Narrative theme: coming of age

Book SynopsisOn the fringes of the music scene in a Southern college town, a lonely young student driven to fl ee a troubled adolescence pursues and forms a life-altering relationship with an acclaimed artist-musician. Their understanding develops in a pattern of sex and reticence, soon impacting both their paths and greatly shifting expectations. Written “as if telling the truth was a matter of survival” (Andrew O’Hagan), it is a queer bildungsroman.Trade Review"This slim novel, the story of an obsessive love between a young man and the older musician who keeps himself at a distance, is a pitch-perfect summer read: it’s intense, sexy, gratifying even while it’s breaking your heart."—Corinne Segal, Literary Hub"I’d internalized something from Outline of My Lover, less a lesson than a sensibility, or maybe a hunger. From a permission it had become a goad: write well, or why write anything?"—Hugh Ryan, Literary Hub“There is a reverence in Douglas Martin’s writing composed of equal parts language and love. Outline of My Lover strips away the dross, leaving you with the pure mood of youth.”—Dale Peck “Douglas Martin takes you through the heat of family, the electricity of want, and the watch-what-you-wish-for gift of an elusive, famous, lover. This novel feeds you.”—Michelle Tea"Outline of My Lover was the first book I read when I moved to Brooklyn. For me, it isn’t just a 'queer story' or a 'queer narrative' or 'queer characters.' It queered structure. It queered syntax and vocabulary. It queered tense. It gave me permission to question and fuck with and break from the literary structures that were built to keep my voice and my experience and my life and my thought process on the margins. The story told me: Tell your own. Even, and especially if, it occurs strangely to you. Told me: Map your strangeness in words. Told me: Keep going. Keep going. Keep. Going."—Tommy Pico“Spare and elegant, Martin’s book is a worthy companion piece to Duras’ The Lover. It is his elegy on passion and loss.”—Darcey Steinke“Douglas Martin has a very beautiful voice. It is a thing of grace.”—Dennis Cooper"This book is full of hard-won, fraught, unsparing emotional truth. It is a love story between a raw and damaged boy-narrator and a famously mysterious rock star. But more than that, it is a piece of stylish and ferociously sharp prose. I love its fierce concentration and levels of obsession."—Colm Tóibín

Read more less

Book SynopsisTold in a series of voices, Calling for a Blanket Dance takes us into the life of Ever Geimausaddle through the multigenerational perspectives of his family as they face myriad obstacles. His father's injury at the hands of corrupt police, his mother's struggle to hold on to her job and care for her husband, the constant resettlement of the family, and the legacy of centuries of injustice all intensify Ever's bottled-up rage. Meanwhile, all of Ever's relatives have ideas about who he is and who he should be. His Cherokee grandmother urges the family to move across Oklahoma to find security; his grandfather hopes to reunite him with his heritage through traditional gourd dances; his Kiowa cousin reminds him that he's connected to an ancestral past. And once an adult, Ever must take the strength given to him by his relatives to save not only himself but also the next generation of family.How will this young man visualize a place for himself when the world hasn't given him a place to start with? Honest, heartbreaking, and ultimately uplifting, Calling for a Blanket Dance is the story of how Ever Geimausaddle found his way to home.Trade ReviewWinner of the PEN America/Hemingway Award for Debut Novel Finalist for the 2023 Aspen Words Literary Prize Finalist for the L.A. Times Book Prize/Art Seidenbaum Award for First Fiction A TIME Must-Read Book of 2022 A BookPage Best Fiction Book of 2022 A Kirkus Reviews Best Fiction and Best Debut Book of 2022 “With intricate prose and unflinching vernacular, Oscar Hokeah chronicles a family and a community. We learn trials and aspirations for each generation, and witness what is woven into complicated arrival. We need these characters and their testimonies. But more than that, we crave –I crave—this kind of honest storytelling. These rhythms. These dances. This beauty. This welcoming to a place where the people speak and are unafraid.” —Honorée Fanonne Jeffers, author of The Love Songs of W.E.B. Du Bois “A profound reflection on the intergenerational nature of cultural trauma… Hokeah’s characters exist at the intersection of Kiowa, Cherokee and Mexican identity, which provides a vital exploration of indigeneity in contemporary American letters.” —The New York Times Book Review “Hokeah skillfully recreates the years leading up to and following Ever’s birth, capturing the traumas and complexities that shaped him into who he is and may determine who he becomes.” —TIME “Quaking with age-old righteous anger but nevertheless luminescent with hope.” —ELLE “Oscar Hokeah explores family and identity, past and present, in his debut novel… Above all, the book explores family relationships, obligation, resentment, and devotion.”—The Boston Globe “Hokeah’s prose is punchy and descriptive, filled with Native American words and phrases that come naturally to the characters. This blending of languages is still uncommon in contemporary fiction, but the current Indigenous literary and cultural renaissance promises that more voices will grow this singularity into a rich multitude. But of course, renaissance is the wrong word to use here. Hokeah, who is of Mexican heritage as well as a citizen of the Cherokee Nation and the Kiowa Tribe of Oklahoma, shows that this tradition has been here the whole time, evolving and surviving.” —BookPage “This miraculous story presents a collective imagining not only of who its main character is, but who everyone else anticipated and dreamed he could become. It is a must-read.” — BuzzFeed “Drawing on a wealth of Indigenous tradition, Hokeah has produced in his debut a novel that underscores the quiet strength that arises when a family is true to its identity and the too common tragedy that results when identity is suppressed.” —The Millions “An auspicious debut . . . Recalling both Tommy Orange and Gabriel Garcia Marquez in its narrative structure . . . A book to deeply invest in.” —Chicago Review of Books “Remarkable.” —Shondaland “Told from a variety of voices, this story is one of love, loss, growth, tradition and evolution. Not to be missed.” —Ms. Magazine “[A] captivating debut . . . with striking insight into human nature and beautiful prose, this heralds an exciting new voice.” —Publishers Weekly, starred review “What is wonderful about Hokeah’s debut is that each character gets to tell their own story, while also covering Ever’s life, who they each feel responsible for as part of their family and community. ... What we have with this book is a complete picture of one person as seen by others, and an entire community made up of Kiowa, Cherokee, and Mexican Americans, each with their own language, speech rhythms, and ways of seeing the world.” —Literary Hub “Hokeah’s debut will feel familiar to fans of Louise Erdrich and Tommy Orange . . . A novel that builds in richness and intricacy . . . Another noteworthy debut in what feels like an ongoing renaissance of Indigenous peoples’ literature, both reflecting this lineage and introducing an exciting, fresh new voice to the choir.” —Library Journal “As in the novels of Louise Erdrich and Tommy Orange, the chorus of voices—rendered in unadorned vernacular peppered with Indigenous words—evokes a close-knit Native community in all its varied humanity, anchored by tradition while marked by injustices past and present… Simply told and true to life.” —Kirkus Reviews “A masterwork of peripheral narration.” —Kirkus Reviews, "Best of 2022: A Year of the 'Fully Booked' Podcast" “Oscar Hokeah’s debut novel… reads like a Louise Erdrich novel. Yet, while this inspiration seems clear, Hokeah’s story is profoundly original.” —Chicago Review of Books “A moving symphony of voices, and a beautiful story about loss and belonging." —Book Riot “Hokeah's novel not only tells a story that is ultimately uplifting, but also immerses readers in Oklahoma's Kiowa, Cherokee and Mexican communities… Ever and his family aren't looking for a way to define themselves within a larger national identity, but they are trying to pry their lives from the forces of generational trauma that shape their community.”—Minneapolis Star Tribune “With beautiful prose and a deeply moving cast of characters, Calling for a Blanket Dance introduces Oscar Hokeah as an important and exciting new voice in literary fiction.”—Electric Literature “Speaking to a shared experience of many Indigenous peoples, this novel puts readers in the shoes of a people trying to make their way in a country that has stolen their place.” —Morning Brew’s Sidekick “A necessary and important addition to your TBR.” —The Young Folks “A coming-of-age tale that is uniquely Kiowa and Cherokee, and that celebrates connection, family and honor.” —Minnesota Public Radio / MPR News with Kerri Miller “A coming-of-age tale that is uniquely Kiowa and Cherokee, and that celebrates connection, family and honor.” —Minnesota Public Radio / MPR News with Kerri Miller “Riveting… Hokeah’s character’s work their way through and beyond so many obstacles. What emerges is an authentic cultural voice speaking on behalf of the many ways family bonds bend, break, and hold on forever.” —KCUR (Kansas NPR) / Up To Date “Filled with astonishing immediacy, and embellished with Hokeah’s authentic voice, these epic stories soar with indelible images of a proud, but challenged, people who find strength through their blood-lines and their enduring familial love. Some characters are so broken and bitter that I was moved to tears. But most characters persevere, and thrive, through the indomitable will and pride of their heritage. Hokeah has accomplished something unique here. In his quietly brilliant depiction of his Cherokee/Kiowa/ Mexican heritage he has dipped into his medicine bag and gifted us with a small but compelling masterpiece. This should be required reading for every American.” —Kiana Davenport, author of Shark Dialogues “The characters that populate Calling for a Blanket Dance are real, amazing, vulnerable and beautiful in their flaws and, even despair—Oscar Hokeah unveils their suffering and joy, their struggle to live with honor, care for family, walk right. What an accomplishment. Few writers have the courage or craft to pull this off. Oscar Hokeah beats the drum and stomps, announcing his power is back, the people have returned with powerful stories. He weaves a tale that is unforgettable and fortifying. I couldn’t put the book down.” —Jimmy Santiago Baca, author of A Place to Stand “Calling for a Blanket Dance is a stunning novel. Oscar Hokeah writes from deep inside the heart of his communities, bringing life to generations of voices who became so real to me they felt like relatives. The reader can’t help but invest in each character as they navigate bitter challenges, sometimes surprising themselves with their strength, their ability to survive and love. Hokeah’s prose gorgeously weaves authentic local vernacular with the lyrical notes of hard-won insight. This novel belongs on every recommended booklist for fans of literary fiction.” —Susan Power, author of The Grass Dancer “Hokeah offers us a rich tapestry of interconnected narratives, a chorus of distinct voices battling against history, failing bodies, and barren landscapes. We move through decades, fall in love and despair with the Geimaussadle family. The scale and beauty reminds you of One Hundred Years of Solitude set in Oklahoma. Here’s a True American Epic.” —Gabriel Bump, author of Everywhere You Don’t Belong “As a plethora of voices accompany Ever Geimausaddle's upbringing, we learn of challenges and resilience, the multilingual language of hope and the grace of forgiveness. Their lives, tender and difficult, full of awe and learning, remind us that the borderlands are fluid regions where families have intermingled, overcome challenges, and danced together for centuries." —Cristina Rivera Garza, author of Grieving: Dispatches from a Wounded Country “Oscar Hokeah is the real deal. A new voice with ancient music.” —Luis Alberto Urrea, author of The House of Broken Angels “Oscar Hokeah brings to life a kaleidoscope of characters from an unforgettable Native American family. His depiction of Indigenous cultures honors their strength of community with remarkable love and healing humor, sending out a vital drumbeat of hope for future generations.”—Christian Science Monitor “[Calling for a Blanket Dance] crosses multiple generations and cultures, always with a generous eye, connecting every strand in an indelible vision.” —Spectrum Culture “Author Oscar Hokeah and narrator Rainy Fields both give vivid, emotional performances in this intergenerational drama… Together, Hokeah and Fields bring this multifaceted novel to life, drawing listeners into the messy web of community and family that Ever inhabits.”—AudioFile Magazine “A lyrical, unputdownable multigenerational tale rooted in family and love.” —Portland Public Library “Hokeah’s debut novel proves the impact of generational resilience—what it means to pass down knowledge, tradition, and values… What sets the novel apart from a collection is that the characters refuse to stand alone, choosing to quilt their stories together. Calling for a Blanket Dance becomes a blanket, and, just like the stitches that bind them, it’s the love for community that holds the novel together.”—World Literature Today “A compelling book about how our family shapes how we are seen and who we become... Honest and powerful, great storytelling.”—The Southern Bookseller Review “A collective story about familial bonds that readers won’t soon forget.”—Tribal College: The Journal of American Indian Higher Education “A story of love and resiliency that is hard to put down. Calling for a Blanket Dance is a novel sure to remind many readers of their own families, the individuality that each person brings, the crucial role that community plays, and our interconnection."—Latinx in Publishing “Generations of struggles, questions, and trauma all come to a head in the person of Ever Geimausaddle, the Native American protagonist of this far-reaching story by Oscar Hokeah. As Ever struggles to figure out his place in the world and what his future looks like, stories from his parents, grandparents, and other members of his community intertwine with his in a tale that reaches far beyond just one man’s life.”—LifeSavvyWinner of the PEN America/Hemingway Award for Debut Novel Finalist for the 2023 Aspen Words Literary Prize Finalist for the L.A. Times Book Prize/Art Seidenbaum Award for First Fiction A TIME Must-Read Book of 2022 A BookPage Best Fiction Book of 2022 A Kirkus Reviews Best Fiction and Best Debut Book of 2022 “With intricate prose and unflinching vernacular, Oscar Hokeah chronicles a family and a community. We learn trials and aspirations for each generation, and witness what is woven into complicated arrival. We need these characters and their testimonies. But more than that, we crave –I crave—this kind of honest storytelling. These rhythms. These dances. This beauty. This welcoming to a place where the people speak and are unafraid.” —Honorée Fanonne Jeffers, author of The Love Songs of W.E.B. Du Bois “A profound reflection on the intergenerational nature of cultural trauma… Hokeah’s characters exist at the intersection of Kiowa, Cherokee and Mexican identity, which provides a vital exploration of indigeneity in contemporary American letters.” —The New York Times Book Review “Hokeah skillfully recreates the years leading up to and following Ever’s birth, capturing the traumas and complexities that shaped him into who he is and may determine who he becomes.” —TIME “Quaking with age-old righteous anger but nevertheless luminescent with hope.” —ELLE “Oscar Hokeah explores family and identity, past and present, in his debut novel… Above all, the book explores family relationships, obligation, resentment, and devotion.”—The Boston Globe “Hokeah’s prose is punchy and descriptive, filled with Native American words and phrases that come naturally to the characters. This blending of languages is still uncommon in contemporary fiction, but the current Indigenous literary and cultural renaissance promises that more voices will grow this singularity into a rich multitude. But of course, renaissance is the wrong word to use here. Hokeah, who is of Mexican heritage as well as a citizen of the Cherokee Nation and the Kiowa Tribe of Oklahoma, shows that this tradition has been here the whole time, evolving and surviving.” —BookPage “This miraculous story presents a collective imagining not only of who its main character is, but who everyone else anticipated and dreamed he could become. It is a must-read.” — BuzzFeed “Drawing on a wealth of Indigenous tradition, Hokeah has produced in his debut a novel that underscores the quiet strength that arises when a family is true to its identity and the too common tragedy that results when identity is suppressed.” —The Millions “An auspicious debut . . . Recalling both Tommy Orange and Gabriel Garcia Marquez in its narrative structure . . . A book to deeply invest in.” —Chicago Review of Books “Remarkable.” —Shondaland “Told from a variety of voices, this story is one of love, loss, growth, tradition and evolution. Not to be missed.” —Ms. Magazine “[A] captivating debut . . . with striking insight into human nature and beautiful prose, this heralds an exciting new voice.” —Publishers Weekly, starred review “What is wonderful about Hokeah’s debut is that each character gets to tell their own story, while also covering Ever’s life, who they each feel responsible for as part of their family and community. ... What we have with this book is a complete picture of one person as seen by others, and an entire community made up of Kiowa, Cherokee, and Mexican Americans, each with their own language, speech rhythms, and ways of seeing the world.” —Literary Hub “Hokeah’s debut will feel familiar to fans of Louise Erdrich and Tommy Orange . . . A novel that builds in richness and intricacy . . . Another noteworthy debut in what feels like an ongoing renaissance of Indigenous peoples’ literature, both reflecting this lineage and introducing an exciting, fresh new voice to the choir.” —Library Journal “As in the novels of Louise Erdrich and Tommy Orange, the chorus of voices—rendered in unadorned vernacular peppered with Indigenous words—evokes a close-knit Native community in all its varied humanity, anchored by tradition while marked by injustices past and present… Simply told and true to life.” —Kirkus Reviews “A masterwork of peripheral narration.” —Kirkus Reviews, "Best of 2022: A Year of the 'Fully Booked' Podcast" “Oscar Hokeah’s debut novel… reads like a Louise Erdrich novel. Yet, while this inspiration seems clear, Hokeah’s story is profoundly original.” —Chicago Review of Books “A moving symphony of voices, and a beautiful story about loss and belonging." —Book Riot “Hokeah's novel not only tells a story that is ultimately uplifting, but also immerses readers in Oklahoma's Kiowa, Cherokee and Mexican communities… Ever and his family aren't looking for a way to define themselves within a larger national identity, but they are trying to pry their lives from the forces of generational trauma that shape their community.”—Minneapolis Star Tribune “With beautiful prose and a deeply moving cast of characters, Calling for a Blanket Dance introduces Oscar Hokeah as an important and exciting new voice in literary fiction.”—Electric Literature “Speaking to a shared experience of many Indigenous peoples, this novel puts readers in the shoes of a people trying to make their way in a country that has stolen their place.” —Morning Brew’s Sidekick “A necessary and important addition to your TBR.” —The Young Folks “A coming-of-age tale that is uniquely Kiowa and Cherokee, and that celebrates connection, family and honor.” —Minnesota Public Radio / MPR News with Kerri Miller “A coming-of-age tale that is uniquely Kiowa and Cherokee, and that celebrates connection, family and honor.” —Minnesota Public Radio / MPR News with Kerri Miller “Riveting… Hokeah’s character’s work their way through and beyond so many obstacles. What emerges is an authentic cultural voice speaking on behalf of the many ways family bonds bend, break, and hold on forever.” —KCUR (Kansas NPR) / Up To Date “Filled with astonishing immediacy, and embellished with Hokeah’s authentic voice, these epic stories soar with indelible images of a proud, but challenged, people who find strength through their blood-lines and their enduring familial love. Some characters are so broken and bitter that I was moved to tears. But most characters persevere, and thrive, through the indomitable will and pride of their heritage. Hokeah has accomplished something unique here. In his quietly brilliant depiction of his Cherokee/Kiowa/ Mexican heritage he has dipped into his medicine bag and gifted us with a small but compelling masterpiece. This should be required reading for every American.” —Kiana Davenport, author of Shark Dialogues “The characters that populate Calling for a Blanket Dance are real, amazing, vulnerable and beautiful in their flaws and, even despair—Oscar Hokeah unveils their suffering and joy, their struggle to live with honor, care for family, walk right. What an accomplishment. Few writers have the courage or craft to pull this off. Oscar Hokeah beats the drum and stomps, announcing his power is back, the people have returned with powerful stories. He weaves a tale that is unforgettable and fortifying. I couldn’t put the book down.” —Jimmy Santiago Baca, author of A Place to Stand “Calling for a Blanket Dance is a stunning novel. Oscar Hokeah writes from deep inside the heart of his communities, bringing life to generations of voices who became so real to me they felt like relatives. The reader can’t help but invest in each character as they navigate bitter challenges, sometimes surprising themselves with their strength, their ability to survive and love. Hokeah’s prose gorgeously weaves authentic local vernacular with the lyrical notes of hard-won insight. This novel belongs on every recommended booklist for fans of literary fiction.” —Susan Power, author of The Grass Dancer “Hokeah offers us a rich tapestry of interconnected narratives, a chorus of distinct voices battling against history, failing bodies, and barren landscapes. We move through decades, fall in love and despair with the Geimaussadle family. The scale and beauty reminds you of One Hundred Years of Solitude set in Oklahoma. Here’s a True American Epic.” —Gabriel Bump, author of Everywhere You Don’t Belong “As a plethora of voices accompany Ever Geimausaddle's upbringing, we learn of challenges and resilience, the multilingual language of hope and the grace of forgiveness. Their lives, tender and difficult, full of awe and learning, remind us that the borderlands are fluid regions where families have intermingled, overcome challenges, and danced together for centuries." —Cristina Rivera Garza, author of Grieving: Dispatches from a Wounded Country “Oscar Hokeah is the real deal. A new voice with ancient music.” —Luis Alberto Urrea, author of The House of Broken Angels “Oscar Hokeah brings to life a kaleidoscope of characters from an unforgettable Native American family. His depiction of Indigenous cultures honors their strength of community with remarkable love and healing humor, sending out a vital drumbeat of hope for future generations.”—Christian Science Monitor “Calling for a Blanket Dance stitches an intergenerational quilt of rich themes… unassuming, accessible, and profound.”—PopMatters “[Calling for a Blanket Dance] crosses multiple generations and cultures, always with a generous eye, connecting every strand in an indelible vision.” —Spectrum Culture “Author Oscar Hokeah and narrator Rainy Fields both give vivid, emotional performances in this intergenerational drama… Together, Hokeah and Fields bring this multifaceted novel to life, drawing listeners into the messy web of community and family that Ever inhabits.”—AudioFile Magazine “A lyrical, unputdownable multigenerational tale rooted in family and love.” —Portland Public Library “Hokeah’s debut novel proves the impact of generational resilience—what it means to pass down knowledge, tradition, and values… What sets the novel apart from a collection is that the characters refuse to stand alone, choosing to quilt their stories together. Calling for a Blanket Dance becomes a blanket, and, just like the stitches that bind them, it’s the love for community that holds the novel together.”—World Literature Today “A compelling book about how our family shapes how we are seen and who we become... Honest and powerful, great storytelling.”—The Southern Bookseller Review “A collective story about familial bonds that readers won’t soon forget.”—Tribal College: The Journal of American Indian Higher Education “A story of love and resiliency that is hard to put down. Calling for a Blanket Dance is a novel sure to remind many readers of their own families, the individuality that each person brings, the crucial role that community plays, and our interconnection."—Latinx in Publishing “Generations of struggles, questions, and trauma all come to a head in the person of Ever Geimausaddle, the Native American protagonist of this far-reaching story by Oscar Hokeah. As Ever struggles to figure out his place in the world and what his future looks like, stories from his parents, grandparents, and other members of his community intertwine with his in a tale that reaches far beyond just one man’s life.”—LifeSavvyWinner of the PEN America/Hemingway Award for Debut Novel Finalist for the 2023 Aspen Words Literary Prize Finalist for the L.A. Times Book Prize/Art Seidenbaum Award for First Fiction A TIME Must-Read Book of 2022 A BookPage Best Fiction Book of 2022 A Kirkus Reviews Best Fiction and Best Debut Book of 2022 “With intricate prose and unflinching vernacular, Oscar Hokeah chronicles a family and a community. We learn trials and aspirations for each generation, and witness what is woven into complicated arrival. We need these characters and their testimonies. But more than that, we crave –I crave—this kind of honest storytelling. These rhythms. These dances. This beauty. This welcoming to a place where the people speak and are unafraid.” —Honorée Fanonne Jeffers, author of The Love Songs of W.E.B. Du Bois “A profound reflection on the intergenerational nature of cultural trauma… Hokeah’s characters exist at the intersection of Kiowa, Cherokee and Mexican identity, which provides a vital exploration of indigeneity in contemporary American letters.” —The New York Times Book Review “Hokeah skillfully recreates the years leading up to and following Ever’s birth, capturing the traumas and complexities that shaped him into who he is and may determine who he becomes.” —TIME “Quaking with age-old righteous anger but nevertheless luminescent with hope.” —ELLE “Oscar Hokeah explores family and identity, past and present, in his debut novel… Above all, the book explores family relationships, obligation, resentment, and devotion.”—The Boston Globe “Hokeah’s prose is punchy and descriptive, filled with Native American words and phrases that come naturally to the characters. This blending of languages is still uncommon in contemporary fiction, but the current Indigenous literary and cultural renaissance promises that more voices will grow this singularity into a rich multitude. But of course, renaissance is the wrong word to use here. Hokeah, who is of Mexican heritage as well as a citizen of the Cherokee Nation and the Kiowa Tribe of Oklahoma, shows that this tradition has been here the whole time, evolving and surviving.” —BookPage “This miraculous story presents a collective imagining not only of who its main character is, but who everyone else anticipated and dreamed he could become. It is a must-read.” — BuzzFeed “Drawing on a wealth of Indigenous tradition, Hokeah has produced in his debut a novel that underscores the quiet strength that arises when a family is true to its identity and the too common tragedy that results when identity is suppressed.” —The Millions “An auspicious debut . . . Recalling both Tommy Orange and Gabriel Garcia Marquez in its narrative structure . . . A book to deeply invest in.” —Chicago Review of Books “Remarkable.” —Shondaland “Told from a variety of voices, this story is one of love, loss, growth, tradition and evolution. Not to be missed.” —Ms. Magazine “[A] captivating debut . . . with striking insight into human nature and beautiful prose, this heralds an exciting new voice.” —Publishers Weekly, starred review “What is wonderful about Hokeah’s debut is that each character gets to tell their own story, while also covering Ever’s life, who they each feel responsible for as part of their family and community. ... What we have with this book is a complete picture of one person as seen by others, and an entire community made up of Kiowa, Cherokee, and Mexican Americans, each with their own language, speech rhythms, and ways of seeing the world.” —Literary Hub “Hokeah’s debut will feel familiar to fans of Louise Erdrich and Tommy Orange . . . A novel that builds in richness and intricacy . . . Another noteworthy debut in what feels like an ongoing renaissance of Indigenous peoples’ literature, both reflecting this lineage and introducing an exciting, fresh new voice to the choir.” —Library Journal “As in the novels of Louise Erdrich and Tommy Orange, the chorus of voices—rendered in unadorned vernacular peppered with Indigenous words—evokes a close-knit Native community in all its varied humanity, anchored by tradition while marked by injustices past and present… Simply told and true to life.” —Kirkus Reviews “A masterwork of peripheral narration.” —Kirkus Reviews, "Best of 2022: A Year of the 'Fully Booked' Podcast" “Oscar Hokeah’s debut novel… reads like a Louise Erdrich novel. Yet, while this inspiration seems clear, Hokeah’s story is profoundly original.” —Chicago Review of Books “A moving symphony of voices, and a beautiful story about loss and belonging." —Book Riot “Hokeah's novel not only tells a story that is ultimately uplifting, but also immerses readers in Oklahoma's Kiowa, Cherokee and Mexican communities… Ever and his family aren't looking for a way to define themselves within a larger national identity, but they are trying to pry their lives from the forces of generational trauma that shape their community.”—Minneapolis Star Tribune “With beautiful prose and a deeply moving cast of characters, Calling for a Blanket Dance introduces Oscar Hokeah as an important and exciting new voice in literary fiction.”—Electric Literature “Speaking to a shared experience of many Indigenous peoples, this novel puts readers in the shoes of a people trying to make their way in a country that has stolen their place.” —Morning Brew’s Sidekick “A necessary and important addition to your TBR.” —The Young Folks “A coming-of-age tale that is uniquely Kiowa and Cherokee, and that celebrates connection, family and honor.” —Minnesota Public Radio / MPR News with Kerri Miller “A coming-of-age tale that is uniquely Kiowa and Cherokee, and that celebrates connection, family and honor.” —Minnesota Public Radio / MPR News with Kerri Miller “Riveting… Hokeah’s character’s work their way through and beyond so many obstacles. What emerges is an authentic cultural voice speaking on behalf of the many ways family bonds bend, break, and hold on forever.” —KCUR (Kansas NPR) / Up To Date “Filled with astonishing immediacy, and embellished with Hokeah’s authentic voice, these epic stories soar with indelible images of a proud, but challenged, people who find strength through their blood-lines and their enduring familial love. Some characters are so broken and bitter that I was moved to tears. But most characters persevere, and thrive, through the indomitable will and pride of their heritage. Hokeah has accomplished something unique here. In his quietly brilliant depiction of his Cherokee/Kiowa/ Mexican heritage he has dipped into his medicine bag and gifted us with a small but compelling masterpiece. This should be required reading for every American.” —Kiana Davenport, author of Shark Dialogues “The characters that populate Calling for a Blanket Dance are real, amazing, vulnerable and beautiful in their flaws and, even despair—Oscar Hokeah unveils their suffering and joy, their struggle to live with honor, care for family, walk right. What an accomplishment. Few writers have the courage or craft to pull this off. Oscar Hokeah beats the drum and stomps, announcing his power is back, the people have returned with powerful stories. He weaves a tale that is unforgettable and fortifying. I couldn’t put the book down.” —Jimmy Santiago Baca, author of A Place to Stand “Calling for a Blanket Dance is a stunning novel. Oscar Hokeah writes from deep inside the heart of his communities, bringing life to generations of voices who became so real to me they felt like relatives. The reader can’t help but invest in each character as they navigate bitter challenges, sometimes surprising themselves with their strength, their ability to survive and love. Hokeah’s prose gorgeously weaves authentic local vernacular with the lyrical notes of hard-won insight. This novel belongs on every recommended booklist for fans of literary fiction.” —Susan Power, author of The Grass Dancer “Hokeah offers us a rich tapestry of interconnected narratives, a chorus of distinct voices battling against history, failing bodies, and barren landscapes. We move through decades, fall in love and despair with the Geimaussadle family. The scale and beauty reminds you of One Hundred Years of Solitude set in Oklahoma. Here’s a True American Epic.” —Gabriel Bump, author of Everywhere You Don’t Belong “As a plethora of voices accompany Ever Geimausaddle's upbringing, we learn of challenges and resilience, the multilingual language of hope and the grace of forgiveness. Their lives, tender and difficult, full of awe and learning, remind us that the borderlands are fluid regions where families have intermingled, overcome challenges, and danced together for centuries." —Cristina Rivera Garza, author of Grieving: Dispatches from a Wounded Country “Oscar Hokeah is the real deal. A new voice with ancient music.” —Luis Alberto Urrea, author of The House of Broken Angels “Oscar Hokeah brings to life a kaleidoscope of characters from an unforgettable Native American family. His depiction of Indigenous cultures honors their strength of community with remarkable love and healing humor, sending out a vital drumbeat of hope for future generations.”—Christian Science Monitor “Calling for a Blanket Dance stitches an intergenerational quilt of rich themes… unassuming, accessible, and profound.”—PopMatters “[Calling for a Blanket Dance] crosses multiple generations and cultures, always with a generous eye, connecting every strand in an indelible vision.” —Spectrum Culture “Author Oscar Hokeah and narrator Rainy Fields both give vivid, emotional performances in this intergenerational drama… Together, Hokeah and Fields bring this multifaceted novel to life, drawing listeners into the messy web of community and family that Ever inhabits.”—AudioFile Magazine “A lyrical, unputdownable multigenerational tale rooted in family and love.” —Portland Public Library “Hokeah’s debut novel proves the impact of generational resilience—what it means to pass down knowledge, tradition, and values… What sets the novel apart from a collection is that the characters refuse to stand alone, choosing to quilt their stories together. Calling for a Blanket Dance becomes a blanket, and, just like the stitches that bind them, it’s the love for community that holds the novel together.”—World Literature Today “A compelling book about how our family shapes how we are seen and who we become... Honest and powerful, great storytelling.”—The Southern Bookseller Review “A collective story about familial bonds that readers won’t soon forget.”—Tribal College: The Journal of American Indian Higher Education “A story of love and resiliency that is hard to put down. Calling for a Blanket Dance is a novel sure to remind many readers of their own families, the individuality that each person brings, the crucial role that community plays, and our interconnection."—Latinx in Publishing “Generations of struggles, questions, and trauma all come to a head in the person of Ever Geimausaddle, the Native American protagonist of this far-reaching story by Oscar Hokeah. As Ever struggles to figure out his place in the world and what his future looks like, stories from his parents, grandparents, and other members of his community intertwine with his in a tale that reaches far beyond just one man’s life.”—LifeSavvy “Calling for a Blanket Dance stitches an intergenerational quilt of rich themes… unassuming, accessible, and profound.”—PopmattersWinner of the PEN America/Hemingway Award for Debut Novel Finalist for the 2023 Aspen Words Literary Prize Finalist for the L.A. Times Book Prize/Art Seidenbaum Award for First Fiction A TIME Must-Read Book of 2022 A BookPage Best Fiction Book of 2022 A Kirkus Reviews Best Fiction and Best Debut Book of 2022 “With intricate prose and unflinching vernacular, Oscar Hokeah chronicles a family and a community. We learn trials and aspirations for each generation, and witness what is woven into complicated arrival. We need these characters and their testimonies. But more than that, we crave –I crave—this kind of honest storytelling. These rhythms. These dances. This beauty. This welcoming to a place where the people speak and are unafraid.” —Honorée Fanonne Jeffers, author of The Love Songs of W.E.B. Du Bois “A profound reflection on the intergenerational nature of cultural trauma… Hokeah’s characters exist at the intersection of Kiowa, Cherokee and Mexican identity, which provides a vital exploration of indigeneity in contemporary American letters.” —The New York Times Book Review “Hokeah skillfully recreates the years leading up to and following Ever’s birth, capturing the traumas and complexities that shaped him into who he is and may determine who he becomes.” —TIME “Quaking with age-old righteous anger but nevertheless luminescent with hope.” —ELLE “Oscar Hokeah explores family and identity, past and present, in his debut novel… Above all, the book explores family relationships, obligation, resentment, and devotion.”—The Boston Globe “Hokeah’s prose is punchy and descriptive, filled with Native American words and phrases that come naturally to the characters. This blending of languages is still uncommon in contemporary fiction, but the current Indigenous literary and cultural renaissance promises that more voices will grow this singularity into a rich multitude. But of course, renaissance is the wrong word to use here. Hokeah, who is of Mexican heritage as well as a citizen of the Cherokee Nation and the Kiowa Tribe of Oklahoma, shows that this tradition has been here the whole time, evolving and surviving.” —BookPage “This miraculous story presents a collective imagining not only of who its main character is, but who everyone else anticipated and dreamed he could become. It is a must-read.” — BuzzFeed “Drawing on a wealth of Indigenous tradition, Hokeah has produced in his debut a novel that underscores the quiet strength that arises when a family is true to its identity and the too common tragedy that results when identity is suppressed.” —The Millions “An auspicious debut . . . Recalling both Tommy Orange and Gabriel Garcia Marquez in its narrative structure . . . A book to deeply invest in.” —Chicago Review of Books “Remarkable.” —Shondaland “Told from a variety of voices, this story is one of love, loss, growth, tradition and evolution. Not to be missed.” —Ms. Magazine “[A] captivating debut . . . with striking insight into human nature and beautiful prose, this heralds an exciting new voice.” —Publishers Weekly, starred review “What is wonderful about Hokeah’s debut is that each character gets to tell their own story, while also covering Ever’s life, who they each feel responsible for as part of their family and community. ... What we have with this book is a complete picture of one person as seen by others, and an entire community made up of Kiowa, Cherokee, and Mexican Americans, each with their own language, speech rhythms, and ways of seeing the world.” —Literary Hub “Hokeah’s debut will feel familiar to fans of Louise Erdrich and Tommy Orange . . . A novel that builds in richness and intricacy . . . Another noteworthy debut in what feels like an ongoing renaissance of Indigenous peoples’ literature, both reflecting this lineage and introducing an exciting, fresh new voice to the choir.” —Library Journal “As in the novels of Louise Erdrich and Tommy Orange, the chorus of voices—rendered in unadorned vernacular peppered with Indigenous words—evokes a close-knit Native community in all its varied humanity, anchored by tradition while marked by injustices past and present… Simply told and true to life.” —Kirkus Reviews “A masterwork of peripheral narration.” —Kirkus Reviews, "Best of 2022: A Year of the 'Fully Booked' Podcast" “Oscar Hokeah’s debut novel… reads like a Louise Erdrich novel. Yet, while this inspiration seems clear, Hokeah’s story is profoundly original.” —Chicago Review of Books “A moving symphony of voices, and a beautiful story about loss and belonging." —Book Riot “Hokeah's novel not only tells a story that is ultimately uplifting, but also immerses readers in Oklahoma's Kiowa, Cherokee and Mexican communities… Ever and his family aren't looking for a way to define themselves within a larger national identity, but they are trying to pry their lives from the forces of generational trauma that shape their community.”—Minneapolis Star Tribune “With beautiful prose and a deeply moving cast of characters, Calling for a Blanket Dance introduces Oscar Hokeah as an important and exciting new voice in literary fiction.”—Electric Literature “Speaking to a shared experience of many Indigenous peoples, this novel puts readers in the shoes of a people trying to make their way in a country that has stolen their place.” —Morning Brew’s Sidekick “A necessary and important addition to your TBR.” —The Young Folks “A coming-of-age tale that is uniquely Kiowa and Cherokee, and that celebrates connection, family and honor.” —Minnesota Public Radio / MPR News with Kerri Miller “A coming-of-age tale that is uniquely Kiowa and Cherokee, and that celebrates connection, family and honor.” —Minnesota Public Radio / MPR News with Kerri Miller “Riveting… Hokeah’s character’s work their way through and beyond so many obstacles. What emerges is an authentic cultural voice speaking on behalf of the many ways family bonds bend, break, and hold on forever.” —KCUR (Kansas NPR) / Up To Date “Filled with astonishing immediacy, and embellished with Hokeah’s authentic voice, these epic stories soar with indelible images of a proud, but challenged, people who find strength through their blood-lines and their enduring familial love. Some characters are so broken and bitter that I was moved to tears. But most characters persevere, and thrive, through the indomitable will and pride of their heritage. Hokeah has accomplished something unique here. In his quietly brilliant depiction of his Cherokee/Kiowa/ Mexican heritage he has dipped into his medicine bag and gifted us with a small but compelling masterpiece. This should be required reading for every American.” —Kiana Davenport, author of Shark Dialogues “The characters that populate Calling for a Blanket Dance are real, amazing, vulnerable and beautiful in their flaws and, even despair—Oscar Hokeah unveils their suffering and joy, their struggle to live with honor, care for family, walk right. What an accomplishment. Few writers have the courage or craft to pull this off. Oscar Hokeah beats the drum and stomps, announcing his power is back, the people have returned with powerful stories. He weaves a tale that is unforgettable and fortifying. I couldn’t put the book down.” —Jimmy Santiago Baca, author of A Place to Stand “Calling for a Blanket Dance is a stunning novel. Oscar Hokeah writes from deep inside the heart of his communities, bringing life to generations of voices who became so real to me they felt like relatives. The reader can’t help but invest in each character as they navigate bitter challenges, sometimes surprising themselves with their strength, their ability to survive and love. Hokeah’s prose gorgeously weaves authentic local vernacular with the lyrical notes of hard-won insight. This novel belongs on every recommended booklist for fans of literary fiction.” —Susan Power, author of The Grass Dancer “Hokeah offers us a rich tapestry of interconnected narratives, a chorus of distinct voices battling against history, failing bodies, and barren landscapes. We move through decades, fall in love and despair with the Geimaussadle family. The scale and beauty reminds you of One Hundred Years of Solitude set in Oklahoma. Here’s a True American Epic.” —Gabriel Bump, author of Everywhere You Don’t Belong “As a plethora of voices accompany Ever Geimausaddle's upbringing, we learn of challenges and resilience, the multilingual language of hope and the grace of forgiveness. Their lives, tender and difficult, full of awe and learning, remind us that the borderlands are fluid regions where families have intermingled, overcome challenges, and danced together for centuries." —Cristina Rivera Garza, author of Grieving: Dispatches from a Wounded Country “Oscar Hokeah is the real deal. A new voice with ancient music.” —Luis Alberto Urrea, author of The House of Broken Angels “Oscar Hokeah brings to life a kaleidoscope of characters from an unforgettable Native American family. His depiction of Indigenous cultures honors their strength of community with remarkable love and healing humor, sending out a vital drumbeat of hope for future generations.”—Christian Science Monitor “Calling for a Blanket Dance stitches an intergenerational quilt of rich themes… unassuming, accessible, and profound.”—PopMatters “[Calling for a Blanket Dance] crosses multiple generations and cultures, always with a generous eye, connecting every strand in an indelible vision.” —Spectrum Culture “Author Oscar Hokeah and narrator Rainy Fields both give vivid, emotional performances in this intergenerational drama… Together, Hokeah and Fields bring this multifaceted novel to life, drawing listeners into the messy web of community and family that Ever inhabits.”—AudioFile Magazine “A lyrical, unputdownable multigenerational tale rooted in family and love.” —Portland Public Library “Hokeah’s debut novel proves the impact of generational resilience—what it means to pass down knowledge, tradition, and values… What sets the novel apart from a collection is that the characters refuse to stand alone, choosing to quilt their stories together. Calling for a Blanket Dance becomes a blanket, and, just like the stitches that bind them, it’s the love for community that holds the novel together.”—World Literature Today “A compelling book about how our family shapes how we are seen and who we become... Honest and powerful, great storytelling.”—The Southern Bookseller Review “A collective story about familial bonds that readers won’t soon forget.”—Tribal College: The Journal of American Indian Higher Education “A story of love and resiliency that is hard to put down. Calling for a Blanket Dance is a novel sure to remind many readers of their own families, the individuality that each person brings, the crucial role that community plays, and our interconnection."—Latinx in Publishing “Generations of struggles, questions, and trauma all come to a head in the person of Ever Geimausaddle, the Native American protagonist of this far-reaching story by Oscar Hokeah. As Ever struggles to figure out his place in the world and what his future looks like, stories from his parents, grandparents, and other members of his community intertwine with his in a tale that reaches far beyond just one man’s life.”—LifeSavvy “Calling for a Blanket Dance stitches an intergenerational quilt of rich themes… unassuming, accessible, and profound.”—Popmatters “[A]n electric debut… This is an honest, heartbreaking but ultimately uplifting book about the attempts of a young man to visualize a place for himself when the world hasn’t made room for him.”—The Daily Star“With intricate prose and unflinching vernacular, Oscar Hokeah chronicles a family and a community. We learn trials and aspirations for each generation, and witness what is woven into complicated arrival. We need these characters and their testimonies. But more than that, we crave –I crave—this kind of honest storytelling. These rhythms. These dances. This beauty. This welcoming to a place where the people speak and are unafraid.”—Honorée Fanonne Jeffers, author of The Love Songs of W.E.B. Du Bois“Calling for a Blanket Dance is a stunning novel. Oscar Hokeah writes from deep inside the heart of his communities, bringing life to generations of voices who became so real to me they felt like relatives. The reader can't help but invest in each character as they navigate bitter challenges, sometimes surprising themselves with their strength, their ability to survive and love. Hokeah's prose gorgeously weaves authentic local vernacular with the lyrical notes of hard-won insight. This novel belongs on every recommended booklist for fans of literary fiction.”—Susan Power, author of The Grass Dancer?“With solid Tommy Orange vibes, the first novel from Oscar Hokeah is a coming-of-age tale told from a chorus of multigenerational voices . . . One to watch, for sure.”—BookPage, 2022 Preview: Most Anticipated Fiction​“With solid Tommy Orange vibes, the first novel from Oscar Hokeah is a coming-of-age tale told from a chorus of multigenerational voices . . . One to watch, for sure.”—BookPage, 2022 Preview: Most Anticipated Fiction“[A] captivating debut… With striking insight into human nature and beautiful prose, this heralds an exciting new voice.”—Publishers Weekly, starred review“Hokeah offers us a rich tapestry of interconnected narratives, a chorus of distinct voices battling against history, failing bodies, and barren landscapes. We move through decades, fall in love and despair with the Geimaussadle family. The scale and beauty reminds you of One Hundred Years of Solitude set in Oklahoma. Here’s a True American Epic.”—Gabriel Bump, author of Everywhere You Don’t Belong“The characters that populate Calling for a Blanket Dance are real, amazing, vulnerable and beautiful in their flaws and, even despair—Oscar Hokeah unveils their suffering and joy, their struggle to live with honor, care for family, walk right. What an accomplishment. Few writers have the courage or craft to pull this off. Hokeah beats the drum and stomps, announcing his power is back, the people have returned with powerful stories. He weaves a tale that is unforgettable and fortifying. I couldn't put the book down.”—Jimmy Santiago Baca, author of A Place to Stand“Oscar Hokeah is a storyteller for the ages. Wise and compassionate, Calling for a Blanket Dance is a gift. I couldn’t put it down.”—Debra Magpie Earling, author of Perma Red“Filled with astonishing immediacy, and embellished with Hokeah’s authentic voice, these epic stories soar with indelible images of a proud, but challenged, people who find strength through their blood-lines and their enduring familial love. Some characters are so broken and bitter that I was moved to tears. But most characters persevere, and thrive, through the indomitable will and pride of their heritage. Hokeah has accomplished something unique here. In his quietly brilliant depiction of his Cherokee/Kiowa/Mexican heritage he has dipped into his medicine bag and gifted us with a small but compelling masterpiece. This should be required reading for every American.”—Kiana Davenport, author of Shark Dialogues“Quaking with age-old righteous anger but nevertheless luminescent with hope.”—ELLE“Hokeah’s debut will feel familiar to fans of Louise Erdrich and Tommy Orange… A novel that builds in richness and intricacy… Another noteworthy debut in what feels like an ongoing renaissance of Indigenous peoples’ literature, both reflecting this lineage and introducing an exciting, fresh new voice to the choir.”—Library Journal“As a plethora of voices accompany Ever Geimausaddle's upbringing, we learn of challenges and resilience, the multilingual language of hope and the grace of forgiveness. Their lives, tender and difficult, full of awe and learning, remind us that the borderlands are fluid regions where families have intermingled, overcome challenges, and danced together for centuries."—Cristina Rivera Garza, author of Grieving: Dispatches from a Wounded Country“Oscar Hokeah is the real deal. A new voice with ancient music.”—Luis Alberto Urrea, author of The House of Broken Angels

Read more less

Book Synopsis

Read more less

Book Synopsis“Lauren Thoman’s I’ll Stop the World is a whip-smart mystery with a vibrant cast of characters that gives off great eighties vibes. I was absolutely dazzled by this unputdownable genre-bending novel that’s equal parts coming-of-age suspense and emotional tale of forgiveness and second chances.” —Mindy Kaling The end and the beginning become one in a heart-pounding coming-of-age mystery about the power of friendship, fate, and inexplicable second chances. Is it the right place at the wrong time? Or the wrong place at the right time? Trapped in a dead-end town, Justin Warren has had his life defined by the suspicious deaths of his grandparents. The unsolved crime happened long before Justin was born, but the ripple effects are still felt after thirty-eight years. Justin always knew he wouldn’t have much of a future. He just never imagined that his life might take him backward. In a cosmic twist of fate, Justin’s choices send him crashing into the path of determined optimist Rose Yin. Justin and Rose live in the same town and attend the same school, but have never met—because Rose lives in 1985. Justin won’t be born for another twenty years. And his grandparents are still alive—for now. In a series of events that reverberate through multiple lifetimes, Justin and Rose have a week to get Justin unstuck in time and put each of them in control of their futures—by solving a murder that hasn’t even happened yet.Trade Review“Thoman’s ambitious timeline of events is both expansive and compressed, with the storyline unfolding over the course of both one week and 38 years, and her portrayal of teenagers in varying degrees of crisis is sympathetic. A novel look at strange (and stranger) things.” —Kirkus Reviews “Thoman’s sweeping debut defies categorization. A multigenerational mystery, a compulsively readable love story, an intricately woven sci-fi—whatever it is, I’ll Stop the World is the mind-bendy time-travel eighties romp we all need right now. I’m obsessed with this book.” —David Arnold, New York Times bestselling author “I’ll Stop the World layers mystery upon mystery, from the everyday secrets in the lives of teens coming of age in a small town now to the dark shock waves still radiating out from deaths that took place decades before. Lauren Thoman’s debut novel is a time-bending page-turner packed with twists no one will see coming. This is a story that continues to resonate long after you finish.” —Gwenda Bond, New York Times bestselling author of Stranger Things: Suspicious Minds “In this standout debut, Lauren Thoman takes the reader on a wild ride, deftly wrapping a coming-of-age story with a clever mystery, sprinkled with eighties nostalgia that’ll have you reaching for your Bubble Yum. As I tore through the pages, I fell in love with the cast of flawed and funny characters, who felt as real as the friends I grew up with. Best of all, Thoman delivers an impossibly satisfying ending in a way only the very best time-travel storytellers can. This one should go at the top of everyone’s must-read list!” —Brianna Labuskes, Wall Street Journal bestselling author “A brilliant, thought-provoking page-turner that so deeply sucked me into a world of richly drawn characters and fast-paced action that I never wanted to leave.” —Sonali Dev, USA Today bestselling author of The Vibrant Years “A page-turning, time-bending mystery full of heart. I’ll Stop the World gave me a chance to solve a cold crime from a refreshing new perspective. Lauren Thoman is an exciting new talent not to be missed!” —Kara Thomas, bestselling author of That Weekend and Out of the Ashes

Read more less

Book SynopsisSummertime on Rhode Island’s luxurious Aquidneck Island.A middle-class Cuban American—freshly graduated from college—reckons with his fragile standing among the wealthy community in which he was raised, from which he might be cast out before the summer ends.Raymond Wilson-Domingo has never felt entirely comfortable among the elitist crowd of Newport’s old-money aristocracy—partly because he's Cuban, partly because of his modest upbringing in the city’s undesirable Fifth Ward neighborhood. But this summer, Ray's job at a boutique wine shop, a lobster theft, a misguided plan to become a lawyer, an exclusive beach club, an ill-timed car crash, the Moon View mansion’s mysterious and controversial new resident, and a doomed romance with the doyenne of Newport—not to mention the impending Campbell-Doheny wedding and all of the money, gossip, and drama which surrounds it—will collide, casting the differences between Ray and his peers in high relief. Ray would do anything to cement his place among New England’s most elite social circles, but will it ever be enough?Trade Review“Perfectly captures the confounding moment between college graduation and adult responsibilities. All in all, the drunken escapades are great fun.” —Publishers Weekly“With a great ear for dialogue and a keen eye for place, Fletcher Michael’s Glass Bottle Season offers both a sharp dissection of privilege and an ode to the summers of youth. This is a smart, entertaining, and poignant story about the messiness of life on the cusp of adulthood.” —Alix Ohlin, award-winning author of Dual Citizens“Glass Bottle Season, a buoyant coming-of-age story that follows Raymond as he desperately attempts to solidify his place among the hobnobbing elites of Newport, Rhode Island, is more than just a delightful beach read. Fletcher Michael’s second novel will stick with you long after the last grains of sand have been vacuumed from the trunk of your car.” —James P. MacGuire, author of Out of Time: Surviving the Sixties and Real Lace Revisited“Fletcher Michael’s Glass Bottle Season is a closely observed coming-of-age tale set against the backdrop of the insular culture of Newport royalty. This boozy, immersive novel will resonate with anyone who has ever felt like an outsider or has experienced that painful passage between the last gasps of childhood and beginnings of adulthood. It’s a terrific beach read, and just like summer, you won’t want it to end.” —Michelle Brafman, author of Washing the Dead and Bertrand Court“This boozy coming-of-age novel is a great read for anyone who’s felt out-of-place in their own home, or clung too hard to that one last carefree summer.” —Tyler McMahon, author of One Potato

Read more less

Book SynopsisNolan Baker longs to be "thirty, flirty and thriving" in this charmingly quirky LGBTQIA+ romance that's one part 13 Going on 30 and one part One Last Stop.WHY CAN'T WE SKIP TO THE GOOD PART?Twenty-three-year-old Nolan Baker wants it all by the time he's thirty. Too bad he's single, barely able to cover his own expenses, and still paying his dues at a prominent NYC comedy club. When faced with his perfect sister's wedding, Nolan takes it as a wakeup call. It's time to quit comedy and make good on his practical dreams-most importantly, asking Drew Techler, his best friend, to be his date.But right as Nolan is about to give it all up, he's asked to fill a last-minute spot for a famous comedian. Score! He crushes his set, but stands Drew up, misses his sister's big day, and disappoints his entire family. After major blowouts with everyone he loves, Nolan desperately wishes on a set of gift "magical healing crystals" to skip to the good part of life. When he wakes the next morning, it's seven years later, he's a successful comedian, and he has everything he always thought he wanted. Everything, that is, except his friends and family, none of whom are taking his future self's calls.With nowhere else to turn, Nolan sets out to find the only person he trusts to help. Except Drew is all grown up now, too. He's hot, successful...and hates Nolan's guts. As Nolan works to get back to his younger self-and the life he so carelessly threw away-he'll have to prove he's not the man everyone thinks they know in order to regain Drew's trust, friendship, and maybe, ultimately, his heart.While part of a series, this book stands alone.People Are Raving About Timothy Janovsky:"This book made my queer heart so very full and deeply happy."-Anita Kelly"A cinematic daydream guaranteed to steal your heart."-Julian Winters"Wonderfully upbeat and sweet."-Suzanne Park"Full of hope and heart."-Alexandria Bellefleur"[A] fresh, sweet, and swoony love story that blends coming-of-age comedy with the nuances of exploring sexual identity."-Alison CochrunTrade ReviewVoicy, playful, heartbreaking, and ultimately perfect. I felt every possible emotion while I read this, and hugged the book when I'd finished. New Adult is delicious. It is everything I love about reading. * Christina Lauren, author of The Unhoneymooners *

Read more less

Book SynopsisOn a sharp winter's morning, a man turns his back on prison. Joseph Scott has served his term. He's lost almost everything: his career as a teacher, his wife, the future he'd envisaged. All he has left are his three children but he is not allowed anywhere near them.This is the story of Joseph, who killed his wife, Zoe. Of their three children who witnessed the event. Of Zoe's parents, Hannah and Frederick, who are bringing up the children and can't forgive or understand Joseph. They slowly adjust to life without Zoe, until the day Joseph is released from prison...Trade ReviewEngrossing. * Woman and Home *The author's third novel, this is another wonderful and very thought-provoking story that I consumed in a single day. * The Sun *A gripping tale that would appeal to fans of Jodi Picoult and Joanna Trollope... A page turning book to while away a winter's evening. * Red Online on After the Fall *Original, wonderfully written and utterly gripping, this is a corker of a tale. * The Sun on After the Fall *Jodi Picoult had better look over her shoulder - she's got a new contender by the name of Charity Norman. * Sydney Morning Herald on After the Fall *Will appeal to devotees of Joanna Trollope and Jodi Picoult... [Norman] is hot on their heels. * Daily Mail on Freeing Grace *Easy to read, hard to put down, it'll move you to tears. * Easy Living on Freeing Grace *

Read more less

Book SynopsisWinner of the 2015 Miles Franklin Literary AwardShortlisted for the 2015 Voss Literary Prize and the 2015 Stella Prize Longlisted for the 2016 International IMPAC Dublin Literary AwardMeet Jimmy Flick. He's not like other kids - he's both too fast and too slow. He sees too much, and too little. Jimmy's mother Paula is the only one who can manage him. She teaches him how to count sheep so that he can fall asleep. She holds him tight enough to stop his cells spinning. It is only Paula who can keep Jimmy out of his father's way. But when Jimmy's world falls apart, he has to navigate the unfathomable world on his own, and make things right.Trade ReviewIt is outrageous that someone as young, beautiful and - goddamit - as happy looking as Sofie Laguna has written this wee beauty of a novel... As a "domestic" novel, it could be cliched, but Laguna, through Jimmy's wonderful eyes, makes every sentence, every word, sing and soar. * Irish Times *A book that crosses the boundaries of adult and YA fiction. * Guardian *Quite an achievement... It is quite a feat to write characters with such nuance... Laguna is an author proving the novel is a crucial document of the times. -- Louise Swinn * The Weekend Australian *Harrowing, beautifully written, insightful and absorbing... Unique, forceful and absolutely hypnotic... Fresh, honest writing. -- Emily Macguire * Canberra Times *A beautiful, sombre style, relieved by occasional happy-go-lucky moments and strangely surprising resilience... Laguna has vividly brought to life what it must be like to be a different child and the effect his condition can have on a family. * Sydney Morning Herald *Jimmy is a tour de force of a character, brilliantly maintained... Laguna's great skill is in conveying the contradictory human depths in all her characters. * Adelaide Advertiser *A book that intrigues and affects every essence of your humanity... A dark and terrible tale told in lyrical, poetic language and stark imagery. * Australian Bookseller and Publisher *Laguna's child narrator both emphasises and conceals, through simple yet articulate images, the complicated extent of suffering and release. * Guardian on One Foot Wrong *An extraordinary achievement. Hester's voice is original and compelling...compels us to see our familiar world as new and intriguing - no small feat. -- Jo Case * Big Issue on One Foot Wrong *

Read more less

Book Synopsis

Read more less

Book SynopsisAs Lina steps into adulthood, she turns to the work of Virginia Woolf and Patricia Highsmith for insight into who sheand her friendswill becomeIt's a typically sticky Toronto summer and Lina''s spending her first couple of weeks after graduation reading and hanging out with her best friend Cara. Everything's calmuntil she finds out that her childhood friend Alicia has died. With her high school friends quickly drifting apart and her parents out of town, Lina tries to make sense of what has happened on her own. Hoping for answers, she turns to Virginia Woolf's To The Lighthouse and Patricia Highsmith's The Price of Salt. As Lina reunites with her friends for a final party on the shores of Lake Ontario, she finds herself wondering what it means to have known someone, and who they''ll all become when they''re no longer anchored to each other. Winner of the Expozine Awards, July Underwater is an early work of Tiohtià:ke (Montreal) based artist Zoe Maeve, now available to widespread audiences for the first time.A beautifully illustrated, poetic, at times impressionistic yet straightforward tale that is strongly evocative of the kind of reminiscences and reflections experienced during summer beachfront escapes.Juror comments, 2016 Expozine Awards"

Read more less

Book SynopsisFarah's ready to move out of her parent's house. It takes an hour to get to campus, and she has no freedom to be herself. Maiheen and Mostafa, first-generation Iranian immigrants in Toronto, find their younger daughter's "Canadian" ways disappointing and embarrassing, and they wonder why Farah can't be like her older sister Farzana - though Farah knows things about Farzana that her parents don't. They begrudgingly agree to let Farah move, and she begins to explore her exciting new life as an independent university student. But when Farah gets assaulted on campus, everything changes. This beautiful coming-of-age story will be familiar to every immigrant in the diaspora who has struggled to find a way between cultures, every youth who has rebelled against their parents and every woman who has faced the world alone.

Read more less

Book SynopsisA poignant novel imbued with music from the Giller Prize ? shortlisted author of Like This and Twenty-Six that follows two social outcasts as they navigate through their traumatic pasts.The worst moment of Sam''s life was captured on video and shared across the Internet for all to gawk at. This is something she has in common with Robot, who just wants to move past the mistakes he''s made, if only his small town will let him. When the two meet in a high school music class, they start to find their way to each other. Music might offer a way not only forward, but forward together, if Sam and Robot can overcome the echoes of the moments that made them infamous.The past reverberates in ways we don''t expect, in this new novel by Giller Prize ? shortlisted author Leo McKay, Jr. From family secrets and old relationships that resurface, to the tape loops that endlessly replay private moments of trauma and despair, What Comes Echoing Back travels back and forth in time to get to what''s true, with humour, humanity, and the healing power of music.

Read more less

Book SynopsisFEATURED ON BARACK OBAMA'S 2019 READING LIST SHORTLISTED FOR THE SWANSEA UNIVERSITY DYLAN THOMAS PRIZE 'SPECTACULAR' Guardian'A WONDER' Daily Mail'SPARKLING' The Times'EXQUISITE' Observer'MAGNIFICENT' TLS'EPIC' Entertainment Weekly'A TRIUMPH' LitHub'INFECTIOUS' Financial Times'A MASTERPIECE' Sunday Express Nora is an unflinching frontierswoman awaiting the return of the men in her life, biding her time with her youngest son - who is convinced that a mysterious beast is stalking the land around their home - and her husband's seventeen-year-old cousin, who communes with spirits. Lurie is a former outlaw and a man haunted by ghosts. He sees lost souls who want something from him, and he finds reprieve from their longing in an unexpected relationship that inspires a momentous expedition across the West. Mythical, lyrical, and sweeping in scope, Inland is grounded in true but little-known history. It showcases all of Téa Obreht's talents as a writer, as she subverts and reimagines the myths of the American West, making them entirely - and unforgettably - her own.NAMED ONE OF THE BEST BOOKS OF THE YEAR BY: Guardian, Time, Washington Post, Entertainment Weekly, Esquire, Good Housekeeping, The New York Public Library 'Should have been on the Booker longlist' Claire Lowdon, Sunday Times'Magnificent... Brings to mind Gabriel García Márquez's One Hundred Years of Solitude or Toni Morrison's Beloved' Times Literary Supplement'Exquisite ... The historical detail is immaculate, the landscape exquisitely drawn; the prose is hard, muscular, more convincingly Cormac McCarthy than McCarthy himself' Alex Preston, ObserverTrade ReviewA tremendously talented writer * Ann Patchett *Magnificent . . . brings to mind similar effects in, say, Gabriel García Márquez's One Hundred Years of Solitude or Toni Morrison's Beloved. * Times Literary Supplement *This free-ranging tale of an American frontierswoman should have been on the Booker longlist... I'm already looking forward to whatever Obreht writes next. -- Claire Lowdon * Sunday Times *This exquisite frontier tale from the author of The Tiger's Wife is a timely exploration of the darkness beneath the American dream ... The historical detail is immaculate, the landscape exquisitely drawn; the prose is hard, muscular, more convincingly Cormac McCarthy than McCarthy himself ... [The] paranormal element reminds us strongly of George Saunders's Lincoln in the Bardo ... Inland also feels of a piece with another recent novel, Sarah Perry's Melmoth, a brilliantly eerie gothic tale in which the horrors of history are condensed into a single ghostly figure -- Alex Preston * Observer *[Obreht] has used the little-known existence of the Camel Corps as the inspiration for Inland, her propulsive second novel ... Infectious storytelling ... Obreht is as engrossing with her depiction of the colourful and disparate encounters experienced by Lurie and Burke as she is on the claustrophobia of small-town rivalries -- Catherine Taylor * Financial Times *It's a voyage of hilarious and harrowing adventures, told in the irresistible voice of a restless, superstitious man determined to live right but tormented by his past. At times, it feels as though Obreht has managed to track down Huck Finn years after he lit out for the Territory and found him riding a camel. She has such a perfectly tuned ear for the simple poetry of Lurie's vision... Sip slowly, make it last. -- Ron Charles * Washington Post *Set against a backdrop of hardship and saturated with magic and myth, this ambitious novel is a modern masterpiece, culminating in an unforgettable ending -- Rosie Hopegood * Sunday Express *"Obreht is the kind of writer who can forever change the way you think about a thing, just through her powers of description . . . Inland is an ambitious and beautiful work about many things: immigration, the afterlife, responsibility, guilt, marriage, parenthood, revenge, all the roads and waterways that led to America. Miraculously, it's also a page-turner and a mystery, as well as a love letter to a camel, and, like a camel, improbable and splendid, something to happily puzzle over at first and take your breath away at the end. -- Elizabeth McCracken * O Magazine *Obreht is superb at tracing such inescapable wounds, both personal and national. Her 2011 Orange prize-winning debut, The Tiger's Wife, mapped the aftermath of civil conflict in an unnamed "Balkan country still scarred by war", which was based on her native Serbia ... The fictional territory of Inland is as vivid and as violent: Arizona in the second half of the 19th century, populated by "cowpokes and prospectors", gunslingers and cattle kings - and, yes, cameleers ... Exquisitely panoramic ... compelling ... On every page gorgeously tinted images conjure the otherworldliness of this desert existence ... Obreht's narrative skill here is part of the magic of Inland, which succeeds spectacularly at reinventing a well-worn genre and its tropes. There are no stereotypes in this western, only ferociously adroit writing that honours the true strangeness of reality in its search for the meaning of home -- Elizabeth Lowry * The Guardian *As it should be, the landscape of the West itself is a character, thrillingly rendered throughout... Here, Obreht's simple but rich prose captures and luxuriates in the West's beauty and sudden menace. Remarkable in a novel with such a sprawling cast, Obreht also has a poetic touch for writing intricate and precise character descriptions. * New York Times Book Review (Editor’s Choice) *At a time when old-fashioned storytelling seems to be in decline, Téa Obreht is a class apart ... a bustling, bravura adventure that's part Western, part Cormac McCarthy and part Obreht's unique blend of spiritual realism ... This is not a novel to gulp down, but to savour, as Obreht fleshes out every possible detail in language that tastes both of the soil and of the skies. The final chapter, meanwhile, rich in poignant symbolism, is a wonder -- Claire Allfree * Daily Mail *Set at the end of the 19th century, it has dual narratives of a frontierswoman and a former outlaw. Suspenseful, atmospheric, near mythical in tone, and lyrically written * I paper *With Inland Obreht makes a renewed case for the sustained, international appeal of the American West, based on a set of myths that have been continually shaped and refracted through outside lenses . . . Discovering the particular genre conventions that Obreht has chosen to transfigure or to uphold soon becomes central to the novel's propulsive appeal. * New Yorker *Sparkling descriptions ... Obreht is alive to the sharp, enduring pain of grief and how it alters even the most mundane aspects of life - and she convincingly conjures the jagged anxiety of clinging on to life and livelihood in the face of terrible odds -- Siobhan Murphy * The Times *It's eight years since Obreht's debut, The Tiger's Wife, made her the youngest winner of the Orange Prize. Inland, her second novel, is an equally skilful exploration of myth and fable, and histories both forgotten and elaborated -- Sophie Ratcliffe * Daily Telegraph *Téa Obreht was just 25 when she wrote her Orange Prize-winning debut The Tiger's Wife, a lush and magical retelling of the bloody history of the Balkans. Her new book ventures into the Wild West for an intricate, slow-burn two-hander that, while more sober and rugged, by no means ditches her interest in the supernatural -- Anthony Cummins * Metro *What Obreht pulls off here is pure poetry. It doesn't feel written so much as extracted from the mind in its purest, clearest, truest form * Entertainment Weekly *The landscape of the West itself is a character, thrillingly rendered throughout in phrases such as "red boil of twilight" and "a stillness so vast the small music of the grasses could not rise to fill it." Here, Obreht's simple but rich prose captures and luxuriates in the West's beauty and sudden menace. Remarkable in a novel with such a sprawling cast, Obreht also has a poetic touch for writing intricate and precise character descriptions... Inland has the stoic heroic characters and the requisite brutal violence of the western genre, but the decision to place an immigrant and a middle-aged mother at its center is a welcome deviation... In Obreht's hands, this is an era that overflows with what the dead want, and with wants that lead to death. Her two central characters may not be who we have been conditioned to think of when we conjure the old American West, but they, too, are America. * International New York Times *Inland is a classic story, told in a classic way - and yet it feels wholly and unmistakably new... Obreht offers a new representation of the West, both in the characters she chooses and the emotional rigor and range with which she writes. The result is at once a new Western myth and a far realer story than many we have previously received - and that's even with all the ghosts. * NPR *Téa Obreht's M.O. is clear: She's determined to unsettle our most familiar, cliché-soaked genres . . . Inland can feel like Cormac McCarthy's Blood Meridian turned inside out: contemplative rather than rollicking, ghostly rather than blood-soaked . . . giving so much of the novel's stage to Nora makes this a less familiar woman's western, one that's more about resilience, wit and family than frontier justice. * Minneapolis Star Tribune *There is so much to admire and enjoy here: the interplay of magic and reason, the threats of progress, the tribalism of a nation forming. Above all the difficulty of simply living alongside one another, evoked in Obreht's masterful language, variously lyrical, hilarious, and profound -- Francesca Steele * The Spectator *Refreshing ... plenty of fine descriptive writing to admire -- Max Davidson * Mail on Sunday *Obreht has a gift for vivid language and deft stories-within-stories ... She gives words fresh purposes, to great effect; verbs sizzle ... haunting. * Economist *This book is everything you'd expect the literary event of 2019 to be: sweeping, confident, ambitious, well-researched and difficult ... it really packs a punch ... it is moving and learned, and it reminds us how the history of America has always been about trying to create a home in a hostile place -- Niamh Donnelly * Irish Times *A captivating, sweeping novel * Grazia *Every page is a triumph - even if you don't think you like Westerns. Trust me, this book will make you a believer. * Lit Hub *It will enchant lovers of lyrical prose and the myth of the American West. * Harper's Baazar *Obreht's novels are capital-E Events - big, ambitious, provocative reading experiences...At last we have Inland, a bracingly epic and imaginatively mythic journey across the American West in 1893, in which the lives of a former outlaw and a frontierswoman collide and intertwine. * Entertainment Weekly *Obreht uses her prodigious writing gifts to create a new mythology for the American West, one that glimmers with the intensity of a desert mirage. * Nylon *Obreht brings her extraordinarily intricate worldview, psychological and social acuity, descriptive artistry, and shrewd, witty, and zestful storytelling to another provocative inquiry into the mysteries of place, nature, and human complexities... As her protagonists' lives converge, Obreht inventively and scathingly dramatizes the delirium of the West-its myths, hardships, greed, racism, sexism, and violence-in a tornadic novel of stoicism, anguish, and wonder. * Booklist (starred review) *The most thrilling discovery in years * Colum McCann *The unrelenting harshness of existence in the unsettled American West sharply focuses what Obreht refers to as 'the uncertain and frightening textures of the world' in this mesmerizing historical novel spun from two primary narrative threads . . . The novel's unforgettable finale, evocative and grimly symbolic, crystallizes its underlying themes of how inconsolable grief and unforgivable betrayal shape the circumstances that bind its characters to their fates. Obreht knocks it out of the park in her second novel. * Publisher's Weekly *A frontier tale dazzles with camels and wolves and two characters who never quite meet. Eight years after Obreht's sensational debut, The Tiger's Wife, she returns with a novel saturated in enough realism and magic to make the ghost of Gabriel García Márquez grin. She keeps her penchant for animals and the dead but switches up centuries and continents. Having won an Orange Prize for The Tiger's Wife, a mesmerizing 20th-century Balkan folktale, Obreht cuts her new story from a mythmaking swatch of the Arizona Territory in 1893 . . . Obreht throws readers into the swift river of her imagination . . . [A] deep stoicism, flinty humor, and awe at the natural world pervade these characters. [Lurie and Nora] are both treacherous and good company . . . The final, luminous chapter is six pages that will take your breath away. * Kirkus *

Read more less

Book SynopsisIt’s been a year and a half since the Anomaly, when They tried to force Their way into the world from the shapeless void.Nick Prasad is piecing his life together, and has joined the secretive Ssarati Society to help monitor threats to humanity – including his former friend Johnny.Right on cue, the unveiling of Johnny’s latest experiment sees a fresh incursion of Them, leaving her protesting her innocence even as the two of them are thrown together to fight the darkness once more…Trade Review"With a strong sense of adventure and an engaging prose style, A Broken Darkness is a worthy, enjoyable entry to the sprawling genre of cosmic fiction." * Aurealis *

Read more less

Book SynopsisBéla has never had much luck. His mother abandoned him at birth to go to work in Budapest, leaving him in the care of the dubious 'Aunt Rozika', a former prostitute who now runs a foster home with equal parts hauteur and cruelty. Victimised and almost starved by his guardian, Béla must fight for everything, from scraps of the other boys' food to the right to go to school. At fourteen he is caught trying to steal a pair of shoes; his mother is called and she reluctantly takes him with her to Budapest. Once in the capital Béla manages to secure a position at a grand old hotel, and it is here that a more privileged lifestyle seems to extend a hand to him. Operating the lift, Béla encounters people from across Hungarian society and beyond, including the beautiful daughter of an American businessman and a passionate revolutionary. But his new lifestyle offers both pleasures and perils, and Béla must find a way to forge his own life from the divergent influences that surround him. A picaresque classic with a rich vein of bawdy humour, Temptation is an under-appreciated masterpiece of twentieth-century fiction. Rich, varied and endlessly entertaining, the novel creates a stunning panorama of Hungarian society through the travails of its singularly charming hero.Trade ReviewTemptation is a fascinating novel set in the Horthy period, and its author, János Székely, is equally fascinating... The densely packed story is, in genre terms, a racy, filmic cross between a Picaresque and a Bildungsroman * TLS *

Read more less

Book SynopsisThe stunning new novel from Christine Dwyer Hickey, bestselling author of Last Train from Liguria.'One of Ireland's most lauded modern writers, Christine Dwyer Hickey teases out the strands of her story... It leaves the reader with the aftertaste of regret for their own what might have been...' - Daily MailFollowing a long absence spent in New York, Elaine Nichols returns to her childhood home to live with her invalid father and his geriatric Alsatian dog. The house backing on to theirs is sold and as she watches the old furniture stack up on the lawn, Elaine is brought back to a summer in the 1970s. She is almost sixteen again and this small out-of-town estate is an enclave for women and children while the men are mysterious shadows who leave every day for the outside world. The women are isolated but keep their loneliness and frustrations hidden behind a veneer of suburban respectability. When an American divorcee and her daughter move into the estate, the veneer begins to crack. The women learn how to socialise, how to drink martinis in the afternoon, how to care less about their wifely and maternal duties. While the women are distracted, Elaine and her friends find their own entry into the adult world and the result is a tragic event that will mark the rest of Elaine's life and be the cause of her long and guilt-ridden exile.Insightful and full of suspense, this is an uncompromising portrayal of the suburbs and the cruelties brought about by the demands of respectability.Trade ReviewThis study of suburbia shows how the "savagery of respectability" can wreck lives... A reflection on neglect that engages right to the shocking end. * Psychologies *One of Ireland's most lauded modern writers, Christine Dwyer Hickey teases out the strands of her story... It leaves the reader with the aftertaste of regret for their own what might have been... * Daily Mail *As the compelling narrative alternates between Elaine's teenage summer and her present-day loneliness, Dwyer Hickey offers a devastating picture of suburban isolation. * Irish Times *A stunning portrait of a section of '70s Ireland... The Lives of Women is a wonderful read - thought provoking and compelling - and is, to my mind, Christine's best to date. * Irish Examiner *[A] richly textured, insightful and uncompromising look at life in unforgiving 1970s Ireland. Another triumph for this talented and original writer. * Irish Independent *Dwyer Hickey is as astute in conveying everyday conversation as dark events... It left me with that vague, almost physical chest ache one feels on experiencing great sadness. * Independent on Sunday *A beautiful, suspenseful look at life in the suburbs and the compromises required by the expectations of society. * Sunday World *Insightful and full of suspense, this is an uncompromising portrayal of the suburbs... Here is a novel that will truly make us think about the lives of women. * Newstalk *

Read more less

Book Synopsis1988. 12-year-old Harper Richardson's parents are divorced. Her mum got custody of her, the Mini, and five hundred tins of baked beans. Her dad got a mouldering cottage in a Midlands backwater village and default membership of the Lone Rangers single parents' club. Harper got questionable dress sense, a zest for life, two gerbils, and her Chambers dictionary, and the responsibility of fixing her parents' broken hearts... Set against a backdrop of high hairdos and higher interest rates, pop music and puberty, divorce and death, What a Way to Go is a warm, wise and witty tale of one girl tackling the business of growing up while those around her try not to fall apart.Trade ReviewWhat a fabulous novel! So fresh, touching, truthful and laugh-out-loud funny. I absolutely loved it. -- Deborah MoggachI hugely, entirely enjoyed this book. What a Way to Go is richly transporting - and so funny, and so moving. Julia Forster has all the marks of a prize-winning novelist; you know it from the first pages. -- Horatio ClareA brilliant debut. Sharp, sweet, bristling with wit and full of hilarious, wildly imaginative observations. In Harper Julia Forster has created a bold and distinctive 12 year old voice that manages to be nostalgic and authentic at the same time. -- Emma Jane Unsworth, author of 'Animals'I thoroughly enjoyed it from start to finish. Harper is such a lovable, funny character, and seeing the the 1980s through her eyes is both moving and revealing. I loved the 'mis-en-scene' of Blackbrake, the whole small town atmosphere where the skies are as grey as her 'school uniform', and I thought the monstrously selfish but somehow sympathetic Mum is a great comic creation. Above all, I thought Harper's tone was perfectly judged, that mix of knowingness, naivete, and humour was great. It deserves to do really well. I will put a 5 star review on Amazon! -- Francis GilbertI haven't enjoyed a book this much in ages. It's wonderful... Harper [is] an amazing protagonist - all the things I wanted to be at that age but probably never was - bright, funny, inquisitive, happy in her own skin. -- Megan Bradbury, author of 'Everyone Is Watching'Oh, this one is good, so very good. Heart-breaking, humorous and thought provoking. Thank you Julia Foster for a brilliant debut novel. -- Phylippa Smithson for lovereading.co.ukPoignant, sometimes laugh-out-loud funny and a fabulous portrait of the time. * Woman & Home *As a first novel it has promise, with some sensitive writing and funny lines. * The Scotsman *This is a bittersweet tale of one girl just at the cusp of becoming a young woman with a burgeoning mind of her own, and a blossoming sense of life's possibilities. * The Western Mail *What a Way to Go is very funny and warm, sometimes sad, always beautifully written and just a ... joy [to read]. -- Hayley Long, blogger and author, twice nominated for the Costa AwardWhat A Way To Go is funny and sharp and it's a treat to hang out with Harper as she and her Chambers dictionary flit between her Midlands parental homes. * Emerald Street *What a joy to read... Julia Forster's assured debut novel marks the start of a brilliant writing career. * Reader's Digest *I loved this novel. It's by turns incredibly poignant and very funny. A touching coming of age tale that completely hits its mark. -- Kate HamerThis amusing coming-of-age novel, narrated by 12-year old Harper Richardson, is full of humour, often of the black variety... this gauche yet likable character emerges chrysalis-like, a bit more armoured for the next stage of her young life. * Irish Examiner *A glowing debut * Daily Mail *

Read more less

Book Synopsis'Utterly magnificent . . . gripping, accomplished and dark' Marian KeyesWINNER: Newcomer of the Year at the IBAs WINNER: Bookseller YA Prize WINNER: CBI Eilis Dillon Award Buzzfeed's Best Books Written by Women in 2014The bestselling novel about beauty, body image and betrayaleves are designed, not made. The School trains them to be prettyThe School trains them to be good.The School trains them to Always be Willing.All their lives, the eves have been waiting. Now, they are ready for the outside world.companion . . . concubine . . . or chastityOnly the best will be chosen.And only the Men decide.Trade ReviewGripping ... like all the best dystopias, Only Ever Yours is about the world we live in now * Irish Times *The Handmaid's Tale meets Mean Girls' * The Vagenda *Utterly magnificent ... gripping, accomplished and dark * Marian Keyes *Deserves to be read by young and old, male and female, the world over in the same way Harry Potter and The Hunger Games were * Sunday Independent *A dark dream. A vivid nightmare. The world O'Neill imagines is frightening because it could come true. She writes with a scalpel * Jeanette Winterson *Deep, dark and frighteningly believable, this book will stay with you for a long time * Marie Claire *Compelling writing ... this only-too-real dystopia grips from beginning to end * SFX *Margaret Atwood's The Handmaid's Tale with a post-millennial twist * The Journal.ie *The bleakness of The Catcher in the Rye, the satire of The Stepford Wives and it made me recall Nineteen Eighty-Four ... a fresh and original talent * Irish Independent *Terrifying but captivating * Company *A sparkling debut that will really make you think * Heat *'Compelling and frightening' * Irish Examiner *An ingenious exploration of gender roles, female identity and female competition * Buzzfeed *'Terrifying and heartbreaking, O'Neill's story reads like an heir to Margaret Atwood's The Handmaid's Tale and MT Anderson's Feed, and, like those two books, it's sure to be discussed for years to come' * Publisher's Weekly *'A stunning debut set in a dystopian future that has everyone talking . . . once read, will never be forgotten' * Irish Independent *Dark, gripping . . . should be mandatory reading everywhere * The F Word *

Read more less

Book Synopsis'The kind of book that changes readers for the better' GuardianWhen a family tragedy means Mick is sent to the outback to live with his Granpa, it looks as if he has a lonely life ahead of him. The cattle station is a tough place for a child, where nature is brutal and the men must work hard in the heat and dust. However, after a cyclone hits, things change for Mick. Exploring the floodwaters, he finds a lost puppy covered in mud and half-drowned. Mick and his dog immediately become inseparable as they take on the adventures offered by their unusual home, and the business of growing up, together. In this charming prequel to the much-loved Red Dog, Louis de Bernières tells the moving story of a young boy and his Granpa, and the charismatic and entertaining dog who so many readers hold close to their hearts.Trade ReviewThe kind of book that changes readers for the better… The love between Mick and Granpa, and the changing landscape they inhabit, are the highlights of this superb story. * Guardian *Wise and heartwarming. -- Max Davidson * Mail on Sunday *[Blue Dog] is the heart-warming, funny, coming-of-age story… This is an irresistible, feel-good, laugh-out-loud tale… It is not an easy place to leave behind. -- Nicolette Jones * Sunday Times *A young adult novel that will appeal to all ages. -- Lorna Cumming-Bruce * Financial Times *A beautifully told story. -- Emily Bearn * Daily Telegraph, Book of the Year *

Read more less

Book Synopsis Shortlisted for the International Prize for Arabic Fiction 2018 This number one best-selling title in Iraq, Dubai, and the UAE is a heart-rending tale of two girls growing up in war-torn Baghdad Baghdad, 1991. The Gulf War is raging. Two girls, hiding in an air raid shelter, tell stories to keep the fear and the darkness at bay, and a deep friendship is born. But as the bombs continue to fall and friends begin to flee the country, the girls must face the fact that their lives will never be the same again. This poignant debut novel reveals just what it's like to grow up in a city that is slowly disappearing in front of your eyes, and how in the toughest times, children can build up the greatest resilience.Trade Review‘Vivid, at times surreal… the novel confronts the reality of Baghdad in the final decade of the twentieth century through the vision of a girl who often imbues it with wonder and beauty.’ * TLS *"The Baghdad Clock is not just a popular winner with Edinburgh International Book Festival readers this year - it's also a brilliant winner that will live long in the memory and it established Shahad Al Rawi as a force to be reckoned with, in Arabic and English alike." * Nick Barley, director of the Edinburgh International Book Festival *‘With tremendous talent and a sharp intelligence, Al Rawi delivers an outstanding debut. Highly recommended.’ * Library Journal (starred review) *‘Shahad Al Rawi brings us into the city of Baghdad in the middle of the Gulf War, where people continue to go about their lives despite the war that is eroding their homes. The story centres on two girls in an air raid shelter and the friendship that blossoms around the stories they tell each other in this book filled with resilience and life.’ * World Literature Today *‘This stirring debut follows two girls and their lives as they grow up in the war-torn city of Iraq. A poignant portrayal of the enduring bond of friendship, infused with a touch of magical realism.’ * Book Riot *‘Marked with a wild inventiveness and emotional depth… The Baghdad Clock is a stirring, and at times moving, portrait of two young women sticking together while everything around them falls apart…[which] provides compelling depictions of each stage of the girls’ journey to adulthood.’ * The National *‘Al Rawi’s debut presents the so-called enemy imbued with childhood whimsy and human longing, their quotidian stories embellished with touches of magic realism. Rendered into English by Harvard professor Leafgren, who was inspired by 9/11 to learn Arabic, this international bestseller is both condemnation against politics and war and testimony to resilient humanity.’ * Booklist *‘Extraordinary... The author does an incredible job of painting a portrait of a neighborhood in Baghdad [and] writes beautifully of characters who immediately captivate you — characters who are relatable, but also imbued with a sense of magic. The life she writes of has an ethereal overlay, as if life is about much more than just living through war. In a country so often dehumanized by politics, Al-Rawi reminds us of the stories and people that make Iraq what it is.’ * Arab News *‘Through a child's perspective and using elements of magical realism, Al Rawi explores her protagonist's internal turbulence at a time in which uncertainty is a way of life and stability a myth.’ * The Tempest *‘Al Rawi writes with such enthusiasm for her subject matter, she injects her characters with beautiful quirks and personalities.’ * The Bookbag *‘Amazing...I am in awe of [Al Rawi's] ability to share profound thoughts from the point of view of such a young woman.’ * Sandra Yeaman, blog review *‘The Baghdad Clock is a wonderful human book... It's a brilliant and imaginative work that will capture both your heart and your mind.’ * Blogcritics *‘[Shahad Al Rawi] has skilfully interwoven fantasy and reality with a fine thread. She draws you through the story, leading you from one maze into another, as you stagger along in a state of perplexity, amazement and sheer delight.’ * al-Watan *

Read more less

Book SynopsisAfter the loss of war, can there be hope for the future?Manchester, 1922.Belinda Layton is a surplus girl. One of the many women whose dreams of marriage perished in the Great War, with the death of her beloved fiancé, Ben. After four years of mourning, she's ready to face the future, even though Ben's family is not happy to see her move on, and her own only cares about getting hold of her meagre factory wages. Then, Belinda joins a secretarial class and a whole new world opens up to her as she quickly finds herself drawn to beguiling bookshop owner Richard Carson. But after all the loss and devastation she has experienced, can she really trust him with her heart?The first in a quartet of sagas set during the early 1920s, following three Surplus Girls - those women whose dreams of marriage perished in the Great War, after the deaths of millions of young men, and the new lives they forged for themselves.Trade ReviewA promising start to a new saga set in the years between the wars... An enjoyable read full of good friends and bad characters. * People's Friend *A real page-turner that will tug on your heart strings * Anna Jacobs *Pleasant and engaging * NB Magazine *

Read more less

Book Synopsis"Maylis de Kerangal conjures the same painterly realism her characters hope to achieve in paint" London Magazine"Evocative and exhilerating" Booklist"Maylis de Kerangal is mining a rich and individual seam" TImes Literary SupplementBehind the ornate doors of the Institut de Peinture in Brussels, Kate, Jonas and Paula begin their apprenticeship in decorative painting, the art of visual deception. An intense year of study will cement a friendship that lasts long after their formal education ends. Paula's initiation into trompe l'oeil will take her back through time and place as she strives for perfection. From her work on the film sets of Cinecittà to the prehistoric caves of Lascaux, her experiences will transcend artistic endeavour and gradually reveal something of her own inner world and the secret, unreachable desires of her heart.This is a coming-of-age novel like no other: an atmospheric and highly aesthetic portrayal of love, art and craftsmanship from the prize-winning author of Birth of a Bridge and Mend the Living.Translated from the French by Jessica MooreTrade ReviewAs she has so often done, de Kerangal shows there is poetry to be found in our jargon, and stories embedded in our tools . . . This is writing that defies haste, that slows the eye. It is also a mighty feat of translation . . . Cements [de Kerangal's] reputation as one of contemporary fiction's most gifted sentence builders -- Beejay Silcox * Guardian *The book is a joyful testament to the rigours of research, and to the translator's art too . . . Maylis de Kerangal is mining a rich and individual seam -- Jonathan Gibbs * TLS *Intensely alive, encompassing both the technical and the poetic, emotion and cerebrality -- Raphaëlle Leyris * Le Monde *Always brilliant, executed in flowing, lyrical prose that had already reached the firmament in [Mend the Living] . . . De Kerangal finds fiction in reality; precise, technical vocabulary is imbued with rich imagination and meaning. And mastering trompe-l'œil - isn't that the ideal metaphor for the work of a novelist? -- Frédérique Roussel * Libération *The art of painting in perfect harmony with de Kerangal's writing; visual, flamboyant, assured . . . in perfect alignment with her subject -- Marine Landrot * Télérama *Kerangal's elegant, sexy, subtly Proustian, and fluidly dimensional drama of discipline and passion, imitation andimagination is resplendently evocative and exhilarating. -- Donna Seaman * Booklist *Long looping sentences, beautifully translated from the French by Jessica Moore, are balanced by taut scene changes . . . De Kerangal conjures the same painterly realism that her characters hope to achieve in paint * London Magazine *

Read more less

Book Synopsis* A WATERSTONES SCOTTISH BOOK OF THE MONTH * * SHORTLISTED FOR THE CWA HISTORICAL DAGGER AWARD * 'As moving as it is gripping... I loved it' CHRIS BROOKMYRE 'Utterly compelling' MARION TODD 'Extraordinary' JAMES OSWALD 'Excellent' HERALD SCOTLAND There were good people in The Homes. But there were also some very, very bad ones... A thousand unwanted children live in The Homes, a village of orphans in the Scottish Lowlands on the outskirts of Glasgow. Lesley was six before she learned that most children live with their parents. Now Lesley is twelve, and she and her best friend Jonesy live in Cottage 5, Jonesy the irrepressible spirit to Lesley's quiet thoughtfulness. Life is often cruel at The Homes, and suddenly it becomes much crueller. A child is found murdered. Then another. With the police unable to catch the killer, Lesley and Jonesy decide to take the matter into their own hands. But unwanted children are easy victims, and they are both in terrible danger... Inspired by a true story, and introducing readers to the unforgettable voice of young orphan Lesley, The Homes is a moving and lyrical thriller, perfect for readers of Val McDermid, Chris Whitaker, Jane Casey and Denise Mina.Trade ReviewA serial-killer mystery and a whodunit, but so much more. Tragic, gritty and haunting, yet brims with bitter-sweet humour and a main character who will steal your heart away -- Janice Hallett, author of THE APPEALAn evocative, compelling and ultimately moving mystery with a captivating central character -- Brian McGillowayTense yet tender, as moving as it is gripping... set to be one of the Scottish crime books of the year. I loved it -- Chris BrookmyreAn extraordinary story quite brilliantly told. Lesley is a wonderful character, and J.B. Mylet catches her voice perfectly. I found myself staying up long after lights out reading "just another chapter". And then another, and another -- James OswaldHeart-warming, heart-breaking and utterly compelling. I could not put this beautiful book down and it stayed with me long after I finished it -- Marion Todd, author of the Detective Clare Mackay seriesAmazing. I was hooked from the first page... A brilliant, must read story, all the more powerful because it's told through the bewildered logic of a child. I read it with an ache in my chest for all the Lesleys and Jonesys out there -- Anna Smith, author of the Kerry Casey seriesIn an unguarded voice that conveys her intelligence and courage while still passing convincingly as that of a smart 12-year-old girl, Mylet balances the whodunnit aspects with the painful lessons Lesley is learning about life... It's a testament to the strength of Mylet's characterisation, and his ability to make us care about her, that by the end of this excellent debut the real question is not so much "Who committed the murders?" but "Where does Lesley go from here?" * Herald Scotland *

Read more less

Book SynopsisFour boys. One band. No Chance. Chris and George are best friends, and they want to be rockstars. Unfortunately, a childhood spent playing in the school orchestra and listening to Jimmy Nail has left them a little fluffy around the edges, and at the age of 23, their acoustic duo Satellite doesn’t resemble Bon Jovi nearly as much as they’d planned. So how do two ordinary boys from a sleepy village go about taking on the cut-throat world of rock ’n’ roll? They'll have to fake it until they make it. True to life, funny and uplifting, Mockstars is a coming-of-age story about friendship and chasing the rock ’n’ roll dream. Inspired by the real-life tour diaries of the author’s band The Lightyears, Mockstars is a refreshingly different musical odyssey.

Read more less

Book Synopsis'This wove a spell on me' – Marian Keyes 'F***ing brilliant' – Daisy May Cooper ___________Meet Gosia.She's a sensitive soul with a filthy mind and problems with intimacy.Between shifts in a well-lit budget supermarket and nights in a badly lit Zone 3 flatshare, she spends hours inside her own head. That is, until a chance encounter snaps her out of her reverie.Propelled into a series of mediocre jobs, lousy dates and even worse sex, the prickly yet warm-hearted Gosia begins her excavation of the 'perfect' life so many dream of.After all, could there be more to it than she imagined?Raw, funny, mean and moving, Odd Hours is a razor-sharp social comedy about human connection, unexpected happiness, and the many forms of love. ___________'A hymn to normality and an absolute joy to read' – Sarah May 'Compelling, surprising, funny' – Kate Sawyer 'Bas writes so well about that state of being young and trying so hard to make connections' – Marianne Levy 'Dark, sharply funny and utterly rewarding ... Reminded me of the brilliant books by Kirsty Capes ... Highly recommended' – Liz HyderTrade Review'Dark, sharply funny and utterly rewarding ... Reminded me of the brilliant books by Kirsty Capes ... Highly recommended' -- Liz Hyder'This enigmatic and idiosyncratic gem is eccentric, quirky and utterly original' -- Kevin O'Sullivan (Irish Examiner Book of 2022)'Bas writes so well about that state of being young and trying so hard to make connections' -- Marianne Levy'Odd Hours is a brilliant satire on the struggles of life in the zero-hours sector ... An auspicious debut' -- Paul Mendez

Read more less

Book SynopsisA clash of empires that will echo for eternity…AD 1071. Emperor Romanus Diogenes has rekindled the guttering flame of Byzantium, and a reinvigorated empire rises to meet the Seljuk threat. In the eastern borderlands, two vital strongholds hang in the balance: Manzikert and Chliat. The Byzantines and Seljuks race to secure the twin fortress-towns.Apion rides by the emperor’s side as they march east, marshalling Byzantium’s armies for the conflict that is to come. He knows only too well that the threat posed by the Sultan’s hordes is well-matched by malevolent forces within the Byzantine ranks. Thus, the road to war is a savage one, but one he cannot refuse. For at its end, Fate beckons, taunting him with a choice of two futures.On the plains of Manzikert, one great power will rise and another will fall. On the plains of Manzikert, Apion will face the storm.The epic conclusion to the Strategos series, perfect for fans of David Gilman and Christian Cameron.

Read more less

Book Synopsis'A gleeful, page-flipping read . . . One you'll be glad to take a ringside seat for' Observer'A rollicking historical novel' Daily MailAnnie Perry is born beside the coal-muddied canals of the Black Country at the height of the industrial revolution. When her father dies, her Romi family can no longer afford to keep her, and at nine years old she is sold for six guineas to the famous and feared bare-knuckle boxer Bill Perry, the Tipton Slasher.Bill is starting to lose his strength but insists he has one last fight in him. In fear for his life, Annie steps into the ring, fists raised in his defence. From that moment on, she will fight - for Bill and for her future.A whole new world opens up for Annie, one of love, fortune, family and education, but also of danger. One wrong move, one misstep, and the course of her life will be changed for ever.Trade ReviewA punchy historical yarn . . . [Kitson] has a fine time with Annie and the Slasher - warm, memorable creations who come punching off the page . . . Featherweight transports the reader to the tough, rapidly industrialising world of the 19th-century Black Country, with its old canals and new railways, the soot of the forges and strikes at the nail factories, via lushly detailed, rhythmical descriptions . . . A gleeful, page-flipping read . . . A rollicking tale, one you'll be glad to take a ringside seat for * * Observer * *Annie is a lively, appealing character and there is plenty more to enjoy in Kitson's narrative * * Sunday Times, Best New Historical Fiction * *A no-holds-barred portrait of an English town despoiled by the Industrial Revolution * * New York Times * *A rollicking historical novel set in the Black Country during the Industrial Revolution . . . Offers plenty to enjoy * * Daily Mail * *Kitson creates a Dickensian flavour through Black Country dialogue, a strong sense of place (a smut-blackenedindustrial town), and colourful characterisation. Detailed descriptions of what goes on in the ring add suspense . . . Readers will love rooting for this great little fighter who easily punches above her weight . . . Compelling * * Booklist * *A wonderful novel . . . The themes of Kitson's plot also revolve around themes of rejection, lost hope, vulnerability. But in Annie it also shows us a strong woman, way ahead of her time who decides she can also turn her hand (or fists) to pugilism * * NB Magazine * *Praise for Sal: Kitson writes clearly and concisely . . . Sal is an ambitious and skilled novel. Literature needs more stories like this -- JENNI FAGAN * * Guardian * *Daring and original . . . Manages to feel both contemporary and timeless, both heart-rending and uplifting * * Observer * *Just wonderful. A breath of fresh air in a book. Sal is a story with incredible heart, told so beautifully and with such clarity and grace I can hardly believe it's a debut! I loved it -- JOANNA CANNON, author of THE TROUBLE WITH GOATS AND SHEEPSal is an inspiring novel that feels honest and fastidious. It introduces the theme of redemption and fresh beginnings without shying from the awful truth * * Financial Times * *

Read more less

Book Synopsis'Extraordinary' Naoise Dolan'Seriously good' Louise NealonDublin student life is ending for Sophie and her friends. They've got everything figured out, and Sophie feels left behind as they all start to go their separate ways. Then, at a party, what was already unstable completely falls apart and Sophie finds herself obsessively scrolling social media, waiting for something (anything) to happen. None of This Is Serious is about the uncertainty and absurdity of being alive today. It's about balancing the real world with the online, and the vulnerabilities in yourself, your relationships, your body. At its heart, this is a novel about the friendships strong enough to withstand anything.Trade ReviewAn extraordinary novel. None of This Is Serious brilliantly explores the impossibility to "come of age" in end times, where screens are so contiguous to experience that no-one is ever truly online or offline. She writes truthfully and with affectless nuance about the labyrinthine workings of friend groups and the defences women scramble for in a world that still hates us -- NAOISE DOLAN, author of EXCITING TIMESI inhaled None of This Is Serious. I've been waiting for a fictional story that reflects the all-consuming influence that the Internet has on my life. None of This Is Serious is that story. A compulsively readable, fresh and painfully accurate description of the way we live now. Don't let the title fool you. It is serious. Seriously good -- LOUISE NEALON, author of SNOWFLAKEEdgy . . . [Prasifka] has a painfully raw and acute gift for catching the way things are * * Sunday Times * *I absolutely LOVED this novel. Beautifully crafted -- EMMA GANNON, author of OLIVEFortunately, [Prasifka] doesn't need any sprinkling of Rooney's fairy dust; she makes her own magic. In the seriously good None of This is Serious, the 26-year-old author conveys what it's like to be a young woman today navigating life in Dublin and online . . . She is an astute observer of the social dynamics of her generation * * Irish Times * *A beautifully written original take on how we're all guilty of taking refuge online as the world around us becomes increasingly confusing * * Stylist, Fiction Books You Can't Miss in 2022 * *[A] funny, endearingly heartfelt debut * * Daily Mail * *As we adapt to our increasingly online lives, Catherine Prasifka's debut is the antidote we never knew we needed. We meet Sophie, Prasifka's ultra-relatable protagonist, at a precarious time in her life: leaving university. What happens next is a worthy reminder that Instagram /= reality * * Glamour, Best Books of 2022 * *None of This Is Serious is brilliant - so devastatingly precise about being a young woman living in Ireland and online today, moving deftly between sharp, hilarious observations and heartbreaking, enraging moments -- CLAIRE HENNESSY, author of LIKE OTHER GIRLSNone of This Is Serious is such a compelling novel, and Sophie is such a relatable character - reading her story felt like one of those meaningful and immersive conversations you can only have with a stranger at 3am in the toilets of a dingy club, all hearts laid bare. At times agonisingly close to the bone, Catherine Prasifka's debut novel is an exquisitely unnerving portrayal of who we are and how we live -- KATIE HALE, author of MY NAME IS MONSTER

Read more less

Book SynopsisWINNER OF THE AKUTAGAWA PRIZE'Usami so successfully depicts the consequences of pure obsession' Guardian'Essential reading for anyone who wants to understand what it is like to be a teenage girl' Catherine PrasifkaHigh-school student Akari has only one passion in her life: her oshi, her idol. His name is Masaki Ueno, best known as one-fifth of Japanese pop group Maza Maza. Akari's dedication to her oshi consumes her days completely - until he disgraces himself and Akari's world goes into a tailspin.Trade ReviewUsami so successfully depicts the consequences of pure obsession * * Guardian * *[Idol, Burning] cracked a door open into an intense world of obsession . . . essential reading for anyone who wants to understand what it is like to be a teenage girl, where priorities are skewed, emotions are high, and everything feels like it's life or death -- CATHERINE PRASIFKAA vivid depiction of the joys and despairs of teenage fan culture, Idol, Burning is urgent and all-consuming . . . In this passionate and compassionate novel, the voice of teenage desperation sings out -- KATIE HALEA short but mighty novel that sheds a light on the world of superfans, obsession and the dangers of building your identity around a phenomenon that can disappear in a second . . . Usami's novel lifts the lid on the unique world of fandom and 'stan' culture in Japan * * The Skinny * *Compelling and unsettling in equal measure, Idol, Burning is a pitch-perfect insight into how confusing and exhausting modern life can feel to young women today. * * Buzz Magazine * *Idol, Burning is a window into the world of teenage obsession and the dark places it can venture to . . . This is like nothing else I've read * * Red * *Praise for Rin Usami: Pure brilliance -- TOSHIYUKI HORIE, author of THE BEAR AND THE PAVING STONEPoignant -- YOKO OGAWA, author of THE MEMORY POLICE[Usami's] writing is extremely fresh and she has high literary ability -- Akutagawa Prize Judges

Read more less

Book SynopsisA SUNDAY TIMES BEST HISTORICAL FICTION BOOK OF THE YEARA BBC TWO BETWEEN THE COVERS BOOK CLUB PICK1628. Embarking on a journey in search of her father, a young girl called Mayken boards the Batavia, the most impressive sea vessel of the age. During the long voyage, this curious and resourceful child must find her place in the ship's busy world, and she soon uncovers shadowy secrets above and below deck. As tensions spiral, the fate of the ship and all on board becomes increasingly uncertain.1989. Gil, a boy mourning the death of his mother, is placed in the care of his irritable and reclusive grandfather. Their home is a shack on a tiny fishing island off the Australian coast, notable only for its reefs and wrecked boats. This is no place for a child struggling with a dark past and Gil's actions soon get him noticed by the wrong people.The Night Ship is an enthralling tale of human brutality, providence and friendship, and of two children, hundreds of years apart, whose fates are inextricably bound together.Trade ReviewLyrical, haunting, a beautiful and elegant fictional interpretation of history, I loved it -- KATE MOSSEMajestic . . . Kidd packs the story with superb characters, high emotion and drama . . . this gripping story ebbs and bobs with surprises from Kidd's sparkling imagination * * Independent * *The ambition and execution of [Jess Kidd's] new book The Night Ship is breathtaking! Sweet and grim, epic and domestic - I loved it . . . readers are in for a treat -- GRAHAM NORTON[A] consistently gripping and impressively constructed novel . . . Kidd builds an immersive visual and olfactory world of the 17th century ship . . . since her first novel Himself [Kidd] has displayed a voracious talent for storytelling . . . [a] marvellous, spirited novel * * Financial Times * *Jess Kidd's extraordinary evocation of a place gruesome with ghosts and the stranglehold of the past is nothing short of brilliant. I loved it -- HANNAH KENTGripping . . . The Night Ship is immersive, vivid and immediate, teeming with sensory detail that could only have come from extensive and diligent research and told in beautifully assured prose * * Irish Times * *Fabulous . . . Beautifully pitched, and told in the present tense, there's a wonderful immediacy to the children's stories as they cope with the harsh reality of their worlds but yearn for the magical and mystical, in this briny, beguiling book * * Daily Mail * *Kidd's writing is beautiful, a seemingly effortless layering of small details to create a vivid sense of place and geography . . . wonderful . . . memorable * * Sunday Independent * *I absolutely loved it . . . Fantastic -- STEPHEN MANGANCompelling . . . [Possesses] great energy and originality * * Sunday Times, Historical Fiction Book of the Month * *

Read more less

Book Synopsis'A delectable slice of dark academia' Times Crime ClubCleeve College is not for everyone...When Eve's husband is appointed housemaster at his old boarding school, Cleeve College, she gives up her life in London to join him. But the isolation and loss of autonomy threaten both her happiness and her marriage.The arrival of Fen, an enigmatic artist and wife of the new Classics teacher, is a welcome distraction. Fen doesn't play by the rules, and she and Eve enter into a game of escalating dares, disrupting the delicate balance of school life.Then, the morning after Hazard Night, a tradition that allows the students to run wild and play pranks for one day, a body is found. Someone has been murdered. And it seems everyone has something to hide...'Dark and devious, immersive, compelling ... wonderfully absorbing read' - Andrea Mara'Atmospheric and sinister'- ObserverTrade ReviewBeautifully written, Hazard Night is dark and devious, immersive, compelling, and intensely atmospheric. A wonderfully absorbing read. -- Andrea MaraAtmospheric and sinister * Observer *A delectable slice of dark academia * Times Crime Club *Drew me in from the very first page with its evocative and brilliantly realised setting. With astute characterisation, masterful prose and gripping twists, Hazard Night cements Vaughan as one of my absolute favourite psychological thriller authors. * Philippa East *Cleverly written and thoroughly enjoyable * Belfast Telegraph *I absolutely loved it. The kind of writing where you don't want to miss a single word. * Emma Curtis *An award-winning performance * The Times on Let’s Pretend *A treat ... excellent insights ... elegant prose * Daily Mail on The Favour *Intensely captivating ... will cast its spell, leaving you on edge with unexpected twists * Heat Magazine on The Favour *

Read more less

Book SynopsisFROM THE BOOKER PRIZE-WINNING AUTHOR OF THE PROMISEWinner of the Commonwealth Writers' Prize and shortlisted for the Man Booker, The Good Doctor is a powerful tale of a friendship overshadowed by betrayal, set against the tawdry hopes and disappointments of a post-apartheid South Africa'The Good Doctor will be seen as one of the great literary triumphs of South Africa's transition... by a novelist of great and growing power.' -- Rian Malan, author of My Traitor's HeartLaurence Waters arrives at his rural hospital postingfull of optimism. Frank, the disgruntled deputy, is forced to share his room with the new arrival but is determined to stay out of Laurence's ambitious schemes. When the dilapidated hospital is looted, the two men find themselves uneasy allies in a world where the past is demanding restitution from the present.Trade Review'The bold, fresh voice of South African fiction' * Observer *'A latter day Heart of Darkness' -- Michael Arditti * Daily Mail *'His sentences have such hypnotic power that once started, this novel is very hard to put down' -- Russell Celyn Jones * The Times *'A lovely, lethal, disturbing novel' -- Christopher Hope * Guardian *'A gripping read, laced throughout with powerful emotional truth and Damon Galgut's extraordinary vision' -- Julie Wheelwright * Independent *'As good as Graham Greene' -- Joan Bakewell * Sunday Times *'Should have won the Booker.' -- Norman Lebrecht, Books of the Year * Evening Standard *

Read more less

Book SynopsisFROM THE BOOKER PRIZE-WINNING AUTHOR OF THE PROMISEShortlisted for the Commonwealth Writers' Prize for Best BookA gripping, claustrophobic novel of guilty secrets, obsession and self-reinvention on the African Savannah from the twice Man Booker-shortlisted author.When Adam moves into an abandoned house on the dusty edge of town, he is hoping to recover from the loss of his job and his home in the city. But when he meets Canning - a shadowy figure from his childhood - and Canning's enigmatic and beautiful wife, a sinister new chapter in his life begins. Canning has inherited a vast fortune and built for himself a giant folly in the veld, a magical place of fantasy and dreams that seduces Adam and transforms him absolutely, violently - and perhaps forever. Damon Galgut's magnificent novel evokes a hot and cruel and claustrophobic world, in which sex and death are never far from the surface.

Read more less

Book SynopsisYouth dives into the lives of four teenagers in Ireland's most diverse town, Balbriggan. Angel is about to finish school and discover if Drill music and YouTube fame can deliver on their promises. Princess is battling to escape her claustrophobic surroundings and go to university and Dean is ready to come out from under his famous father's shadow, while Tanya, struggling with the spotlight of internet infamy, is still posting her dream life for all of her faithful followers. Isolated and disorientated by the white noise and seemingly insurmountable expectations of adolescence, our protagonists are desperate to find anything that helps them belong. Oblivious to one another's presence, potential and struggles, they pass each other on the street as strangers. But when their paths cross, the connections they make will change the course of their lives. Twenty-first century life - hyper-sexualized, social media saturated, anxiety-plagued - is here. Living inside its characters' heads, and negotiating their interior landscape, this book is a love song to the possibilities of youth. Using insights gained from the young people he works with, Curran's evocative writing yields the authenticity this novel demands. With instinctive affection and admiration for his characters' strengths and complexities, Youth is a journey through streets less travelled.Trade Review'Kevin Curran's twenty-first century ... is a thrilling dispatch from life lived amid the ruins of idealism.' ROB DOYLE ; 'Kevin Curran ... [writes] with confidence and brio.' COLIN BARRETT ; '"The isolation of whole communities can be glimpsed through stories of marginalised individuals." Kevin Curran exemplifies this idea.' SALLY ROONEY ; '[Curran has] some big things to say about Ireland, past and present.' THE SUNDAY BUSINESS POST ; 'Brings an edge of hard-won resolve to his tale while keeping mindful of broader social issues.' SUNDAY INDEPENDENT ; ‘Here’s a rasping book, full of the kick and verve of the inner city. Loved the dialogue, the vernacular of working-class Dublin and all the minor and major concerns of youth. It’s easy to forget what it is to be young when looked at from the other end of life but Kevin made me remember the fine line between triumph and disaster with his great writing and love for his characters. Great book.’ KIT DE WAAL

Read more less

Book SynopsisWITH AN INTRODUCTION BY A. S. BYATT'She is undoubtedly one of the twentieth century's greatest American writers' OBSERVER' . . . a clear-eyed salute to the resilience of the human spirit and the innate hardiness of the immigrants' XAN BROOKS, GUARDIAN 'Willa Cather was a wordsmith of enormous talent' ROBERT SLAYTON, LOS ANGELES REVIEW OF BOOKS'During that burning day when we were crossing Iowa, our talk kept returning to a central figure, a Bohemian girl whom we had both known long ago. More than any other person we remembered, this girl seemed to mean to us the country, the conditions, the whole adventure of our childhood . . . His mind was full of her that day. He made me see her again, feel her presence, revived all my old affection for her'My Antonia is the unforgettable story of an immigrant woman's life on the Nebraska plains, seen through the eyes of her childhood friend, Jim Burden. The beautiful, free-spirited, wild-eyed girl captured Jim's imagination long ago and haunts him still, embodying for him the elemental spirit of the American frontier.In this powerful and astonishing novel, Willa Cather created one of the most winning yet thoroughly convincing heroines in American fiction.Trade ReviewShe is undoubtedly one of the twentieth century's greatest American writers * Observer *In fact it's one of the warmest, most quietly rousing books that I know; a clear-eyed salute to the resilience of the human spirit and the innate hardiness of the immigrants who came across the ocean to start afresh in the golden west -- Xan Brooks * Guardian *Willa Cather was a wordsmith of enormous talent -- Robert Slayton * Los Angeles Review of Books *Willa Cather makes a world which is burningly alive, sometimes lovely, often tragicHer voice, laconical and richly sensuous, sings out with a note of unequivocal love for the people she is setting down on the page

Read more less

Book SynopsisNanda Gray, the daughter of a Catholic convert, is nine when she is sent to the Convent of Five Wounds. Quick-witted, resilient and eager to please, she accepts this closed world where, with all the enthusiasm of the outsider, her desires and passions become only those the school permits. Her only deviation from total obedience is the passionate friendships she makes.Convent life is perfectly captured - the smell of beeswax and incense; the petty cruelties of the nuns; the eccentricities of Nanda's school friends.Trade ReviewFrost in May is the unsurpassed novel of convent school life. This story of a clash between a determined young girl and an authoritarian regime is both perceptive and painfully emotional, convincing in every detail -- Hermione Lee * Observer *Evelyn Waugh called [her] one of the very best novelists of the day - a title she still deserves -- Carol ShieldsIntense, troubling, semi-miraculous ... IT is not the only school story to be a classic; but I can think of no other that is a work of art * Elizabeth Bowen *A masterpiece. Beautifully written, it is a calm and factual record of the slow death of the soul -- Selina HastingsA small masterpiece, the compelling and passionate story of young girls at a repressive religious school, told with such lyricism and elegant economy, such subtle understanding -- Tessa Hadley

Read more less

Book SynopsisBy the bestselling author of Black Narcissus and The Battle of the Villa Fiorita'The River will make you laugh, make you cry and, in its way, change you forever' JULIE MYERSON'Her prose is pure, delicate, and gently witty' NEW YORK TIMES'Bold, beautiful . . . everyone's appetites will be satisfied' ELLEThe River is Rumer Godden's beautiful tribute to India and childhood, made into a film by Jean Renoir. And in a preface for this novel she explains how the classic tale came to be written.Harriet is caught between two worlds: her older sister is no longer a playmate, her brother is still a little boy. And the comforting rhythm of her Indian childhood - the sounds of the jute factory, the colourful festivals that accompany each season and the eternal ebb and flow of the river on its journey to the Bay of Bengal - is about to be shattered by a tragic event.Intense, vivid, and with a dark undertow, The River is a poignant portrait of the loss of a young girl's innocence.Available with Virago Modern Classics. Trade Review[Godden's] distinctive, poised and unsentimental books have never lost a shred of their almost hypnotic appeal -- Rosie Thomas * Guardian *Her craftsmanship is always sure; her understanding of character is compassionate and profound; her prose is pure, delicate, and gently witty * New York Times *The River will make you laugh, make you cry and, in its way, change you forever -- Julie MyersonBold, beautiful . . . everyone's appetites will be satisfied * Elle *A small masterpiece, a near perfect account of how childhood has to come to an end and the serpent must enter the garden . . . In The River she celebrates a passion for the people, colours, sounds and even the smells of India . . . She evokes, in simple, flawless prose, a young girl's first encounters with jealousy, sex, guilt and death -- Anne Chisholm * Spectator *The grace, the fragility, associated with Rumer Godden, again most evident in this new book * Kirkus Reviews *So intense, so quietly demanding of attention, that at the time there will be nothing in your thoughts but a small girl in India, and the people and places that were her world * Saturday Review *Compassionate wisdom and serene understanding . . . with each book she writes Miss Godden's position as one of the finest of English novelists becomes more secure -- Orville Prescott

Read more less

Book SynopsisMusil's limpid, psychological evocation of adolescent sexuality and its often sadistic eroticism which anticipates the carnage of both World Wars. As the nineteenth century draws to an end, young Törless is sent to a military boarding school for the sons of the nobility on the eastern outreaches of the Austro-Hungarian Empire. Far from his comfortable, free-thinking bourgeois home and left to his own devices, he experiences the joy, pain and self-doubt of adolescence. He is confronted with desire and love, but also his own cruelty, as he finds himself participating in his fellow pupils’ bullying campaigns. A dark Bildungsroman which shocked its readership at the time, Robert Musil’s first novel is a fresco of psychoanalysis, philosophy, eroticism, snobbery, sado-masochism and schoolboy humour, a hothouse of alternately repressed and unchained desires that prefigure the carnage of both World Wars.

Read more less

Book SynopsisHelen and Ridley Ambrose are preparing to set off for an exotic resort off the coast of South America on the Euphrosyne, a ship belonging to Helen’s brother-in-law Willoughby Vinrace. Travelling with them is his daughter Rachel – a quiet, unremarkable girl raised in the London suburbs by her spinster aunts after the death of her mother. Along the way other people come aboard, such as the upper-class Clarissa and Richard Dalloway. As Rachel interacts with the passengers, intrigued by their different personalities, it becomes clear that what started for her as a mere sea voyage is turning into a journey of self-discovery and a rite of passage that will change her for ever. Published in 1915 after a long period of gestation and several drafts, The Voyage Out marks Virginia Woolf’s debut as a novelist. Perhaps the most accessible of her major works, it is essential both for understanding the early development of her style and for the light it sheds on her own biography and artistic vision.

Read more less

Book SynopsisA kiss, a touch. A smile and a beating heart. Love and sex and dreams, art and drugs and the madness of youth. Betrayal and heartbreak, regret and pain, the melancholy of age. Katerina, James Frey's explosive new novel, is a sweeping love story alternating between 1992 Paris and Los Angeles in 2017.At its centre are a young writer and a young model on the verge of fame, both reckless, impulsive, and deeply in love. Twenty-five years later, the writer is rich, famous and numb, and he wants to drive his car into a tree, when he receives an anonymous message that draws him back to the life, and possibly the love, he abandoned years prior. Written in the same percussive, propulsive, dazzling, breathtaking style as A Million Little Pieces, Katerina echoes and complements that most controversial of memoirs, and plays with the same issues of fiction and reality that created, nearly destroyed, and then recreated James Frey in the global imagination.

Read more less

Book SynopsisWINNER OF THE COMMONWEALTH WRITERS' PRIZE 2009LONGLISTED FOR THE MAN BOOKER PRIZE 2010'A tremendously vital book in every sense.' - Sunday TimesAt a suburban barbecue one afternoon, a man slaps an unruly boy. The boy is not his son. It is a single act of violence, but the slap reverberates through the lives of everyone who witnesses it happen. Christos Tsiolkas presents the impact of this apparently minor domestic incident through the eyes of eight of those who witness it. The result is an unflinching interrogation of the life of the modern family, a deeply thought-provoking novel about boundaries and their limits...Trade ReviewThe must-read novel of the summer. * Guardian *Honestly, one of the three or four truly great novels of the new millennium. * John Boyne *Now and then a book comes along that defines a summer. This year that book is The Slap... The writing has shades of Martin Amis, Nick Hornby and Anne Tyler... The ideal summer read. * Daily Telegraph *As addictive as the best soap opera. * Daily Mail *A tremendously vital book in every sense. * Sunday Times *Dazzling. * Independent *Tsiolkas is a true storyteller and a hundred sentences could be plucked from the text to demonstrate his genius for establishing place, mood and character in a handful of words * Sydney Morning Herald *Brilliantly compelling and utterly fresh... Fiercely fantastic, you won't be able to put this down. * Grazia *Nothing short of a tour de force. Tsiolkas outs a microscope to family life and presents us with a vision both of unflinching honesty and great tenderness. Here is a novel of immense power and scope, reminiscent of Jonathan Franzen's The Corrections and Don De Lillo's Underworld. * Colm Toibin *Brilliant, beautiful, shockingly lucid and real, this is a novel as big as life built from small, secret, closely observed beats of the human heart. A cool, calm, irresistible masterpiece. * Chris Cleave *

Read more less

Book SynopsisThe Perseids brought it all out of the past, with a force like a blow that leaves you winded. The night lurched and seemed to swoop suddenly down. The boy still lay on his back, but when I sat up, gasping, I glimpsed the pale disc of his face as he turned to see what had startled me. 'It's all right,' I said, though it wasn't. It is the summer of 1954. Four young men, on a summer vacation buy an old car from a farmer and drive it from the hills of Wales all the way to the mountains of Spain. It is only a few years since the war, Europe is still in ruins. They are innocent and war-scarred, dreamers and realists, men but not much more than boys. They have their whole lives ahead of them. This will be their summer to remember. A beautiful, elegiac rumination on youth, friendship and the dreams that we hold. "A haunting meditation on memory and loss that takes the reader on a summer road trip to a vanished Spain. In this well-crafted, wistful novella, Sam Adams weaves his tapestry from fragments of a remembered friendship in a coming of age tale written with sixty years' bitter hindsight." - Richard Gwyn Sam Adams has created a rare novel in The Road to Zarauz, both timeless and very much of a time and a place, a past of hope and expectation erased in a moment, and what remains when hope is gone.

Read more less

Book SynopsisWinner of the 2020 Leipzig Book Fair Prize Longlisted for the 2022 Prix du Meilleur Livre Etranger Shortlisted for the 2022 Prix Femina etranger #1 on the Spiegel Bestseller List November 1989. The Berlin Wall has just fallen when the East German couple Inge und Walter, following a secret dream they've harboured all their lives, set out for life in the West. Carl, their son, refuses to keep watch over the family home and instead heads to Berlin, where he lives in his father's car until he is taken in by a group of squatters. Led by a shepherd and his goat, the pack of squatters sets up the first alternative bar in East Berlin and are involved in guerrilla occupations. And it's with them that Carl, trained as a bricklayer, finds himself an initiate of anarchy, of love, and above all of poetry. Winner of the prestigious Leipzig Book Fair Prize and a bestseller in German already with 150,000 copies sold, Star 111, musical and incantatory, tells of the search for authentic existence and also of a family exploded by political change which must find its way back together.Trade Review‘There aren’t many books that can be cited as the missing link between Uwe Johnson’s Anniversaries and Roberto Bolaño’s The Savage Detectives, and still fewer that could live up to the comparison, but Lutz Seiler (with impeccable assistance from Tess Lewis) makes it look easy. Star 111 is a brilliant, immersive, sometimes funny, slyly moving book with a main character who walks through the new reality he finds himself in like an astronaut exploring alone beneath a strange, harsh, beautiful sun. A stellar achievement.’ Will Ashon ---- 'It took Lutz Seiler, born in East Germany, thirty years to give to the moment [of the Fall of the Berlin Wall] the full richness of fertile and ambiguous human experience. With its ample narrative and powerful imagination, Star 111 is the "Wenderoman" par excellence, the great novel of the "turn", as German reunification is called.' Christine Lecerf, Le Monde des livres ---- 'The Berlin of Star 111 wakes a longing for a city like no other. You want to linger there in the squatted Assel bar where workers, hookers and departing Soviet soldiers cross paths with anarchists full of ideas.' Frederique Fanchette, Liberation ---- 'The presence of objects have is no doubt one of the most extraordinary things about Star 111. Everything is unique, everything has a price, everything is respected because it is the fruit of work or of making. Nothing is thrown away, everything kept. What if the objects have a soul? Read Star 111 (the title is the name of an East German transistor radio) and understand the real value of an object.' Cecile Dutheil de la Rochere, AOC ---- 'Lutz Seiler reaches the level of a Thomas Pynchon here. [...] This is atmospherically rich, true world literature. World literature is, after all, that which lets me see the world with different eyes, which shows me a part of the world I have not seen before. And this is what Seiler manages to do in Star 111.' Denis Scheck, SWR lesenswert ---- 'Star 111 reveals the fiery nucleus of everything political, its dual nature: the unity of poetic rapture and the mysticism of the revolution. [...] Lutz Seiler has the ability to describe the ridiculous, overheated and even the unconscionable of that political romanticism without having to denounce the original impulse. That's what makes Star 111 great literature.' Ijoma Mangold, Die Zeit ---- 'Star 111 is a novel full of hard-hitting, deeply moving psychology, full of scenes in which people shake the foundations of a reality that is in the process of creating new laws for itself.' Paul Jandl, Neue Zurcher Zeitung ---- 'The [goat in the novel], the reader understands, knows neither longing nor nostalgia. The fact that the novel shares, in this regard, the view of a goat, is its last and biggest virtue.' Thomas Steinfeld, Suddeutsche Zeitung ---- 'For the second time now Lutz Seiler has achieved something rather extraordinary: to talk about how one actually leads a poetic existence, a matter that is as euphoric as it is cruel, in a novel that is "accessible" in the best sense of the word.' Jan Wiele, Frankfurter Allgemeine Zeitung ---- 'Lutz Seiler talks about a city and a time that seemed to have been exhausted in fiction. But he creates a new fascination.' Jona Nietfeld, Der Tagesspiegel ---- 'It has been a long time since anyone has talked about those foggy years, glossed over with garish colours by other writers scores of times, more movingly than Lutz Seiler.' Anja Maier, die tageszeitung ---- 'Seiler tells a story of freedom in a poetically-precise style.' Der Spiegel ---- 'This is much more than a historical novel. It condenses an era and invokes the great panoramas of consciousness of modernity in a highly independent way.' Helmut Boettiger, Deutschlandfunk Kultur ---- 'This unexpected novel about post-reunification from the partially decayed, far from gentrified Berlin convinces with its unique atmospheric density, its gentle irony and the devotion to the matter at hand.' Bayerischer Rundfunk ---- 'With Star 111, Lutz Seiler presents a great novel that talks enchantingly about departures and downfalls, about social utopias and societal realities, about humiliation and pride. Fascinating.' Katja Weise, NDR Kultur ---- 'What distinguishes it from the many Berlin-Reunification-books is that there is not a trace of caricature, no manipulative narrative, but still captivating entertainment.' Roland Gutsch, Nordkurier ---- ‘Drawing on a history at once recent and ever more distant, Seiler's dazzling novel recounts just what must be lost for an artist to be made.’ Roland Bates, Kirkdale Books

Read more less

Book SynopsisThis gorgeous, funny novel paints a picture of a bygone era, depicting the changing society in Ceylon after Independence from the British in 1948. Three Tamil girl cousins, Gowry, Saratha and Buvana, grow up in the old-fashioned village of Kolavil in Eastern Sri Lanka near the beautiful River Thillai. As they approach womanhood, they each struggle in their own way to assert themselves in opposition to the strict traditions of Tamil culture and their powerful Grandma. Their idyllic village life is threatened by people and by events beyond their control. Meanwhile, the reader can get lost in a colourful world of flamingos, temple bells and coconut prawn curry.

Read more less

Book SynopsisIt's 1992 in Portland, Oregon. Fifteen-year-old Julie Winter moves through her days as if underwater - watching skaters through the constant rain, detached from her best friend's crushes, listening to the same B-side REM song on repeat. The rest of the world is caught up in the AIDS crisis, the war in Yugoslavia, and grunge. But to Julie it's all background. No one at home talks about her older brother, a once-champion swimmer who could be living in Berlin, or could be anywhere. And although she spends her time searching for pictures of him in the pages of Swimmer's World magazine, she'd never considered swimming herself. Until Alexis, captain of the swimming team, tries to recruit her. What starts as a flirtation and an infatuation becomes a chance to join in with the world, find out what really happened to her brother, or finally let him go. Yearning, stifled, and sharp, Dryland is an anti-coming out novel that captures gauzy queer exploration at its quietest and its most loud.Trade Review"Be still my gay grunge heart" - Beth Ditto “Sara Jaffe’s Dryland is the perfect indie-rock love song, an anthem for lonely 90s queer kids—a little melancholy, a little surly, a little dirty." - Andrea Lawlor, Paul Takes the Form of a Mortal Girl "Remarkable. It's realism, but its realism brushes ever so deftly against the allegorical, making the novel shimmer, part diary, part dream" - Maggie Nelson, The Argonauts "A brilliant, beautiful, and evocative first novel, full of historical and experiential details that I had never quite articulated to myself and was so grateful and happy to find written down. Sara Jaffe is a treasure." - Elif Batuman, The Idiot "A gorgeous, layered, meticulous, clamoring, beating heart of a thing." - Sara Marcus, Girls to the Front "Moving sideways with its weight of secrets, this novel never strikes a false note"- Kirkus

Read more less

Book SynopsisWINNER OF THE WRITERS'' GUILD FIRST NOVEL AWARD 2020ELLE ONES TO WATCH 2019''Not since Holden Caulfield have I been so captivated by a first-person voice as the one Season Butler creates in Cygnet'' Blake Morrison''A bright new voice in literature'' Bernardine Evaristo''Terribly moving'' China Miéville''A beautiful book, a meander through the fluid anxiety of youth'' Uzodinma Iweala''[A] potent debut . . . A strange, promising beginning'' Observer The Kid doesn''t know where her parents are. They left with a promise to come back months ago, and now their seventeen-year-old daughter is stranded on Swan Island. Swan isn''t just any island; it''s home to an eccentric old age separatist community who have shunned life on the mainland for a haven which is rapidly sinking into the ocean. The Kid''s arrival threatens to burst the Trade ReviewComing-of-age fiction is a well-established genre but I doubt there's ever been a novel in which the narrator turns 18 on an island exclusively occupied by oldsters. And not since Holden Caulfield have I been so captivated by a first-person voice as the one Season Butler creates in Cygnet: 'kiddo' or 'small-fry' as the Wrinklies call her is super-bright but also naive, tough-minded but also vulnerable, self-reliant but also adrift. How long will she remain on the island? How long will the island itself remain, increasingly eroded by the ocean as it is? Will her parents arrive in time to celebrate her birthday? We don't know, but this sad, funny, highly original novel keeps us turning the pages to find out * Blake Morrison, Author of Things my Mother Never Told Me *Season Butler is an extraordinary writer. In this wonderful novel the narrative voice is rhythmic and compelling, telling a coming of age story which resonates with our times. Like Colson Whitehead, her work is fearless in its inventiveness. I've always thought Season was the real deal, this book proves that she has arrived * Julia Bell, Author, The Dark Light *Terribly moving. A clear-sighted, poignant rumination on loneliness, love, the melancholy of age and of youth - and, in its quiet way, the end of the world * China Miéville *Season Butler has written an imaginative, atmospheric and original novel that lingers in the memory long after reading . . . A bright new voice in literature * Bernardine Evaristo *An original novel with a memorable narrator * Elle (Eight Books to Devour) *An uncanny meditation on mortality and intergenerational distrust * Metro *[A] potent debut . . . A strange, promising beginning * Observer *[A] vivid, poetic debut * Daily Mail *As sixteen-year old environmental activist Greta Thunberg has shown us, teenagers are the ideal candidates for raising consciousness about our planetary plight. Kid's ardent voice powers Cygnet. Her expression of the loneliness, boredom and rage she feels at her circumstances is reminiscent of Holden Caulfield . . . the characters have real emotional depth . . . Cygnet is both very funny and convincingly tragic, its young narrator memorably charismatic and self-aware * Literary Review *Season Butler (in her novel Cygnet) describ[es] an island occupied, with one exception, by geriatrics - the exception being the narrator, whose wise reflections on age, race, class and global warming belie her tender youth -- Blake Morrison * New Internationalist *

Read more less