Narrative theme: coming of age

Ten years ago, two girls’ lives changed forever.Now one of them is ready to tell their story.***'A quirky lovable mystery and a brilliant, heartbreaking debut' Stylist'A new face of fiction [and] an original coming of age novel' Observer ***The first memory I have of you is all knickers and legs. You had flipped yourself into a handstand and couldn’t get back down. We became best friends, racing slugs, pretending to be spies – all the things that children do.Ten years later, eighteen-year-old Ravine Roy spends every day in her room. Completing crosswords and scribbling in her journal, she keeps the outside world exactly where she wants it; outside. But as the real world begins to invade her carefully controlled space, she is forced to finally confront the questions she’s been avoiding. Who is her mother meeting in secret? Who has moved in next door?And why, all those years ago, when two girls pulled on their raincoats and wellies and headed out into the woods did only one of them return?‘A breakout book from an incredibly talented debut writer. Read, weep and laugh’ Stylist ‘An original heartfelt read by a new British talent’ Independent‘A delightfully fresh voice’ Daily Mail

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Book SynopsisA dazzling, smart and razor-sharp story collection by Curtis Sittenfeld, Sunday Times bestselling author of Rodham and American Wife.The theme that unites these stories is how even the cleverest people tend to misread others, and how much we all deceive ourselves. Sharp and tender, funny and wise, they show Sittenfeld's knack for creating real, believable characters that spring off the page, while also skewering contemporary mores with brilliant dry wit.'DO-OVER', ONE OF THE STORIES IN THIS COLLECTION, WAS SHORTLISTED FOR THE 2018 SUNDAY TIMES EFG SHORT STORY AWARD.

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Book Synopsis'Utterly magnificent . . . gripping, accomplished and dark' Marian KeyesWINNER: Newcomer of the Year at the IBAs WINNER: Bookseller YA Prize WINNER: CBI Eilis Dillon Award Buzzfeed's Best Books Written by Women in 2014The bestselling novel about beauty, body image and betrayaleves are designed, not made. The School trains them to be prettyThe School trains them to be good.The School trains them to Always be Willing.All their lives, the eves have been waiting. Now, they are ready for the outside world.companion . . . concubine . . . or chastityOnly the best will be chosen.And only the Men decide.Trade ReviewGripping ... like all the best dystopias, Only Ever Yours is about the world we live in now * Irish Times *The Handmaid's Tale meets Mean Girls' * The Vagenda *Utterly magnificent ... gripping, accomplished and dark * Marian Keyes *Deserves to be read by young and old, male and female, the world over in the same way Harry Potter and The Hunger Games were * Sunday Independent *A dark dream. A vivid nightmare. The world O'Neill imagines is frightening because it could come true. She writes with a scalpel * Jeanette Winterson *Deep, dark and frighteningly believable, this book will stay with you for a long time * Marie Claire *Compelling writing ... this only-too-real dystopia grips from beginning to end * SFX *Margaret Atwood's The Handmaid's Tale with a post-millennial twist * The Journal.ie *The bleakness of The Catcher in the Rye, the satire of The Stepford Wives and it made me recall Nineteen Eighty-Four ... a fresh and original talent * Irish Independent *Terrifying but captivating * Company *A sparkling debut that will really make you think * Heat *'Compelling and frightening' * Irish Examiner *An ingenious exploration of gender roles, female identity and female competition * Buzzfeed *'Terrifying and heartbreaking, O'Neill's story reads like an heir to Margaret Atwood's The Handmaid's Tale and MT Anderson's Feed, and, like those two books, it's sure to be discussed for years to come' * Publisher's Weekly *'A stunning debut set in a dystopian future that has everyone talking . . . once read, will never be forgotten' * Irish Independent *Dark, gripping . . . should be mandatory reading everywhere * The F Word *

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Book Synopsis‘By turns beguiling and unsettling, Flotsam examines grief and loss through the eyes of an extraordinary child’ Rachel SeiffertTrine and her mother live in a cottage on the German coast. The mudflats that surround them disappear and reappear with the North Sea tides. The family leads a lonely existence, but each person has adapted in their own way. Anna roams the beaches collecting flotsam and jetsam to make art, while Trine loves playing on a wartime shipwreck. That is, until she loses her brother.In her taut style, Meike Ziervogel tells a coming-of-age story from 1950s Germany – a place still haunted by war. A place where people pretend not to notice the ghosts.Trade ReviewZiervogel grew up in Germany and this taut, mysterious novel not only conjures female subjectivities and grief, but it also paints a haunting portrait of the country in the 1950s Germany, with its greater sense of loss, and the looming spectre of crimes committed during the war. -- Arifa Akbar * The Guardian *The writing has a dark and haunting quality yet there is much beauty in its concise construction. The story ebbs and flows with the ghosts of the past and the effects of the isolated location. Both Trine and Anna show a resolve that can be unsettling, beguiling – perhaps because young women are not expected to behave as they do. An astute and arresting tale… -- Jackie Law * neverimitate *This is not an easy book to write about without muffling the small shocks and perplexities which readers should experience for themselves. Told first from Trine’s perspective then Anna’s, it’s the briefest of novellas yet it provokes more thought than many books three times its length. Written in often lyrical yet spare, clean prose, Flotsam is haunted by grief, leaving much for readers to deduce for themselves. * A Life in Books *★★★★★ If you’ve read Ziervogel before you will be aware of her ability to tell a dark, haunting story of loss and grief in mesmerising prose. Flotsam excels in this regard, it depicts the cruel way a separation is inflicted upon the living and the stories we tell ourselves to survive. Flotsam looks at the psyche of the nation, the greyness of the post war world as the country attempts to modernise and leave the past behind. Heart breaking and thought provoking, this elegiac and insightful novella is poignant, timely and deeply intelligent. -- Paul Burke * NB Magazine *Anna’s experience of World War Two and the consequences of an event in the War, dominates her daughter’s life. Flotsam asks how will the next generation live in the shadow of such destruction, when so much of that history is left silent? Wonderfully concise yet powerful, Flotsam seems simple while offering a layered intelligence that should be valued. -- James Doyle * Bookmunch *

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Book SynopsisA gripping and dark fictionalised account of life inside the Manson family from one of the most exciting young voices in fiction.If you’re lost, they’ll find you…Evie Boyd is fourteen and desperate to be noticed. It’s the summer of 1969 and restless, empty days stretch ahead of her. Until she sees them. The girls. Hair long and uncombed, jewelry catching the sun. And at their centre, Suzanne, black-haired and beautiful.If not for Suzanne, she might not have gone. But, intoxicated by her and the life she promises, Evie follows the girls back to the decaying ranch where they live.Was there a warning? A sign of what was coming? Or did Evie know already that there was no way back? ‘Taut, beautiful and savage, Cline’s novel demands your attention’ GuardianTrade ReviewA coming-of-age tale like no other … the book of the summer * Grazia *Stunning…thrilling… A spectacular achievement * The Times *This book will break your heart and blow your mind * Lena Dunham *The read of the summer -- India Knight * Sunday Times *A tense and claustrophobic read * Stylist *Taut, beautiful and savage, Cline’s novel demands your attention * Guardian *An exhilarating read * Emma Healey, author of Elizabeth is Missing *Darker than anything Gone Girl had to offer * Shortlist *A seductive and arresting coming-of-age story...spellbinding * New York Times Book Review *An intensely atmospheric story that perfectly captures the aching loneliness and longing of a teenage girl. -- Sarra Manning * Red *One of the best novels I've read about female adolescence... And as with so many novels about cults, The Girls is set to inspire a cultish devotion all of its own * Evening Standard *A joy to read… Intense, clever, beautiful * Sunday Times *Brimming with intelligence and ideas… Buy it for the Mansonesque plot but savour it for its insights * Irish Times *I don't know which is more amazing, Emma Cline's understanding of human beings or her mastery of language. -- Mark Haddon

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Book SynopsisThe Israeli master’s exceptional final novelSHORTLISTED FOR THE MAN BOOKER INTERNATIONAL PRIZE 2017 Shmuel – a young, idealistic student – has abandoned his studies in Jerusalem, taking a live-in job as a companion to a cantankerous old man. But Shmuel quickly becomes obsessed with the taciturn Atalia, a woman of enchanting beauty, who also lives in the house. As the household’s tangled, tragic past becomes apparent, so too does story behind the birth of the state of Israel. Journeying back into the deep past, Judas is a love story like no other by a master storyteller at the height of his powers.‘A hero of mine, a moral as well as literary giant’ Simon Schama‘One of his boldest works of all’ Boyd Tonkin, Financial Times‘Amos Oz…brought so much beauty, so much love, and a vision of peace to our lives. Please hold him in your hearts and read his books’ Natalie PortmanJudas is the first novel selected for the Amos Oz reading circle established by Natalie Portman. Trade ReviewJudas is many-layered, thought-provoking and – in its love story – delicate as a chrysalis, this is an old-fashioned novel of ideas that is strikingly and compellingly modern. -- Peter Stanford * Observer *A very absorbing addition to his remarkable oeuvre -- Andrew Motion * Guardian *This book is compassionate as well as painfully provocative, a contribution to some sort of deeper listening to the dissonances emerging from deep within the politics and theology of Israel and Palestine. -- Rowan Williams * New Statesman *After almost two dozen books that track changes in both heart and state with untiring strength and subtlety, the Israeli master has delivered one of the boldest of all his works… Nicholas de Lange, Oz’s distinguished translator, steers these virtuoso transitions between debate and domesticity with unerring skill… Oz can imagine, and inhabit, treachery of every stripe. But he keeps faith with the art of fiction. -- Boyd Tonkin * Financial Times *A big, beautiful novel… Funny, wise and provoking. -- Kate Saunders * The Times *challenging, complex and strangely compelling… The ideas at the novel’s centre have great vitality and force. The philosophical passages bristle with linguistic energy, scriptural references and dense detail, vividly conveyed in Nicholas de Lange’s translation. -- Eva Hoffman * Spectator *It is rich in material to grapple with. Oz engages with urgent questions while retaining his right as a novelist to fight shy of answers: it’s a mark of his achievement that the result isn’t frustrating but tantalising. -- Anthony Cummins * Daily Telegraph *A masterpiece: command of the word, mastery of construct, the ability to stimulate all the senses of the reader. * La Reppublica *Judas is a rich and thrilling novel, one of the most interesting books published this year. * Haaretz *Amos Oz belongs to the great authors of world literature * Suddeutsche Zeitung *

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Book Synopsis'The kind of book that changes readers for the better' GuardianWhen a family tragedy means Mick is sent to the outback to live with his Granpa, it looks as if he has a lonely life ahead of him. The cattle station is a tough place for a child, where nature is brutal and the men must work hard in the heat and dust. However, after a cyclone hits, things change for Mick. Exploring the floodwaters, he finds a lost puppy covered in mud and half-drowned. Mick and his dog immediately become inseparable as they take on the adventures offered by their unusual home, and the business of growing up, together. In this charming prequel to the much-loved Red Dog, Louis de Bernières tells the moving story of a young boy and his Granpa, and the charismatic and entertaining dog who so many readers hold close to their hearts.Trade ReviewThe kind of book that changes readers for the better… The love between Mick and Granpa, and the changing landscape they inhabit, are the highlights of this superb story. * Guardian *Wise and heartwarming. -- Max Davidson * Mail on Sunday *[Blue Dog] is the heart-warming, funny, coming-of-age story… This is an irresistible, feel-good, laugh-out-loud tale… It is not an easy place to leave behind. -- Nicolette Jones * Sunday Times *A young adult novel that will appeal to all ages. -- Lorna Cumming-Bruce * Financial Times *A beautifully told story. -- Emily Bearn * Daily Telegraph, Book of the Year *

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Book SynopsisAn international sensation, Small Country is a beautiful but harrowing tale of coming-of-age in the face of civil war.'A luminous debut novel…Faye dramatises the terrible nostalgia of having lost not only a childhood but also a whole world to war' GuardianBurundi, 1992. For ten-year-old Gabriel, life in his comfortable expat neighbourhood of Bujumbura with his French father, Rwandan mother and little sister, Ana, is something close to paradise. These are happy, carefree days spent with his friends sneaking cigarettes and stealing mangoes, swimming in the lake and riding bikes in the streets they have turned into their kingdom. But dark clouds are gathering over this small country, and soon their peaceful idyll will shatter when Burundi and neighbouring Rwanda are brutally hit by war.‘Unforgettable… Gaël Faye’s talent is breathtaking’ Imbolo Mbue, author of Behold the DreamersTrade Reviewan excellent novel, a model of restraint and quiet literary sophistication * Sunday Times *[A] luminous debut novel… This is a book that demanded to be written... With a light touch, Faye dramatises the terrible nostalgia of having lost not only a childhood but also a whole world to war -- Nadifa Mohamed * Guardian *An evocative portrait of what it means to lose one’s freedom and innocence. Gaël Faye’s literary powers lie in his unbridled honesty and his effortless prose. He is a writer of great promise and grace -- Chigozie Obioma, author of The FishermenUnforgettable… Gaël Faye’s talent is breathtaking; no country that can give the world a writer like him should ever be called small -- Imbolo Mbue, author of Behold the Dreamersas beautiful as it is painful... It's easy to see why it set the French literary scene alight. This is one you won't be abandoning in the hotel library when you leave. -- Sam Baker * The Pool *

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Book SynopsisWinner of the 2020 PEN/Faulkner Award'A mesmerizing, revelatory novel, smart and funny and laced with a strangeness... For my money, Chloe Aridjis is one of the most brilliant novelists working in English today' Garth GreenwellOne autumn afternoon in Mexico City, 17-year-old Luisa does not return home from school. Instead, she boards a bus to the Pacific coast with the reckless, impulsive Tomás, a boy she barely knows. Their quest: to track down a troupe of Ukrainian dwarfs who have recently escaped a touring circus.Together they head for Zipolite, the ‘Beach of the Dead’, a community peopled by hippies, nudists, beach combers and eccentric storytellers, and Luisa searches for someone, anyone, who will ‘promise, no matter what, to remain a mystery’. But as Luisa wanders the shoreline, she begins to discover that a quest is more easily envisioned than accomplished.'Destined to be a classic: a richly imaginative, reflective and entracing novel' Xiaolu GuoTrade ReviewThe novel's brilliance lies in capturing so convincingly that state of adolescent restlessness... Aridjis’s languid prose lets these images wash over the reader, unfurling in comma-rich sentences that beautifully render a state of inertia -- Francesca Carington * Daily Telegraph *Sea Monsters is a mesmerizing, revelatory novel, smart and funny and laced with a strangeness that is never facile but serves as a profound and poetic tool for navigating our shared world. Chloe Aridjis is the rare writer who reinvents herself in each book; she is, for my money, one of the most brilliant novelists working in English today -- Garth GreenwellA mesmerising novel… Aridjis beautifully renders the perspective of a bored, intelligent, privileged teenage girl — a decadent, solipsistic daydream -- Emily Rhodes * Financial Times *Self-contained, inscrutable, and weirdly captivating, like a salvaged object that wants to return to the sea -- Katy Waldman * New Yorker *Aridjis riffs like a poet, letting each image twist and grow into the next... The novel’s strength lies in its ability to turn to the next magic trick, the next detail, the next sight. Those sights are all the more impressive when conjured solely from language. By opting out of fiction’s conventional prioritization of plot or character development, Aridjis foregrounds her ability to develop images and metaphors. The result is seductive in its multiplicity. Mallarmé would be proud -- Lily Meyer * Atlantic *

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Book SynopsisNOW A MAJOR FILM'... with air in its lungs and love in its heart' Guardian *****An epic journey of friendship and self-discovery set in the breathtaking Italian Alps, about two boys who meet in the same village every summer, and the men they grow up to become.Pietro, an impressionable city boy, spends his summers in a secluded valley in the Alps. There, surrounded by meadows and peaks, he begins to learn of his father's dreams and passions. There, too, he meets Bruno, the son of a local stonemason. As the pair run wild, they form a once-in-a-lifetime friendship.Then one year, the summer visits stop. Pietro is drawn to cities around the world. But the memory of the mountains never leaves him and, after his father dies, he returns in search of the freedom and camaraderie that he once knew.'Exquisite... A rich, achingly painful story'ANNIE PROULX, author of The Shipping News'ENCHANTING' Guardian'BRILLIANT' New York Times'ABSORBING' Irish TimesWinner of the 2017 Strega Prize, the Prix Médicis étranger, and the Jury Prize at the 2022 Cannes Film Festival.Trade ReviewA fine book, a rich, achingly painful story that is made for all of us who have ever felt a hunger for the mountains. Few books have so accurately described the way stony heights can define one’s sense of joy and rightness. And it is an exquisite unfolding of the deep way humans may love one another. -- Annie ProulxCould Cognetti be the new Elena Ferrante? * The Bookseller *A great story about friendship and about what it means to become a man * Vanity Fair Italia *There are no more universal themes than those of the landscape, friendship, and becoming adults, and Cognetti’s writing becomes classical (and elegant) to best tell this story…a true novel by a great writer * Rolling Stone Italia *A beautifully crafted piece of writing... Absorbing... The power of nature to transform the individual, for good and for bad, is seen through each of the characters -- Sarah Gilmartin * Irish Times *

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Book Synopsis**LONGLISTED FOR THE MAN BOOKER PRIZE 2018**An elegiac novel set in post-WW2 London about memory, family secrets and lies, from the internationally acclaimed author of The English Patient It is 1945, and London is still reeling from the Blitz. 14-year-old Nathaniel and his sister, Rachel, are apparently abandoned by their parents, left in the care of an enigmatic figure named The Moth. They suspect he might be a criminal, and grow both more convinced and less concerned as they get to know his eccentric crew of friends: men and women all who seem determined to protect Rachel and Nathaniel. But are they really what and who they claim to be? A dozen years later, Nathaniel journeys through recollection, reality and imagination to uncover all he didn’t know or understand in that time, to piece together a story that feels something like the truth. ‘A novel of shadowy brilliance’ The Times ‘Fiction as rich, as beautiful, as melancholy as life itself, written in the visionary language of memory’ Observer ‘Ondaatje brilliantly threads the mysteries and disguises and tangled loyalties and personal yearnings of the secret world... I haven’t read a better novel this year’ TelegraphTrade ReviewOur book of the year – and maybe of Ondaatje's career. * Daily Telegraph **Books of the Year** *Michael Ondaatje’s Warlight is a rare and beautiful thing – a deeply retrospective novel about war secrets that feels neither overstated nor overly ethereal. In sumptuous prose, Ondaatje limns the psyche of a man still trying to make sense of his complicated relationships and the mysteries surrounding his absent parents. One of the most absorbing books I’ve read all year. -- Esi Edugyan * Times Literary Supplement **Books of the Year 2018** *Warlight sucked me in deeper than any novel I can remember… fiction as rich, as beautiful, as melancholy as life itself. -- Alex Preston * Observer *From the very first sentence you’re desperate to find out what happens next… All is slowly, tantalisingly revealed, in flashbacks, fragments, digressions and stories within stories, narrated in majestic Ondaatjean style. -- Ian Sansom * New Statesman *In Warlight we have a writer who knows exactly what he’s doing – and has constructed something of real emotional and psychological heft, delicate melancholy and yet, frequently, page-turning plottiness. I haven’t read a better novel this year. -- Sam Leith * Daily Telegraph *The latest novel from the author of The English Patient is just glorious... rendered with Dickensian verve. My hot tip for the Booker Prize. -- Allison Pearson * Harpers Bazaar *Ondaatje’s first novel in seven years mesmerizes from start to finish. -- Hephzibah Anderson * Mail on Sunday *I spend the months before the publication of a new Michael Ondaatje novel trying to keep my expectations in check, telling myself it's simply unfair to expect as much of any writer as I expect from Ondaatje. Then he pulls off a Warlight, and I'm embarrassed by my own lack of faith... [Warlight] is surprising, delightful, heartbreaking and written as only Ondaatje could write it. -- Kamila Shamsie * Observer *Compulsively and grippingly readable. In fact I read it first at a gallop, enthralled by the image of a city and a world distorted and all but destroyed by war, and then again slowly, determined to savour the details and extract as much as I could from it. Much remained puzzling on this second reading, but two things are clear: Michael Ondaatje is a marvellous writer, and Warlight is a novel which will continue to play in the reader’s imagination. -- Allan Massie * Scotsman *Ondaatje [is] such a thrilling writer… I loved [Warlight]. -- Johanna Thomas-Corr * Evening Standard *

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Book Synopsis'An electrifying, word-perfect tale… Gently devastating, devastatingly beautiful’ Daily Mail'Funny, piercing, and singular… I can’t fathom the reason why you wouldn’t rush straight out to buy it’ ObserverDetermined, rebellious Marianne Clifford is searching for love and freedom in 1960s LondonHow do you find the courage to make your own life?Marianne Clifford, teenage daughter of a peppery army colonel and his vain wife, falls helplessly and absolutely for eighteen-year-old Simon Hurst, whose cleverness and physical beauty suggest that he will go forward into a successful and monied future, helped on by doting parents. But fate intervenes. Simon's plans are blown off course, he leaves for Paris and Marianne is forced to bury her dreams of a future together.It is Marianne who tells this piercing story of first love, characterising herself as ignorant and unworthy, whilst her smart, ironic narration tellingly reveals so much more. Finding her way in 1960s Chelsea, and supported by her courageous Scottish friend, Petronella, she continues to seek the life she never stops craving. And in Paris, beneath his blithe exterior, Simon Hurst continues to nurse the secret which will alter everything.‘Tremain has always surprised and delighted her readers’ Sunday Times, Best 23 Novels of 2023** A THE TIMES BOOK OF THE YEAR 2023**READERS LOVE ABSOLUTELY AND FOREVER:'Heartrending, funny, unputdownable' 5*****'An undoubted modern classic' 5*****'Marianne will remain with me as a friend' 5*****'A masterclass in character and world building ... the writing is just sublime' 5*****Trade ReviewPRAISE FOR ABSOLUTELY AND FOREVER:'Stunningly beautiful and deeply moving' * Simon Schama *A slim, funny, elegantly breezy coming-of-age story * Sunday Times *Written with piercing clarity and gentle humour, Absolutely And Forever is a study of the messiness of human relationships, the significance of secrets unspoken and the impact of the choices we make * Independent *This is a book about the comic, painful, life-long search for human understanding. Not a word is wasted; not a phrase trite. It is mesmerising, masterly and profoundly moving * Financial Times *[A] delicate, generous-hearted novel * Spectator *

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Book SynopsisArthur Maxley is a tense and listless young man. One day he receives a letter from his long-estranged father. Arthur's fear and aversion to the man is powerful, yet his compulsion to see his father is irresistible. After their meeting, Arthur is propelled into a night of drinking and spontaneous intimacy with a beautiful young woman. But as the memories of childhood trauma surface and disorientate, Arthur's night out rises towards the pitch of disaster.

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Book SynopsisWilla Cather’s best-loved novel, and the final book in the Great Plains trilogy, is a beautiful portrayal of friendship, longing and growing up in frontier Nebraska. When young orphan Jim Burden is sent to live with his grandparents in Nebraska, he finds himself growing up alongside Bohemian immigrant Ántonia Shimerda. Their childhoods are full of shared adventures but as they grow their paths diverge, spurred on by the dire poverty of the Shimerda family. Yet Jim will never forget Ántonia, spellbound by her strength and remarkable free spirit. WITH A NEW INTRODUCTION BY TRAVEL WRITER SARA WHEELERTrade ReviewA clear-eyed salute to the resilience of the human spirit * Guardian *My Ántonia remains a revelation * The Paris Review *The knowledge of long hardship gives weight to the novel’s exquisitely realized moments of fulfilment… Cather looks with a wise, clear eye on those quiet moments -- Alexandra Harris * Harper's Bazaar *

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Book SynopsisVINTAGE CLASSICS' HARLEM RENAISSANCE SERIESCelebrating the finest works of the Harlem Renaissance, one of the most important Black arts movements in modern history.'White peoples maybe mistreats you an' hates you, but when you hates 'em back, you's de one what's hurted, 'cause hate makes yo' heart ugly - that's all it does'Sandy's in the fifth grade when he's forced to sit on the back row away from his white classmates and denied entry to a new amusement park. His grandmother, who is raising him alongside his mother and aunt, tells him that love is the only thing to make room for in his heart. But it's Sandy's discovery of literature that inspires him to continue his education and make sense of the unjust world he inhabits in the debut novel from one of the foremost pioneers of the Harlem Renaissance.'[Hughes] gives his readers... a guide for careful consideration of the lives of everyday black people. Such a guide is still useful to readers and writers today. Perhaps now more than ever' Angela Flournoy, New York Times

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Book Synopsis'He must know by now, I should think, that I can give as good as I get!'This is the story of Gigi, educated as a future courtesan in Paris, her days are filled with cigars, lobster, lace and superstitions. Bored and unconvinced by what she's taught, Gigi surprises everyone with her earnest approach to love.In this classic turn-of-the-century novella, Colette unveils Gigi's journey into womanhood in rich and supple prose.Meet ten of literature's most iconic heroines, jacketed in bold portraits by female photographers from around the world.Trade Review“A perpetual feast to the reader…her prose is rich, flawless, intricate, audacious and utterly beautiful.” -- Raymond Mortimer

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Book Synopsis'She's no good, that girl. Much too individualistic'This is the story of Fenfang who, determined to carve out a life more independent than her provincial roots, gets a job as a film extra in Beijing. But living a modern life is not as easy as it looks in this tumultuous, messy city. Grappling with the narrow world of cinema, an outworn Communist regime, and the city's far-from-progressive attitudes to women, charismatic Fenfang finds her true freedom in the one place she never expected.20 Fragments of a Ravenous Youth is a sparkling and wry coming-of-age story about the changing identity of women in contemporary China.Meet ten of literature's most iconic heroines, jacketed in bold portraits by female photographers from around the world.

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Book SynopsisVINTAGE CLASSICS' AMERICAN GOTHIC SERIESSpine-tingling, mind-altering and deliciously atmospheric, journey into the dark side of America with nine of its most uncanny classics.A gripping and dark fictionalised account of life inside the Manson family from one of the most exciting young voices in fiction.If you're lost, they'll find you...Evie Boyd is fourteen and desperate to be noticed.It's the summer of 1969 and restless, empty days stretch ahead of her. Until she sees them. The girls. Hair long and uncombed, jewelry catching the sun. And at their centre, Suzanne, black-haired and beautiful.If not for Suzanne, she might not have gone. But, intoxicated by her and the life she promises, Evie follows the girls back to the decaying ranch where they live.Was there a warning? A sign of what was coming? Or did Evie know already that there was no way back?'Taut, beautiful and savage, Cline's novel demands your attention' Guardian

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Book Synopsis'Tender, beautiful and bold. A very special novel.' LIZZIE HUXLEY-JONES, author of Make You Mine This Christmas'Fun, fresh and clever . . . a huge treat for all fans of Jane Eyre.' KATIE LUMSDEN, author of The Secrets of Hartwood Hall'A sublime and tenderly written novel.' BEA FITZGERALD, author of Girl, Goddess, QueenAll Brontë Ellis has ever known is life at St. Mary's all-boys boarding school, where he lingered first as a student and then as a teaching assistant. So when a chance to forge a new life in Cambridge presents itself, he seizes it with both hands. Arriving at Greenwood Manor as the new live-in tutor, Bron finds himself welcomed by all - the gregarious Mr Edwards, his precocious pupil Ada . . . except for Darcy, the elusive and tempestuous eldest son. Despite the rumours about him, Bron cannot help feeling drawn to the one person who seems determined to avoid him.When tragedy strikes the house, Bron begins to sense dark secrets smouldering beneath Greenwood Manor's surface. Soon he's not sure what to believe, or whether he even has a future at Greenwood. Only Darcy holds the key, if he can be persuaded to reveal his heart to Bron . . .'A love letter to the period drama, and one I could not put down.' WILLIAM HUSSEY, author of Broken Hearts and Zombie Parts'Clever and beautifully written, I loved this.' EMMA CARROLL, author of The Week at World's EndTrade ReviewTender, beautiful and bold. A deeply nostalgic modern classic with a bibliophile, genderqueer Jane Eyre protagonist. Brilliant queer anachronism and deep longing blended with Castle's prose and storytelling prowess make for a very special novel. * Lizzie Huxley-Jones, author of Make You Mine This Christmas *Fun, fresh and clever. A fantastic coming of age story, and a huge treat for all fans of Jane Eyre. * Katie Lumsden, author of The Secrets of Hartwood Hall *A love letter to the period drama, and one I could not put down. * William Hussey, author of Broken Hearts and Zombie Parts *The Manor House Governess is a sublime and tenderly written novel that is at once an interrogation of and love letter to the literary classics. I am so happy this book exists. * Bea Fitzgerald, author of Girl, Goddess, Queen *A brilliantly queer take on the Victorian governess archetype. Conceptually clever & beautifully written, I loved this homage to Jane Eyre & Jane Austen. * Emma Carroll, author of The Week at World's End *In turns spooky, funny, and romantic, C. A. Castle's debut novel is sure to be a hit with readers across genres and generations. * Mackenzi Lee, Stonewall Honor and New York Times-bestselling author of The Gentleman's Guide to Vice and Virtue *C.A. Castle's The Manor House Governess weaves past and present together to create a queer story of love and intrigue that feels thrillingly new and boldly relevant. * Abdi Nazemian, author of Stonewall Honor book Like a Love Story and Only This Beautiful Moment *Atmospheric and emotional, this is a mystery that feels at once timeless and totally modern. This slow-burner will keep you guessing until the final pages. An assured debut. * Justin Myers, author of The Last Romeo, The Fake-Up and The Magnificent Sons *Brimming with lush prose and multi-dimensional characters, The Manor House Governess is a reimagining unlike any other. A modern classic about identity, love, and boldly walking one's own path. * Ashley Herring Blake, author of Delilah Green Doesn’t Care *

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Book Synopsis Shortlisted for the International Prize for Arabic Fiction 2018 This number one best-selling title in Iraq, Dubai, and the UAE is a heart-rending tale of two girls growing up in war-torn Baghdad Baghdad, 1991. The Gulf War is raging. Two girls, hiding in an air raid shelter, tell stories to keep the fear and the darkness at bay, and a deep friendship is born. But as the bombs continue to fall and friends begin to flee the country, the girls must face the fact that their lives will never be the same again. This poignant debut novel reveals just what it's like to grow up in a city that is slowly disappearing in front of your eyes, and how in the toughest times, children can build up the greatest resilience.Trade Review‘Vivid, at times surreal… the novel confronts the reality of Baghdad in the final decade of the twentieth century through the vision of a girl who often imbues it with wonder and beauty.’ * TLS *"The Baghdad Clock is not just a popular winner with Edinburgh International Book Festival readers this year - it's also a brilliant winner that will live long in the memory and it established Shahad Al Rawi as a force to be reckoned with, in Arabic and English alike." * Nick Barley, director of the Edinburgh International Book Festival *‘With tremendous talent and a sharp intelligence, Al Rawi delivers an outstanding debut. Highly recommended.’ * Library Journal (starred review) *‘Shahad Al Rawi brings us into the city of Baghdad in the middle of the Gulf War, where people continue to go about their lives despite the war that is eroding their homes. The story centres on two girls in an air raid shelter and the friendship that blossoms around the stories they tell each other in this book filled with resilience and life.’ * World Literature Today *‘This stirring debut follows two girls and their lives as they grow up in the war-torn city of Iraq. A poignant portrayal of the enduring bond of friendship, infused with a touch of magical realism.’ * Book Riot *‘Marked with a wild inventiveness and emotional depth… The Baghdad Clock is a stirring, and at times moving, portrait of two young women sticking together while everything around them falls apart…[which] provides compelling depictions of each stage of the girls’ journey to adulthood.’ * The National *‘Al Rawi’s debut presents the so-called enemy imbued with childhood whimsy and human longing, their quotidian stories embellished with touches of magic realism. Rendered into English by Harvard professor Leafgren, who was inspired by 9/11 to learn Arabic, this international bestseller is both condemnation against politics and war and testimony to resilient humanity.’ * Booklist *‘Extraordinary... The author does an incredible job of painting a portrait of a neighborhood in Baghdad [and] writes beautifully of characters who immediately captivate you — characters who are relatable, but also imbued with a sense of magic. The life she writes of has an ethereal overlay, as if life is about much more than just living through war. In a country so often dehumanized by politics, Al-Rawi reminds us of the stories and people that make Iraq what it is.’ * Arab News *‘Through a child's perspective and using elements of magical realism, Al Rawi explores her protagonist's internal turbulence at a time in which uncertainty is a way of life and stability a myth.’ * The Tempest *‘Al Rawi writes with such enthusiasm for her subject matter, she injects her characters with beautiful quirks and personalities.’ * The Bookbag *‘Amazing...I am in awe of [Al Rawi's] ability to share profound thoughts from the point of view of such a young woman.’ * Sandra Yeaman, blog review *‘The Baghdad Clock is a wonderful human book... It's a brilliant and imaginative work that will capture both your heart and your mind.’ * Blogcritics *‘[Shahad Al Rawi] has skilfully interwoven fantasy and reality with a fine thread. She draws you through the story, leading you from one maze into another, as you stagger along in a state of perplexity, amazement and sheer delight.’ * al-Watan *

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Book SynopsisA DAILY MAIL 'Must Read' title Bookriot's 50 spring must-read crime novels 'One part mystery, one million parts amazing.' Cosmopolitan 'A coming-of-age drama as much as a crime story…haunting, atmospheric and genuinely mysterious.' Guardian ‘An entrancing, melancholy debut... Mesmerising.’ Daily Mail We lost all three girls that summer. Let them slip away like the words of some half-remembered song and when one came back, she wasn't the one we were trying to recall to begin with. Tikka Molloy was eleven and one-sixth years old during the summer of 1992. That summer, the hottest on record, the Van Apfel sisters – Hannah, the beautiful Cordelia and Ruth – mysteriously disappeared. Did they run away? Or were they taken? The mystery of their disappearance has never been solved. Now, years later, Tikka has returned home and is beginning to piece together what really happened. The summer that shaped her. The girls she couldn’t forget.Trade Review'A coming-of-age drama as much as a crime story, this isn’t a book for those who like things wrapped up neatly, but readers who enjoy something haunting, atmospheric and genuinely mysterious have a treat in store.' * Guardian *'One part mystery, one million parts amazing, this debut from Felicity McLean will be a summer fave.' * Cosmopolitan *'Felicity McLean's accomplished debut...[is] a stunning piece of literary ventriloquism.' * Irish Times *‘An entrancing, melancholy debut... The landscape is superbly captured, but it is the relationship between Tikka and the sisters that lingers... Mesmerising.’ * Daily Mail *'Compelling...it doesn't disappoint...It's rare, and even unnerving, to read something like this and find it absent of fetishization of a young woman's life, and thus full of tenderness and compassion, and a real sense of what gets lost in these situations.' * Nylon magazine *'A taut, beautifully written thriller with a scorching expansive setting. The Van Apfel Girls Are Gone is a fantastic debut and a story that lingers.' * Lisa Ballantyne, author of The Guilty One *‘With echoes of Picnic at Hanging Rock, this is an atmospheric first novel.’ * Daily Mail, Must Read *'A smart, classy thriller that blazes with the heat of Australia and slowly reveals its many layers.' * Fiona Mozley, author of Elmet *'I deeply admire the languid, lived-in prose of Felicity McLean’s lovely novel The Van Apfel Girls are Gone. This is a story as much about forgiving ourselves our own childhoods, as it is about acknowledging and embracing the people we’ve become because of those adolescent (and sometimes life altering) choices.' * Hannah Pittard, author of Visible Empire *'This debut, part coming-of-age story and part crime thriller, is both forceful and unnerving.' * Publishers Weekly *'One would expect [Felicity McLean], who has a background in journalism and biography, to be particularly good at detailing the who, what, where, and when of a mysterious disappearance. She is.' * Washington Independent Review of Books *'Delicious attention to detail... [The Van Apfel Girls] is visceral and tangible.' * Trip Fiction *'Impressive... A well written story which convincingly evokes the place and time in which it is set.' * Crime Review *'Sharp, mysteriously moving and highly entertaining.' * Robert Drewe, author of Shark Net *'How do you escape your childhood, emotionally, actually? This compelling mystery by Felicity McLean has a rare depth of psychological and emotional truth. It will engage your heart.' * Delia Ephron, author of The Lion is In *'A hot, tense thriller set in the midst of a scorching Australian summer, The Van Apfel Girls Are Gone is provocative, gripping, and sure to get under your skin.' * The Bookbag *'McLean expertly maintains an air of suspense as the tragedy unfolds. Tikka is an unforgettable, if not entirely reliable, narrator full of black humour, brutal honesty and naive curiosity. This novel is one that will haunt readers long after they have turned the last page.' * Bookseller + Publisher Five Star Review *'Engrossing and goosebumpy from start to finish, this novel about three young sisters who vanish all together one night has the chilling feel of true events that are stranger than fiction, and the stuff of nightmares. But the magic of McLean's art is not just her gift for evoking, in almost hallucinogenic detail, her haunted narrator's childhood – a time and place linked to Australia's notorious true-life story of a baby dragged off in the night by a wild animal – but to do so in the most charming and irresistible of narrative voices. The result is a novel that is as delightful as it is terrifying, and just scary good.' * Tim Johnston, bestselling author of Descent and The Current *'A smart debut. Beautifully atmospheric with its great sense of time and place.' * Melina Marchetta, author of On the Jellicoe Road *'I loved it.' * Bryan Brown, actor *'A wry, sad coming-of-age story and a well-crafted first novel.' * Kirkus *

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Book Synopsis'This atmospheric debut looks like a rural Irish coming-of-age novel, but it’s cleverer, darker, more unreliable.' Daily Mail AN IRISH INDEPENDENT BEST BOOK OF THE YEAR AN IRISH INDEPENDENT CRITICS CHOICE FOR CHRISTMAS WINNER OF THE BERYL BAINBRIDGE BEST FIRST NOVEL AWARD, 2020/2021 AN IRISH TIMES, IRISH INDEPENDENT and SUNDAY INDEPENDENT 'TITLE TO LOOK OUT FOR IN 2020' Katie, Maeve and Evelyn have been friends forever. Outspoken, unpredictable and intoxicating, Evelyn is the undisputed leader of the trio. But Katie’s dream of escaping their tiny rural town for a new life in Dublin confronts her with a choice: to hold onto a friendship that has made her who she is, or risk leaving her best friend behind. Told from Katie’s witty, quirky perspective and filled with unforgettable characters, this moving, immersive and very funny study of sisterhood takes a keen-eyed look at the delights and complexities of female friendship, the corrosive power of jealousy and guilt, and the people and places that shape us. Compellingly readable and effortlessly sharp, fizzing with the voices of rural Ireland, this is an unmissable novel from a dazzling new talent.Trade Review'This was perfect. Shades of Elena Ferrante in the story of a country girl who leaves and the friend who stays behind. Light of touch but not light of substance. Great stuff.' -- Kathleen MacMahon, author of This is How it Ends'This atmospheric debut looks like a rural Irish coming-of-age novel, but it’s cleverer, darker, more unreliable.' * Daily Mail *'A fresh, clever look at the intricacies and jealousies of female friendship. This debut reads like a modern, mysterious version of Edna O’Brien’s The Country Girls.' * Irish Examiner *'Hugely enjoyable, profound and humorous.' * Mayo News *‘Small town familiarity meets the Utopian promises of Dublin city as school finishes. Alcohol, grief and the pressure to have 'stories' to bring home to those at home destroy the silvery-spun webs of friendships. Astute and sharp, this is sublime.’ * The Book Nook *'Few writers have articulated the intricacies of friendship – the dependency, the uncertainty, the fragility of the pecking order – with as much authority….a debut bursting with heart.' * Irish Independent *'I loved this one... In some ways, this novel reminded me a fair bit of My Brilliant Friend, just a different time and place, but connected by those themes of friendship, moving on and breaking free.' * Theresa Smith Writes *'Macken's downplaying of major events, such as Pamela's disappearance and Katie's college years, resonates with the solipsism of youth... [She] gets a lot of mileage from Katie's beguiling voice and sardonic humor.' * Publishers Weekly *‘You Have to Make Your Own Fun Around Here vividly captures life in a close-knit community, while examining the intricacies and anxieties of female friendship… Katie is a vibrant creation, whose insights are often fresh and startling… The ups-and-downs of going places is ultimately what makes the narrative come to life.’ * Irish Times *'This exploration of the seething hinterland of growing up, with its often unspoken passions, unrequited longings and intense jealousies, is melancholy, funny, dark and affecting.' * Deborah Kay Davies, author of Reasons She Goes to the Woods *'A subtle, powerful debut novel. Quietly packing her emotional punches, never predictable, Macken’s prose is clear-eyed yet lyrical, and in Katie, she has created a truly touching (and at times very funny) protagonist... A new voice in fiction to celebrate.' * Anna Beer, author of Patriot or Traitor *'Readers will be charmed by the picture of Katie’s circle of friends and acquaintances... Macken's first novel will suit young adult and adult readers alike.' * Booklist *'Frances Macken's You Have To Make Your Own Fun Around Here charts the friendship of three small-town girls from their childhoods through to their early careers, exploring envy and self-belief with consistent, natural humour and spot-on observations.' * Caoilinn Hughes, author of Orchid & the Wasp *'It's funny, dark and brilliant on toxic friendships. I highly recommend.' * Jackie Lyman, Dublin City Libraries *'Frances Macken paints the very real scenario, that we leave, just to say that we did… A breath-taking novel from Irish writer, Frances Macken, shows us that while we may anchor our dreams around others, we can achieve them on our own.' * Waterford News and Star *'Written with a keen insight into female friendships and dripping with wit and charm, You Have to Make Your Own Fun Around Here is a truly immersive story. Macken has a visual eye, bringing simple scenes to life with a carefully chosen word or perceptive detail, and her ear for dialogue is pitch-perfect. The ways in which she captures the pull of the places we call home and the people from our childhoods who shape our lives is also impressive... Reminded me of the best of Maeve Binchy's work, albeit set in a more modern era.' -- Reading Matters'Mayo author Frances Macken captures the intricacies and anxieties of female friendship in this vibrant story set in the fictional small town of Glenbruff… Jealousy and guilt dog the three young women as they attempt to follow their dreams and make their mark in the world in this funny and at times dark tale.' -- Irish Independent'Following these young women from their childhood to their 20s, Macken's novel grapples with the successes and disappointments that splinter their friendship. This tension between expectation and reality — between dreams and growing up — becomes a driving narrative force in the novel... Macken thrives in making meaning out of the commonplace...as she traces Katie and Evelyn's friendship from early childhood to adulthood, inviting the reader to follow along.' -- NecessaryFiction

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Book SynopsisThere are 22 candidates. There are 12 seats.The last interstellar colony ship is down to its final batch of humans after the robots in charge unhelpfully deleted the rest. But rebooting a species and training them for the arduous task of colonisation isn’t easy – especially when the planet below is filled with monsters, the humans are more interested in asking questions than learning, and the robots are all programmed to kill each other.But the fate of humanity rests on creating a new civilization on the planet below, and there are twelve seats on the lander. Will manipulation or loyalty save the day?Trade Review“Had me fully on board in the first couple of pages, sticking with me long after finishing.” -- Frank Fleming, author of Superego * Frank Fleming *'Breakwell’s examination of society is as precise and pointed as his humor, taking readers on a roller-coaster ride to a bittersweet conclusion.' -- Publishers Weekly * Publishers Weekly *

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Book SynopsisSURVIVAL HAS CONSEQUENCESSeven years ago, the last survivor of Earth crashed through uncountable dimensions to a strange new world. Nick Prasad found shelter, and a living, as a prophet for the ruling family—servants of the Ancient Ones who destroyed his home.Now, he’s been offered a chance to rid the multiverse of the Ancient Ones, past and present and forever, although he’ll have to betray his new masters to do it.The first step is jailbreaking a god—and that’s the easy part...Trade ReviewA mind-bending and thoroughly satisfying conclusion to a truly singular series. * Publishers Weekly (Starred Review) *A pacy, wildly inventive story. * Aurealis *So freaking good. * Book Riot *

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Book Synopsis'A disturbing descent into a surreal world, written with a deft hand.' Adrian Tchaikovsky, winner of the Arthur C. Clarke Award 2016Deep in an unnamed, unknown rainforest, Ben Ronson, a British police officer, investigates a spate of killings of a local, vaguely humanoid species. With long limbs and black button eyes, the Duendes are strange and silent creatures that have a deep psychic effect on people, unleashing the subconscious and exposing their innermost thoughts and fears. Ben rapidly becomes fascinated by the Duendes, but as his inquiry unfolds so too does he. Beneath the World, A Sea is a tour de force of modern fiction - a deeply searching and unsettling novel about the human subconscious, and all that lies beneath.'Beckett is superb at undercutting reader assumptions with a casual line of dialogue or acute psychological observation: the book reads like Conrad's Heart of Darkness reimagined by JG Ballard.' Guardian Trade ReviewA disturbing descent into a surreal world, written with a deft hand. * Adrian Tchaikovsky, winner of the Arthur C. Clarke Award 2016 *Beckett is superb at undercutting reader assumptions with a casual line of dialogue or acute psychological observation: the book reads like Conrad's Heart of Darkness reimagined by JG Ballard. * Guardian *Utterly compelling... it lingers in the memory. 5*s * SFX *The Eden trilogy is a remarkable achievement: with wit, insight and invention Beckett has imagined a scientific Genesis not just about a society, but about the culture and myths that sustain it. It is both politically astute and theologically compelling. * Stuart Kelly, Guardian, on the Eden Trilogy *Chris Beckett is a genius * Eric Brown on Spring Tide *Eden is building into one of most vivid and fascinating places in modern SF. * Eddie Robson, SFX (review for The Eden Trilogy) *An uneasy read that manages to feel both timely and urgent... Beckett offers an intelligent, visceral reminder that unless we change what today looks like, tomorrow will be turbulent indeed. * Guardian on America City *Compelling... a grim demonstration of how one person can change history, but not control it. * SFX on America City *A captivating and haunting book * Daily Mail on Dark Eden *

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Book Synopsis· · NAMED ONE OF THE MOST ANTICIPATED BOOKS OF 2019 BY NYLON, ELECTRIC LITERATURE, THE MILLIONS AND LITHUB · ·____________________'Soulful, striking and ablaze with promise' Observer__________________At the Beijing Olympics, a pair of synchronized divers stand poised at the edge of success and sexual self-discovery. A Chinese-American girl in Paris finds her life changed when she begins wearing a dead person's clothes. And on a winter evening, a father creates an algorithm to troubleshoot the problem of raising a daughter across an ever-widening gulf of culture and experience.From second-generation rich kids and livestream stars to a glass-swallowing qigong grandmaster, this funny and wise debut collection upends the well-worn path of the immigrant experience to reveal a new face of belonging: of young people testing the limits of who they are and who they will one day become, in a world as vast and various as their ambitions.__________________'Artful, funny, generous and empathetic' Lauren Groff, author of Florida'Sublimely captivating' Vogue'Striking, soulful and ablaze with promise.' ObserverTrade ReviewStriking, soulful and ablaze with promise. * Observer *Remarkable...Wang captures the strivings and uncertainty of Chinese youth establishing themselves in America and beyond...[A] deft, striking debut. * New York Observer, Spring 2019 Must-Read Books *The sixteen stories in Home Remedies are so artful, funny, generous and empathetic that they'll linger in readers for weeks after you finish the book. Xuan Juliana Wang is a radiant new talent. -- Lauren Groff * author of Fates and Furies *In just 12 stories, Wang manages to whip up the portrait of a generation...Proving herself to be anincredible new talent and giving voice to Chinese millennials, this is a short story collection you need to read this summer. * Stylist *An exciting, electric new voice... Sublime. * Financial Times *The dozen stories in this dazzling and unclassifiable collection interrogate the fractures, collisions and glorious new alloys of what it means to be a Chinese Millennial. Xuan Juliana Wang has the dark soul of an old poet's inkwell, the deep knowing of an ancient remedy, and linguistic incandescence of a megacity skyline. Trust these stories to show you the way. * Adam Johnson, Pulitzer Prize-winning author of The Orphan Master's Son *With style, verve and grace, Wang brings a new perspective to stories about family and community. Both modern and innovative, her stories surprise and challenge in wonderful, wonderful ways. * Weike Wang, author of Chemistry *Tasty little bits of perfection. One of the great debuts of the year. * Gary Shteyngart, author of Super Sad True Love Story *The American dream goes global in Xuan Juliana Wang's spectacular debut.... Moving from lower Manhattan to mainland China, the dozen tales in the collection are peopled by immigrants in limbo and Asian millennials riding high on WeChat and rock'n'roll.... Sublimely captivating. * Vogue *Endearing characters with bizarre fixations fill Wang's superb debut collection, a perfect book to dip into this summer.... Wang's striking characters are fresh, clever, and shouldn't be missed. * Publishers Weekly *Bright * Elle *Studded with poetic lines... Home Remedies is full of soulful, Beijing-based coming-of-age stories. * Skinny *Clever and strange, these stories move from America to China and back again, with themes of identity, privilege and race. * Independent *Elements of the surreal and the elegiac mixed in with the comedy and social satire. A memorable collection. * Dan Brotzel, The Scotsman *A striking demonstration of Wang's versatile storytelling gifts, presenting a range of characters, perspectives, and formal choices that prove she has the tools to write a story in whatever way it needs to be written. Home Remedies is filled with characters facing boundaries to be crossed: cultural, familial, economic, political. The magic of these stories radiates from the friction created as characters enter new worlds and try, imperfectly, to make a home for themselves. * The Rumpus *Xuan Juliana Wang's remarkable debut introduces us to the new and changing face of Chinese youth... her dazzling, formally inventive stories upend the immigrant narrative to reveal a new experience of belonging: of young people testing the limits of who they are, in a world as vast and varied as their ambitions... In stories of love, family, and friendship, here are the voices, faces and stories of a new generationnever before captured between the pages in fiction. What sets them apart is Juliana Wang's surprising imagination, able to capture the innermost thoughts of her characters with astonishing empathy. * Book Riot *

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Book Synopsis· Winner of the Dylan Thomas Prize 2020 ·· One of Barack Obama's "Favourite Books of the Year" ·· A New York Times Critics' Top Books of 2019 ·'A superb book' Max Porter, author of Lanny____________________________________Stories of a young man finding his place among family and community in Houston, from a powerful, emerging American voice.In an apartment block, the son of a black mother and a Latino father is coming of age. He's working at his family's restaurant, trying to dodge his brother's fists and resenting his older sister's absence. He's also discovering he likes boys...All around him his friends and neighbours experience the tumult of living in the margins. Their stories - of living, thriving and dying across the city's myriad neighbourhoods - are stitched throughout the boy's life to reveal a young woman caught out in an affair, the fortunes of a rag-tag baseball team and a group of young hustlers, a local drug dealer who takes a Guatemalan teen under his wing, and the fate of a camera-shy mythical beast. With brilliant and soulful insight into what makes a community, a family and a life, Lot is about love in all its unsparing and unsteady forms.Trade ReviewAudacious... Profound * New York Times *Enthralling... Subtle but bruising * Guardian *Gut-wrenching and powerful * Cosmopolitan *An astonishing debut... Extraordinary * Alan Hollinghurst, New York Review of Books *A superb book * Max Porter, author of 'Lanny' *A treat and an inspiration to witness * Ocean Vuong, author of On Earth We're Briefly Gorgeous *Stunning... one of the strongest literary debuts in several years. * NPR *Washington cracks open a vibrant, polyglot side of Houston about which few outsiders are aware * New York Times *Washington's prose sings with vibrancy * The Rumpus *Phenomenal * Justin Torres, author of 'We the Animals' *Lot spills over with life - funny, tender, and profane * Entertainment Weekly *Generous, powerful, deeply engrossing * R.O. Kwon, author of 'The Incendiaries' *A brilliant display of raw talent * Nicole Dennis-Benn, author of 'Here Comes the Sun' *Unflinching... a prodigious talent. * Mat Johnson, author of 'Loving Day' and 'Pym' *Raw, soulful and moving * Jami Attenberg, author of 'The Middlesteins' *A thrilling new voice in American fiction and one to watch * Amelia Gray, author of 'Isadora' *Raw, empathic and wise... achingly intimate and brilliantly panoramic * Stefan Merrill Block, author of 'The Story of Forgetting' *Will stay with you for a very long time... powerful * Jamel Brinkley, author of 'A Lucky Man' *Depicts its author's hometown of Houston with empathy, tragedy, and exceptional specificity * Entertainment Weekly *Washington's debut reads like a love letter to Houston * New York Times *Empathetic and honest, tender and brutal at once, Lot quips with humour and explores grief and each stop in between. Lot feels like a living, breathing book... As debuts go, these characters and prose leap from the page. * Heather McDaid, The Skinny *Extraordinary * Southern Living *Lot belongs foremost to its characters, who ask to be remembered, even long after their pages have turned. * Paris Review *[F]unny, sad, wise & very alive in the best way * Curtis Sittenfeld, author of Sisterland (Twitter) *Stellar... a remarkable collection from a writer to watch. * Publishers Weekly, Starred Review *Brutal, raw and blisteringly brilliant... Outstanding. * Attitude *Compassionate, observant, tough; often funny, always authentic * The Big Issue *Visceral and raw... beautifully delicate prose... A terrific read! * Irish Times *Ambitious but never forced... Washington makes the place sing with his sharp, rap-style lyricism. * Irish Times *

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Book Synopsis***WINNER of the 2021 RSL Ondaatje Prize***'I binged it like a Netflix show... It's stunning' Luke Kennard, author of The Transition______________________________A photograph is hung on a gallery wall for the very first time since it was taken two decades before. It shows a slaughter house in rural Ireland, a painting of the Virgin Mary on the wall, a meat hook suspended from the ceiling - and, from its sharp point, the lifeless body of a man hanging by his feet. The story of who he is and how he got there casts back into Irish folklore, of widows cursing the land and of the men who slaughter its cattle by hand. But modern Ireland is distrustful of ancient traditions, and as the BSE crisis in England presents get-rich opportunities in Ireland, few care about The Butchers, the eight men who roam the country, slaughtering the cows of those who still have faith in the old ways. Few care, that is, except for Fionn, the husband of a dying woman who still believes; their son Davey, who has fallen in love with the youngest of the Butchers; Gra, the lonely wife of one of the eight; and her 12-year-old daughter, Una, a girl who will grow up to carry a knife like her father, and who will be the one finally to avenge the man in the photograph.Trade ReviewThis strange and poignant book grips throughout, offering a vivid portrait of one of Ireland's less heralded corners. * Guardian *Gilligan writes with clarity and compassion, resulting in an outstanding contemporary twist on the great Irish novel. Enchanting, ethereal and enlightening. Highly recommended. * Irish Sunday Independent *Exhilarating... I was hooked from the first page -- Donal Ryan, author of From a Low and Quiet SeaThe Butchers by Ruth Gilligan is a funny, sad, beautiful book that asks how you make a new life when your world changes. So much is packed into these pages about family, about greed, about love, and about desperation. Oh and it has the perfect ending. * Rowan Hisayo Buchanan, author of Harmless Like You and Starling Days *Flawlessly, intricately plotted, but with such a compelling central mystery that I binged it like a Netflix show... The Butchers is deeply humane and astute on why we might take even the worst options available to us, at times deeply poignant and genuinely moving. It's stunning. * Luke Kennard, author of The Transition *Plot twists worthy of Tana French... dark, wild, mythic, unsuspecting, and absolutely riveting -- Colum McCann, author of ApeirogonThis is a remarkable novel. The story is utterly compelling and the characters so well-drawn I found myself reading faster and faster as the plot progressed. Gilligan paints a disturbing portrait of rural Ireland which is both modern and ancient, firmly grounded in the realistic and hauntingly otherworldly. * Jan Carson, author of The Fire Starters *Immersive... Gilligan is a writer I admire * Jess Kidd, Daily Mail *I binged it like a Netflix show... It's stunning * Luke Kennard, author of The Transition *I found The Butchers haunting and compelling. The relationships between daughter, mother and landscape move in strange harmony with a story about Irish modernity and masculinity. * Sarah Moss, author of Summerwater *Excellent... completely gripping * Evie Wyld, author of The Bass Rock *I loved The Butchers. Filmic and sensory, full of heifers and grift. * Naoise Dolan, author of Exciting Times *It's gripping, Gothic, and moody. * Buzzfeed *A subtle and enthralling novel * Sebastian Barry, author of A Thousand Moons *

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Book SynopsisAfter the loss of war, can there be hope for the future?Manchester, 1922.Belinda Layton is a surplus girl. One of the many women whose dreams of marriage perished in the Great War, with the death of her beloved fiancé, Ben. After four years of mourning, she's ready to face the future, even though Ben's family is not happy to see her move on, and her own only cares about getting hold of her meagre factory wages. Then, Belinda joins a secretarial class and a whole new world opens up to her as she quickly finds herself drawn to beguiling bookshop owner Richard Carson. But after all the loss and devastation she has experienced, can she really trust him with her heart?The first in a quartet of sagas set during the early 1920s, following three Surplus Girls - those women whose dreams of marriage perished in the Great War, after the deaths of millions of young men, and the new lives they forged for themselves.Trade ReviewA promising start to a new saga set in the years between the wars... An enjoyable read full of good friends and bad characters. * People's Friend *A real page-turner that will tug on your heart strings * Anna Jacobs *Pleasant and engaging * NB Magazine *

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Book SynopsisAfter the devastation of war, a child's love heals everything.Manchester, 1922: Molly Watson has had enough. Engaged for the last three years to a penny-pinching pedant, she finally decides she'd rather be a surplus girl than marry a man she doesn't truly love. Aware of the need to support herself if she is to remain single all her life, she joins a secretarial class to learn new skills, and a whole world opens up to her.When she gets a job at St Anthony's Orphanage, she befriends caretaker Aaron Abrams. But a misunderstanding leaves them at loggerheads, and damages her in the eyes of the children she has come to care so deeply about. Can she recover her reputation, her livelihood, and her budding friendship, before it's too late?The second in a quartet of sagas set during the early 1920s, following three Surplus Girls - those women whose dreams of marriage perished in the Great War, after the deaths of millions of young men, and the new lives they forged for themselves.Trade ReviewA promising start to a new saga set in the years between the wars... An enjoyable read full of good friends and bad characters. * People's Friend on the Surplus Girls *A real page-turner that will tug on your heart strings -- Anna Jacobs on 'The Surplus Girls'Pleasant and engaging * NB Magazine on The Surplus Girls *The best saga I have read. The restricted lives of women in the inter-war period is captured perfectly, with a fresh eye and brilliant story-telling... A pleasure to read. * Frost Magazine *

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Book SynopsisSophie, a twenty-something Jim Morrison groupie gliding through a golden existence in L.A., and Lola, a German immigrant who has settled in Hollywood, know that while Los Angeles is constantly changing, it is essentially eternal. The two women dazzle - one with the promises of youth, the other with the fulfilment of nostalgia - as they wend their way through the pink sunsets and the palm trees of Los Angeles.Living out their addictively decadent lives, Sophie and Lola are cult writer Babitz's literary embodiment of the iconic L.A. Woman - more than in part inspired by her own wild and hedonistic youth.Trade ReviewPraise for Sex & Rage: As cool, sharp and delicious as a perfectly executed Mint Julep. Babitz writes with wit and clarity - and always, always with a whole lot of heart -- ELIZABETH DAYBabitz writes like no one else, but if she sounds like anyone, it is Nora Ephron writing songs for Lana del Rey. Sex & Rage is seductive, funny and infuriating - it's a slacker siren song, a novel about writers and writing and a heavenly holiday to '70s LA all at once -- DAISY BUCHANANPure pleasure - a perpetual-motion machine of no-stakes elation and champagne fizz * * New Yorker * *Babitz's style is cool, conversational, loose, yet weighted with a seemingly effortless poetry * * Guardian * *Gritty, glamorous, toxic and intoxicating * * The New York Times * *Babitz's talent is in the telling. She surfs between prose and poetry, describing tenderness and cruelty with equally weighted vividness, and lacerates with her wit. Even though the book is forty years old, the title is more resonant than ever . . . Jacaranda's greatest dilemmas feel painfully contemporary * * Independent * *Eve Babitz is to prose what Chet Baker, with his light, airy style, lyrical but also rhythmic, detached but also sensuous, is to jazz * * Vanity Fair * *A beautiful stylist . . . The joy of Babitz's writing is in her ability to suggest that an experience is very nearly out of language while still articulating its force within it * * New Republic * *The portrait of the artist as an ever-evolving young woman * * W * *

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Book SynopsisSHORTLISTED FOR THE WOMEN’S PRIZE FOR FICTION 2023SHORTLISTED FOR THE WATERSTONES DEBUT FICTION PRIZE 2023AN OBSERVER BEST DEBUT NOVEL OF THE YEARIt’s time to dance, to love, to be free…‘Mesmerising’ BERNARDINE EVARISTO, author of Girl, Woman, Other‘Fabulous’ MAGGIE O'FARRELL, author of Hamnet‘Beautiful’ CALEB AZUMAH NELSON, author of Open WaterYamaye lives for the weekend, when she can go raving with her friends at The Crypt, an underground club on the outskirts of London. Then everything changes. Yamaye meets Moose, who she falls deeply in love with, and who offers her the chance of freedom and escape.After their relationship is brutally cut short, Yamaye goes on a dramatic journey of transformation that leads her to Jamaica, where past and present collide with explosive consequences.***A SUNDAY TIMES BEST NOVEL AND GUARDIAN BEST FICTION BOOK OF 2023***‘A wonderfully literary, musical and original novel about a culture and era that rarely makes the pages of fiction’ TIMES LITERARY SUPPLEMENT‘Scorching… We follow Yamaye through love, loss and peril, as she chases her dreams and connects with her heritage’ GUARDIAN‘Ambitious, atmospheric… A novel of passion and anger’ SUNDAY TIMES‘A rich and rhythmic story about love and music’ ITrade ReviewRemarkable... In terms of sheer lyrical force it stands head and shoulders above most debuts * Daily Telegraph *I was blown away by Fire Rush - an exceptional and stunningly original novel by a major new writer... Her mesmerising, imaginative and incantatory writing leaves us swaying to the bass of the visceral rhythms she so powerfully describes. By the end of the novel, I felt charged and changed and already longed to reread it -- Bernardine Evaristo, Booker Prize-winning author of GIRL, WOMAN, OTHERFew have channelled so well the skittering beats and transcendent air of dub music as Crooks does in her semi-autobiographical debut... Startlingly vivid reading * Daily Telegraph, *Summer Reads of 2023* *A heady swirl of a novel that pulls the reader in from the first page... A fabulous, absorbing read -- Maggie O'Farrell, author of THE MARRIAGE PORTRAITA window into the dub scene at the time, with rhythmic, lyrical writing and a story about raving, love and the impact of police violence... Both a page turner and a literary novel... Truly remarkable * Vogue *A hypnotic journey into the dub reggae scene * Guardian, *Books of the Year* *This beautiful, sprawling narrative is wrought with an incredible precision and a musicality which carries every sentence. Crooks' novel haunts but make space for hope as well -- Caleb Azumah Nelson, author of OPEN WATERA colourful, immersive debut... Throughout, a passion and anger resound as we gain a glimpse into a rarely observed British subculture * Sunday Times, *Summer Reads of 2023* *A brilliant, exuberant novel. Full of beauty, musicality and feminist power -- Irenosen Okojie, author of NUDIBRANCHA scorching, lyrical debut, soaked in dub reggae * Guardian, *Summer Reads of 2023* *

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Book SynopsisSHORTLISTED FOR THE WOMEN’S PRIZE FOR FICTION 2023SHORTLISTED FOR THE WATERSTONES DEBUT FICTION PRIZE 2023AN OBSERVER BEST DEBUT NOVEL OF THE YEARIt’s time to dance, to love, to be free…‘Mesmerising’ BERNARDINE EVARISTO, author of Girl, Woman, Other‘Fabulous’ MAGGIE O'FARRELL, author of Hamnet‘Beautiful’ CALEB AZUMAH NELSON, author of Open WaterYamaye lives for the weekend, when she can go raving with her friends at The Crypt, an underground club on the outskirts of London. Then everything changes. Yamaye meets Moose, who she falls deeply in love with, and who offers her the chance of freedom and escape.After their relationship is brutally cut short, Yamaye goes on a dramatic journey of transformation that leads her to Jamaica, where past and present collide with explosive consequences.***A SUNDAY TIMES BEST NOVEL AND GUARDIAN BEST FICTION BOOK OF 2023***‘A wonderfully literary, musical and original novel about a culture and era that rarely makes the pages of fiction’ TIMES LITERARY SUPPLEMENT‘Scorching… We follow Yamaye through love, loss and peril, as she chases her dreams and connects with her heritage’ GUARDIAN‘Ambitious, atmospheric… A novel of passion and anger’ SUNDAY TIMES‘A rich and rhythmic story about love and music’ ITrade ReviewRemarkable... In terms of sheer lyrical force it stands head and shoulders above most debuts * Daily Telegraph *I was blown away by Fire Rush - an exceptional and stunningly original novel by a major new writer... Her mesmerising, imaginative and incantatory writing leaves us swaying to the bass of the visceral rhythms she so powerfully describes. By the end of the novel, I felt charged and changed and already longed to reread it -- Bernardine Evaristo, Booker Prize-winning author of GIRL, WOMAN, OTHERFew have channelled so well the skittering beats and transcendent air of dub music as Crooks does in her semi-autobiographical debut... Startlingly vivid reading * Daily Telegraph, *Summer Reads of 2023* *A heady swirl of a novel that pulls the reader in from the first page... A fabulous, absorbing read -- Maggie O'Farrell, author of THE MARRIAGE PORTRAITA window into the dub scene at the time, with rhythmic, lyrical writing and a story about raving, love and the impact of police violence... Both a page turner and a literary novel... Truly remarkable * Vogue *A hypnotic journey into the dub reggae scene * Guardian, *Books of the Year* *This beautiful, sprawling narrative is wrought with an incredible precision and a musicality which carries every sentence. Crooks' novel haunts but make space for hope as well -- Caleb Azumah Nelson, author of OPEN WATERA colourful, immersive debut... Throughout, a passion and anger resound as we gain a glimpse into a rarely observed British subculture * Sunday Times, *Summer Reads of 2023* *A brilliant, exuberant novel. Full of beauty, musicality and feminist power -- Irenosen Okojie, author of NUDIBRANCHA scorching, lyrical debut, soaked in dub reggae * Guardian, *Summer Reads of 2023* *

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Book SynopsisIrreverent, witty and wise, But the Girl is a coming-of-age story about not wanting to leave your family behind'Impressive... Yu remakes the art of writing itself'GUARDIAN'A wonderful new novel for a metamodern world'BRANDON TAYLOR, author of The Late AmericansGirl was born on the very day her parents and grandmother immigrated from Malaysia to Australia. The story goes that her mother held on tight to her pelvic muscles in an effort to gift her the privilege of an Australian passport. But it's hard to be the embodiment of all your family's hopes and dreams, especially in a country that's hostile to your very existence.When Girl receives a scholarship to travel to the UK, she is finally free for the first time. In London and then Scotland she is meant to be working on a PhD on Sylvia Plath and writing a postcolonial novel. But Girl can't stop thinking about her upbringing and the stories of the people who raised her. How can she reconcile their expectations with her reality? Did Sylvia Plath have this problem? What even is a 'postcolonial novel'? And what if the story of becoming yourself is not about carving out a new identity, but learning to understand the people who made you who you are?Trade ReviewImpressive… Yu is the writer Girl wishes to be – remaking, in her own image, the young female protagonist, the Künstlerroman, the postcolonial novel, and the art of writing itself * Guardian *But the Girl is a vivid novel of consciousness with a delightful sense of play. Jessica Zhan Mei Yu writes with striking originality that combines the irreverent and the philosophical about the ambiguities and ambivalences of contemporary life. A wonderful new novel for a metamodern world -- Brandon Taylor, author of The Late AmericansA unique and meaningful novel: refreshingly unsentimental, written with a directness that is both self-effacing and wry. The voice sometimes recalls Lucia Berlin, JD Salinger or Lorrie Moore but it's entirely her own -- Sharlene Teo, author of PontiAmbitious… Embarks on an intellectual journey into the contradiction of seeing and unseeing yourself as a person of colour in a much-loved canonical book * Daily Mail *Sharp, flecked with glints of bone-dry humour... It's compellingly poignant. But the Girl is a debut that heralds a skilled and singular new talent * List *A delicate investigation into intergenerational immigrant subjectivities... Written in a flowing, internal narration that occasionally moves into moments of not-quite-real, observations of the minutiae of everyday microaggressions build up to depict the internal landscapes that minorities must uncomfortably navigate * Skinny *

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Book SynopsisCarmel had been alone all her life. The baby knew this. They looked at each other, and all of time was there. The baby knew how vast her mother's loneliness had been.'A magnificent novel' SALLY ROONEY, author of Normal PeopleNell - funny, brave and so much loved - is a young woman with adventure on her mind. As she sets out into the world, she finds her family history hard to escape. For her mother, Carmel, Nell's leaving home opens a space in her heart, where the turmoil of a lifetime begins to churn. And across the generations falls the long shadow of Carmel's famous father, an Irish poet of beautiful words and brutal actions.This is a meditation on love: spiritual, romantic, darkly sexual or genetic. A multigenerational novel that traces the inheritance not just of trauma but also of wonder, it is a testament to the glorious resilience of women in the face of promises false and true. Above all, it is an exploration of the love between mother and daughter - sometimes fierce, often painful, but always transcendent.***A THE TIMES, SUNDAY TIMES, GUARDIAN, NEW STATESMAN AND TLS BOOK OF THE YEAR 2023******ONE OF THE BBC’S ’25 BEST BOOKS OF THE YEAR 2023’***'One of our greatest living novelists' THE TIMES'Might just be her best yet' LOUISE KENNEDY, author of Trespasses'Gem-packed language... A must-read' MARGARET ATWOOD (via Twitter)Trade ReviewThe Wren, The Wren is a magnificent novel. Anne Enright's stylistic brilliance seems to put the reader directly in touch with her characters and the rich territory of their lives -- Sally Rooney, author of NORMAL PEOPLEThe Wren, The Wren may be her best book yet * Guardian, *Books of the Year* *Wonderful… This deceptively modest novel is the kind of book that will work on you long after you have put it down * Sunday Times, *Books of the Year* *These pages practically crackle with intelligence, compassion and wit. Phil McDaragh is so real I almost googled him. The Wren, The Wren might just be Anne Enright's best yet -- Louise Kennedy, author of TrespassesAnne Enright’s The Wren, The Wren is so good they named it twice, so good I read it twice – and read two different novels, because moral positions are incorrigibly plural in Enrightville * Observer, *Books of the Year* *Gritty, sad, sly, riotous... Gem-packed language that fizzes like a sidewalk firecracker. A must-read -- Margaret Atwood, author of THE HANDMAID'S TALE (via Twitter)The Wren, The Wren is Anne Enright at her lyrical, storytelling best -- Nicola Sturgeon * New Statesman, *Books of the Year* *This is the golden age of Irish prose fiction. Of our many prodigiously talented novelist, few have the all-encompassing deftness of touch of Anne Enright * Times Literary Supplement, *Books of the Year* *One of my books of any year. It’s about womanhood, youth and that slow, painful, but joyous estrangement that emerges between mother and daughter as life runs its tumultuous course -- Michael Magee * Observer, *Books of the Year* *A work of astounding ventriloquism and hard-won hope about women’s lives * Times Literary Supplement, *Books of the Year* *

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Book Synopsis'This wove a spell on me' – Marian Keyes 'F***ing brilliant' – Daisy May Cooper ___________Meet Gosia.She's a sensitive soul with a filthy mind and problems with intimacy.Between shifts in a well-lit budget supermarket and nights in a badly lit Zone 3 flatshare, she spends hours inside her own head. That is, until a chance encounter snaps her out of her reverie.Propelled into a series of mediocre jobs, lousy dates and even worse sex, the prickly yet warm-hearted Gosia begins her excavation of the 'perfect' life so many dream of.After all, could there be more to it than she imagined?Raw, funny, mean and moving, Odd Hours is a razor-sharp social comedy about human connection, unexpected happiness, and the many forms of love. ___________'A hymn to normality and an absolute joy to read' – Sarah May 'Compelling, surprising, funny' – Kate Sawyer 'Bas writes so well about that state of being young and trying so hard to make connections' – Marianne Levy 'Dark, sharply funny and utterly rewarding ... Reminded me of the brilliant books by Kirsty Capes ... Highly recommended' – Liz HyderTrade Review'Dark, sharply funny and utterly rewarding ... Reminded me of the brilliant books by Kirsty Capes ... Highly recommended' -- Liz Hyder'This enigmatic and idiosyncratic gem is eccentric, quirky and utterly original' -- Kevin O'Sullivan (Irish Examiner Book of 2022)'Bas writes so well about that state of being young and trying so hard to make connections' -- Marianne Levy'Odd Hours is a brilliant satire on the struggles of life in the zero-hours sector ... An auspicious debut' -- Paul Mendez

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Book Synopsis"Maylis de Kerangal conjures the same painterly realism her characters hope to achieve in paint" London Magazine"Evocative and exhilerating" Booklist"Maylis de Kerangal is mining a rich and individual seam" TImes Literary SupplementBehind the ornate doors of the Institut de Peinture in Brussels, Kate, Jonas and Paula begin their apprenticeship in decorative painting, the art of visual deception. An intense year of study will cement a friendship that lasts long after their formal education ends. Paula's initiation into trompe l'oeil will take her back through time and place as she strives for perfection. From her work on the film sets of Cinecittà to the prehistoric caves of Lascaux, her experiences will transcend artistic endeavour and gradually reveal something of her own inner world and the secret, unreachable desires of her heart.This is a coming-of-age novel like no other: an atmospheric and highly aesthetic portrayal of love, art and craftsmanship from the prize-winning author of Birth of a Bridge and Mend the Living.Translated from the French by Jessica MooreTrade ReviewAs she has so often done, de Kerangal shows there is poetry to be found in our jargon, and stories embedded in our tools . . . This is writing that defies haste, that slows the eye. It is also a mighty feat of translation . . . Cements [de Kerangal's] reputation as one of contemporary fiction's most gifted sentence builders -- Beejay Silcox * Guardian *The book is a joyful testament to the rigours of research, and to the translator's art too . . . Maylis de Kerangal is mining a rich and individual seam -- Jonathan Gibbs * TLS *Intensely alive, encompassing both the technical and the poetic, emotion and cerebrality -- Raphaëlle Leyris * Le Monde *Always brilliant, executed in flowing, lyrical prose that had already reached the firmament in [Mend the Living] . . . De Kerangal finds fiction in reality; precise, technical vocabulary is imbued with rich imagination and meaning. And mastering trompe-l'œil - isn't that the ideal metaphor for the work of a novelist? -- Frédérique Roussel * Libération *The art of painting in perfect harmony with de Kerangal's writing; visual, flamboyant, assured . . . in perfect alignment with her subject -- Marine Landrot * Télérama *Kerangal's elegant, sexy, subtly Proustian, and fluidly dimensional drama of discipline and passion, imitation andimagination is resplendently evocative and exhilarating. -- Donna Seaman * Booklist *Long looping sentences, beautifully translated from the French by Jessica Moore, are balanced by taut scene changes . . . De Kerangal conjures the same painterly realism that her characters hope to achieve in paint * London Magazine *

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Book Synopsis* A WATERSTONES SCOTTISH BOOK OF THE MONTH * * SHORTLISTED FOR THE CWA HISTORICAL DAGGER AWARD * 'As moving as it is gripping... I loved it' CHRIS BROOKMYRE 'Utterly compelling' MARION TODD 'Extraordinary' JAMES OSWALD 'Excellent' HERALD SCOTLAND There were good people in The Homes. But there were also some very, very bad ones... A thousand unwanted children live in The Homes, a village of orphans in the Scottish Lowlands on the outskirts of Glasgow. Lesley was six before she learned that most children live with their parents. Now Lesley is twelve, and she and her best friend Jonesy live in Cottage 5, Jonesy the irrepressible spirit to Lesley's quiet thoughtfulness. Life is often cruel at The Homes, and suddenly it becomes much crueller. A child is found murdered. Then another. With the police unable to catch the killer, Lesley and Jonesy decide to take the matter into their own hands. But unwanted children are easy victims, and they are both in terrible danger... Inspired by a true story, and introducing readers to the unforgettable voice of young orphan Lesley, The Homes is a moving and lyrical thriller, perfect for readers of Val McDermid, Chris Whitaker, Jane Casey and Denise Mina.Trade ReviewA serial-killer mystery and a whodunit, but so much more. Tragic, gritty and haunting, yet brims with bitter-sweet humour and a main character who will steal your heart away -- Janice Hallett, author of THE APPEALAn evocative, compelling and ultimately moving mystery with a captivating central character -- Brian McGillowayTense yet tender, as moving as it is gripping... set to be one of the Scottish crime books of the year. I loved it -- Chris BrookmyreAn extraordinary story quite brilliantly told. Lesley is a wonderful character, and J.B. Mylet catches her voice perfectly. I found myself staying up long after lights out reading "just another chapter". And then another, and another -- James OswaldHeart-warming, heart-breaking and utterly compelling. I could not put this beautiful book down and it stayed with me long after I finished it -- Marion Todd, author of the Detective Clare Mackay seriesAmazing. I was hooked from the first page... A brilliant, must read story, all the more powerful because it's told through the bewildered logic of a child. I read it with an ache in my chest for all the Lesleys and Jonesys out there -- Anna Smith, author of the Kerry Casey seriesIn an unguarded voice that conveys her intelligence and courage while still passing convincingly as that of a smart 12-year-old girl, Mylet balances the whodunnit aspects with the painful lessons Lesley is learning about life... It's a testament to the strength of Mylet's characterisation, and his ability to make us care about her, that by the end of this excellent debut the real question is not so much "Who committed the murders?" but "Where does Lesley go from here?" * Herald Scotland *

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Book Synopsis** A WATERSTONES SCOTTISH BOOK OF THE MONTH ** ** SHORTLISTED FOR THE CWA HISTORICAL DAGGER AWARD ** 'One of the Scottish crime books of the year. I loved it' CHRIS BROOKMYRE 'Heart-warming, heart-breaking and utterly compelling' MARION TODD 'Excellent' HERALD THE GREATEST DANGERS LIE BEHIND CLOSED DOORS... Twelve-year-old Lesley has lived in the Homes since she was three weeks old, just one of a thousand unwanted children who occupy the village-like estate in the lowlands of Scotland in the 1960s. Life for her and her best friend Jonesy has been hard, and often cruel, but never dangerous. Until now. A girl is found dead at the Homes, soon followed by another. With the police unable to catch the killer, Lesley and Jonesy decide to take matters into their own hands. But unwanted children are easy victims, and the closer they get to the truth, the more they will put themselves in terrible danger... Inspired by a true story, and introducing readers to the unforgettable voice of young orphan Lesley, The Homes is a moving and lyrical thriller, perfect for readers of Val McDermid, Chris Whitaker, Jane Casey and Denise Mina.Trade ReviewA serial-killer mystery and a whodunit, but so much more. Tragic, gritty and haunting, yet brims with bitter-sweet humour and a main character who will steal your heart away -- Janice Hallett, author of THE APPEALAn extraordinary story quite brilliantly told. Lesley is a wonderful character, and J.B. Mylet catches her voice perfectly. I found myself staying up long after lights out reading "just another chapter" -- James OswaldTense yet tender, as moving as it is gripping... set to be one of the Scottish crime books of the year. I loved it -- Chris BrookmyreHeart-warming, heart-breaking and utterly compelling. I could not put this beautiful book down and it stayed with me long after I finished it -- Marion ToddAn evocative, compelling and ultimately moving mystery with a captivating central character -- Brian McGillowayAmazing. I was hooked from the first page... A brilliant, must read story, all the more powerful because it's told through the bewildered logic of a child. I read it with an ache in my chest for all the Lesleys and Jonesys out there -- Anna SmithIn an unguarded voice that conveys her intelligence and courage while still passing convincingly as that of a smart 12-year-old girl, Mylet balances the whodunnit aspects with the painful lessons Lesley is learning about life... It's a testament to the strength of Mylet's characterisation, and his ability to make us care about her, that by the end of this excellent debut the real question is not so much "Who committed the murders?" but "Where does Lesley go from here?" * Herald Scotland *

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Book SynopsisAn ebullient Mr Finchley is about to propose marriage to a lady he had rescued from mishap, when he is sent to Paris by his firm. There he manages to upset a boat, adopt a stray orphan and get himself kidnapped. The fine tangle he gets into takes some unravelling! Only when eventually back in London does he complete the proposal of marriage that was interrupted at the start. This gentle comedy trilogy was a runaway bestseller on first publication in the 1930s and retains a timeless appeal today. It has been dramatized twice for BBC Radio, with the 1990 series regularly repeated.Trade ReviewPRAISE FOR THE CLASSIC CANNING SERIES ‘Quite delightful, with an atmosphere of quiet contentment and humour that cannot fail to charm… The longer we travel with Mr Finchley, the better we come to love him. He makes us share his bread and cheese, and beer and pipe. His delight at the beauties of the countryside and his mild astonishment at the strange ways of men are infectious’ Daily Telegraph‘His gift of story-telling is obviously innate. Rarely does one come on so satisfying an amalgam of plot, characterisation and good writing’ Punch‘A paean to the beauties of the English countryside and the lovable oddities of the English character… [Mr Finchley] runs into one astonishing situation after another, sticking gamely to his resolve that he must take things as they come and accept them’ New York Times‘What counts for most in the story, as it did for Mr Finchley, is his mounting pleasure in vagabondage and the English scene’ The Times‘There is such a gentle humour in the book … Mr Finchley is the ideal Englishman’ Daily Sketch

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Book SynopsisFour boys. One band. No Chance. Chris and George are best friends, and they want to be rockstars. Unfortunately, a childhood spent playing in the school orchestra and listening to Jimmy Nail has left them a little fluffy around the edges, and at the age of 23, their acoustic duo Satellite doesn’t resemble Bon Jovi nearly as much as they’d planned. So how do two ordinary boys from a sleepy village go about taking on the cut-throat world of rock ’n’ roll? They'll have to fake it until they make it. True to life, funny and uplifting, Mockstars is a coming-of-age story about friendship and chasing the rock ’n’ roll dream. Inspired by the real-life tour diaries of the author’s band The Lightyears, Mockstars is a refreshingly different musical odyssey.

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Book SynopsisCould you share your child with someone else?Zoe wanted a baby more than anything. But her dreams will come at a price…After years of struggling to conceive, Zoe and her husband face the prospect of never having a family. When Zoe’s stepsister, Nadia, offers to be a surrogate it presents the perfect solution. A healthy girl, Louise, is born.But no one imagined just how hard it would be to know someone else was also mother to your child. As the pressure on Zoe and Nadia mounts, they make choices that there is no going back from.Years later, Louise is in desperate need of her family’s help. Can they put their painful history aside to save the child they love so much?Don’t miss this explosive and moving drama. Perfect for fans of Amanda Prowse, Kelly Rimmer and Kerry Fisher. Readers have been raving about Let Her Go:'A moving and emotional read with brilliant characters… 5*. Highly recommended.' Goodreads reviewer 'This book was amazing! I was unable to put it down!' NetGalley reviewer'Fab story with parts that brought me to tears.' NetGalley reviewer'A really heart-wrenching story... of love, loss, heartbreak... I loved this book.' Goodreads reviewer'Excellent and emotional book, great read couldn't put it down.' NetGalley reviewer 'A riveting piece of fiction that will keep the reader engrossed from the first page!' NetGalley reviewer‘I was thoroughly entertained. If you are even considering this book, read it. I’m really glad I did’ 4* Reader review

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Book SynopsisWhen three women set off on a hike through the wilderness they are anticipating the adventure of a lifetime. Over the next five days, as they face up to the challenging terrain, it soon becomes clear they are not alone.Lisa, Samantha and Nicole have known each other since school. Lisa is a fighter, Samantha a peacekeeper and Nicole a rule follower. United they bring out the best in one another.Only once it is too late for them to turn back do they appreciate the danger they are in. Their friendship is tested, and each of them must make a choice that will change their lives forever.Women's Weekly Book Club Great Read''The atmosphere is so charged, I often found myself clenching my jaw and getting goosebumps as I read. The descriptions of the Australian bush are so vibrant and evocative The bush feels alive in this book vast, daunting and full of lurking dangers Heartbreakingly honest and fiercely emotional a remarkable book that is bound to appeal to fans of Jane Harper and Liane Moriarty'' Honey''Piper gloriously demonstrates how to hook your readers and make them desperate to know the ending Piper's novel is an exploration of how the past can come to define ourselves, and a testament to the bonds of complicated friendship and to the relentless, isolating and utterly terrifying nature of the Australian bush'' Books + Publishing Review''There's a little bit of Big Little Lies about this deft and powerful study of female friendships under pressure this lyrical Queensland-based author has a style and tone all of her own which sucks you in and holds you in its seductive embrace, almost unable to breathe a page-turner a book dripping in the raw beauty of the Australian landscape'' Women's Weekly Australia''Piper has achieved that glorious, decisive moment in any great novel where the reader becomes desperate to know the ending. If you loved Jane Harper's Force of Nature, prepare yourself for another page-turning adventure'' Readings Monthly''An ambitious novel'' Weekend Australian

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Book SynopsisPreston, 1981. Maud, who is twelve and lives with her dysfunctional parents and her elder brother, spends a lot of her time in her bedroom writing letters to her favourite popstar, Tom Harding, the lead singer of a punk band called Horsefly.No one really understands her or tries to – and she thinks Tom just might have some answers to her many, many questions... Trade Review'Maud is the funniest teenager since Adrian Mole ... A beautiful book about hope and perseverance' Robin Ince'Brilliantly transports readers back to the innocence of an Eighties adolescence ... Though Maud wouldn't realise it in a million years, it's a total joy to spend time with her' Alex Lowe 'The laughs just keep coming – peppered with gut-punches, it's an Adrian Mole for the twenty-first century. A beautiful novel' Lizzie Roper 'A hilarious and heartbreaking fan letter to the confused teenagers we once were, and the confused adults we become' Geoff Lloyd

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Book SynopsisShe points the lens of the camera. The artist turns his head slightly. The light catches his brow and his silver-white hair. She snaps. He is lit like a Vermeer.Ireland. County Wexford, 1951. A father and son go swimming in the sea. The waves crash. The wind rises. Only one comes backColin, aged six. His mother, Eileen, runs to seek help, but this is a tragedy that will haunt them forever. Colin won't speak a word. He is mute and struggling to cope. But Eileen can see he has a talent for painting. She shows him his father's artwork and gives him a print of a Paul Henry landscape, and slowly, with her encouragement, he begins to follow his dream.Years later on Inishbofin island off the west coast of Ireland, out walking with his dog on the sand, Colin meets Laura, a young woman on holiday, and a tentative friendship starts to develop. Gradually his past comes to life in a story filled with love and frustration, loss and betrayal, but above all with the passion he has held through his life for the light in the sea and the sky and his search for that distant shore where the sky sweeps down to the water.One man. The sea. One painting.

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Book Synopsis‘Think about a tune … the unsayable, the invisible, the longing in music. Here is a book of tunes without musical notes … It wrings the heart’ John Berger'The voice that O'Grady has crafted succeeds so well...running in parallel, Pyke's stark arresting images are laced between the paragraphs and chapters. The interplay between the two mediums is delicately powerful' Hilary White‘A masterpiece’ Robert Macfarlane‘O’Grady does not just respond to Pyke’s stark, beautiful photographs: he gives voice to thousands’ Louise Kennedy‘The experience of Irish emigration uniquely and powerfully illuminated’ Mark Knopfler‘If the words tell the story of the voiceless, the bleak lovely photographs show their faces. Fiction rarely gets as close to the messy, glorious truth as do memories and photographs. This rare novel dares to use both’ Charlotte Mendelson, TLSAn old man lies alone and sleepless in London. Before dawn he is taken by an image from his childhood in the West of Ireland, and begins to remember a migrant’s life. Haunted by the faces and the land he left behind, he calls forth the bars and boxing booths of England, the potato fields and building sites, the music he played and the woman he loved.Timothy O’Grady’s tender, vivid prose and Steve Pyke’s starkly beautiful photographs combine to make a unique work of fiction, an act of remembering suffused with loss, defiance and an unforgettable loveliness. An Irish life with echoes of the lives of unregarded migrant workers everywhere. Since it was first published in 1997, I Could Read the Sky has achieved the status of a classic.Trade Review 'A masterpiece' Robert Macfarlane 'Twenty-odd years on it is somehow even more luminous and richly satisfying than the first time out ... I hope thousands of new readers find themselves keeping a copy under the pillow, unable to let it out of their sight even for the hours of darkness' Annie Proulx ‘I Could Read the Sky (Unbound) has just been reissued. I urge you to behold the alchemy between Timothy O’Grady’s story and Steve Pyke’s photographs; no book on the Irish emigrant experience has moved me more. O'Grady does not just respond to Pyke's stark, beautiful photographs: he gives voice to thousands' Louise Kennedy 'The experience of Irish emigration uniquely and powerfully illuminated' Mark Knopfler 'It reminds us of a great and unforgivable truth – our cities are built on the loneliness of migrant workers, and their great sadness persists down the generations' Kevin Barry 'What Pyke and O'Grady have done is read out imagination' Dermot Healy 'If the words tell the story of the voiceless, the bleak lovely photographs show their faces. Fiction rarely gets as close to the messy, glorious truth as do memories and photographs. This rare novel dares to use both' Charlotte Mendelson, TLS 'A lament for the cruelty of diaspora strained throush such pure, understated language you're surprised the words themselves are not weeping on the page' Bloomsbury Review 'A fine, evocative, engaging act of storytelling that captures the essence of a displaced life for Irish exiles ... a work of literary genius' Gerry Adams 'Supple, unshowy, beautiful writing ... What is really marvellous is O’Grady’s ability to return to the well of familiar images of Irish emigration while being so utterly devoid of cliche ... People have been trying to read the sky for a long time. Rare masterpieces like this help us do it' Irish Times 'Timothy O'Grady captures the collegiality, the acceptance of a common fate, that sustained communities, especially all male communities' Irish Examiner ‘I Could Read the Sky pays tribute to the voiceless and overlooked, and so addresses the exile in all of us' TLS 'Animated by small epiphanies' TLS 'The relics of (these) lives resurface in the murk of memory and find their clearest depiction in Pyke's evocative black-and-white photographs.' TLS

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Book SynopsisFrom the author of Untraceable, a novel about history both personal and political, and the mysteries of the past. The Goose Fritz tells the story of a young Russian named Kirill, the sole survivor of a once numerous clan of German origin, who delves relentlessly into the unresolved past. His ancestor, Balthasar Schwerdt, migrated to the Russian Empire in the early 1800s, bringing with him the practice of alternative medicine and becoming captive to an erratic nobleman who had supplied dwarves, hunchbacks from Africa, and magicians to entertain Catherine the Great. Kirill's investigation takes us through centuries of turmoil during which none of the German's nine children or their descendants can escape their adoptive country's cruel fate. Intent on uncovering buried mysteries, Kirill searches archives and cemeteries across Europe, while pressing witnesses for keys to understanding. The Goose Fritz illuminates both personal and political history in a passion-filled family saga about an often confounding country that has long fascinated the world.Trade ReviewOutstanding... Lebedev muses in Tolstoyan fashion about 'the energy flow of history', by which the actions of distant ancestors can fix the destinies of people hundreds of years later. Antonina W. Bouis has once again delivered a translation of determined, adamantine beauty' * Wall Street Journal *Lebedev's latest is his most ambitious, tackling a huge swath of Russian history – from the beginning of the 19th century up to the present day – while never letting its pacy, compelling narrative flag... Brave and unflinching' * Financial Times *Lebedev's prose is lyrical as a rule: cast in assonant patterns, attentive to rhythmic weight, responsive to the habits and desires of language. Antonina W. Bouis's translation is both faithful and inspired, spinning the story out in a tirelessly beautiful English * LA Review of Books *

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