Narrative theme: interior life / psychological fiction

Book SynopsisA quietly powerful presence in American fiction in during the past two decades, these collected stories show the true scale of Hempel's achievement. Her compact fictions, populated by smart neurotic somewhat damaged narrators, speak grandly to the longings and insecurities in all of us, and in a voice that is bracingly direct and sneakily profound. These are stories about people who make choices that seem inevitable, whose longings and misgivings evoke eternal human experience. With her trademark compassion and wit, Hempel takes readers into the marriages, minor disasters and moments of revelation in an uneasy America.Trade ReviewThe toughest party of reading The Dog of the Marriage is how much your jaw muscles ache from the effort it takes not to laugh and cry in front of strangers. Amy Hempel is my god among writers' Chuck Palahniuk. * Chuck Palahniuk *Her work is an exemplar of the truth that the short story can be the briefest of affairs, but it can stay in the mind forever - Glasgow Herald. * Glasgow Herald *These are astonishing stories, hilarious and surprising and insightful... if there's a funnier, smarter or richer book published this year, I will eat my shoes - Guardian. * Guardian *Reaffirms her impressive mastery of fiction … Hempel's wit, insight and crisp writing make her work consistently powerful' Observer. * Observer *Table of ContentsOn Amy Hempel. Reasons to Live: In a Tub; Tonight Is a Favor to Holly; Celia Is Back; Nashville Gone to Ashes; San Francisco; In the Cemetery Where Al Jolson Is Buried; Beg, Sl Tog, Inc, Cont, Rep; Going; Pool Night; Three Popes Walk into a Bar; The Man in Bogota; When It's Human Instead of When It's Dog; Why I'm Here; Breathing Jesus; Today Will Be a Quiet Day. At the Gates of the Animal Kingdom: Daylight Come; The Harvest; The Most Girl Part of You; Rapture of the Deep; Du Jour; Murder; The Day I Had Everything; To Those of You Who Missed Your Connecting Flights Out of O'Hare; And Lead Us Not into Penn Station; In the Animal Shelter; At the Gates of the Animal Kingdom; The Lady Will Have the Slug Louie; Under No Moon; The Center; Tom-Rock Through the Eels; The Rest of God. Tumble Home: Weekend; Church Cancels Cow; The Children's Party; Sportsman; Housewife; The Annex; The New Lodger; Tumble Home; Notes. The Dog of the Marriage: Beach Town; Jesus Is Waiting; The Uninvited; Reference #388475848-5; What Were the White Things?; The Dog of the Marriage; The Afterlife; Memoir; Offertory; Notes.

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Book SynopsisLies from the heart lead to a dangerously intimate case for Sheriff Bree Taggert in #1 Amazon Charts and Wall Street Journal bestselling author Melinda Leigh’s novel of revenge and fatal deceptions.When a digital marketer is found murdered in his backyard—hands bound and face smothered by plastic wrap—Sheriff Bree Taggert and criminal investigator Matt Flynn respond to the call. Their investigation focuses on the man’s dating-app profile and the word liar carved into his forehead.One day later, the killer strikes again.Both victims are players in the internet dating scene. In their wake, they leave a trail of hurt—and angry—women. But Bree and Matt aren’t convinced the motive is as simple as it appears. Everyone they interview seems to be lying or hiding something.As the list of suspects grows, the killer’s rage escalates, and he leaves a personal and deadly warning for Bree. They must act fast. Because someone Bree loves is targeted as the next to die.

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Book SynopsisWhen her cousin and wife fail to return from a walk, this story takes a sinister turn to a quest of survival A woman takes a holiday in the Austrian mountains, spending a few days with her cousin and his wife in their hunting lodge. When the couple fails to return from a walk, the woman sets off to look for them. But her journey reaches a sinister and inexplicable dead end. She discovers only a transparent wall behind which there seems to be no life. Trapped alone behind the mysterious wall she begins the arduous work of survival.This is at once a simple account of potatoes and beans, of hoping for a calf, of counting matches, of forgetting the taste of sugar and the use of one's name, and simultaneously a disturbing dissection of the place of human beings in the natural world.**PERFECT FOR FANS OF THE YELLOW WALLPAPER, STATION ELEVEN AND THE MARTIAN**VINTAGE EARTH is a collection of novels to transform our relationship with the natural world. Each one is a work of creative activism, a blast of fresh air, a seed from which change can grow. The books in this series reconnect us to the planet we inhabit - and must protect. Discover great writing on the most urgent story of our times.Trade ReviewIt's a novel that contrives to be, by turns, utopian and dystopian, an idyll and a nightmare... Every joint and sinew of the story is restless with a sense of threat * London Review of Books *Brilliant in its sustainment of dread, in its peeling away of old layers of reality to expose a raw way of seeing and feeling. Doris Lessing once remarked that only a woman could have written this novel, and it's true... I've read The Wall three times already and am nowhere near finished -- Nicole KraussIt makes you sick, because, if she wasn't a woman, everyone would be reading it, like Robinson Crusoe -- Sheila Heti, author of 'Motherhood' and 'Pure Colour'Totally gripping -- Daniel Swift * Spectator, *Books of the Year* *An extraordinarily interesting writer, always underappreciated -- Elfriede Jelinek

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Book Synopsis'Sestanovich’s elegant prose takes seriously the quiet unrest that can ravage a life' - Raven Leilani, author of LusterA Best Book of the Summer in The Wall Street Journal, Entertainment Weekly,Vogue, Esquire and Refinery29A university student is flying home to visit her family when she strikes up an odd, ephemeral friendship with the couple next to her on the plane. A mother prepares for her son's wedding, her own life unravelling as his comes together. A long-lost stepbrother's visit prompts a family's reckoning with its old taboos.In these eleven powerful stories, thrilling desire and melancholic yearning animate women’s lives – from the brink of adulthood, to the labyrinthine path between twenty and thirty, to middle age, when certain possibilities quietly lapse. Tender, lucid and piercingly funny, Objects of Desire is a collection pulsing with subtle drama, rich with unforgettable scenes, and alive with moments of recognition, each more startling than the last - a spellbinding debut that announces a major talent.'A debut story collection of the rarest kind . . . you wish that every single entry could be an entire novel.' — Entertainment WeeklyClare Sestanovich named one of The National Book Foundation's '5 under 35'.Trade ReviewSestanovich’s elegant prose takes seriously the quiet unrest that can ravage a life, and makes room for the pleasure and discovery that can be found in that ruin -- Raven Leilani, author of LusterSublimely polished . . . collectively probe the gap between how we’re seen and how we might long to appear. -- Hephzibah Anderson * Observer *Sestanovich's steady hand and bone-clean prose recall such foremothers as Joan Didion, Zadie Smith, and Jhumpa Lahiri -- Elinor Hitt * The Paris Review *Sestanovich is an extraordinary noticer. Carefully, sparely, she parses layers of feeling and attitude; of the tiny ways we admit or refuse love; of incremental, almost invisible, losses of self * Guardian *Bold and beguiling -- Chloe Aridjis, author of Book of CloudsThe summer's most buzzed about book * Sunday Times *As far as writing pedigrees go, it doesn’t get much more impressive than The New Yorker and The Paris Review . . . A smart, incisive look at the complexities of being a woman right now * Stylist *Smart and accomplished . . . Sestanovich’s prose is poised and understated, sensorily precise . . . her gift is to make ordinary moments shine brightly * The New York Times Book Review *Astonishing - one of the best story collections I’ve read in a long time . . . I feel like I've found a new favorite writer - Clare Sestanovich is stylish and skilled, an astute chronicler of contemporary life -- Brandon Taylor, Booker-shortlisted author of Real LifeNuanced, beautifully shaped . . . In Sestanovich’s hands, the mundane feels surprising—mesmerizing, even * Refinery29 *Clare Sestanovich’s stories compelled me like gravity, and offered sharp, surprising, singular bursts of grace -- Leslie Jamison, author of The Recovering and The Empathy ExamsExtraordinary * Esquire *Clare Sestanovich is a gifted observer and writes a sentence sharp enough to cut yourself on . . . A magnificent debut -- Nathan Englander, author of Dinner at the Center of the EarthA debut story collection of the rarest kind: One in which you wish that every single entry could be an entire novel. * Entertainment Weekly *Objects of Desire is a marvel . . . I loved this book -- Miranda Popkey, author of Topics of ConversationLuminous . . . Sestanovich writes with a kind of bracing cold-plunge clarity. Objects of Desire taps into the peculiar, primal struggle of becoming who you are, and all the stories you have to tell yourself to get there. -- Leah Greenblatt * Entertainment Weekly *A fun read [that] reminds us that we’re all human -- Kaia Gerber, quoted in The Wall Street JournalSestanovich is a skilled craftswoman, each sentence a carefully positioned tile in a mosaic * Vulture *A mesmerizing, exquisite debut -- Dana Spiotta, author of Innocents and Others[Sestanovich's] characters always seem poised at the brink of some great, terrifying, wondrous unraveling * Electric Literature *Sestanovich’s intelligent debut collection demonstrates a gift for pithy detail that encapsulates the whole of a character’s personality or era of lived experience * Publishers Weekly *Exquisitely observed, and sure to stay with you long after you’ve finished * Bustle *Wry and knowing and deeply funny -- Mira Sethi, author of Are You Enjoying?Sestanovich’s writing is clever and rich with layers, just like her characters. And the textures of her sentences are as nuanced as desire itself * Fiction Writers' Review *Sestanovich expertly places you in the mind of different women, young and old, rich and poor, single and in relationships. The stolen glimpses into the complex minds of her characters will leave you unable to resist writing the rest of their story in your head * Reaction *These stories are restrained, nearly aloof, despite the fact that the characters are constantly and messily butting up against the futility of their desires * Kirkus *

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Book SynopsisFrom Sarah Moss, the Sunday Times bestselling author of Summerwater and Ghost Wall, comes a story about the circumstances and the consequences of isolation.‘A tense page-turner . . . I gulped The Fell down in one sitting’ - Emma Donoghue‘Her work is as close to perfect as a novelist’s can be’ - The TimesAt dusk on a November evening in 2020 a woman slips out of her garden gate and turns up the hill. Kate is in the middle of two weeks of Covid isolation, but she just can’t take it any more – the closeness of the air in her small house, the confinement. And anyway, the moor will be deserted at this time. Nobody need ever know.But Kate’s neighbour Alice sees her leaving and Matt, Kate’s son, soon realizes she’s missing. And Kate, who planned only a quick solitary walk – a breath of open air – falls and badly injures herself. What began as a furtive walk has turned into a mountain-rescue operation . . .Unbearably suspenseful, witty and wise, The Fell asks probing questions about the place the world has become since the first Covid lockdown in March 2020, and the place it was before. This novel is a story about compassion and kindness and what we must do to survive.‘Gripping, thoughtful and revelatory’ - Paula Hawkins‘This slim, intense masterpiece is one of my best books of the year’ - Rachel Joyce‘One of our very best contemporary novelists’ - IndependentTrade ReviewA slim, tense page turner that captures the precious warmth of human connection. I gulped The Fell down in one sitting -- Emma DonoghueMoss writes so compassionately about human frailty while her own work is as close to perfect as a novelist’s can be * The Times *Gripping, thoughtful and revelatory -- Paula Hawkins, author of The Girl on the TrainA funny, savage novel * Guardian *Absorbing . . . ingeniously done . . . a humane, thoughtful reflection on the lockdown experience * Scotsman *There is wit, there is compassion . . . This slim, intense masterpiece is one of my best books of the year -- Rachel JoyceA one-sitting read . . . ambitious and immersive * Red *Moss is strong on pastoral lyricism, and her characteristic humour is as piercing here as in her previous novels * The Times *A masterfully tense, deeply empathetic novel . . . [a] tender, insightful exploration of the times we are living through -- Megan Hunter, author of The End We Start FromAlways with steely precision, Moss has mined both the circumstances and the consequences of isolation . . . one of the very best British novelists writing today about contemporary life * Daily Telegraph *She conjures the fretful confinement of the pandemic with colossal skill . . . deft and evocative . . . shrewd and moving * i *The pandemic is spawning some fine writing, and this helter-skelter novel by Moss is one of the best yet -- Mail on SundayMoss perfectly simulates the stifling psychological confinement and ennui of locked-down life . . . a neat, atmospheric novel * Literary Review *[The Fell] leaves the reader on tenterhooks as the story builds to its conclusion . . . Moss makes a strong case for social connection being as important as our physical health for survival * Daily Mirror *Moss steps into other people’s shoes with impressive ease. Her prose is clear, low-key and compelling . . . Feelingly, but without sentimentality, Moss explores what happens when you find yourself teetering on the precipice * Herald *A novel of our time . . . there may be a time when what is described here is, indeed, in the past, and a novel like The Fell will help us to remember * Church Times *It seems ever more important that fiction acknowledge the truths the pandemic has revealed to us: how connected we all are, and how much we fear one another * Guardian *[The Fell] confirms that Sarah Moss is a writer of remarkable power, control and deftness. She's funny, observant and very much of the moment * Oldie *

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Book SynopsisFrom the revered Booker Prize-winning author comes a playful, multilayered novel of nostalgia, life and death, and quantum theory, which opens with the return of one of his most celebrated characters as he is released from prison. ?A triumphant piece of writing…Prose of such luscious elegance…Exhilarating.? ?The New York Times Book ReviewA man with a borrowed name steps from a flashy red sports car?also borrowed?onto the estate of his youth. But all is not as it seems. There is a new family living in the drafty old house: the Godleys, descendants of the late, world-famous scientist Adam Godley, whose theory of existence threw the universe into chaos. And this mystery man, who has just completed a prison sentence, feels as if time has stopped, or was torn, or was opened in new and strange ways. He must now vie with the idiosyncratic Godley family, with their harried housekeeper who becomes his landlady, with the recently commissioned biographer of Godley Sr., and with a wealthy and beautiful woman from his past who comes bearing an unusual request.With sparkling intelligence and rapier wit, John Banville revisits some of his career?s most memorable figures, in a novel as mischievous as it is brilliantly conceived. The Singularities occupies a singular space and will surely be one of his most admired works.

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Book SynopsisThe heroic story of the only female Argonaut, told by Jennifer Saint, the bestselling author of ATALANTA (UK, Sunday Times, April 2023) ELEKTRA (UK, Sunday Times, May 2022) and ARIADNE (UK, Sunday Times, April 2021).''Brilliantly evocative'' Women & Home ''A spirited retelling'' Times ''Beautiful and absorbing'' Fabulous ''A vivid reimagining of Greek mythology'' Harper''s Bazaar ''Jennifer Saint has done it again'' Red ''Jennifer Saint can do no wrong'' GlamourWhen a daughter is born to the King of Arcadia, she brings only disappointment.Left exposed on a mountainside, the defenceless infant Atalanta, is left to the mercy of a passing mother bear and raised alongside the cubs under the protective eye of the goddess Artemis.Swearing that she will prove her worth alongside the famed heroes of Greece, Atalanta leaves her forTrade ReviewA stunning retelling filled with breathtaking adventure, Atalanta brings to life a heroine who stands tall among the ancient gods and heroes of legend. -- Sue Lynn Tan, Sunday Times bestselling author of DAUGHTER OF THE MOON GODDESSJennifer Saint deftly draws the reader into the legends of Atalanta, swift huntress and favorite of Artemis, bringing the world of ancient Greece alive. The detail and description is lush: you can hear the rustle of the green leaves and taste the salty spray of the sea as the Argo rides forth on its quest. A story of adventure and love against all odds, this is an ancient tale limned with gold. -- Luna McNamara, author of PSYCHE AND EROSAbsolutely beautiful. This is a retelling that fully inhabits the magical realm of myth while losing none of its human heart. The way Jennifer Saint dealt with the ending was absolutely inspired - staying true to the mythology yet giving it an emotional twist that felt completely true to the heroine she had created. Atalanta is a lyrical, exciting and deeply poignant tale of one woman's remarkable life - and I cannot wait to read it again. -- Elodie Harper, author of THE WOLF DEN and THE HOUSE WITH THE GOLDEN DOORThrough the eyes of a strong and unbending heroine, Atalanta weaves together some of the most exciting myths: the Argonauts' quest, Hypsipyle and the women of Lemnos, Hippomenes's footrace. Beautifully written and crafted with magic, this is an unforgettable retelling. -- Costanza Casati, author of CLYTEMNESTRAAtalanta is an absolute joy of a novel. As always Saint brings Ancient Greece to life with deft story-telling and lyrical imagery, but with her third outing we are drawn into a truly empowering story - a novel of strength and resilience, love and friendship, skillfully enthused with the addictive magic of timeless myth. A beautifully written retelling. -- Susan Stokes-Chapman, author of PANDORA

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Book SynopsisA cold-blooded murder. A confession. And a mystery that’s just beginning in a shocking novel of psychological suspense by the Amazon Charts and Washington Post bestselling author of A Familiar Sight. Criminologist Dr. Gretchen White thought Detective Lauren Marconi could never cross certain lines. Then Lauren, with fresh blood on her hands, is arrested for an execution-style slaying. Even as the evidence mounts, Gretchen is convinced she’s innocent. Because Lauren would have known how to get away with murder. Forced to team up with Lachlan Gibbs, the combative by-the-book star of Internal Affairs and Lauren’s boyfriend, Gretchen starts digging for the truth. But when she begins to uncover Lauren’s closely guarded secrets, the investigation raises more questions than answers. As Lauren’s decade-long obsession with the victim comes to light, Gretchen can’t help but doubt her own instincts. She knows better than most that not everything is as it seems. And with Lauren’s future on the line, it’s more important than ever to see this mystery through to the end.Trade ReviewPraise for Brianna Labuskes What Can’t Be Seen “The book’s well-constructed plot matches its three-dimensional characters. Psychological-thriller fans will be eager for more.” —Publishers Weekly A Familiar Sight “A horrific brew for readers willing to immerse themselves in it.” —Kirkus Reviews “A strong plot and unforgettable characters make this a winner. Labuskes is on a roll.” —Publishers Weekly “A Familiar Sight has everything I crave in a thriller: a shocking, addictive female lead; unexpected twists that snapped off the page; and an ending that made me gasp out loud. I never saw it coming, but it was perfectly in sync with the razor-sharp balance between creepy and compelling that Labuskes carries throughout the novel. This is a one-sitting read.” —Jess Lourey, Amazon Charts bestselling author Her Final Words “Labuskes skillfully ratchets up the suspense. Readers will eagerly await her next.” —Publishers Weekly “Labuskes offers an intense mystery with an excellent character in Lucy, who methodically uncovers layers of deceit while trusting no one.” —Library Journal Girls of Glass “Excellent…Readers who enjoy having their expectations upset will be richly rewarded.” —Publishers Weekly (starred review) It Ends with Her “Once in a while a character comes along who gets under your skin and refuses to let go. This is the case with Brianna Labuskes’s Clarke Sinclair—a cantankerous, rebellious, and somehow endearingly likable FBI agent with a troubled past. I was immediately pulled into Clarke’s broken, shadow-filled world and her quest for justice and redemption. A stunning thriller, It Ends with Her is not to be missed.” —Heather Gudenkauf, New York Times bestselling author “It Ends with Her is a gritty, riveting roller-coaster ride of a book. Brianna Labuskes has created a layered, gripping story around a cast of characters that readers will cheer for. Her crisp prose and quick plot kept me reading with my heart in my throat. Highly recommended for fans of smart thrillers with captivating heroines.” —Nicole Baart, author of Little Broken Things “An engrossing psychological thriller filled with twists and turns. I couldn’t put it down! The characters were filled with emotional depth. An impressive debut!” —Elizabeth Blackwell, author of In the Shadow of Lakecrest

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Book SynopsisFrom the bestselling author of The Best of Friends comes a fast-paced thriller about how one woman’s murder unravels the tangled web of lies and deceit connecting a group of Hollywood elite. When Kiersten McCann, president of the West Hollywood Moms’ Club, turns up dead in her own pool, it quickly becomes clear this wasn’t an accident. And the party guests—all members of the exclusive club—are now key suspects in her murder. Accusations fly, and three mothers find themselves at the center of the investigation. Whitney, Brooke, and Jade all have heavy secrets to bear…and possible motives for their friend’s murder. But as the police look closer, more secrets, betrayals, and sinister plots are revealed than the women could ever imagine. With everything at stake, deceit threatens to shatter their illusions of the perfect life. West Hollywood will never be the same.Trade Review“Perfect reading for those who wonder: ‘If you couldn’t trust your best friend, could you really trust anyone?’” —Kirkus Reviews Praise for Lucinda Berry Off the Deep End “As usual, Berry tightens the screws smartly in the opening pages and never lets up, and as usual, her ending is more intent on deepening the nightmare than providing a plausible explanation for it. Warning: the title applies as much to the audience as to the characters.” —Kirkus Reviews “As the suspense mounts, the action drives to a harrowing conclusion. Berry delivers the goods.” —Publishers Weekly “A well-done mystery with a plausible yet surprising ending.” —Library Journal Under Her Care “The action never wavers, and the surprises are unending. Berry is writing at the top of her game.” —Publishers Weekly (starred review) “[It’s] a humdinger…Perfect for suspense fans.” —Kirkus Reviews “Lucinda delivers every time. Unputdownable.” —Tarryn Fisher, New York Times bestselling author “Lucinda Berry’s latest, Under Her Care, is her best thriller yet! A dark, riveting read that will keep you up late, racing to the chilling end.” —Kaira Rouda, USA Today bestselling author of The Next Wife and Somebody’s Home “Lucinda Berry’s Under Her Care is stunning, diabolical, and gripping, with one of the best and most gasp-worthy twists I have read in a very long time. Fast paced, fabulous, and enthralling, the pages practically turn themselves. Absolutely captivating.” —Lisa Regan, USA Today and Wall Street Journal bestselling author “Creepy and chilling, Under Her Care is a tense page-turner that leaves you questioning everything you ever knew about motherhood and the family bond.” —Tara Laskowski, award-winning author of The Mother Next Door The Secrets of Us “Those looking for an emotional roller-coaster ride will be rewarded.” —Publishers Weekly “Combine Lucinda Berry’s deep understanding of the complexities of the human mind with her immense talent for storytelling and you have The Secrets of Us, an intense psychological thriller that kept my heart racing until the shocking, jaw-dropping conclusion. Bravo!” —T. R. Ragan, New York Times bestselling author “The Secrets of Us is an unputdownable page-turner with two compelling female protagonists that will keep readers on their toes. Fantastic!” —Cate Holahan, USA Today bestselling author of One Little Secret “Lucinda Berry’s The Secrets of Us is a tense psychological thriller that explores the dark corners of the mind and turns a mind can take when it harbors secret guilt. The interplay between sisters Krystal and Nichole and their hidden past is gradually revealed, and in the end, the plot twists keep coming. Right and wrong can be ambivalent, and this story explores all shades of gray, from their dysfunctional family to an old childhood friend to a husband who may or may not be too good to be true. Berry’s background as a clinical psychologist shines in this novel with a character so disturbed they spend time in seclusion lockdown at a psychiatric ward. Don’t miss this one!” —Debbie Herbert, USA Today and Amazon Charts bestselling author “The Secrets of Us is an utterly gripping, raw, and heartbreaking story of two sisters. Berry’s flawlessly placed clues and psychological expertise grab you from the first word, not letting go until the last. Compelling, intricate, and shocking, this inventive thriller cleverly weaves from past to present with stunning precision. I was absolutely enthralled.” —Samantha M. Bailey, USA Today and #1 national bestselling author of Woman on the Edge “The past and present collide with explosive consequences in this addictive, twisty thriller from an author at the top of her game. The Secrets of Us grips from the first page and doesn’t let go until the final shocking twist.” —Lisa Gray, bestselling author of Dark Highway The Best of Friends “A mother’s worst nightmare on the page. For those who dare.” —Kirkus Reviews “The Best of Friends gripped me from the stunning opening to the emotional, explosive ending. In this moving novel, Berry creates a beautifully crafted study of secrets and grief among a tight-knit group of friends and of how far a mother will go to discover the truth and protect her children.” —Heather Gudenkauf, New York Times bestselling author of The Weight of Silence and This Is How I Lied “In The Best of Friends, Berry starts with a heart-stopping bang—the dreaded middle-of-the-night phone call—and then delivers a dark and gritty tale that unfolds twist by devastating twist. Intense, terrifying, and at times utterly heartbreaking. Absolutely unputdownable.” —Kimberly Belle, international bestselling author of Dear Wife and Stranger in the Lake The Perfect Child “I am a compulsive reader of literary novels…but there was one book that kept me reading, the sort of novel I can’t put down…The Perfect Child, by Lucinda Berry. It speaks to the fear of every parent: What if your child was a psychopath? This novel takes it a step further. A couple, desperate for a child, has the chance to adopt a beautiful little girl who, they are told, has been abused. They’re told it might take a while for her to learn to behave and trust people. She can be sweet and loving, and in public she is adorable. But in private—well, I won’t give away what happens. But needless to say, it’s chilling.” —Gina Kolata, New York Times “A mesmerizing, unbearably tense thriller that will have you looking over your shoulder and sleeping with one eye open. This creepy, serpentine tale explores the darkest corners of parenthood and the profoundly unsettling lengths one will go to, to keep a family together—no matter the consequences. Electrifying and atmospheric, this dark gem of a novel is one I couldn’t put down.” —Heather Gudenkauf, New York Times bestselling author “A deep, dark, and dangerously addictive read. All-absorbing to the very end!” —Minka Kent, Washington Post bestselling author

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Book SynopsisFunny of course it's funny but also smart, insightful and sincere about heartbreak'' DAVID NICHOLLS, author of ONE DAY''This is the greatest. You''ll cry and laugh. I read it though the night. And I never, ever avoid sleep'' CLAUDIA WINKLEMANI award it 13/10 on my QWJ scale (stands for Queasy With Jealousy that I didn''t write it)' MARIAN KEYES---Every relationship has one beginning.This one has two endings.Andy loves Jen. Jen loved Andy.And he can''t work out why she stopped.Now he is. . .1. Without a home2. Waiting for his stand-up career to take off3. Wondering why everyone else around him seems to have grown up while he wasn''t lookingSet adrift on the sea of heartbreak at a time when everything he thought he knew about women, and flat-sharing, and his friendships has transformed beyond recognition, Andy clings to the idea of solving the puzzle of their broken relationship. Because if he can find the answer to that, then maybe Jen can find her way back to him.Andy still has a lot to learn, not least his ex-girlfriend''s side of the story.From the bestselling author of Ghosts and Everything I Know About Love: a sharply funny, beautifully observed and exquisitely relatable story of heartbreak and friendship, and how to survive both.''The most book-based fun I had this year ... It''s the most I''ve laughed while reading about heartbreak since Nick Hornby''s High Fidelity. A complete delight'' The Sunday Times, Critics'' favourite books of the yearSunday Times bestseller, November 2023Trade ReviewIf Dolly’s memoir Everything I Know About Love summed up being twentysomething then this, her second novel, is a tender and funny love letter to our tumultuous 30s * Red *Brilliantly observed … Beautifully written, pacy and excellent on rejection, friendship and letting go. Fabulous * Daily Mail *Laugh-out-loud dialogue on every page ... No-one has a firmer grasp on the themes she explores. Good material, indeed * Sunday Express *Funny, sad and true; a book she has clearly poured her soul into ... Cements her status as a fiction heavyweight * inews, The best new books to read in November 2023 *This is the greatest. You’ll cry and laugh. I read it through the night. And I never, ever avoid sleep * Claudia Winkleman *It's so good. I loved it * Sharon Horgan *Leaves you heartsore but happier. Irresistible * Richard E. Grant *Made me laugh while punching me in the gut. Loved this book * Aisling Bea *Sharply written and acutely observed ... A beautifully nuanced portrayal of modern love that will have you racing to the last page * Heat *Have you ever wondered what a lost love was thinking? In this ingeniously constructed and endlessly amusing novel, Dolly Alderton flips the script on everything we think we know about romantic loss, to bring us an unforgettable character on a deeply relatable downward spiral. Wise and relatable and pee-your-pants funny. I cried by page 5. Dolly Alderton is, quite simply, the bard of modern day love * Lena Dunham *WONDERFUL ... Shot through with Dolly's characteristic emotional intelligence ... Very funny ... Such a pleasure to read. I devoured it ... I award it 13/10 on my QWJ scale (stands for Queasy With Jealousy that I didn't write it) * Marian Keyes *I adored it! I ... Dolly is THE comic writer of our generation. This feels like her most ambitious book yet, and it delivers on every single page. She uses humour so brilliantly to underpin the quiet roar of romantic despair - this book is raw, smart and human. This makes me believe Dolly knows everything there is to know about love. * Daisy Buchanan *Dolly Alderton just gets better and better. Good Material is both heartbreaking and hilarious with an ending that has you holding your breath. With the wit of Nick Hornby and the emotional scalpel of Nora Ephron, Alderton is one of our greats and this is sure to be an absolute classic * Emma Gannon *A relatable, laugh-out-loud story of a thirtysomething failed comedian struggling with a break-up * Sunday Times Style *Good Material combines Alderton’s wit and eye for detail with a beautiful depth of emotion * Woman & Home *Genuinely laugh-out-loud funny – with characters straight out of a Richard Curtis film – whipsmart dialogue and relatable millennial themes (Alderton’s forte) mean there’s never a dull moment ... Thought-provoking and wise * The Independent, Best New Books to Read This Autumn *The author of Everything I Know About Love nails the zeitgeist with a witty, relatable and acutely insightful page-turner about the trails and tribulations of the lovelorn * Daily Express *Dolly Alderton is the Adele of writing * Esther Coren, The Spike *Witty, warm and well-observed * Fabulous Magazine *A funny, tender novel about human relationships. By turns, laugh-out-loud, eye-roll relatable, and 'stop you in your tracks' heart-wrench. A thoroughly modern romantic masterpiece. * Nina Stibbe, author of Love, Nina *Highly relatable for millennials navigating dating in London, and hugely insightful for those generations wanting to understand them. Packed with sharp observations and wisdom. A triumph * Sathnam Sanghera *Alderton entertains with observational quips about thirtysomething life ... There's a Hornby-esque charm to her well-meaning characters and their relatable dramas * The Observer *The bestselling author brings her warmth, emotional intelligence and wry observation to bear on her second novel ... Refreshing * The Bookseller, Editor's Choice *Alderton is perceptive about how men deal (badly) with emotional pain * The Times *Relatable, funny and refreshing * Elle *[A] book to be devoured, adored, underlined, and passed on (but only to the friends you know will give it back) ... [Alderton] proves herself once again as having both a deep understanding of the intricacies of relationships and the ability to articulate it better than the majority of us ever could ...Good Material showcases Alderton’s knack for rich characterisation and zippy dialogue like never before ... Genuinely funny – if only more books made you laugh as much as this * The i *All of Alderton's considerable gifts as a writer are on display here: her wit, her ability to capture exchanges that feel real, and her skilful characterisation ... Alderton's work truly shines when she writes about friendship * Sunday Independent *With distinct notes of Helen Fielding, Richard Curtis and Nick Hornby ... Warm and generous ... A writer very much in control of her material * Guardian *Alderton is excellent at fusing poignant tenderness with wry observations about modern life, and that talent is on full display here. Good Material is a highly enjoyable exploration of the messy, non-binary nature of many break-ups, and how two people can simply make a terrible couple ... If you're on the hunt for a readable romcom to inhale in a few sittings, this is very good material * Stylist *Funny, tender and astute on heartbreak * Mail on Sunday *This is Dolly Alderton's best book yet ... Alderton is a great social chronicler: her observations here about thirty-something friendship and the differences (or not) between millennials and Gen Z feel particularly true. But most crucially, this is a tender, bittersweet portrait of the addictive fug of longterm monogamy – and the crushing pain when it ends * The i – All I want for Christmas: Which books should you buy for your loved ones this year? *Brilliantly observed ... addictive * Daily Mail *Comical yet warming * Psychologies *A brilliantly observed portrait of a break-up, which examines how miserable it is to become obsessed with the unknown reasons a relationship has ended. Andy can’t understand why Jen no longer wants to be with him. The more he thinks about it the madder he feels but he can’t stop. Addictive * Daily Mail – Christmas Books: Best way to survive Christmas? Read a really good book! *I’ve already bought several copies of Dolly Alderton’s Good Material for the men and women in my life, and I will continue the rampage through the festive season. It’s the perfect blend of easy to read, funny and extremely astute * The Observer – Books of the year 2023 *Failing stand-up comedian Andy is devastated when his girlfriend Jen breaks up with him out of the blue. Alderton explores the trials and tribulations of finding yourself unexpectedly single in your mid-30s in a novel as witty as it is perceptive * Daily Express – Stocking fillers: What were the must read novels of 2023? *The most book-based fun I had this year ... It’s the most I’ve laughed while reading about heartbreak since Nick Hornby’s High Fidelity. A complete delight * The Sunday Times – My favourite read of the year, Charlotte Ivers *

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Book SynopsisFor a bride-to-be and her fiancé, secrets and lies make this a killer celebration in this psychological suspense. Carrie and Oliver. A couple completely in love and the hosts of a wedding to remember at Colorado’s legendary Stanley Hotel. This is Carrie’s fairy tale come true. Her fiancé, Oliver, is Mr. Tall, Dark, and Handsome; successful; and utterly devoted to her. Now family and friends have gathered to celebrate. It’s sure to be a wild night as the drinks flow freely and the fun begins. But the morning after is murder. FBI agent Andi Castle was just supposed to be a plus-one. This should have been a calming weekend getaway from what she does best: catch killers. Instead, Andi’s on the hunt again. The hotel is on lockdown. Secrets are being unearthed. And no one is above Andi’s suspicions. But which secrets are worth killing for? Andi’s forced to find the answers fast…before someone else dies.Trade ReviewPraise for L. R. Jones The Wedding Party “A tense and twisty whodunit featuring a joint bachelor/bachelorette party, an FBI agent, a murder, and a hotel on lockdown. The Wedding Party is highly engrossing and wickedly fun! Jones delivers an entertaining thriller that readers will surely devour.” —Jeneva Rose, New York Times bestselling author “Riveting and pulse-pounding from the very first page. Impossible to put down.” —Lucinda Berry, bestselling author of Keep Your Friends Close “An instantly compelling mystery that's IMPOSSIBLE to put down!” —Shalini Boland, USA Today bestselling author “The Wedding Party by Lisa Renee Jones is a roller coaster of a read! A story about love, deception and the ways we are formed by family, this fast-paced, twisty novel is one you don’t want to miss! Jones has established a complex and layered world for the clever, daring and, at times, unconventional Agent Andrea Castle so here’s hoping there will be more books in the series.” —Danielle Girard, USA Today bestselling author “L.R. Jones masterfully ramps up the suspense in a game of secrets where everyone's a suspect.” —L.T. Ryan, Wall Street Journal and Amazon bestselling author “Suspense at its best! When a wedding reception ends in murder, FBI agent Andi Castle uses her profiling skills to sort through a web of secrets and lies in a nail-biting race to find the killer. Jones expertly ratchets up the tension with one twist after another until the shocking truth is finally revealed. Part locked-room mystery, part procedural thriller, and part domestic suspense, this story has it all.” —Isabella Maldonado, Wall Street Journal bestselling author You Look Beautiful Tonight “In this devilishly twisty standalone…Jones reveals her characters’ secrets and motives slowly, expertly ratcheting up the pace before an explosive conclusion. This white-knuckler is not to be missed.” —Publishers Weekly (starred review)

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Book SynopsisColin Barrett grew up in County Mayo, Ireland. His stories have been published in the Stinging Fly, Granta, Harper's and the New Yorker. His first book, the short story collection Young Skins, won the Guardian First Book Award, the Frank O'Connor International Short Story Award and the Rooney Prize for Irish Literature. His second collection, Homesickness, made the New York Times 100 Notable Books of the Year and was a Book of the Year in Oprah Daily and the Irish Times.Trade ReviewSublime… Wild Houses is a thrillingly moreish novel with some of the sharpest dialogue I’ve read in any recent debut and characters who held me captive until the very last page * Sunday Times *A delicate and beautiful book about the lives of lonely people... Page after faultless page, Wild Houses is a sheer joy to read... Colin Barrett's the real deal, but then we knew that already * Irish Times *So consistently witty and inventive that one struggles to think of recent novels that could stand up to comparison * Guardian, *Book of the Day* *With a thrillerish intensity… Barrett expertly handles the combination of narrative-driving dialogue, exhilarating action scenes and quieter moments designed to build tension… I was unable to put Wild Houses down * Times Literary Supplement *After years of short stories, Barrett’s transition to the longer span of the novel is confidently done. Descriptive set pieces are linked and expanded, yet every paragraph is created with care * Financial Times *Barrett’s superb debut novel deepens the world of his two short-story collections… The novel has the tension of a gritty noir thriller and the comic menace of a Pinter play * New Statesman *Barrett can sustain a narrative across a novel without sacrificing the panache and precision that has made him one of the most stylish fiction writers at work today. His prose is a delight from the first page * i *Wild Houses realises life in full and without pity... A palpable sense of human eccentricity, and endurance, is always there, just beneath the surface * Daily Telegraph *Until now, Colin Barrett has made his name as an artist of the short story… Wild Houses is a delight, with a wider space for his talent to spread and for his acutely observed characters to linger * Spectator *This strange and beautiful novel brings to life an entire world. Wild Houses is a book not just to read but to live inside -- Sally Rooney, author of Normal PeopleSharp and affecting, expansive and playful, Barrett has written a gorgeous novel filled with gorgeous sentences. A dream to read, and no doubt destined to be one of the novels of the year -- Michael Magee, author of Close to HomeColin Barrett quietly, insistently, writes so deeply into his characters you could reach out and touch them. Wild Houses is a gift of true storytelling and Barrett’s talent burns up the page -- Anne Enright, author of The Wren, The WrenVivid, controlled, very funny, and very moving - Barrett has the kind of pure writing chops that are vanishingly rare -- Kevin Barry, author of Night Boat to TangierFunny, engrossing, and told with masterful technique * Daily Mail *Wild Houses is a wonder of a novel - crackling with tension and gifted with fine, strong language. Colin Barrett is a superb storyteller, and this is a tale for the ages -- Jon McGregor, author of Reservoir 13

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Book Synopsis*** From the bestselling author of Stone Blind and A Thousand Ships ***When you open up, who will you let in?Alex Morris has lost everything: her relationship, her career and her faith in the future. Moving to Edinburgh to escape her demons, Alex takes a job teaching at a Pupil Referral Unit. It's a place for kids whose behaviour is so extreme that they cannot be taught in a regular classroom. Alex is fragile with grief and way out of her depth. Her fourth-year students are troubled and violent. Desperate to reach them, Alex turns to the stories she knows best. Greek tragedy isn't the most obvious way to win over such damaged children, yet these tales of fate, family and vengeance speak directly to them.Enthralled by the bloodthirsty justice of the ancient world, the teenagers begin to weave the threads of their own tragedy - one that Alex watches, helpless to prevent.Trade ReviewHaynes' debut is not only a gripping thriller, but also a beautifully drawn portrait of grief and how we find our way back to life. I loved it. -- Madeline Miller, author of THE SONG OF ACHILLESA handsomely structured psychological mystery, and a moving exploration of grief -- Lionel ShriverI stayed up all night to finish The Amber Fury. It's gripping and compelling, a real page-turner, written with humanity and warmth -- S.J. Watson, author of BEFORE I GO TO SLEEPA gripping first novel...impossible to put down. -- Herman Koch, author of the international bestseller, THE DINNERCompelling, wise, compassionate, and devastating, Natalie Haynes' masterfully-wrought drama of rage, loss and redemption stirs both contemplation and tears. Her debut marks the arrival of a forceful, thrilling new talent -- Liz Jensen, bestselling author of THE UNINVITED and THE RAPTUREGripping and elegiac, funny and achingly sad, Haynes' tale pulls you along like a river to the falls. Hypnotic -- Joss Whedon, creator of BUFFY THE VAMPIRE SLAYER and screenwriter of TOY STORY

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Book SynopsisFrom the acclaimed author ofFish Soup, a wickedly self-aware novel of family, memory, and possibility just this side of the uncanny.A tolerable, ordinary life: an adequate, if boring, freelance job; reliably irritating video calls with your sister; half-hearted plans for the future (a writing residency, a child); and, in the middle of your half-furnished apartment, an enormous crate. Unopened, delivered days ago, and getting in the way.InThe Delivery , what’s inside is your estranged mother, and her arrival brings to a head the tentative motions you’ve made to examine the past and the subtle fissures in the life you’ve built. Semi-ordinary happenings take on an otherworldly cast when you look at them sideways, but nothing is stranger, in this place far from home, than the tenuous bonds of family that hold us together, or don’t.Trade Review"This multi-centred novel contains everything: death, life and all the stuff in between." —The Guardian"A sharp and perceptive novel." —Irish Times"The microscopic precision with which García Robayo delves into the human soul is striking." —El País"An unsettling novel about uncertainty, memories and fears, solitude, family relationships and hopes for the future." —Diario Popular"Robayo masterfully constructs a story of family ghosts and memories that put into question what it means to leave behind a country, family and friends for a new place." —Morning Star"Once again, a Colombian literary star has blended absurdism, realism and great linguistic skill to create a novel that may be neatly packaged but proves to contain multitudes." —Lunate"Completely engrossing. García Robayo’s best yet. " —Sounds & Colours"Inside the music of Robayo’s prose, one encounters an argument about the vigor of personal history, its relentless capacity to emboss the present." —The Believer"By throwing her characters off their typical paths, García Robayo continues to show readers that she is one of the brightest voices in Latin American literature." —On the Seawall"The Delivery reveals the fissures, gaps, and spaces of incomprehension that can exist between speakers of the same language." —Full Stop"This chamber piece, which chronicles the narrator’s various procrastinations, succeeds thanks to its voice, its pacing, and its glaring omissions." —Necessary Fiction"Questions about motherhood, belonging, and exile hang over this quietly unsettling work." —Southwest Review"García Robayo has written a novel that, avoiding any complacency, situates us in the interstices of identity." —El Mundo"If for this narrator having a child is like ‘resisting extinction’ (…), novels like The Delivery fulfil a similar injunction to permanence: not to pass through the world without leaving anything behind." —El País"An intimate, mature work that confirms Margarita García Robayo as one of the most promising Latin American writers today." —La Razón"The Colombian writer makes the daily routine of her protagonist seem like a disturbing sequence of events." —Expansión"A brilliant and exhaustive relationship with language that draws on a search for origins." —El Tiempo"Thoughts that achieve a sparking lucidity that contrasts with the bewilderment experienced by the main character." —La Nación"You can’t put it down until you find out what happens at the end." —Pagina/12"The Delivery is one of those novels that mark a before and an after, just as happens to its main character when she manages to open the crate sent by her sister." —Pagina/12"A book of contained intensity, full of glimpses more than certainties, which confirms the author as one of the leading voices of Latin American fiction." —El Siglo de Torreón**********Praise for Margarita García RobayoBiblioteca de Narrativa Colombiana Prize (Finalist)"García Robayo writes with caustic insight, brittle humour and a fair whack of cynicism (...) Holiday Heart is brilliant." —The Guardian"Understated, lyrical, and delivers its insights by means of acute observation. (5 stars)" —The Arts Desk"Cunningly well achieved." —Irish Times"Holiday Heart is a poignant and searing story of love ending." —Gutter Magazine"Coombe’s translation brilliantly captures the bite in García Robayo’s humour." —iNews"One of Colombia’s greatest living writers." —The Monthly Booking"Brilliantly dramatises the disjunction between an idealized picture of life like sitting on a sunny beach and the reality of that life like getting sand caught in your teeth." —Lonesome ReaderBest Fiction Books of 2017 —New York Times (Español)"Darkly funny throughout, this examination of two lives will stay with you long after you read the final words and lay the book down." —Lunate"Every sentence in the book seems to be written with a scalpel infused with acid. " —Morning Star"Acute, provocative, concise and raw." —Translating Women"An incredibly insightful portrayal of a disintegrating marriage...provides a sharp-eyed view of estrangement and personal identity." —Book Riot"Frightening, alluring, and inescapable." —Books and Bao**********Casa de las Américas Prize (Winner)Society of Authors Valle-Inclán Prize (Shortlist)"García Robayo’s prose bristles with restrained energy and a wry humour which captures the disaffection of her characters." —The Times Literary Supplement"[Fish Soup] is a gorgeous, blackly humorous look into the lives of Colombians struggling to find their place in society, both at home and abroad." —Publishers Weekly, starred review"A remarkable genre-bending effort." —The Guardian"The tackiness of the Caribbean coast and its discontents are marvellously rendered." —The Times Literary Supplement"If you’re a fan of Ottessa Moshfegh or Melissa Broder, then this is for you." —The Guardian"An evocative collection that conveys the potency of desire in even the most ordinary lives." —Kirkus"García Robayo is building one of the most solid and interesting oeuvres in Latin American literature."" —Juan Cárdenas , author of ORNAMENTAL"Her stories combine the atmosphere of Desperate Housewives, Hemingway’s iceberg theory and a memorable, bittersweet ending."" —Jorge Carrión , author of BOOKSHOPS"Margarita shows sharp insight into contemporary life. Her voice speaks with surreptitious irony and sophisticated psychological perception. She is the creator of an exceptional poetics of displacement."" —Juan Villoro , author of THE WITNESS"There are very few writers who can challenge expectations the way Margarita García Robayo does. Margarita is simply one of the best of the new generation that respects, yet no longer identifies with, the Latin American Boom."" —Mariana Enríquez , author of THINGS WE LOST IN THE FIRE"This is a text written from within the belly of the beast. (…) One of the most essential books of the year." —Asymptote"García Robayo’s prose is concise and startling, her voice versatile and capable of packing a serious punch." —LA Review of Books"One of the most potent figures of contemporary Latin American literature." —ABC Cultural"Full of everyday details that reveal the most vulnerable aspects of feminine subjectivity." —La Nación**********

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Book SynopsisIntroducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world''s greatest writers, designed by the award-winning Coralie Bickford-Smith.Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil.Like his Austrian contemporary Sigmund Freud, the doctor and writer Arthur Schnitzlerwas a bold pioneer in exploring the dark tangled roots of human consciousness. His novella Dream Story tells the tale of a young married man who, after a discussion with his wife about their fantasises, experiences an eery reverie through Vienna''s underbelly.Trade ReviewThe amoral voice of fin-de-siècle Vienna—New Yorker

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Book SynopsisSunday Times bestseller Tessa Hadley explores the big consequences of small events in this new collection'You've either got it or you haven't. Hadley's got it' FINANCIAL TIMESHeloise's father died in a car crash when she was a little girl; at a dinner party in her forties, she meets someone connected to that long-ago tragedy. Janey's bohemian mother plans to marry a man close to Janey's own age - everything changes when an accident interrupts the wedding party. A daughter caring for her elderly mother during the pandemic becomes obsessed with the woman next door; in the wake of his best friend's death, a man must reassess his affair with the friend's wife. Teenager Cecilia wakes one morning on vacation with her parents in Florence and sees them for the first time through disenchanted eyes.These stories illuminate the enduring conflicts between responsibility and freedom, power and desire, convention and subversion, reality, and dreams.***A GUARDIAN AND NEW STATESMAN BOOK OF THE YEAR 2023******ONE OF THE BBC’S '25 BEST BOOKS OF THE YEAR 2023'***Trade ReviewConsistently pulls you in from the first sentence... The capacity to make readers care from the off about what happens to these imaginary people next is an unquantifiable, indefinable talent that cannot be taught. You've got it or you haven't. Hadley's got it * Financial Times *One of our finest novelists and a short story supremo... It is hard to imagine stories more skilfully paced and polished than these * Observer *After the Funeral is a brilliant collection. From the virtuosity of Hadley's technique to the clarity of her moral vision and the warmth of her humour, what she has achieved in After the Funeral is nothing short of masterful. Her stories are surprising, profound, and each feels as full as a world -- Brandon Taylor, author of The Late AmericansBeautifully done... The strongest stories resonate, offering glimpses of the hidden selves we all conceal * Sunday Times *She has such great psychological insights into human beings, which is rare... One of the best fiction writers writing today -- Chimamanda Ngozi Adichie, author of AmericanahShort stories tend to be literary Marmite, but the dozen tales in Hadley's classy new collection are a testament to the startling power of both their author and the form itself` * Mail on Sunday *After the Funeral draws us into situations that bear out Tolstoy’s famous line, “every unhappy family is unhappy in its own way”. Each story explores a way of coping with a peculiar challenge… Hadley elicits the answer with an acumen that puts her among the great detectives of human nature * New Statesman, *Books of the Year* *Tessa Hadley is my favourite author -- Kate Atkinson, author of Shrines of GaietyHadley has elevated middle-class domesticity, and the emotional ripples beneath it, into the realms of high art... Her depictions of buried disappointment and quiet yearning are timeless... A reminder of just how sublime an experience reading a Tessa Hadley book is * i *Few writers give me such consistent pleasure -- Zadie Smith, author of White Teeth

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Book SynopsisGuardian's Best Fiction of 2022'One of the most original and exciting writers working in English today' - Jhumpa LahiriOnce home to the country's most illustrious families, Waitsfield, Massachusetts, is now an unforgiving place awash with secrets. Forged in this frigid landscape, Ruthie learns how the town's prim facade conceals a deeper, darker history and how silence often masks a legacy of harm - from the violence that runs down the family line to the horrors endured by her high school friends.In Very Cold People Sarah Manguso reveals the suffocating constraints of growing up in a very old, and very cold, small town. Here lies a vital confrontation with an all-American whiteness where the ice of emotional restraint meets the embers of smouldering rage . . .'Chilling . . . deeply impressive' - Guardian'A masterclass in unease' - The ObserverLonglisted for the Wingate Prize 2023Trade ReviewA masterclass in unease * Observer *Manguso puts her own indelible stamp on the literary terrain of John Cheever and Susan Minot, daring to brush against the third rail of class. * Oprah Daily *Magnificent . . . I hope all my fellow reader friends can find their way to this title either through their local library or independent bookseller. It is indeed special. -- Sarah Jessica Parker via InstagramAn uncomfortable, deeply impressive account of how silence, snobbery and repression in a New England town allow the poison of abuse to trickle down the decades. -- 'Best Fiction of 2022', The GuardianSarah Manguso is one of the most original and exciting writers working in English today. Every word feels necessary, and she’s redefining genre as she goes -- Jhumpa Lahiri, Pulitzer Prize–winning author of Interpreter of MaladiesWith its adult narrator trying to recover the intuitions of her younger self, Very Cold People reminded me of My Brilliant Friend, the first novel in Elena Ferrante’s Neapolitan quartet. -- Katy Waldon * New Yorker *Manguso is consistent in her approach and the cumulative effect is satisfying -- Damon Galgut * TLS *Very Cold People knocked me to my knees. So precise, so austere, so elegant, this story is devastatingly familiar to those of us who know the loneliness of growing up in a place of extreme emotional restraint. Manguso is one of my favourite writers, and this book is a revelation -- Lauren Groff, author of FloridaMidwesterners, New Englanders and anyone from small town America will recognize the contours in this quietly beautiful novel about what it feels like to grow up an outsider. It's a starkly lyrical exploration of the darkness that lies underneath a lily white community with an emotional resonance that sneaks up on you and won't let go. * Good Housekeeping *I loved every sentence, thought, and gesture in this perfect novel. Sarah Manguso has painted a deeply moving portrait of the stark unreality of childhood -- Catherine Lacey, author of PewI loved it and am still trying to accommodate its cold quality - like swallowing an ice-cube by accident. Manguso’ steady gaze and clarity of expression is reminiscent of Louise Gluck. I hope it will do as brilliantly as it deserves. -- Laura Beatty, author of PollardThe book is strong enough as a compendium of the insults of a deprived childhood: a thousand cuts exquisitely observed and survived. The effect is cumulative, and this novel bordering on a novella punches above its weight -- Alexandra Jacobs * New York Times *A haunted masterpiece, written with the precision of a miniaturist and the vulnerability of true heartache. I wept more than once; I recognized myself more than once. Very Cold People proves yet again that Manguso is one of the greats -- Andrew Sean Greer, Pulitzer Prize–winning author of LessVery Cold People is an important stitch in a tapestry being urgently reworked by women writers. Manguso's is a bold stitch, a beautiful and a vital one. -- Joanna Walsh, author of Break.upA poignant and unnerving masterwork about growing up in a dominator society, told with the concision, carefulness, and sense of mystery that we’ve come to expect from Sarah Manguso -- Tao Lin, author of Leave SocietyManguso’s attention to the chilliness and reservation of certain New Englanders crackles like a room-temperature beverage poured over ice . . . Manguso portrays the fears surrounding girlhood with a blistering clarity. -- Michele Filgate * Washington Post *Chilling . . . Set in the 1980s in a small, frigid New England town, this coming-of-age story offers a stark take on what it is to feel poor, poorly nurtured, and inadequately loved in a class-conscious, lily-white town whose antique houses were built and occupied by generations of Cabots and Emersons . . . absorbs our attention and stirs empathy and reflection. * NPR *Very Cold People wields a kind of detached, anthropological power, portraying the world through the accumulation of telling details. * Wall Street Journal *Unafraid to engage with tricky topics like race and class in America, Very Cold People may not warm your heart, necessarily. But it will pick you up after it knocks you down, and leave you stronger for it. * Chicago Review of Books *Manguso is a lovely writer about unlovely things . . . here she depicts her protagonist’s quiet agony with a poet’s eye . . . A taut, blisteringly smart novel, both measured and rageful. * Kirkus, (starred review) *Manguso is an exquisitely astute writer, and there is something admirable about her refusal to bow to predictable plot tropes that might rescue Ruthie more definitively — or condemn her. * Boston Globe *Her rendering of violence, abuse and secrecy within families and communities is clear-eyed and almost uncomfortably lyrical — the beauty of her writing makes the tragedies she describes feel all the more wrenching. * Los Angeles Times *Manguso excels at capturing the perspective of a child desperate for the love of people who don’t know how to give it. * The Spectator *

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Book Synopsis**AS HEARD ON BBC RADIO 4**An interpreter has come to The Hague to escape New York and work at the International Court. A woman of many languages and identities, she is looking for a place to finally call home.She's drawn into simmering personal dramas. Her lover, Adriaan, is separated from his wife but still entangled in his marriage.Her friend Jana witnesses a seemingly random act of violence, a crime the interpreter becomes increasingly obsessed with as she befriends the victim's sister.And she's pulled into an explosive political controversy when she's asked to interpret for a former president accused of war crimes.She is soon pushed to the precipice, where betrayal and heartbreak threaten to overwhelm her, forcing her to decide what she wants from her life.One of Barack Obama's Favourite 2021 ReadsA New York Times Top 10 Book of 2021'One of my favourite novels of the past few years' Caleb Azumah Nelson'Captivating' Elif Shafak'Charged with tension and power' Avni Doshi'Simply stunning' Brandon Taylor'Gorgeous' Raven LeilaniTrade ReviewIntimacies is a novel about the ruthlessness of power, the check of virtue, and the purportedly neutral bureaucracy meant to mediate between them. Katie Kitamura is among the most brilliant and profound writers at work today; she reminds me how high the moral stakes of fiction can be. * Garth Greenwell *The thrill of Intimacies is in the taut precision of its language, which rings and hums off the page. It's forensic and inquiring, but also bright and alive. You forget to breathe while reading it, and feel with each crafted sentence, each building thought, that you're in the company of a magnificent writer. * Samantha Harvey *Katie Kitamura writes about being an outsider like no other author. Quiet moments are charged with tension and power. In short, the book is remarkable - beautifully written and intelligent. * Avni Doshi *Intimacies is a perfect novel-taut and seductive. Kitamura has made the existential thriller all her own, and she effortlessly negotiates the personal and the geopolitical with a complex moral nuance. Simply stunning. * Brandon Taylor *Katie Kitamura's Intimacies - she's an incredible writer. It's fiction and a really beautiful exploration of how we can live everyday life while complete horrors and atrocities are happening in the world - how both things coexist. -- Natalie Portman * Vogue *

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Book Synopsis'Nervous System is fast, uncompromising and shimmering with intelligence' Sarah Moss, author of Summerwater'Meruane is one of the one or two greats in the new generation of Chilean writers who promise to have it all' Roberto BolañoA young woman struggles to finish her PhD on stars and galaxies. Instead, she obsessively tracks the experience of her own body, listening to its functions and rhythms, finally locating in its patterns the beginning of illness and instability. As she discovers the precarity of her self, she begins to turn her attention to the distant orbits of her family members, each moving away from the familial system and each so different in their experiences, but somehow made similar in their shared history of illness and trauma, both political and personal...Trade ReviewMeruane is a deliberate and immensely gifted writer... Nervous System burns in the mind long after one has read it. * New York Times *Lina Meruane's language ultimately works best when it surprises... It is one of Nervous System's reminders of life's staggering happenstance. * TLS *Nervous System is fast, uncompromising and shimmering with intelligence * Sarah Moss, author of Summerwater *Nervous System's dreamy lull belies the slow-motion horror of its plot... I still feel blurrily half-drowned in Meruane's eerie, swirling poetics. * Sarah Manguso, author of 300 Arguments *This is an absolutely fantastic novel. From black holes to mass graves, undiagnosable diseases and (perhaps most terrifying of all) a PhD that hasn't been written, Nervous System is frank, brave, and unsparing. The precision of Meruane's sentences will cut through you like a scalpel. * Julianne Pachico, author of The Anthill *

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Book SynopsisA brilliant psychologist faces the secrets and lies of her own dark past in a shocking novel of suspense by the Washington Post and Amazon Charts bestselling author of A Familiar Sight. “Gretchen…What have you done?” Psychologist and criminologist Dr. Gretchen White, top consultant for the Boston PD, has solved countless cases—but never her own. Since the age of eight, she has lived her life thinking she killed her aunt. After all, she was found standing over the body, clutching a bloody knife. Most people, including Detective Patrick Shaughnessy, believe the little sociopath got away with murder. Thirty years later, Detective Lauren Marconi wants to prove them wrong. When plucking at the threads of the past unravels a decades-old case tied to the White family, both Lauren and Gretchen grapple with the question, What if Gretchen really is guilty? As old secrets come to light and Gretchen’s lifelong grip on her darkest impulses threatens to erode, Shaughnessy is there watching, waiting for her to lose control one more time. Everyone thinks they know what happened that night. But the truth is beyond what anyone imagines—even Gretchen herself.Trade Review“The book’s well-constructed plot matches its three-dimensional characters. Psychological thriller fans will be eager for more.” —Publishers Weekly

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Book SynopsisA portrait of an enduring friendship, from one of America’s most celebrated novelists.‘Quite simply a masterpiece’ Daily Telegraph Two priests are despatched from Rome to New Mexico to reinvigorate Catholicism among the locals, knowing little of the challenges that await them. Over almost four decades they encounter a rich variety of people, from rebellious Mexican priests to steadfast Native Americans uninterested in changing their longstanding customs. ‘Its whole effect works slowly and mysteriously ... a major, and rare, artistic achievement’ AS ByattTrade ReviewIts whole effect works slowly and mysteriously ... a major, and rare, artistic achievement -- A. S. ByattQuite simply a masterpiece . . . I am completely bowled over by it; by the power of its writing, by the vividness of its scene painting and by the stories it tells...This is a book which I go on rereading. -- A. N. Wilson * Daily Telegraph *

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Book SynopsisTwo young men, Pájaro Tamai and Marciano Miranda, are dying in a deserted amusement park. The story begins almost at its end, just after the two main characters have faced off in a knife fight: the culmination of a rivalry that has pitted them against one another since childhood. The present in Brickmakers is a state of impending death, at moments marked by dream-like visions: Marciano is visited by the ghost of his father, who was murdered when he was a teenager, a father he had sworn to avenge, in a promise he could not keep. Pájaro is also visited, in a recurring nightmare, by his abusive father who disappeared years earlier.Narrated with fury and passion, reminiscent of William Faulkner or Katherine Anne Porter, Brickmakers is a rural tragedy in the great American tradition, a story of love, honour and violence where everything is at stake. Reprising the powerful imagery and the filmic landscape of The Wind That Lays Waste, and the threatening atmosphere of Dead Girls, Brickmakers is yet another proof of Almada’s extraordinary talent.Trade Review"A successful riff on a classic Shakespearean tale." —Publishers Weekly"Such is Almada’s command of shape and pace, and the clean-edged vigour of the style McDermott voices with such skill, that we take Brickmakers on its own uncompromising terms – as pulp, tragedy and epic all at once." —The Arts Desk"Almada is forceful in her depictions of sex, violence, and rage. I feel her prose in my body: a punch in the gut, the sharpness of glass. McDermott’s translation captures the bite of Almada’s sentences, which render both tenderness and violence with devastating clarity." —Chicago Review of Books"Almada's breathtaking multigenerational tragedy is a haunting, unforgettable examination of the lasting consequences of careless inhumanity." —Shelf Awareness, starred review"Best books of 2021" —The Financial Times"There is a tremendous carnality to Almada’s writing, vividly captured in McDermott’s translation" —LA Review of Books"A rich, confident and urgent read." —Lunate"Brickmakers is one of the best books I've read this year ... It’s a brilliant, sizzling, unmissable treat" —Translating Women**********Praise for Selva Almada"Almada combines reportage, fiction, and autobiography to explore femicide in Argentina in her acute, unflinching latest." —Publishers Weekly, starred review"Almada’s prose is sparse, but the details count. Her ear for dialogue and especially gossip is pitch perfect. Her eye for detail is hawkish."** —LA Review of Books**"Part journalism, part history, part autobiography, part relentless nightmare."** —Shelf Awareness, starred review**"Not an easy book, but it feels like an important one – a work of investigative writing about how easily women’s lives are obscured."** —The Scotsman**"An unassuming yet intensely felt narrative. (4 stars)"** —The Arts Desk**"This is a powerful read...[Almada's] effective use of fiction ensures a deep empathy in her readers which strict reportage sometimes fails to evoke."** —The Big Issue**"Genre-defying, with beautifully crafted and reflective prose."** —The F Word**"You’ll walk away from this book with a vivid memory of where you were, how you were feeling, and what the weather was like on the day that you read Dead Girls."** —Books and Bao**"The literary quality of the text shines."** —Sound and Vision**"The prose strikes a perfect tone – clinical and punchy when necessary, angry and lyrical, brutal yet humanistic."** —TN2**"Exquisite prose that vibrates with a deep, melodious rage."** —The Monthly Booking**"It’s crisp, bracing, and beautiful."** —White Review**"It is a profound novel and call to action still relevant as activists continue to take to the streets throughout Latin America to decry, ‘ni una más’ (not one more)."** —The Skinny**"A tense, precise chronicle that treats seriously a still serious subject."** —El Cultural**"A powerful read, shedding a stark light on the horrors of gender violence."** —The Big Issue**"This is not a book that will make you feel at peace with the world, but that is precisely where its strength and persuasion lie."** —Translating Women**"Challenge[s] the true crime obsession in an indirect way. "** —Pendora Magazine**"What makes the book compelling is how the author explores issues of domestic violence, state complicity, machismo and family negligence, along with class and social inequalities, in a non-sentimental prose which is all the more effective as result."** —Morning Star**"Part coming-of-age, part detective work, partly a web of rumors, Almada’s story fuses a variety of genres to create a work that splits the seams of personal narrative, journalism, and fiction."** —NACLA**"The devastating conclusion of the narrator is that the women who survive are unlikely to have made it unscathed but they are lucky ones – lucky to be alive."** —NB Magazine**"Fate has in Dead Girls the perfume of a Greek tragedy: immutable, irreversible, lethal."** —El País**"Far from the detective story, this is an intimate tale, a certain negative of the autobiography of a young woman looking at other young women and how all of them are perceived by a society where misogyny and violence against them is still an everyday affair."** —Pagina/12**"Selva Almada reinvents the imaginative rural world of a country. She is an author gifted with a very uncommon power and sensitivity."** —Rolling Stone (Argentina)"Dead Girls is a brutal, necessary story in which Almada describes the crimes, states the facts and lays bare the horror of these femicides." —Tony's Reading List**"Gripping, shocking and sad."** —The Book Satchel**** Edinburgh International Book Festival First book Award (Winner)**** Book Cover of the Year (Saltire Awards) (Winner)"Like Flannery O’Connor and Juan Rulfo, Almada fills her taut, eerie novel with an understanding of rural life, loneliness, temptation and faith." —BBC Culture**"Billed as a ‘promising voice’ in Latin American literature, this tale delivers readily on that promise."** —Booklist**"The drama of this refreshingly unpredictable debut . . . smolders like a lit fuse waiting to touch off its well-orchestrated events. . . . A stimulating, heady story."** —Publishers Weekly**"The story packs a punch in its portraits of a man who exalts heaven and another who protests."** —Kirkus**"A dynamic introduction to a major Latin American literary force."** —Shelf Awareness, starred review**"[The Wind That Lays Waste] delivers exactly that compressed pressurised electricity of a gathering thunderstorm: it sparks and sputters with live-wire tension."** —TANK Magazine**"The Wind That Lays Waste is elegant and stark, a kind of emblem or vision fetched from the far edges of things, arrested and stripped to its essence, as beautiful as it is unnerving. ""** —Paul Harding**, author of TINKERS"The Wind That Lays Waste is a mesmerizing novel, at once strange and compelling.""** —Bonnie Jo Campbell**, author of MOTHERS, TELL YOUR DAUGHTERS"The quality and resolve of her prose produce a power of suggestion that is unique to Selva Almada."** —El País**"The best novel written in Argentina in the last few years? Don’t know, and don’t care, but you must read Selva Almada."** —El País**"Almada’s prose has a touch of the Faulkner of As I Lay Dying but passed through the filters of the dirty light of the cotton fields and the clean clothes worn by country people to Sunday mass.""** —Germán Machado**"A distinctive debut: atmospheric, tension-packed, and written in vivid, poetic language."** —Books from Scotland**"Perhaps most powerful in the book is Almada’s focus on detail―she skillfully renders the story of a day in brief chapters that reveal the thoughts and fleeting encounters of characters, who are largely living inside themselves."** —Ploughshares**"Almada’s nuanced approach leaves room to explore her characters’ pasts in some detail, but, crucially, these individuals . . . are not defined by their mistakes."** —ZYZZYVA**"What seems fantastical soon turns hyper-realistic, in a style that is reminiscent of Juan Rulfo or Sara Gallardo."** —La Nación************

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Book SynopsisBy the Costa Award-winning author of Pure, a profound and tender tale of guilt, a search for atonement and the hard, uncertain work of loving.'The writing is near perfect. But the novel's excellence goes far beyond this . . . You read [it] . . . with your pulse racing, all your senses awake' Guardian'A beautiful, lambent, timely novel' Sarah HallAn ex-soldier and recovering alcoholic living quietly in Somerset, Stephen Rose has just begun to form a bond with the daughter he barely knows when he receives a summons - to an inquiry into an incident during the Troubles in Northern Ireland. It is the return of what Stephen hoped he had outdistanced. Above all, to testify would jeopardise the fragile relationship with his daughter. And if he loses her, he loses everything. Instead, he decides to write her an account of his life; a confession, a defence, a love letter. Also a means of buying time. But time is running out, and the day comes when he must face again what happened in that faraway summer of 1982.Trade ReviewThe theme is handled in a way that is bolder and more exquisitely menacing than anything he's done before . . . It's all real, and all fictional, gorgeously so. You read what might have been a perfectly commonplace story of failure and redemption with your pulse racing, all your senses awake . . . restrained, beautifully written -- Elizabeth Lowry * Guardian *I spent the first half of The Slowworm's Song in a sort of ecstasy, marvelling at Miller's masterful characterisation; his confident evocation of army life and sensitive depiction of the Troubles; the nuanced exploration of alcoholism; the clean, well-made prose style studded with moments of descriptive beauty . . . Stephen is an unforgettable character, and Miller has pulled off the miraculous feat of sketching a full human life in a few hundred pages -- Claire Lowdon * Sunday Times *A beautiful, lambent, timely novel that admits our worst capacities while insisting on accountability and our ability to improve. Andrew Miller is among those brave male writers steering a progressive course. Yet he remains, as ever, unique, visionary, a master at unmasking humanity * Sarah Hall *Gorgeously written . . . it approaches the Troubles from a unique angle . . . Since his debut, Ingenious Pain, Miller has shown a knack for historical immersion, and he continues to excel in it here -- Ethan Croft * Literary Review *The focused interiority of Stephen's narration, together with the slowburning fuse of a plot, make for a quiet intensity that stretches the nerves . . . this empathic and artful novel is about both the mysteries we are to ourselves, and the power of speech -- Stephanie Cross * Daily Mail *A painful yet beautiful novel . . . Miller is a wonderful storyteller, as comfortable writing about the Napoleonic wars as the Troubles . . . In this novel, Stephen's reckoning may be extreme but his message is universal -- Susie Mesure * Spectator *The multiple award-winning author of Pure returns with a tender, compelling and exquisitely written novel of extraordinary power . . . Exploring a brutal chapter in the unhappy and sometimes shameful history of Northern Ireland, this wonderful novel is also a story of atonement and redemption -- Edward Argyle * Daily Express *Miller tackles big themes and weaves a profound and poignant tale about shame, trauma and the possibility of redemption -- Lucy Popescu, Summer Reading * Tablet *Andrew Miller's gentle, beautifully crafted sentences belie the often brutal truths behind the narrative. The image of the slowworm, silent and sinister, finding its way into the precious earth, is set against a song of light and life that won't be silenced -- Victoria Barry * Scotsman *Andrew Miller is one of our finest writers. Few can match his sensitivity of touch, eye for telling detail and acute feel for setting . . . The passages describing Rose's military duty are impeccably researched and viscerally real -- Peter Carty * i *The sections detailing Stephen's army life, and particularly those covering his tour of duty in Belfast, are excellent: immersive in their detail and atmosphere . . . [Miller] has sufficient decorum, talent and sensitivity to do justice to his delicate subject matter -- Rob Doyle * Observer *His evocation of squaddie life rings absolutely true . . . It's deeply moving to see how this self-torturing individual gradually learns that he's surrounded by helpers, often in the unlikeliest of guises, while tiny flowers of grace spring up in stony places -- Suzi Feay * Tablet *There is no easy resolution, and that is why The Slowworm's Song . . . is so affecting. It is about truth, objective or otherwise, and about the attempts of flawed human beings to live with it -- Nicholas Clee * Times Literary Supplement *A poignant and profound tale of a man seeking atonement -- Joanne Finney * Good Housekeeping *A stunning work of fiction, a beautifully written tale of conflict and family fracture . . . The Slowworm's Song is a sublime reminder of how a great novel can have such a deep impact -- Martin Chilton * Independent *Moving and compassionate * Reader's Digest *It's difficult not to be moved by Stephen's heartfelt words as he comes face to face with what happened in that 1982 summer * Belfast Telegraph *It reads truer than memoir . . . A state-of-the-nation novel, in elegiac prose * New York Times Book Review *Expertly paced . . . as taut as a thriller . . . Miller, with his acute eye for detail and his practiced sense of timing, describes these Belfast streets and this soldier's experience so plainly and yet so evocatively that both become new again * Wall Street Journal *A stunning work of fiction, a beautifully written tale of conflict and family fracture . . . The Slowworm's Song is a sublime reminder of how a great novel can have such a deep impact. -- Martin Chilton * Independent *[A] painful yet beautiful novel . . . Miller is a wonderful storyteller, as comfortable writing about the Napoleonic wars as the Troubles . . . Stephen's reckoning may be extreme but his message is universal. -- Susie Mesure * Spectator *Few novelists are as virtuosic and as varied as Andrew Miller . . . Meticulous research, reinforcing the narrative, never swamping it, is another Miller trademark, so it's no surprise that his evocation of squaddie life rings absolutely true . . . It's deeply moving to see how this self-torturing individual gradually learns that he's surrounded by helpers, often in the unlikeliest of guises, while tiny flowers of grace spring up in stony places. -- Suzi Feay * Tablet *Andrew Miller is one of our finest writers. Few can match his sensitivity of touch, eye for telling detail and acute feel for setting . . . The passages describing Rose's military duty are impeccably researched and viscerally real. -- Peter Carty * i *Miller - a much-awarded writer stepping out of his comfort zone of omnisciently narrated historical fiction - has sufficient decorum, talent and sensitivity to do justice to his delicate subject matter. -- Rob Doyle * Observer *A tender, compelling and exquisitely written novel of extraordinary power . . . Written with searing honesty, [Stephen's story] is a confession but, above all, it is a letter of love. -- Edward Argyle * Daily Express *

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Book SynopsisSo essential is Crime and Punishment (1866) to global literature and to our understanding of Russia that it was one of the three books Edward Snowden, while confined to the Moscow airport, was given to help him absorb the culture. In a work that best embodies the existential dilemmas of man’s will to power, an impoverished student, sees himself as extraordinary and therefore free to commit crimes. English translators have struggled with excessive literalism and no translation is felicitous to the literary nuances of the original prose. Now, Michael Katz addresses these challenges with new insights into the linguistic richness, the subtle tones and the cunning humour in this sparkling rendition of Fyodor Dostoevsky’s masterpiece.Trade Review"... make Dostoevsky as readable and contemporary as Patricia Highsmith... superb…" -- Times Literary Supplement"...lucid and pleasurable... new translation..." -- New Statesman

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Book SynopsisINTERNATIONAL BESTSELLER • From the bestselling author of Station Eleven and Sea of Tranquility, an exhilarating novel set at the glittering intersection of two seemingly disparate events—the exposure of a massive criminal enterprise and the mysterious disappearance of a woman from a ship at sea.“The perfect novel ... Freshly mysterious.” —The Washington PostVincent is a bartender at the Hotel Caiette, a five-star lodging on the northernmost tip of Vancouver Island. On the night she meets Jonathan Alkaitis, a hooded figure scrawls a message on the lobby's glass wall: Why don’t you swallow broken glass. High above Manhattan, a greater crime is committed: Alkaitis's billion-dollar business is really nothing more than a game of smoke and mirrors. When his scheme collapses, it obliterates countless fortunes and devastates lives. Vincent, who had been posing

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Book SynopsisTrade ReviewA portrait, in language, of female consciousness, truer than anything written since Sappho's Fragment 31. Once you're in, you're in ... You're racing along, deep in the rhythms of the narrator's thoughts, which are bone-true and demonically intelligent -- Rachel Kushner, author of THE MARS ROOMIf I was permitted to keep one book only it would be Malina. Malina has everything -- Claire-Louise Bennett, author of PONDA writer of genius * The New York Times *Rare and strong * Los Angeles Times *It seems in Malina there is nothing Bachmann cannot do with words * New York Review of Books *A passionate tour de force * Village Voice *

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Book SynopsisA bittersweet novel of family and self-discovery from the bestselling, award-winning author of French BraidWilla Drake can count on one hand the defining moments of her life: her mother's disappearance when she was just a child, being proposed to at an airport at the age of twenty-one, the accident that would leave her a widow in her forties. Each time, Willa ended up on a path laid out for her by others.So when she receives a phone call from a stranger informing her that her son's ex-girlfriend has been shot, she drops everything and flies across the country. The spur-of-the moment decision to look after this woman and her nine-year-old daughter leads Willa into uncharted territory and the eventual realisation that it's never too late to choose your own path.**ANNE TYLER HAS SOLD OVER 8 MILLION BOOKS WORLDWIDE**'Anne Tyler takes the ordinary, the small, and makes them sing' Rachel Joyce'She knows all the secrets of the human heart' Monica Ali 'A masterly author' Sebastian Faulks'I love Anne Tyler. I've read every single book she's written' Jacqueline WilsonTrade ReviewIf Anne Tyler isn't the best writer in the world, who is? * BBC Radio 4 Woman's Hour *One of our greatest living fiction writers and if I was in charge, she'd have a Nobel by now * Observer *Brims with the qualities that have brought her legions of fans and high critical acclaim. Characters pulse with lifelikeness. The tone flickers between humorous relish and sardonic shrewdness. Dialogue crackles with authenticity. Beneath it all is an insistence that it's never too soon to recognise how quickly life can speed by and never too late to make vitalising changes * Sunday Times *How does she do it? Her style is deceptively simple. Even though she performs narrative cartwheels that would lead other novelists to be praised as experimental... she does it with such ease that it seems closer to life than to art. it is almost as though we are there to witness time passing, and people changing * Mail on Sunday *A writer sharp-eyed as a butcher-bird, skewering complacency... an immensely funny writer... a quiet writer, in that much of her skill goes toward the excision of anything that reminds the reader they are reading * Sunday Telegraph *

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Book SynopsisA stolen identity leads a woman down a dark and desperate path in a gripping novel of psychological suspense by Wall Street Journal bestselling author Minka Kent. After barely surviving a brutal attack, Brienne Dougray rarely leaves her house. Suffering from debilitating headaches and memory loss, she can rely only on her compassionate new tenant, Dr. Niall Emberlin, a welcome distraction from the discomfiting bubble that has become her existence. But Brienne’s growing confidence in her new routine is shaken when she stumbles across unsettling evidence that someone else is living as…her. Same name. Same car. Same hair. Same clothes. She’s even friended her family on social media. To find out why, Brienne must leave the safety of her home to hunt a familiar stranger. What she discovers is more disturbing than she could have ever imagined. With her fragile mind close to shattering, Brienne is prepared to do anything to reclaim her life. If it’s even hers to reclaim.

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Book Synopsis''A meticulously observed modern classic'' Independent During one glorious summer between the wars, the realities of life and the sexual ritual dance of the adult world creep into the life of young Margaret Marsh. Her father, preaching the doctrine of the unsavoury Primal Saints; her mother, bitterly nostalgic for what might have been; Charles and Binkie, anchored in the past and a game of words; dying Mrs Frayling and Lydia the maid, given to the vulgar enjoyment of life; all contribute to Margaret''s shattering moment of truth. And when the storm breaks, it is not only God who is on the rocks as the summer hurtles towards drama, tragedy, and a touch of farce.''Tantalising, funny, sharp'' Daily Telegraph''So charming a novel that you don''t want to give away a single one of the many twists of its plot'' New York Times''Jane Gardam has a spectacular gift'' Times Literary SupplementTrade ReviewA meticulously observed modern classic * Independent *Tantalising, funny, sharp * Daily Telegraph *Exact, piquant and comical * Observer *Marvellous... A wonder * Vogue *Jane Gardam has a spectacular gift for detail of the local and period kind, and for details which make characters so subtly unpredictable that they ring true * Times Literary Supplement *So charming a novel that you don't want to give away a single one of the many twists of its plot... We are in the hands of a master storyteller * New York Times *Gardam orchestrates the subtle evolution of character and plot with Olympian omniscience and wry humor * Boston Globe *Gardam is a unique and wonderful writer, mixing no-nonsense presentations of heartbreak, despair, and uncertainty, with equally dry but hilarious bouts of humor, desire, love, friendship, and even happiness, fleeting as that might be * Huffington Post *This treasure should send readers back for all of [Gardam's] books * Library Journal (starred review) *Gardam doesn't waste a word, and the story reads as fresh and relevant now as when it was originally published * Publishers Weekly *

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Book SynopsisWinner of the Booker Prize''The Hotel du Lac was a dignified building, a house of repute, a traditional establishment, used to welcoming the prudent, the well-to-do, the retired, the self-effacing, the respected patrons of an earlier era''Into the rarefied atmosphere of the Hotel du Lac timidly walks Edith Hope, romantic novelist and holder of modest dreams. Edith has been exiled from home after embarrassing herself and her friends. She has refused to sacrifice her ideals and remains stubbornly single. But among the pampered women and minor nobility Edith finds Mr Neville, and her chance to escape from a life of humiliating loneliness is renewed . . .''A classic . . . a book which will be read with pleasure a hundred years from now'' Spectator''A smashing love story. It is very romantic. It is also humorous, witty, touching and formidably clever'' The Times''Hotel du Lac is written with a beautiful Trade ReviewMiss Brookner's most absorbing novel . . . graceful and attractive * New York Times *Her technique as a novelist is so sure and so quietly commanding * Hilary Mantel, Guardian *Hotel du Lac is written with a beautiful grave formality, and it catches at the heart * Observer *The last great novelist of the 20th century * Daily Telegraph *A classic . . . a book which will be read with pleasure a hundred years from now * Spectator *A smashing love story. It is very romantic. It is also humorous, witty, touching and formidably clever * The Times *She is one of the great writers of contemporary fiction * Literary Review *A classic . . . a book which will be read with pleasure a hundred years from now * Spectator *A smashing love story. It is very romantic. It is also humorous, witty, touching and formidably clever * The Times *Hotel du Lac is written with a beautiful grave formality, and it catches at the heart * Observer *She is one of the great writers of contemporary fiction * Literary Review *

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Book SynopsisThe nightmare begins before you sleep . . .By the Master of Horror, James Herbert's Moon follows Jonathan, who fled from the terrors of his past, finding refuge in the quietness of the island. And for a time he lived in peace. Until the 'sightings' began, visions of horror seeping into his mind like poisonous tendrils, violent acts that were hideously macabre, the thoughts becoming intense. He witnessed the grotesque acts of another thing, a thing that glorified in murder and mutilation, a monster that soon became aware of the observer within its own mind. And relished contact. A creature that would eventually come to the island to seek him out . . .Trade ReviewGuaranteed to give you nightmares. * Daily Mail *Building to a horrific climax, it's James Herbert's best book yet. But do not read it alone.... especially on a moonlight night. * Daily Mirror *

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Book Synopsis''One of Denmark''s most celebrated writers'' New StatesmanFrom the acclaimed author of the Copenhagen Trilogy, a searing, haunting novel of a woman on the edge, portrayed with all the vividness of lived experience. Copenhagen, 1968. Lise, a children''s book writer and married mother of three, is increasingly haunted by disembodied faces and voices. She is convinced that her husband, already extravagantly unfaithful, will leave her. Most of all, she is scared that she will never write again. Yet as she descends into a world of pills and hospitals, she begins to wonder, is insanity really something to be feared, or does it bring a kind of freedom?''Ditlevsen explores the surprising contours of Lise''s experience: from her point of view, madness can be funny, soft and secure, and far more enlightening than the reality it struggles to evade'' The New York TimesTranslated by Tiina NunnallyTrade ReviewThe fact that Ditlevsen was herself one of insanity's intimates does much to explain this book's harrowing authenticity. But The Faces - in Tiina Nunnally's very deliberate, close-to-the-nerve translation - rises above a case study because, working from the inside, Ditlevsen is able to explore the surprising contours of Lise's experience: from her point of view, madness can be funny, soft and secure, and far more enlightening than the "reality" it struggles to evade * The New York Times *A searing but never sensational account of a usually hyped theme - the struggle of the artist to do her work, without guilt about family or the outside world. Admirably without self-pity, and often ironic, Ditlevsen is a voice to heed * Kirkus *these are the best books I have read this year 'Praise for the Copenhagen Trilogy' -- John Self * New Statesman *Mordant, vibrantly confessional... A masterpiece 'Praise for the Copenhagen Trilogy' * Guardian *Wrenching sadness and pitch-black comedy ... Sharp, tough and tender 'Praise for the Copenhagen Trilogy' -- Boyd Tonkin * Spectator *An inspired pick, especially for those readers whose introduction to Ditlevsen's work has been the Copenhagen Trilogy * Paris Review *

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Book SynopsisDiscover the incredible power of intercessory prayer. Ronald Dunn demonstrates how anyone can pray with more purpose and power. Ronald Dunn is a gifted teacher who specializes in helping believers pray more effectively. Don''t Just Stand There, Pray Something is an inspiring look at how you can pray with greater purpose and power--for your own needs as well as the needs of others. Here is an eye-opening book that dispels the myth that only super saints can pray successfully, lends a fresh perspective on how God answers prayer, demonstrates why our position is more important than our petition, and reveals the secret weapon God has provided for praying believers. Prayer changes things--and us! As you delve into this exciting book, be prepared for a radical difference in your prayer life. With fascinating insights into prayer and spirituality and a fresh perspective on how God answers prayer, this guide presents practical Christianity at its best.Trade Review"This is not only the most encouraging book I have ever read on the subject of prayer. It is quite simply one of the best books I have ever read." Richard Bewes, Rector: All Souls, Langham Place "This is the most helpful book on intercessory prayer which I have read in years and I warmly recommend it. It has the ring of reality about it." Gilbert Kirby, Former Principal of the London Bible College

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Book SynopsisPublished for the very first time in its own volume, Tolkien's remarkable tale about a painter whose obsession with detail prevents him from finishing his great work.Niggle is a painter. Not a very successful one, partly because he has so many other things to do. For some time he has been obsessed with one particular canvas a curious picture of a tree with a vast landscape stretching out behind it. The painting keeps getting bigger and bigger, but Niggle has a journey to make.In 1939 Tolkien was despairing of ever bringing his great work The Lord of the Rings to a conclusion. One morning he woke up with the story Leaf by Niggle complete in his mind and wrote it down. This poignant story, about an artist on a curious journey, is often seen as an allegory of the writer's own creative process and life.Published to coincide with a new touring stage production of the story, this is the first time the story has been published in its own volume, enabling readers to savour one of Tolkien's most elegant, haunting and least-known short stories.Trade Review‘As with all good short stories, this one expands in the imagination. Mighty oaks from tiny acorns grow, indeed.’ The Times ‘Brings a wistful charm to complex issues of truth, beauty, duty and creative aspiration.’ The Herald ‘A haunting and successful demonstration of the qualities of faerie’ New York Times

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Book SynopsisYou shall read this with unadulterated pleasure' Scotland on SundayA beautiful, funny, heartfelt analysis of what it means to be human' Simon Pegg Set in a 2054 where humans have locked themselves out of the internet and Elon Musk has incinerated the moon, Set My Heart To Five is the hilarious yet profoundly moving story of one android's emotional awakening.Unhappy with his programmed job of dentistry and inspired by a love of classic movies, Jared sets out on a bold mission: to use the power of his burgeoning feelings to forever change the world for him and all his kind. Unfortunately, Jared intends to do this by writing his own movie, and things do not proceed according to planUnlike anything you have ever read before, Set My Heart To Five is a book for anybody who has feelings, loves movies, and likes to laugh and cry and sometimes do both at the same time. It comes uniquely guaranteed to make its readers weep a minimum of 29mls of tears.**Book must be read in controlled laboratory Trade Review‘[A] laugh-out-loud funny debut novel … absurdist, outrageous, irreverent and satirical… by the end of Jared’s adventures, readers will find themselves left with … an appreciation for the mutuality of all sentient life, and for the universal desire to be acknowledged and appreciated, whether one is birthed from factory or hospital … In Stephenson, Vonnegut may have his first true protégé.’ Washington Post ‘I doubt I’ll encounter a more endearing, more joy-provoking character this year’ The Bookseller, Book of the Month ‘A truly hilarious, clever, and strangely affecting meditation on the absurdity of Homo sapiens….I cried 67ml of tears’ Saga Magazine ‘Funny, original and thought-provoking’ Daily Mail ‘It is the closest thing I’ve read in a long time to Terry Pratchett … You will read this with unadulterated pleasure’ Scotland On Sunday ‘This beguiling debut exposes our frailties with subversive humour’ Mail on Sunday ‘Genuinely funny … pacey and emotive’ Sunday Times ‘Only the truly heartless would deny the art at work here’ The Herald ‘This entertaining and surprisingly poignant story is a charmer’ Publisher’s Weekly

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Book SynopsisI devoured it.' Erin KellyAn exhilarating voice' Adele ParksUnbelievably tense and twisty.' Laura MarshallLuckyRachel EdwardsThe more she wins, the more she losesAbsorbing, unsettling, unflinching. I've been thinking about it for days and I'll be recommending it to everyone.' Caz Frear, author of Sweet Little LiesSomeone is watching Etta. Footsteps in the night, the security light coming on at strange hours is it all just her curtain-twitching neighbours, who seem to monitor her every move? Or is her little online problem making her paranoid?Because Etta needs to win big. She joined a gambling website to get a bit of cash, hoping to convince her boyfriend Ola that they can afford to get married. And she was so good at it until she wasn't. Luckily, she's made a friend who hit the jackpot and if she plays her cards right, he could lend her the money to win everything back. Easy. So why does she feel so afraid?Trade Review‘Betrayal, blackmail, a marriage on hold…all the ingredients of a page-turning thriller, in a post-Brexit world of debt and insecurity.’ Monique Roffey, author of The Mermaid of Black Conch ‘Terrifying. Enough to make the reader break out in a cold sweat.’ Guardian ‘A fresh, exhilarating voice’ Adele Parks ‘Unbelievably tense and twisty’ Laura Marshall, author of Friend Request ‘This deep dive into gambling addiction packs a huge emotional punch. I devoured it’ Erin Kelly, author of He Said/She Said ‘A brilliant portrayal of one woman’s descent into the world of online gambling – I felt every spin of the wheel; the highs of adrenaline followed by stomach churning nausea’ Nikki Smith, author of All In Her Head ‘Tense beyond belief but impossible to put down. Dark, absorbing and brilliantly terrifying’ Louise Hare, author of This Lovely City ‘Love, chance and betrayal all take a seat at the table in Rachel Edward’s compelling novel, Lucky. Delivered in Rachel’s exciting and original style is a winning storyline, crafted with excellence, packed with suspense and walk-off-the-page characters you’ll think about long after turning the last page’ Olivia Kiernan, author of Play Dead for Me ‘Timely, absorbing, unsettling and unflinching, with a dark, knowing wit. I’ve been thinking about it for days and I’ll be recommending it to everyone’ Caz Frear, author of Sweet Little Lies

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Book SynopsisI devoured it.' Erin KellyAn exhilarating voice' Adele ParksUnbelievably tense and twisty.' Laura MarshallLuckyRachel EdwardsThe more she wins, the more she losesAbsorbing, unsettling, unflinching. I've been thinking about it for days and I'll be recommending it to everyone.' Caz Frear, author of Sweet Little LiesSomeone is watching Etta. Footsteps in the night, the security light coming on at strange hours is it all just her curtain-twitching neighbours, who seem to monitor her every move? Or is her little online problem making her paranoid?Because Etta needs to win big. She joined a gambling website to get a bit of cash, hoping to convince her boyfriend Ola that they can afford to get married. And she was so good at it until she wasn't. Luckily, she's made a friend who hit the jackpot and if she plays her cards right, he could lend her the money to win everything back. Easy. So why does she feel so afraid?Trade Review‘Betrayal, blackmail, a marriage on hold…all the ingredients of a page-turning thriller, in a post-Brexit world of debt and insecurity.’ Monique Roffey, author of The Mermaid of Black Conch ‘Terrifying. Enough to make the reader break out in a cold sweat.’ Guardian ‘A fresh, exhilarating voice’ Adele Parks ‘Unbelievably tense and twisty’ Laura Marshall, author of Friend Request ‘This deep dive into gambling addiction packs a huge emotional punch. I devoured it’ Erin Kelly, author of He Said/She Said ‘A brilliant portrayal of one woman’s descent into the world of online gambling – I felt every spin of the wheel; the highs of adrenaline followed by stomach churning nausea’ Nikki Smith, author of All In Her Head ‘Tense beyond belief but impossible to put down. Dark, absorbing and brilliantly terrifying’ Louise Hare, author of This Lovely City ‘Love, chance and betrayal all take a seat at the table in Rachel Edward’s compelling novel, Lucky. Delivered in Rachel’s exciting and original style is a winning storyline, crafted with excellence, packed with suspense and walk-off-the-page characters you’ll think about long after turning the last page’ Olivia Kiernan, author of Play Dead for Me ‘Timely, absorbing, unsettling and unflinching, with a dark, knowing wit. I’ve been thinking about it for days and I’ll be recommending it to everyone’ Caz Frear, author of Sweet Little Lies

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Book SynopsisSHORTLISTED FOR THE 2023 BOOKER PRIZEDazzling' GUARDIANBlistering' THE TIMES''A delight'' DIANA EVANSFiction written at the highest level' ANN PATCHETT''Hilarious, revelatory'' MARLON JAMESAn electrifying, hilarious and deeply moving tragicomic debut novel following a Jamaican family grappling with a new life in the US.What are you?'This is the puzzled question that greets a young Trelawny growing up in a Miami where his racial ambiguity is regarded with confusion and suspicion. It's not just his neighbours, his Jamaican parents Topper and Sanya don't seem to understand him either. Then there's his stubborn older brother Delano, who is determined to secure a better future for his own children, no matter what it takes.As both brothers navigate the challenges littered in their path a woefully unreliable father, racism, recession and even a hurricane they find themselves increasingly at odds. Will they make it through together or must one brother's future come at the cost of the other?STrade Review‘Blistering … Escoffery writes stinging sentences’ The Times ‘All of life is here in unflinching detail: the fragility of existence, the American dream and the road not taken’ The Booker Prize Judges ‘Thrilling … With much tenderness in the gulf between father and son’ Observer ‘So brilliant it stopped me in my tracks … Astonishing’ iNews ‘Brilliantly energetic… his talent feels fully formed and raring to go’ Financial Times ‘Unmissable… rare in that it has the heft and heart of a novel, with the refined finesse of the short story’ Irish Times ‘Surges with the symphonic, imaginative, propulsive energy of Gabriel García Márquez’ Guardian ‘A compelling hurricane of a book’ Ann Patchett, author of The Dutch House Profound, tender, and laugh-out-loud hilarious, If I Survive You will knock you off your feet and keep you spellbound to the very last page … A must-read. Maaza Mengiste, author of The Shadow King, shortlisted for The Booker Prize ‘Superb… a much-needed new voice’ Percival Everett, author of Erasure 'This I adore… Sumptuous and astute' Diana Evans, author of Ordinary People ‘An elegant meditation on belonging from a powerful new writer’ Nikesh Shukla, author of Brown Baby ‘A dazzling mirror held up to our identity-obsessed time’ Joyce Carol Oates, author of Blonde ‘A gifted, sure-footed storyteller’ New York Times ‘Like nothing you've read before’ Marlon James, author of A Brief History of Seven Killings ‘So damn funny’ Rumaan Alam, author of Leave the World Behind

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Book SynopsisSHORTLISTED FOR THE 2023 BOOKER PRIZEDazzling' GUARDIANBlistering' THE TIMES''A delight'' DIANA EVANSFiction written at the highest level' ANN PATCHETT''Hilarious, revelatory'' MARLON JAMESAn electrifying, hilarious and deeply moving tragicomic debut novel following a Jamaican family grappling with a new life in the US.What are you?'This is the puzzled question that greets a young Trelawny growing up in a Miami where his racial ambiguity is regarded with confusion and suspicion. It's not just his neighbours, his Jamaican parents Topper and Sanya don't seem to understand him either. Then there's his stubborn older brother Delano, who is determined to secure a better future for his own children, no matter what it takes.As both brothers navigate the challenges littered in their path a woefully unreliable father, racism, recession and even a hurricane they find themselves increasingly at odds. Will they make it through together or must one brother's future come at the cost of the other?STrade Review‘Blistering … Escoffery writes stinging sentences’ The Times ‘All of life is here in unflinching detail: the fragility of existence, the American dream and the road not taken’ The Booker Prize Judges ‘Thrilling … With much tenderness in the gulf between father and son’ Observer ‘So brilliant it stopped me in my tracks … Astonishing’ iNews ‘Brilliantly energetic… his talent feels fully formed and raring to go’ Financial Times ‘Unmissable… rare in that it has the heft and heart of a novel, with the refined finesse of the short story’ Irish Times ‘Surges with the symphonic, imaginative, propulsive energy of Gabriel García Márquez’ Guardian ‘A compelling hurricane of a book’ Ann Patchett, author of The Dutch House Profound, tender, and laugh-out-loud hilarious, If I Survive You will knock you off your feet and keep you spellbound to the very last page … A must-read. Maaza Mengiste, author of The Shadow King, shortlisted for The Booker Prize ‘Superb… a much-needed new voice’ Percival Everett, author of Erasure 'This I adore… Sumptuous and astute' Diana Evans, author of Ordinary People ‘An elegant meditation on belonging from a powerful new writer’ Nikesh Shukla, author of Brown Baby ‘A dazzling mirror held up to our identity-obsessed time’ Joyce Carol Oates, author of Blonde ‘A gifted, sure-footed storyteller’ New York Times ‘Like nothing you've read before’ Marlon James, author of A Brief History of Seven Killings ‘So damn funny’ Rumaan Alam, author of Leave the World Behind

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Book Synopsis''Electrifying, deeply unsettling and so, so satisfying'' Meg Mason, author ofSorrow and BlissI raced through this compelling tale about shame, single motherhood, and the lies we tell ourselves and other people' Daily MailHow can you write other people''s stories, when you won''t admit the truth of your own?Journalist and single mother Suzy Hamilton gets a shocking phone call one morning: the subject of one of her investigative exposés, 25-year-old wellness blogger Tracey Doran, has killed herself overnight.Horrified by this news, she copes in the only way she knows how throwing herself into work, looking after her young daughter and carrying on with two ill-advised affairs.But no one can make their own story disappear, and soon Suzy's life is spiralling into chaos: will it end in violence or redemption?Trade Review'Read the first sentence of Jacqueline Maley's debut novel, and you will be in it until the end. Electrifying, deeply unsettling and so, so satisfying. And, if you've ever tried to manage the sharp end of a career with the blunt demands of parenthood, fiercely recognisable’ Meg Mason, author of Sorrow and Bliss ‘I raced through this compelling tale about shame, single motherhood, and the lies we tell ourselves and other people’ Daily Mail 'I loved The Truth About Her. It's an intelligent, compelling, nuanced tale of guilt, culpability, pride, shame and atonement. But most of all, it's a love letter to daughters, from the mothers who raise them. An astoundingly good debut’ Annabel Crabb 'Heartfelt, funny and will resonate with many readers. This tender, witty and beautifully written novel is for fans of Georgia Blain, Charlotte Wood and Ann Patchett' Books+Publishing 'An intimate world filled with characters I could have lived with a great deal longer… rewarding, enjoyable and utterly addictive addictive' Readings 'A stunning novel, sharply observed, beautifully written, enthralling' Julia Baird, author of Phosphorescence 'I loved The Truth About Her. I could not put it down – whip-smart, sexy and with so much heart – and god, that ending packed a punch. The sort of book that all mothers need to read' Eliza Henry-Jones, author of In the Quiet and Ache

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Book SynopsisTrade Review‘A haunting evocation of the routine brutalities of slavery that is also a powerful celebration of friendship, community, resilience and rebellion. A hugely impressive debut’ SARAH WATERS ‘A haunting, moving story’SUNDAY TIMES ‘A powerful and inspired achievement… gives voice to the enslaved women of this nation’s past who have, for far too long, had their voices gone unheard in the annals of history. She does them justice and then some. This one is not to be missed’ NATHAN HARRIS, author of The Sweetness of Water ‘Extraordinary: a beautiful book about harrowing things, beautiful because of its understanding of humanity, its astonishing language, and the plain brilliance of its author. I'm not sure I've recovered from the experience of reading it, or ever will, or ever should’ ELIZABETH MCCRACKEN ‘A tale of epic survival, a song of collective resilience, an intimate exploration of love, friendship and sisterhood in the face of harrowing cruelty and injustice. In lyrical and precise prose, Peyton evokes an indelible portrait of each woman's complicated desires, hopes and fears. And in spite of the characters' difficult lives, this is a book about joy and transcendence as much as it is about trauma and loss. The complex and varied voices of the women that inhabit Night Wherever We Go make it a haunting, powerful and utterly unforgettable read’ RACHEL HENG, author of Suicide Club ‘Night Wherever We Go has the potential to change how Blacknesses, Texas and the nation are written about forever’ KIESE LAYMON, author of Long Division

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Book SynopsisEmma Healey follows the success of her #1 internationally bestselling debut novel Elizabeth Is Missing, winner of the Costa First Novel Award, with this beautiful, thought-provoking, and psychologically complex tale that affirms her status as one of the most inventive and original literary novelists today.Jen and Hugh Maddox have just survived every parent’s worst nightmare.Relieved, but still terrified, they sit by the hospital bedside of their fifteen-year-old daughter, Lana, who was found bloodied, bruised, and disoriented after going missing for four days during a mother-daughter vacation in the country. As Lana lies mute in the bed, unwilling or unable to articulate what happened to her during that period, the national media speculates wildly and Jen and Hugh try to answer many questions.Where was Lana? How did she get hurt? Was the teenage boy who befriended her involved? How did she survive outside for all those days? Even

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