Musicians, singers, bands and groups Books

Book Synopsis***Decode the secret language of metal.Metal music has a rich and powerful visual language like no other genre. From death and the devil to mythology and the occult, the artworks of its greatest albums carry a complex hidden code of deeper meanings.Codex Metallum is your unique guide to these visual themes. Featuring the covers of 250 iconic albums from Black Sabbath to Slipknot and Motorhead to Pantera, as well as bespoke illustrations by Rammstein collaborators Fortifem, this one-of-a-kind book decodes the imagery of metal and unlocks the secrets hidden within.Packaged in an embossed, leather-effect case with metallic foil finishes, Codex Metallum is a stunning collector's item and essential reading for any metalhead.

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Book Synopsis"And now David Bowie: Rock ‘n’ Roll With Me is out in the world — perhaps the closest you’ll get to being on tour with Bowie in that era without a time machine and a backstage pass." — InsideHook "His photographic memoir reveals untold stories and nearly 150 candid photos." — The Guardian "Intimate and full of references so specific you can almost smell the pub carpets and stage make-up" — HuckMag "Go on tour with David Bowie in an all-new photographic memoir" — Yahoo! Entertainment David Bowie: Rock ‘n’ Roll with Me is Geoff MacCormack’s remarkable photographic memoir, charting his lifelong friendship with David Bowie. Images bring MacCormack’s stories to life, showing the places he and Bowie inhabited, the people they met and the adventures they shared. Beginning at Burnt Ash Primary school in the mid-1950s, the years go by in a whirlwind of discovering and making music. The book contains nearly 150 photos taken by MacCormack throughout the years, some never seen before: from touring the Ziggy Stardust and Aladdin Sane shows and sailing to New York on a world tour, to Bowie’s first major film The Man Who Fell to Earth and the recording of Station to Station and his Thin White Duke persona. David Bowie: Rock ‘n’ Roll with Me is an incredible story, told with wit and candour. A must for all Bowie fans, it sheds a rare insight into a friendship where two men shared their love for music from the moment they met to their final goodbyes. Trade ReviewPosted on Instagram stories by the official DavidBowie.com site and 'liked' by >10,000 within 4 hours. - DavidBowieInstagram"His photographic memoir reveals untold stories and nearly 150 candid photos." - The Guardian"Intimate and full of references so specific you can almost smell the pub carpets and stage make-up" - HuckMag"David Bowie's Lifelong Friend Revisits '70s Adventures with Rocker in Rare and Never-Before-Seen Photos" - People, Yahoo UK Finance, KSLX Phoenix, Willmar Radio Minnesota"There’s even a witty and heart-warming afterword written by Bowie himself in 2007, which makes it all the more poignant." - Daily Mail"The songwriter and producer, who shared a friendship with Bowie for over 60 years, is now unveiling over 150 rare and unseen photos of the late star in a 'photographic memoir.'" - Fox News, Yahoo News"MacCormack recently discovered more never-before-seen photographs of his time with Bowie, capturing the Star Man in tender, unguarded moments." - Ultimate Classic Rock"Unseen David Bowie: Rock icon's childhood friend reveals intimate never-before-seen behind-the-scenes photos in memoir charting star's rise to fame and beyond." - Daily Mail"Go on tour with David Bowie in an all-new photographic memoir" - Yahoo! Entertainment"Geoff MacCormack's new book peeks behind the scenes of a lifetime's friendship." - Mojo4Music"Very close to David Bowie from the end of the 1960s, photographer and musician Geoff MacCormack immortalized the rocker's first hours of glory." - Vanity Fair France"Geoff MacCormack Looks Back on His Lifelong Friendship with David Bowie." - Interview Magazine"David Bowie remains a household name all over the world; in this interview, his childhood friend Geoff MacCormack dives into their friendship and beyond." - Reader's Digest UK"[MacCormack's] new book is about what the rock star was really like behind closed doors in an intimate memoir, which contains 150 images of their adventures, some of which are published for the very first time." - WGN9 TV Chicago"MacCormack was snapping photos the entire time, and those images form the centerpiece of his new book." - Rolling Stone"A photographic memoir like no other, David Bowie: Rock ‘n’ Roll with Me published by ACC Art Books chronicles MacCormack’s sixty years of friendship with Bowie, told with wit, humor, and candor." - Eye of Photography"Photography was purely a hobby for me for about five minutes - it just happened to be the right five minutes." - Kathimerini.gr"Geoff MacCormack’s candid photographs seen for the first time in new book." - The Times"an amazing story told with humor and candor..." - Viva Moda"And now David Bowie: Rock ‘n’ Roll With Me is out in the world — perhaps the closest you’ll get to being on tour with Bowie in that era without a time machine and a backstage pass." - InsideHook"Expect loads of candid backstage photos and early snapshots in this book." - Vera Magazine Virgin Airlines"Celebrating a lifetime of friendship with David Bowie, Geoff MacCormack - aka Warren Peace - looks back on his childhood and early years with the late music icon, as he rose to become one of the biggest stars on the planet." - Retropop"In MacCormack's remarkable photo memoir from ACC Art Books, he charts his lifelong friendship with Bowie, showing the places he and Bowie inhabited, the people they met and the adventures they shared, beginning at Burnt Ash Primary School in the '50s." - Music Connection"David Bowie: Rock ’n’ Roll with Me, recalls his relationship with Bowie (that lasted from their meeting at eight years old until Bowie’s death in 2016) in text and gorgeous, intimate photos." - Rock Cellar Magazine"From life to on the road to just life, MacCormack’s photographs affirm the poignant moments shared by a man venerated by the world but, to a close few, was first and foremost, a dear friend." - Robb Report Singapore"This week on Rockonteurs we welcome lifelong friend of David Bowie, Geoff MacCormack to the podcast….the stunning photographic memoir ‘David Bowie: Rock n Roll with Me’ – which includes a wonderful afterword from David." - Rockonteurs Podcast"Alongside his memories, MacCormack opens up his archive of photography, sharing never before seen images of his adventures with the music legend." - Independent"David Bowie’s photographic memoir like no other." - US Times Post"…an incredible story, told with wit and candour." - Antique & Collectors Trader"Geoff MacCormack’s remarkable photographic memoir charts his lifelong friendship with David Bowie." - Arts & Collections"Bowie fans will enjoy the graphic display and especially to see the Londoner in his day-to-day life, sometimes posing with a Kansai Yamamoto model and other times looking scared in the Soviet Union, when MacCormack, Bowie and a few other friends meet." - El Pais"Rare photos of David Bowie’s train travels through 1970s-era Soviet Union are now on view." - L A timesGeoff MacCormack was interviewed by NPR's Press Play on July 3rd 2023. - NPR.org"The intimate memoir, David Bowie: Rock ‘n’ Roll with Me, reveals rare insight into a friendship where two men shared their love for music from the moment they met to their final goodbyes." - The Independent"For readers seeking a slightly more domestic portrait, Geoff MacCormack’s Rock’n’Roll With Me offers the perspective of a lifelong friend who’d shared Bowie’s Wimpy Bar childhood in Bromley, then enjoyed a professional relationship with him during the mid-1970s." - The Critic MagazineGeoff McCormack was interviewed by Angellica Bell on the BBC's The One Show on 6th October 2023. - BBC The One Show

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Book SynopsisOf all the great British bands to emerge from the 1960s, none had a stronger sense of place than the Kinks. Often described as the archetypal English band, they were above all a quintessentially working-class band with a deep attachment to London. Mark Doyle examines the relationship between the Kinks and their city, from their early songs of teenage rebellion to their album-length works of social criticism. He finds fascinating and sometimes surprising connections with figures as diverse as Edmund Burke, John Clare and Charles Dickens. More than just a book about the Kinks, this is a book about a social class undergoing a series of profound changes, and about a group of young men who found a way to describe, lament and occasionally even celebrate those changes through song.

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Book Synopsis'Ours is music with built-in hatred.' Pete Townshend A Band with Built-In Hate pictures The Who through the prism of pop art and the levelling of high and low culture it brought about. Peter Stanfield guides us through the British pop revolution as it was embodied by the band: first, under the mentorship of arch-mod Peter Meaden; and then with Kit Lambert and Chris Stamp, two aspiring filmmakers, at the very centre of things in Soho. Guided by contemporary commentators - most conspicuously, Nik Cohn - Stanfield tells of a band driven by fury, and of what happened when they moved from explosive 45s to expansive concept albums. Above all, he describes how The Who confronted their lost youth as it was echoed in punk."Trade Review"Eloquently framing their success as the only successful 1960s UK pop/rock group that didn't want to be either the Beatles or the Rolling Stones, Stanfield locates the Who (and crucially their peak years, during which they were, he writes 'not copyists but innovators') at a boundary-breaking intersection of pop and art-rock." -- Tony Clayton-Lea * Irish Times *“There’s some very perceptive writing on the influence the Who had on the wider scene. . . . Essential reading for anyone who’s ever loved the Who, or wants an insight into the Sixties’ music scene that goes beyond greatest hits compilations and easy generalizations.” * Louder Than War *"If Roger Daltry's 2018 autobiography was a prosaic foot soldier's telling of the Who story, here is a view from the high plains. . . . The best parts of the book mirror the best of the Who, fizzing with ideas and connections. . . . This book vividly reanimates the nasty, transgressive, scene-shaping thrill of their beginnings." * Daily Mail *"[An] ear for apt detail enriches Stanfield's stolid account. He plumbs archives for ephemeral magazines and forgotten interviews to reveal more than the standard recitals of the works." * PopMatters *“Stanfield uncovers the underpinnings of the Who. . . . He has masterfully identified the mod, pop art, and art rock stages of the Who’s career for rock fans and general readers alike.” * Library Journal *"[The book] brings together some significant criticism of the Who, connecting them with all manner of cultural references, and is a valuable addition to my ever-expanding Who library. That the Who continue to be so well-served by knowledgeable authors is a tribute to their importance." -- Chris Charlesworth * Just Backdated *"A Band With Built-in Hate reaffirms the Who's importance to the rock and pop revolutions of the sixties and seventies." * Choice Magazine (UK) *"Stanfield examines how the Who took in disparate influences from outside the rock world—influences flying in from the fine and pop arts, youth culture, and so-on—and shipped them back out to be co-opted by everyone from the Creation to the Sex Pistols. It is the first deep, book-length look at an important aspect of the Who’s persona and art that is an integral portion of every book on the band." * Psychobabble *"The best book on the Who. Stanfield understands that they were built entirely around opposition—they didn’t want to be the Beatles or the Stones; they didn’t even want to be the Who most of the time. He smartly states the case for peak Who as transgressive, how their clashing obsessions with primitive rock’n’roll and sociological statements made them so exciting. He also wisely concentrates on their peak years, before pop solidified as rock, when the Who were the closest thing to pop art British music has ever produced." -- Bob Stanley, founding member of St Etienne and author of "Yeah Yeah Yeah: The Story of Modern Pop""With impressive eloquence, A Band with Built-in Hate situates '60s Britain's most volatile and incendiary group at the heart of pop's wild vortex, its sonic assaults on the class system and the cultural status quo. Stanfield digs brilliantly into the Who's transgressions, their upending of entertainment, their transmuting of pop music into art-rock and proto-punk. He can see for miles." -- Barney Hoskyns, author of "Lowside of the Road: A Life of Tom Waits" and "Major Dudes: A Steely Dan Companion""That the Who’s image was constantly shifting according to whatever they thought would best promote their music in the moment is the focus of Stanfield’s new book A Band with Built-In Hate. Stanfield examines how the Who took in disparate influences from outside the rock world—influences flying in from the fine and pop arts, youth culture, and so-on—and shipped them back out to be co-opted by everyone from the Creation to the Sex Pistols. It is the first deep, book-length look at an important aspect of the Who’s persona and art that is an integral portion of every book on the band. . . . Fills in the gaps of an important area of Who history." -- Mike Segretto, author of "The Who FAQ: All That's Left to Know About Fifty Years of Maximum R&B"

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Book SynopsisThe first book-length study in English of composer Mathias Spahlinger, one of Germany’s leading practitioners of contemporary music. One of the most stimulating and provocative figures on the new music scene on Germany, he has long been a touchstone for leftist, ‘critical’ composition there, yet his work has received very little attention in Anglophone scholarship until now. Born in 1944, Spahlinger has risen only gradually to prominence in his native Germany and for many years was considered an outsider within the contemporary music scene. Yet, his position as one of the most venerable exponents of post-WWII modernism in his homeland is now undeniable: his music is regularly performed, he has received commissions from many of the major orchestras and new music groups in Germany, and in 2014 he received the Großen Berliner Kunstpreis (Berlin Art Prize – Grand Prize) from the city’s Akademie der Künste (Academy of Arts). Spahlinger is, however, becoming increasingly known as a significant figure within later twentieth-century music – in 2015, a festival in Chicago focused exclusively on his music, and he was a keynote speaker at a conference on Compositional Aesthetics and the Political at Goldsmiths, University of London. This new book provides an essential reference for scholars of new music and twentieth-century modernism. There are no other book-length studies of Spahlinger in English, though there is a monograph and a book of essays in German, and books of interviews. This original work promises a more critical perspective upon the composer and his aesthetics and political ideas compared to previous publications. The illustrations include musical examples. Its primary market will be a specialist musicological readership, including academics, researchers and composers, but the writing style such that it could be accessible also to undergraduates interested in the field. The discussion of aesthetic debates in post-war Germany, and the interesting reading of the work of Jacques Rancière, means that it could also have significant appeal across the disciplines of philosophy and critical theory.Trade Review'While on the one hand, Neil Thomas Smith succeeds in filling up a void in academic literature on Spahlinger in English, his writing exceeds that purpose by bringing Spahlinger’s work into a general cultural and political context.[...] What is perhaps the most remarkable aspect of Smith’s book is the detailed analysis of many notable works of Spahlinger, which generations of composers will find very useful after listening to the music. On the whole therefore, this very enlightening book illustrates how one of the most influential composers at the dawn of the 21st century put thought and sound into the wholeness of his unique works that continue to intrigue the global artistic community.' -- Jonas Baes, Popular MusicTable of ContentsIntroduction Part 1 Modernism Underestimated Biography and Context: Spahlinger and Twentieth-Century Germany Part 2 Musique Concrète Instrumentale Order Open Form Perception Conclusion Mathias Spahlinger: List of Works

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Book SynopsisJefferson Airplane were not the sole exemplars of 1960s Californian acid rock; the Grateful Dead could equally claim the mantle of house band to the Summer of Love. Airplane's instrumentation was conventional, comprising mainly vocal harmonies, guitars, bass and drums. The band drew upon the folk traditions of The Weavers, the legendary bluesmen Gary Davis and B.B. King, improvisational masters from Miles Davis to Cream, even literary visionaries such as James Joyce and Isaac Asimov. Yet fusing together these influences in the creative furnace of San Francisco between 1966 and 1970, Jefferson Airplane's classic lineup – one ex-model, two ex-folkies, one ex-jazzer and two ex-D.C. guitarslingers – crafted music that was at once powerful, innovative and beautiful. Birthed in the dizzy hippie heartland of Haight-Ashbury, no other group were so wedded to their environment, winning international acclaim with two anthemic hit singles even as they impishly prodded the morés of middle Amerika. A musical and social force of nature, Airplane mirrored the psychedelic dream, burning higher, fiercer and brighter than any of their contemporaries. Combining a concise history of this magnificent band and their milieu with comprehensive and entertaining reviews of all their recordings, this is the most accessible book on the band yet written

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Book SynopsisWhen Hereford group Silence teamed up with songwriter Ian Hunter in 1969 to form a group that aimed to be a cross between Bob Dylan, the Rolling Stones and Procol Harum, they rapidly became one of Britain's most popular live acts, but a major hit single and album initially proved elusive. In 1972, disillusioned and exhausted, they split before being encouraged to reform by David Bowie and finding immediate chart success with a song he gave them, 'All the Young Dudes'. After two years of hits and internal conflicts Ian left and enjoyed a chequered solo career that has lasted to this day, initially in partnership with guitarist Mick Ronson until his death in 1993. The rest of the group subsequently shortened their name to Mott and then British Lions, the latter a collaboration with former Medicine Head front man John Fiddler, although they failed to re-establish themselves despite several solid months of touring on both sides of the Atlantic. As Ian wrote, 'Rock'n'roll's a loser's game'. They won, they lost, but during the 1970s released some inspired, highly individual music, that went on to inspire and be championed by several other acts, notably Queen, the Clash and Def Leppard.

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Book SynopsisMotorhead are arguably the greatest rock and roll band in history, but it took many years to win that accolade. This is the story of the band that refused to die. They started off as the Vengeful Bastard and they had a tough beginning. The band had to deal with wayward producers, hostile record companies, more than a couple of false starts and even the ignominy of being proclaimed the Worst Band in the World by the NME! Famed for their legendary loudness and their singular anthem, 'Ace Of Spades', Motorhead have not only proved inspirational but also, accidentally, created two sub-genres of heavy music: speed and thrash metal. Not bad for a band who announced themselves with: 'We are Motorhead, and we play rock and roll.' at their numerous live gigs. This book covers every studio album, band rarities and significant solo work from Lemmy. It is designed as a useful companion to the recorded output of a unique band. From the highly regarded trio of albums that ended the 1970s, through the line-up hardships and turmoil of the 1980s to the occasionally awkward musical experiments of the early 1990s, this book closes with the triumphant two-decade-long career revival of the band.

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Book SynopsisPhil Collins was everywhere in the 1980s. He had more top forty singles in the US than any other artist during the 1980s: fourteen as a solo artist and eleven with Genesis, along with two number one albums. Add to this, twenty-five solo / group hit singles and eight number one albums in the UK. He also recorded with artists as diverse as Peter Gabriel, John Martyn, Frida, Robert Plant, Mike Oldfield, Marti Webb, Al Di Meola, Adam Ant, Eric Clapton, Phil Bailey, Band Aid, Marilyn Martin, Paul McCartney, Tina Turner, Chaka Khan and Tears For Fears - another thirty-five albums or standalone singles, some of which were massive global hits. He also found time, somehow, to tour with Plant and Clapton in addition to his extensive in-concert duties with Genesis and as a solo artist. And perform at Live Aid. At both concerts. That’s around six hundred live concerts in total between 1980 and 1989. There’s no doubt that the guy was busy in that period! Amidst the overwhelming commercial success and ahead of any other career plan Phil Collins was and is a musician. His ubiquity between 1980 and 1989 hides ten years of magnificent music and this book examines Phil Collins’ musical output through these ten tumultuous years.

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Book SynopsisIn the 1990s, there was only one real punk rock band still standing. Rancid. Other so-called punk acts had bent the term so much they were unrecognisable as punk or had become a caricature of the expression. Or worse of themselves. Childhood friends Tim Armstrong and Matt Freeman formed Rancid in 1991. Heralding from the punk scene in Gilman Street, Berkeley, they were members of the ground-breaking outfit Operation Ivy. After Op Ivy’s demise, the duo recruited Brett Reed on drums and by the release of their second LP in 1994, the enigmatic Lars Frederiksen on guitar and vocals. In 1994 came the inspirational, platinum-selling …And Out Came The Wolves. The band were soon a fixture on MTV, radio and even Saturday Night Live. At this point, many would have disappeared into the stratosphere, but not Rancid. They worked tirelessly in the punk network, giving plenty back and keeping true to those crucial two elements of punk – liberation and unity. In 2021, they remain the most credible punk band on the planet. Rancid Tracks describes their nine studio albums, track by track, and covers compilations, stand-alone singles, splits, rarities, and unofficial releases.

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Book SynopsisHaving moved from jazz, Blues and R'n'B to out-and-out pop in his various 1960s bands, keyboard player Manfred Mann went back to the drawing board in 1971 with a new quartet, Manfred Mann's Earth Band, and the intention of focusing on progressive rock. With a repertoire that leant partly on radical rearrangements of songs by Bob Dylan and then Bruce Springsteen, largely instrumental epics that borrowed from Gustav Holst's The Planets suite, and improvisations based around the interplay between Manfred's newly-acquired moog synthesiser and the lead guitar of Mick Rogers, who left in 1975 but later returned, they soon built up a formidable live reputation throughout much of Europe (particularly in Germany) and America. Apart from the Holst-inspired 'Joybringer', a top ten hit in 1973, British success was slow in coming, until a cover version of Springsteen's 'Blinded by the Light' and its parent album The Roaring Silence three years later took their status to a new level on both sides of the Atlantic. This book examines the nine albums, fluctuating fortunes and various line-up changes from what was to be their best and most prolific decade.

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Book SynopsisBursting out of industrial Birmingham in the late 1970s and hitching a ride on the Two-Tone bandwagon for their first single, The English Beat answered the question of whether punk and reggae should mix better than anyone else. Their stunning first album in 1980 was an immediate success in their home country and even as they charted an unexpected course through the early years of the new decade, they retained a loyal following of roots, radicals and rockers. They additionally began to build a reputation in the USA through hard work on the road, but, in 1983, the pressure of maintaining a career strung across the Atlantic tore the group apart. The two front men Dave Wakeling and Ranking Roger, formed the slick and initially successful General Public, but they were completely eclipsed by Fine Young Cannibals, the soul-pop outfit created by guitarist Andy Cox and bassist Andy Steele and whose second album sold millions worldwide. This book covers the tumultuous period 1979-89 when this trio of groups poured forth a torrent of brilliant music and covers every album and every track, scooping up along the way the hits that never were, experimental B-sides, remixes and guest appearances. It is a truly idiosyncratic creative flare path lighting up a strange but exciting decade.

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Book SynopsisThe memoirs of Dana Gillespie, the award-winning first lady of the Blues.

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Book SynopsisA powerful and thought provoking memoir from one of the world's most successful orchestral conductors, whose life story, talent and dedication to music is an inspiration to read. A tragic car accident when Welser-Moest was a student shaped both his career and approach to music in the most profound and unexpected way, while the book documents an insider's view of the complex relationships between an opera house, its orchestra, the conductor and singers, and the creative struggle by all these parts to achieve perfection in every performance. Welser-Moest's book was published in Austria in July 2020 and rapidly became a no 1 bestseller. It remains a bestseller in the German language today. This edition will satisfy all lovers of opera and classical music who are English language readers.

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Book SynopsisFrom humble beginnings in Teignmouth, Devon on England’s South West Coast, since the band’s inception around twenty-five years ago Muse has grown into one of the biggest bands in the world. Since the release of debut album Showbiz in 1999, Muse has gone on to mega status, selling out stadiums around the globe. From a band that was helped in the nineties with a £150 grant from the Prince’s Trust, they have escalated into leading torch bearers for twenty-first century rock music. Never shy to acknowledge influences from the past, Muse has also created its own unique style from blending numerous music genres into their own defining image. Matt Bellamy, Chris Wolstenholme and Dominic Howard have remained together through thick and thin; time and time again producing huge selling albums and sold out concert tours. This Visual Biography is a wonderful keep-sake souvenir portraying the band’s rise to superstardom, right up to 2019’s Simulation Theory tour. The largely, previously unpublished photos are complimented with a 15,000 word band history by music author Laura Shenton.

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Book SynopsisA quietly spoken, true English eccentric with something of a rebellious streak, Tony Stratton Smith initially charmed and blustered his way into the music business as a manager during the early 1960s and a few years later, when the record labels stopped playing by what he believed to be the rules, he simply went and formed his own -The Famous Charisma Label - and set about spinning the record business on its head. An independent label like no other, it is fair to say that without Strat's total belief and unwavering long-term support there would be no Genesis - Phil Collins has said as much - and a long line of artists owe Tony a similar debt of gratitude, from Monty Python to Malcolm McLaren, Lindisfarne to Sir John Betjeman, Vivian Stanshall to Julian Lennon. A former sports journalist and close friend to Jimmy Greaves and Sir Matt Busby (Strat narrowly missed a seat in the Munich Air crash) he later became a popular figure in the horse racing world. But making money was never very high on Tony's agenda, simply a means to an end that enabled him to fund the music and mayhem that brought him so much enjoyment. Strat was never happier than when the artists that he had so carefully nurtured were fulfilling their creative potential, delighting in working with the talents of Peter Gabriel, Alan Hull, Clifford T. Ward, Howard Werth and Peter Hammill. Ultimately, what he really cared about were the people, the creativity, about imagination, inspiration and risk, and the sheer joy to be had in bringing all those elements together, lighting the Charisma-pink touch paper and standing back, glass in hand, to watch what might happen when the sparks began to fly.

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Book SynopsisOn 26th March 1971 at Newcastle City Hall, Keith Emerson, Greg Lake & Carl Palmer performed their version of Modest Mussorgsky’s Pictures At An Exhibition. An iconic classical piece given an innovative spin by the talented trio, it was released as an album following the success of their second studio album, Tarkus. In many ways, Pictures At An Exhibition is the underdog of Emerson, Lake & Palmer’s longstanding discography — so much so that there was uncertainty surrounding whether or not it was going to be released at all! And yet, despite the band’s uncertainties surrounding the LP at the time, it is now vital — both in terms of ELP’s history and in the wider sense of how it bridged a gap between rock and classical music. It certainly wasn’t the first album to do this but it is nevertheless a relevant and important part of such discourse. In this book, author Laura Shenton MA LLCM DipRSL offers an in-depth perspective on ELP’s Pictures At An Exhibition from a range of angles including how the album came to be, how it was presented and received at the time, how it compares to Mussorgsky’s original piece and what it means in terms of ELP’s legacy today.

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Book SynopsisReleased in 1978, This Year’s Model was Elvis Costello’s second album and his first with The Attractions. Abundant in clever songwriting that often-made bold observational statements (even about the music industry itself!), This Year’s Model grabbed the attention of both UK and US audiences. In this book, author Laura Shenton MA LLCM DipRSL offers an in-depth perspective on This Year’s Model from a range of angles including how the album came to be, how it was presented and received at the time (live as well as on record), and what it means in terms of Elvis Costello’s legacy today.

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Book SynopsisFZ88 follows in the wake of our hugely successful Zappa The Hard Way, written by Zappa aficionado Andrew Greenaway. That title published in 2010 documented Zappa's last tour in great detail. The only thing it really lacked was a swathe of great photos to accompany the insightful and in-depth story. This new title now completes the picture in more ways than one, built around the photos of Sergio `Milo' Albonico. The name will be familiar to Zappa buffs as Albonico was Zappa's official photographer and his photos were used on the 1988 tour programme as well as the album release Guitar. An extensive selection of Albonico's photos adorn the pages of this book. With additional text from Greenaway that puts the photos in context, along with words from Albonico, this publication is further enhanced by other previously unpublished photos as well as memorabilia from the time. This collection is a visual documentary of Zappa's last tour and a perfect companion to Zappa The Hard Way. But it also stands alone as a great collection of never-before-seen photos of Zappa from the rehearsals and concerts of his last tour.

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Book SynopsisSlaves And Masters is arguably one of the most divisive albums in Deep Purple's history. A product of Ian Gillan's sacking from the band and the recruitment of former Rainbow vocalist Joe Lynn Turner, in 1990, Slaves And Masters divided the fanbase enormously. But with four fifths of the classic MKII line-up at the helm and a desire to recapture the live feeling in the studio, that had been a hallmark of their seventies' albums, was it really the worst Deep Purple album as some fans claim? In this book, author Laura Shenton MA LLCM DipRSL offers an in-depth perspective on Deep Purple's thirteenth studio album from a range of angles including how the album came to be, how it was presented and received at the time (live as well as on record), and what it means in terms of Deep Purple's legacy today.

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Book SynopsisBy 1978, the landscape of pop music had changed considerably since Jethro Tull’s earlier hit albums Aqualung (1971) and Thick As A Brick (1972). Punk, disco and new wave were in and progressive rock’s heyday was over. Despite all of this, during the year of the band’s tenth anniversary, a cohesive line-up of Jethro Tull worked happily together to release the successful studio album, Heavy Horses. In this book, author Laura Shenton MA LLCM DipRSL offers an in-depth perspective on Heavy Horses from a range of angles including how the album came to be, how it was presented and received at the time (live as well as on record), and what it means in terms of Jethro Tull’s legacy today.

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Book SynopsisReleased in 1980, bold and original, Remain In Light features a fascinating blend of African-inspired music and innovative use of recording technology. Hosting the hit single ‘Once In A Lifetime’, it was an album that commanded attention. As Talking Heads’ Jerry Harrison put it, “Remain In Light was the beginning of a new vision. It was a very creative period and really amazing.” In this book, Laura Shenton MA LLCM DipRSL offers an in-depth perspective on Remain In Light from a range of angles including how the album came to be, how it was presented and received at the time (live as well as on record), and what it means in terms of Talking Heads’ legacy today.

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Book SynopsisWithout doubt Ian Gillan is one of the greatest and most enduring rock singers of all time. From his early career in sixties pop band Episode Six, through to Deep Purple, as well as a brief period with Black Sabbath, he has continued to surprise and delight millions of fans around the world. Forays into unchartered territory, such as his role in the original Jesus Christ Superstar, as well as a variety of solo projects, including the jazz inspired Ian Gillan Band have proven that time and again, Ian Gillan is more than just the lead singer with Deep Purple. This publication plots his career from the early sixties through to the present day in a visual timeline that charts his extraordinary and colourful career. Digging deep into the archives we have managed to pull together a vast array of photos and imagery, much of which has never been seen before. This includes many previously unpublished photos from his days with Episode Six and beyond. Off stage and backstage photos from his early career, through to Deep Purple and his solo projects are all included, alongside on-stage photos capturing Ian doing what he does best. A Visual Biography also includes many rare items of memorabilia, including a full itinerary from the Ian Gillan Band’s 1977 Japanese tour, plus posters and cuttings that help to document over fifty years as one of rock’s most iconic frontmen.

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Book SynopsisWild Mood Swings: Disintegrating The Cure Album by Album, Martin Popoff’s innovative new project on iconic post-punk pioneers The Cure, celebrates 50 years now since key actor of the band Robert Smith got hold of his first guitar. And the form this celebration takes is a critical analysis of the band’s 13 studio albums, utilising a panel of thoughtful and engaging music critics culled from the author’s and Marco D’Auria’s video channel, The Contrarians. Presented in easy-to-read Q&A format, Martin gathers these wise music swamis into small teams with an aim toward deconstructing and reassembling each album, hopefully generating myriad new ways for the reader and Cure fan to appreciate the band’s seminal records, beginning with Three Imaginary Boys in 1979 and ending with 4:13 Dream in 2008. As bonus to the discussion, Popoff has created a detailed timeline linked to each album, echoing the format used for his many celebrated visual biographies issued through Wymer Publishing in recent years. The end result presents a fresh methodology with which to consider a band’s catalogue, with the hope being that the mix of hard chronological reference material and freewheeling opinion, review and analysis makes for a lively celebration of—and subsequent richer appreciation for—everything Robert Smith has done for millions of Cure fans around the world, much of it therapeutic, redemptive and in so many inspiring instances, urgently life-saving.

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Book SynopsisFrom The Inside is a thorough revised and expanded re-working of Hayward's previous books, Tin Pan Alley: The Rise of Elton John and From Tin Pan Alley to the Yellow Brick Road. From The Inside is not just an ordinary biography. It is effectively an oral history using interviews conducted over a fifteen-year period with just about every musician, producer, sound engineer, manager and key figure that worked with Reg Dwight, before and when he was Elton John, both in Britain and America, up to 1979. It is their story, From the Inside; how they contributed to the success of Sir Elton during that time, and how they played an unwitting part in his rise to fame. It is a collection of stories from the music makers, managers, executives and musicians that makes this book possible. They are the people who were there, observing what was going on and, in some cases, in close proximity to Sir Elton. It really is the story of those who still see him as an acquaintance or as a friend. It is the first time some of them have spoken out about their years working and sharing Sir Elton's life. Sadly, some of those contributors have passed now but their words and contributions live on in this book.

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Book SynopsisAn updated version of Loud 'n' Proud: Fifty Years of Nazareth, drawing on copious images and items of memorabilia, this large format 240-page book is a treasure trove for Nazareth devotees — crammed full of live and off stage shots that portray the band’s journey through the decades. It also includes loads of super cool memorabilia including backstage passes, gig posters, media adverts and much more, all reproduced on high quality art paper. From the early days of the seventies through to the current day, nestling alongside the wonderful imagery, the band’s whole career is documented by esteemed rock writer Martin Popoff who was assisted through the whole narrative by Nazareth’s founder and only remaining original member Pete Agnew. Popoff also interviewed Agnew for the book in addition to previous interviews the author has conducted, not only with the bass player extraordinaire but with many other band members past and present, all neatly laid out in a timeline, making this the essential go to Nazareth book.

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Book SynopsisAfter their last studio album in 1991 and the tour that followed it, fans have eagerly awaited a Dire Straits reunion ever since. Whilst the likelihood of that remains incredibly slim, this book is a celebration of the band and their amazing musical accomplishments — with 'Sultans Of Swing', 'Private Investigations' and 'Money For Nothing' being just the tip of the iceberg! From the early days of playing at London's Hope & Anchor in 1977, to the dizzying heights of the 1985-86 Brothers In Arms tour and beyond, this book documents it all. With vintage interviews and reviews aplenty, the story of Dire Straits is one that needs to be told and this mammoth book is the most comprehensive biography of the band yet published. Not only is the band’s story covered in detail through the narrative — this lavish coffee table book is also visually stunning — printed on high quality art paper and illustrated throughout with numerous photos and items of memorabilia making this a highly desirable Dire Straits collectible.

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Book SynopsisThe remarkable story ofSwedish singer and songwriter?and two-time Eurovision winner?Loreen Loreen was born in Stockholm, Sweden, to Moroccan Berber parents, and rose to fame after winning the Eurovision Song Contest in 2012 with her song ?Euphoria.? Following her Eurovision success, Loreen released her debut album Heal in 2012. The album showcased her unique sound, characterized by a blend of pop, dance, and electronic elements, and received incredible reviews from critics. Loreen also won the 2023 Eurovision Song Contest held in Liverpool England with her song "Tattoo." Loreen?s victory at Eurovision 2023 brought her international recognition and established her as a prominent pop artist. ?Tattoo? had become a massive hit across Europe and topped the charts in several countries. Loreen?s powerful vocals, captivated audiences and made her performance one of the most memorable in Eurovision history. Loreen has been an advocate for various causes, including human rights, gender equality, and LGBTQ+ rights. Her outspokenness on these issues has further endeared her to her fans and demonstrated her commitment to using her platform for positive change. This is her story

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Book SynopsisEvery photographer knows the moment of truth, and every picture tells a story. Over the past four decades, Paul Natkin has had a front-row seat for music history, attending over 10,000 shows and concerts to chronicle the excitement and excess of the music industry.Since the 1970s, he has photographed most of the major music stars of the last half of the 20th century, shooting album covers for Ozzy Osbourne and Johnny Winter and countless magazine covers, including Newsweek, People, Spin and Ebony. The Moment of Truth is Natkin’s documentary as a witness to the music industry during his illustrious 40-plus years as a photographer and fan.Trade Review"[Natkin's] images have appears in so many publications and on so many album covers that music fans have almost certainly seen his work, whether they know it or not. The Moment of Truth collects some of his favorite photos and the stories behind them." - Chicago Reader "The interesting thing about Paul, he was just always there. We never really had to officially organize things with him, but he always was just there anyway taking great shots of us—from the ‘70s, ‘80s, ‘90s to today. And it's always been great material. He's a part of rock history." – Rick Nielsen, Cheap Trick “When you’re talking about Paul and you’re talking about photo shoots and he’s showing you some old stuff and then you see a photo of Sinatra in between images of Guns N' Roses and Slaughter, you’re like, who is this guy? We recognized he’s not entering our world, we’re entering his. And that’s just the thing, as time went on and we understood what Paul had already done and how great he is at what he does, it was always a pleasure to know he was still hanging around.” – Steve Gorman, The Black Crowes "I've always liked working with him because, with most photographers, they come to you and ask for one photo and then they take 1,000. Paul would just do a few clicks on his camera and say, 'I've got it.' I like the way he does his work and he doesn't need to take all day to get one great photograph. To be honest, I haven’t seen anything yet of Paul's work that I don’t like. I think he’s such a great professional that when he takes the pictures, his camera takes exactly what he sees and he has a sharp eye." – blues legend Buddy Guy "In conversation, Natkin is self-effacing, wickedly funny and laid back. Though he will tell you there are other photographers better than him, that’s his modesty talking. There is a reason for his success. Just look at a Natkin photo and you will feel a powerful intimacy."– Rick Kogan, Chicago TribuneTable of Contents Metal Folk Classic Rock Next Wave Soul + R&B Jazz Blues Country Gospel Rap + Hip Hop Adult World

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Book SynopsisThis fourth volume of J P E Hartmann og hans kreds. En komponistfamilies breve 1780-1900 (J.P.E. Hartmann and his Circle. The Correspondence of a Composer Family 1780-1900) contains hitherto unknown letters which have been privately owned until now. The particular focus is on J P E Hartmann's son Emil Hartmann and his struggle for recognition as a composer and not because of his relatives. The letters elucidate this struggle and provide a wealth of information on both the everyday life and the musical scene in the second half of the 19th century in which Emil Hartmann travelled a great deal in Germany where he was a well-known figure. Thus, letters from German celebrities, such as Richard Strauss and Max Bruch are included.

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Book SynopsisGrowing up around music, young George was inspired to piece together a makeshift drum set and teach himself to play as he practiced in the dark, dank basement of his rundown New Jersey townhouse. He soon joined forces with his friends to form a group called the Jazziacs which then evolved into Kool & The Gang, a band that began playing clubs and charting hits while its members were still teenagers. By evolving their sound as musical tastes changed, the band was able to stay on the charts for decades, scoring 12 Top 10 hits in Funk, R&B, Pop, and Rock, and selling over seventy million albums while navigating the highs and lows of their career. In Too Hot, drummer, keyboardist, and primary songwriter George Brown describes life in and out of the band including a raucous life on the road as the band’s popularity grew. He weathered the ups and downs of his musical career and navigated many challenges including prescription drug addiction, depression, and health issues. George shares how his recent cancer scare, and subsequent treatment, compelled him to share his story, warts and all, to give readers a glimpse into a band whose reputation was considered relatively tame, but in reality, it was exactly the opposite.George hopes to help others realize their own professional and personal dreams—life is a symphony, and we must all be our own conductor. Table of Contents1 Intro 2 Verse 3 Pre-Chorus 4 Chorus 5 Bridge 6 Outro Epilogue Discography

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Book Synopsis324 pages of never before seen Roxy Music photographs from one of the most high-profile Roxy Music fans celebrating the 50th anniversary of the band's debut album. A perfect gift for fans of 80s bands, Roxy Music and music photography. 2022 marks the 50th anniversary of Roxy Music's eponymous debut album, which the band are celebrating with a North America and UK tour, their first in over a decade. To coincide with this milestone, we are proud to present a one-of-a-kind historical document and celebration of one of the most beloved and enduring bands of our times. Documenting the band from their heyday in 1973 right up to Roxy's last live performance in 2019 - more often than not from the photographer's pit - and punctuated by rare memorabilia, priceless memories and cheeky anecdotes, Roxy Live is the book Roxy fans have been waiting for.

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Book SynopsisCanadian performer k.d. lang broke new ground in the 1980s by blending the genres of punk and country, dubbed cowpunk, with her band, the Reclines. Despite Grammy-award-winning recordings and frequent North American TV spots, mainstream country radio excluded lang from airplay due to her unconventional gender presentation and perceived sexuality. Not until lang's 1992 pop album Ingénue, the release of the single Constant Craving, and her subsequent coming out in The Advocate did lang earn critical acclaim worldwide.The book addresses lang's rise to fame after switching genres, the successful reinvention of her sound and persona, and how she found herself immersed in the whirlwind of MTV and the lesbian chic aesthetic of 1990s pop culture. As an LGBTQ author, Joanna McNaney Stein discusses her adolescence and sexual development by weaving in short narrative prose pieces with her analysis of lang and Ingénue. Also included are interviews with lang''s musicTable of ContentsAcknowledgments Introduction Part I - Pre-Ingénue Primer 1. k.d. lang’s American TV Debut 2. In Search of a Missing Identity 3. The Tonight Show, Patsy Cline & “Crying” 4. Torch and Twang Days Part II - Ingénue 5. Ben Mink on Ingénue 6. Ingénue Track-by-Track 7. Critics & Coming Out 8. MTV Mania Part III - Post-Ingénue 9. Collaborators on k.d. 10. Pop Culture References 11. Canadian Music Hall of Fame and Ingénue's 25th Anniversary Works Cited

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Book SynopsisHangin’ Tough, the second album by the New Kids on the Block, has sold more than seventeen million copies worldwide since it was released in 1988. But the album and the band have also been dismissed, derided and deemed uncool by the music establishment. Almost thirty years later, the New Kids still perform the songs from Hangin’ Tough.Hundreds of thousands of grown women still flock to their concerts to hear—and go bat-shit crazy for—the songs they first heard when they were teenagers. Is this mere nostalgia or can the science of music help explain the enduring success of Hangin’ Tough? What is it about this album that made it so special? Is the music any good or are there other factors at play too? Journalist and New Kids fan Rebecca Wallwork sets out to analyze the quality of Hangin’ Tough with the help of music cognition experts, critics, producers and music industry pros. This is not a story about crazy fans, boy bands and truckloads of cheesy merchandise; it is an exploration of a watershed album and moment in pop culture history. It is a glimpse into the brain of not just New Kids fans, but into the minds and hearts of anyone who loves music.Trade ReviewMaking the case for the slick-sounding album’s place in music history seems a considerable undertaking. Yet author Wallwork presents more than enough plausible evidence about the band’s place in pop culture through research and interviews with those who worked with the boys during its heyday. She aims to explain why this album still resonates with her and the band’s mostly female audience (now in their 40s), and she tackles her subject on multiple fronts: the science, particularly the psychology, of why music from people’s teen years sticks with them well into adulthood; the genius of the band’s creator, Maurice Starr, who was also responsible for its music; and the personalities, talents, and musical influences of the five band members. In some ways, this book is not so much a band biography or album history as it is a story about fandom. Even elitist rock fans who don’t remember the New Kids fondly will find that Wallwork’s work may crack their hard, cynical shells. * Kirkus Reviews *What makes Wallwork’s book so great is that you can use it to understand how YOU fell in love with ‘that band’ from your teenaged years, and why you can’t let them go, no matter how you think your tastes have changed. Wallwork refused to apologize for her fandom, and instead invited you along to understand why you feel the way you do about your version of New Kids on the Block. * Bearded Gentleman Music *With this book, Wallwork isn't trying to convince readers to like New Kids on the Block. Rather she just wants to understand her own fandom. She wants to make sure she's not looking at it through the lens of nostalgia, something everyone has questioned at least once with something they remember fondly. Hangin' Tough will remind fans why they love NKOTB and will make others think differently about the group. * Examiner *Table of ContentsIntroduction Chapter 1: Do You Remember? Chapter 2: It Starts With a Whisper Chapter 3: Rise N’ Grind Chapter 4: Listen Up, Everybody Chapter 5: Space Cowboy Chapter 6: Click, Click, Click Chapter 7: Let’s Get This Chapter 8: Put You in a Trance Chapter 9: BH Love Eternal Pose For Me (photos)

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Book SynopsisThere's no denying that throughout the 1970s, Jethro Tull were at the top of their game. With iconic albums such as Aqualung (1971), Thick As A Brick (1972), Songs From The Wood (1977) and Heavy Horses (1978) to their credit, the band had majestically earned their place as vital pioneers and contributors within the spectrum of progressive rock music. By the 1980s, the popularity of progressive rock had declined amongst the record-buying public. Any band wishing to continue the success they had enjoyed throughout the previous decade couldn't afford to rest on their laurels. And so arises an essential question: How did Jethro Tull fare in the 1980s? Laura Shenton MA LLCM DipRSL provides a detailed exploration into each of Jethro Tull's albums from the eighties, offering a critical analysis of the band's achievements, challenges, and sound.

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Book SynopsisTrade ReviewThe book succeeds . . . by discussing the material world and practices of classical music. In setting forth concrete details and eschewing the hyperbolic and metaphoric, Stefaniak brings classical music back to life. -- M. Dineen * Choice *Table of ContentsAcknowledgmentsChronologyIntroduction1. Schumann's Early-Career Concert Vehicles: Transcendent Interiority and the Cutting Edge of Popular Pianism2. The Imagined Revelation of Musical Works3. The Compositional Agency of the Revelatory Interpreter4. Clara Schumann's 1840s Compositions and her Midcentury Persona5. Navigating and Shaping Local Concert Scenes and Canons: Clara Schumann's 1854-56 Tours6. Revelatory Interpretation and the Performance of MemoryEpilogueBibliographyIndex

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Book SynopsisAfrican Rhythms is the autobiography of the important jazz pianist, composer and band leader Randy Weston. He tells of his childhood in Brooklyn, his six decades long musical career, his time living in Morocco, and his lifelong quest to learn about the musical and cultural traditions of Africa.Trade Review“. . . Part memoir, part travelogue, part philosophical treatise. Mr. Weston is especially informative about how he briefly fled New York in his early 20s to escape the drug scene that was becoming endemic among young jazzmen, as well as about the making of classic albums like Uhuru Africa and Blue Moses." -- Will Friedwald * Wall Street Journal *“African Rhythms is perhaps the next truly wonderful jazz autobiography. It succeeds so fully not because of hyperbole or personality but because Weston—a pianist and composer criminally underappreciated even among serious jazz fans—has a unique musical story to tell. This story is highly recommended to jazz listeners, in large part, because it makes you want to dive back into one of the most gripping discographies in the music. . . . If you haven’t heard Weston’s music, really listened to it, then African Rhythms is the strongest possible incentive to tune in. Is there any higher praise for a book about music than that it got you to start listening?” -- Will Layman * PopMatters *“No one has done more to explore and celebrate the African roots of jazz than pianist/composer Randy Weston. Weston demonstrates a pride in his ancestry and culture that is both the primary source of his artistic inspiration and the central theme that suffuses this fascinating autobiography. . . . Weston refers to himself as ‘a storyteller through music’ rather than a jazz musician. He's unsurpassed as a goodwill ambassador.” -- Jay Trachtenberg * Austin Chronicle *“Now in his 80’s, Weston, in this book, sounds eternally optimistic and full of wonder about his life. He comes off as joyous and spiritual as his music. Reading this is enough to make you want to dig out whatever Weston CDs you might have and listen to them again with a greater understanding of what went into the music. This book is worthy of his expansive talents.” -- Jerome Wilson * Cadence *“Randy Weston is a monumental figure in contemporary jazz, a man whose creativity remains undimmed at the age of 83. He is a living link with the golden era of the 1950s and 60s, a time during which trailblazing musicians and revolutionary thinkers wholly energised African-American arts and politics. As this absolutely fascinating biography reveals, Weston. . . has lived a very full life that has seen him not only excel as a musician but also make hugely important cultural and political statements that had the intent and effect of uplifting blacks in America during a time of second class citizenship. A recurrent theme in the text is thus Weston’s focus on concrete initiatives to improve civil rights. . . . Essential reading for anybody interested in learning something of a great man as well as a great musician.” -- Kevin La Gendre * Jazzwise *“Randy Weston knows more about jazz and more about Africa than most of us. Hence this book—more musical, philosophical and spiritual, with a more personal voice than most jazz autobiographies—is loaded with knowledge and insights about both topics. . . . From Stearns to the Gnawa musician healers of Morocco, from poet Langston Hughes to Dizzy Gillespie, Weston’s fascinating journey is well worth the read.” -- George Kanzler * All About Jazz *“Weston has dedicated his life to spreading African music throughout the world and forging a bond with his identity as an African American musician. African Rhythms ably recounts his sometimes arduous journey to becoming a true cross-cultural ambassador.” -- Jon Ross * DownBeat *Table of ContentsArranger's Preface / Willard Jenkins xi Acknowledgments xix Introduction 1 1. Origins 5 2. Growing Up in Brooklyn 18 3. The Scene Shifts to the Pacific 28 4. Postwar: Escaping the Panic 37 5. Post-Berkshires: Succumbing to the Irresistible Lure 55 6. Enter Melba Liston 70 7. Uhuru Afrika: Freedom Africa 82 8. Making the Pilgrimage 102 9. Touring the Motherland 114 10. Making a Home in Africa 135 11. Connecting with the Gnawa 171 12. Building a Life in Tangier: The African Rhythm Club 183 13. Festival Blues, Then Divine Intervention: Blue Moses 194 14. Post Morroco and the Ellington Connection 206 15. Compositions and Sessions 220 16. The African Rhythms Quintet 235 17. The African Queen 252 18. The Adventures of Randy Weston 262 19. Ancient Future 278 Conclusion: Randy Weston ... Philosophically Yours 299 Discography 305 Awards and Citations 323 Index 325

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Book SynopsisOver the course of his long career, legendary bluesman William "Big Bill" Broonzy (1893–1958) helped shape the trajectory of the genre, from its roots in the rural Mississippi River Delta, through its rise as a popular genre in the North, to its eventual international acclaim. Along the way, Broonzy adopted an evolving personal and professional identity, tailoring his self-presentation to the demands of the place and time. His remarkable professional fluidity mirrored the range of expectations from his audiences, whose ideas about race, national belonging, identity, and the blues were refracted through Broonzy as if through a prism. Kevin D. Greene argues that Broonzy''s popular success testifies to his ability to navigate the cultural expectations of his different audiences. However, this constant reinvention came at a personal and professional cost. Using Broonzy''s multifaceted career, Greene situates blues performance at the center of understanding African American self-presentation and racial identity in the first half of the twentieth century. Through Broonzy''s life and times, Greene assesses major themes and events in African American history, including the Great Migration, urbanization, and black expatriate encounters with European culture consumers. Drawing on a range of historical source materials as well as oral histories and personal archives held by Broonzy''s son, Greene perceptively interrogates how notions of race, gender, and audience reception continue to shape concepts of folk culture and musical authenticity.

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Book SynopsisFinalist, 2024Lesbian Memoir/Biography, Lambda Literary Award for Arts and Culture Winner — Walter & Lillian Lowenfels Criticism Award, 45th Annual American Book Awards, Before Columbus FoundationA queer, Black “biography in essays” about the performer who gave us “Hound Dog,” “Ball and Chain,” and other songs that changed the course of American music. Born in Alabama in 1926, raised in the church, appropriated by white performers, buried in an indigent’s grave—Willie Mae “Big Mama” Thornton''s life events epitomize the blues—but Lynnée Denise pushes past the stereotypes to read Thornton’s life through a Black, queer, feminist lens and reveal an artist who was an innovator across her four-decade-long career. Why Willie Mae Thornton Matters “samples” elements of Thornton’s art—and, occasionally, the author’s own story—to create “a biography in essays” that explores the life of its subject as a DJ might dig through a crate of records. Denise connects Thornton’s vaudevillesque performances in Sammy Green’s Hot Harlem Revue to the vocal improvisations that made “Hound Dog” a hit for Peacock Records (and later for Elvis Presley), injecting music criticism into what’s often framed as a cautionary tale of record-industry racism. She interprets Thornton’s performing in men’s suits as both a sly, Little Richard–like queering of the Chitlin Circuit and a simple preference for pants over dresses that didn’t have a pocket for her harmonica. Most radical of all, she refers to her subject by her given name rather than 'Big Mama,' a nickname bestowed upon her by a white man. It''s a deliberate and crucial act of reclamation, because in the name of Willie Mae Thornton is the sound of Black musical resilience. Trade ReviewDenise offers a desperately-needed corrective in this volume about the art, life, and legacy of Thornton, whose song “Hound Dog” (later recorded by Elvis) changed the course of American music. A standout installment in the University of Texas Press’s always great Music Matters series. * The Millions *The enigmatically intelligent and scholarly productive thinker, Lynnée Denise, who has made strides in Black realms of music for well over a decade is now presenting a new book. Why Willie Mae Thornton Matters gives an honest and incredibly bright examination of the relevance of Big Mama Thornton. * The New York Amsterdam News *Denise uses shrewd music criticism and a Black, queer, feminist lens, to reintroduce Thornton as a performer who transcended gender norms . . . Denise’s thoughtful reimagination of Thornton’s career pays tribute to a woman that embodied Black creation and resilience. * Alternative Press *Impressive research and thoughtful commentary illuminate the life and career of Willie Mae 'Big Mama' Thornton (1926–84) in this eloquent volume...What emerges is a portrait of an extraordinary woman who influenced later blues, rock, and pop music performers such as Janis Joplin...An engaging and well-written must-read with generous resources for further study. * Library Journal, starred review *Willie Mae “Big Mama” Thornton was a Black, queer blues woman often recognized for her song, “Hound Dog,” but she was so much more. In the latest volume of the Music Matters series, Lynnée Denise rediscovers and reclaims Thornton’s life and legacy, a gift to us all. * Ms. Magazine *Denise reintroduces Thornton as a performer who transcended genres and gender norms. * The 19th *Denise effectively delivers perhaps her most salient point: Who is authorized to convey the story of these Black musicians? * The Austin Chronicle *Table of Contents Introduction Mothering the Blues The Black South Matters Sisters of the Dirty Blues White Boy Magic and the Making of Genre Grown Little Girls, Tomboy Women, and Black Radio Don’t Ask Me No More about Elvis California Love / California Dreamin’ Willie Mae inna England Your Blues Ain’t Like Mine Mixtapes, White Biographers, and Black Blues People Saved by the Amazing Grace of Mahalia Jackson A Jailed Sassy Mama The ’80s Blackness of Willie Mae’s Blues Epilogue Acknowledgments Sources and References

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Book Synopsis2022 Belmont Award for the Best Book on Country Music, International Country Music Conference/Belmont UniversityNew and expanded biography of one of country music's most celebrated singer-songwriters.Merle Haggard enjoyed numerous artistic and professional triumphs, including more than a hundred country hits (thirty-eight at number one), dozens of studio and live album releases, upwards of ten thousand concerts, induction into the Country Music Hall of Fame, and songs covered by artists as diverse as Lynryd Skynyrd, Elvis Costello, Tammy Wynette, Bobby Blue Bland, Willie Nelson, the Grateful Dead, and Bob Dylan.In The Running Kind, a new edition that expands on his earlier analysis and covers Haggard''s death and afterlife as an icon of both old-school and modern country music, David Cantwell takes us on a revelatory journey through Haggard's music and the life and times out of which it came. Covering the breadth of his career, Cantwell focuses especTrade ReviewCantwell captures why Haggard's best-known songs still matter while never shying away from honest critiques of weaker selections that never made it into the classic country canon. Ultimately, this warts-and-all look at a half-century-spanning back catalog gives its subject his due. * Wide Open Country *Sharp-eyed and sharp-eared insight...abounds in [Cantwell's] book...The Running Kind paints Merle Haggard in a broad and nuanced American cultural landscape, rather than the tight corners that Nixon, the counterculture, country fans, and Haggard himself frequently painted him into. * New York Journal of Books *If you want to read the definitive book on Merle Haggard, this is the one...The beauty of Cantwell’s book lies in his in-depth, astute, and entertaining close readings of Hag’s songs and the covers of those songs by others, from Dylan to Bobby 'Blue' Bland. * No Depression *A remarkable book by one of Merle's most astute scholars. * Lawyers, Guns & Money *In essays on the songs, eras and influences that shaped Haggard’s life and legacy, Cantwell makes a case for Haggard's genius not by leaving out the contradictions that are evident in his work, but by shining a light on them. * Holler *Table of ContentsIntroduction. “Silver Wings”: Kansas City, Missouri, September 14, 2001 1. “Hungry Eyes,” 1969 2. The Roots of His Raising 3. “Mama Tried,” 1968 4. Toward the Bad He Kept on Turnin’ 5. He Loves Them So: A Playlist of Early Influences 6. “Leonard,” 1981 7. The Bakersfield Sound and Fury 8. Someone Told His Story in a Song 9. “I Started Loving You Again,” 1968 10. The Legend of Bonnie and Him 11. “Sing Me Back Home,” 1967 12. They Won’t Let His Secret Go Untold 13. He’s Living in the Good Old Days: Countrypolitan, Country Soul, Country Rock 14. “Workin’ Man Blues,” 1969 15. He Likes Living Right and Being Free 16. “Irma Jackson,” 1969 17. His Fightin’ Side 18. He’d Rather Be Gone 19. “It’s Not Love (But It’s Not Bad),” 1972 20. He Wishes He Was Santa Claus 21. Merle Loves Dolly 22. Songs He’ll Always Sing 23. He Takes a Lot of Pride in What He Is (Hint: He’s a White Boy) 24. “A Working Man Can’t Get Nowhere Today,” 1977 25. His Country Girl with Hot Pants On 26. He’s Always on a Mountain When He Falls 27. “Rainbow Stew,” 1981 28. He Wishes a Buck Was Still Silver (Not Really) and Likes the Taste of Yesterday’s Wine (Really) 29. “Kern River,” 1985 30. He’s Going Where the Lonely Go 31. “Me and Crippled Soldiers,” 1990 32. The Hag versus the Man in Black 33. He’ll Never Be Gone? Merle Haggard in the Twenty-First Century 34. “If I Could Only Fly,” 2001 Epilogue. Cuba, Missouri: July 15, 2010 Acknowledgments Selected Discography Selected Bibliography Index

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