Music Books

Book SynopsisThis analysis of Duke Ellington's works draws on observations by Ellington himself and by members of his orchestra to show how blues, ragtime and Tin Pan Alley influenced Ellington and how he integrated black folk music practices with elements of European art music.Table of ContentsAn introduction to Ellingtonia. Part 1: Ellington's approach to composition; the Ellington effect; the influence of the blues; the influence of ragtime; the influence of tin pan alley. Part 2: the music of the mature period, 1939-1941; Ko Ko; Mr J.B. Blues; concerto for Cootie; junior hop; subtle slough; some conclusions and comparisons. Appendices: a chronology of Duke Ellington; Ellington's principal sideman; a selective discography; Ellington's copyrighted works; evidence of the blues in classic piano ragtime notes.

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Book SynopsisThis selection of letters written by Hindemith spans his entire career, from World War I until shortly before his death in 1963. They reveal that he was an observant, engaging and opinionated correspondent who took a keen interest in contemporary culture and politics.

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Book SynopsisExamining the life of Kurt Weill, this text explores the phases of the composer's life, from his childhood as the son of a cantor in the Jewish section of Dessau, Germany, to his renunciation of Germany in 1933. It also looks at his emigration to America (1935) and his premature death (1950).

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Book SynopsisWhat would happen, ask the authors of this text, if America were to make good its promise of equal opportunity by granting every qualifying young adult a citizen's stake of 80,000 dollars? They analyze this initiative from moral, political, economic, legal and human perspectives.Trade Review"A serious, smart book, which also functions as a cogent critique of the inequality of opportunity that has become a given in modern America." New Yorker "A Big New Idea so bold in its simplicity, so pure in its claims to justice,...that the only shock is that it is certain to get a hearing as the fight to fix Social Security heats up this year." Matthew Miller, New York Times Magazine "The new century needs political and social innovation even more than it needs business innovation. The authors have done well what intellectuals are supposed, but are seldom bold enough, to do: innovate ideas about important social issues." Jack Beatty, Atlantic Monthly "A big idea like this is significant because it can reframe the public debate. It can change the prevailing assumptions. Eventually, it can change the course of the nation." Robert Reich, Former Secretary of Labor, Washington Post

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Book SynopsisVincenzo Galilei, the father of the astronomer Galileo, was a guiding light of the Florentine Camerata. His "Dialogue on Ancient and Modern Music", published in 1581 or 1582 and here translated into English, was among the most influential music treatises of his era.

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Book SynopsisThe story of the flute in the musical life of Europe and North America from the 12th century to the 21st. It seeks to illustrate the relationship that has bound the instrument, its music, and performance technique together through eight centuries of shifting musical tastes and practices.

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Book SynopsisThis up-to-date book focuses on Beethoven's Ninth Symphony, exploring the cultural and musical meanings that surround this powerful work of genius. The author includes an examination of interpretations of the work by prominent conductors, including Wagner, Mahler, and Weingartner.Trade Review"Levy operates from many perspectives - social, cultural, historical, and theoretical... his scholarship is formidable and absolutely current." B. J. Murray, Choice

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Book SynopsisGeorge Stauffer explores the music and complex history of Bach's last and possibly greatest masterpiece. Stauffer demonstrates Bach's reliance on contemporary models from the Dresden mass repertory and his brilliantly innovative methods of unifying his immense composition.Trade Review"Stauffer's greatest contribution to our knowledge and understanding of Bach's Mass lies in his extensive survey of the Dresden Mass repertory... He also provides an extensive examination of issues of scoring, particularly relevant for the Credo section onwards since Bach's original performing parts - which would have provided many details concerning both instrumental and vocal scoring - do not survive." John Butt, Early Music

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Book SynopsisSuitable for pianists wishing to play Shostakovich's work as well as for listeners, this work studies Shostakovich's largest work for piano, the "Twenty-Four Preludes and Fugues, Opus 87". It describes the cultural contexts in which Shostakovich composed, and relates the cycle to numerous piano works (by Bach, Hindemith, and others).Trade Review"Mazullo knows how to empower a performer’s analytical and imaginative drive. [...He] brings the music to life as a veritable carnival of expression, and gives listeners and performers the means to sample, test, question, connect, refine, judge, and endlessly reconsider all the kinds of expression that the work offers. What a joy this is!" —James Parakilas, Bates College "An outstanding piece of work—illuminating, attractively written [...and] stimulating. It is a book that will be welcomed by scholars of Russian music, readers interested in the cultural life of the Soviet Union, and interested listeners to a remarkable body of repertory."—Michael Steinberg“Written with great style and flair . . . a compelling and cogent case for the art of Shostakovich.”—John Rego, Notes -- John Rego * Notes *"Clear and convincing . . . there is much information articulated here that is useful for most readers who are interested in tackling the mysterious puzzle of Shostakovich's style."—Kori Bond, Clavier Companion -- Kori Bond * Clavier Companion *

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Book SynopsisProvides a revealing picture of the extraordinary Cosima Wagner - illegitimate daughter of Franz Liszt, wife of the conductor Hans von Bulow, then mistress and subsequently wife of Richard Wagner. This biography explores the achievements of this remarkable and obsessive woman while illuminating a chapter of European cultural history.Trade Review"'Oliver Hilmes has written by far the best biography of her... His book is a model of scholarship and also compellingly readable... A major achievement.' (Michael Tanner, BBC Music Magazine) 'This biography of Wagner's wife offers a wonderfully clear-eyed look at the couple's relationship and her fanatical tending of his flame.' (The Sunday Times) 'Oliver Hilmes has produced a surprisingly amusing book.' (Philip Hensher, Daily Telegraph) 'He has written a detailed, fair-minded and fascinating account, not just of a pivotal figure in European musical history, but of an epoch and an ethos: nineteenth-century German cultural and spiritual nationalism.' (Robert Carver, The Tablet) 'This well-written book (translated brilliantly - as ever - by Stewart Spencer) offers a clear and scrupulous insight into how she created and stoked the peculiar mania that infected the Wagner cult.' (Della Couling, Classical Music)"

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Trade Review“A compelling story about perseverance, hardship, craftiness and, ultimately, a kind of seething acceptance of the system that virtually imprisoned her, even as she found that she couldn’t live without it.”—Sarah Kaufman, Washington Post“Like the swans she danced so often—800 performances of ‘Swan Lake’ and unnumbered renderings of the Dying Swan—Maya Plisetskaya, one of the great ballerinas of the last century, mingled beauty and fierceness. . . . She has much to be angry about and, as the Bolshoi’s prima ballerina assoluta for decades and celebrated worldwide, quite a bit to be grateful for. . . . The Plisetskaya memoir is a moving success. Here is the woman, I proclaims, and we see her—not entirely polished but overwhelming—as if she were dancing.”—Richard Eder, New York Times“The fascinating story of how this artist of implacable will confronted and defied the Soviet regime—and eventually had her way. . . . I, Maya Plisetskaya has the virtues of candor and directness, and it has a real story to tell.”—Robert Gottlieb, Los Angeles Times Book Review“A riveting account of pursuing artistic excellence under Soviet oppression. . . . Plisetskaya doesn’t just tell an incredible story. She also lays bare the hard work and uncertainty involved in putting it all in a book. . . . Reading this memoir feels like listening to a wonderfully strong-willed friend.”—Boston Globe“Almost everything about Plisetskaya, now 76, seemed larger than life. And as her wonderfully intimate and detailed new autobiography reveals, that is the result of both her innately bold, born-to-be-a-diva personality, and of the often perilous Soviet political environment in which she forged her career. . . . This is a fascinating memoir, steeped in ambivalence.”—Chicago Sun-Times“I, Maya Plisetskaya isa memoir of the Terror, the Gulag and the very fertile Soviet arts, by the athletic prima ballerina of the Bolshoi Ballet.”—Washington Post Book World“[A]n autobiography that is also a searing indictment of Soviet Russia, of communism and of the blind naiveté with which the Isadoras of this world have often approached her country. . . . Plisetskaya’s memoirs invariably describe a life in dance. But the book’s biggest value lies in being much more than that. I, Maya is social history written by a dancer who transcends the mute language of her art to tell a universal story of suffering and endurance. The thud of irony continually disrupts the mellifluous strains of Tchaikovsky that sounds in the background of a career that spanned 50 years. . . . [A] deliciously subversive book.”—Deirdre Kelly, Toronto Globe & MailSelected as one of the Best Nonfiction Books of 2001 by the Los Angeles Times Book Review

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Book SynopsisNo image of pre revolutionary Russian Jewish life is more iconic than the fiddler on the roof. At a time of both rising anti-Semitism and burgeoning Jewish nationalism, how and why did Russian music become the gateway to Jewish modernity in music? This book offers a fresh perspective on the emergence of Russian Jewish culture and identity.Trade Review“With this solid, savvy, and satisfying book, Loeffler advances Jewish studies, music history, and Russian studies by shedding new light on the stage of a twentieth-century social and musical drama.”—Mark Slobin, author of Fiddler on the Move: Exploring the Klezmer World -- Mark Slobin“The Jews’ remarkable place in the modern history of music – classical, popular and folk – is well known, but rarely subjected to serious analysis. Loeffler’s sophisticated and deeply researched book casts new light both on the Jewish contribution to music in general and to the emergence of specifically ‘Jewish music’ in the Russian Empire, home to the largest and most vital Jewish community in the world."—Ezra Mendelsohn, The Hebrew University -- Ezra Mendelsohn“James Loeffler’s new book is both fascinating and pathbreaking. This important and original contribution to scholarship must be read by students of music, Russian culture, and Jewish history.”—Leon Botstein, President of Bard College, and Music Director and Conductor of the American Symphony Orchestra and the Jerusalem Symphony Orchestra -- Leon Botstein

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Trade ReviewSelected as an "Outstanding" book in 2007 by AAUP University Press Books for Public and Secondary School Libraries Finalist for the George Freedley Memorial Award of the Theatre Library Association."Stephen Banfield's study is a major addition to Kern scholarship."—Gerald Bordman, author of American Musical Theatre: A Chronicle"Banfield's book is heroic in its scope and coverage of a neglected but essential American music icon."—Michael Feinstein, Singer, Music Historian “With P.G. Wodehouse, Jerome Kern wrote some of the first, funniest, and most charming American musical comedy songs; with Oscar Hammerstein, he wrote the great musical epic of the Broadway stage, Show Boat; with Dorothy Fields, he wrote the most enduring jazz and pop standards of the American songbook, including ’The Way You Look Tonight’ and ’I Won’t Dance.’ He did all this and more without ever swimming into either biographical or musicological focus the way Gershwin, Porter, and others did. Stephen Banfield has now rectified both omissions with a book that’s intelligent and authoritative but also a vivid evocation of early twentieth-century show business. This lively study not only conjures Kern and his world but lays out clearly why this music is of value and why it will last.”—Mark Steyn, author of Broadway Babies Say Goodnight

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Trade Review“The first important study of Kander and Ebb. A very useful book, thoughtfully presenting material not otherwise readily available.”—Raymond Knapp, UCLA“James Leve beautifully distills and clarifies the fundamental reasons for Kander and Ebb’s popularity and long term significance. This is a wise and musically informed interpretation of the team’s remarkable creative process, rich in fascinating detail.”—Thomas L. Riis, author of Frank Loesser

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Book SynopsisTrade Review"Fresh and defining anthologies of the writer."—Will Hermes, Rolling Stone"[A] treasure trove of previously unavailable interviews by a premier journalist who unfailingly asked perceptive and probing questions."—Library Journal"The kind of righteous combination of sociocultural theory and radical politics that, today, you might find on Mark Fisher’s K-punk blog, or in the odd article Ben Watson is able to sneak past editors. In 1970, Gleason wrote 'If there is no way to change this world without killing half of us, then fuck it. I’ll do my best to have a ball and go out swinging.' The world still needs changing. We still need writing like this."—Daniel Spicer, The Wire"Gleason was clearly a great listener, to both the music and the people who produced it, and the nuggets of wisdom and frank self-revelation he elicits from the likes of John Coltrane, Quincy Jones, Dizzy Gillespie et all, constitute a great contribution to our understanding of a pivotal era of jazz."—Chris Parker, London Jazz"The experience of reading this book is more akin to eavesdropping on private conversations: indeed you almost feel as if you’re in the room with Gleason as he gets into a discussion with Jones over the pitfalls of being a bandleader, and listens to Coltrane meditate on what motivates him in his exploration of sound."—Charles Waring, Record Collector"An able guide to this American province."—Daniel Matlin, Literary Review“Ralph Gleason had a masterfully succinct interviewing style, and he elicited the candid thoughts of his subjects whose responses create a time capsule of a fascinating moment in jazz. This book is a portal into the mystic and insular world of jazz musicians and their interest in both tradition and innovation. I recommend this book to anyone who is curious about how the music is understood by the people who play it.”—Lenny Pickett"Louis Armstrong once declared: 'What we play is life.' For his part, Ralph J. Gleason venerated and joyfully embraced the music of life and the musicians who played it, and the the memorable interviews that he conducted with the extraordinary jazz creators featured in this book are themselves revelatory conversation-performances that illuminate with wit, depth, love, and insight the life and soul of music itself."—Jonathan Cott"I’ve been digging Ralph Gleason’s dialogues in jazz since before I was born! My father and Ralph were still teenagers when John Hammond brought the first Lester Young recordings to them in a dorm room. So the discussions began. I heard some later ones on their original broadcasts, but the interviews in this book come from a private stash—at home—somewhat as it started 80 years ago."—Phil Schaap"Ralph Gleason brought jazz into countless American living rooms during the 1960s through his TV series, 'Jazz Casual.' Yet the one-on-one discussions in his own Berkeley living room—tape recorder rolling, Gleason and one or another of jazz’s greats sitting in overstuffed leather chairs—tell deeper stories. Here, framed with a wise and light touch by Ted Gioia, we get windows into personal worlds: John Coltrane on the cusp of a breakthrough; Sonny Rollins entering a period of reclusion; 'Philly' Joe Jones sharing drumming tradecraft and history; Duke Ellington explaining why, in music as in life, problems are opportunities."—Larry Blumenfeld"What a great opportunity to eavesdrop on these conversations with some of my musical heroes. Trane, Duke, Sonny. Are you kidding?"—Steve Elson

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Book SynopsisMoonlight Serenade, Sunrise Serenade, Little Brown Jug, In the Mood... These and other memorable tunes endeared Glenn Miller to millions in the Swing Era and all who recall those times. After playing trombone and arranging for leading orchestras of the Dorsey brothers, Ray Noble, Ben Pollack, and Red Nichols, Glenn Miller formed his own sweet band, which from 1938 to 1942 achieved widespread popularity second only to Benny Goodman''s. Miller learned all he could from these and other bands like Jimmie Lunceford''s and Artie Shaw''s, going on to create a uniquely rich sound with clarinet over four saxes and four trombones (three-part harmony sounds too thin, he once exclaimed). Simon tells of both the successes and hard times of Miller''s illustrious career, up to his celebrated Army Air Force band and his untimely death.

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Book SynopsisNotes and Tones is one of the most controversial, honest, and insightful books ever written about jazz. As a black musician himself, Arthur Taylor was able to ask his subjects hard questions about the role of black artists in a white society. Free to speak their minds, these musicians offer startling insights into their music, their lives, and the creative process itself. This expanded edition is supplemented with previously unpublished interviews with Dexter Gordon and Thelonious Monk, a new introduction by the author, and new photographs. Notes and Tones consists of twenty-nine no-holds-barred conversations which drummer Arthur Taylor held with the most influential jazz musicians of the ''60s and ''70s,including:Table of Contents* Introduction to the Da Capo Edition * Dexter Gordon * Miles Davis * Randy Weston * Ornette Coleman * Philly Joe Jones * Don Byas * Ron Carter * Johnny Griffin * Charles Tolliver * Eddie Lockjaw Davis * Erroll Garner * Leon Thomas * Max Roach * Dizzy Gillespie * Carmen McRae

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Book SynopsisAs Nat Hentoff says, Hearing Bix for the first time was like waking up to the first day of spring. Bix has always inspired such acclaim, for he was an unmatched master of the cornet. Ralph Berton was privileged enough to have been a fan,and younger brother of Bix''s drummer,just as Beiderbecke''s genius was flowering, before he died in 1931 at age twenty-eight. Listening from behind the piano, tagging along to honky-tonks and jam sessions, Berton heard some of the most extraordinary music of the century, and he brings Bix and his era alive with a remarkable combination of the excitement of youth and the perspective of the five decades that followed,decades that confirmed Bix''s place in the pantheon of jazz.

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Book SynopsisBack in the early 1940s, late at night in the clubs of Harlem, a handful of jazz musicians began to experiment with a style that no one had ever heard before. The music was fast, complicated, impossible to play for many of the older musicians,but it soon became the lingua franca of jazz music. They called it bebop, and as the years went by, it became even more popular. Today it reigns as perhaps the best-loved style of jazz ever created. Ira Gitler conveys the excitement of this musical birth as only someone who was there can. In The Masters of Bebop, Gitler traces the advent of what was a revolution in sound. He profiles the leading players,Charlie Parker, Dizzy Gillepie, Max Roach,but also studies the style and music of the first disciples, such as Dexter Gordon and J. J. Johnson, to reveal bebop''s pervasive influence throughout American culture. Revised with an updated discography,and with a new chapter covering bebop right up through the end of the twentieth century, The Masters

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Book SynopsisCertainly no singer has been more mythologized and more misunderstood than Billie Holiday, who helped to create much of the mystique herself with her autobiography, Lady Sings the Blues . Now, finally, we have a definitive biography, said Booklist of Donald Clarke''s Billie Holiday , by a deeply compassionate, respectful, and open-minded biographer [whose] portrait embraces every facet of Holiday''s paradoxical nature, from her fierceness to her vulnerability, her childlikeness to her innate elegance and amazing strength. Clarke was given unrivaled access to a treasure trove of interviews from the 1970s,interviews with those who knew Lady Day from her childhood in the streets and good-time houses of Baltimore through the early days of success in New York and into the years of fame, right up to her tragic decline and death at the age of forty-four. Clarke uses these interviews to separate fact from fiction and, in the words of the Seattle Times , finally sets us straight. . .evokin

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Book SynopsisCrosby, Stills, Nash & Young have been hailed as The American Beatles and Folk-Rock''s Mount Rushmore. They launched a trail-blazing acoustic-electric sound in 1969 and have been captivating listeners with their music ever since. Coming together as refugees from three seminal''60s bands-the Byrds, Buffalo Springfield and the Hollies-the combined talents of David Crosby, Stephen Stills, Graham Nash and Neil Young have influenced several generations of musicians while proving to have enduring appeal to fans of all ages. As rock and roll''s first supergroup, CSNY generated an enormous amount of media scrutiny-from their galvanizing appearance at Woodstock to multi-platinum, chart-topping albums such as Deja Vu, from David Crosby''s miraculous recovery from life-threatening addictions to the band''s resurgence for enormously successful concert tours. Now, noted CSNY historian Dave Zimmer distills the best of the journalism on these four remarkable artists, ranging from group portraits to i

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Book SynopsisJane''s Addiction''s 1988 breakthrough album, Nothing''s Shocking , had a seismic impact. With a bracing combination of metal, punk, and psychedelia, coupled with lead singer Perry Farrell''s banshee-ina- wind-tunnel vocals, Jane''s Addiction helped put alternative music on the map. The band helped pave the way for the mainstream success of bands like Pearl Jam, Soundgarden, and Nirvana. Along the way, Jane''s Addiction released another classic album, Ritual de lo Habitual (with the hit Been Caught Stealing), founded the Lollapalooza festival, and openly celebrated a bacchanalian lifestyle that blurred all lines of gender and sexuality. Drawn from original interviews with the band, their friends, and their musical colleagues, Whores takes readers through Farrell''s early sonic experiments with Psi-Com and the formative days of Jane''s Addiction to their drug-addled break-up and controversial reunion with 2003''s Strays . Along the way it provides a candid, often disturbing glimpsTrade Review"At each other's throats before they'd written a single song, Jane's Addiction's history was a drug-sick, sex-fuelled soap opera fleshed out by artist, gangsters, hucksters and prostitutes. Mullen draws jaw-dropping tales from all in their messy orbit while keeping their inspirational music front and centre. Horrifying, but utterly compelling". Q Magazine - 4 star review "Whores is different. Yes, there's overdoses, orgies, Hell's Angels, transsexual sex, heroin and on-stage punchups here, but all the chaos and bacchanalia is balanced with a little reflection. NME"

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Book SynopsisSwing has never gone out of style. It was the music the Greatest Generation danced to--and went to war to. And no musician evokes the Big Band era more strikingly than Tommy Dorsey, whose soaring trombone play and hit tunes influenced popular music for a generation. Tommy Dorsey (1905-1956) led a rich and complex life. Beginning with his childhood in the coal mining towns of Pennsylvania, we follow the young trombonist''s journey to fame and fortune during the Jazz Age. Tommy, with his brother Jimmy, created one of the most popular bands of the era and played with such giants as Bing Crosby and Glenn Miller. They also launched the career of a skinny young singer named Frank Sinatra. But Tommy''s volcanic personality eventually split the band and Tommy went off on his own. Drawing on exhaustive new research and scores of interviews with the musicians who knew him best, Levinson delves into Dorsey''s famously eccentric lifestyle and his oversize appetite for drink, women, and perfection. The first biography on Dorsey in more than thirty years, Tommy Dorsey is a dazzling portrait of the Big Band''s brightest star--his tumultuous life, his turbulent times, and the unforgettable music that made him a legend.Trade Review"This is the best biography of a big-band leader I have read in years... The picture it paints of Dorsey the person is not always pretty...but it rings true...He covers the full arc of Dorsey's career in a way that previous books about him have not." Crescendo and Jazz Magazine"

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Book SynopsisBlack Tooth Grin is the first biography of Dimebag Darrell Abbott, the Texas-bred guitarist of the heavy metal band Pantera, who was murdered onstage in 2004 by a deranged fan,24 years to the day after John Lennon met a similar fate. Darrell Abbott began as a Kiss-inspired teenage prodigy who won dozens of local talent contests. With his brother, drummer Vinnie Abbott, he formed Pantera, becoming one of the most popular bands of the ''90s and selling millions of albums to an intensely devoted fan base. While the band''s music was aggressive, Dime was outgoing, gregarious, and adored by everyone who knew him. From Pantera''s heyday to their implosion following singer Phil Anselmo''s heroin addiction to Darrell''s tragic end, Black Tooth Grin is a moving portrait of a great artist.Trade ReviewThe Bookseller, 3/2/09 "This long-awaited account of a hard rocking life cut short has real cult sleeper potential." Booklist, 6/1/09 "Crain describes the career of an accomplished and influential guitarist...Crain's iteration of the man and his career...is a fitting memorial." Texas Monthly, June 2009 "[Crain] captures the essence of the band's virtuoso guitarist, who was revered by musicians and fans alike for his outrageous skills and everyman persona." Dallas Morning News Texas Pages blog, 5/30/09 "Chronicle[s] Abbot's life and career with careful detail and just the right amount of appreciation."

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Book SynopsisOffers a behind-the-scenes look at the development of almost two hundred musical flops that played Broadway between 1950 and 1990.

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Book SynopsisAs the country continued to develop a musical style apart from Europe, its church and religious music and opera took on new forms. This volume presents the composers, musicians, songwriters, instruments and musical forms that uniquely identify the Gilded Age.Chapters include: Concerts and Symphony orchestras;Trade ReviewBoth respected musicologists, Ogasapian and Orr took up a daunting challenge because they had to run the gamut from art music (and its various supporting institutions) to various types of popular theater and popular music (and their venues) and at the same time show how this huge and diverse body of music both reflected and influenced society. Organized by genre, this compendium draws on a vast amount of information, taken from approximately 175 writings on American music. The authors stress basic social themes of the period: industrialization, acquisition of wealth, population growth, immigration, territorial expansion, communication, race, and religion. No single piece of music is discussed in any detail and even major composers are not treated in depth. The reader will come away from this book with an appreciation of both the quantity and diversity of music that kept pace with the growth of a nation from relative insularity to a world power. Recommended. Lower-/upper-division undergraduates; general readers. * Choice *For general readers, Ogasapian and Orr provide a history of music during the Gilded Age in the US, organized by genre and including both classical and popular music, with chapters on orchestras and concert music, opera, church music, and popular songs, as well as information on important critics, composers, and conservatories, and amateurs and entrepreneurs. Music is described in terms of its basic elements and social, economic, political, technological, and religious influences. * Reference & Research Book News *

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Book SynopsisTHEO VAN LEEUWEN is a filmmaker, jazz musician and semiotician. He is Chair in Language and Communication at Cardiff University. Previously, he worked at the London School of Printing and at Macquarie University, Australia. He is the co-author, with G. Kress, of Reading Images.

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Book SynopsisANDY BENNETT is Lecturer in Sociology at the University of Surrey. Prior to studying for his Ph.D at Durham University between October 1993 and October 1996 he spent two years in Germany working as a music teacher with the Frankfurt Rockmobil project. He has published articles on aspects of youth culture, popular music, local identity and music and ethnicity in a number of journals, including Sociological Review, Media Culture and Society and Popular Music. He is currently co-editing a book on guitar cultures.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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