OF THE NEW YORK TIMES CRITICS' TOP BOOKS OF 2017ONE OF VULTURE'S 100 BEST BOOKS OF THE 21ST CENTURY FINALIST FOR THE L.A. TIMES BOOK PRIZE IN FICTION“A modern classic.” —The New York Times Book Review A young man's close-knit family is nearly destitute when his uncle founds a successful spice company, changing their fortunes overnight. As they move from a cramped, ant-infested shack to a larger house on the other side of Bangalore, and try to adjust to a new way of life, the family dynamic begins to shift. Allegiances realign; marriages are arranged and begin to falter; and conflict brews ominously in the background. Things become “ghachar ghochar”—a nonsense phrase uttered by one meaning something tangled beyond repair, a knot that can't be untied. Elegantly written and punctuated by moments of unexpected warmth and humor, GTrade Review“A great Indian novel...Folded into the compressed, densely psychological portrait of this family is a whole universe.” —Parul Sehgal, The New York Times Book Review (Editors' Choice)"[Shanbhag] is a master of inference and omission...What’s most impressive about Ghachar Ghochar...is how much intricacy and turmoil gets distilled into its few pages...[A] wise and skillful book." —Sam Sacks, Wall Street Journal"A classic tale of wealth and moral ruin and a parable about capitalism and Indian society." —The New Yorker"Within the tight confines of a hundred pages or so, Shanbhag presents as densely layered a social vision of Bangalore as Edith Wharton did of New York in The House of Mirth…He's one of those special writers who can bring a fully realized world to life in a few pages...The tense fun of reading this vivid, fretful story lies in watching the main characters grab hold of what they think will be rescue ropes, but instead turn out to be slip knots.”—Maureen Corrigan, NPR“Great Indian novels…tend towards large tomes, written in English. Now, however, the arrival of a new work has shaken up the status quo: Vivek Shanbhag’s gripping Ghachar Ghochar. This slim volume…packs a powerful punch, both in terms of the precision of its portrait of one Bangalore-based family, and, by extension, what this tells us about modern India....Shanbhag is the real deal, this gem of a novel resounding with chilling truths.” –The Independent (UK)“A simple story, well told...Its gently comic tone belies a stunning satire, the full power of which is only apparent as the horror of the ending becomes clear.” —Louise Doughty, The Guardian, “Best Books of 2017” “Masterful…This stunning Bangalore-set family drama underlines the necessity of reading beyond our borders….Ghachar Ghochar is both fascinatingly different from much Indian writing in English, and provides a masterclass in crafting, particularly on the power of leaving things unsaid.”–Deborah Smith, The Guardian“The level of effortless glancing detail with which [Shanbhag] draws minor characters...is extraordinary. That it is one of the few novels translated (beautifully) from Kannada, a language spoken by millions and with its own literary tradition, to be published in the United States says a lot about our literary world’s myopia when it comes to the Indian novel.”—Vulture, “A Premature Attempt at the 21st Century Literary Canon”"Ghachar Ghochar introduces us to a master." —Lorin Stein, The Paris Review“One of the finest literary works you will ever encounter…a nuanced wonder.”–Irish Times"A feat of taut, economical storytelling...[with] moments of wonderfully dark, often unexpected, cynicism." —Financial Times "One of the best novels to have come out of India in recent decades." —Pankaj Mishra, author of Age of Anger“Vivek Shanbhag is an Indian Chekhov.” —Suketu Mehta, author of Maximum City"In this exquisitely observed, wry and moving novel, the smallest detail can conjure entire worlds of feeling. Vivek Shanbhag is a writer of rare and wonderful gifts." —Garth Greenwell, author of What Belongs to You"One of my favorite contemporary writers in English translates one of the leading figures of Kannada literature. The result is mesmerizing, distressing—and altogether brilliant." —Karan Mahajan, author of The Association of Small Bombs “Vivek Shanbhag is one of those writers whose voice takes your breath away at the first encounter.” —Yiyun Li, author of Dear Friend, from My Life I Write to You in Your Life“Ghachar Ghochar is one of the most striking novels you’ll read this decade. . . . In Shanbhag’s hands, the Indian family is revealed in layers; as one layer peels away, what lies beneath is left raw and exposed.” —Nilanjana Roy, Business Standard (India)"[Shanbhag is] an extraordinary storyteller — one astutely alive to the competing forces of self-interest and empathy."—Jonathan Lee, Electric Literature“Suketu Mehta deems Vivek Shanbhag ‘an Indian Chekhov’….Shanbhag has earned this lofty comparison.” –The Globe and Mail (Canada)"A firecracker of a novel...concise and mesmerizing." —Publishers Weekly, starred review"A Tolstoyan portrait of family conflict and shifting priorities in modern-day India....Captivating."—Shelf Awareness, starred review"A compact novel that crackles with tension." —Kirkus Reviews“A delight…You will read Ghachar Ghochar…in part of an evening, about the length of time you’d need to watch one of Chekhov’s masterpieces. You’ll experience the same pleasure.” –CounterPunch“Very rarely a book comes along that you want to thrust in the hands of everyone—readers and non-readers. Ghachar Ghochar is one such book.” —Prajwal Parajuly, The Hindustan Times (India)“Altogether a delight to read . . . Shanbhag gives us an insider’s feel for the concerns that have shaped the middle class in the last half a century.” —Girish Karnad, The Indian Express (India)“An ingenious tale of how material wealth robs a family of its moral fortitude . . . [Shanbhag] is obviously a master of the form.” —Mint (India)“Ghachar Ghochar reveals a consummate fiction writer at the height of his powers. . . . a literary sensation across India.” —Scroll.in (India)“Ghachar Ghochar is a book of distilled simplicity, its surface of seeming artlessness hiding that most complex and complicated of things—truthfully rendered human life. Beautiful, tense, surprising, utterly convincing and wise, and translated with real inspiration by Srinath Perur.” —Neel Mukherjee, author of The Lives of Others“A remarkable novel about the fragile civilities of bourgeois life. The reader becomes absorbed in the unforgiving self-knowledge and expansive humanity contained in every page.” —Amit Chaudhuri, author of Freedom Song and Odysseus Abroad
£15.30
Pan Macmillan A Farewell To Arms
Book SynopsisFrederic Henry is an American Lieutenant serving in the ambulance corps of the Italian army during the First World War. While stationed in northern Italy, he falls in love with Catherine Barkley, an English nurse. Theirs is an intense, tender and passionate love affair overshadowed by the war. Ernest Hemingway spares nothing in his denunciation of the horrors of combat, yet vividly depicts the courage shown by so many. In writing A Farewell to Arms, Hemingway was inspired by his own wartime experience as an ambulance driver for the Red Cross. First published in 1929, the novel made his name and remains one of his finest works. This stunning edition features an afterword by Ned Halley.Designed to appeal to the book lover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.
£10.44
The New York Review of Books, Inc Nothing but the Night
Book SynopsisStoner author John Williams's first novel is a searing look at a man's relationship with his absent father, and how early trauma manifests throughout one's lifeJohn Williams’s first novel is a brooding psychological noir. Arthur Maxley is a young man at the end of his emotional rope. Having dropped out of college, he’s holed up in a big-city hotel, living off an allowance from his family, feeling nothing but alone and doing nothing but drinking to forget it. What’s brought him to this point? Something is troubling him, something is haunting him, something he cannot bring himself either to face or to turn away from. And now his father has come to town, a hail-fellow-well-met kind of guy. They’ve been estranged for years, and yet Arthur wants to meet—and so he does, reeling away from the encounter for a night of drinking and dancing and a final reckoning with the traumatizing past that readers will not soon forget.This edition of Nothing but the Night includes an interview with Nancy Gardner Williams, the author’s widow.
£14.20
Penguin Random House Grupo Editorial Ulises / Ulysses
Book Synopsis
£16.96
St. Martin's Griffin The Breakdown
Book Synopsis
£16.20
