Musicians, singers, bands and groups Books
Argobooks Undersound
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£10.50
Sandstein Verlag Franz Liszt in Der Zeitgenossischen Photographie:
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£16.20
MonoKultur Monokultur: No. 43
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£7.11
Divus Autopsia: Thanatopolis
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£19.80
Roli Books Pvt Ltd Param Vir
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£11.99
Malpaso Editorial Cronicas I Bob Dylan
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£30.65
Blume Imagine John Yoko: Con La Participación de Los
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£38.57
Penguin Random House Grupo Editorial The Beautiful Ones (Spanish Edition)
£38.23
Editatum GuíaBurros Música Clásica: Para los que aún no
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£11.48
Contra Freak Scene: Los Chalados E Inconformistas Que
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£24.20
Libros del Kultrum Mi Historia: Memorias del Fundador de the Who
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£14.36
Libros del Kultrum Con Las Horas Contadas: Memorias
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£19.14
Libros del Kultrum Keith Jarrett: Una Biografía
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£19.51
Museum Tusculanum Press Royal Danish Orchestra: The World's Oldest
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£63.19
Museum Tusculanum Press Johann Adolph Scheibe: A Catalogue of His Works
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£68.79
River Publishers Engineering of Music for the Digital Age
Book SynopsisMusical scores like literature, poetry, and technical manuals are documents. The central tenet of this book is that musical composition in the digital age is a form of document engineering. In essence, music shares with other forms of creative content generation from poetry to prose, and from science to science fiction the need for structure, flow, and sources for creativity.Musical composition is considered in this book as the creative process of engineering musical documents with regards to its arrangement, form, texture, and instrumentation, etc. This document then instructs a performance or the creation of an alternative document, such as a recording. In this book, the arrangement of phrases, patterns, and structures seen in music will be illustrated to give new composers a starting point to begin planning and making decisions about their own compositions.The book will also guide those who need assistance in completing a piece. While this is a book about musical composition, it is not meant to be a manual on music theory. Instead, the book keeps its focus on the structural elements of a composition. Its aim is to give the audience a structural road map for composing; whether they are starting a piece from the first note, having a melody in mind already, or need help overcoming a creative hurdle. The book examines compositions that clearly define a form or technique. Among the key compositional elements are: Form, Phrase, Period, and Expression in Composition Rhythm/Motive Melody and Harmony Tonal Center Mode Mixture and Modulation Accompaniment/Instrumentation/Orchestration Composition Techniques and Notation Targeted examples cover all stages of writing a piece, helping to build the reader's composition from the first note into a complete work without promoting a style or harmonic practice. Each chapter contains a sidebar addressing helping the composer to add creative sources for the music making process. Finally, the book concludes with a chapter on creativity in terms of how composed music can affect our lives and even our fairy tales.
£88.34
Museum Tusculanum Press J P E Hartmann og hans kreds: Volume 4 -- En
Book SynopsisThis fourth volume of J P E Hartmann og hans kreds. En komponistfamilies breve 1780-1900 (J.P.E. Hartmann and his Circle. The Correspondence of a Composer Family 1780-1900) contains hitherto unknown letters which have been privately owned until now. The particular focus is on J P E Hartmann's son Emil Hartmann and his struggle for recognition as a composer and not because of his relatives. The letters elucidate this struggle and provide a wealth of information on both the everyday life and the musical scene in the second half of the 19th century in which Emil Hartmann travelled a great deal in Germany where he was a well-known figure. Thus, letters from German celebrities, such as Richard Strauss and Max Bruch are included.
£38.69
Amsterdam University Press The Apollonian Clockwork: On Stravinsky
Book Synopsis‘I think my music deserves to be considered as a whole’, Igor Stravinsky remarked at the end of a long and restless career, and that is exactly what the authors of The Apollonian Clockwork do. In 1982, convinced that there is no essential difference between ‘early’ and ‘late’ Stravinsky, Louis Andriessen and Elmer Schönberger were the first to write a monograph on the composer which radically breaks with the habit of dividing his works into ‘Russian’, ‘neoclassical’ and ‘serial’. In an essay which continually shifts in its approach, style and perspective, the authors elaborate on their insight that a single, immutable compositional attitude underlies the whole of Stravinsky’s oeuvre. By this token the book not only offers an analysis of the composer’s protean work and artistry but takes example by it as well.Trade Review"If you have any abiding interest in 20th-century music, buy this book and read it at once. If music as culture means anything to you, buy this book. It made so little splash the first time around that I've hardly run into anyone who's aware of it. But any composer living would give his left arm to be assured that so witty, wise, creative, simpatico, and insightful a book would be written about him after his death. Richard Taruskin has aptly called it "The one book about Stravinsky Stravinsky would have liked." And, thanks to an editorial miracle, it has reappeared after some 15 years' unforgivable absence." Kyle Gann - Village VoiceTable of ContentsAcknowledgements - 10 Contents - 14 Translator's Note - 16 Preface - 18 Chapter I - 20 Chapter II - 82 Chapter III - 156 Chapter IV - 221 Chapter V - 274 List of Sources - 296 Index - 306
£45.71
Double 9 Booksllp Under The Greenwood Tree; Or, The Mellstock Quire
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£12.79
LMH Publishing Bob Marley: Reggae King of the World
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£17.99
Weldon Owen, Incorporated Eddie Cochran: In Person!: The Lost Treasures of
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£36.00
Schott Musik International GmbH & Co KG Bram Stoker’s Dracula
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£66.50