Musicians, singers, bands and groups Books

Book SynopsisFrom male bisexuality to religion in pop, Little Richard spent the 1950s pioneering ideas that are still too challenging for the mainstream. As a Black multimillionaire rock star, he was the most exciting person on the planet between 1955 and 1957, the years in which his seismic debut album was created.Featuring new interviews with famous fans including Sir Elton John, Dave Grohl, Joan Jett and Nile Rodgers, this is the first in-depth look at Here's Little Richard since Richard Penniman's death in May 2020. The book explores his roots in the queer underground of the American South, a scene so progressive you'd scarcely believe it thrived seven decades ago, and early rebel music such as jump blues, which soon collided with the emerging juggernaut that was rock'n'roll. When that weird alchemy occurred, the self-proclaimed Living Flame was ready to spark the likes of The Beatles, David Bowie and Prince into existence. Those close to the tale pinpoint the ways in which Long Tall SaTable of ContentsTrack List Prologue 1. The Big Bang 2. Macon, Georgia 3. Influences 4. Making It 5. Specialty Records 6. The Girl Can’t Help It 7. Here’s Little Richard 8. The Songs 9. Fame 10. Can’t Believe You Wanna Leave Epilogue Acknowledgements Bibliography

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Book Synopsis 'A raw and raging celebration of music . . . astounding.' Megan Bradbury'Funny, filthy, erudite, and rude.' Carl Shuker'A magnificent novel.' Alan McMonagleDuring their 1985 tour, two events of hatred and stupidity forever change the lives of a band’s four members. Neues Bauen, a post-hardcore Illinois group homing in on their own small fame, head on with frontman Conrad Wells sexually assaulted and guitarist Tone Seburg wounded by gunshot. The band staggers forth into the American landscape, traversing time and investigating each of their relationships with history, memory, authenticity, violence and revelling in transcendence through the act of art.With decades passed and compelled by his wife’s failing health to track down Tone, Conrad flies to North Africa where her brother is rumoured to be hiding with a renowned artist from their past. There he instead meets various characters including his former drummer, Spence. Amongst the sprawl and shout of Morocco, the men attempt to recall what happened to them during their lost years of mental disintegration and emotional poverty.Dance Prone is a novel of music, ritual and love. It is live, tense and corporeal. Full of closely observed details of indie-rock, of punk infused performance, the road and the players’ relationship to violence, hate and peace. Set during both the post-punk period and the present day, Dance Prone was born out of a love of the underground and indie rock scenes of the 1980s, a fascination for their role in the cultural apparatus of memory, social decay and its reconstruction.Trade ReviewHis book is many things. A giddy rush of indie excess, punk mayhem, outsider art, blurred memory, lapsed existence and sudden grace. A mind-bending trip that plays out in that liminal space between innocence and insanity; drift and purpose; rational and rogue; anarchy and calm; between what was lost and what may endure. Cut with a cast of characters sawn through the bone, language that giddies-up the heart, and always, always, alive with a throbbing pulse that insists you read on. Lyrical. Violent. Elegiac. Epic. I adore David Coventry's writing and Dance Prone is a magnificent novel. -- Alan McMonagle, author of Ithaca. Taught and intelligent, this story of music, trauma and artistic ambition has all the precision, spookiness and elegance of the best post-rock. -- Matt Thorne'What a brute fucken show, man.’ David Coventry's new novel is a gorgeous panegyric to the purity, poison and impossibly high stakes of punk. A young band of fleeting genius tours the living rooms and crappy bars of early 80's US before imploding in violence and horror. Dance Prone captures that thing about beautiful doomed brilliance sanctified by its miniature life expectancy. It's funny, filthy, erudite, and rude, like LCD Soundsystem’s "Losing My Edge" as retold by the mid-period DeLillo of The Names and Mao II. -- Carl Shuker, author of A MistakeA novel that interrogates music and it’s capacity for producing societal change, the bonds of friendship and family, and the manner in which we avoid confronting ourselves with the truth . . . An attempt to create the novel in it’s essence: looking for the new, resisting the obvious, denying the familiar. * Red Close blog *Pitch-perfect and nuanced . . . extraordinary . . . remarkable . . . Coventry’s work is some of the finest in recent NZ literature. * Herald (New Zealand) *A transcendental quest through the mind, body and through landscape, and a raw and raging celebration of music . . . This book is astounding. -- Megan Bradbury, author of Everyone is Watching

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Book SynopsisIn her intimate memoir, More Myself, Alicia Keys shares her quest for truth: about herself, her past, and her shift from sacrificing her spirit to celebrating her worth.One of the most celebrated musicians of our time, Alicia Keys has enraptured the nation with her heartfelt lyrics, extraordinary vocal range, and soul-stirring piano compositions. Yet away from the spotlight, Alicia has grappled with private heartache over the challenging and complex relationship with her father, the people-pleasing nature that characterized her early career, the loss of privacy surrounding her romantic relationships, and the oppressive expectations of female perfection.Since her rise to fame, Alicia’s public persona has belied a deep personal truth: she has spent years not fully recognizing or honoring her own worth. After withholding parts of herself for so long, she is at last exploring the questions that live at the heart of her story: Who am I, really? And once I discover that truth, how can I become brave enough to embrace it?More Myself is part autobiography, part narrative documentary. Alicia’s journey is revealed not only through her own candid recounting, but also through vivid recollections from those who have walked alongside her. The result is a 360-degree perspective on Alicia’s path: from her girlhood in Hell’s Kitchen and Harlem, to the process of self-discovery she’s still navigating.With the raw honesty that epitomizes Alicia’s artistry, More Myself is at once a riveting account and a clarion call to readers: to define themselves in a world that rarely encourages a true and unique identity.

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Book SynopsisSunday Times Bestseller'I can't rewrite history; all I can do is be honest and wear my heart on my sleeve. It's really the only way I know. I want to show people the real me. Or perhaps remind them. Because, somewhere - amongst the nightclubs, the frocks and hairdos, the big chart hits, and the glamour of being a popstar - the other Sarah Harding got utterly lost. She's the one who's been forgotten. And all I want is for you to hear her out.'Sarah Harding is best known as the wild member of Girls Aloud, whose reputation for partying, drinking and dating made her a tabloid favourite. But where does the celebrity Sarah Harding end and the real Sarah begin? Faced with a devastating cancer diagnosis that turned her life upside down, Sarah has decided that now is the time to write her story. Her truth.This is Sarah Harding in her own words.

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Book SynopsisThe global number one bestseller, set to become a hit movie produced by Reese Witherspoon and starring Dolly Parton. AN UNFORGETTABLE COLLABORATION BETWEEN THE BELOVED INTERNATIONAL SUPERSTAR AND THE WORLD'S #1 BESTSELLING THRILLER WRITER__________________________'A GRIPPING AND HEARTBREAKING BOOK I COULDN'T PUT DOWN' REESE WITHERSPOON'LIKE HAVING DOLLY IN THE ROOM WITH YOU' VAL McDERMID'UNFORGETTABLY GOOD STUFF' TONY PARSONS___________________________Find a future. Lose a past.She's a star on the rise, singing about the hard life behind her.She's also on the run.Nashville is where she's come to claim her destiny.It's also where the darkness she's fled might find her. And destroy her . . .RUN ROSE RUN: a story glittering with danger and desire.Also available: an album of 12 original Dolly Parton songs made for the novel!____________________________Readers are loving Run Rose Run'It feels so authentic''This book pulls you in from page 1 and you don't want to put it down.''I would give the novel ten stars were it possible''Fabulous book. Could feel Dolly in the writing. James was his usual, story telling at his best''A great read, fabulous characters, short sharp chapters . . . A terrific collaboration'____________________________More praise for Run Rose Run'Deserves to be a runaway success' Express'Enthralling, terrifying, moving' Lee Smith'A thrilling journey' Kathleen Grissom'I absolutely loved it!' Ross King'A sublime partnership' Sun'This is going to be BIG' The Times'You'll find yourself pulled right in' I Paper'Told with passion and sensitivity' Daily Mail'Will have you rooting for them all the way' Guardian'One great read' Lisa Gardner'A diverting duet' Financial Times'Smart, spirited and entertaining' Daily MirrorRun Rose Run was a no.1 Sunday Times bestseller 18th March 2022Trade ReviewWarm, feisty. Like having Dolly in the room with you -- VAL McDERMIDRun Rose Run grips your heart from the start and never lets go. Like a great Dolly Parton song, it is rich with heart, humour and humanity, full of a yearning for the light even in the darkest of nights. Unforgettably good stuff. -- TONY PARSONS, bestselling author of the DC Max Wolfe seriesTaut and exciting. Patterson's mastery plus Parton's insider knowledge of Nashville's dark underbelly equals one great read. -- LISA GARDNER, bestselling author of the Detective D. D. Warren seriesRun Rose Run is a suspenseful tale of a young musician desperate to escape her troubled past. A thrilling journey from two beloved voices, set against the backdrop of the country-music scene. -- KATHLEEN GRISSOM, bestselling author of The Kitchen House and Glory Over EverythingDolly Parton is the beating heart and yearning soul of this amazing novel. Enter James Patterson, who knows how to grab a reader by the throat, kick up the suspense, and move a novel along better than anybody else in the world. Run Rose Run is enthralling, terrifying, enlightening, and moving all at once. -- LEE SMITH, bestselling author of The Last Girls and DimestoreI absolutely loved it! -- ROSS KINGA detailed, loving, professional portrait of a country music songwriter's process, whether alone and dreaming or down in the studio. * The Times *One of the most eagerly anticipated thrillers of 2022 * Daily Express *Told with passion and sensitivity it is as much a tribute to Parton's warmth and humanity as it is to Patterson's skill as a thriller writer * Daily Mail *A diverting duet . . . [Dolly Parton] is able to supply an authenticity in the details of the American music business . . . The autobiographical aspects of the novel are foregrounded: AnnieLee is as diminutive as Run Rose Run's co-author, with a similarly sparky, self-deprecating character. * Financial Times *Just like Parton's hit songs, you'll find yourself pulled right in * i Paper *Smart, spirited and thoroughly entertaining . . . set against the backdrop of the toxic music industry, Dolly's fury at the way women are treated blazes off the page. A wish fulfilment fairytale grounded in grit . . . deserves to be a runaway success * Daily Express *An iconic singer and a master storyteller make for a sublime partnership in this fun and fast tale. * Sun *All the great country songs are about heartbreak, about gittin' back on your feet and startin' over. Ultimately, that is where this book scores. AnnieLee is an adorable firecracker of a heroine . . . Run Rose Run has a sweet moreishness that will keep millions happily turning its 409 pages (plus lyrics at the back). Parton and Patterson may have invented a new style; let's call it Dolly Mixtures . . . Seriously, is there anything this phenomenal 76-year-old cannot do? * Daily Telegraph *The likable trio will have you rooting for them all the way * Guardian *If you love Dolly (and let's be honest, who doesn't?), you'll enjoy the ride. * Woman's Weekly *A deliciously hokey yarn about a young singer-songwriter (AnnieLee) struggling to shake off her murky past and make a career in Nashville. * Independent *Dreams, drama and danger, with a generous sprinkling of magic and wisdom at every turn, it makes for a super holiday or bedtime read * Herald *A perfect daily serving of soapy escapism * Guardian Weekly *A big-hearted tale of music and perseverance from a living country legend is our top literary pick this month . . . Along the way, we get plenty of genuinely interesting information about the country-music world . . . Frankly bonkers fun * Reader's Digest *Sassy AnnieLee and the Nashville music scene come across as authentic, and the plot speeds along with good humour and energy * Irish Independent *James Patterson is promiscuous with his charms. He has co-written thrillers with Bill Clinton, now he has snuggled up to another Southern institution, Dolly Parton. In this thriller a young singer-songwriter in Nashville is determined to make it big, but - surprise, surprise - she's on the run from her deadly past . . . It's going to be big. * The Times *America's master storyteller and much-loved performer join forces * Sun *Tells the story of a down-on-her-luck singer songwriter whose career is turbo-charged by a country music legend bearing more than a passing resemblance to the legendary Parton herself * Sunday Express *Who doesn't love Dolly Parton? As well as being a wonderful singer, songwriter and actor, she has created a remarkable legacy as a philanthropist for children's literacy. Parton has now joined forces for a writing duet with bestselling author James Patterson. * Independent *

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Book SynopsisIn the hierarchy of British jazz & rock musicians, the electrifying guitarist, composer, and bandleader John McLaughlin arguably holds an unassailable position at the very top. Across dozens of official studio and live albums that encompass solo acts, The Mahavishnu Orchestra, Shakti, and co-headlining group projects, GRAMMY Award-winner John McLaughlin has consistently enthralled and surprised with boundary-pushing, genre-defying music. He revolutionized guitar playing with his virtuosic style, carving out one of the most critic-proof and prolific careers in modern times and was Miles Davis’s guitarist of choice on epochal albums In A Silent Way, Jack Johnson, Bitches Brew, and Live-Evil. Drawing on hundreds of sources and interviews with key collaborators, Matt Phillips takes us on an exciting journey through McLaughlin’s entire career: his early years on the London pop scene; his flirtations with the European avant-garde; groundbreaking work with Miles Davis and Tony Williams; the electrifying fusion groups The Mahavishnu Orchestra and Shakti; special projects with the likes of Chick Corea, Sting, Herbie Hancock, Wayne Shorter, Carlos Santana, and Jeff Beck; hugely popular acoustic collaborations with Paco De Lucia, Larry Coryell, and Al Di Meola; and his 4th Dimension band. This is the first major book about McLaughlin to illuminate his entire output from 1980–2020. Including never-before-seen photographs, it’s a thrilling ride through the life of a master musician.Trade ReviewJohn McLaughlin is one of a kind. What he has contributed to the world of music will never be duplicated. It’s the reason why a book reflecting on his musical career should be a must-have in every aspiring musician's personal library. -- Billy Cobham, drummer, Mahavishnu Orchestra, inductee, Modern Drummer Hall of FameTable of ContentsIntroductionChapter 1: The Early Years (1942 – 1968)Chapter 2: 1969-1970Extrapolation, Miles and LifetimeChapter 3: 1970-1973From Devotion to Between Nothingness & EternityChapter 4: 1974-1979From Apocalypse to Electric DreamsChapter 5: The 1980sFrom Friday Night In San Francisco to Paco & John At MontreuxChapter 6: The 1990sFrom The Mediterranean Concerto to Remember ShaktiChapter 7: The 2000sFrom The Heart Of Things Live to Five Peace Band LiveChapter 8: The 2010sFrom To The One to Is That So?Epilogue: Covid, Liberation Time and John’s Goals BeyondAcknowledgmentsBibliographySelected Online ReferencesSelected Print ReferencesAbout The Author

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Book SynopsisReissued for the 40th Anniversary of the Oscar-winning, Sissy Spacek-starring film of the same name, COAL MINER'S DAUGHTER recounts Loretta Lynn's astonishing journey to become one of the original queens of country music. Loretta grew up dirt poor in the mountains of Kentucky, she was married at fifteen years old, and became a mother soon after. At the age of twenty-four, her husband, Doo, gave her a guitar as an anniversary present. Soon, she began penning songs and singing in front of honky-tonk audiences, and, through years of hard work, talent, and true grit, eventually made her way to Nashville, the Grand Ole Opry, eventually securing her place in country music history. Loretta's prolific and influential songwriting made her the first woman to receive a gold record in country music, and got her named the first female Entertainer of the Year by the Country Music Association. This riveting memoir introduces readers to all the highs and lows on her road to success and the tough, smart, funny, and fascinating woman behind the legend.

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Book SynopsisA collection of the very first, the very last, and the very best interviews conducted with Prince over his nearly forty-year career.

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Book SynopsisAt 102 years of age, Louise Tobin is one of the last surviving musicians of the Swing Era. Born in Aubrey, Texas, in 1918, she grew up in a large family that played music together. She once said that she fell out of the cradle singing and all she ever wanted to do was to sing. And sing she did. She sang with Benny Goodman and also performed vocals for such notables as Will Bradley, Bobby Hackett, Harry James (her first husband), Johnny Mercer, Lionel Hampton, the Glenn Miller Orchestra, Peanuts Hucko (her second husband), and Fletcher Henderson.Based on extensive oral history interviews and archival research, Texas Jazz Singer recalls both the glamour and the challenges of life on the road and onstage during the golden age of swing and beyond. As it traces American music through the twentieth century, Louise Tobin's story provides insight into the challenges musicians faced to sustain their careers during the cultural revolution and ever-changing styles and tastes in music.In this absorbing biography, music historian Kevin Edward Mooney offers readers a view of a remarkable life in music, told from the vantage point of the woman who lived it. Rather than simply making Tobin an emblem for women in jazz of the big band era, Mooney concentrates instead on Tobin's life, her struggles and successes, and in doing so captures the particular sense of grace that resonates throughout each phase of Tobin's notable career.

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Book SynopsisShortlisted for the Penderyn Music Book Prize 2017. In this first installment of acclaimed music writer David Toop’s interdisciplinary and sweeping overview of free improvisation, Into the Maelstrom: Music, Improvisation and the Dream of Freedom: Before 1970 introduces the philosophy and practice of improvisation (both musical and otherwise) within the historical context of the post-World War II era. Neither strictly chronological, or exclusively a history, Into the Maelstrom investigates a wide range of improvisational tendencies: from surrealist automatism to stream-of-consciousness in literature and vocalization; from the free music of Percy Grainger to the free improvising groups emerging out of the early 1960s (Group Ongaku, Nuova Consonanza, MEV, AMM, the Spontaneous Music Ensemble); and from free jazz to the strands of free improvisation that sought to distance itself from jazz. In exploring the diverse ways in which spontaneity became a core value in the early twentieth century as well as free improvisation’s connection to both 1960s rock (The Beatles, Cream, Pink Floyd) and the era of post-Cagean indeterminacy in composition, Toop provides a definitive and all-encompassing exploration of free improvisation up to 1970, ending with the late 1960s international developments of free music from Roscoe Mitchell in Chicago, Peter Brötzmann in Berlin and Han Bennink and Misha Mengelberg in Amsterdam.Trade Review[A] discursive and consistently stimulating account. * The Guardian *Maelstrom indeed ... [This] is an encyclopedic vortex of musicology, memoir and speculative extemporisation on the nature of improvisation and freedom in music ... crammed with detail and fascinating observations ... A captivating reading experience that perfectly embodies its subject in form. * The Wire *David [Toop] has browsed through history and offers readers an extremely rich overview of myriad germs of improvisation popping up all over the world, in so many musics, in fine arts and theater, in politics and philosophy, in social activism, and in small musical events. ... [T]his panoramic book is an absolute must-read for everyone interested in (the archeology of) free improvisation, actually for anyone interested in music in general. I am already looking forward to the second volume. * Journal of Sonic Studies *A typically multi-faceted and prismatic look at improvisation, written from the perspective of a practitioner. Turns out exploring free improvisation in music is really about exploring life. * Pitchfork *This is a long overdue book, and there is no-one else who could have written it. It is an astonishing achievement, and a highly readable and enjoyable one too. * International Times *Toop spends much of his latest effort exploring the philosophical and artistic movements from which pre-1970 performers drew inspiration ... In this, [Into the Maelstrom] provides a fascinating view of 20th century underground movements well beyond that of music alone. * Pop Matters *There is a wide range of substantive material here for both scholars and fans of the music ... If one accomplishment of the work must be singled out, it is that it assumes no foreknowledge of improvised music, and yet it would enrich the understanding of anyone who considers themselves an expert on the subject. * Popular Music *Any discussion of free improvisation, as an essential (anti?)-discipline of creative music, is an amusing balance between considering an unruly child and a sacred cow. History has come into a wild favor towards a genre that perpetually defies definition and prediction. David Toop, with a critical facility informed by over forty years of activity on and off the bandstand, sets his ruminations in the service of the music. Essaying on free improvisation in the mode of composition can result in didactic chin scratch. Thankfully Toop engages the readers interest with a sentient breath of prose charged by academic insight where poetic space becomes the page. It's only the beginning. * Thurston Moore *Toop's latest opus explores in depth the various traces of improvisation in music and elsewhere ... It is a broad panorama of portraits, reflections, anecdotes, evocations, miscellaneous quotations, interview extracts and questions on the nature and the development of the concepts of spontaneity and free expression throughout the twentieth century. * Revue & Corrigée (Bloomsbury translation) *The range of artists that are written about in this book is absolutely amazing. The beautiful thing is Toop was also in the height of the scene during the 1960s - so his views are both personal as well as a history of music being made and recorded throughout the 20th century. ... Toop has an encyclopedic knowledge of literature and music. What makes him a great writer is that he is able to use those tools to tell a remarkable narrative ... Perfect book. * TamTam Books blog *Describing the world as increasingly policed and regulated, Toop argues that people have come to devalue the role of improvisation in human behavior. Although the focus of Into the Maelstrom is music, Toop also examines theater, film, and the visual arts along with sociologists such as W. E. B. Du Bois. He explores a wide variety of musical styles and practitioners, including jazz musicians Sidney Bechet, Ornette Coleman, and the AACM; composers such as Luciano Berio, John Cage, Edgard Varèse, and Percy Grainger; and the rock band Pink Floyd. Toop also acknowledges the role of technology in music and improvisation—as exemplified by, for example, composer/performing artist Pauline Oliveros. The interesting discography will be a useful resource. Summing Up: Recommended. Upper-division undergraduates through faculty and professionals. * CHOICE *David Toop has dived into the Maelstrom that is the genesis of improvised music and come up with a string of pearls. There is so much here that will be new to even those of us who thought we knew the subject. A remarkable piece of real scholarship that relies on painstaking research with a refreshing absence of jargon. * Evan Parker *Into the Maelstrom gives an astonishing, vivid history of improvised music across the 20th century­­ before 1970, tracing its transnational criss-crossings, trans-arts contagions, the folds between Cream and AMM, ‘musicking’ and John Stevens' Spontaneous Music Ensemble, Nuova Consonanza and For a Few Dollars More. David Toop’s panoramic account makes obvious how urgently we have needed this alternative history, attuned to musical sounds as they resonate with artistic, cultural and political currents. A landmark book, Into the Maelstrom re-centres those vast and auspicious margins deserted by previous music histories. * Georgina Born, Professor of Music and Anthropology, University of Oxford, UK *Table of Contents1: (only begin) A DESCENT 2: FREE BODIES 3: collective subjectivities 1 4: OVERTURE TO DAWN 5: collective subjectivities 2 6: INTO THE HOT 7: solitary subjectivities 8: TROUBLED SEA OF NOISES AND HOARSE DISPUTES 9: collective objectivities 10: IMAGINARY BIRDS SAID TO LIVE IN PARADISE 11: postscript: the ballad of john and yoko 12: RAIN FALLING DOWN ON OLD GODS Index

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Book SynopsisSleater-Kinney’s 1997 album Dig Me Out is built on Corin Tucker and Carrie Brownstein’s competing guitars, Janet Weiss’s muscular rhythms, and layered vocals that teeter between an urgent, banshee-like vibrato and a lower accompaniment. Dig Me Out was the band’s third studio album, but the first one written and recoded with Weiss. It inaugurated Sleater-Kinney into a lineup that would span its two-decade career. This 33 1/3 follows the narrative of Dig Me Out from its inception in Olympia to its recording in Seattle and its reception across the United States. It’s anchored in a short period of time – roughly from mid-1996 to mid-1998 – but it encompasses a series of battles over meaning that continued to preoccupy Sleater-Kinney in the coming decades. The band wrestled with the media about how they would be presented to the public, it contended with technicians about how their sound would be heard in clubs, and they struggled with pervasive social hierarchies about how their work would be understood in popular culture. The only instance where the band didn't have to put up much of a fight was when it came to their fans. The acclaim Sleater-Kinney received from their listeners in the late 1990s, and continue to receive today, speaks to a need for icons who challenged normative notions of culture and gender. This story of Dig Me Out chronicles how Sleater-Kinney won the fight to define themselves on their own terms – as women and as musicians – and, in the process, how they redefined the parameters of rock.Trade ReviewSleater-Kinney’s Dig Me Out by Jovana Babovic not only dives into the album, but it also dives into the culture surrounding women in music. While the book takes you through the album, it focuses on what it meant for the individual band members, the tour surrounding the release, and how the band was treated on the road. Babovic displays the toughness and the DIY attitude of Sleater-Kinney perfectly through her writing… I can’t recommend this book enough. * HiFi Noise *[In this volume] Babovic makes the case that S-K are that alternative; a band that should be held in as high esteem as Bowie, The Beatles and the rest of rock’s predominantly male superstars ... Though it’s strongly grounded with analytic arguments and sociological theories, it’s also hugely passionate; written with a similar excitement and frustration as the record itself. * Record Collector *I loved Dig Me Out. It's about feminism and gender as much as it is about the three musicians and this one particular album. For SK fans, it's a must, but I also recommend it highly to people interested in media and sexism. * Lower East Side Librarian *Table of ContentsAcknowledgements Introduction – Sleater-Kinney’s Dig Me Out in the Cultural Moment of the late 1990s Chapter I – Olympia Calling: The Making and Breaking Out of Spaces Chapter II – Eight Days in Seattle: The Struggle to Record Dig Me Out Chapter III – Strange Words: Writing about Gender, Punk, and Sleater-Kinney Chapter IV – Hey Soundguy: The Dig Me Out Tour Chapter V – Words & Guitars: Celebrity, Fandom, and the Cult of Sleater-Kinney Notes

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Book SynopsisIn his time, the Austrian American composer Arnold Schoenberg (1874–1951) was an international icon. His twelve-tone system was considered the future of music itself. Today, however, leading orchestras rarely play his works, and his name is met with apathy, if not antipathy. With this interpretative account, the acclaimed biographer of Toscanini finally restores Schoenberg to his rightful place in the canon, revealing him as one of the twentieth century’s most influential composers and teachers. Sachs shows how Schoenberg, a thorny character who composed thorny works, raged against the “Procrustean bed” of tradition. Defying his critics—among them the Nazis, who described his music as “degenerate”—he constantly battled the anti-Semitism that eventually precipitated his flight from Europe to Los Angeles. Yet Schoenberg, synthesising Wagnerian excess with Brahmsian restraint, created a shock wave that never quite subsided and, as Sachs powerfully argues, his compositions must be confronted by anyone interested in the past, present or future of Western music.Trade Review"Lucid... Sachs's book is a succinct guide to Schoenberg's life and work, one designed in part to make the composer's music accessible to a wider audience. Much of the book's appeal lies in that implicit promise to help find the beauty hidden in what can seem, to the uninitiated, a writhing mass of noise. Sachs is neither a hater nor a glassy-eyed enthusiast... [he] is, as he puts it, 'a writer and music historian who is Schoenberg-curious.'... This is not to say that he doesn't admire the music—he does. And there's real pleasure to be found in the way Sachs writes about it. He clearly describes, for instance, the genius of the way in which Schoenberg composes the voice of God in his opera Moses und Aron, which Sachs calls a nearly ideal vehicle for twelve-toned music... The effect is perfectly eerie." -- Christopher Carroll - Harper's"[A] concentrated meditation . . . It may be recommended for anybody with an interest in the work of the Viennese-American composer Arnold Schoenberg—and perhaps especially to those who have never quite been able to “crack” his music . . . Despite his postwar decades in California, Schoenberg—with his rattles and shimmers, his craggy melodies and pervasive angst—never quite escaped the nightmares of what was then a crabbed and bloody Old World . . . Mr. Sachs’s fine study should inspire a fresh understanding of his life and work." -- Tim Page - Wall Street Journal"[A]n immensely valuable source for anyone desiring an accessible overview of this endlessly controversial and chronically misunderstood giant of 20th-century music... Sachs can be refreshingly candid, sharing his feelings at times as if he were whispering confidentially in your ear during a concert intermission... his genuine enthusiasm for those pieces that do stir him is enough to draw the reader in, and in so doing has done a great service to the cause. " -- John Adams - The New York Times Book Review"In this study of Arnold Schoenberg, the Austrian-born composer who immigrated to the U.S. in 1933, Sachs blends fleet-footed biography with an accessible analysis of Schoenberg's works. " -- The New Yorker"[An] elegant and judicious book" -- Rupert Christiansen - Literary Review

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Book SynopsisAn alphabetical history of rock ’n’ roll’s most iconic band…the Grateful Dead.Featuring playful rhymes and glorious illustrations, The ABCs of the Grateful Dead celebrates the band’s rich and dynamic history. Each letter of the alphabet highlights a significant moment, cultural contribution, or innovation along the band’s journey, from their groundbreaking release of American Beauty to their pioneering Wall of Sound, from the beloved dancing bears to their singular community of tape traders. This delightfully kaleidoscopic look back on the Grateful Dead will entertain first-time readers as well as diehard fans of all ages. The Grateful Dead is a social and musical phenomenon that grew into a genuine American treasure. In 1965, an entire generation was linked together by common ideals, gathering by the hundreds and thousands. This movement created a seamless connection between the band and its fans. As the band toured, Dead Heads would follow. Not because it was a part of popular culture, but because it is a true counterculture that exists to this very day-one that earnestly believes in the value of its beliefs. By 1995, the Grateful Dead had attracted the most concert goers in the history of the music business, and today remain one of the all-time leaders in concert ticket sales. Eventually, the caravan evolved into a community with various artists, craftsmen and entrepreneurs supplying a growing demand for merchandise that connected them to the music. Today, the connection is as strong as ever. The band was inducted into the Rock & Roll Hall Of Fame in 1994 and received a Grammy® Lifetime Achievement Award in 2007. Their final tally of 2,318 total concerts remains a world record. The Grateful Dead recently celebrated their 53rd top 40 album on the Billboard chart, a feat no other group has achieved.Trade Review"Unique, original, fun, The ABCs of the Grateful Dead offers a fascinating and entertainingly kaleidoscopic look back on the Grateful Dead that will have a very special appeal to young first-time readers—as well as diehard fans of all ages! The ABCs of the Grateful Dead is especially recommended for family, elementary school, and community library ABC collections in general, and dedicated Grateful Dead fans of any age in particular." -- Midwest Book Review

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Book SynopsisA new biography of the beloved but mysterious Blind Lemon Jefferson, famous blues musician. Born in 1897, Jefferson was a blind street musician who played his guitar at the corner of Elm Street and Central Avenue in the Deep Ellum area of Dallas, Texas, until a Paramount Records scout discovered him. Between 1926 and his untimely death in 1929, Jefferson made more than 80 records and became the biggest-selling blues singer in America. Although his recordings are extensive, details about his life are relatively few. Through Govenar and Lornell's extensive interviews and research, See That My Grave is Kept Clean gathers the scattered facts behind Blind Lemon Jefferson's mythic representations.

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Book SynopsisA curated collection of Enlightenment operas, paintings, and literary works that were all marked by the "Telemacomania" scandal, a furious cultural frenzy with dangerous political stakes. Imaginatively structured as a guided tour, Opera and the Politics of Tragedy captures the tumultuous impact of the so-called Telemacomania crisis through its key artifacts: literary pamphlets, spoken dramas, paintings, engravings, and opera librettos (drammi per musica). Prominently featured in the gallery are two operas with direct ties to this aesthetic and political war: Mozart and Cigna-Santi's Mitridate (1770) and Mozart and Varesco's Idomeneo (1781). Reading and listening across the Enlightenment's cultural spaces (its new public museums, its first encyclopedias, and its ever-controversial operatic theater), this book showcases the Enlightenment's disorderly historical revisionism alongside its progressive politics to expose the fertile creativity that can emerge out of the ambiguous space between what is "ancient" and what is "modern."Table of ContentsExhibition List Patrons of the Museum Guidebook A Mozartean Museum The Death of Tragedy Exhibiting Enlightenment Dramma per musica Map of the Exhibits Entrance Hall Arts, Letters, and Music Modern Antiquarian Spaces "La Poésie" and its Systems Arts and Letters The Lyrical Impulse Exhibit A The Poet's Prose: Mitridate Room 1 Literary Adventures in Télémacomania Treasonous Popularity Sensual Lyricism Tragic Prose on Trial Opera as Mediator Room 2 Mitridate's Operatic Poetry Allegorical Mithridates Political Mithridates Operatic Mithridates Transformative Farnace Exhibit B Paintings Unseen: Idomeneo Room 3 Imagi(ni)ng the Prose Epic Epic Values Painting Télémaque Myths Invisible and Unheard Epic Opera Room 4 Idomeneo's Operatic Canvas The Operatic Stage as Canvas The Composition of an Opera Portrait of a King Supernatural Angles Exit Regrets on Parting Decorative Luxury Prose Painting Declassification Bookshop

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Book SynopsisThe hidden meanings of the Beatles’ most esoteric lyrics and sounds are revealed by a rare insider who spent two decades with the man who made “meditation,” “mantra,” and “yoga” household words: Maharishi Mahesh Yogi. “I absolutely love this book. Between the stories and the pictures, many I’ve not seen before, this is truly a spiritual journey.” —Chris O’Dell, author of Miss O’Dell, My Hard Days and Long Nights with The Beatles, The Stones, Bob Dylan, and the Women They LovedThe spiritual journey of the Beatles is the story of an entire generation of visionaries in the sixties who transformed the world. The Beatles turned Western culture upside down and brought Indian philosophy to the West more effectively than any guru. The Inner Light illumines hidden meanings of the Beatles’ India-influenced lyrics and sounds, decoded by Susan Shumsky—a rare insider who spent two decades in the ashrams and six years on the personal staff of the Beatles’ mentor, Maharishi Mahesh Yogi. “With clarity, depth, and impeccable research, an exceptionally comprehensive book filled with engaging tales and fresh insights that even diehard Beatles fans will find illuminating.” —Philip Goldberg, author of American Veda: From Emerson and The Beatles to Yoga and Meditation, How Indian Spirituality Changed the West This eye-opening book draws back the curtain on the Beatles’ experiments with psychedelics, meditation, chanting, and Indian music. Among many shocking revelations never before revealed, we discover who invented "raga rock" (not the Beatles), the real identity of rare Indian instruements and musicians on their tracks, which Beatle was the best meditator (not George), why the Beatles left India in a huff, John and George’s attempts to return, Maharishi’s accurate prediction, and who Sexy Sadie, Jojo, Bungalow Bill, Dear Prudence, Blackbird, My Sweet Lord, Hare Krishna, and the Fool on the Hill really were. “This book reminds us in illuminating fashion why Susan is the premier thinker about India’s key influence upon the direction of the Beatles’ art. In vivid and stirring detail, she traces the Fabs’ spiritual awakening from Bangor to Rishikesh and beyond.” —Kenneth Womack, author of John Lennon 1980: The Last Days in the Life Half a century later, the Beatles have sold more records than any other recording artist. A new generation wants to relive the magic of the flower-power era and is now discovering the message of this iconic band and its four superstars. For people of all nations and ages, the Beatles’ mystique lives on. The Inner Light is Susan Shumsky’s gift to their legacy.Trade Review“Fascinating, informative, revelatory, The Inner Light: How India Influenced the Beatles by Susan Shumsky is a 'must read' selection for the legions of Beatles fans.” -- Midwest Book Review“With all the Beatles books out there, it's extremely rare for anyone to find a genuinely worthwhile angle to re-examine the Fabs anymore, but Shumsky has found one and handles it honestly and thoroughly.” -- Mike Segretto, Psychobabble“In this 500-page book, replete with over 170 photos, over 130 QR codes, and stunning revelatory information, a niche in Beatles history that until now has largely been ‘sampled’ is thoroughly investigated and brought to light. Whatever your religion, philosophy, or outlook, The Inner Light is a superb work. Even lifelong Beatles fans will definitely learn something new in this well-written, meticulously documented book.” -- Jude Southerland Kessler, Culture Sonar“Susan’s book tells a whole story, without sugar coating the truth. The references are like ripples in a pond, reminding me of places, people, events, books, and music that warmly fill my heart, mind and soul.” -- Gurudas (Roger Siegel), author of By His Example“A captivating, perceptive study. Long after The Beatles’ 1968 visit to Rishikesh, the sights, sounds, and religious beliefs of India resonated through their lives and music. Their stay at the ashram comes under special scrutiny, including some revelatory stories about Maharishi.” -- Gary Tillery, author of The Cynical Idealist: A Spiritual Biography of John Lennon and Working Class Mystic: A Spiritual Biography of George Harrison

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Book Synopsis Updated paperback version features a new chapter of never seen photos plus a new interview with Henry Rollins. TOTAL CHAOS: The Story of The Stooges / As Told by Iggy Pop is the first time the story of this seminal band has been told entirely in Pop's own words. Hundreds of full color rare photos illustrate Pop's story. Author Jeff Gold and contributor Johan Kugelberg, noted music historians and collectors, spent two days with Pop at his Miami home, sharing with him their extensive Stooges collection and interviewing the legendary singer. Pop's candid, bare-all responses left them with the almost unbelievable tale of the band he founded-the alternately tragic and triumphant story of a group who rose from youth, fell prey to drugs, alcohol, and music biz realities, collapsed and nearly 30 years later reformed, recording and touring to great acclaim. In 2010 The Stooges, credited with having invented punk rock, were inducted into the Rock & Roll Hall of Fame. Their continuing influence can be felt today in the shape and sound of rock-n-roll music. "Gasp at the awe inspiring memorabilia and frank talk in Total Chaos: The Story of The Stooges/As Told By Iggy Pop"— Mojo Magazine "Tells the band’s revolutionary story through many never-before-published photos and extensive interviews…(and) contributions from Johnny Marr, Josh Homme, Dave Grohl, Joan Jett and Jack White."— Rolling Stone "A fantastic new book…a must-read for both diehard fans and anyone who wants to learn first-hand from Pop what it was like from the inside looking out in one of the seminal bands of the post-’60s era."— Esquire Trade Review"This book is everything. Definitive." — Anthony Bourdain"Both definitive and unique." — LA Weekly

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Book SynopsisThe first book to celebrate the classic-era Motà rhead lineup of Lemmy Kilmister, 'Fast' Eddie Clarke, and Phil 'Philthy Animal' Taylor.

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Book SynopsisA Grateful Dead concert, Ray Robertson argues, is life. Like life, it can be alternately compelling and lackluster; familiar and foreign; occasionally sublime and sometimes insipid. Although the Grateful Dead stopped the day Jerry Garcia’s heart did, what the band left behind is the next best thing to being there in the third row, courtesy of the group’s unorthodox decision to record all of their concerts. Meaning that it’s possible to follow the band’s evolution (and devolution) through their shows, from the R&B-based garage band at the beginning, to the jazz-rock conjurers at their creative peak, to the lumbering monolith of their decline.In All the Years Combine: The Grateful Dead in Fifty Shows, Robertson listens to and writes ecstatically about fifty of the band's most important and memorable concerts in order to better understand who the Grateful Dead were, what they became, and what they meant—and what they continue to mean.Trade ReviewPraise for All the Years Combine"You do not need to drop acid, get high, or be a Deadhead to enjoy Robertson’s long strange trip ... Through the author’s research, knowledge, passion and critical analysis you will gain new insights about this unique group."—David McPherson, Toronto Star"Robertson—writing at full, heart-exploding tilt—charts the course of the greatest American band (yes, I said it), from their humble start to their humbling end through capsule reviews of 50 shows. This is a glorious book, full of setlists and anecdotes and clear-eyed love."—Robert J. Wiersema, Toronto Star"Robertson has written an ideal companion for the devoted Deadhead while charting intimidating territory for the curious ... books like this one help enshrine (the music) with the reverence it deserves."—Michael Strizic, Literary Review of Canada"Ray Robertson's All the Years Combine is part love letter and part band history, showing why—and how—Deadheads really talk (and feel) about their favorite band."—Peter Conners, author of Growing Up Dead and Cornell '77“Ray weaves short stories around fifty shows—and altogether they tell the story of the The Grateful Dead’s timeline.”—Karim Kanji, Welcome to the Music"Ray Robertson ... walks listeners through the endless thicket of music. At points, his crackling prose froths over into hyperventilating superfan’s rants—an approach that befits a band with such a passionate following. Sometimes ... more is more."—Spin"Impressively insightfully informative, exceptionally well organized and thoroughly 'reader friendly' in presentation, All the Years Combine: The Grateful Dead in Fifty Shows is a 'must read' history for the legions of Grateful Dead fans."—Midwest Book Review“Author Ray Robertson delves into a staggering fifty Grateful Dead shows in his new collection … embark on a wild trip with Robertson and follow the trajectory of one of live music’s most groundbreaking acts.”—Gabriel Sigler, Bad Feeling Magazine"Delightfully genre-fluid—part critique, part review, part biography, part journalism."—Ashwinin Gangal, Palo Alto Weekly"If life were a Grateful Dead concert, Chatham author Ray Robertson would be its philosopher archivist."—Dan Savoie, 519 Magazine"All the Years Combine is a fast, enlightening read but it is also something to savor, like one of the Dead's notorious hour-long jams."—Kevin Wierzbicki, Anti Music"There is a huge amount of useful information collected in this book. And it was written as a serious criticism with love and affection and a large portion of honesty and humor thrown in for good measure."—M. Sarki, The Rogue Literary Society"As any Deadhead worth their weight in hemp and LSD will tell you, there’s nothing like a Grateful Dead concert, and the author capably demonstrates the good, bad, and ugly elements that followed the band around for decades ... A must for devoted Deadheads."—Kirkus Reviews"The great thing about this book is that if you know the Grateful Dead’s music, it’s a hum-along, sing-along tome ... His summaries of Dead concerts often display elements of verve, invention and colour in the telling ... Robertson’s other object is corrective—to change the focus of the Grateful Dead’s legacy in our culture. And in this, he succeeds admirably."—Winnipeg Free Press"This collection celebrating fifty concerts by the Grateful Dead shows them to be tougher and more complex than you might think ... meticulous readings of the band's concerts (alongside track listings) are impressively extensive but crucially they also build a surprising picture too."—Louder Than War"All the Years Combine is a superb book."—Shannon MacLeod, The Miramichi Reader"All the Years Combine is perhaps the first truly great book chronicling The Grateful Dead through the band’s live shows ... And for the Grateful Dead live neophyte ... the book provides a roadmap, a guide, a place to start and finish and explore the music while you read. And for these reasons, All the Years Combine, much like the music it heralds, transcends."—Frank Valish, Under the Radar“One of Canada’s most prolific writers ... one thing that’s always made Ray’s work stand out is how he seamlessly blends his favourite music into his prose, whether it’s fiction or non-fiction.”—Jason Schneider, Roots Music Canada"Fascinating and provocative."—David Gans, "Tales from the Golden Road" on Sirius Satellite Radio"Author Ray Robertson ... put[s] it all in perspective."—Greg Prato, Ultimate Guitar"Robertson ... tell[s] the story of one of the most loved and bewildering bands of all time."—Trevor Wilhelm, Windsor StarPraise for Ray Robertson's Lives of the Poets (with Guitars)“On North American shores, writing about music and its cultural spin-offs has largely been defined by the snarky authority of Pitchfork and trash-talkin’ teardowns of VICE giving birth to the new, new cool. Whereas those writing for music publications in Britain, although still cheeky, offer far more in the way of literary craft, storytelling and historical insight compared to the brash Americans. Ray Robertson, a Canadian novelist, aligns himself closer to the British tradition reinforcing that smart, lively prose and a bit of wit go a long, marvelous way. One part of Lives of the Poets is a record guide revealing these undiscovered treasures, the other is Robertson’s gift of spewing out stories that simply shame most rock ‘n’ roll writers into the hacks they really are.”—Beat Route“Lives of the Poets (with Guitars) should come with a warning label: May cause significant increase of spending on music. Readers are strongly advised to avoid record stores within 72 hours of reading. There is much to love and admire about Lives of the Poets (with Guitars). Robertson brings a discerning ear and keen passion, a sly sense of humour and a deep sense of philosophical questioning to each of these pieces. [It] is a powerful book and one to which music fans are likely to often return.”—Toronto Star“Robertson toils for a higher purpose: to reveal the transcendent, enduring qualities of the artist and their importance to society. He establishes his intentions in the introduction: 'One wants to convey in words what it is that makes for a musically-transformed, more-alive human being.' With this collection of essays on 13 remarkable figures, Robertson leaves no doubt about the success of his endeavor.”—Elmore Magazine“Crossing a number of musical genres, Robertson is often effusive in his praise, but consistently provides a stirring rationale for the strong emotional impact that each artist elicits with their music ... Robertson offers the whole picture, warts and all. In doing so, he honors the music of artists who have enriched his life—and opens the door for his readers to experience the same magic.”—Blues Blast Magazine"Robertson brings a good ear and plenty of critical insight to essays aimed at helping readers discover new favorites or hear more familiar music from a fresh perspective.”—Kirkus Reviews

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Book SynopsisBorn in a mainly working-class area of North Tyneside in 1951, Gordon Sumner would become one of the world's best-selling music artists. Known professionally as Sting, he was the lead singer for the band The Police from 1977 to 1984, before launching a hugely successful solo career. The foundations of Sting's creativity and drive for success were established in the region of his birth, with vestiges of his 'Northern Englishness' continuing to emerge in his music long after he left the area. Published to coincide with the 40th anniversary of the formation of The Police, this is the first book to examine the relationship between Sting's working-class background in Newcastle and the creativity and inspiration behind his music. Focusing on the sometimes-blurry borderlines between nostalgia, facts, imagination and memories - as told by Sting, the people who knew (and know) him, and those who have written about him - Carr investigates the often complex resonance between local boy Gordon Sumner and the star the world knows as Sting. This book will be of great interest to the many fans of Sting and The Police, as well as those interested in the history of popular music.

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Book SynopsisBono (U2) once said, "More than any other band, The Who are our role models." Starting as a simple four-piece 'mod' band in the early 1960s, The Who went on to conquer the world with their unique and supremely powerful music that transcended any genre and appealed to fans across the world. The original lineup of Roger Daltrey, Keith Moon, Pete Townshend and John Entwhistle honed their sound and recorded some milestone albums in rock history: Live at Leeds, Tommy and Quadrophenia are just some of the legendary records they released.

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Book SynopsisDavid Bowie: every single song. Everything you want to know, everything you didn't know. David Bowie remains mysterious and unknowable, despite 45 years of recording and performing. His legacy is roughly 600 songs, which range from psychedelia to glam rock to Philadelphia soul, from avant-garde instrumentals to global pop anthems. Rebel Rebel catalogs Bowie's songs from 1964 to 1976, examines them in the order of their composition and recording, and digs into what makes them work. Rebel Rebel is an in-depth look at Bowie's early singles and album tracks, unreleased demos, session outtakes and cover songs. The book traces Bowie's literary, film and musical influences and the evolution of his songwriting. It also shows how Bowie exploited studio innovations, and the roles of his producers and supporting musicians, especially major collaborators like Brian Eno, Iggy Pop and Mick Ronson. This book places Bowie's music in the context of its era. Readers will discover the links between Kubrick's 2001 and "Space Oddity"; how A Clockwork Orange inspired "Suffragette City". The pages are a trip through Bowie's various lives as a young man in Swinging London, a Tibetan Buddhist, a disillusioned hippie, a rock god, and a Hollywood recluse. With a cast of thousands, including John Lennon, William S. Burroughs, Andy Warhol and Cher.Trade Review...best writing on David Bowie bar none. -- Bob Stanley, writer and a member of the pop group Saint Etienne 2014 If you're a David Bowie fan, you'll love Chris O'Leary's Pushing Ahead of the Dame. Each post is devoted to analyzing a Bowie song, in roughly chronological order: its words, music, history, precursors and influence on other performers...Even if you're not an admirer of the artist sometimes known as Ziggy Stardust, the site's a rewarding read. If nothing else, it may leave you wishing that your favorite musician had a fan as perceptive and prolific as O'Leary. (TIME's Best Blogs of 2011) -- Harry McCracken Time Magazine, 2012

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Book SynopsisFrom 'Neighbours' TV teen queen to Stock Aitken Waterman's megastar, the rise of Kylie Minogue to the top of the charts is one of the biggest smash hit success stories in pop music. Across 15 studio albums her transition from SexKylie (with help from Michael Hutchence) to IndieKylie (thanks to Nick Cave and Manic Street Preachers), then to undisputed Princess of Pop (courtesy of the irresistible 'Can't Get You Out Of My Head') proved she was not just an actress, a singer and a remarkable live performer (including Glastonbury Goddess), but a true global superstar. After successfully beating cancer, Kylie returned to the top with several big-selling albums, including the critically lauded 'The Abbey Road Sessions', festive fave 'Kylie Christmas' and 2020's history-making 'Disco'. This book is an exhaustive "step back in time" through her complete 'Katalogue' across five poptastic decades. Every released track and collab from her 300+ song catalogue - many self-penned or co-written - over 35 years is examined in detail with new insights, revelations & vital video/remix information. 'Kylie: Song By Song' celebrates this unique artist's truly remarkable and unparalleled career and is a must-have for every dedicated fan of the lucky, lucky, lucky Australian pop princess.Table of ContentsIntroduction; About This Book; Acknowledgements; Glad To Be Getting Closer In Oz Era (1985-1987); Kylie Album/Especially For You Single Era (1988); Enjoy Yourself Album Era (1989); Rhythm Of Love Album Era (1990); Let's Get To It Album Era (1991); Greatest Hits Compilation Era (1992); Kylie Minogue Album Era (1994); Where The Wild Roses Grow Single/Impossible Princess Album Era (1997); Intimate & Live Album & More Era (1998-2000); Light Years Album Era (2000); Fever Album Era (2001); Body Language Album Era (2003); Ultimate Kylie Compilation Era (2004); The X Files Era (The Unofficial Xtra Tracks); X Album Era (2006-2008); Boombox Compilation & More Era (2008-2010); Aphrodite Album Era (2010-2011); Abbey Road Sessions Album & More Era (2012-2013); Kiss Me Once Album + Garibay & More Era (2013-2015); Kylie Christmas & Snow Queen Edition Albums Era (2015-2017); Golden Album Era (2018); Step Back In Time: The Definitive Collection Compilation Era (2019); Disco Album Era (2020); Appendix I: Kylie Kompletists; Appendix II: Kylie Koncerts; Appendix III: Kylie's Brit Hit List (1987-2020); About the Author.

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Book SynopsisThe Stranglers occupy a paradoxical position within the history of popular music. Although major artists within the punk and new-wave movements, their contribution to those genres has been effectively quarantined by subsequent critical and historical analyses. They are somehow "outside" the realm of what responsible accounts of the period consider to be worthy of chronicling. Why is this so? Certainly The Stranglers' seedy and intimidating demeanor, and well-deserved reputation for misogyny and violence, offer a superficial explanation for their cultural excommunication. However, this landmark work suggests that the unsettling aura that permeated the group and their music had much more profound origins; ones that continue to have disturbing implications even today. The Stranglers, it argues, continue to be marginalised because, whether by accident or design, they brought to the fore the underlying issues of identity, status and structure that must by necessity be hidden from society's conscious awareness. For this, they would not be forgiven.

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Book SynopsisThe first detailed study of the working relationship and productive friendship between Ralph Vaughan Williams (1872-1958) and Adrian Boult (1889-1983). From 1918 onwards, Boult became one of Vaughan Williams's most important interpreters, giving the world premieres of the Pastoral, Fourth and Sixth Symphonies, performing almost all his major works (not only at home but with some of the world's greatest orchestras), and working in close collaboration with the composer on major projects including the first complete recording of Vaughan Williams's symphonies. Boult continued to be the most devoted advocate of Vaughan Williams's music to the end of his long career. As this book shows, Boult's scores include numerous annotations derived from conversations and correspondence with Vaughan Williams and these provide important evidence of the composer's wishes including adjustments to orchestration, comments on interpretation, dynamics, phrasing and revisions to Vaughan Williams's notoriously unreliable metronome marks. The evidence of these scores is considered alongside the extensive correspondence between Vaughan Williams and Boult, Boult's private diaries and other relevant documents including contemporary press reports. The book includes three substantial supplements: a detailed description of Boult's marked scores, a comprehensive list of Boult's Vaughan Williams performances and a discography including surviving recordings of unpublished broadcasts. It will be indispensable reading for scholars and students of Vaughan Williams and historical conducting, Vaughan Williams enthusiasts and those interested in the history of recorded music.Trade ReviewAnother new book Vaughan Williams and Adrian Boult, by Nigel Simeone, analyses the crucial creative partnership Vaughan Williams had with Boult, who conducted the premieres of three of his symphonies, and recorded the first cycle of them. The collaboration continued posthumously: throughout the 1960s and 1970s Boult recorded and performed his friend's works, conducting his centenary concert in 1972. Simeone's achievement is to have analysed the scores Boult used when conducting, and the annotations he added following conversations with the composer. -- Simon Heffer * The Telegraph *In Simeone's hands, Boult's commitment to his composer and Vaughan Williams' rugged, self-deprecating character tell an enormously valuable story -- Sir Mark Elder, conductorIt is the revelation of the interaction between these two towering figures in British music that makes this such an important book -- Sir Andrew Davis, conductor[T]he much-respected musicologist Nigel Simeone has provided a definitive account of the relationship between the two men which throws much light on their working practices. One might have thought that such an examination had appeared before, but ... the level of attention and scholarship given here is unprecedented.... Simeone's is perhaps one of the most valuable books on the composer to appear in some time.... It goes without saying that any admirer of Vaughan Williams should have Simeone's study on their shelves; his reserves of insight and elegantly expressed enthusiasm are to be found in abundance here. -- Barry Forshaw * Classical CD Choice *Simeone's exploration of the intensely nourishing relationship between these two giants of British music-and Boult's characteristically selfless dedication and steadfast commitment to this repertoire right to the end [...]-makes for consistently absorbing reading. As an unabashed RVW/Boult obsessive, I devoured this book and unhesitatingly recommend it to anyone of a similar mindset. -- Andrew Achenbach * Gramophone *Well written and eminently readable, this book will take its place on the shelf of classic Vaughan Williams literature. * Fontes Artis Musicae *Table of ContentsPrologue 1. First Encounters and A Sea Symphony 2. A London Symphony 3. A Pastoral Symphony and Boult on Conducting in the 1920s 4. Job: 'To Adrian Boult' 5. Symphony No. 4 in F minor 6. Wartime Tensions 7. Symphony No. 5 in D major 8. Symphony No. 6 in E minor 9. Sinfonia antartica and the Last Two Symphonies 10. Fantasia on a Theme by Thomas Tallis and Other Orchestral Works 11. Choral and Vocal Works 12. Vaughan Williams, Boult and The Pilgrim's Progress Appendix 1: Annotations on Boult's Working Scores Appendix 2: Boult's Vaughan Williams Performances: A Chronology Appendix 3: Discography Bibliography Index

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Book SynopsisThe full range of traditional fiddle repertoire is now at your fingertips! Using these generous collections, you can create your own ceilidh, barn dance, jazz club or Sarajevo street-café. Some of this music is familiar, some more exotic, but all of it is absolutely authentic, faithfully arranged and, above all, hugely enjoyable.Each title in the series is available in two formats: the Violin Edition (with an optional easy violin part and guitar chords); or the Complete Edition, which also includes both keyboard and violin accompaniments. Either format is hugely flexible, which means the music can be played as solos, duets or trios as well as with larger ensembles.Edward Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style, giving his own suggestions for a lively performance.Instrumentation:violin (2 violins) and piano, guitar ad libitum

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Book SynopsisRead the definitive biography of Crosby, Stills, Nash and Young, whose music and career illuminate the legacy of 1960s counterculture.Between 1969 and 1974, Crosby, Stills, Nash and Young were the most successful, influential and politically potent rock band in America. More than any of their peers, they channelled and broadcast all the radical anger, romantic idealism and generational angst of their era. The vast emotional range of their music, from delicate acoustic confessionals to raucous counter-culture anthems, was mirrored in the turbulence of their personal lives.Crosby, Stills, Nash & Young is the first major biography of a band whose first two albums are undisputed rock classics, and which continues to attract a large and loyal following to their sporadic reunions. At the same time, Peter Doggett illuminates the pivotal years of 1960s counterculture through the story of four of its key protagonists, whose music, beliefs and relationships with each other chronicle both its trajectory and its legacy.'A fascinating, rip-roaring and timely re-telling of a corner of music history' Frank TurnerTrade ReviewPeter Dogett's book is a fascinating, rip-roaring and timely re-telling of a corner of music history that was hugely important but is all too often forgotten. The rehabilitation of Crosby, Stills and Nash's reputation (and of Young's contributions here) is long overdue -- Frank TurnerEngaging… [Doggett] use[s] the saga of Crosby, Stills, Nash & Young as a metaphor for the Woodstock generation and their doomed mission to return to the garden -- Will Hodgkinson * The Times, *Book of the Week* *[A] meticulous chronicle of Crosby, Stills, Nash & Young… Doggett carefully charts the stalled sessions and schemes caused by this alpha-male jostling… For fans who want detailed chronology, it will be a joy, but Doggett’s book is also a deft portrait of a golden age tarnishing even as the band sang -- Victoria Segal * Sunday Times *Especially good on the musicians early lives and early Seventies peak * Choice *Doggett… presents a solid, steady, evenhanded portrait. He loves the music without being slavish, and pays each of the musicians their due -- Anthony Quinn * Mail on Sunday *Exhaustively researched… If you think you know the history of CSN&Y then read this and, like me, you will be surprised at what you learn -- Tom Povey * RNR *Doggett…treasure[s] the band’s early oeuvre and writes with empathy about the group -- Holly George-Warren * Times Literary Supplement *

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Book SynopsisThe tale that follows is not another cliched collection of rock'n'roll debaucheries (sorry) nor is it another tired fable of triumph over adversity (you're welcome). It's the story of a half-deaf kid from a tiny, remote village in South Wales who was hailed as a genius by the UK's biggest radio station and headhunted by major record labels, only for the music industry to collapse. It crashed hard, taking with it an entire generation of talented artists who would never now get their shot. CNN called it 'music's lost decade'. Along the way, there are goodies, baddies, gun-toting label execs, life-saving surgeons, therapy, true love, loyalty, hope, breakdowns, suicidal managers, betrayal, drummers and way too many hangovers. James Kennedy shows that the best lessons are to be learned from good losers. It really is all about the journey. Part memoir, part expose of the music world's murky underbelly, Noise Damage is emotional, painfully honest, funny, informative and ridiculous. It's also a celebration of the life-changing magic of music.Trade Review‘History, it’s said, is written by the winners, but this insightful, candid autobiography from Kyshera’s James Kennedy suggests otherwise. A journey through disillusion, the machinations of the music industry and hard-won self-acceptance, it's required, revelatory reading’ - Metal Hammer, ‘The indefatigable Welsh misfit’s entertaining memoir of underachievement – ebullient writing style and hard-earned hungover wisdom’ - Classic Rock, 'Both Adrian Smith's autobiography and Rob Halford's tome are good, but neither match the raw passion of Noise Damage. A splendid read about the trials and tribulations of trying to break into the music stratosphere, it's a book that every aspiring musician or band leader should own' - Metal Talk, 'A refreshingly different addition to the crowded shelves of rock autobiographies. This is partly because James tells the familiar booze-fuelled-tour-antics story from a different perspective; he tells the story of the ninety-nine percent of bands that don't make it. But Noise Damage also stands out because it is remarkably well-written, with humour, humility and insight' - Catherine Fearns, V13, 'A wonderful volume that does unique things with so many familiar genre tropes. I ended the book feeling I'd read of a life worth living, been encouraged to live my own, and wanting to wish Kennedy all the luck in the world: anyone who lives this hard, works this hard, and writes this well, deserves it' - Nick Soulsby, Trebuchet Magazine, 'An absolute must-read for anyone attempting a career in music. A genuinely powerful testimony' - Darren Johnson, Get Ready to Rock!

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Book Synopsis___________________6 JULY, 1972David Bowie appears on Top of the Pops for a third time.His quiff is big, bold, and the colour of fire. His make-up is lavish. His jumpsuit is a wild burst of colourful patterns, like a fluorescent fish skin. He carries a brand-new blue acoustic guitar. There's excitement, mixed with incredulity. And then he begins to play.It's a moment that will change the world of music forever.This is Ziggy Stardust, what would become Bowie's most famous persona. It's an instant seismic shift in the zeitgeist. This one performance embeds Ziggy Stardust into the nation's consciousness, and music will never be the same again.In When Ziggy Played Guitar, Dylan Jones looks back at one of the most influential moments in pop history,the birth of an icon, and the myriad unexpected ways that David Bowie reshaped pop culture.Trade ReviewThe best music book I have ever read, dislodging Revolution in the Head and England's Dreaming. Superb in every way. -- Matthew d'AnconaHis blow-by-blow account of the performance is breathless in its fan-boy enthusiasm and much of the rest of When Ziggy Played Guitar is rooted in its personal impressions. “The by-product of Ziggy’s success was the validation of identity, our identity”, Jones writes, and it’s hard not to be moved by his hero worship. * New Statesman *Jones is a wonderfully fluent writer, with a terrific knack for atmospheric phrasemaking, period detail and juicy factoids. * Daily Telegraph *Dylan Jones’s account of David Bowie’s rise to superstardom. We’ll eat up anything about the greatest pop star who ever walked this planet. * The Herald Magazine *This excellent book looks at the background to that memorable TV event, and its enduring legacy. * Choice Magazine *

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Book SynopsisIn her intense, brief life, Amy Winehouse's music spoke directly to millions. And since her death, her fans have only increased.Amy Winehouse is one of those pop stars that comes along so rarely we're not sure we knew what we had when we had her. Her story speaks to us not because the relentless tabloid coverage of her darker days unfolded in real time, but because she tapped into deeply personal yet universal feelings and displayed them to us in all their painful, raw glory. She turned our demons into something we could dance and sing to, and she skewered those who wronged her in ways we could only dream of.

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Book SynopsisAmidst the chaos that was the Sex Pistols, it’s often forgotten just what a powerful band they were, and what great records they made. The Sex Pistols were no ordinary group. Their story might be short, and not without its casualties, but their legacy is undoubted; one listen to their ferocious, raw rock and roll will soon tell you that. No British band since the Beatles has done as much to shape the nation. Musically, the Pistols’ impact was enormous and continues to resonate; they didn’t just kick down doors; they trashed the music industry’s house. For a band who (really) only released one album and four incandescent singles – “Anarchy in the U.K.,” “God Save the Queen,” “Pretty Vacant” and “Holidays in the Sun” – they gave birth to a sea of imitators and inspired a DIY aesthetic still alive today. Not bad for a band that ‘couldn’t play.’ Despite claims from New York, the Sex Pistols were the true originators of punk; no one else had their attitude, balls, or honesty – as inspired by anger and poverty, as art and poetry. There was the Sex Pistols and there was the rest. The Sex Pistols ARE punk; the rest are ‘punk rock.’Trade Review'Excellent, eminently readable...superb.' * God is in the TV Zine *'Chronicled in detail... a solid snapshot of the iconoclastic quartet and an equally explosive era of rock and roll.' -- Vintage Guitar Magazine

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Book SynopsisPink is one of the most trailblazing artists of our time. Her breakthrough album, Missundaztood, was released to critical acclaim in 2001 and showcased her unique, powerhouse pop vocals, as well as her rebellious style. In the two decades since, she has remained firmly in pop’s upper echelons, despite her refusal to conform. She consistently out-sings her contemporaries with hit songs such as, “Get the Party Started,” “Just Like a Pill,” “So What,” “What About Us,” and “Beautiful Trauma,” while her willingness to speak frankly about difficult topics has made her a relatable role model. She is an outspoken animal rights activist, and has been vocal about women’s rights, LGBT rights, and her support of same-sex marriage. Away from the studio, Pink’s live shows are nothing short of phenomenal; her jaw-dropping acrobatics mark her out as a truly spectacular performer. Loved by fans and revered by the music industry, Pink continues to enjoy global success and substantial airplay. Her accolades are numerous and include, three Grammys, a Daytime Emmy Award, and seven MTV Video Music Awards—the prestigious Michael Jackson Video Vanguard Award among them. In 2019, she was honoured with the Outstanding Contribution to Music Award at the Brit Awards, and in 2021 she accepted the Icon Award at the 2021 Billboard Music Awards. Pink: Raise Your Glass is a celebration of one of pop’s longest reigning rebels. Beautifully illustrated with essential images, this book is a fitting tribute to an undeniably, remarkable pop artist.

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Book SynopsisIn Jimi Hendrix: The Stories Behind the Songs, music journalist and author David Stubbs provides the definitive companion to Hendrix's recorded output, from the early years, including 'Hey Joe' and 'Purple Haze' through to his posthumously released trilogy that concluded with Both Sides Of The Sky. Quite possibly the greatest solo rock artist of all time, Jimi Hendrix was the supreme physical and musical emblem of rock music. And although he was an immense guitarist, he also connected with audiences as a performer and a songwriter. Songs like 'Voodoo Chile' and 'Third Stone From The Sun' were the brilliant products of a dazed yet expanded consciousness, full of casual epithets which illuminated the era: 'May you never hear surf music again'; ''Scuse me while I kiss the sky'; 'Gonna raise my freak flag high'. Each one of them is explored, dissected and celebrated. Table of ContentsIntroduction • Are You Experienced • Axis: Bold As Love • Electric Ladyland • Band Of Gypsys • First Rays Of The New Rising Sun • South Southern Delta • The Jimi Hendrix Experience • Loose Ends and Live Albums • Valleys of Neptune • People, Hell And Angels • Both Sides Of The Sky • Epilogue • Discography • Index.

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Book SynopsisPaul McCartney's songwriting output as a member of the Beatles, mainly with his co-writer John Lennon, has been exhaustively documented over the years. Now, taking 50 key songs from his five-decade career since the break-up of the Fab Four, Paul McCartney: The Stories Behind 50 Classic Songs takes an in-depth look at the post-Sixties work of one of popular music's most versatile and prolific composers and performers.Paul McCartney has been a genuine pop idol, a cutting-edge experimenter, and in later years recognized as an international musical treasure. The 50 selections from his vast songwriting catalogue highlighted in Paul McCartney: The Stories Behind 50 Classic Songs mark half a century of musical creativity by a true icon of popular music.Each song includes full session details, personnel lists and chart data and is described in detail, from original inspiration to the final release. Quotes from session musicians and studio personnel – and star guests such as Stevie Wonder, Elvis Costello and Kanye West – bring the making of every song to life, alongside a wealth of related photographs in and out of the studio.Table of ContentsEach song includes full session details, personnel lists and chart data and is described in detail, from original inspiration to the final release. Includes quotes from session musicians and studio personnel, and photographs both in and out of the studio.

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Book SynopsisJohn Lennon, 1980: The Final Days in the Life of Beatle John tells the story of the legendary musician’s incredible last year. For Lennon, 1980 had begun as a ceaseless shopping spree in which he and wife Yoko Ono fell into the doldrums of purchasing blue-chip real estate and indulging their every whim. But for John, that pivotal year would climax in several moments of creative triumph as he rediscovered his artistic self in dramatic fashion, only to be cut down by an assassin’s bullets on Monday, December 8th, 1980, in the prime of a new life that was only just beginning to blossom.

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Book SynopsisDavid Toop has become one of our most significant touchstones of contemporary music writing and reportage. Employing intensified studies into World Music in relation to popular (as well as marginalized) contemporary trends, Toop has created one of the most distinctive publishing histories of modern music thinking for our times. Flutter Echo is his memoir of a life enchanted with all aspects of music both composed and abstract. Toop's personal growth as a practicing musician, visual artist, and witness to some of the most significant events in modern music history is a completely fascinating view into a world of considered thought and random access. From recording for Brian Eno's Obscure Records imprint in 1975 to co-publishing the radical music magazines Musics and Collusion to developing music programming for BBC to releasing recordings he personally made of Yanomami Shaman rituals to working with artists such as creative pop icon Bjoerk and Jamaican dub pioneer Prince Far-I, Toop has experienced one of the most interesting and dynamic timelines in the dynamic world of our contemporary sound world. Player, listener, scholar, reporter, communitarian, parent, iconoclast - David Toop brings his own life in music to focus in a remarkable, wonder-filled, engaging read.

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Book Synopsis2021 marks Bob Dylan''s 80th birthday and his 60th year in the music world. It invites us to look back on his career and the multitudes that it contains. Is he a song and dance man? A political hero? A protest singer? A self-portrait artist who has yet to paint his masterpiece? Is he Shakespeare in the alley? The greatest living exponent of American music? An ironsmith? Internet radio DJ? Poet (who knows it)? Is he a spiritual and religious parking meter? Judas? The voice of a generation or a false prophet, jokerman, and thief? Dylan is all these and none.The essays in this book explore the Nobel laureate''s masks, collectively reflecting upon their meaning through time, change, movement, and age. They are written by wonderful and diverse set of contributors, all here for his 80th birthday bash: celebrated Dylanologists like Michael Gray and Laura Tenschert; recording artists such as Robyn Hitchcock, Barb Jungr, Amy Rigby, and Emma Swift; and ''the professors' who all like his looks: David Boucher, Anne Margaret Daniel, Ray Monk, Galen Strawson, and more. Read it on your toaster!

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Book SynopsisPatrick 'Paddy' Reilly is an Irish folk singer and guitarist. Born in Rathcoole, County Dublin, he is one of Ireland's most famous balladeers and is best known for his renditions of "The Fields of Athenry", "Rose of Allendale" and "The Town I Loved So Well". Reilly released his version of "The Fields of Athenry" as a single in 1983; it was the most successful version of this song, remaining in the Irish charts for 72 weeks. After years a solo performer, he joined The Dubliners in 1996 as a replacement for long-time member Ronnie Drew. He played with the group for nine years before leaving for New York City. In this memoir, Paddy is gracious and generous about sharing his memories, good and bad, with the readers who have helped make him Ireland’s best loved balladeer for almost 60 years.Trade Reviewvery enjoyable … great memories … wonderful -- Michael Lyster in Ireland's Owntop class from start to finish -- Irish Daily StarTable of ContentsChapter 1 Good Old Days My Arse! page 7 Chapter 2 From Pat to Paddy Reilly 24 Chapter 3 Life and Love in America and Ireland 40 Chapter 4 Highs and Lows in London and Elsewhere 58 Chapter 5 North America, Ted Kennedy and Brushes With the Law 73 Chapter 6 ‘The Fields of Athenry’ Found Me 89 Chapter 7 Paddy in the Lands Down Under 111 Chapter 8 The Dubliners Years 126 Chapter 9 Paddy Through the Eyes of Others 142 Chapter 10 Irish Sports Stars Sing Paddy’s Praises 162 Chapter 11 Retirement, Racing, Reminiscing and Beating Cancer 174

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Book Synopsis'[An] astute reckoning with modern celebrity' - The Times'A wild read' - The Guardian'A well-researched, measured account' - The SunPart biography, part social history, Being Britney pieces together a collage of stories, interviews, legends and fan experiences to construct a definitive portrait of one of the biggest stars in recent history.In her unique narrative, acclaimed music author Jennifer Otter Bickerdike provides a sympathetic yet objective re-examination of Britney's trajectory from girl next door to woman trapped by fame. Being Britney is the compelling account of a talented, troubled and talked-about modern icon, whose life, work and individual significance will be recognised for many decades to come.'After years of being framed as a victim, Britney deserves to be celebrated as the fighter, inspiration and enigma she truly is.' - Jennifer Otter BickerdikeTrade Review'This shocking biography details the misogyny and exploitation that have scarred the singer's life ... Bickerdike is on a mission to free Britney by restoring her reputation as a cultural icon ... [An] astute reckoning with modern celebrity.' -- The Times'Being Britney gathers up fragments of news stories, fan gossip, documentaries, chat forums, opinion pieces and more ... this fragmented style is fitting for the digital age in which we live. The book sets up the star as a blank canvas on to which audiences can project whatever they like ... its broad brushstrokes make for a wild read.' -- The Guardian'A well-researched, measured account about one of the world's most recognisable singers.' -- The Sun'A great, thorough piece of work from a Britneyologist.' -- Pandora Sykes'Britney is blessed to have such a talented writer and perceptive mind broaching the complexities of her story thus far.' -- Shirley Manson, Garbage'Yassss! At last, a book that truly celebrates the queen that is Britney Spears. Bickerdike goes deep in Being Britney: Pieces of a Modern Icon to reveal a unique, heartbreaking and funny perspective on Spears.' -- Big Freedia'Jennifer Otter Bickerdike's book on Britney Spears is a masterclass in analysis and an insight into one of the most intriguing and fascinating cultural icons of our time. Essential reading.' -- Stuart Brathwaite, Mogwai'Jennifer is smart and insightful. Being Britney offers a thorough look at Britney's life, including the fraudulent conservatorship that stripped her of her human rights and her fight for freedom.' -- Megan Radford, #FreeBritney campaigner

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Book Synopsis'You want it all? There's not much missing here. 9/10.' - Classic Rock'An engaging mix of humour and detailed critical analysis ... great fun. 4/5.' - MojoFrom award-winning author Mark Blake comes Magnifico! The A to Z of Queen.Addressing the phenomenal cinematic success of Bohemian Rhapsody, acclaimed music journalist Mark Blake builds on the legend of Queen and their enduring audience appeal.Providing a fresh, unparalleled take on Queen's music, story and legacy, Blake's complete portrait covers not only the major hits and bestselling albums, but also the inside stories behind the music.Via a series of essays, interviews and biographies, the author shares a wealth of lesser-known details - gained from over thirty years of original material - and explores what the songs of Queen say about their creators.Trade Review'A royal banquet of Mercury and co. morsels ... Blake has enough knowledge and research in his locker to take us on a deep dive into lesser-known corners of the band's history ... there's something here for casuals and obsessives alike ... You want it all? There's not much missing here. 9/10.' -- Classic Rock'An engaging mix of humour and detailed critical analysis, delving fathoms deep into the before and after of the band's classic line-up and generally leaving no scara unmooshed ... great fun. 4/5.' -- Mojo

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Book Synopsis"Often, we just see the byline of the photographer next to a picture. In this collection, we now learn insider information about the Rolling Stones from the contributors who carried cameras." — Reader's Digest "On the heels of the Rolling Stones' latest album, "Hackney Diamonds", a new coffee-table book collects rare and never-before seen images of the band." — Airmail Weekly Instagram "Perhaps the most interesting of the crowd is the man on the inside, founding member and bassist Bill Wyman...His photos have rawness and vulnerability. From Keith Richards with the black eye he got from Chuck Berry to Mick Jagger reading the Bible, Wyman’s giving us truth." — Airmail The Rolling Stones: Icons brings together the greatest photographs ever taken of the greatest rock ’n’ roll band of all time. The result is the most important anthology of The Rolling Stones’ images ever compiled, featuring the iconic, the awe inspiring and the surprising. Spanning six heady decades, and countless tours and album covers, this thrilling portfolio features imagery from some of the most eminent names in photography, alongside the photographers’ own memories and reflections. From Terry O’Neill’s images of the young, uncompromising new band taken in Tin Pan Alley, through Michael Brennan’s photos of their creative peak in the '70s, and on to the stadium tours of the 21st-century, as shot by Greg Brennan, The Rolling Stones: Icons captures many of the milestone moments of the band’s remarkable career. Includes photographs by: Terry O’Neill, Michael Ward, Gered Mankowitz, Linda McCartney, Michael Joseph, “Spanish Tony” Sanchez, Dominique Tarlé, Ed Caraeff, Barry Schultz, Al Satterwhite, Michael Brennan, Ken Regan, Brian Aris, Denis O’Regan, Douglas Kirkland, Greg Brennan and founding member, bassist and photographer, Bill Wyman.Trade Review"Often, we just see the byline of the photographer next to a picture. In this collection, we now learn insider information about the Rolling Stones from the contributors who carried cameras." - Reader's Digest"The band are celebrated in a photobook aptly titled The Rolling Stones: Icons, with some super rare shots. Here’s a taster of 10 lesser-spotted Rolling Stones photos." - WhyNow"The Rolling Stones: Icons arrived in the U.K. just days before the group’s first album of new material in 18 years, Hackney Diamonds." - Best Classic BandsGuest host Ian Punnett and rock journalist Harvey Kubernik discuss the history of the Rolling Stones, the band's new album and the influence of recording in Hollywood, and how the young band was once upstaged on a famous TV special by James Brown. - Coast to Coast fm"Perhaps the most interesting of the crowd is the man on the inside, founding member and bassist Bill Wyman...His photos have rawness and vulnerability. From Keith Richards with the black eye he got from Chuck Berry to Mick Jagger reading the Bible, Wyman’s giving us truth." - Airmail"Images of the band taken in Tin Pan Alley when they were young, through to their creative peak in the Seventies and stadium tours of the 21st century." - The Times"RCN’s head of editorial Harvey Kubernik wrote the introduction to The Rolling Stones: Icons, edited by ACC Art Books. Includes rare and unseen images of the band from photographers who offer text about their time working with the group." - Record Collector"On the heels of the Rolling Stones' latest album, "Hackney Diamonds", a new coffee-table book collects rare and never-bef-reseen images of the band." - Airmail Weekly Instgram"By giving both The Rolling Stones and the photographers that, quite literally, captured their rise, these tales became their origin stories, respectively. Although they showcase the band inevitably becoming the greatest rock band on the planet, they also show the things audiences and fans weren’t exactly privvy to — until now." - 1883 Magazine"The collection is intimate, stunning and a comprehensive visual history of the band." - Goldmine Magazine"The sheer amount of photographic talent on display in these pages is prodigious, and features contributions from the likes of Terry O’Neill, Linda McCartney and Denis O’Regan." - InsideHook"Fans of the legendary rockers will get plenty of satisfaction with this love letter to the Stones featuring rare and never before seen photos." - NewsdayOne of Airmails best coffee-table books of 2023 - Airmail"The Rolling Stones: Icons... It's something you're gonna pass on, generation to generation." - Richard Syrett's Strange Planet

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Book SynopsisOrnette Coleman’s career encompassed the glory years of jazz and the American avant-garde. Born in segregated Fort Worth, Texas, during the Great Depression, the African American composer and musician was the zeitgeist incarnate. Steeped in the Texas blues tradition, Ornette and jazz grew up together, as the brassy blare of big band swing gave way to bebop, a faster music for a faster, post-war world. At the dawn of the Space Age and New York’s 1960s counterculture, his music gave voice to the moment. Lauded by some, maligned by many, he forged a breakaway art sometimes called `the new thing’ or `free jazz’. Featuring previously unpublished photographs of Ornette and his contemporaries, this is the compelling story of one of America’s most adventurous musicians and the sound of a changing world.Table of ContentsIntroduction Part One: Coming Up Part Two: Ignition Part Three: Atmospherics Part Four: Transmissions Epilogue

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